A wire is a single, usually cylindrical, flexible strand or rod of metal. Wires are used to bear mechanical loads and to carry electricity and telecommunications signals. Wire is commonly formed by drawing the metal through a hole in a die or draw plate. Standard sizes are determined by various wire gauges. The term ''wire'' is also used more loosely to refer to a bundle of such strands, as in 'multistranded wire', which is more correctly termed a wire rope in mechanics, or a cable in electricity.

Although usually circular in cross-section, wire is also made in square or flattened rectangular cross-section, either for decorative purposes, or for technical purposes such as high-efficiency voice coils in loudspeakers. Edge-wound coil springs, such as the "Slinky" toy, are made of special flattened wire.

History

In antiquity, jewelry often contains, in the form of chains and applied decoration, large amounts of wire that is accurately made and which must have been produced by some efficient, if not technically advanced, means. In some cases, strips cut from metal sheet were made into wire by pulling them through perforations in stone beads. This causes the strips to fold round on themselves to form thin tubes. This strip drawing technique was in use in Egypt by the 2nd Dynasty. From the middle of the 2nd millennium BC most of the gold wires in jewellery are characterised by seam lines that follow a spiral path along the wire. Such twisted strips can be converted into solid round wires by rolling them between flat surfaces or the strip wire drawing method. The strip twist wire manufacturing method was superseded by drawing in the ancient Old World sometime between about the 8th and 10th centuries AD. There is some evidence for the use of drawing further East prior to this period.

Square and hexagonal wires were possibly made using a swaging technique. In this method a metal rod was struck between grooved metal blocks, or between a grooved punch and a grooved metal anvil. Swaging is of great antiquity, possibly dating to the beginning of the 2nd millennium BC in Egypt and in the Bronze and Iron Ages in Europe for torches and fibulae.

Twisted square section wires are a very common filigree decoration in early Etruscan jewellery.

In about the middle of the 2nd millennium BC a new category of decorative tube was introduced which imitated a line of granules. True beaded wire, produced by mechanically distorting a round-section wire, appeared in the Eastern Mediterranean and Italy in the seventh century BC, perhaps disseminated by the Phoenicians. Beaded wire continued to be used in jewellery into modern times, although it largely fell out of favour in about the tenth century AD when two drawn round wires, twisted together to form what are termed 'ropes', provided a simpler-to-make alternative. A forerunner to beaded wire may be the notched strips and wires which first occur from around 2000 BC in Anatolia.

Wire was drawn in England from the medieval period. The wire was used to make wool cards and pins, manufactured goods whose import was prohibited by Edward IV in 1463. The first wire mill in Great Britain was established at Tintern in about 1568 by the founders of the Company of Mineral and Battery Works, who had a monopoly on this. Apart from their second wire mill at nearby Whitebrook, there were no other wire mills before the second half of the 17th century. Despite the existence of mills, the drawing of wire down to fine sizes continued to be done manually.

Wire is usually drawn of cylindrical form; but it may be made of any desired section by varying the outline of the holes in the draw-plate through which it is passed in the process of manufacture. The draw-plate or die is a piece of hard cast-iron or hard steel, or for fine work it may be a diamond or a ruby. The object of utilising precious stones is to enable the dies to be used for a considerable period without losing their size, and so producing wire of incorrect diameter. Diamond dies must be rebored when they have lost their original diameter of hole, but the metal dies are brought down to size again by hammering up the hole and then drifting it out to correct diameter with a punch.

Uses

Not all metals and metallic alloys possess the physical properties necessary to make useful wire. The metals must in the first place be ductile and strong in tension, the quality on which the utility of wire principally depends. The metals suitable for wire, possessing almost equal ductility, are platinum, silver, iron, copper, aluminium and gold; and it is only from these and certain of their alloys with other metals, principally brass and bronze, that wire is prepared. By careful treatment extremely thin wire can be produced. Special purpose wire is however made from other metals (e.g. tungsten wire for light bulb and vacuum tube filaments, because of its high melting temperature). Copper wires are also plated with other metals, such as tin, nickel, and silver to handle different temperatures, provide lubrication, provide easier stripping of rubber from copper.

Production

Wire is often reduced to the desired diameter and properties by repeated drawing through progressively smaller dies, or traditionally holes in draw plates. After a number of passes the wire may be annealed to facilitate more drawing or, if it is a finished product, to maximise ductility and conductivity.

Finishing, jacketing, and insulating

Two or more wires may be wrapped concentrically, separated by insulation, to form coaxial cable. The wire or cable may be further protected with substances like paraffin, some kind of preservative compound, bitumen, lead, aluminum sheathing, or steel taping. Stranding or covering machines wind material onto wire which passes through quickly. Some of the smallest machines for cotton covering have a large drum, which grips the wire and moves it through toothed gears; the wire passes through the centre of disks mounted above a long bed, and the disks carry each a number of bobbins varying from six to twelve or more in different machines. A supply of covering material is wound on each bobbin, and the end is led on to the wire, which occupies a central position relatively to the bobbins; the latter being revolved at a suitable speed bodily with their disks, the cotton is consequently served on to the wire, winding in spiral fashion so as to overlap. If a large number of strands are required the disks are duplicated, so that as many as sixty spools may be carried, the second set of strands being laid over the first.

For heavier cables that are used for electric light and power as well as submarine cables, the machines are somewhat different in construction. The wire is still carried through a hollow shaft, but the bobbins or spools of covering material are set with their spindles at right angles to the axis of the wire, and they lie in a circular cage which rotates on rollers below. The various strands coming from the spools at various parts of the circumference of the cage all lead to a disk at the end of the hollow shaft. This disk has perforations through which each of the strands pass, thence being immediately wrapped on the cable, which slides through a bearing at this point. Toothed gears having certain definite ratios are used to cause the winding drum for the cable and the cage for the spools to rotate at suitable relative speeds which do not vary. The cages are multiplied for stranding with a large number of tapes or strands, so that a machine may have six bobbins on one cage and twelve on the other.

Solid versus stranded

Solid wire, also called solid-core or single-strand wire, consists of one piece of metal wire. Stranded wire is composed of a bundle wires to make a larger conductor.

Stranded wire is more flexible than solid wire of the same total cross-sectional area. Solid wire is cheaper to manufacture than stranded wire and is used where there is little need for flexibility in the wire. Solid wire also provides mechanical ruggedness; and, because it has relatively less surface area which is exposed to attack by corrosives, protection against the environment. Stranded wire is used when higher resistance to metal fatigue is required. Such situations include connections between circuit boards in multi-printed-circuit-board devices, where the rigidity of solid wire would produce too much stress as a result of movement during assembly or servicing; A.C. line cords for appliances; musical instrument cables; computer mouse cables; welding electrode cables; control cables connecting moving machine parts; mining machine cables; trailing machine cables; and numerous others.

At high frequencies, current travels near the surface of the wire because of the ''skin effect'', resulting in increased power loss in the wire. Stranded wire might seem to reduce this effect, since the total surface area of the strands is greater than the surface area of the equivalent solid wire, but in fact a simple stranded wire will not improve skin effect since all the strands are short-circuited together and still behave as a single conductor. A stranded wire will have higher resistance than a solid wire of the same diameter because the cross-section of the stranded wire is not all copper, there are unavoidable gaps between the strands (this is the circle packing problem for circles within a circle). A stranded wire with the same cross-section of conductor as a solid wire is said to have the same equivalent gauge and is always a larger diameter.

However, for many high-frequency applications, ''proximity effect'' is more severe than skin effect, and in some limited cases, simple stranded wire can reduce proximity effect. For better performance at high frequencies, litz wire, which has the individual strands insulated and twisted in special patterns, may be used.

Number of strands

The lowest number of strands is 7: one in the middle, 6 surrounding it.

The next level up is 19, which is another layer of 12 strands on top of the 7. After that the number varies, but 37 and 49 are common, then in the 70 to 100 range (the number is no longer exact). Even larger numbers than that are typically found only in very large wires.

For application where the wire moves, 19 is the lowest that should be used (7 should only be used in applications where the wire is placed and then does not move), and 49 is much better. For applications with constant repeated movement, such as assembly robots, and headphone wires, 70 to 100 is mandatory.

For applications that need even more flexibility (welding is the usual example, but also any need to move wire in tight areas), even more strands are used. One example is a 2/0 wire made from 5,292 strands of #36 gauge wire. The strands are organized by first creating a bundle of 7 strands. Then 7 of these bundles are put together into super bundles. Finally 108 super bundles are used to make the final cable. Each group of wires is wound in a helix so that when the wire is flexed, the part of a bundle that is stretched moves around the helix to a part that is compressed to allow the wire to have less stress.

Varieties

See also

References

External links

Atlanta Falcons

Personal

External links

A ten-time All-Pro and 12-time Pro Bowl selection, Seau was a member of the NFL 1990s All-Decade Team. He has also been a member of the Miami Dolphins and New England Patriots.

Early years

College career

At USC, Seau wore jersey number 55, a number also worn by other USC linebackers, including player and NFL coach Jack Del Rio, Chris Claiborne, Willie McGinest, and most recently, USC linebacker Keith Rivers. Like USC jersey number 58 (worn by Lofa Tatupu and Rey Maualuga), USC jersey number 55 is celebrated by the USC team and Trojan fans (and studied by NFL scouts) -- it means membership in the exclusive USC linebacker group widely known as "Club 55" and connotes "future NFL linebacker star". Though not a "retired" jersey number, it carries a tradition and a wearing-player's obligation to excel, and, thus, is issued to incoming rookie linebacker players on a very thoughtful and selective basis by the USC coaching staff.

Seau is considered the progenitor of the "NFL-USC linebacker". In the decades that followed Seau, the USC football program has mentored a widely-recognized linebacker development program ("USC Linebacker U."). Noteworthy NFL-USC linebacker alumni include three-season All-American and NFL player Richard Wood, Seau, Del Rio, McGinest, Claiborne, Tatupu, Thomas Williams, Oscar Lua, Dallas Sartz, Rivers, Brian Cushing, Kaluka Maiava, Clay Matthews III and Rey Maualuga.

Professional career

San Diego Chargers

Seau started 15 of the 16 games he played in during his rookie season, and was named an alternate to the 1991 Pro Bowl after recording 85 tackles. In 1991, he picked up 129 tackles and seven sacks and was named to the 1992 Pro Bowl, the first of 12 consecutive Pro Bowls for Seau. He started no fewer than 13 games for the Chargers over each of the ensuing 11 seasons, registering a career high with 155 tackles in 1994. That year, Seau assisted his team to a championship appearance in Super Bowl XXIX and logged 19 tackles in the AFC Championship Game. In 2002, his final year with the Chargers, he logged a then-career low 84 tackles and missed his final Pro Bowl with an ankle injury.

Miami Dolphins

First retirement

New England Patriots

On May 21, 2007, Seau re-signed with the New England Patriots for the 2007 season. In September 2007 Seau was named one of the Patriots' seven captains. He would go on to start four of the 16 games he played in for the Patriots in 2007, and then started the Patriots' two playoff games before Super Bowl XLII against the New York Giants. The Patriots, who had not lost a game in the season to that point, fell to the Giants in the game, with Seau's first Super Bowl ring still eluding him.

Seau re-signed with the Patriots on December 5, 2008, replacing linebacker Adalius Thomas, who was placed on injured reserve earlier in the season. On December 22, 2008, a fan was arrested for trespassing and assault and battery for tackling Seau as he stood on the New England sideline during a home game against the Arizona Cardinals. Seau has stated that he did not feel threatened by the fan; he thought that the fan was happy and excited and got carried away.

On October 7, 2009, NFL Network reported that the New England Patriots had an "agreement in principle" with Seau for a fourth one-year deal; Seau took physicals and worked out with the team. He officially signed on October 13. He was active for 7 games for the Patriots in 2009, recording 14 tackles as a reserve linebacker.

Second retirement

Personal

Seau married Gina Deboer in 1991 and divorced in 2002. He had three children with Deboer: daughter Sydney Beau (born 1993) and sons Jake Ryan (1995) and Hunter Tiaina (2000).

''Sports Jobs with Junior Seau'' premiered on December 2, 2009 on Versus. The show follows Seau as he does the jobs that make sports work. Ten episodes aired during the first season, with finale airing on January 27, 2010. As of March 3, 2010 the show has not been renewed for a second season.

On October 18, 2010, Seau was arrested on suspicion of domestic violence and drove his SUV over a cliff following his release, suffering minor cuts and bruises. He later told authorities that he had fallen asleep while driving.

On October 22, 2010, The San Diego County district attorney announced there would be no charges filed against Seau relating to the domestic violence complaint.

On January 31, 2011 Seau's nephew'S Ian Seau committed to play at Kansas State and Micah Seau committed to play for the hometown team San Diego State University.

Junior Seau Foundation

References

External links

Category:1969 births Category:Living people Category:All-American college football players Category:American Conference Pro Bowl players Category:American football linebackers Category:American people of Samoan descent Category:Miami Dolphins players Category:New England Patriots players Category:Parade High School All-Americans (football) Category:Sportspeople from San Diego, California Category:Players of American football from California Category:San Diego Chargers players Category:USC Trojans football players

Early life and education

After attending Wallingford School, Brooker attended the Polytechnic of Central London (which became the University of Westminster during his time there) – studying for a BA in Media Studies. He did not graduate because his dissertation was written on video games, which was not an acceptable topic.

Career

''PC Zone''

In February 1998, one of Brooker's one-shot cartoons caused the magazine to be pulled from the shelves of many British newsagents. The cartoon was titled "Helmut Werstler's Cruelty Zoo" and professed to be an advert for a theme park created by a Teutonic psychologist for children to take out their violent impulses on animals rather than humans. It was accompanied by photoshopped pictures of children smashing the skulls of monkeys with hammers, jumping on a badger with a pitchfork, and chainsawing an orang-utan, among other things. The original joke was supposed to be at the expense of the ''Tomb Raider'' games, known at the time for the number of animals killed, but the original title, "Lara Croft's Cruelty Zoo", was changed for legal reasons.

In October 2008, Brooker and several other ex-writers were invited back to review a game for the 200th issue. Brooker reviewed Euro Truck Simulator.

SuperKaylo

One aspect of the SuperKaylo site was a series of recorded phone conversations, that had originally started from a commissioned featured for ''PC Zone'' on technical support phonelines. Brooker took things further than this half serious investigation, when in 1999 he called up the then editor of ''Edge'' magazine, Jason Brookes. Pretending to be an angry father, he phoned up enraged by an advert that had appeared in a previous issue for CeX, one that Brooker himself had written and drawn.

TVGoHome

Newspaper columns

From the autumn of 2005, he wrote a regular series of columns in ''The Guardian'' supplement "G2" on Fridays called "Supposing", in which he free-associated on a set of vague what-if themes. Since late October 2006 this column has been expanded into a full-page section on Mondays, including samples from TVGoHome and Ignopedia, an occasional series of pseudo-articles on topics mostly suggested by readers. The key theme behind Ignopedia was that, while Wikipedia is written and edited by thousands of users, Ignopedia would be written by a single sub-par person with little or no awareness of the facts.

On 24 October 2004, he wrote a column on George W. Bush and the forthcoming 2004 US Presidential Election which concluded:

''The Guardian'' withdrew the article from its website and published and endorsed an apology by Brooker. He has since commented about the remark in the column stating: }}

Brooker left the "Screen Burn" column in 2010. In the final column, he noted how increasingly difficult he found it to reconcile his role in mainstream media and TV production with his writing as a scabrous critic or to objectively criticise those he increasingly works and socialises with. Longtime covering contributor Grace Dent took over the column. He continues to contribute other articles to The Guardian on a regular basis.

Television

In 2000, Brooker was one of the writers of the Channel 4 show ''The Eleven O'Clock Show'' and a co-host (with Gia Milinovich) on BBC Knowledge's ''The Kit'', a low-budget programme dedicated to gadgets and technology (1999–2000). In 2001, he was one of several writers on Channel 4's controversial ''Brass Eye'' special on the subject of paedophilia.

In 2003, Brooker wrote an episode entitled "How to Watch Television" for Channel 4's ''The Art Show''. The episode was presented in the style of a public information film and was partly animated, and gave advice on how to view television.

Together with ''Brass Eye'''s Chris Morris, Brooker co-wrote the sitcom ''Nathan Barley'', based on a character from one of TVGoHome's fictional programmes. The show was broadcast in 2005 and focused on the lives of a group of London media 'trendies'. The same year, he was also on the writing team of the Channel 4 sketch show ''Spoons'', produced by Zeppotron.

In 2006, Brooker began writing and presenting his signature television series ''Charlie Brooker's Screenwipe'' on BBC Four, a TV review programme in a similar style to his ''Screen Burn'' columns in ''The Guardian''. After an initial pilot series of three editions in April of that year, the programme returned in the autumn for a second run of four episodes plus Christmas and Review of the Year specials in December 2006. A third series followed in February 2007 with a fourth broadcast in September 2007, followed by a Review of the Year in December 2007. The fifth series started in November 2008 and was followed by another Review of the Year special. This series was also the first to be given a primetime repeat on terrestrial television (BBC Two), in January 2009.

''Screenwipe'''s format mostly consists of two elements. The first is the playing of clips from other television shows – both mainstream and obscure – interspersed with shots of Brooker, sitting in his living room, delivering witty critiques on them. The second is where Brooker explains, again with a slice of barbed humour, the way in which a particular area of the television industry operates. Also occasionally present are animations by David Firth and guest contributions, which have included the poetry of Tim Key, and segments in which a guest explains their fascination with a certain television show or genre.

Brooker has regularly experimented with ''Screenwipe'', with some editions focusing on a specific theme. These themes have included American television, TV news, advertising and children's programmes. (The last of these involved a segment where Brooker joined the cast of ''Toonattik'' for one week, playing the character of "Angry News Guy".) Probably the most radical departure from the norm came with an episode focused on scriptwriting, which saw several of British television's most prominent writers interviewed by Brooker.

As per the development of his career with ''The Guardian'', a similar show called Newswipe, focusing on current affairs reportage by the international news media, began on BBC Four on 25 March 2009. A second series began on 19 January 2010. He has also written and presented the one off special Gameswipe which focused on video games and aired on BBC Four on 29 September 2009.

Brooker has appeared on three episodes and one webisode of the popular BBC current affairs news quiz ''Have I Got News for You''. He appeared on an episode of the Channel 4 panel show ''8 Out of 10 Cats'', ''The Big Fat Quiz of the Year 2009'', ''Never Mind the Buzzcocks'' and ''Would I Lie To You?''. In December 2006 reviewed two games written by the presenters of ''VideoGaiden'', on their show. He also made a brief appearance in the third and final instalment of the documentary series ''Games Britannia'', discussing the rise and popularity of computer games.

Brooker wrote for the BBC Three sketch show ''Rush Hour''.

In 2009, Brooker began hosting ''You Have Been Watching'', a panel comedy TV quiz on Channel 4 which discusses television. A second series was broadcast the following year.

On 6 May 2010, Brooker was a co-host of the Channel 4 alternative election night, along with David Mitchell, Jimmy Carr and Lauren Laverne. The telethon was interspersed with contributions from Brooker, some live in the studio but mostly pre-recorded. Notably, an "Election Special" of ''You Have Been Watching'' and two smaller segments in an almost identical style to ''Screenwipe'' (the only noticeable difference being that Brooker was sitting in a different room). Brooker described the experience of live television as being so nerve-wracking he "did a piss" during the broadcast. A spin-off series, ''10 O'Clock Live'', started in January 2011 with the same four hosts.

Brooker's "2010 Wipe", a review of 2010 in the style of Screenwipe/Newswipe/Gameswipe, was broadcast on BBC2 on 27 December 2010, and a new documentary series ''How TV Ruined Your Life'' started on BBC 2 on 25 January 2011. He has co-written a feature-length spoof crime drama along with Daniel Maier for Sky1 called A Touch Of Cloth (due early 2012).

In December 2011, Brooker's new darkly satirical 3-part series Black Mirror aired on Channel 4 to largely positive reviews. As well as creating the show, Brooker wrote the first episode and co-wrote the second with his wife Konnie Huq.

''Charlie Brooker's 2011 Wipe'', an hour-long review show of 2011, was broadcast on BBC Four on 30 December 2011. It was repeated on BBC Two on 3 January 2012.

Dead Set

Brooker wrote ''Dead Set'', a five part zombie horror thriller for E4 set in the Big Brother house. The show was broadcast in October 2008 to coincide with Halloween and was repeated on Channel 4 in January 2009 to coincide with Celebrity Big Brother, and again for Halloween later that year. It was produced by Zeppotron, which also produced Screenwipe.

Brooker told MediaGuardian.co.uk it comprised a "mixture of known and less well known faces" and "Dead Set is very different to anything I've done before, and I hope the end result will surprise, entertain and appall people in equal measure." He added that he has long been a fan of horror films and that his new series "could not be described as a comedy". "I couldn't really describe what it is but it will probably surprise people," Brooker said, adding that he plans to "continue as normal" with his print journalism.

Jaime Winstone starred as a runner on the TV programme, and ''Big Brother'' presenter Davina McCall guest starred as herself. Dead Set received a BAFTA nomination for ''Best Drama Serial''.

Radio

Personal life

Brooker is an atheist and contributed to The Atheist's Guide to Christmas.

Awards

Publications

References

External links

Adidja Palmer (born January 7, 1976), better known as Vybz Kartel, is a Jamaican dancehall artist, songwriter and businessman. He has many nicknames, including Addi the Teacher and Gaza Emperor.

Biography

Vybz Kartel rose to prominence in 2003 after a string of hits in Jamaica. The year culminated in a pre-planned on-stage clash with Ninjaman at the annual dancehall festival Sting in Kartel's hometown of Portmore. The clash turned violent when Kartel's crewmembers, as well as Kartel himself, threw punches and assaulted Ninjaman onstage. While Kartel's manager initially blamed Ninjaman for the fracas, Kartel himself quickly apologised to Ninjaman and Sting organizers for the fracas. Four days after the incident, the two artists appeared before the press to announce a settlement of their differences and to end any animosity.

He established his own label Adidjahiem/Notnice Records with his business partner and producer Ainsley "Notnice" Morris. In 2010, he released his album ''Pon Di Gaza 2.0'' on Adidjahiem/Notnice Records in collaboration with Tads Record Inc. In Spring 2011, Kartel is scheduled to release a still-unnamed album with Brooklyn Hip Hop/Electro producer Dre Skull.

Kartel has worked on collaborations and remixes with Hip Hop and R&B; musicians Jay-Z, Rihanna, Missy Elliot, Busta Rhymes, M.I.A, Pharrell, Kardinal Offishal, Akon, Jim Jones and Eminem.

In 2009 he had two international hits with “Ramping Shop” debuting on the Billboard Top 100 Singles charts, and “Dollar Sign” being in regular rotation on urban radio stations in the US. His 2010 single "Clarks" was one of his biggest international successes, remaining in the top 3 Reggae Singles gaining the most radio plays in North America for 40 weeks. "Clarks" was also featured on the TV series ''So You Think You Can Dance Canada'', and on a CNN segment on Dancehall dance. MTV's ''Vice Guide to Dancehall'' featured Kartel at his weekly dance party, Street Vybz Thursday.

After splitting with Bounty Killer-led Alliance in 2006, Kartel founded the Portmore Empire, a group of Dancehall deejays and singers from his Portmore neighborhood that he signed to his newly founded Adidjahiem/Notnice Records. Current members of the group are: Popcaan, Shawn Storm, Sheba, Indu, Tommy Lee, Singing Maxwell, Singa Blinga, Lenny Mattic. Former members include Lisa Hype, Gaza Kim, Black Ryno, Jah Vinci, Deejay Spice, Doza Medicine and Merital.

Feud with Mavado

A very public feud between Vybz Kartel and former collaborator Mavado arose towards the end of 2006, stemming from Vybz' much publicized departure from the dancehall conglomerate group, The Alliance. The feud resulted in numerous diss-tracks released, in which each artist dissed the other and their associates over popular dancehall rhythms. In a police-overseen press conference in March 2007, both Mavado and Vybz Kartel publicly announced an end to hostilities and apologized to fans.

However, by the summer of 2008, tensions flared with a renewal of "diss tracks" from each artist, and a lyrical clash between the two at Sting 2008 left mixed views as to the "winner". Most of 2009 saw a continuation of the public feud, which dominated Jamaican media and, to a certain extent, Jamaican culture, with the two artists' factions, ''Gaza'' (Kartel) and ''Gully'' (Mavado), being adopted by Jamaican youth, in some cases leading to street violence.

On December 8, 2009, Kartel and Mavado met with Jamaican Prime Minister Bruce Golding in an attempt to end the feud, which had by that time fueled mob attacks in some of the inner-city neighborhoods of Kingston. The two had performed together on-stage the previous night in a sign of goodwill at the West Kingston Jamboree, a concert promoted by area leader Christopher "Dudus" Coke. After the truce in December 2009, the two artists were scheduled to perform a unity concert March 2010 in Barbados, which was later cancelled by the prime minister of that country.

Business

When his singles "Clarks", "Clarks 2 (Clarks Again)" and "Clarks 3 (Wear Weh Yuh Have)" featured the British shoe brand Clarks in 2010, its sales numbers and prices in Jamaica increased considerably.

Controversy

Awards

References

External links

Category:1976 births Category:Living people Category:People from Kingston, Jamaica Category:Dancehall musicians Category:Reggae fusion artists Category:Jamaican reggae musicians