Youtube results:
Tacoma Dome | |
---|---|
Location | 2727 East D Street Tacoma, Washington 98421 |
Coordinates | 47°14′12″N 122°25′36″W / 47.23667°N 122.42667°W / 47.23667; -122.42667Coordinates: 47°14′12″N 122°25′36″W / 47.23667°N 122.42667°W / 47.23667; -122.42667 |
Broke ground | July 1, 1981 |
Opened | April 21, 1983 |
Owner | City of Tacoma |
Operator | City of Tacoma |
Construction cost | $44 million ($103 million in 2012 dollars[1]) |
Architect | McGranahan Messenger Associates[2] |
General Contractor | Merit Co.[2] |
Capacity |
5,000 – 23,000
|
Tenants | |
Tacoma Stars (MISL) (1983–1992) Tacoma Express (MLFS) (1990) Seattle Sounders (USL) (1994) Tacoma Rockets (WHL) (1991–1995) Seattle SuperSonics (NBA) (1994–1995) Tacoma Sabercats (WCHL) (1997–2002) |
The Tacoma Dome (constructed by Tacoma Dome Associates, led by McGranahan Messenger Architects, a design build entity) is an indoor arena located in Tacoma, Washington, USA, approximately 30 miles south of Seattle.
Contents |
Upon winning an international design competition, local architects McGranahan and Messenger completed the Tacoma Dome in 1983 for $44 million which opened on April 21, the arena seats 17,100 for basketball. It is the world's largest arena with a wooden dome in terms of total volume and seating capacity (23,000), with a diameter of 530 feet (160 m) and a height of 152 feet (46 m).[3] The Superior Dome in Marquette, MI is larger in diameter at 536 feet (163 m), but is only 143 feet (44 m) high and only seats a maximum of 16,000.[4] The Superior Dome is also not a geodesic dome; it is a planar radian structure of glue-laminated beams.[citation needed] Unlike most other arenas of its size, the arena contains little in the way of fixed seating so as to maximize the flexibility of the seating arrangements and of the shape of the playing field. It can even host American football, albeit with seating reduced to only 10,000.
The arena hosted the Seattle SuperSonics from 1994-1995 while the Seattle Center Coliseum was being renovated into the venue now known as KeyArena as well as various regular season Sonics games during other seasons. It also hosted the Tacoma Rockets Western Hockey League team from 1991 to 1995, the Tacoma Sabercats of the West Coast Hockey League from 1997 to 2002, The Tacoma Stars indoor soccer team of the MISL from 1984 to 1992, gymnastics events during the 1990 Goodwill Games, numerous other minor league ice hockey and indoor soccer teams. The Dome also hosted the NCAA Women's Final Four in back to back years (1989-1990).
The Tacoma Dome hosted NHL preseason exhibition games in 1983, 1984, 1988, and 1992,[5] and has been mentioned as a possible venue for a relocated NHL franchise. [6]
The Professional Bull Riders hosted a Built Ford Tough Series bull riding event at the Dome annually between 2003 and 2009.
The first concert in the Tacoma Dome was David Bowie, with The Tubes as his opening act.
Also in the Dome's first year, Billy Graham hosted one of his crusades. He returned to the Tacoma Dome in 1991. In both crusades Graham averaged 30,000 spectators every night.
The Tacoma Dome is also known for its controversial neon art. In 1984 the Stephen Antonakos piece displayed inside the dome was the subject of intense debate over public funding of artworks for public works projects.[citation needed]
Wikimedia Commons has media related to: Tacoma Dome |
Preceded by Johnson Hagood Stadium |
Host of the NCAA Division I-AA National Championship Game 1985–1986 |
Succeeded by Mini Dome |
Preceded by Seattle Center Coliseum |
Home of the Seattle SuperSonics 1994–1995 |
Succeeded by KeyArena |
|
It has been suggested that Thea Foss Waterway be merged into this article or section. (Discuss) Proposed since March 2011. |
Tacoma | |||
---|---|---|---|
— City — | |||
City of Tacoma | |||
|
|||
Nickname(s): The City of Destiny | |||
Location of Tacoma in Pierce County and Washington State |
|||
Coordinates: 47°14′29″N 122°27′34″W / 47.24139°N 122.45944°W / 47.24139; -122.45944Coordinates: 47°14′29″N 122°27′34″W / 47.24139°N 122.45944°W / 47.24139; -122.45944 | |||
Country | United States | ||
State | Washington | ||
County | Pierce | ||
Government | |||
• Type | Council-manager | ||
• Mayor | Marilyn Strickland (D) | ||
Area | |||
• City | 62.6 sq mi (162.2 km2) | ||
• Land | 50.1 sq mi (129.7 km2) | ||
• Water | 12.5 sq mi (32.5 km2) | ||
Elevation | 243 ft (74 m) | ||
Population (2011)[1] [2] | |||
• City | 203,397 | ||
• Density | 3,920/sq mi (1,515/km2) | ||
• Metro | 3,500,900 | ||
• Demonym | Tacoman (plural: Tacomans) | ||
Time zone | PST (UTC-8) | ||
• Summer (DST) | PDT (UTC-7) | ||
Area code | 253 | ||
FIPS code | 53-70000[3] | ||
GNIS feature ID | 1512713[4] | ||
Website | www.cityoftacoma.org |
Tacoma ( /təˈkoʊmə/, US dict: tə·kō′·mə) is a mid-sized urban port city and the county seat of Pierce County, Washington, United States.[5] The city is on Washington's Puget Sound, 32 miles (51 km) southwest of Seattle, 31 miles (50 km) northeast of the state capital, Olympia, and 58 miles (93 km) northwest of Mount Rainier National Park. The population was 198,397, according to the 2010 census.[1] Tacoma is the second-largest city in the Puget Sound area and the third largest in the state. Tacoma also serves as the center of business activity for the South Sound region that has a population of around 1 million people.
Tacoma adopted its name after the nearby Mount Rainier, originally called Mount Tahoma. It is known as the "City of Destiny" because the area was chosen to be the western terminus of the Northern Pacific Railroad in the late 19th century. The decision of the railroad was influenced by Tacoma's neighboring deep-water harbor, Commencement Bay. By connecting the bay with the railroad Tacoma's motto became "When rails meet sails." Today Commencement Bay serves the Port of Tacoma, a center of international trade on the Pacific Coast and Washington state's largest port.
Like most central cities, Tacoma suffered a prolonged decline in the mid-20th century as a result of suburbanization and divestment. Since the 1990s, developments in the downtown core include the University of Washington, Tacoma; Tacoma Link, the first modern electric light rail service in the state; the state's highest density of art and history museums; and a restored urban waterfront, the Thea Foss Waterway.
With a long history of blue-collar labor politics — from the railroad workers of the 19th century, to the longshoremen of the 20th century, to the Labor Ready workers of today — Tacoma has long been known for its rough, gritty image.[6][7] Tacoma is also known for the odor—albeit reduced in recent years—caused by the Simpson Kraft pulp mill, known as "the aroma of Tacoma." A song about Tacoma, "Thrice All American", by American singer-songwriter and former resident Neko Case, describes it as "a dusty old jewel in the South Puget Sound / where the factories churn / and the timber's all cut down".[8]
Tacoma-Pierce County has been named one of the most livable areas in the country.[9] Tacoma was also recently listed as the 19th most walkable city in the country.[10] In contrast, the city is also ranked as the most stressed-out city in the country in a 2004 survey.[11] In 2006, women's magazine Self named Tacoma the "Most Sexually Healthy City" in the United States.[12]
Tacoma is famous for the 1940 collapse of the Tacoma Narrows Bridge.
Tacoma was inhabited for thousands of years by American Indians, predominantly the Puyallup people, who lived in settlements on the delta.
In 1852 a Swede named Nicolas Delin constructed a sawmill powered by water on a creek near the head of Commencement Bay, but the small settlement that grew up around it was abandoned during the Indian War of 1855-1856. In 1864, pioneer and postmaster Job Carr, a Civil War veteran and land speculator who hoped to profit from the selection of Commencement Bay as the terminus of the Transcontinental Railroad, built a cabin (a replica of Job Carr's cabin, which also served as Tacoma's first post office, was erected in "Old Town" in 2000 near the original site), and later sold most of his claim to developer Morton M. McCarver (1807–1875), who named his project Tacoma City. The name derived from the indigenous name for the mountain.
Tacoma was incorporated on November 12, 1875. Its hopes to be the "City of Destiny" were stimulated by selection in 1873 as the western terminus of the Northern Pacific Railroad, thanks to lobbying by McCarver, future mayor John Wilson Sprague, and others. The transcontinental link was effected in 1887, but the railroad built its depot on "New Tacoma", two miles (3 km) south of the Carr-McCarver development. The two communities grew together and joined. The population grew from 1,098 in 1880 to 36,006 in 1890. Rudyard Kipling visited Tacoma in 1889 and said it was "literally staggering under a boom of the boomiest".[13]
George Francis Train was a resident for a few years in the late 19th century. In 1890, he staged a global circumnavigation starting and ending in Tacoma to promote the city. A plaque in downtown Tacoma marks the start/finish line.
In November 1885 white citizens led by then-mayor Jacob Weisbach expelled several hundred Chinese residents peaceably living in the city. As described by the account prepared by the Chinese Reconciliation Project, on the morning of November 3, 1885, "several hundred men, led by the mayor and other city officials, evicted the Chinese from their homes, corralled them at 7th Street and Pacific Avenue, marched them to the railway station at Lakeview and forced them aboard the morning train to Portland, Oregon. The next day two Chinese settlements were burned to the ground."
The discovery of gold in the Klondike in 1898 led Tacoma's prominence in the region to be eclipsed by the booming development of Seattle.
During a 30-day power shortage in the winter of 1929/1930, Tacoma was provided with electricity from the engines of the aircraft carrier USS Lexington.
In 1935 Tacoma received national attention when George Weyerhaeuser, nine-year-old son of prominent lumber industry executive J.P. Weyerhaeuser, was kidnapped[14] while walking home from school. FBI agents from Portland handled the case, in which payment of a ransom of $200,000 secured release of the victim. Four persons were apprehended and convicted. The last to be released was paroled from McNeil Island in 1963. George Weyerhaeuser went on to become chairman of the Board of the Weyerhaeuser Company.
In 1951, an investigation by a state legislative committee revealed widespread corruption in Tacoma's government, which had been organized commission-style since 1910. Voters approved a mayor/city-manager system in 1952.
Tacoma featured prominently in the garage rock sound of the mid-1960s with bands including The Wailers and The Sonics. The surf rock band The Ventures were also from Tacoma.
Tacoma experienced a long decline through the mid-20th century. Harold Moss, later the city's mayor, characterized late 1970s Tacoma as looking "bombed out" like "downtown Beirut" (a reference to the Lebanese Civil War that occurred at that time.) "Streets were abandoned, storefronts were abandoned… City Hall was the headstone and Union Station the footstone" on the grave of downtown.[15]
This picture began to change somewhere around 1990. Among the projects associated with the downtown renaissance were the federal courthouse in the former Union Station (1991); the Washington State History Museum (1996), echoing the architecture of Union Station; the adaptation of a group of century-old brick warehouses into the University of Washington Tacoma campus; the numerous privately financed renovation projects near that UW-Tacoma campus; the Museum of Glass (2002); the Tacoma Art Museum (2003); and the region's first light-rail line (2003).[16]
The first local referendums in the U.S. on computerized voting occurred in Tacoma in 1982 and 1987. On both occasions, voters rejected 3-1 the computer voting systems that local officials sought to purchase. The campaigns, organized by Eleanora Ballasiotes, a conservative Republican, focused on the vulnerabilities of computers to fraud.[17]
In 1998, Tacoma installed a high-speed fiber optic network throughout the community. The municipally owned power company, Tacoma Power, wired the city.
Until 2010 when Kent, Washington claimed the highest crime rate in the state, Tacoma had the highest crime rate in the state ever since Tacoma's Hilltop neighborhood started struggling with crime in the 1980s and early 1990s and at one time could be considered worse than Compton, CA (earning the nickname "Tacompton").[18] The problems have declined in recent years as neighborhoods have enacted community policing and other policies.[19] Bill Baarsma (Mayor from 2002–2010) is a member of the Mayors Against Illegal Guns Coalition,[20] a bi-partisan group with a stated goal of "making the public safer by getting illegal guns off the streets." The coalition is co-chaired by Boston Mayor Thomas Menino and New York City Mayor Michael Bloomberg.
In 2004, Tacoma was ranked among the top 30 Most Livable Communities, in an annual survey conducted by the Partners for Livable Communities.[21] In 2009 Tacoma elected its second African-American mayor, Marilyn Strickland.
In 2007, the locally produced short film, "South 5" took a humorous look at the somewhat contentious dynamic that exists between Tacoma and Seattle, Washington.
This unreferenced section requires citations to ensure verifiability. |
Beginning in the early 1990s, Tacoma has taken steps to revitalize itself and its image, especially downtown.
The University of Washington established a branch campus in Tacoma in 1990. The same year, Union Station (Tacoma) was restored. The Museum of Glass opened in downtown Tacoma in 2002, showing glass art from the region and around the world. It includes a glassblowing studio and is connected to the rest of the Museum District by the Bridge of Glass, which features works by Tacoma native glass artist Dale Chihuly.
Tacoma's downtown Cultural District is the site of the Washington State History Museum (1996) and the Tacoma Art Museum (2003). America's Car Museum is currently under construction near the Tacoma Dome in Tacoma. The glass and steel Greater Tacoma Convention and Trade Center opened in November 2004.[22][not in citation given]
Downtown Tacoma has a thriving Theatre District, anchored by the 89-year-old Pantages Theater. The Broadway Center for the Performing Arts[23] manages the Pantages, the Rialto Theater, and the Theatre on the Square. Other attractions include the Grand Cinema and the Temple Theatre.
Tacoma is at 47°14′29″N 122°27′34″W / 47.24139°N 122.45944°W / 47.24139; -122.45944 (47.241371, -122.459389).[24] Its elevation is 381 feet (116 m).
According to the United States Census Bureau, the city has an area of 62.6 square miles (162.1 km2). 50.1 square miles (129.8 km2) of it is land and 12.5 square miles (32.4 km2) of it (20.01%) is water.
Tacoma straddles the neighboring Commencement Bay with several smaller cities surrounding it. Large areas of Tacoma have excellent views of Mt. Rainier. In the event of a major eruption of Mount Rainier, portions of Tacoma are at risk from lahars.
The city is near several military installations, including Joint Base Lewis-McChord, formerly known separately as Fort Lewis and McChord Air Force Base.
Climate data for Tacoma, Washington | |||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Month | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec | Year |
Record high °F (°C) | 66 (19) |
68 (20) |
77 (25) |
82 (28) |
92 (33) |
94 (34) |
104 (40) |
93 (34) |
89 (32) |
82 (28) |
70 (21) |
68 (20) |
104 (40) |
Average high °F (°C) | 47 (8) |
50 (10) |
55 (13) |
60 (16) |
66 (19) |
71 (22) |
76 (24) |
77 (25) |
71 (22) |
61 (16) |
52 (11) |
47 (8) |
61 (16) |
Average low °F (°C) | 35 (2) |
36 (2) |
39 (4) |
42 (6) |
47 (8) |
52 (11) |
55 (13) |
55 (13) |
51 (11) |
45 (7) |
40 (4) |
35 (2) |
44 (7) |
Record low °F (°C) | 17 (−8) |
11 (−12) |
15 (−9) |
29 (−2) |
34 (1) |
37 (3) |
47 (8) |
41 (5) |
34 (1) |
26 (−3) |
5 (−15) |
6 (−14) |
5 (−15) |
Precipitation inches (mm) | 5.38 (136.7) |
4.44 (112.8) |
4.18 (106.2) |
2.87 (72.9) |
2.01 (51.1) |
1.58 (40.1) |
0.86 (21.8) |
0.83 (21.1) |
1.42 (36.1) |
3.39 (86.1) |
6.10 (154.9) |
5.89 (149.6) |
38.95 (989.3) |
Source: [25] |
Gig Harbor | Vashon Island | Federal Way | ||
Fox Island | Fife | |||
Tacoma East | ||||
Lakewood | Parkland | Puyallup |
Historical populations | |||
---|---|---|---|
Census | Pop. | %± | |
1870 | 78 |
|
|
1880 | 1,098 | 1,307.7% | |
1890 | 36,006 | 3,179.2% | |
1900 | 37,714 | 4.7% | |
1910 | 83,743 | 122.0% | |
1920 | 96,965 | 15.8% | |
1930 | 106,817 | 10.2% | |
1940 | 109,408 | 2.4% | |
1950 | 143,673 | 31.3% | |
1960 | 147,979 | 3.0% | |
1970 | 154,581 | 4.5% | |
1980 | 158,501 | 2.5% | |
1990 | 176,664 | 11.5% | |
2000 | 193,556 | 9.6% | |
2010 | 198,397 | 2.5% | |
source:[26][27] |
As of the census of 2010, there were 198,397 people, 78,541 households, and 45,716 families residing in the city. The population density was 3,864.9 people per square mile (1,492.3/km²). There were 81,102 housing units at an average density of 1,619.4 per square mile (625.3/km²). The racial makeup of the city was 64.9% White, 12.2% African American, 8.2% Asian (2.1% Vietnamese, 1.3% Korean, 1.3% Filipino, 0.4% Chinese, 0.4% Japanese, 0.2% Indian, 2.3% Other), 1.8% Native American, 1.2% Pacific Islander, and 8.1% were from two or more races. Hispanic or Latino of any race were 11.3% of the population (8.1% Mexican, 1.1% Puerto Rican, 0.2% Cuban, 2.0% Other)
There were 76,152 households out of which 30.9% had children under the age of 18 living with them, 41.6% were married couples living together, 13.9% had a female householder with no husband present, and 39.7% were non-families. 31.7% of all households were made up of individuals and 10.4% had someone living alone who was 65 years of age or older. The average household size was 2.45 and the average family size was 3.10.
In the city the age distribution of the population shows 25.8% under 18, 10.4% from 18 to 24, 31.6% from 25 to 44, 20.3% from 45 to 64, and 11.9% who were 65 years of age or older. The median age was 34. For every 100 females there were 95.2 males. For every 100 females age 18 and over, there were 92.3 males.
The median income for a household in the city was $37,879, and the median income for a family was $45,567. Males had a median income of $35,820, versus $27,697 for females. The per capita income for the city was $19,130. About 11.4% of families and 15.9% of the population were below the poverty line, including 20.6% of those under the age of 18 and 10.9% of those 65 and older.
The government of the city of Tacoma operates under a council-manager system. The city council consists of an elected mayor (Marilyn Strickland) and eight elected council members, five from individual city council districts and three others from the city at-large. All serve four-year terms and are elected in odd-numbered years. The council adopts and amends city laws, approves a two-year budget, establishes city policy, appoints citizens to boards and commissions, and performs other actions. The council also meets in "standing committees", which break down the council's work into more defined areas, such as "Environment & Public Works", "Neighborhoods & Housing", and "Public Safety, Human Services & Education". The council meets as a whole most Tuesdays at 5:00 p.m. in the council chambers at 747 Market St. Meetings are open to the public and provide for public input.
Normal day-to-day operations of the city government are administered by the city manager, who is appointed by the city council.[28][not in citation given]
Tacoma is the home of several international companies including staffing company True Blue Inc. (formerly Labor Ready), lumber company Simpson and the food companies Roman Meal and Brown and Haley.
Beginning in the 1930s, Tacoma became known for the "Tacoma 'roma", a distinctive, acrid odor produced by paper manufacturing on the industrial tide flats. In the late 1990s, Simpson Tacoma Kraft reduced total sulfur emissions by 90%. This largely eliminated the problem; where once the aroma was ever-present, it is now only noticeable occasionally, primarily when the wind is coming from the east.
U.S. Oil and Refining operates an oil refinery on the tide flats in the Port of Tacoma. Built in Tacoma in 1952, it currently refines 39,000 barrels of petroleum per day.
The Tacoma Mall is the largest shopping center in Tacoma. It is owned by Simon Property Group. Anchor tenants include JC Penney, Sears, Macy's, and Nordstrom.
An economic setback for the city occurred in September 2009 when Russell Investments, which has been located in downtown Tacoma since its inception in 1936, announced it was moving its headquarters to Seattle along with several hundred white collar jobs.[29]
Tacoma's system of transportation is based primarily on the automobile. The majority of the city has a system of gridded streets oriented in relation to A Street (one block east of Pacific Avenue) and 6th Avenue or Division Avenue, both beginning in downtown Tacoma. Within the city, and with a few exceptions, east-to-west streets are numbered and north-to-south streets are given a name or a letter. Some east-to-west streets are also given names, such as S. Center St. and N. Westgate Blvd. Streets are generally labeled "North", "South", "East", or "North East" according to their relationship with 6th Avenue or Division Avenue (west of 'Division Ave' '6th Avenue' is the lowest-numbered street, making it the dividing street between "North" and "South"), 'A' Street (which is the dividing line between "East" and "South"), or 1st Street NE (which is the dividing line between "East" and "North East"). This can lead to confusion, as most named streets intersect streets of the same number in both north and south Tacoma. For example, the intersection of South 11th Street and South Union Avenue is just ten blocks south of North 11th Street and North Union Avenue.
To the east of the Thea Foss waterway and 'A' Street, streets are similarly divided into "East" and "Northeast", with 1st Street NE being in-line with the Pierce-King county line. "North East" covers a small wedge of Tacoma and unincorporated Pierce County (around Browns Point and Dash Point) lying on the hill across the tideflats from downtown. Tacoma does have some major roads which do not seem to follow any naming rules. These roads include Schuster Pkwy, Pacific Ave, Puyallup Ave, Tacoma Mall Blvd, Marine View Dr (SR 509), and Northshore Pkwy. Tacoma also has some major roads which appear to change names in different areas (most notable are Tyler St/Stevens St, Oakes St/Pine St/Cedar St/Alder St, and S. 72nd St/S. 74th St). These major arterials actually shift over to align with other roads, which causes them to have the name changed.
This numeric system extends to the furthest reaches of unincorporated Pierce County (with roads outside of the city carrying "East", "West", "North West", and "South West", except on the Key Peninsula, which retains the north-south streets but chooses the Pierce-Kitsap county line as the zero point for east-west streets. Key Peninsula's roads also carry a "KP N" or KP S" designation at the end of the street name.
In portions of the city dating back to the Tacoma Streetcar Period (1888–1938), denser mixed use business districts exist alongside single family homes. Twelve such districts have active, city-recognized business associations and hold "small town"-style parades and other festivals. The Proctor, Old Town, Dome, 6th Avenue, Stadium, Lincoln Business District, and South Tacoma Business Districts are some of the more prominent and popular of these and coordinate their efforts to redevelop urban villages through the Cross District Association of Tacoma. In newer portions of the city to the west and south, residential culs-de-sac, four-lane collector roads and indoor shopping centers are more commonplace.
Seven highways end in or pass through Tacoma: I-5, I-705, SR 7, SR 16, SR 163, SR 167, and SR 509.[30]
The dominant intercity transportation link between Tacoma and other parts of the Puget Sound is Interstate 5, which links Tacoma with Seattle to the north and Portland, Oregon, to the south. State Route 16 runs along a concrete viaduct through Tacoma's Nalley Valley, connecting Interstate 5 with Central and West Tacoma, the Tacoma Narrows Bridge, and the Kitsap Peninsula. Seattle-Tacoma International Airport lies 22 miles (35 km) north, in the city of SeaTac.
Public transportation in Tacoma includes buses, commuter rail, light rail, and ferries. Public bus service is provided by Pierce Transit, which serves Tacoma and Pierce County. Pierce Transit operates a total of 43 bus routes (5 of which through Sound Transit), using mostly buses powered by compressed natural gas. Bus service operates at 30-60 minute frequencies daily, while three heavily-ridden "trunk" routes are mostly served every 20 minutes on weekdays and every half hour to an hour on weekends as of October 2, 2011
Sound Transit, the regional transit authority, provides weekday Sounder Commuter Rail service and daily express bus service to and from Seattle. Sound Transit has also established Tacoma Link light rail, a 1.6-mile (2.5 km) free electric streetcar line linking Tacoma Dome Station with the University of Washington, Tacoma, Tacoma's Museum District, and the Theater District. Expansion of the city's rail transit system (either in the form of electric streetcars or light rail) is under consideration by the city of Tacoma and Pierce Transit, and is supported by a local grassroots organization, Tacoma Streetcar.
The Washington State Ferries system, which has a dock at Point Defiance, provides ferry access to Tahlequah at the southern tip of Vashon Island, typically on the ferry MV Rhododendron.
Greyhound intercity bus service is accessible via Tacoma Dome Station.
Amtrak, the national passenger rail system, provides service to Tacoma from a station on Puyallup Avenue, one block east of the Tacoma Dome Station. Amtrak train 11, the southbound Coast Starlight, is scheduled to depart Tacoma at 10:31 a.m. with service to Olympia-Lacey, Portland, Sacramento, Emeryville, California (with bus connection to San Francisco), and Los Angeles. Amtrak train 14, the northbound Coast Starlight, is scheduled to depart Tacoma at 7:11 p.m. daily with service to Seattle. Amtrak Cascades trains, operating as far north as Vancouver, BC and as far south as Eugene, Oregon, serve Tacoma several times daily in both directions.
Tacoma's relationship with public utilities extends back to 1893. At that time the city was undergoing a boom in population, causing it to exceed the available amount of fresh water supplied by Charles B. Wright's Tacoma Light & Water Company. In response to both this demand and a growing desire to have local public control over the utility system, the city council put up a public vote to acquire and expand the private utility. The measure passed on July 1, 1893, with 3,195 in favor of acquiring the utility system and 1,956 voting against. Since then, Tacoma Public Utilities (TPU) has grown from a small water and light utility to be the largest department in the city's government, employing about 1,200 people.
Tacoma Power, a division of TPU, provides residents of Tacoma and several bordering municipalities with electrical power generated by eight hydroelectric dams located on the Skokomish River and elsewhere. Environmentalists, fishermen, and the Skokomish Indian Tribe have criticized TPU's operation of Cushman Dam on the North Fork of the Skokomish River; the tribe's $6 billion claim[31] was denied by the U.S. Supreme court[32] in January 2006. The capacity of Tacoma's hydroelectric system as of 2004 was 713,000 kilowatts, or about 50% of the demand made up by TPU's customers (the rest is purchased from other utilities). According to TPU, hydroelectricity provides about 87% of Tacoma's power; coal 3%; natural gas 1%; nuclear 9%; and biomass and wind at less than 1%. Tacoma Power also operates the Click! Network, a municipally-owned cable television and internet service. The residential cost per kilowatt hour of electricity is just over 6 cents.
Tacoma Water provides customers in its service area with water from the Green River Watershed. As of 2004, Tacoma Water provided water services to 93,903 customers. The average annual cost for residential supply was $257.84.
Tacoma Rail, initially a municipally owned street railway line running to the tideflats, was converted to a common-carrier rail switching utility. Tacoma Rail is self-supporting and employs over 90 people.
In addition to municipal garbage collection, Tacoma offers commingled recycling services for paper, cardboard, plastics, and metals.
Parks and recreation services in and around Tacoma are governed by Metro Parks Tacoma, a municipal corporation established as a separate entity from the city government in 1907. Metro Parks maintains over fifty parks and open spaces in Tacoma.[33]
Point Defiance Park, one of the largest urban parks in the country (at 700 acres), is located in Tacoma.[34] Scenic Five Mile Drive allows access to many of the park's attractions, such as Owen Beach, Camp Six, Fort Nisqually, and the Point Defiance Zoo & Aquarium. There are many historic structures within the park, including the Pagoda, which was originally built as a streetcar waiting room. It was restored in 1988, and now serves as a rental facility for weddings and private parties.[35] The Pagoda was nearly destroyed by fire on Aug 15, 2011. http://www.exit133.com/6223/pagoda-at-point-defiance-park-on-fire-this-morning. They are now in the process of restoring it.
Ruston Way is a waterfront area along Commencement Bay north of downtown Tacoma that hosts several public parks connected by a multi-use trail and interspersed with restaurants and other businesses. Public parks along Ruston Way include Jack Hyde Park, Old Town Dock, Hamilton Park, Dickman Mill Park, Les Davis Pier, Marine Park and Cummings Park.[36] The trail is popular with walkers, runners, cyclists and other recreationalists. There are several beaches along Ruston Way with public access, some of which are also popular for scuba diving.
Another large park in Tacoma is Wapato Park, which has a lake and walking trails that circle the lake. Wapato is located in the south end of Tacoma, at Sheridan and 72nd St.
Titlow Beach, located at the end of 6th Avenue, is a popular scuba diving area.
Wright Park, located near downtown, is a large, English-style park designed in the late 19th century by E.O. Schwagerl and Ebenezer Rhys Roberts. It contains Wright Park Arboretum and the W. W. Seymour Botanical Conservatory. This beautiful historic park is also the home of local festivals such as Ethnic Fest, Out in the Park, Tacoma's Gay Pride festival and the Tacoma Hempfest.
Jefferson Park in North Tacoma is the location of a new sprayground; an area designed to be a safe and unique play area where water is sprayed from structures or ground sprays and then drained away before it can accumulate.
Frost Park in downtown Tacoma is often utilized for sidewalk chalk contests.
In response to the Tacoma area's growing dog population, dog parks have become a natural addition to the city. Rogers off-leash Dog Park is a metro public park established in 1949 Tacoma. The park's homepage
Tacoma includes several landmarks and was home to some prolific architects including Everett Phipps Babcock, Frederick Heath, Ambrose J. Russell, and Silas E. Nelsen.
Two suspension bridges currently span a narrow section of the Salish Sea called the Tacoma Narrows. The Tacoma Narrows Bridges link Tacoma to Gig Harbor and the Olympic Peninsula. The failure of the first Tacoma Narrows Bridge, which was the third longest suspension bridge in the world, is a famous case study in architecture textbooks.
Engine House No. 9 is a fire station built in 1907. The building was placed on the National Register of Historic Places in 1975. Currently, the building houses a pub which brews its own beer.
Stadium High School and the Stadium Bowl, part of the Tacoma School District. The school provided a setting for the movie 10 Things I Hate About You starring Heath Ledger.
Fireboat No. 1 was built in 1929 for the Port of Tacoma by the Coastline Shipbuilding Company. After 54 years of service in waterfront fire protection, harbor security patrols, search and rescue missions, and water pollution control, Fireboat No. 1 was put up on a permanent dry berth at a public beach near Tacoma's Old Town neighborhood. She is one of only five fireboats designated as a National Historic Landmark. Visitors are able to walk around her exterior, but her interior is closed to the public.
William Ross Rust House - Colonial / Classic Revival (1905) - Ambrose J. Russell (Architect), Charles Miller (Contractor)
Murray Morgan Bridge - 1911 steel lift bridge across the Thea Foss Waterway; it is currently closed to all automobile traffic due to its deteriorating condition, but may be rebuilt in the future. It is still open to pedestrians and bicyclists.
Other notable buildings include the National Realty Building, Lincoln High School (Tacoma, Washington), Rhodes House (Tacoma), Pythian Temple (Tacoma, Washington), Perkins Building, Tacoma Dome, Rhodesleigh, and Engine House No. 9 (Tacoma, Washington). The famous Luzon Building and Nihon Go Gakko (Tacoma) school house have been demolished. University of Puget Sound, Cushman Dam No. 1, Cushman Dam No. 2, Rialto Theater (Tacoma, Washington), the MV Kalakala, and Tacoma Union Station are also noteworthy.
Tacoma's main public school district is Tacoma Public Schools. The district contains 36 elementary schools, eleven middle schools, five high schools, one alternative high school, a Science and Math Institute (SAMI), and one school of the arts (SOTA).
Henry Foss High School operates an International Baccalaureate program. Sheridan Elementary School operated three foreign language immersion programs (Spanish, French, and Japanese). Mount Tahoma High School opened a brand new building in South Tacoma in the fall of 2004. Stadium High School and Wilson High School were remodeled/refurbished and reopened in September 2006.
Tacoma School of the Arts, opened in 2001, is an arts-focused high school that serves as a national model for educational innovation. SOTA is a public school, part of the Tacoma Public Schools and is one of the first school in the nation to implement standards based instruction, as well as influence the design of many schools in the nation. SOTA is located in multiple venues around Downtown Tacoma and uses Community Museums and Universities for instructional space. The Science and math institute partners with SOTA, sharing administrators and class space. SAMI and SOTA are the only schools in Tacoma to offer University of Washington in the Classroom college credit options from the University of Washington.Lincoln High School reopened in the fall of 2007 after a $75 million renovation and expansion.[37][38]
The area also has numerous private schools, including the Annie Wright School, Bellarmine Preparatory School and Seabury School.
Tacoma's institutions of higher learning include the University of Puget Sound, Tacoma Community College, City University of Seattle-Tacoma, Bates Technical College, The Evergreen State College Tacoma Campus, Corban University School of Ministry/Tacoma Campus, and University of Washington Tacoma. Pacific Lutheran University is located in Parkland, just south of the city; nearby Lakewood is the home of Clover Park Technical College and Pierce College.
The Museum of Glass boasts an iconic structure standing near the Thea Foss Waterway; the steel cone of the hot shop is one of the most recognizable structures in the city.
Tacoma Art Museum was founded in 1935 and reopened in 2003 in a new building on Pacific Avenue in Tacoma - now one of three organizations forming the "museum district" (others are Museum of Glass and Washington State History Museum). It is considered a model for mid-sized regional museums.
The Broadway Center for the Performing Arts is the home to three theaters, two of which are on the National Historic Register. Performing within the three theaters are several performing arts organizations, including the Tacoma Opera, Tacoma Symphony Orchestra, Northwest Sinfionetta, Tacoma City Ballet, Tacoma Concert Band, Tacoma Philharmonic, Tacoma Youth Symphony, Theatre Northwest, and Puget Sound Revels, one of ten Revels organizations nationwide.
Shakespeare in the Parking Lot celebrated their 10th anniversary in 2009. Their motto is "taking the fear out of Shakespeare".www.SITPL.org. They offer both educational opportunities and inspired theater in and around Tacoma.
Tacoma hosts part of the annual four-part Daffodil Parade, which takes place every April in Tacoma, Puyallup, Sumner, and Orting.
The downtown Tacoma farmers' market runs every Thursday, from May through September, in the Theatre District. There are also seasonal farmers markets in the Proctor District, along Sixth Avenue, and in South Tacoma.
Fort Nisqually is a prominent local attraction featuring historical reenactments.
The Tacoma Police Department is the site of a public memorial for officers, dominated by the sculptures "Memories in Blue" and "For All They Gave", by James Kelsey.
The city's major daily newspaper is The News Tribune, a subsidiary of McClatchy Newspapers since 1986. Its circulation is about 85,000 (100,000 on Sundays), making it the third-largest newspaper in the state of Washington. A daily newspaper has been in circulation in Tacoma since 1883. Between 1907 and 1918, three dailies were published: The Tacoma Ledger, The News, and The Tacoma Tribune.
Tacoma receives Seattle area TV and radio stations.
Local papers include the Tacoma Weekly, the Tacoma Daily Index, the South Sound alternative newsweekly Weekly Volcano and the military publication The Ranger.
The city has struggled to keep a minor league hockey franchise. The Tacoma Rockets of the WHL were lost to relocation and moved to Kelowna, British Columbia. The Tacoma Sabercats of the former West Coast Hockey League closed due to financial woes. The Tacoma Dome still hosts traveling sports and other events, such as pro wrestling, figure skating tours, and the Harlem Globetrotters. At one point, the Tacoma Dome was home to a professional indoor soccer team, the Tacoma Stars. For the 1994-1995 season, the Seattle SuperSonics played in the Tacoma Dome while the Seattle Center Coliseum was renovated (and renamed KeyArena). The Tacoma Dome also hosted the 1988 and 1989 Women's NCAA Final Four. Tacoma is home to the all-female flat track roller derby league Dockyard Derby Dames,[39] which fields an away team.[40]
Country | City | Year of Partnership |
---|---|---|
Japan | Kitakyushu | 1959 |
South Korea | Gunsan | 1978 |
Israel | Kiryat Motzkin | 1979 |
Norway | Aalesund | 1986 |
Russia | Vladivostok | 1992 |
People's Republic of China | Fuzhou | 1994 |
Philippines | Davao City | 1994 |
South Africa | George | 1997 |
Cuba | Cienfuegos | 2000 |
Taiwan | Taichung | 2000 |
Morocco | El Jadida | 2007 |
France | Biot | 2012 |
Wikimedia Commons has media related to: Tacoma, Washington |
|
|
|
|
Lady Gaga | |
---|---|
Lady Gaga performing on The Monster Ball Tour in 2010 |
|
Background information | |
Birth name | Stefani Joanne Angelina Germanotta |
Born | (1986-03-28) March 28, 1986 (age 26) New York, New York, U.S. |
Genres | Pop, dance, electronic |
Occupations | Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist |
Instruments | Vocals, piano, keyboards |
Years active | 2005–present |
Labels | Def Jam, Cherrytree, Streamline, Kon Live, Interscope |
Website |
Lady Gaga's signature |
Stefani Joanne Angelina Germanotta (/ˈstɛfəniː dʒʌrməˈnɑːtə/ STE-fə-nee jurr-mə-NAH-tə; born March 28, 1986), known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and was signed with Streamline Records by the end of 2007. During her employment as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.
Lady Gaga came to prominence as a recording artist following the release of her debut album The Fame (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the The Fame Ball Tour, she followed the album with The Fame Monster (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro". The album's success allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her most recent album Born This Way (2011) topped the charts of most major markets and generated more international chart-topping singles, including "Born This Way", "Judas" and "The Edge of Glory". Besides her musical career, she involves herself with humanitarian causes and LGBT activism.
Influenced by David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is recognized for her flamboyant, diverse and outré contributions to the music industry through her fashion, performances and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles are some of the best selling worldwide.[1] Her achievements include five Grammy Awards and 13 MTV Video Music Awards. Lady Gaga has consecutively appeared on Billboard magazine's Artists of the Year (scoring the definitive title in 2010), ranked fourth in VH1's list of 100 Greatest Women in Music, is regularly placed on lists composed by Forbes magazine and was named one of the most influential people in the world by Time magazine.[2][3] In 2012, Gaga was ranked at number four on Billboard's list of top moneymakers of 2011, grossing more than $25 million.[4]
Contents |
Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York City to parents Cynthia (née Bissett) and Joseph Germanotta, an Internet entrepreneur.[5][6] Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children.[7][8] Her sister, Natali, a fashion student, was born in 1992.[9][10] Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."[11][12]
From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side.[13][14][15] She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak."[16][17] Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.[18] Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14.[19][20] Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in Guys and Dolls and Philia in A Funny Thing Happened on the Way to the Forum.[21] She also appeared in a very small role as a mischievous classmate in the television drama series The Sopranos in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows.[11][22]
When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts.[11] After becoming one of twenty students to gain early admission, she eventually lived in an NYU dorm on 11th Street by the age of 17.[21] CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst.[20][23][24] With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer for MTV's Boiling Points, a prank reality television show.[11][25] But Gaga felt more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said.
Gaga withdrew from CAP21 at 19, in the second semester of her sophomore year, deciding to focus on her musical career.[26] Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.[21] Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book The Portal in the Park, by Cricket Casey.[11][27] She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year.[11][21] The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er".[11] Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis.[11] Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays Words and Red and Blue (both 2005) at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.[21]
SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a musician, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer.[11] While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen.[28] It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga."[29] He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again."[29][30] The New York Post, however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.[18]
Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses.[11] Joshua Sarubin, the head of A&R at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months.[11] However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night".[31][32] Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.[11]
She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs.[11][14] Her father, however, did not understand the reason behind her drug intake and could not look at her for several months.[14][30] "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself."[23] It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film Grease: "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.[33]
During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona.[34] Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts.[35][36] Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year.[37] The show was critically acclaimed, and their performance received positive reviews.[20][35] Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.[38]
While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert.[39] Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007.[40] Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going."[39] Having served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV.[41] As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls.[41] At Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio.[42] Akon then convinced Interscope-Geffen-A&M Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live, making her his "franchise player."[31][43]
As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed.[44] The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.".[30][44] Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album and also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)".[41] Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. Her response: "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."[15]
By 2008, Gaga had relocated to Los Angeles in order to work extensively with her record label to complete her debut album and set up her own creative team Haus of Gaga, modeled on Andy Warhol's Factory.[30][45] The Fame was first released on August 19, 2008 to slow radio play. Gaga supported it by performing around Europe and in small gay clubs around the US in addition to being billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour.[46][47] A sleeper hit, lead single "Just Dance" had preceded the album's release by four months but only hit the summit of the international charts in January 2009, provoking the instant success of the album, earning her first Grammy Award nomination (for Best Dance Recording) and becoming one of the best-selling singles worldwide.[46][48] Gaga achieved a greater unexpected success when "Poker Face", another sleeper hit, reached number one in most major music markets worldwide in early 2009, selling 9.8 million singles worldwide.[49][50] The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year.
The Fame itself was nominated for Album of the Year while winning Best Dance/Electronica Album at the same ceremony.[51] Contemporary critics lauded the album, describing it as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, noting its combination of genres "from Def Leppard drums and hand claps to metal drums on urban tracks", the inspiration drawn from 1980s synthpop and incorporation of dance music with clear hooks.[31] The Fame went to number one in Austria, Canada, Germany, Ireland, Switzerland and the UK and appeared in the top five in Australia, the US and 15 other countries.[52][53] It also stayed atop the Dance/Electronic Albums chart for 106 non-consecutive weeks and, since its release, has sold over 12 million copies worldwide.[54] The album's success spawned many 2009 honors including Billboard magazine's Rising Star award and the accumulation of 3 of 9 MTV Video Music Awards nominations, winning Best New Artist with the video for her single "Paparazzi" gaining Best Art Direction and Best Special Effects.[55][56] In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.[57][58]
While she traveled the globe, she wrote The Fame Monster, an EP of eight songs released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Making Gaga the first artist in digital history to have three singles (alongside "Just Dance" and "Poker Face") to pass the four million mark in digital sales, its lead single "Bad Romance" topped the charts in eighteen countries and reached the top two in the US, Australia and New Zealand while accruing the Grammy Awards for Best Female Pop Vocal Performance and Best Short Form Music Video.[59] The second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number one single; its accompanying music video, although controversial, received positive reception from contemporary critics who praised her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna."[60][61] Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy.[62] Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube.[63] At the 2010 MTV Video Music Awards, Gaga won 8 of her 13 nominations, including Video of the Year for "Bad Romance" (with "Telephone" also nominated), which made her the first female artist to be nominated twice for the award.[64][65] In addition, The Fame Monster garnered a total of six nominations at the 53rd Grammy Awards – equating to the amount of Grammy nominations her debut received – winning Best Pop Vocal Album and earning her a second-consecutive nomination for Album of the Year.[66][67]
The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of The Fame Monster and months after having finished The Fame Ball Tour.[68] Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist.[69] Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray.[70] Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony.[71] Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage."[72]
In 2009 she collaborated with consumer electronic company Monster Cable Products to create a pair of in-ear jewel-encrusted headphones titled Heartbeats. "They are designed to be the first ever fashion accessories that double as the absolute best sonically sounding headphones in the world," she commented.[73] Gaga also partnered with Polaroid in January 2010 as their Creative Director.[74] Excited about "blending the iconic history of Polaroid and instant film with the digital era," Gaga unveiled the first trio of new products called Grey Label: a pair of picture-taking sunglasses, a paperback-sized mobile printing unit and an updated version of the traditional Polaroid camera at the 2011 Consumer Electronics Show.[75] But her collaboration with past producer Rob Fusari led to her production team, Mermaid Music LLC, being sued in March 2010 when he claimed that he was entitled to a 20% share of the company's earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment, but five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga.[76][77] In addition to such strife, Gaga was tested borderline positive for lupus, but claimed not to be affected by the symptoms. The revelations caused considerable dismay among fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.[78][79]
Gaga released her second studio album and third major release, Born This Way, on May 23, 2011. Described as a marriage of electronic music with metal, rock 'n' roll, pop and anthemic style melodies with sledge-hammering dance beats and referred to as an album "about what what keeps us up at night and what makes us afraid," Gaga characterized it as "something so much deeper than a wig or lipstick or a fucking meat dress" and, upon hearing it, Akon remarked that she is taking music to the "next level."[80][81] Upon release, the album received generally positive reviews from music critics, who praised its range of different styles and her vocals.[82][83] Born This Way sold 1.108 million copies in its first week in the US, debuted atop the Billboard 200, and topped the charts in more than 20 other countries.[84] In addition to exceeding 8 million copies in worldwide sales, Born This Way received 3 Grammy Award nominations, including her third consecutive for Album of the Year.[85]
In the months prior to its unveiling, Gaga released the singles "Born This Way", "Judas" and "The Edge of Glory" alongside promotional single "Hair". The eponymous lead single, first sung live at the 53rd Grammy Awards in a performance that saw Gaga emerge from an egg-like vessel, deals with self-acceptance regardless of race or sexual orientation. The single debuted atop the Billboard Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts.[86] It sold more than 3 million digital copies in the US by October 2011, becoming her eighth consecutive single to exceed sales of 2 million and, with worldwide sales of 8.2 million copies by November 2011, one of her five best-selling singles worldwide.[87] Critics noted artistic and cultural references and praised the concept of the song's accompanying music video, in which Gaga gives birth to a new race amidst surrealistic images.[88][89] The video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references but received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it.[90] "Judas" also peaked within the top ten in several major musical markets, while "The Edge of Glory", first a commercial success in digital outlets, was later released as a single to critical appreciation, accompanied by a video which was notably stripped down from her usually "extravagant" efforts.[91][92] She released "You and I" and "Marry the Night" as the following singles from Born This Way. Although their "crazy and ambitious" videos were praised for their audacity, both songs failed to match the similar international success that their predecessors achieved.[93]
Gaga continued her musical endeavors by pairing with veteran artists like Tony Bennett to record a jazz version of "The Lady Is a Tramp".[94] She also recorded a duet with Cher on a "massive" and "beautiful" track, which Gaga "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason."[95] Gaga also lent her vocals to an original duet with Elton John for the animated feature film Gnomeo & Juliet. The song, "Hello, Hello", was released without Gaga's vocals but the duet version features in the film.[96][97] She also continued her live appearances throughout 2011, performing a one-of-a-kind concert at the Sydney Town Hall on July 13 in promotion of Born This Way and at the celebration of former US president Bill Clinton's 65th birthday, wearing a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changing the lyrics to "You and I" specifically for the performance.[98] Televised appearances comprised her own Thanksgiving Day television special entitled A Very Gaga Thanksgiving which was critically lauded, attained 5.749 million American viewers, and spawned the release of her fourth extended play A Very Gaga Holiday.[99] Her second performance on Saturday Night Live saw her singing a selection of Born This Way songs alongside appearing in number of sketches with Justin Timberlake and Andy Samberg.[100] In March 2012, Gaga was ranked at number four on Billboard's list of top moneymakers of 2011, grossing $25,353,039 dollars, which includes sales from Born This Way and her Monster Ball Tour.[4]
In early 2012, Gaga stated that songs for a new album were "beginning to flourish" as she worked with producer Fernando Garibay, while the accompanying tour for Born This Way was materializing.[101][102] Gaga's manager, Vincent Herbert, revealed that Gaga will is working on her upcoming album during the tour, stating that the material is "insane, great records."[103] The Born This Way Ball Tour began on April 27, 2012, at the Olympic Stadium in Seoul, South Korea.[104] The tour was met with protests from several religious groups who denounced the tour as satanic and against religious values, resulting in protests mainly from the Islamic Defenders Front, causing a cancellation in the Indonesian city of Jakarta, where Gaga was denied a license to perform. The concert however was still in question as concert promoters were optimistic that the performance will in fact go on. However, due to threats of violence from Muslim hardliners, Gaga decided to cancel the concert although 52,000 tickets have sold out in just a few days.[105][106][107] On May 20, 2012, Gaga guest-starred on the 23rd season finale of The Simpsons entitled "Lisa Goes Gaga".[108]
Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Queen, Bruce Springsteen, Pink Floyd, The Grateful Dead, Led Zeppelin and Elton John had significant influence on her childhood and, presently, still do.[109] "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists.[110] "I'm quite traditional in the family sense. I've always been that way."[109] According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art.[111] Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives."[112] Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."[113]
Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance.[31][114][115] The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented.[18][114][116] Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga.[117] In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally."[114][118] Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson, Yoko Ono, and Britney Spears.[119]
Gaga has mentioned Spears in several interviews, and revealed, "Britney certainly doesn’t need any freakin’ tips from me! Britney Spears is the queen of pop. I was learning from her."[120] Gaga also paid tribute to Spears during the 2011 MTV Video Music Awards with the MTV Video Vanguard Award, adding that the pop singer "taught us all how to be fearless, and the industry wouldn't be the same without her."[121]
Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher.[14][26][110][122] She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own."[122] She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work.[14][78] Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos.[123] Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful."[6] "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us."[26] The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third.[124] Entertainment Weekly put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."[125] Gaga made her runway debut at Thierry Mugler's Paris fashion show in March 2011 where she wore items from Nicola Formichetti's debut women's wear collection.[126] In June of the same year, she won the Council of Fashion Designers of America Award for Fashion Icon.[127] Time Magazine placed Gaga on their "All-Time 100 Fashion Icons List" amongst some of Gaga's inspirations such as Michael Jackson, Madonna, and the The Beatles, stating: "Lady Gaga is just as notorious for her outrageous style as she is for her pop hits. After all, Gaga, born Stefani Germanotta, has sported outfits made from plastic bubbles, Kermit the Frog dolls, and raw meat."[128] She has since devoted her time as a fashion columnist for V magazine, where she has written about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme.[129]
In August 2011 she sent to her 15 millions followers that she had at that time on Twitter, a quote about creativity from the book "Creativity"[130] by Osho,[131] which led journalists, on October 28, of the same year, on her arrival to India for the inauguration of a big Formula One motorsport event,[132] to ask her about her connection to him, to which Gaga said she was influenced by his work and that for her, "the creativity is the greatest way of rebellion": "Equality", she concluded, "is one of the most important things in my life".[133]
|
A 30-second sample of Lady Gaga's "Just Dance" featuring the chorus sung by Lady Gaga and Colby O'Donis in the range of B3 to C♯, backed by a synth marching beat. The song became her first international hit single and sold 7.7 million copies worldwide.
|
Problems listening to this file? See media help. |
Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood.[134] Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves.[135][136] Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers Born This Way (2011) "much more vocally up to par with what I've always been capable of."[137][138] In summation of her voice, Entertainment Weekly wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."[139]
Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace."[140] She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct."[141] "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses.[141] Gaga believes that "all good music can be played at a piano and still sound like a hit."[142] She has covered a wide variety of topics in her songs: while The Fame (2008) meditates on the lust for stardom, The Fame Monster (2009) expresses fame's dark side through monster metaphors. Born This Way (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.[143][144]
The structure of her music is said to echo classic 1980s pop and 1990s Europop.[145] Her debut album The Fame (2008) provoked The Sunday Times to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from The Boston Globe to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats."[146][147] Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B-ish beats."[148] The follow-up The Fame Monster (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while Born This Way (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll.[143] "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote Rolling Stone, who concluded: "The more excessive Gaga gets, the more honest she sounds."[144]
With constant costume changes, backup dancers, and provocative visuals, Gaga's music videos are often described as short films.[149] "Being provocative is not just about getting people's attention. It's about saying something that really affects people in a real way, in a positive way," she professes.[149] Exploring bondage and sadomasochism in addition to highlighting prevalent feminist themes, "the three central themes that shape Lady Gaga's music videos are sex, violence, and power."[150] "Vaudevillian and carnal, Lady Gaga has got the knack of sending rape-like fantasies—in songs and videos that double as catch club hits—to the top of the charts," wrote one critic.[151] "Whether it is physical violence or sexual exploitation, these videos offer vivid depictions of male power over women's bodies," wrote another.[150] While she labels herself "a little bit of a feminist" (she rejects man-hating feminism) and asserts that she is "sexually empowering women,"[151] Gaga strives to empower young women to stand up for what they believe in.[150] She also attempts to liberate her fans so they can feel "less alone."[152] "She not only reiterates her assertion of total originality," professed pop critic Ann Powers, "but also finesses it until it's both a philosophical stance about how constructing a persona from pop-cultural sources can be an expression of a person's truth—a la those drag queens Gaga sincerely admires—and a bit of a feminist act."[153] In summation of her videos, Rolling Stone used the rhetoric: "does anyone look to a Lady Gaga video for restraint?"[93]
Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV.[154] She continued the "blood soaked" theme during The Monster Ball Tour, in which she wore a revealing leather corset and was "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people.[155] "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence.[156] Her unconventionality continued at the 2011 MTV Video Music Awards: performing in drag as her male alter ego, Jo Calderone, and delivering a lovesick monologue before a performance of her song "You and I".[157] Some have defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," Chris Rock said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?"[158] As Gaga's choreographer and creative director, Laurieann Gibson provided material for her shows and videos for four years. However, the pair parted in November 2011; Gaga replacing her with Gibson's assistant Richard Jackson.[159] Gaga admits to being a perfectionist when it comes to her elaborate shows. "I'm very bossy. I can scream my head off if I see one light fixture out. I'm very detailed – every minute of the show has got to be perfect."[149]
While Rolling Stone named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed.[160] Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied.[161] Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art.[162] In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since spring 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga."[163] When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.[164]
Contrary to her outré style, the New York Post described her early look as like "a refugee from Jersey Shore" with "big black hair, heavy eye makeup and tight, revealing clothes."[18] Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse.[6] She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, whom she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her.[116][165] In a question posed about the necessary procedure to attach the prosthetics to give the unconventional appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is.[166]
Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up.[14] Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman."[14] Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way."[167][168] When interviewed by Barbara Walters for her annual ABC News special 10 Most Fascinating People in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny."[169] In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance".[170] There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.[171]
While devout followers call Gaga "Mother Monster", Gaga often refers to her fans as "Little Monsters" which has been tattooed on "the arm that holds my mic" in dedication.[172][173] Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image.[174] To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in The Sunday Times asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those."[175][176] Writing for The Guardian, Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."[177]
Besides her career in music, Gaga has also contributed to various charities. For natural disasters, Gaga has helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund.[178] All profits from her official online store on that day were also donated. Gaga announced that an estimated total of US$500,000 was collected for the fund.[179] Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts.[180] As of March 29, 2011, the bracelets raised $1.5 million.[181] However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Gaga's spokesperson called the lawsuit "meritless" and "misleading".[182] On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.[183]
Gaga also contributes in the fight against HIV and AIDS, focusing on educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide.[184] In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick."[185] The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.[3]
As a humanitarian, she has launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University.[186] She also jumped into the debate surrounding SB 1070, Arizona's recently-enacted anti-immigration law, after premiering her Born This Way song "Americano" on the Guadalajara stop of The Monster Ball Tour in Mexico, telling the local press that she could not "stand by many of the unjust immigration laws" in the US.[187] A devoted advocate for the LGBT community, Gaga is also an outspoken activist for LGBT rights worldwide.[188] On February 29, 2012, Gaga and Oprah Winfrey visited Harvard University to launch her Born This Way Foundation.
Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon.[189] Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase."[190] She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of The Fame, saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team."[191] One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance".[192] In June of the same year, she performed the song again at the San Francisco Pride event.[193]
After The Fame was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with Rolling Stone, she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'."[33] When she appeared as a guest on The Ellen DeGeneres Show in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community".[194] She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays,"[195] similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier.[196] At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.[197]
Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality.[198] In addition, Gaga wore a meat dress to the ceremony which was supplemented by boots, a purse and a hat that were all fabricated from the flesh of a dead animal.[199] Partly awarded in recognition of the dress, Vogue.com UK named her one of the Best Dressed people of 2010 while Time magazine's named the dress the Fashion Statement of 2010, it received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA.[200][201][202] She denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community, adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones."[203]
She later released three videos on YouTube urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of The Advocate commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.[204][205]
Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus.[206][207] She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now".[208] Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."[209]
Book: Lady Gaga | |
Wikipedia books are collections of articles that can be downloaded or ordered in print. |
Wikimedia Commons has media related to: Lady Gaga |
Wikiquote has a collection of quotations related to: Lady Gaga |
|
Persondata | |
---|---|
Name | Germanotta, Stefani Joanne Angelina |
Alternative names | Lady Gaga |
Short description | American pop singer |
Date of birth | March 28, 1986 |
Place of birth | New York City, New York, U.S. |
Date of death | |
Place of death |
Ozzy Osbourne | |
---|---|
Osbourne in 2010. |
|
Background information | |
Birth name | John Michael Osbourne |
Born | (1948-12-03) 3 December 1948 (age 63) Aston, Birmingham, England |
Genres | Heavy metal, blues rock, hard rock |
Occupations | Musician, songwriter |
Instruments | vocals, harmonica, synthesizer |
Years active | 1968–present |
Labels | Epic, CBS, Jet |
Associated acts | Black Sabbath, Kelly Osbourne, Black Label Society, Alice Cooper, Iommi, Rob Zombie, Slash, Firewind |
Website | ozzy.com |
John Michael "Ozzy" Osbourne (born 3 December 1948) is an English heavy metal vocalist and songwriter, whose musical career has spanned over 40 years. Osbourne rose to prominence as lead singer of the pioneering English band Black Sabbath, whose dark and hard sound helped spawn the heavy metal genre. Due to Sabbath's dark style, Osbourne became known as the "Prince of Darkness".[1] Osbourne is also known as the "Godfather of Heavy Metal".[2]
In the early 2000s, Osbourne's career expanded when he became a star in his own reality show The Osbournes, alongside wife/manager Sharon and two of their three children, Kelly and Jack. A documentary about his life and career, God Bless Ozzy Osbourne, premiered in April 2011 at the Tribeca Film Festival and was released on DVD in November 2011.[3] Osbourne has achieved multi-platinum status as a solo artist and with Black Sabbath and has sold over 100 million albums worldwide.[4][5]
Contents |
John Michael "Ozzy" Osbourne was born in Aston, Birmingham, England, on 3 December 1948. His father Jack worked shifts as a toolmaker at GEC. His mother Lillian worked for the car components firm Lucas.[6][7] John was the fourth of six children. Ozzy had two brothers (Paul and Tony) and three sisters (Jean, Iris and Gillian); they lived in a small two bedroom home at 14 Lodge Road in Aston. The nickname "Ozzy" was first used when he was in primary school. Although called "John" by his first wife Thelma, Osbourne states that it has been a long time since he's recognised himself when called by his formal name.[8]
Osbourne grew up dealing with dyslexia and other learning disabilities.[9][10] General abuse from teachers at Prince Albert Road Junior School, and Birchfield Road Secondary Modern School in Perry Barr made his childhood difficult for him. Drawn to the stage, Osbourne took part in school plays such as The Pirates of Penzance. Upon hearing their first hit single at age 14, he became a great fan of The Beatles.[6][7] He left school at 15 and was then employed as a construction site labourer, trainee plumber, apprentice toolmaker, car factory horn-tuner and slaughterhouse worker.[6] He spent six weeks in Winson Green Prison when he was unable to pay a fine after being found guilty of burglary of a clothes shop.[6]
In late 1967, Geezer Butler formed his first band "Rare Breed" with Osbourne. The band played two shows then broke up. Separated for a time, Osbourne and Butler reunited in Polka Tulk Blues along with guitarist Tony Iommi and drummer Bill Ward. They renamed themselves Earth, but after being booked in error instead of a small-time English circuit band with the same name, they decided to change their name again. They finally chose the name Black Sabbath in early 1969 based on a film directed by Mario Bava, starring Boris Karloff.[11] The band had noticed how people enjoyed being frightened, and, inspired, Iommi and his partners decided to play a heavy blues style of music laced with gloomy sounds and lyrics.[11] While recording their first album in a castle, Geezer read an occult book and had a dream of a dark figure at the end of his bed. Butler told Osbourne about the dream and together they wrote the lyrics to "Black Sabbath", one of their first songs in a darker vein.[12]
Despite only a modest investment from their US record label Warner Bros. Records, Black Sabbath met with swift and enduring success. Built around Tony Iommi's guitar riffs, Geezer Butler's lyrics, Bill Ward's dark tempo drumbeats, and topped by Osbourne's eerie vocals, early records such as their debut album Black Sabbath and Paranoid sold huge numbers, as well as getting considerable airplay. Osbourne recalls a band lament, "in those days, the band wasn't very popular with the women."[8]
Just five months after the release of Paranoid the band released Master of Reality. The album reached the top ten in both the US and UK, and was certified gold in less than two months.[13] In the 1980s it received platinum certification[13] and went Double Platinum in the early 21st century.[13] Reviews of the album were unfavorable. Lester Bangs of Rolling Stone dismissed Master of Reality as "naïve, simplistic, repetitive, absolute doggerel", although the very same magazine would later place the album at number 298 on their 500 Greatest Albums of All Time list, compiled in 2003.[14] Black Sabbath's Volume 4 was released in September 1972. Critics were again dismissive of the album, yet it achieved gold status in less than a month. It was the band's fourth consecutive release to sell a million copies in the US.[15][16]
In November 1973, Black Sabbath released the critically acclaimed Sabbath Bloody Sabbath. For the first time, the band received favourable reviews in the mainstream press. Gordon Fletcher of Rolling Stone called the album "an extraordinarily gripping affair", and "nothing less than a complete success".[17] AllMusic's Eduardo Rivadavia call the album a "masterpiece, essential to any heavy metal collection," while also claiming the band displayed "a newfound sense of finesse and maturity".[18] The album marked the band's fifth consecutive platinum selling album in the US.[19] Sabotage was released in July 1975. Again there were favourable reviews. Rolling Stone stated, "Sabotage is not only Black Sabbath's best record since Paranoid, it might be their best ever."[20] Allmusic was not so favourable. They noted that "the magical chemistry that made such albums as Paranoid and Volume 4 so special was beginning to disintegrate".[21] Technical Ecstasy, released on 25 September 1976, was also met with mixed reviews. AllMusic gave the album two stars, and noted that the band was "unravelling at an alarming rate".[22]
In 1978, Osbourne left the band for three months to pursue interest in a solo project he called Blizzard of Ozz.[23][24] Three members of the band Necromandus, who had supported Black Sabbath in Birmingham when they were called Earth, did backup for Osbourne in the studio and briefly became the first incarnation of his solo band. At the request of the other members, Osbourne rejoined Sabbath.[25] The band spent five months at Sounds Interchange Studios in Toronto, Canada, writing and recording what would become Never Say Die! "It took quite a long time," Iommi said. "We were getting really drugged out, doing a lot of dope. We'd go down to the sessions, and have to pack up because we were too stoned, we'd have to stop. Nobody could get anything right, we were all over the place, everybody's playing a different thing. We'd go back and sleep it off, and try again the next day."[26]
Touring in support of Never Say Die! began in May 1978 with openers Van Halen. Reviewers called Black Sabbath's performance "tired and uninspired", in stark contrast to the "youthful" performance of Van Halen, who were touring the world for the first time.[27] The band filmed a performance at the Hammersmith Odeon in June 1978, which was later released on DVD as Never Say Die. The final show of the tour, and Osbourne's last appearance with the band (until later reunions) was in Albuquerque, New Mexico on 11 December.
In 1979, back in the studio, tensions and conflict between band members were present continually. Osbourne recalls being asked to record his vocals over and over, and tracks being manipulated endlessly by Iommi.[28] This was a point of contention between Osbourne and Iommi. At Iommi's insistence, and with the support of Butler and Ward, Osbourne was again fired from Black Sabbath. The reasons provided to him were that he was unreliable and had excessive substance abuse issues as compared to the other band members. Osbourne claims his drug use and alcohol consumption at that time were no better nor worse than that of the other band members.[29]
Conflict of a sort had existed between Iommi and Osbourne from the beginning. When responding to a flyer reading "Ozzy Zig Needs Gig- has own PA"[30] posted in a record store, Iommi and Ward arrived at the address listed to speak with Ozzy Zig. When Osbourne answered the door, Iommi left upon discovering it was him. He knew of and disliked Osbourne from back in their school days.[8] The band replaced him with former Rainbow singer Ronnie James Dio.[12]
In 1980, under the management of Osbourne's then girlfriend (later wife), Sharon Arden, the Ozzy Osbourne Band formed again as The Blizzard of Ozz. The first line-up of the band featured drummer Lee Kerslake (of Uriah Heep), bassist/lyricist Bob Daisley (of Rainbow and later Uriah Heep), keyboardist Don Airey, and guitarist Randy Rhoads (of Quiet Riot). The record company would eventually title the record Blizzard of Ozz credited simply under Osbourne's name. Co-written with Daisley and Rhoads, the album brought Osbourne considerable success on his first solo effort. The album sold very well with hard rock/heavy metal fans.[11] Though it is generally accepted that Osbourne and Rhoads started the band, bassist Daisley later claimed that he and Osbourne formed the band before Rhoads joined.[31]
Blizzard of Ozz is one of the very few albums amongst the 100 best selling albums of the 1980s to have achieved multi-platinum status without the benefit of a Top 40 single. As of August 1997, it achieved Quadruple Platinum status according to RIAA. The album is known for the globally recognised singles "Crazy Train" and "Mr. Crowley", and fan favourites "Goodbye to Romance" and "Revelation (Mother Earth)". Although Kerslake and Daisley are credited as the studio musicians for The Blizzard of Ozz, the touring band in support of the album consisted of Osbourne, Rhoads, Rudy Sarzo (Bass) and Tommy Aldridge (Drums).
Osbourne's second album, Diary of a Madman, featured more songs co-written with Bob Daisley. For his work on this album and Blizzard of Ozz, Randy Rhoads[11] was ranked the 85th greatest guitarist of all time by Rolling Stone magazine in 2003.[32] This album is known for the singles "Over the Mountain" and "Flying High Again"; additionally, Osbourne explains in his autobiography that Diary is his own personal favourite album.[8]
On 19 March 1982 while Rhoads was in Florida for the follow-up Diary of a Madman tour, and a week away from playing Madison Square Garden in New York City, a light aircraft piloted by Andrew Aycock (the band's tour bus driver) carrying guitarist Randy Rhoads crashed while performing low passes over the band's tour bus. In a prank turned deadly, the left wing of the aircraft clipped the bus, grazed a tree, and crashed into the attached garage of a nearby mansion killing Rhoads, Aycock, and the band's hairdresser, Rachel Youngblood. On autopsy, cocaine was found to be present in Aycock's urine.[citation needed] The crash was officially ruled the result of "poor judgement by the pilot in buzzing the bus and misjudging clearance of obstacles".[33] Experiencing firsthand the horrific death of his close friend and band mate, Osbourne fell into a deep depression.
Ex-Gillan guitarist Bernie Torme was the first guitarist to replace Randy once the tour resumed. Torme's tenure with the band would last less than one month. During an audition for guitarists in a hotel room, Osbourne selected Brad Gillis (who went on to be one of two guitarists in Night Ranger) to finish the tour. The tour culminated in the release of the 1982 live album, Speak of the Devil recorded at the Ritz in New York City. A live tribute album for Rhoads was also later released.
Despite the difficulties, Osbourne moved on after Rhoads' death. Speak of the Devil, known in the United Kingdom as Talk of the Devil, was originally planned to consist of live recordings from 1981, primarily from Osbourne's solo work. Under contract to produce a live album, it ended up consisting entirely of Black Sabbath covers recorded with Brad Gillis, bassist Rudy Sarzo, and drummer Tommy Aldridge. Osbourne later commented (inside the cover of "Tribute") "I don't give a fuck about that album. It was just a bunch of bullshit Sabbath covers."
In 1982, Osbourne appeared as lead vocalist on the Was (Not Was) pop dance track "Shake Your Head (Let's Go to Bed)." Madonna performed backing vocals. Osbourne's cut was remixed and re-released in the early 1990s for a Was (Not Was) greatest hits album in Europe, and it cracked the UK pop chart. Madonna asked that her vocal not be restored for the hits package, so new vocals by Kim Basinger were added to complement Osbourne's lead.
In 1983 a new guitarist was recruited to play with Osbourne. Jake E. Lee, formerly of Ratt and Rough Cutt, joined the band to record Bark at the Moon. The album, co-written with Bob Daisley, featured Tommy Aldridge, and former Rainbow keyboard player Don Airey. The album contains the fan favourite "Bark at the Moon". The music video for "Bark at the Moon" was partially filmed at the Holloway Sanitorium outside of London, England. Within weeks the album became certified gold. To date it has sold three million copies in the U.S.[34]
1986's The Ultimate Sin followed (with bassist Phil Soussan and drummer Randy Castillo), and touring behind both albums with ex-Uriah Heep keyboardist John Sinclair joining prior to the Ultimate Sin tour. A rich, bold album, it features "Shot in the Dark" and fan favourites "Killer of Giants", "Lightning Strikes", and "Secret Loser". At the time of its release, The Ultimate Sin was Osbourne's highest charting studio album. The RIAA awarded the album Platinum status on 14 May 1986, soon after its release; it was awarded Double Platinum status on 26 October 1994.[35]
Jake E. Lee and Osbourne parted ways in 1987. Osbourne continued to struggle with chemical dependency. That year he commemorated the fifth anniversary of Rhoads' death with Tribute, live recordings from 1981 that had gone unreleased for years. In 1988, Osbourne appeared in The Decline of Western Civilization II: The Metal Years and told the director, Penelope Spheeris, that "sobriety fucking sucks." Meanwhile, Osbourne found Zakk Wylde, who was the most enduring replacement for Rhoads to date. Together they recorded No Rest for the Wicked with Castillo on drums, Sinclair on keyboards, and Daisley co-writing lyrics and playing bass. The subsequent tour saw Osbourne reunited with erstwhile Black Sabbath bandmate Geezer Butler on bass. A live EP (entitled Just Say Ozzy) featuring Geezer was released two years later. Butler continued to tour with Osbourne for the subsequent four tours, and was a major stage presence throughout. In 1989, Ozzy Osbourne performed at the Moscow Music Peace Festival.
While very successful as a heavy metal act through the 1980s, Osbourne sustained commercial success into the 1990s, starting with 1991's No More Tears. The album enjoyed much radio and MTV exposure. It also initiated a practice of bringing in outside composers to help pen Osbourne's solo material instead of relying solely upon his recording ensemble to write and arrange the music. The album was mixed by veteran rock producer Michael Wagener. Osbourne was awarded his only solo Grammy for the track "I Don't Want to Change the World" from live album Live and Loud for Best Metal Performance of 1994.[36]
Wagener also mixed the live album Live and Loud released in 28 June 1993. At the time, it was to be Osbourne's final album. The album went platinum four times over,[37] and ranked at number 10 on that year's Billboard rock charts. At this point Osbourne expressed his fatigue with the process of touring, and proclaimed his "retirement tour" (which was to be short-lived). It was called "No More Tours", a pun on his No More Tears album. Prior to the tour Mike Inez took over on bass and Kevin Jones on keyboards as Sinclair was touring with The Cult. Osbourne's entire CD catalogue was remastered and reissued in 1995.
In 1995, Osbourne released Ozzmosis and returned to touring, dubbing his concert performances "The Retirement Sucks Tour". The album reached number 4 on the US Billboard 200. The Recording Industry Association of America (RIAA) certified the album gold and platinum in that same year, and double platinum in April 1999.[38] The album features the hard rocking fan favourites "Perry Mason", "Ghost Behind My Eyes", "Thunder Underground", and the power ballad "See You on the Other Side".
The line-up on Ozzmosis was Zakk Wylde, Geezer Butler (who had just quit Black Sabbath again) and ex-Bad English, Steve Vai and Hardline drummer Deen Castronovo, now in Journey. Keyboards were played by Yes's Rick Wakeman and producer Michael Beinhorn. The tour maintained Butler and Castronovo and saw Sinclair return, but a major line-up change was the introduction of ex-David Lee Roth guitarist Joe Holmes. Wylde was considering an offer to join Guns N' Roses. Unable to wait for a decision on Wylde's departure decision, Osbourne replaced him. In early 1996, Butler and Castronovo left. Mike Inez (Alice In Chains) and Randy Castillo (Lita Ford, Mötley Crüe) filled in. Ultimately, Faith No More's Mike Bordin and ex-Suicidal Tendencies bassist Robert Trujillo joined on drums and bass respectively. A greatest hits package, The Ozzman Cometh was issued in 1997.
Osbourne's biggest financial success of the 1990s was a venture named Ozzfest, created and managed by his wife/manager Sharon and assisted by his son Jack. The first Ozzfest was held in Phoenix, Arizona on 25 October 1996 and in Devore, California on 26 October. Ozzfest was an instant hit with metal fans, spiralling many up-and-coming groups who were featured there to broad exposure and commercial success. Some acts shared the bill with a reformed Black Sabbath during the 1997 Ozzfest tour, beginning in West Palm Beach, Florida. Osbourne reunited with the original members of Sabbath in 1997 and has performed periodically with them ever since. Ozzfest reinstated the integrity and public familiarity with the band name Black Sabbath.
Since its beginning, five million people have attended Ozzfest, which has grossed over US$100 million. The festival helped promote many new hard rock and heavy metal acts of the late 1990s and early 2000s. Ozzfest helped Osbourne to become the first hard rock and heavy metal star to hit $50 million in merchandise sales. In 2005, Osbourne and his wife Sharon starred in an MTV competition reality show entitled "Battle for Ozzfest". A number of yet unsigned bands send one member to compete in a challenge to win a spot on the 2005 Ozzfest and a possible recording contract. Shortly after Ozzfest 2005, Osbourne announced that he will no longer headline Ozzfest. Although he announced his retirement from Ozzfest, Osbourne came back headlining the tour. In 2006 Ozzy closed the event for just over half the concerts, leaving the others to be closed by System of a Down. He also played the closing act for the second stage at Shoreline Amphitheatre in Mountain View, CA on 1 July as well as Randall's Island, NY on 29 July. After the concert in Bristol, Virginia, Osbourne announced he would return for another year of Ozzfest in 2007.
Tickets for the 2007 tour were offered to fans free of charge, which led to some controversy. In 2008, Ozzfest was reduced to a one-day event in Dallas, Texas, where Osbourne played, along with Metallica and King Diamond. In 2010, Ozzy appeared as the headliner closing the show after opening acts Halford and Mötley Crüe. The tour, though small (only six U.S. venues and 1 U.K. venue were played), generated raves from fans and reviewers: "Ozzy Osbourne is one of the greatest entertainers in history—regardless of genre or medium." --Artist Direct, 16 August 2010[39] "...we the eager maniacs of metal give OZZY the horns up for yet another blistering day of metal on two stages. " --Hard Rock Haven, 9 September 2010[40][41] “Ozzfest rises up again, exceeding expectations...” --ORANGE COUNTY REGISTER, 16 August 2010[42]
Down to Earth, Osbourne's first album of new studio material in seven years, was released on 16 October 2001. A live version filmed in Japan, Live at Budokan followed. Down to Earth went gold in 2001, and platinum in 2003. The album features the fan favourite "Dreamer," a song which peaked at number 10 on Billboard's Mainstream Rock Tracks.[43] In June 2002, Osbourne performed the Black Sabbath anthem "Paranoid" at the Party at the Palace concert in the grounds of Buckingham Palace, an event in commemoration of the Golden Jubilee of Elizabeth II.[44] In 2003, Osbourne recruited former Metallica bassist Jason Newsted after he left the band in 2000 (and Trujillo replaced him on Metallica's line-up). Both Newsted and Osbourne were enthusiastic about recording an album together.
On 8 December 2003, Osbourne was rushed into emergency surgery at Wexham Park Hospital in Slough, England when he had an accident with his all-terrain vehicle on his estate in Jordans, Buckinghamshire. Osbourne broke his collar bone, eight ribs, and a neck vertebra. An operation was performed to lift the collarbone, which was believed to be resting on a major artery and interrupting blood flow to the arm. Sharon later revealed that Osbourne had stopped breathing following the crash and was resuscitated by Osbourne's then personal bodyguard, Sam Ruston. While in hospital, Osbourne achieved his first ever UK number one single, a duet of the Black Sabbath ballad, "Changes" with daughter Kelly. In doing so, he broke the record of the longest period between an artist's first UK chart appearance (with Black Sabbath's "Paranoid", number four in August 1970) and their first number one hit: a gap of 33 years. Since the quad accident, aside from some short-term memory problems, he fully recovered and headlined the 2004 Ozzfest, in the reunited Black Sabbath.
In 2005, Osbourne released a box set called Prince of Darkness. The first and second discs are collections of live performances, B-sides, demos and singles. The third disc contained duets and other odd tracks with other artists, including "Born to Be Wild" with Miss Piggy. The fourth disc is entirely new material where Osbourne covers his favourite songs by his biggest influences and favourite bands, including The Beatles, John Lennon, David Bowie and others.
In March 2006, he said that he hoped to release a new studio album soon with long time on-off guitarist, Zakk Wylde of Black Label Society. In October 2006, it was announced that Tony Iommi, Ronnie James Dio, Vinny Appice, and Geezer Butler would be touring together again, though not as Black Sabbath, but under the moniker Heaven and Hell (the title of Dio's first Black Sabbath album). The response to the news on Osbourne's website was that Osbourne wished Tony and Ronnie well and that there is only one Sabbath. Osbourne's album, titled Black Rain, was released on 22 May 2007. Osbourne's first new studio album in almost six years, it featured a more serious tone than previous albums. "I thought I'd never write again without any stimulation...But you know what? Instead of picking up the bottle I just got honest and said, 'I don't want life to go (to pieces)'", Osbourne stated in a Billboard interview.[45]
Osbourne revealed in July 2009 that he was currently seeking a new guitar player. While he states that he has not fallen out with Zakk Wylde, he said he felt his songs were beginning to sound like Black Label Society and fancied a change.[46] In August 2009, Osbourne performed at the gaming festival BlizzCon with a new guitarist in his line-up Gus G.[47] Osbourne also provided his voice and likeness to the video game Brütal Legend character The Guardian of Metal.[48] In November, Slash featured Osbourne on vocals in his single "Crucify The Dead",[49] and Osbourne with wife Sharon were guest hosts on WWE Monday Night Raw.[50] In December, Osbourne announced he would be releasing a new album titled Soul Sucka with Gus G, Tommy Clufetos on drums, and Blasko on bass.[51] Negative fan feedback was brought to Osbourne's attention regarding the album title. In respect of fan opinion, on 29 March Osbourne announced his album would be renamed Scream.[52]
On 13 April 2010, Osbourne announced the release date for Scream would be 15 June 2010.[53] The release date was later changed to 22 June. A single from the album, "Let Me Hear You Scream," debuted on 14 April 2010 episode of CSI: NY. The song spent 8 weeks on the Billboard Rock Songs, peaking at #7. Osbourne held a Meet-And-Greet album signing at the main branch of HMV in his home-town Birmingham, followed later that day by an intimate show in the Birmingham Town Hall. The first four hundred fans that arrived at the store earlier in the day were given wrist bands, enabling free access to the show.
On 9 August, Ozzy announced that the second single from the album would be "Life Won't Wait" and the video for the song would be directed by his son Jack. When asked of his opinions on Scream in an interview, Osbourne announced that he is "already thinking about the next album". Osbourne's current drummer, Tommy Clufetos, has reflected this sentiment, saying that ""We are already coming up with new ideas backstage, in the hotel rooms and at soundcheck and have a bunch of ideas recorded"[54]
It was announced on 11 November 2011 during a news conference at the Sunset Strip club Whisky a Go Go that the original Black Sabbath line up of Ozzy, Tony Iommi, Geezer Butler, and Bill Ward would reunite for a world tour and new album, which will be produced by Rick Rubin.[55]
Osbourne achieved greater celebrity status via his own brand of reality television. The Osbournes, a series featuring the domestic life of Osbourne and his family (wife Sharon, children Jack and Kelly, occasional appearances from his son Louis, but eldest daughter Aimee did not participate). The program became one of MTV's greatest hits. It premiered on 5 March 2002, and the final episode aired 21 March 2005. To this day Osbourne refuses to watch any episodes, claiming he was stoned during the entire filming.[56]
The success of The Osbournes led Osbourne and the rest of his family to host the 30th Annual American Music Awards in January 2003.[57][58] The night was marked with constant "bleeping" due to some of the lewd and raunchy remarks made by Ozzy and Sharon Osbourne. Presenter Patricia Heaton walked out midway in disgust.[59] On 20 February 2008, Ozzy, Sharon, Kelly and Jack Osbourne hosted the 2008 BRIT Awards held at Earls Court, London.[60][61] Ozzy Osbourne appears in a commercial for the online video game World of Warcraft.[62] Osbourne is a supporter of English football club Aston Villa, growing up in the Aston area close to Villa Park.[63]
Osbourne published an autobiography in October 2009, titled I Am Ozzy.[29] Osbourne says ghost writer Chris Ayres told the singer he has enough material for a second book. A movie adaptation of I Am Ozzy is also in the works, and Osbourne says he hopes "an unknown guy from England" will get the role over an established actor. His son Jack worked on and released a documentary about Osbourne's life and career called God Bless Ozzy.[64] Osbourne made an appearance at the 30 October 2010 Rally to Restore Sanity and/or Fear in Washington D.C.
Ozzy Osbourne has been awarded several times for his contributions to the music community. In 1994, he was awarded a Grammy Award for the track "I Don't Want to Change the World" from Live & Loud for Best Metal Performance of 1994.[36] At the 2004 NME Awards in London, Ozzy received the award for Godlike Genius.[65] In 2005, Ozzy was inducted into the UK Music Hall of Fame both as a solo artist and as a member of Black Sabbath.[66] In 2006, he was inducted into the US Rock and Roll Hall of Fame with Black Sabbath band mates Tony Iommi, Bill Ward, and Geezer Butler.[67]
In 2007, Osbourne was honoured at the second annual VH1 Rock Honors, along with Genesis, Heart, and ZZ Top. In addition, that year a bronze star honouring Osbourne was placed on Broad Street in Birmingham, England while Osbourne watched.[68] On 18 May Osbourne had received notice that he would be the first inductee into The Birmingham Walk of Stars. He was presented the award by the Lord Mayor of Birmingham. "I am really honoured," he said, "All my family is here and I thank everyone for this reception – I'm absolutely knocked out".[68]
In 2008, Osbourne was crowned with the prestigious Living Legend award in the Classic Rock Roll of Honor. Past recipients include Alice Cooper, Lemmy, Jimmy Page. Slash, the former Guns N' Roses guitarist, presented the award.[69] In 2010, Osbourne won the "Literary Achievement" honour for his memoir, I Am Ozzy, at the Guys Choice Awards at Sony Pictures Studio in Culver City, California. Osbourne was presented with the award by Sir Ben Kingsley. The book debuted at No. 2 on the New York Times' hardcover non-fiction best-seller list.[70] Osbourne was also a judge for the 6th and 10th annual Independent Music Awards to support independent artists' careers.[71]
Osbourne has been married twice and is the father of six children (five biological, and one adopted). He was first married to Thelma Riley (now a teacher in Leicestershire) and adopted her son, Elliot Kingsley (1966); together they had Jessica Starshine Osbourne Hobbs (20 January 1972) and Louis John Osbourne (1975).[citation needed]
He later married Sharon Arden and had three children with her. They are Aimee Osbourne (2 September 1983), Kelly Osbourne (27 October 1984) and Jack Osbourne (8 November 1985). They also took in family friend Robert Marcato after his mother died, but never legally adopted him. Osbourne also has five grandchildren, granddaughter Isabelle and grandson Harry from Jessica, granddaughter Mia and grandson Elijah from Louis and granddaughter Pearl from Jack[72]. He wrote a song for his daughter Aimee, which appeared as a B-side on the album Ozzmosis. He divides his time between Los Angeles and Buckinghamshire.[citation needed]
It was reported by the New York Times in 1992 that Osbourne was a member of the Church of England and prayed before each show.[73] In 2002, Osbourne and wife Sharon were invited to the White House Correspondents' Association dinner by Fox News Channel correspondent Greta Van Susteren for that year's event. President Bush noted Osbourne's presence by joking: "The thing about Ozzy is, he's made a lot of big hit recordings – 'Party with the Animals', 'Sabbath, Bloody Sabbath', 'Facing Hell', 'Black Skies' and 'Bloodbath in Paradise'. Ozzy, Mom loves your stuff."[74]
Ozzy and Sharon Osbourne are one of the UK's richest couples, according to the Sunday Times Rich List. They ranked at number 458 in 2005, with an estimated £100 million earned from recording, touring and TV shows. Osbourne has over 15 tattoos, the most famous of which are the letters O-Z-Z-Y across the knuckles of his left hand. This was his first tattoo, created by himself as a teenager with a sewing needle and pencil lead.[6]
Osbourne has abused drugs and alcohol for most of his life.[75] Although clean and sober now,[76] Osbourne has frequently commented on his former wild lifestyle, puzzled at how he has survived 40 years of abuse.[77] Upon being fired from Black Sabbath in 1979, Osbourne spent the next three months locked in his hotel room taking vast amounts of drugs and alcohol all day, every day.[78] He claims that he would certainly have died if his future wife Sharon Osbourne (née Arden) had not offered to manage him as a solo artist.[79]
In 1982 while wearing his future wife Sharon's dress because she had hidden his clothes, Osbourne drunkenly urinated on a cenotaph erected in honour of those who died at the Alamo in Texas, across the street from the actual building.[80] A police officer arrested him,[81] and Osbourne was subsequently banned from the city of San Antonio for a decade.[82] He was later arrested May 1984 in Memphis, Tennessee, again for public intoxication.[83] In 1984, Osbourne toured with Mötley Crüe. The tour is known as one of the "craziest drug and alcohol-fuelled tours in the history of rock and roll".[78] It is rumoured that while heavily intoxicated, Osbourne snorted a line of ants, in competition with Nikki Sixx of Mötley Crüe, who had set fire to himself the night before.[84]
Osbourne experienced tremors for some years and linked them to his continuous drug abuse. In May 2005 he found out it was actually Parkin Syndrome, a genetic condition, the symptoms of which are very similar to Parkinson's disease. Osbourne will have to take daily medication for the rest of his life to combat the involuntary shudders associated with the condition.[85] Osbourne has also shown symptoms of mild hearing loss, as depicted in the television show, The Osbournes, where he often asks his family to repeat what they say. At the TEDMED Conference in October 2010, scientists from Knome joined Osbourne on stage to discuss their analysis of Osbourne’s whole genome, which shed light on how the famously hard-living rocker has survived decades of drug abuse.[86]
Early in his career, Christian groups accused Osbourne of being a negative influence for teenagers, and that rock music was used to glorify Satanism. Scholar Christopher M. Moreman compared the controversy to those levelled against the occultist Aleister Crowley. Both were demonised by the media and some religious groups for their antics. Osbourne tempts the comparison with his song "Mr. Crowley". Both Osbourne and Crowley enjoyed the infamy of being labelled Satanists, though Osbourne firmly denies the charge and has said that he is a member of the Church of England.[87][88]
In 1981, after signing his first solo career record deal, Osbourne bit the head off a dove during a meeting with some record-company executives in Los Angeles.[89] Apparently he had planned to release doves into the air as a sign of peace, but due to being intoxicated at the time, he instead grabbed a dove and bit its head off. He then spat the head out,[89][90] with blood still dripping from his lips. Despite its controversy, the head-biting act has been parodied and alluded to several times throughout his career and is part of what made Ozzy Osbourne famous.[81]
On 20 January 1982, Osbourne bit the head off a bat[91] he thought was rubber while performing at the Veterans Memorial Auditorium in Des Moines, Iowa. Rolling Stone magazine in 2004 ranked this incident number two on its list of "Rock's Wildest Myths."[92] While the Rolling Stone article stated the bat was alive, the teen who threw it onto the stage said it was brought to the show dead.[89] According to Osbourne in the booklet to the 2002 edition of Diary of a Madman, the bat was not only alive but managed to bite him, resulting in Osbourne being treated for rabies.
In 1985, California teenager John McCollum committed suicide while listening to Ozzy Osbourne's "Suicide Solution." The song deals with the dangers of alcohol abuse. McCollum's suicide led to allegations that Osbourne promoted suicide in his songs. Despite knowing McCollum suffered clinical depression, his parents sued Ozzy Osbourne (McCollum v. CBS[93]) for their son's death, claiming the lyrics in the song, "Where to hide, suicide is the only way out. Don't you know what it's really about?" convinced McCollum to commit suicide. The family's lawyer suggested that Osbourne should be criminally charged for encouraging a young person to commit suicide, but the courts ruled in Osbourne's favour, saying there was no connection between the song and McCollum's suicide. Osbourne was sued for the same reason in 1991 (Waller v. Osbourne), by the parents of Michael Waller, for $9 million, but the courts ruled in Osbourne's favour again.[94] One critic claims that Osbourne sings "Get the gun, get the gun, shoot, shoot, shoot," a charge firmly denied by Osbourne.
In lawsuits filed in 2000 and 2002 which were dismissed by the courts in 2003, former session musicians Bob Daisley, Lee Kerslake, and Phil Soussan claimed that Osbourne was delinquent in paying them royalties and had denied them due credit on albums they played on.[95][96] In November 2003, a Federal Appeals Court unanimously upheld the dismissal by the United States District Court in Los Angeles of the lawsuit brought by Daisley and Kerslake. The United States Court of Appeals for the Ninth Circuit ruled that Osbourne does not owe any royalties or credit to the former session musicians, who were let go in 1981.[97] To resolve further issues, management chose to replace Daisley and Kerslake's contributions on the original masters, replacing them with Robert Trujillo on bass and Mike Bordin on drums. The albums were then reissued.[98]
In July 2010, Osbourne and Iommi decided to discontinue the court proceedings over ownership of the Black Sabbath trademark. As reported to Blabbermouth, "Both parties are glad to put this behind them and to cooperate for the future and would like it to be known that the issue was never personal, it was always business."[99]
Role | Album | |||||||||
---|---|---|---|---|---|---|---|---|---|---|
Blizzard of Ozz (1980) |
Diary of a Madman (1981) |
Bark at the Moon (1983) |
The Ultimate Sin (1986) |
No Rest for the Wicked (1988) |
No More Tears (1991) |
Ozzmosis (1995) |
Down to Earth (2001) |
Black Rain (2007) |
Scream (2010) |
|
Guitars | Randy Rhoads | Jake E. Lee | Zakk Wylde | Gus G. | ||||||
Bass | Bob Daisley | Phil Soussan | Bob Daisley | Geezer Butler | Robert Trujillo | Rob Nicholson | ||||
Drums | Lee Kerslake | Tommy Aldridge | Randy Castillo | Deen Castronovo | Mike Bordin | Tommy Clufetos | ||||
Keyboards | Don Airey | Johnny Cook | Don Airey | Mike Moran | John Sinclair | Rick Wakeman | Tim Palmer/Michael Railo | Zakk Wylde | Adam Wakeman |
Book: Black Sabbath | |
Wikipedia books are collections of articles that can be downloaded or ordered in print. |
Wikimedia Commons has media related to: Ozzy Osbourne |
Wikiquote has a collection of quotations related to: Ozzy Osbourne |
|
|
|
Persondata | |
---|---|
Name | Ozzy Osbourne |
Alternative names | John Michael Osbourne |
Short description | Musician, songwriter |
Date of birth | 3 December 1948 |
Place of birth | Aston, Birmingham, West Midlands, England |
Date of death | |
Place of death |
Taylor Swift | |
---|---|
Swift performing during the Australian leg of her Speak Now Tour in 2012 |
|
Background information | |
Birth name | Taylor Alison Swift |
Born | (1989-12-13) December 13, 1989 (age 22) Reading, Pennsylvania, United States |
Genres | Country-pop, pop, country, alternative rock |
Occupations | Singer-songwriter, actress |
Instruments | Vocals, guitar, banjo, ukulele, piano |
Years active | 2006–present |
Labels | Big Machine |
Website | TaylorSwift.com |
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter and occasional actress. Raised in Wyomissing, Pennsylvania, Swift moved to Nashville, Tennessee at the age of fourteen to pursue a career in country music. She signed to the independent label Big Machine Records and became the youngest songwriter ever hired by the Sony/ATV Music publishing house. The release of Swift's self-titled debut album in 2006 established her as a country music star. "Our Song", her third single, made her the youngest sole writer and singer of a number one song on the country chart. She received a Best New Artist nomination at the 50th Grammy Awards.
Swift's second album, Fearless, was released in late 2008. Buoyed by the chart success of the singles "Love Story" and "You Belong with Me", Fearless attracted a crossover audience and became the top-selling album of 2009. The record won four Grammy Awards, with Swift becoming the youngest ever Album of the Year winner. Fearless also received Album of the Year plaudits at the American Music Awards, Academy of Country Music Awards and Country Music Association Awards, making it the most awarded album in country music history. In 2010, Swift released her third album, Speak Now, which sold over one million copies in its first week. She then embarked on the 111-date Speak Now World Tour, which was attended by over 1.6 million fans and has become one of the highest-grossing concert tours of all time. The album's third single, "Mean", won two Grammy Awards for Best Country Song and Best Country Solo Performance. Swift is currently recording her fourth studio album, due for release in the fall of 2012.
Swift's work has earned her numerous accolades, including six Grammy Awards, ten AMAs, seven CMAs, six ACMs and 13 BMI Awards. She has sold over 22 million albums and 50 million song downloads worldwide, making her one of the best-selling music artists of all time. Swift has endorsement deals with Target, CoverGirl, Sony, Elizabeth Arden, Walmart and American Greetings. As a philanthropist, Swift has placed particular emphasis on arts education, children's literacy and natural disaster relief funds. In addition to her music career, Swift has appeared as an actress in the crime drama CSI: Crime Scene Investigation (2009), the romantic comedy Valentine's Day (2010) and the animated film The Lorax (2012).
Contents |
Taylor Alison Swift was born on December 13, 1989 in Reading, Pennsylvania.[1] She is the daughter of Scott Swift, a Merrill Lynch financial adviser,[2][3] and Andrea (née Gardner), a homemaker who previously worked as a mutual fund marketing executive.[1][4] Swift was named after singer James Taylor; her mother believed a gender-neutral name would help her forge a successful business career.[5][6] She has a younger brother, Austin, who attends Vanderbilt University.[7] She spent the early years of her life on an eleven-acre Christmas tree farm in Montgomery County, Pennsylvania and was educated at the fee-paying Wyndcroft School.[8] When Swift was nine years old, the family moved to Wyomissing, Pennsylvania,[9][10] where she attended Wyomissing Area Junior/Senior High School.[11] Swift spent her summers at her parent's vacation home in Stone Harbor, New Jersey[12] and has described it as the place "where most of my childhood memories were formed".[10]
Swift's first hobby was English horse riding. Her mother Andrea put her in a saddle when Swift was nine months old and she later competed in horse shows.[13][14] Her family owned several Quarter horses and a Shetland pony.[14] At the age of nine, Swift turned her attention to musical theatre and performed in Berks Youth Theatre Academy productions of Grease, Annie, Bye Bye Birdie and The Sound of Music.[15][8] She travelled regularly to Broadway, New York for vocal and acting lessons. However, "after a few years of auditioning in New York and not getting anything”, Swift became interested in country music.[16] She was inspired by LeAnn Rimes's Blue[17] and her maternal grandmother, Marjorie Finlay, an opera singer.[8] When she was in fourth grade, Swift won a national poetry contest with a three-page poem, "Monster in My Closet".[18] At the age of eleven, after many attempts,[19] Swift won a local talent competition by singing a rendition of LeAnn Rimes’s “Big Deal”, and was given the opportunity to appear as the opening act for Charlie Daniels at a Strausstown amphitheater.[15] She spent her weekends performing at local festivals, fairs, coffeehouses, karaoke contests, garden clubs and Boy Scout meetings.[20][4] This interest in country music isolated Swift from her middle school peers.[21][22]
After watching a Behind the Music episode about Faith Hill,[23] Swift recorded a demo of karaoke covers, and travelled with her mother to Nashville, Tennessee for spring break to leave a copy of the demo with record labels along Music Row. She received label rejections and realized that "everyone in that town wanted to do what I wanted to do. So, I kept thinking to myself, I need to figure out a way to be different".[23] Swift began performing the "The Star Spangled Banner" at many sporting events, hoping she would be offered a recording contract. On one occasion, an eleven-year-old Swift high-fived Jay-Z after singing the national anthem at a 76ers game in Philadelphia.[24] At the age of twelve, Swift was shown by a computer repairman how to play three chords on a guitar, inspiring her to write her first song, "Lucky You".[25][26] She then recorded a second demo of original songs.[15] In 2003, Swift and her parents began working with music manager Dan Dymtrow, after he spotted her singing at the US Open.[27] Swift's second demo then caught the attention of RCA Records, who offered the eight-grader an artist development deal. In 2004, Swift modelled for Abercrombie and Fitch as part of their "Rising Stars" campaign and had an original song included in a Maybelline Cosmetics compilation CD.[28]
When Swift was fourteen, her father transferred to the Nashville office of Merrill Lynch and the family relocated to a lake-shore house in Hendersonville, Tennessee.[1] Swift has said her parents "presented it as a move to a nice community" rather than as her chance to become a star.[29] Her mother has said, "We've always told her that this is not about putting food on our table or making our dreams come true."[30] In Tennessee, Swift attended Hendersonville High School for her freshman and sophomore years.[31] Later, to accommodate her touring schedule, Swift transferred to the Aaron Academy, a private Christian school which offered homeschooling services, and earned her high school diploma in 2008.[32]
Swift moved to Nashville at the age of fourteen, having secured an artist development deal with RCA Records. Her musical influences included the Dixie Chicks, Shania Twain, LeAnn Rimes, Faith Hill,[29] Tom Petty,[33] Sheryl Crow,[34] Melissa Etheridge, Pat Benatar,[35] Reba McEntire, Garth Brooks,[36] Patsy Cline, Loretta Lynn and Tammy Wynette.[37] Swift had writing sessions with experienced songwriters such as Troy Verges, Brett Beavers, Brett James, Mac McAnally and the Warren Brothers,[38][39] but eventually formed a lasting working relationship with Liz Rose.[40] Swift saw Rose performing at an RCA songwriter event and suggested that they write together.[41] They began meeting for two-hour writing sessions every Tuesday afternoon after school.[42] Rose has said that the sessions were "some of the easiest I've ever done. Basically, I was just her editor. She'd write about what happened in school that day. She had such a clear vision of what she was trying to say. And she'd come in with the most incredible hooks".[43][42] Swift also began recording demos with producer Nathan Chapman.[41] After performing at a BMI Songwriter's Circle showcase at The Bitter End, New York,[39] Swift became the youngest songwriter ever hired by the Sony/ATV Tree publishing house.[44]
Swift left RCA Records when she was fifteeen; the company wanted her to record the work of other songwriters and wait until she was eighteen to release an album, but she felt ready to launch her career with her own material.[45][19] She also parted ways with manager Dan Dymtrow, who later took legal action against Swift and her parents.[28] At an industry showcase at Nashville's The Bluebird Café in 2005, Swift caught the attention of Scott Borchetta, a Dreamworks Records executive who was preparing to form his own independent record label, Big Machine Records.[40] Swift was one of the new label's first signings.[40] As an introduction to the country music business, Borchetta arranged for Swift to intern at the CMA Music Festival; she acted as the artist escort for Darryl Worley.[46][47]
Swift began working on her self-titled debut album shortly after signing her record deal. After experimenting with veteran Nashville producers, Swift persuaded Big Machine to hire her demo producer Nathan Chapman.[19] It was his first time to record a studio album but Swift felt they had the right "chemistry".[19] In the end, Chapman produced all but one of the tracks on Taylor Swift.[19] She has described the album as the "diary" of her early teens[48] and most songs were written during her freshman year of high school.[19] As a result, the songs describe coming of age experiences such as insecurity, young love, and teenage angst.[19] She has said that, although "it sounds like I've had 500 boyfriends", a lot of the songs are observational.[19] Swift wrote three of the album's songs alone, including two singles, and co-wrote the remaining eight with writers such as Liz Rose, Robert Ellis Orrall and Angelo Petraglia.[49] Musically, the album has been described as "a mix of trad-country instruments and spry rock guitars".[50]
Taylor Swift was released in October 2006 and received generally positive reviews from music critics.[51] PopMatters hoped Swift would be "able to find an accomodation between the country tradition and her very obvious pop sensibilities, because Taylor Swift suggests she has much to offer".[52] The New Yorker's Sasha Frere-Jones described Swift as a "prodigy". She noted that "Our Song" "stop[ed] me in my tracks" and praised the lyrics: “He’s got a one-hand feel on the steering wheel, the other on my heart".[53] Country Weekly felt Swift demonstrated "an honesty, intelligence and idealism with which listeners of any age will be able to connect" and noted that "the more thoughtful material suggests a talent poised to last well past high school".[54] AllMusic stated that, while listening to the album, it was "never in doubt" that "Swift is a talent to be reckoned with".[55] Rolling Stone described Swift as "bright-eyed but remarkably seasoned", and admired "Our Song"'s "insanely hooky sing-song melody that's as Britney as it is Patsy".[50]
Big Machine Records was still in its infancy upon the release of the lead single "Tim McGraw" in June 2006, and Swift and her mother helped "stuff the CD singles into envelopes to send to radio".[30] She spent much of 2006 promoting Taylor Swift in a radio tour and later commented, "Radio tours for most artists last six weeks. Mine lasted six months."[19] Swift painted canvases (inspired by Jackson Pollock) to gift to radio station managers who played her music.[56] She took part in "GAC Short Cuts", a part-documentary, part-music-video series designed to introduce her to country music fans.[57][58] She also made television appearances on Good Morning America,[59] The Megan Mullally Show,[59] America's Got Talent,[60] and TRL.[61] Swift, a self-described "kid of the internet",[62] used MySpace to build a fanbase. She wrote her own blog posts, left comments on her fans' accounts and personally respond to the messages that were sent to her.[63] This was, at the time, "revolutionary in country music".[64][57] Borchetta has said that his decision to sign a sixteen year old singer-songwriter initially raised eyebrows among his record industry peers[57] but Swift tapped into a previously unknown market: teenage girls who listen to country music.[1][57]
Following "Tim McGraw", four further singles were released throughout 2007 and 2008: "Teardrops on My Guitar", "Our Song", "Picture to Burn" and "Should've Said No". All were highly successful on the Billboard Hot Country Songs chart, with "Our Song" and "Should've Said No" both reaching number one. "Our Song" made Swift the youngest sole writer and singer of a number one country song.[65] "Teardrops on My Guitar" became a minor pop hit; it reached number thirteen on the Billboard Hot 100.[66][67] The album sold 39,000 copies during its first week[68] and, as of March 2011, has sold over 5.5 million copies worldwide.[69] Swift also released a holiday album, Sounds of the Season: The Taylor Swift Holiday Collection, in October 2007 and an EP, Beautiful Eyes, in July 2008.[70][71]
Swift toured extensively in support of Taylor Swift. In addition to festival and theater dates, Swift performed as an opening act for several country artists' concert tours. She opened for Rascal Flatts on several dates in late 2006.[59][72] In 2007, she served as the opening act on twenty dates for George Strait's 2007 United States tour,[73] several dates on Kenny Chesney's tour[74] and selected dates on Brad Paisley's Bonfires & Amplifiers Tour.[75][76] Also in 2007, Swift appeared as the opening act on several dates for Tim McGraw and Faith Hill's joint Soul2Soul II Tour.[77] Swift again opened for Flatts for their Still Feels Good Tour in 2008.[78] In addition to performing her own material, Swift played covers of songs by Beyoncé and Rihanna.[79] She conducted meet-and-greet sessions with fans before and after her concerts; these lasted for up to four hours.[80][81]
In 2007, Swift and Alan Jackson were jointly named the Nashville Songwriters Association's "Songwriter/Artists of the Year". Swift was the youngest person ever to be honored with the title.[82] She also won the Country Music Association’s Horizon Award for Best New Artist.[83] In 2008, she won Top New Female Vocalist at the Academy of Country Music Awards[84] and Favorite Country Female Artist at the American Music Awards.[85] She won seven BMI Awards for songs featured on Taylor Swift.[86] Swift was also nominated for a 2008 Grammy Award in the category of Best New Artist, but lost to Amy Winehouse.[87]
Swift's second studio album, Fearless, was released in November 2008.[88] She wrote seven of the album's songs alone, including two singles, and co-wrote the remaining six with songwriters Liz Rose, John Rich, Colbie Caillat and Hillary Lindsey.[49] While Swift wrote many of the songs on tour, she made a conscious effort not to include "road songs": "As a 16-year-old girl, I could never relate to those songs about playing a different city every night. I want to write about feelings and love and the lack of love".[89] She has said that the album title "means you’re afraid of a lot of things, but you jump anyway".[90] She co-produced the album with Nathan Chapman.[49] Musically, the record is characterized by "loud, lean guitars and rousing choruses", with the occasional "bit of fiddle and banjo tucked into the mix".[91]
Fearless received generally positive reviews from music critics.[92] The New York Times described Swift as "one of pop's finest songwriters, country’s foremost pragmatist and more in touch with her inner life than most adults".[93] The Village Voice felt she displayed "preternatural wisdom and inclusiveness", "masterfully avoiding the typical diarist's pitfalls of trite banality and pseudo-profound bullshit".[94] Rolling Stone described her as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture" whose "squirmingly intimate and true" songs seemed to be "literally ripped from a suburban girl's diary".[95] USA Today found it "a pleasure to hear a gifted teenager who sounds like a gifted teenager, rather than a mouthpiece for a bunch of older pros' collective notion of adolescent yearning."[96] The New Yorker described it as an album "without a bad track", adding that "the album’s finest effort, "Fifteen", will feature in yearbook quotes for years".[97] Entertainment Weekly noted that the album would appeal mainly to young girls – "she sounds like a real teen, not some manufactured vixen-Lolita" – but predicted it would be "exciting to watch her precocious talent grow".[98] Music critic Robert Christgau described Swift as "an uncommonly-to-impossibly strong and gifted teenage girl".[99]
Swift promoted Fearless heavily upon its release. An episode of The Ellen DeGeneres Show was dedicated to the album launch[57] and Swift appeared on many other chat shows.[100] She communicated with fans using social media platforms such as twitter and personal video blogs.[57] In October 2008, she appeared at the CMT Giants: Alan Jackson event, performing a cover of Jackson's "Drive (For Daddy Gene)".[101] In November 2008, Swift took part in a joint, televised concert with rock band Def Leppard in Nashville.[102][103] She performed her song "Fifteen" with Miley Cyrus at the 51st Grammy Awards in February 2009.[104] In April 2009, she performed a cover of George Strait's "Run" at a televised ACM event honoring Strait as Artist of the Decade.[105] Swift hosted and appeared as the musical guest on Saturday Night Live in November 2009.[106] The lead single from the album, "Love Story", was released in September 2008 and became the second best-selling country single of all time, peaking at number four on the Billboard Hot 100 chart.[67][107] Four more singles were released throughout 2008 and 2009: "White Horse", "You Belong with Me", "Fifteen" and "Fearless". "You Belong with Me" was the album's highest-charting single, peaking at number two on the Billboard Hot 100.[108] The album debuted at number one on the Billboard 200 Album Chart with sales of 592,304 and has since sold over 8.6 million copies worldwide.[109][110] It was the top-selling album of 2009 and brought Swift much crossover success.[111]
Swift carried out her first headlining tour from April 2009 to June 2010. As part of the 105-date Fearless Tour, Swift played 90 dates in North America, six dates in Europe, eight dates in Australia and one date in Asia.[112] The stage show included multiple costume changes, dancers and a fairy-tale castle set.[113] She sang a cover of Justin Timberlake's "What Goes Around... Comes Around" nightly, intertwined with her own "You're Not Sorry".[114] Swift invited John Mayer, Faith Hill and Katy Perry to perform one-off duets with her at various dates during the North American tour.[115][116][117] Justin Bieber, Kelly Pickler and Gloriana were the support acts.[118] The tour was attended by more than 1.1 million fans and has grossed over $63 million.[119] Taylor Swift: Journey to Fearless, a concert film, was aired on television and later released on DVD and Blu-ray.[120] Also in 2009, Swift performed as a supporting act for Keith Urban.[121]
In September 2009, Swift became the first country music artist to win an MTV Video Music Award when "You Belong with Me" was named Best Female Video.[122] Her acceptance speech was interrupted by rapper Kanye West, who had been involved in a number of other award show incidents.[123] West declared Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated in the same category, to be "one of the best videos of all time." Many audience members booed West,[124][125] prompting him to flip off the crowd.[126][124] He then handed the microphone back to a speechless Swift.[124][127] Backstage, Swift was seen "hysterically crying".[124] According to Rolling Stone, when Swift's mother confronted West, he gave "a half-hearted apology in which he added he still thought Beyoncé's video was superior".[128] West was removed from the event.[124][126][129] When Beyoncé later won the award for Video of the Year, she invited Swift onstage to finish her speech.[124][130] In the event's press room, Swift, who in 2008 had expressed a desire to sing a hook on a Kanye West rap song,[131] was asked if she had "any hard feelings" towards West: "I don’t know him, and I’ve never met him, so... I don’t want to start anything because I had a great night tonight."[128][132]
The incident received much media attention and inspired many Internet memes.[133] President Barack Obama, in an "off the record" comment, called West a "jackass".[134] Former US President Jimmy Carter said West's interruption was "completely uncalled for".[135] West's behavior was criticized by celebrities, including Eminem, Snoop Dogg and Lady Gaga.[126][136][137][128] The following day, West apologized for his verbal outburst both in a blog entry and during an appearance on The Jay Leno Show.[124][125] He maintained that, while Swift was "very talented", "Beyoncé's video was the best of this decade!!!! ... I gave my awards to Outkast when they deserved it over me ... I'm not crazy y'all, I'm just real."[138] Two days after the VMAs, Swift told an interviewer that West had not spoken to her since the ceremony.[139] West then contacted her to offer a personal apology, which Swift accepted: "Kanye did call me, and he was very sincere in his apology."[122][139] It has been said that the incident and subsequent media attention turned Swift into "a bona-fide mainstream celebrity".[140]
Swift released a cover of Tom Petty's "American Girl", exclusively through Rhapsody in June 2009[141] and continues to make her stage entrance to Petty's recording of the song.[142] Swift contributed backing vocals to John Mayer's "Half of My Heart", featured on his fourth album, in November 2009.[143] Mayer wrote the song as a tribute to Tom Petty and Fleetwood Mac: "I thought, 'Well, if this is going to be my love letter to that style of music, who's going to be the Stevie Nicks in this equation?' And I thought, 'This Taylor Swift girl is going to be around for a long time."[144] The song received positive reviews from music critics.[145][146][147] Swift and Mayer performed the song live at Madison Square Garden, New York in December 2009.[148] It was released as the album's third single in June 2010 and peaked at number 25 on the Billboard Hot 100.[149] Swift collaborated with a number of other artists in 2008 and 2009. She co-wrote and recorded "Best Days of Your Life" with Kelly Pickler.[150] She co-wrote two songs for the Hannah Montana: The Movie soundtrack – "You'll Always Find Your Way Back Home" and "Crazier" – with Martin Johnson and Robert Ellis Orrall, respectively.[151] Swift also provided vocals for Boys Like Girls's "Two Is Better Than One", written by Martin Johnson.[152][153][154][155] In January 2010, Swift contributed two songs – including "Today Was a Fairytale" – to the Valentine's Day soundtrack[156] and recorded a cover of Better Than Ezra's "Breathless" for the Hope for Haiti Now album.[157]
In November 2009, Swift became the youngest ever artist, and one of only six women, to be named Entertainer of the Year by the Country Music Association.[158] Fearless also won the Association's Album of the Year award.[158] The album won many other accolades and has become the most awarded album in country music history.[159] Swift was the youngest ever artist to win the Academy of Country Music's Album of the Year honor.[160] The American Music Awards honored Swift with Artist of the Year and Favorite Country Album plaudits.[161] She was awarded the Hal David Starlight Award by the Songwriters Hall of Fame[162] and was named Songwriter/Artists of the Year by the Nashville Songwriters Association.[163] She won four BMI Awards.[164] Billboard named her 2009's Artist of the Year.[165] Swift was included in Time's annual list of the 100 Most Influential People in 2010.[166]
In January 2010, Swift won four Grammy Awards for Album of the Year, Best Country Album, Best Female Country Vocal Performance and Best Country Song, from a total of eight nominations.[167][168] She was the youngest ever artist to win Album of the Year.[169] During the ceremony, Swift sang "Rhiannon" and "You Belong with Me" with Stevie Nicks. Her vocal performance received negative reviews and sparked a widespread media backlash.[140][170] Her vocals were described variously as "badly off-key", "strikingly bad" and "incredibly wretched".[171][172] While The New York Times found it "refreshing to see someone so gifted make the occasional flub" and described Swift as "the most important new pop star of the past few years",[169] music critic Bob Lefsetz predicted that her career would end "overnight".[173][174] In April 2010, Stevie Nicks, writing in Time, defended the singer: "Taylor reminds me of myself in her determination and her childlike nature. It's an innocence that's so special and so rare. This girl writes the songs that make the whole world sing, like Neil Diamond or Elton John ... The female rock-'n'-roll-country-pop songwriter is back, and her name is Taylor Swift. And it's women like her who are going to save the music business."[166]
Swift released her third studio album, Speak Now, in October 2010.[175] She wrote all twelve songs alone: "I'd get my best ideas at 3 a.m. in Arkansas and I didn't have a co-writer around."[176] Album recording sessions took place in California, Tennessee and Kentucky over a two year period.[177][178] Swift, who co-produced the record with longtime collaborator Nathan Chapman,[179] has described it as "a collection of confessions—things I wish I had said when I was in the moment".[180] She originally intended to call the album Enchanted but Scott Borchetta, her record label's CEO, felt the title did not reflect the album's more adult themes: "She had played me a bunch of the new songs. I looked at her and I'm like, 'Taylor, this record isn't about fairy tales and high school anymore. That's not where you're at'".[181] Musically, it has been said that the album "expands beyond country-pop to border both alternative rock and dirty bubblegum pop".[182]
Speak Now received generally positive reviews from music critics.[183] USA Today felt that Swift's songwriting skills would remind listeners "what all the fuss was about in the first place", with the album capturing "the sweet ache of becoming an adult".[184] The Los Angeles Times praised her ability as a songwriter to "hit on common experiences that feel unique".[182] The New York Times described the album as savage, musically diverse and "excellent too, possibly her best".[179] The Village Voice found that the album demanded "a true appreciation of Swift's talent, which is not confessional, but dramatic: Like a procession of country songwriters before her, she creates characters and situations—some from life—and finds potent ways to describe them."[185] Entertainment Weekly noted that while love may confound her, "the art of expert songcraft clearly doesn't".[186] Music critic John Christgau found the album's songs "overlong and overworked" but remarked that "they evince an effort that bears a remarkable resemblance to care—that is, to caring in the best, broadest, and most emotional sense".[99] Rolling Stone described Swift as one of the best songwriters in "pop, rock or country": "Swift might be a clever Nashville pro who knows all the hitmaking tricks, but she's also a high-strung, hyper-romantic gal with a melodramatic streak the size of the Atchafalaya Swamp".[187]
Swift carried out an extensive promotional campaign prior to Speak Now's release.[188] She appeared on various talk shows and morning shows, and gave free mini-concerts in unusual locations, including an open-decker bus on Hollywood Boulevard and a departure lounge at JFK airport.[189][190] She took part in a "guitar pull" alongside Kris Kristofferson, Emmylou Harris, Vince Gill and Lionel Ritchie at LA's Club Nokia; the musicians shared the stage and took turns introducing and playing acoutic versions of their songs to raise money for the Country Music Hall of Fame and Museum.[191][192] The album's lead single, "Mine", was released in August 2010 and five further singles were released throughout 2010 and 2011: "Back to December", "Mean", "The Story of Us", "Sparks Fly" and "Ours".[193] Speak Now was a major commercial success, debuting at number one on the US Billboard 200 chart. Its sales of 1,047,000 copies made it the sixteenth album in United States history to sell one million copies in a single week.[194] As of February 2012, Speak Now has sold over four million copies in the US[195] and over 5.7 million copies worldwide.[196][197] In her career, as of May 2012, Swift has sold over 22 million albums[198] and 50 million digital tracks worldwide.[199]
In September 2010, Kanye West's 2009 VMA interruption once again became newsworthy when West used his twitter account to apologize to Swift, referring to her as "just a lil girl with dreams like the rest of us": ""I wrote a song for Taylor Swift that's so beautiful and I want her to have it. If she won't take it then I'll perform it for her." Later that month, both artists performed at the 2010 VMAs. Swift sang "Innocent", a song widely believed to be about West, which The Washington Post has described as "a small masterpiece of passive aggressiveness, a vivisection dressed up as a peace offering".[200] Music critics found Swift's performance overly serious and "petty".[201][202] Speaking in November 2010, West said he failed to see what was "so arrogant about that moment" and described his actions as "selfless". He added that "if it was the other way around" and Swift were an established artist who had "made the video of her career, do you think she would have lost to a brand new artist? Hell no!"[203][204] Also that month, he claimed that, "If I wasn't drunk, I would have been on stage longer ... Taylor never came to my defense at any interview. And rode the waves and rode it and rode it".[205][206] At the Costume Institute Gala in May 2011, Swift and West came face-to-face on the red carpet. West was observed to hold "a hand out, and the two exchanged a studiedly casual, “down low” high five".[1]
Swift toured throughout 2011 and early 2012 in support of Speak Now. As part of the thirteen-month, 111-date world tour, Swift played seven shows in Asia, twelve shows in Europe, 80 shows in North America and twelve shows in Australasia.[207] Three dates on the US tour were rescheduled after Swift fell ill with bronchitis.[208] The stage show was inspired by Broadway musical theatre, with choreographed routines, elaborate set-pieces, pyrotechnics and numerous costume changes.[209][210] Swift invited many musicians to join her for one-off duets during the North American tour. Appearances were made by James Taylor, Jason Mraz, Shawn Colvin, Johnny Rzeznik, Andy Grammer, Tal Bachman, Justin Bieber, Selena Gomez, Nicki Minaj, Nelly, B.o.B., Usher, Flo Rida, T.I., Jon Foreman, Jim Adkins, Hayley Williams, Hot Chelle Rae, Ronnie Dunn, Darius Rucker, Tim McGraw and Kenny Chesney.[211][212] The tour was attended by over 1.6 million fans and has grossed over $123 million, becoming one of the highest-grossing concert tours of all time.[207] Swift's first live album, Speak Now World Tour: Live, featuring all seventeen performances from the North American leg of the tour, was released in November 2011.[213]
During the North American and Australasian tour legs, Swift wrote different song lyrics on her left arm for each performance. She has said that the lyrics should be viewed as a nightly "mood ring"[214] and The New Yorker has cited the practice as an example of Swift's "keen understanding of what fuels fan obsession in the first place: a desire for intimacy between singer and listener".[1] Artists quoted include Tom Petty, Carole King, Neil Young, Bruce Springsteen, Elton John, Joni Mitchell, Ryan Adams, Patty Griffin, Band of Horses, Jimmy Eat World, Death Cab For Cutie, Alanis Morrissette, Rachael Yamagata, Erin McCarley, Mindy Smith and Martina McBride.[215][216] Swift also performed many acoustic cover versions during her North American tour. In each city, she paid tribute to a homegrown artist.[217] She has said the cover versions allowed her to be "spontaneous" in an otherwise well-rehearsed show: "You'll have a lot of people who will come to more than one show, and I want them to get a different experience every time."[218] Artists covered include Justin Timberlake, Tori Amos, TLC, Pink, Fall Out Boy, Dave Matthews Band, Michelle Branch, Jordin Sparks, Maroon 5, Train, John Mellencamp, Kim Carnes, Avril Lavigne, The Jackson 5, Carolyn Dawn Johnson, Gwen Stefani, All American Rejects, Britney Spears and Eminem.[219]
At the 54th Grammy Awards in February 2012, Swift's song "Mean" won Best Country Song and Best Country Solo Performance.[220] She also performed "Mean" during the ceremony. The song is believed to be a rebuttal to Bob Lefsetz, one of the most vocal critics of her 2010 Grammy performance.[174] Lefsetz had previously been a supporter of the singer's career,[221] and Swift and Lefsetz had corresponded occasionally by email and telephone.[174] Time felt she "delivered her comeback on-key and with a vengeance"[222] while USA Today remarked that the criticism in 2010 seemed to have "made her a better songwriter and live performer".[223]
Swift was named Songwriter/Artist of the Year by the Nashville Songwriters Association in both 2010 and 2011. During the 2011 ceremony, she played an acoustic version of "Where Were You (When the World Stopped Turning)" in honor of Alan Jackson, a Nashville Songwriters Hall of Fame inductee,[224] who later thanked Swift in his speech for "the prettiest version I've ever heard".[225] Swift won various other awards for Speak Now. She was named Entertainer of the Year by the Academy of Country Music in both 2011 and 2012[226] and was named Entertainer of the Year by the Country Music Association in 2011.[227] Swift was the American Music Awards's Artist of the Year in 2011, and Speak Now was named Favorite Country Album.[228] She was also the recipient of two BMI Awards.[229] Billboard named Swift 2011's Woman of the Year.[230] Also that year, Billboard ranked her at number 15 in a list of the Top 20 Hot 100 Songwriters 2000–2011; she was the second highest ranking woman.[231] Swift was ranked second on Rolling Stone's list of the Top 16 "Queen Of Pops" of the decade.[232]
Swift contributed two original songs to The Hunger Games soundtrack album in March 2012. "Safe & Sound" was co-written and recorded with The Civil Wars and T-Bone Burnett.[233] John Paul White has said working with Swift was "a revelation. She had some great ideas. We had complete freedom. It truly was a collaboration. We brought the melancholy and the darker angle. Taylor was bringing the melody and the chords."[234] Rolling Stone described the song as "Swift's prettiest ballad" and wondered whether the alt-country folk song was "a one-off novelty, a trial balloon cred-move, or the stirrings of a "grown-up" style".[235] Swift and The Civil Wars debuted a live version of the song at the Ryman Auditorium, Nashville in January 2012.[236] It was released as the album's lead single and, as of April 2012, has sold 970,000 copies in the United States.[237] Swift's second contribution to the album, "Eyes Open", was written solely by the singer and produced by Nathan Chapman.[238] In May 2012, Swift contributed vocals to "Both of Us", a Dr. Luke-produced song on B.o.B's second album Strange Clouds.[239][240][241][242]
Swift is currently working on her fourth album with producer Nathan Chapman.[243][244] It is scheduled for release in the fall of 2012.[245] Swift intends to keep writing and recording throughout 2012 "because I'm having so much fun".[246] After writing her third album alone, Swift is now collaborating with people "from all different places in music",[246] including songwriters Lori McKenna,[247][248] Butch Walker,[249][250] Ed Sheeran,[251] and Dan Wilson.[252] The album will detail "the rise and fall of a relationship",[253] as well as the resulting "absolute crash-and-burn heartbreak".[254] She has described the album's mood as "sad, if I'm being honest."[255]
Swift has said she writes songs as an "open letter".[256] She has said songwriting is "is a way of verbalizing those things that I feel that I can’t say".[47] Swift has said she is "very interested in any writing from a child's perspective" and has cited To Kill a Mockingbird as one of her favorite books.[257] Neil Young has described Swift as "a great writer" and follows her career.[258][259] Kris Kristofferson has said that "she blows me away. It's amazing to me that someone so young is writing such great songs. She's got a great career ahead of her".[260][261] Dolly Parton has said her songs are "great" and that she has "the qualities that could last a long time".[262] Stevie Nicks has said Swift writes "songs that make the whole world sing, like Neil Diamond or Elton John".[166]
In studio recordings, the Los Angeles Times identifies Swift's "defining" vocal gesture as "the line that slides down like a contented sigh or up like a raised eyebrow, giving her beloved girl-time hits their air of easy intimacy".[182] In a review of Speak Now, The Village Voice noted that her phrasing was previously "bland and muddled, but that's changed. She can still sound strained and thin, and often strays into a pitch that drives some people crazy; but she's learned how to make words sound like what they mean".[185] Slate, reviewing Speak Now, described Swift as "a technically poor singer": "Though she does vary her phrasing in ways that attempt to mask her limited voice (the way she sneers, "She looks at me like I'm a trend/And she's so over it," on "Better Than Revenge" is especially effective), Swift is still noticeably off-pitch at least once on every song on the album".[263]
In an interview with The New Yorker, Swift characterized herself primarily as a songwriter: “I write songs, and my voice is just a way to get those lyrics across”.[1] "I'm not trying to go out there and do vocal acrobatics. I'm just trying to write good songs".[264] However, her vocal presence is something that concerns her and she has "put a lot of work" into improving it.[265] She has said that she only feels nervous performing "if I'm not sure what the audience thinks of me, like at award shows".[266]
Swift has been described as "America's sweetheart" and "a role model".[267][268] The singer considers it her "responsibility" to be conscious of her influence on young fans.[269] However, she insists that "I don't live by all these rigid, weird rules that make me feel all fenced in. I just like the way that I feel like, and that makes me feel very free".[270] Swift does not drink alcohol because she worries that "I might come off in a way that I can't control. Maybe I should just lighten up!" "It's not like I judge people who [drink] or that I don't hang out with people who drink".[270] She refuses to take part in overly sexualised photo-shoots.[9] The lyrical content of her songs is regarded as appropriate for young audiences. A New Yorker journalist who attended a Swift concert recounted watching "sixteen-year-old girls holding hands and swaying, and a girl in a hijab sobbing as she sang the words. It was hard not to be a little moved, and not to feel relieved that the words being sung were, more or less, safe ... One can attend a concert by Katy Perry and listen to a stadium full of thirteen-year-olds chant along with the song “Peacock” which goes, “I want to see your peacock-cock-cock! Your peacock-cock!"[1]
A Rolling Stone journalist who profiled Swift in 2009 remarked upon her polite manners: "If this is Swift's game face, it must be tattooed on because it never drops".[271] A 2012 Vogue cover story described Swift as "clever and funny and occasionally downright bawdy" in person, but noted that she "asks if her cursing can be off the record".[272] Grantland.com describes Swift as "talkative and openly neurotic in a way you'd never see from a blonde country princess like Faith Hill or Carrie Underwood. She is more like Diane Keaton in Annie Hall: overly gracious and eager to please but full of a nonstop, nervous, fluttering energy".[273]
There has been much media commentary about Swift's reactions when she is recognized at award ceremonies.[274] In 2011, The Hollywood Reporter remarked that she "seems to be consistently shocked and wonderstruck by each awards win, despite racking up an ever-growing collection of Grammys, CMAs, MTV Moonmen and AMAs".[275] Kristen Wiig parodied Swift's surprised facial expressions during a Saturday Night Live sketch in February 2012.[276] Swift later said she had seen the sketch: “I was laughing the entire time and then I realized that, as I was watching it, I was making the face she was making”.[277] At the Academy of Country Music Awards in April 2012, the ceremony's host Blake Shelton joked in his opening monologue that Swift should release a perfume called "I can't believe I smell this good". When Swift later presented Shelton with the Academy's Best Male Vocalist award, "the two faced off, showing each other their ultra-surprised looks".[278][279]
The merits of Swift as a feminist have been widely discussed.[280] She has been described by Jezebel as "a feminist's nightmare": "Her image of being good and pure plays right into how much the patriarchy fetishizes virginity, loves purity, and celebrates women who know their place as delicate flowers".[281] However, a Village Voice music critic dismissed this criticism as "shallow and gross, in that special way that things get gross when you cram shaded and living work through an ideological sieve like you're mechanically separating chicken".[282] He continued: "Criticisms include: She's a conformist stooge of the patriarchy (she's now had two hits about defying fathers); she idolizes chastity (she's coy about sex, but only the willful could miss the fucking in the new "Sparks Fly," which includes the line "Gimme something that'll haunt me when you're not around"); and she sells girls corrupt and shallow fairy-tale notions of romance (one of the two fairy-tale songs on Fearless mocked a guy for trying to white-knight her, and the only mention of such things on Speak Now is "I had the time of my life fighting dragons with you"—note the tense)."[282]
The song Fifteen has been the subject of particular scrutiny. It has been said that the song contains a "feminist message" in the lyrics "Back then I swore I was gonna marry him some day, but I realized some bigger dreams of mine” and "In your life you'll do things greater than dating the boy on the football team".[283] Feminist critics claim the use of the word "everything" in the lyric "Abigail gave everything she had to a boy, who changed his mind, and we both cried" is a reference to virginity: "Songs like "Fifteen" dig up the ancient Puritan ideal that girls can only access power by confidently and heterosexually denying access to their pants."[284] However, others interpret "everything" as trust: "Abigail trusted and opened up to a boy for the first time, only to be let down. Maybe that includes sex, maybe it doesn’t."[283]
When asked by The New York Times in 2010 whether she considered herself a feminist, Swift replied, "I have never really thought about that".[285] In December 2011, Billboard's Tom Roland asked Swift whether the marginalization of women in country music, prevalent in the 1950s, was still an issue: "I was fortunate enough to come about in a time when I didn't feel that kind of energy at all, and it was always my theory that if you want to play in the same ballgame as the boys, you've got to work as hard as them. I was always playing just as many shows as they were and playing on the same shows as they were. I was willing to pay my dues as an opening act, playing in clubs and bars and playing in tiny venues. The new male artists were doing the same thing, so I never saw an issue there."[286]
In September 2010, Swift donated $75,000 to Nashville's Hendersonville High School to help refurbish the school auditorium's sound and lighting systems.[287] In May 2012, she pledged $4 million to fund a new education center at the Country Music Hall of Fame and Museum in Nashville. The two-storey, 7,500-square foot space will have its own exterior entrance and museum officials have decided to name it The Taylor Swift Education Center.[288] It will feature three classrooms and a children's exhibit gallery, and will house interactive activities such as a musical petting zoo and a “wet” classroom space to make concert posters and other art projects. New programs and workshops for teenagers and senior citizens will also be accommodated within the space. The Center is scheduled to open in early 2014 and Swift will be involved in an advisory capacity.[289]
In December 2009, Swift donated $250,000 to various schools around the country that she had either attended or had other associations with. The money was used to buy books, fund educational programs and pay teachers' salaries.[290] In October 2010, she took part in a live webcast, Read Now! with Taylor Swift, broadcast exclusively in US schools to celebrate Scholastic's Read Every Day campaign.[291][292] In October 2011, Swift donated 6,000 Scholastic books to Reading Public Library, Pennsylvania[293] and, in February 2012, she donated 14,000 books to Nashville Public Library, Tennessee.[294] Most of the books were placed in circulation; the rest were gifted to children from low-income families, preschools and daycare centers.[294] In March 2012, she co-chaired the National Education Association's Read Across America campaign and recorded a PSA encouraging children to read.[295][296]
In June 2008, Swift donated all the proceeds from her merchandise sales at the 2008 Country Music Festival to the Red Cross's disaster relief fund.[297] Swift donated $100,000 to the Red Cross in Cedar Rapids, Iowa to help the victims of the Iowa flood of 2008.[298] Swift lent her support to the Victorian Bushfire Appeal by joining the lineup at Sydney's Sound Relief concert,[299] reportedly making the biggest contribution of any artist playing at Sound Relief to the Australian Red Cross.[300]
In response to the May 2010 Tennessee floods, Swift donated $500,000 during a flood relief telethon hosted by WSMV, a Nashville television station.[301] In August 2010, she donated $100,000 to help rebuild a playground in Hendersonville, Tennessee, which was damaged by floodwater.[302] In May 2011, Swift transformed what was to have been the final dress rehearsal for the North American leg of her Speak Now tour into a benefit concert for victims of recent tornadoes in the United States southeast region, raising more than $750,000 from proceeds from ticket sales, merchandise and other facets of the show.[303] The benefit concert for tornado relief was subsequently honored at the 2011 Do Something Awards.[304] In July 2011, Swift further aided the cause by donating $250,000 to Alabama football coach Nick Saban's charity Nick's Kids to aid in the tornado relief efforts of West Alabama.[305] In April 2012, Swift donated $1,500 to a fund to help a man left permanently paralyzed by the tornado to make his house wheelchair-accessible.[306]
In September 2007, Swift helped launch a campaign to protect children from online predators, in partnership with the Tennessee Association of Chiefs of Police.[307] In January 2008, Swift donated a pink Chevy pick-up truck given to her by her record label to the Victory Junction Gang Camp.[308] Swift has teamed up with Sound Matters to make listeners aware of listening "responsibly".[309] Swift supports @15, a teen-led social change platform underwritten by Best Buy to give teens opportunities to direct the company's philanthropy through the newly-created @15 Fund.[310] She appeared in a Got Milk campaign in July 2010.[311]
Swift donated her prom dress, which raised $1,200 for charity, to DonateMyDress.org.[312] In November 2009, after a live performance on BBC's Children in Need night, she donated $20,000 to the cause.[313] Swift donated a pair of her shoes to the Wish Upon a Hero Foundation's Hero in Heels fundraiser for auction to raise money to benefit women with cancer. In June 2011, as the Academy of Country Music's Entertainer of the Year, Swift donated $25,000 to St. Jude Children's Research Hospital, Tennessee. This figure was matched by the Academy.[314]
Swift made her acting debut in a 2009 episode of CBS's CSI: Crime Scene Investigation, playing a rebellious teenager.[315] The New York Times noted that the character allowed Swift to be "a little bit naughty, and credibly so".[316] Rolling Stone felt she "held her own" and "does a good job with the script"[317] while the Chicago Tribune said she "acquits herself well".[318] Later that year, Swift both hosted and performed as the musical guest for an episode of Saturday Night Live.[319] Entertainment Weekly described her as "this season’s best Saturday Night Live host so far", noting that she "was always up for the challenge, seemed to be having fun, and helped the rest of the cast nail the punchlines". Proving "admirably resilient in a wide variety of sketch roles", "Swift inspired more of a female, girly-in-the-best-sense sensibility in SNL than it’s shown since the Tina Fey-Amy Poehler days".[320]
In 2010, Swift made her feature film acting debut in the romantic comedy Valentine's Day and won the Teen Choice Award for Movie Female Breakout.[321] In 2012, she voiced the character of Audrey in the animated film The Lorax.[322] Swift is in talks to star as Joni Mitchell in the film adaptation of Sheila Weller's Girls Like Us, which follows the careers of Mitchell, Carly Simon and Carole King.[323]
Jakks Pacific released a celebrity doll of Swift in late 2008.[324] Swift was the face of L.E.I. jeans in 2008.[325] In 2007, Swift launched a line of sundresses at Wal-Mart.[326][327] In 2009, Swift became the National Hockey League's newest celebrity spokesperson and appears in commercials for the Nashville Predators.[328] In 2011, Swift partnered with Elizabeth Arden to launch a fragrance, "Wonderstruck".[329] Swift works with American Greetings, Inc.[330] She also has endorsement deals with companies including Target, CoverGirl and Sony.[331]
In May 2009, Swift filed a lawsuit (kept sealed until August 2010) against numerous sellers of unauthorized counterfeit merchandise bearing her name, likeness, and trademarks, where she demanded a trial by jury, sought a judgement for compensatory damages, punitive damages, three times the actual damages sustained, and statutory damages, and sought for recovery of her attorney's fees and prejudgement interest.[332] Nashville's U.S. District Court granted an injunction and judgment against the sellers, who had been identified at Swift's concerts in several states. The court ordered merchandise seized from the defendants to be destroyed.[333][334][335]
Swift's main residence is a duplex penthouse in Midtown Nashville, Tennessee.[336][1] She also owns a house in Beverly Hills, California.[337][338] According to Forbes, Swift earned $18 million in 2009,[339] $45 million in 2010,[340] $45 million in 2011[341] and $57 million so far in 2012.[342]
Swift writes autobiographical songs and has said that, "I've never been shy or secretive with the fact that if you walk into my life, you may be walking onto a record".[343] Listening to music as a child, Swift felt confused "when I knew something was going on in someone’s personal life and they didn’t address it in their music".[344]
Swift dated singer Joe Jonas from July to October 2008.[345][346] She dated actor Taylor Lautner from October to December 2009.[347][348] She was romantically linked to musician John Mayer from late 2009 until June 2010.[349][350] They first met in 2008 and recorded a duet, "Half of My Heart", in late 2009.[351][352] Swift dated actor Jake Gyllenhaal from October 2010 to December 2010.[353][354][355][356][357] On December 9, 2011, Gyllenhaal called the LAPD for assistance, after a large number of photographers followed the couple's car in Los Angeles.[358] Following their break-up, they were seen together in January and February 2011.[359][360]
On her eighteenth birthday, "the first thing" Swift did was register to vote.[361][362] After casting her vote in the 2008 US presidential election, Swift declined to inform journalists which candidate she had supported.[363] However, following Barack Obama's inauguration, she told Rolling Stone: "I've never seen this country so happy about a political decision in my entire time of being alive. I'm so glad this was my first election."[364] In 2009, after Swift's MTV VMA acceptance speech was interrupted by Kanye West, President Obama described West's behaviour as "really inappropriate. The young lady seems like a perfectly nice person. She’s getting her award. What is he doing up there? He’s a jackass."[365] Former US President Jimmy Carter said West's interruption was "completely uncalled for".[366]
In 2010, former U.S. President George H. W. Bush attended the taping of a Swift television special in Kennebunkport, Maine,[367] and later described Swift as "unspoiled" and "very nice".[368] In 2012, Swift was presented with a Kids' Choice Award in recognition of her charitable work by Michelle Obama, who praised her as someone who "has rocketed to the top of the music industry but still keeps her feet on the ground, someone who has shattered every expectation of what a 22-year old can accomplish".[369] Swift later described the First Lady as "a role model".[370]
Swift is an admirer of the Kennedy family and has spent time with Rory, Caroline and, particularly, Ethel Kennedy.[371] When asked about her friendship with Swift, Ethel replied, "Oh, she is amazing! Such good company."[372] Rory has said, "There is a mutual admiration society between my mother and Taylor Swift and I just love it! I think it says so much about Taylor – she has that ability to connect and cross generations ... She's terrific and such a great role model for young girls, as well as for all women, really. ... She's just so curious and interested".[372] In January 2012, Swift travelled to Utah to attend the Sundance premiere of the HBO documentary Ethel.[373]
In a 2012 interview, Swift remarked that she was "very cautious" about using her public profile to address political issues, adding that she hoped to "gradually" become more outspoken: "I don't feel that I am in a place to sing about politics or anything like that. I don't know enough at this point".[374]
Year | Title | Role | Notes |
---|---|---|---|
2009 | Jonas Brothers: The 3D Concert Experience | Herself | Cameo |
2009 | CSI: Crime Scene Investigation | Haley Jones | Episode: "Turn, Turn, Turn" |
2009 | Hannah Montana: The Movie | Herself | Cameo |
2009 | Saturday Night Live | Host | Also appeared as the Musical Guest |
2010 | Valentine's Day | Felicia | Movie acting debut |
2012 | Lorax, TheThe Lorax | Audrey | Voice only |
Swift has won 109 awards from a total of 162 nominations. She has been the recipient of ten American Music Awards, six Grammy Awards, seven Country Music Association Awards, six Academy of Country Music Awards and 13 BMI Awards.
Wikimedia Commons has media related to: Taylor Swift |
Awards | ||
---|---|---|
Preceded by Carrie Underwood |
Grammy Award for Best Female Country Vocal Performance 2010 |
Succeeded by Miranda Lambert |
Preceded by N/A |
Grammy Award for Best Country Solo Performance 2012 |
Succeeded by incumbent |
Preceded by Miranda Lambert |
Academy of Country Music Award for Top New Female Vocalist 2008 |
Succeeded by Julianne Hough |
Preceded by Carrie Underwood |
Academy of Country Music Award for Entertainer of the Year 2011–2012 |
Succeeded by incumbent |
Preceded by Carrie Underwood |
Country Music Association Award for Horizon Award 2007 |
Succeeded by N/A |
Preceded by Carrie Underwood |
Country Music Association Award for Female Vocalist of the Year 2009 |
Succeeded by Miranda Lambert |
Preceded by Kenny Chesney |
Country Music Association Award for Entertainer of the Year 2009 |
Succeeded by Brad Paisley |
Preceded by Brad Paisley |
Country Music Association Award for Entertainer of the Year 2011 |
Succeeded by incumbent |
Preceded by Rihanna |
American Music Award for Favorite Pop/Rock Female Artist 2009 |
Succeeded by Lady GaGa |
Preceded by Carrie Underwood |
American Music Award for Favorite Country Female Artist 2008–2011 |
Succeeded by incumbent |
Preceded by Chris Brown |
American Music Award for Artist of the Year 2009 |
Succeeded by Justin Bieber |
Preceded by Justin Bieber |
American Music Award for Artist of the Year 2011 |
Succeeded by incumbent |
|
|
|
|
Persondata | |
---|---|
Name | Swift, Taylor |
Alternative names | Swift, Taylor Alison |
Short description | Singer and songwriter |
Date of birth | December 13, 1989 |
Place of birth | Reading, Pennsylvania, United States |
Date of death | |
Place of death |