s converted Toyota Prius at Google's Mountain View campus.]] RechargeIT is one of five initiatives within Google.org, the charitable arm of Google, created with the aim to reduce CO₂ emissions, cut oil use, and stabilize the electrical grid by accelerating the adoption of plug-in electric vehicles.

History

s available in the garage designated for converted plug-in hybrids at Google's Mountain View campus.]] The RechargeIT initiative was unveiled in June 2007. As part of the program Google.org awarded US$1 million in grants and announced plans for a US$10 million request for proposals to fund development, adoption and commercialization of plug-in hybrids, fully electric cars and related vehicle-to-grid (V2G) technology. As part of the program Google established a partnership with Pacific Gas and Electric Co. to develop software for energy management.

Together with the announcement of the initiative, Google also announced that it had switched on the solar panel installation at its Mountain View, California headquarters in order to help the company reduce its environmental footprint and also to power its plug-ins with clean solar electricity. At 1.6 megawatts the project became the largest solar installation at that time on any corporate campus in the U.S. and one of the largest on any corporate site in the world.

Google's carsharing program

By early 2010 Google's Mountain View campus had 100 available charging stations for its share-use fleet of converted plug-in hybrids available to its employees through a free carsharing program and for those employees who drive to work in their Tesla Roadster electric cars.

Driving experiment

In addition to the data collected for two years when the converted plug-ins were driven by Google employees, RechargeIT set up a controlled test using three conventional gasoline vehicles, two regular hybrids and two plug-in converted Ford Escape Hybrid and Toyota Prius. The results of the seven-week driving experiment for the converted Prius plug-in showed an average fuel economy of across all trips, and for city trips, the maximum reached for any of the driving conditions tested. A summary of the results of the seven-week driving experiment are the following

See also

Better Place

CalCars

Google driverless car

Google PowerMeter

Plug-in hybrids in California

United States energy independence

References

External links

RechargeIT home page.

Google.org RechargeIT: Plug-in Hybrids by Google at YouTube. 15 June 2007.

RechargeIT: The Driving Experiment by Google.org at YouTube. 22 July 2008.

Category:Google Category:Transportation in California Category:Sustainable transport United States

Name	Rambo Amadeus
Background	solo_singer
Birth name	Antonije Pušić
Born	June 14, 1963Kotor, Montenegro, SFR Yugoslavia
Instrument	Electric guitar
Genre	Jazz, Nu jazz, Rock
Occupation	Singer-songwriter, Guitarist
Url	www.ramboamadeus.com

Rambo Amadeus (Cyrillic: Рамбо Амадеус, born June 14, 1963 in Kotor, Montenegro, former Yugoslavia) is the stage name of the Belgrade-based Montenegrin singer-songwriter Antonije Pušić, popular all over the former Yugoslavia. A self-titled "musician, poet, and media manipulator" continues to be one of the most interesting phenomena on music scene(s) of the former Yugoslavia.

His songs combine satirical lyrics on the nature of common people and silliness of local politics. He uses a mixture of musical styles including jazz and Rock (converging towards drum and bass lately), and self-conscious ironic wit (for example, one of his aliases is "Rambo Amadeus Svjetski Mega Car" (RASMC) — "Rambo Amadeus World Mega Tzar"). His stage name itself is made from John Rambo and Wolfgang Amadeus Mozart. Known also as a "charming king of jovial pop", his concerts are never mere repetitions of recorded songs, but a mixture of musical improvisation and humor exploiting all aspects of human nature in a crude manner. Some fans compare his style and career path with those of Frank Zappa or Captain Beefheart.

Early life

He is a graduate of the University of Belgrade's Faculty of Mathematics and Natural Sciences and he also completed six grades of elementary music school for piano before dropping out.

Before taking up music as a career choice, Rambo was an accomplished competitive sailor. Between 1972 and 1984, he represented Yugoslavia in numerous international regattas. During this period he was champion of Montenegro several times, an 8-time South-Adriatic champion, national title winner in the junior category, as well as International Đerdap Cup winner in 1980. He still occasionally attends and participates in some recreational sailing regattas in the Gulf of Kotor.

He began to sing and compose during first year of high school (gymnasium) which soon led to involvement with various local bands in Herceg Novi and Titograd. One of his first performances saw him play the mandolin in an orchestra that entertained guests of Herceg Novi's Plaza hotel.

In 1985, he moved to Belgrade in pursuit of higher education. Parallel to his university studies, he also played with various amateur bands and musicians.

Musical career

1980s

In 1988 he dropped onto the music scene right out of nowhere with a debut album O tugo jesenja. His sound was a seemingly coarse blend of folkish ululations and even opera, further mixed in with humorous lyrics and classic guitar riffs. Since very few people had any prior knowledge of him, Rambo delighted in creating confusion by introducing himself as Nagib Fazlić Nagon, mine shaft operator who saved up enough money to record an album. He referred to his own musical style as turbo folk, long before the term would obtain grave social connotations and come to symbolize moral and cultural decline throughout the Balkans during the wars of the 1990s.

In reality, it was actually thanks to producer Saša Habić that Rambo got the opportunity to sign for the state television's record company PGP RTB (Rambo later wrote an anecdotal tribute to that event, in the hit song "Balkan boy"). Habić also played the synthesizer on this album, from which a track named "Vanzemaljac" (Extraterrestrial) continues to be very popular to this day. The record's sales weren't particularly high, but Rambo certainly created enough of a buzz to be able to remain active on the scene.

Next album Hoćemo gusle came out in 1989 and gave a small taste of much of Rambo's future musical direction - overt political activism. The track "Amerika i Engleska (biće zemlja proleterska)" was originally supposed to be named "Kataklizma komunizma" (Cataclysm of Communism) but powers that be wouldn't allow it. The album title pokes fun at a bizarre event from the 1989 protests in Montenegro that eventually grew into the anti-bureaucratic revolution that swept Milo Đukanović, Momir Bulatović, and Svetozar Marović into power. Protesters were heard chanting "Hoćemo Ruse" ("We want the Russians"), but when the authorities and state-controlled media criticized them for it, many quickly began backpedaling by claiming they actually chanted "Hoćemo gusle" ("We want gusle").

Other songs like "Glupi hit" and afore mentioned "Balkan boy" would also become considerable hits and Rambo even received solid critical acclaim for chances he took in "Samit u buregdžinici Laibach". On that track, he created a catchy hybrid by mixing pretentiously heavy sound of Laibach with poetry of Laza Kostić and Desanka Maksimović, as well as with folk kafana standard "Čaše lomim" and his own turbo-poetry. Album sleeve lists the lyrics of a song that wasn't actually recorded and explains that "it was dropped at the last moment because there was no room for it" but gives assurances it would appear on the next album. Since the song in question, named "Pegepe ertebe", was all about taking shots at Rambo's label PGP RTB it isn't surprising that it didn't appear on the next, or any subsequent album for that matter.

1990s

As the 1990s were beginning, Rambo was growing into an established performer. His third album M-91 came out towards the end of 1991 at a time when the conflict across former Yugoslavia was already in full swing. For obvious reasons, the least of which was the album's subtitle - Psychological Propaganda Set, many songs contained heavy lyrics and a dark, militaristic atmosphere. In your face profanity and descriptive cursing was also par for the course, making this the first major music release in former Yugoslavia to take such narrative liberties. Tracks like "Smrt popa Mila Jovovića" (30-year old poem by Božo Đuranović), "Jemo voli jem" (incorporating samples from Yugoslav aviators' anthem "Hej vojnici vazduhoplovci" as well as Šemsa Suljaković's "Izgubila sve sam bitke"), "Inspektor Nagib" and "Zdravo damo" became instant hits.

The discrepancy between what's listed on the cover and what is actually recorded is there again as sleeve announces the track called "KPGS" which would, this time for real, appear on the next live album, but does not list "Halid invalid Hari" and "Prijatelju, prijatelju" which were included and became big hits. Many consider the two tracks to be classic Rambo: observant, opinionated, direct and profane. The latter of the two originally included excerpts from Slobodan Milošević and Franjo Tuđman speeches, but the record company censors took them out.

This album further solidified Rambo's presence on the scene as he started playing bigger arenas like Sava centar. Due to outspoken and entertaining nature he would often get invited on various TV and radio outlets across the country.

Trying to take the new situation in stride, he hit the road, becoming one of the first performers from FR Yugoslavia to regularly start touring Macedonia and Slovenia in the years following those states' declarations of independence.

After live album KPGS (taped on December 29, 1992 in Skopje) that included new studio track "Karamba karambita" followed by a greatest hits compilation Izabrana dela 1989–1994, Rambo recorded peculiar new material during July 1995 in Paris with Goran Vejvoda. Released the following year as Mikroorganizmi, it featured inaccessible, moody sound garnered with terse, experimental lyrics marking a sizable departure from his usual antics.

He simultaneously released Muzika za decu, personal musical take on Ljubivoje Ršumović's poetry featuring two bonus new tracks - "Sex" and "ABVGD".

Old-school Rambo fans did not have to wait long for a return to earlier style. Towards the end of 1996, on Titanik he delivered a new batch of traditional fare like "Šakom u glavu", "Sado-mazo", "Zreo za penziju" and "Otiš'o je svak ko valja" (dedicated to Toma Zdravković and members of Šarlo Akrobata). Seasoned musicians like Ognjan Radivojević (later to perform with Goran Bregović and Zdravko Čolić), Goran Ljuboja, Dragan Markovski and Marija Mihajlović took part in recording sessions for this album.

Extensive tour followed and it again included Slovenia (live album was recorded over two Ljubljana concerts in April 1997 and later released as R.A. u KUD France Prešern), as well as Bosnia where Rambo appeared as a guest at Sejo Sexon's Zabranjeno pušenje gig in Sarajevo. That appearance in December 1997 was the first post-war visit by a Serbian-Montenegrin performer to the Muslim part of Bosnia.

On June 9, 1998, Rambo played Belgrade's Dom sindikata hall in what he announced to be the farewell performance before retirement. Even if many doubted his sincerity, the concert was a memorable one. Soon, Rambo packed his bags and left for the Netherlands, though not before squeezing in two more shows in Bosnia. In the Netherlands, he worked a series of menial jobs including construction, before deciding to return to Belgrade after only 4 months abroad. Back home, not surprisingly, he also returned to music and continued to break down inter-ethnic barriers: on December 10, 1998, he and Margita Stefanović played a show in Pula at the local cinema with KUD Idijoti, which was a first opportunity since the war for a Croatian audience to see performers from Serbia and Montenegro.

2000s

Throughout the year 2000, Rambo worked on what would eventually become the Don't Happy, Be Worry album. This album included the song Laganese in which sampled the Norwegian journalist Åsne Seierstad singing the Norwegian Folk song Eg rodde meg ut på seiegrunnen and swearing. By this time, sampling and local pop-cultural references became two more staples of his sound, and this material, too, was heavy on both. Produced by Iztok Turk, it featured tracks like "Čoban je upravo napustio zgradu" (loose cover of Neda Ukraden's "Zora je svanula"), "Moj skutere" that borrows from Oliver Dragojević's "Moj galebe", and "Izađite molim" with sprinkled in dialogues from Goran Marković's 1975 movie Variola vera.

In 2004, Rambo released his third live album Bolje jedno vruće pivo nego četri ladna, which was followed by the studio album Oprem dobro in mid-2005.

He made a song "Dikh tu kava" in collaboration with ethno-jazz fusion band Kal, and in 2007 he appeared on their album as a featured artist in the song "Komedija" ("Comedy").

He gave us another extraordinary performance called "Mixing of alternative rocks" in autumn 2007, when he "played" on 12 concrete mixers in front of the audience, during The Alternative Rock Festival in SKC, Belgrade.

For the purpose of the New Year's show on RTV, he appeared in the song "Rakija" followed by Zorule, the traditional folk orchestra. This song was used later as one of the tracks for "Vratiće se rode" tv serial. In February 2008, Rambo Amadeus performed as a guest star of The RTS Big Band jazz orchestra, for their 60th Anniversary.

Hipishizik Metafizik is his latest studio album, released for PGP RTS in July 2008.

Other endeavours

In addition to a prolific solo recording career, Rambo frequently engaged in different, often bizarre side projects.

In 1989 in Sarajevo, for a short while, he hosted an erotic quiz show with actress Jasna Beri named Turbo-lilihip, which aired on a local TV station SA3.

He wrote music for different theatre plays such as , , as well as for which he was awarded Sterija prize in 1994. Rambo also wrote lyrics for commercial folk stars like Lepa Brena and Vesna Zmijanac, as well as the entire score for 1994 film , which was a star vehicle for another folk performer Dragana Mirković.

That same year he wrote a musical base for 1927 silent movie Metropolis by Fritz Lang. At a movie screening at Sava Center, Rambo's music was played by Belgrade Philharmonic. The material was later recorded by Rambo himself along with Miroslav Savić and Heavily Manipulated Orchestra, and released as Metropolis B (Tour de Force).

A year later, he arranged a cadenza within "A concerto for piano and orchestra in C-minor" by W.A. Mozart. In 1995, candenza was performed by Ivan Tasovac, while the entire concert was conducted by Oskar Danon at Belgrade's Kolarac concert hall.

Since early 2005 Rambo has been writing a column (Mega-Imperial Thoughts) for the daily tabloid Blic. He was a guest on Studio B's Agape program together with Serbian Orthodox priest Porfirije where they talked about the meaning of life, finding your self, slowing down, drug abuse and rehabilitation.

Discography

Studio albums

1988 - O tugo jesenja (Oh Autumn Sorrow), PGP RTB

1989 - Hoćemo gusle (We Want Gusle) , PGP RTB

1991 - Psihološko propagandni komplet M-91 (Psychological Propaganda Set M-91), PGP RTB

1995 - Muzika za decu (Music for Children), B92

1996 - Mikroorganizmi (Microorganisms), Komuna

1997 - Titanik, Komuna

1998 - Metropolis B (tour-de-force), B92

2000 - Don't happy, be worry, Metropolis (Released as Čobane vrati se (Shepherd, Come Back) in Slovenia and Croatia by Dallas Records)

2005 - Oprem Dobro, B92

2008 - Hipishizik Metafizik, PGP RTS

EPs

2008 - Yes No, Hip Son Music/Tunecore

Live albums

1993 - Kurac, Pička, Govno, Sisa (Dick, Pussy, Shit, Tit), Gema & DE

1998 - R.A. u KUD France Prešern, Vinilmania

2004 - Bolje jedno vruće pivo nego četri ladna (One Hot Beer is Better than Four Cold Ones), Metropolis

Compilations

1994 - Izabrana dela (Selected Works), PGP RTS

1998 - Zbrana dela 1 (Selected Works 1), Vinilmania

1998 - Zbrana dela 2 (Selected Works 2), Vinilmania

References

Janjatovic, Petar. Ilustrovana ex-Yu rock enciklopedija 1960–2000 (dopunjeno izdanje). Novi Sad: Prometej, 2001.

External links

Official website

Official MySpace Page

Official YouTube Page

Official Facebook Page

Category:1963 births Category:Living people Category:Montenegrin male singers Category:Montenegrin singer-songwriters Category:People from Kotor Category:Yugoslav musicians Category:University of Belgrade alumni