2:37
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Traditional Akan funeral - Ghana, West Afrika
Traditional Akan funeral - Ghana, West Afrika
Scenes from Adiama Sankofa Journey 2008 in Ghana, West Afrika. In this clip participants make an impromptu visit to a traditional Akan funeral in the Asante region and are graciously received by the community. adiama.com
3:57
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Kete - Dance & Music of the Akan People of Ghana
Kete - Dance & Music of the Akan People of Ghana
This is an example of Kete. Kete is dance and music of the Akan people of West Africa. The following was taken from Kwabena Nketia's, Drumming in Akan Communities of Ghana. While apirede is generally considered a 'fearful' dance, kete is described as 'pleasant and charming'. There are three parts to the music of Kete : the music of the usual drum ensemble, pipe interludes and free accompaniment, and a vocal counterpart of the pipes. The latter is commonly described as the 'interpretation' (nyiano) because the words enable listeners to understand the 'language' of the drum or the pipes. In many states, pipe and voice parts are no longer used either for lack of knowledge or lack of pipers. At the Asantehene's Court, however, the old tradition is still maintained and the orchestra is very much enlarged in accordance with the majesty of the Asantehene as head of the Ashanti region. On important state occasions, seventeen pipes play the preludes to the pieces which in other places are sung, sometimes in an offhand manner. The drum orchestra includes the following in descending order of pitch (highest to lowest) : akukuadwo (high-pitched drum) played with two curved sticks apentemma (same drum as commonly found in other combinations) played with the hand bakoma (in the drum orchestras of minor chiefs this is usually absent) played with curved drumsticks kwadum (the leading or master drum) played with curved drumsticks To these are added a donno drum for fullness, a gourd rattle <b>...</b>
7:39
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Akan: The Story of the Asante Stool
Akan: The Story of the Asante Stool
Project for Literature & Arts B-27
1:42
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African languages Ohio University - Akan
African languages Ohio University - Akan
African language offered at Ohio University
3:24
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Akan in Ancient America Part 2
Akan in Ancient America Part 2
In this video we discuss the Yarura Indians of South America who spoke the Akan language.We explain that the valencoid civilization found on the Orinoco River dating between 1100-1500 AD were probably founded by the Akan people.
6:44
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Fontomfrom - Royal Music of the Akan People - Otumfuo Opuku Ware II - Ayie
Fontomfrom - Royal Music of the Akan People - Otumfuo Opuku Ware II - Ayie
Excerpts from the Traditional Funeral of Otumfuo Opuku Ware II (Late Asantehene). Sunday, March 21, 1999 to Thursday, March 25, 1999. This is an excerpt from inside the Royal Palace of the Asante "Manhyia". The music and dance is called Fontomfrom. Fontomfrom are "State Drums" of the Asante people and they recite very ancient and deep proverbs. The dance is also a language which is also known to be extremely deep. Filmed in Kumasi, Ghana By Nana Kimati Dinizulu.
12:21
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Nnwonkoro - A Female Song Tradition of the Akan of Ghana - Part 1
Nnwonkoro - A Female Song Tradition of the Akan of Ghana - Part 1
Nnwonkoro is a Female Song Tradition of the Akan of Ghana. "Abre" which is the beginning where the lead singer recites a long text without instrumental accompaniment or hand claps, sets the stage in this excerpt of Nnwonkoro performed by Onyame Akwan Nnwonkoro. According to the research and many conversations that I have conducted over the years, Nnwonkoro is an important music on the highest of levels with a poetic depth that some say are unparalleled. Only females sing these songs with men playing the accompanying musical instruments. Both male and female may dance to it's music. Now, a very brief background; There are several female song traditions of the Akan. Mmobomme songs were sang to Nyame (the supreme being) and the Abosum (deities) during war time, asking thus praying for the safe return from war of their men. Ose songs were sang when the men returned victorious from their battles. There are many other occasions in which women sing ose songs as they are songs of jubilation. Nsaa Dwom songs of praise, were sang usually in the evening after a hard days work when some of the women gathered together. In the 1920's Mmobomme declined due to the fact that hostilities between the British and the Asante had reached an end (in 1905 Yaa Asantewaa was captured). Nnwonkoro was still primarily a recreational music with occasional use at funerals with Adowa at that time period being a primary music and dance form for funerary celebrations of Akan. Today it is one of the <b>...</b>
4:24
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KAREN - AKAN 'I WILL' Music Demo Video
KAREN - AKAN 'I WILL' Music Demo Video
It's been SOOOoo long since i last uploaded my video, so when I was doin a demo of my new song, i decided to do a quick recording of my new song since so many of my friends have helped me translate the meaning of tis song, anyway i didn't sing too well so hope u guys won't mind .. it's only a demo, hehe - AKAN @ a song tat means a lot to me, and i hope it will lift your spirit too @ Karen
1:23
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Kansai Dialect "あかん (Akan)"
Kansai Dialect "あかん (Akan)"
My blog : thatjapanesegirl.blogspot.com Facebook : Tee Jgirl / Thatjapanesegirl www.facebook.com Twitter twitter.com
15:17
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Nnwonkoro - A Female Song Tradition of the Akan of Ghana - Part 3
Nnwonkoro - A Female Song Tradition of the Akan of Ghana - Part 3
Nnwonkoro is a Female Song Tradition of the Akan of Ghana. "Abre" which is the beginning where the lead singer recites a long text without instrumental accompaniment or hand claps, sets the stage in this excerpt of Nnwonkoro performed by Manhyia Tete Nnwonkoro. According to the research and many conversations that I have conducted over the years, Nnwonkoro is an important music on the highest of levels with a poetic depth that some say are unparalleled. Only females sing these songs with men playing the accompanying musical instruments. Both male and female may dance to it's music. Now, a very brief background; There are several female song traditions of the Akan. Mmobomme songs were sang to Nyame (the supreme being) and the Abosum (deities) during war time, asking thus praying for the safe return from war of their men. Ose songs were sang when the men returned victorious from their battles. There are many other occasions in which women sing ose songs as they are songs of jubilation. Nsaa Dwom songs of praise, were sang usually in the evening after a hard days work when some of the women gathered together. In the 1920's Mmobomme declined due to the fact that hostilities between the British and the Asante had reached an end (in 1905 Yaa Asantewaa was captured). Nnwonkoro was still primarily a recreational music with occasional use at funerals with Adowa at that time period being a primary music and dance form for funerary celebrations of Akan. Today it is one of the <b>...</b>
4:20
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Facebook Message FUNNIEST Ghanaian Pastor Preaching(in Akan Language)
Facebook Message FUNNIEST Ghanaian Pastor Preaching(in Akan Language)
this is just a preacher man although funny is quite interesting. he spoke in the Ghanaian language "Akan"
2:35
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ranma et akan�
ranma et akan�
c 1 video ke g faite moi m�me, dites moi c ke vs en pensez, mais soyez pas tro m�chants, ma premi�re. C sur ranma et akan�.Rien ne m'appartiens, les personnages st a rumiko takahashi.
3:17
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Miss Tiky - İçimden Akan Yaşlar.wmv
Miss Tiky - İçimden Akan Yaşlar.wmv
esmerke - çağan sezgin miss tiky - erk kanbur kamera - okan yağış izleyin izlettirin (like and share)
85:54
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Sev Kardesim - Hülya Kocyigit - Tarik Akan Full Film - Münir Özkul Adile Nasit
Sev Kardesim - Hülya Kocyigit - Tarik Akan Full Film - Münir Özkul Adile Nasit
Tek Parca - iyi Kalite / Kalkavan Betamax Video / Yesilcam Türk Sinemasi 1972
2:46
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Cem Karaca - Durduramayacaklar Halkın Coşkun Akan Selini
Cem Karaca - Durduramayacaklar Halkın Coşkun Akan Selini
Durduramayacaklar Halkın Coşkun Akan Selini... gardiyanları ve yargıçları ve savcıları hepsi halka karşıdır kanunları, yönetmelikleri, bütün kararları hepsi halka karşıdır dergileri, gazeteleri, bütün yayınları hepsi halka karşıdır bunların hiçbiri onları kurtaramayacak durduramayacaklar halkın coşkun akan selini panzerleri, kelepçeleri, bütün silahları hepsi halka karşıdır zindanları, tutukevleri, işkenceevleri hepsi halka karşıdır borsaları ve şirketleri ve iktidarları hepsi halka karşıdır bunların hiçbiri onları kurtaramayacak durduramayacaklar halkın coşkun akan selini... cem karaca
9:51
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DERMAN - TARIK AKAN HÜLYA KOÇYİĞİT/ PART1
DERMAN - TARIK AKAN HÜLYA KOÇYİĞİT/ PART1
DERMAN TARIK AKAN NUR SÜRER HÜLYA KOÇYİĞİT TALAT BULUT ÖMER ŞERİF FİLMİ müzik YENİ TÜRKÜ
9:55
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DERMAN - TARIK AKAN HÜLYA KOÇYİĞİT/ PART3
DERMAN - TARIK AKAN HÜLYA KOÇYİĞİT/ PART3
DERMAN TARIK AKAN NUR SÜRER HÜLYA KOÇYİĞİT TALAT BULUT ÖMER ŞERİF FİLMİ müzik YENİ TÜRKÜ
13:31
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Beyaz Ölüm-1983/Tarık Akan-Ahu Tuğba-Yaprak Özdemiroğlu 3/7
Beyaz Ölüm-1983/Tarık Akan-Ahu Tuğba-Yaprak Özdemiroğlu 3/7
Meral (Ahu Tuğba) ünlü bir şov kızıdır; genç, güzel, zengin ama uyuşturucu bağımlısı. Yılmaz (Tarık Akan); çıkarları için gençleri zehirlemekten kaçınmayan kirli düzene ve uyuşturucu trafiğine karşı savaşan genç, gözüpek ve yakışıklı bir polis. Bu, şov işinin renkli dünyasında bir tutku fırtınasının, uyuşturucu bağımlılığının doğurduğu ıstırap ve onursuzluğun işlendiği, trajik sonuçları yaşamın içinden alınmış, ibret dolu bir öyküdür... Aysel adlı genç bir kızın aşırı dozdan ölmesi polisi harekete geçirir. Yılmaz, Aysel'in Meral'in yanında çalıştığını öğrenince genç kızı sorgular. Uyuşturucu çetesinin başı Hacı, Meral'den Yılmaz'la ilişki kurup muhbirlik yapmasını ister. Yılmaz ipucu için esrarkeş Corci'yi konuşturmak ister, Meral haber verir ve Hacı'nın adamları Corci'yi öldürür. Yılmaz'ın şüpheleri Meral'e odaklanır. Pişman olan genç kız Yılmaz'a, Hacı'nın onu öldüreceğini haber verir. Ama Yılmaz'ın arkadaşının ölmesini engelleyemez. Hacı'nın Yılmaz'ı pusuya düşürmesi isteğini Meral kabul etmeyince dışlanır. Meral, içten içe aşık olduğu genç komiserle işbirliği yapar. Hacı'nın teklifini kabul etmiş görünür ve onun evine gider. Onu izleyen Yılmaz ve ekibi eve baskın düzenler. Çıkan çatışmada Hacı ve adamları yaralanır. Bu kargaşada vurulan ve yaşamını yitiren talihsiz Meral'in yüzünde, içinde kopan tüm fırtınaların dindiği, hüzünlü ama mutlu bir gülümseme vardır...