name	Orca
director	Michael Anderson
producer	Luciano Vincenzoni
writer	Luciano VincenzoniSergio DonatiUncredited:Robert Towne
starring	Richard HarrisCharlotte RamplingWill SampsonBo DerekKeenan WynnRobert Carradine
music	Ennio Morricone
cinematography	J. Barry HerronTed Moore
editing	John BloomMarion RothmanRalph E. Winters
distributor	Paramount PicturesDino De Laurentiis Company
released
runtime	92 minutes
language	English
budget	$6 million
gross	$14,717,854 }}

''Orca'' is a 1977 horror film directed by Michael Anderson and produced by Dino De Laurentiis, starring Richard Harris, Charlotte Rampling, and Will Sampson. The film was poorly received by critics and audiences alike due in part to its similarities to the film ''Jaws'' released two years prior. Upon release the film received only minor theatrical success, but in recent years the film has achieved a cult following among fans of the eco-horror sub genre. Richard Harris enjoyed his experiences during filming, and took offence at any comparison between ''Orca'' and ''Jaws''.

Plot

The movie revolves around the exploits of Captain Nolan (Harris), an Irishman living in Canada, who catches marine animals in order to pay off the mortgage of his boat, and return to Ireland. Nolan's crew is looking for a great white shark for a local aquarium, but a scientist named Ken (Carradine) is being targeted by the shark. A killer whale comes and kills the shark, subsequently saving Ken. This switches Nolan's target to the killer whale and while he is on the journey with his crew, he tries to capture what he believes to be a male whale, but mistakenly harpoons a pregnant female. She tries to escape but is caught up in and injured by the boat's propellers, but Nolan and his crew get the orca on board, where it subsequently miscarries. The crew hoses the dead fetus overboard as the male watches on.

Later that night, seeking revenge for the death of his mate, the male orca tries to sink the ship. One of Nolan's crew members, Novak (Wynn), cuts the dead female off the ship, but the male leaps and drags him into the sea. The following day, the orca pushes his mate onto shore. Alan Swain (Walker) berates Nolan on his actions after finding the dead whale on shore. Nolan denies responsibility, but Swain and the villagers eventually find out his involvement. The villagers insist that he stay and kill the whale, as its presence is causing the fish vital to the village's economy to migrate. Dr. Rachel Bedford (Rampling), colleague of Ken and whale expert, shows him how similar whales are to humans and tells Nolan that, "If he [the orca] is like a human, what he wants isn't necessarily what he should get." Nolan confesses to Rachel that he empathises with the whale, as his own wife and unborn child had previously been killed in a car crash caused by a drunk driver.

Nolan promises to Rachel not to fight the whale, but the whale attacks his sea-front house, containing an injured crew member of Nolan's, Annie (Derek) within it. The house starts slipping into sea and the whale bites Annie's leg off. Nolan decides to fight the orca, much to the delight of the villagers, although with Novak dead and Annie maimed for life, he and Paul are now the only crew members left. Dr. Bedford and Ken go with him, as well as a native American man, Jacob Umilak (Sampson), who joins them to share his knowledge.

The crew begins to pursue the whale after it signals Nolan to follow him. Ken is leaning over the side when the whale surfaces and grabs him, killing him in the process. They keep following the whale until they start to reach the Strait of Belle Isle. Paul starts to get into a lifeboat, but the maddened orca knocks Paul out of the boat and drowns him. The next day, the whale shoves an iceberg into the boat and starts to sink it. Nolan manages to harpoon the whale just before he and Dr. Bedford escape from the boat, while Umilak is crushed beneath an avalanche of ice.

Nolan and Dr. Bedford hide in an iceberg, but Nolan slips onto another. The orca separates the icebergs, trapping Nolan. The whale jumps onto the ice, causing it to tilt and send Nolan into the water. The whale lifts Nolan up with his tail and throws him onto another iceberg, killing him. Dr. Bedford looks on in shock as Nolan slips into the water in a cross shape. With his revenge complete, the whale swims under the ice towards his final resting spot, while a helicopter is seen to rescue Dr. Bedford.

Cast

Richard Harris as Captain Nolan

Charlotte Rampling as Rachel Bedford

Will Sampson as Umilak

Bo Derek as Annie

Keenan Wynn as Novak

Robert Carradine as Ken

''Yaka'' and ''Nepo'' as Orca

Production

Producer Luciano Vincenzoni was first assigned to give the film a head start after being called by Dino de Laurentiis in the middle of the night in 1975. Upon admitting that he had watched ''Jaws'', Vincenzoni was instructed by de Laurentiis to "find a fish tougher and more terrible than the great white". Having had little interest in sea life beforehand, Vincenzoni was directed to killer whales by his brother Adriano, who had a personal interest in zoology. Filming took place largely in Terranova during the fishing season. The main orca used for filming was a trained animal from the San Francisco aquarium, though artificial whales of rubber were used also. These models were so lifelike that several animal rights activists blocked the trucks transporting them, confusing them for real orcas. The shark used early in the film was captured by noted shark hunter Ron Taylor. The scenery meant to represent a remote polar region of Labrador was fabricated in Malta by designer Mario Garbuglia. Richard Harris insisted on performing his own stunts in the polar sequences, and nearly died several times doing so.

References

External links

Category:1977 films Category:Disaster films Category:English-language films Category:Fictional killer whales Category:Films about whales Category:Natural horror films Category:Paramount Pictures films Category:Films directed by Michael Anderson Category:1970s horror films Category:Films shot in Newfoundland and Labrador Category:Mockbusters

de:Orca – Der Killerwal fr:Orca (film) it:L'orca assassina ja:オルカ (映画) pl:Orka - wieloryb zabójca pt:Orca (filme) ru:Смерть среди айсбергов fi:Orca – tappajavalas

name	Ennio Morricone
background	non_performing_personnel
birth date	November 10, 1928
alias	Maestro
genre	Film music, Classical music, Pop music, Jazz, Lounge music, Easy listening
origin	Rome, Italy
occupation	Composer, orchestrator, music director, conductor, trumpeter
associated acts	Bruno Nicolai, Alessandro Alessandroni, Mina, Yo-Yo Ma, Mireille Mathieu, Joan Baez, Andrea Bocelli, Roger Waters, Sarah Brightman, Amii Stewart, Paul Anka, Milva, Gianni Morandi, Dalida, Catherine Spaak, Pet Shop Boys, Hayley Westenra, and others
years active	1946 – present
website	http://www.enniomorricone.it }}

Ennio Morricone,Grand Officer OMRI, , (born November 10, 1928) is an Italian composer and conductor.

For over five decades he has composed and arranged music for more than 400 motion pictures including some award-winning film scores as well as several symphonic and choral pieces. He wrote the characteristic film scores of Leone's Spaghetti Westerns ''A Fistful of Dollars'' (1964), ''For a Few Dollars More'' (1965), ''The Good, the Bad and the Ugly'' (1966) and ''Once Upon a Time in the West'' (1968). In the 80s, Morricone composed the scores for Leone's ''Once Upon a Time in America'' (1984), Roland Joffé's ''The Mission'' (1986), Brian De Palma's ''The Untouchables'' (1987) and Giuseppe Tornatore's ''Cinema Paradiso'' (1988). His more recent compositions include the scores for ''The Legend of 1900'' (1998), ''Malèna'' (2000), ''Fateless'' (2005), and ''Baaria - La porta del vento'' (2009).

Morricone has received two Grammy Awards, two Golden Globes, five BAFTAs during 1979–1992, seven David di Donatello, eight Nastro d'Argento, and the Polar Music Prize in 2010. In 2007, he received the Academy Honorary Award "for his magnificent and multifaceted contributions to the art of film music". The composer also has been nominated for five Oscars in the category of Best Original Score during 1979–2001, but has never won competitively.

Life and career

Classical music

Ennio Morricone was born in Rome, the son of Libera and Mario Morricone, a jazz trumpeter. Morricone wrote his first compositions when he was six years old and was encouraged to develop his natural talents. Compelled to take up the trumpet, he attended the National Academy of Santa Cecilia to take lessons on the instrument at the age of nine. Morricone formally entered the conservatory in 1940 at the age of 12, enrolling in a four-year harmony program. According to various reports, he completed it in either two years or six months (date approximate). He studied the trumpet, composition, choral music, and choral direction under Goffredo Petrassi, who deeply influenced him and to whom Morricone has dedicated concert pieces.

These were the difficult years of World War II in the heavily bombed "open city"; the composer remarked that what he mostly remembered of those years was the hunger. His wartime experiences influenced many of his scores for films set in that period.

After he graduated, he continued to work in classical composition and arrangement. In 1946, Morricone received his trumpet diploma and in the same year he composed "Il Mattino" ("The Morning") for voice and piano on a text by Fukuko, first in a group of 7 "youth" Lieder. Other serious compositions are "Imitazione" (1947) for voice and piano on a text by Giacomo Leopardi and "Intimità" for voice and piano on a text by Olinto Dini.

In the early 1950s, Morricone began writing his first background music for radio dramas. Nonetheless he continued composing classical pieces as "Distacco I e Distacco II" for voice and piano on a text by Ranieri Gnoli, "Verrà la Morte" for contralto and piano on a text by Cesare Pavese, "Oboe Sommerso" for baritone and five instruments on a text by Salvatore Quasimodo.

Although the composer had received the "Diploma in Instrumentation for Band" (fanfare) in 1952, his studies concluded in 1954, obtaining a diploma in Composition under the composer Goffredo Petrassi. In 1955, Morricone started to write or arrange music for films credited to other already well-known composers (ghost writing). He occasionally adopted Anglicized pseudonyms, such as Dan Savio and Leo Nichols.

Morricone wrote more works in the climate of the Italian avant-garde. A few of these compositions have been made available on CD, such as "Ut", his trumpet concerto dedicated to the soloist Mauro Maur, one of his favorite musicians; some have yet to be premiered. From the mid-sixties and onwards, he was part of Gruppo di Improvvisazione di Nuova Consonanza, a group of composers who performed and recorded avant garde free improvisations, even scoring a few films during the 1970s.

Public reputation

In 1956, Morricone started to support his family by playing in a jazz band and arranging pop songs for the Italian broadcasting service RAI. He was hired by RAI in 1958, but quit his job on his first day at work when he was told that broadcasting of music composed by employees was forbidden by a company rule. Subsequently, Morricone became a top studio arranger at RCA, working with Renato Rascel, Rita Pavone, and Mario Lanza. A particular success was one of his own songs, "Se telefonando". Performed by Mina, it was a standout track of ''Studio Uno 66'', the fifth-biggest-selling album of the year 1966 in Italy. Morricone's sophisticated arrangement of "Se telefonando" was a combination of melodic trumpet lines, Hal Blaine–style drumming, a string set, a '60s Europop female choir, and intensive subsonic-sounding trombones. The Italian Hitparade #7 song had eight transitions of tonality building tension throughout the chorus. During the following decades, the song was covered by several performers in Italy and abroad—most notably by Françoise Hardy and Iva Zanicchi (1966), Delta V (2005), Vanessa and the O's (2007), and Neil Hannon (2008). In the reader's poll conducted by the la Repubblica newspaper to celebrate Mina's 70th anniversary in 2010, 30,000 voters picked the track as the best song ever recorded by Mina. Throughout the '60s Morricone composed songs for other artists including Milva, Gianni Morandi, Paul Anka, Amii Stewart, and Mireille Mathieu.

Leone film scores

Well-versed in a variety of musical idioms from his RCA experience, Morricone began composing film scores in the early 1960s. Though his first films were undistinguished, Morricone's arrangement of an American folk song intrigued director and former schoolmate Sergio Leone. Leone hired Morricone, and together they created a distinctive score to accompany Leone's different version of the Western, ''A Fistful of Dollars'' (1964). As budget strictures limited Morricone's access to a full orchestra, he used gunshots, cracking whips, whistle, voices, guimbarde (jaw harp), trumpets, and the new Fender electric guitar, instead of orchestral arrangements of Western standards à la John Ford. Morricone used his special effects to punctuate and comically tweak the action—cluing in the audience to the taciturn man's ironic stance. Though sonically bizarre for a movie score, Morricone's music was viscerally true to Leone's vision. As memorable as Leone's close-ups, harsh violence, and black comedy, Morricone's work helped to expand the musical possibilities of film scoring. Morricone was initially billed on the film as Dan Savio.

Morricone composed music for about 40 Westerns (the last was ''North Star'' (1996)), most of them Spaghetti Westerns. He scored Sergio Leone's Spaghetti Westerns, from ''A Fistful of Dollars'' (1964) and including ''For a Few Dollars More'' (1965), ''The Good, the Bad and the Ugly'' (1966), and ''Once Upon a Time in the West'' (1968), as well as later films such as ''A Fistful of Dynamite'' (1971), ''My Name Is Nobody'' (1973), and ''A Genius, Two Partners and a Dupe'' (1975). The collaboration with Leone is considered one of the exemplary collaborations between a director and a composer.

In addition, Morricone composed music for many other, not so popular Spaghetti Westerns, including ''Duello nel Texas'' (1963), ''Le pistole non discutono'' (1964), ''A Pistol for Ringo'' (1965), ''The Return of Ringo'' (1965), ''Navajo Joe'' (1966), ''The Big Gundown'', (1966), ''Face to Face'' (1967), ''Death Rides a Horse'' (1967), ''The Hellbenders'' (1967), ''A Bullet for the General'' (1967), ''The Mercenary'' (1968), ''Tepepa'' (1968), ''The Great Silence'' (1968), ''Guns for San Sebastian'' (1968), ''…And for a Roof a Sky Full of Stars'' (1968), ''The Five Man Army'' (1969), ''Queimada!'' (1969), ''Vamos a matar, compañeros'' (1970), ''Two Mules for Sister Sara'' (1970), ''Sonny and Jed'' (1972), and ''Buddy Goes West'' (1981).

Ensemble

With the score of ''A Fistful of Dollars'', Morricone began his 10-year collaboration with his childhood friend Alessandro Alessandroni and his Cantori Moderni. Alessandroni provided the whistling and the twanging guitar on the film scores, while his Cantori Moderni were a flexible troupe of modern singers. Morricone specifically exploited the solo soprano of the group, Edda Dell'Orso, at the height of her powers—"an extraordinary voice at my disposal".

Other film scores

Most of Morricone's film scores of the 1960s were composed outside the Spaghetti Western genre, while still using Alessandroni's team. Their music included the themes for ''Il Malamondo'' (1964), ''Slalom'' (1965), ''The Battle of Algiers'' (1965), and ''Listen, Let's Make Love'' (1967). In 1968, Morricone reduced his work outside the movie business and wrote scores for 20 films in the same year. The scores included psychedelic accompaniment for Mario Bava's superhero romp ''Danger: Diabolik'' (1968). The next year marked the start of a series of evocative scores for Dario Argento's stylized thrillers, including ''The Bird with the Crystal Plumage'' (1969), ''The Cat o' Nine Tails'' (1971), and ''Four Flies on Grey Velvet'' (1974). In 1970, Morricone wrote the score for ''Violent City''. That same year, he received his first Nastro d'Argento for the music in ''Metti una sera a cena'' (Giuseppe Patroni Griffi, 1969) and his second only a year later for ''Sacco e Vanzetti'' (Giuliano Montaldo, 1971), in which he had made a memorable collaboration with the legendary American folk singer and activist Joan Baez. In 1973, he scored a theme for the crime film ''Revolver'' (1973). He received his first nomination for an Academy Award in 1979 for the score to ''Days of Heaven'' (Terrence Malick, 1978) and another in 1986 for ''The Mission'' (Roland Joffé, 1986), in 1987 for ''The Untouchables'' (Brian De Palma, 1987), in 1991 for ''Bugsy'' (Barry Levinson, 1991), and in 2001 for ''Malèna'' (Giuseppe Tornatore, 2000). Morricone composed the score for John Carpenter's science-fiction/horror movie ''The Thing'' (1982) as well as Brian De Palma's war drama ''Casualties of War'' (1989).

Morricone has worked for television, from a single title piece to variety shows and documentaries to TV series, including the US TV Western ''The Virginian'' (1971), ''Moses'' (1974) and ''Marco Polo'' (1982). One notable composition, "Chi Mai" was used in the films, ''Maddalena'' (1971) and ''Le Professionnel'' (1981) as well as the TV series ''The Life and Times of David Lloyd George'' (1981). It was a surprise hit in the UK, almost topping the charts. He wrote the score for the Mafia television series ''La piovra'' seasons 2 to 10 from 1985 to 2001, including the themes "Droga e sangue" ("Drugs and Blood"), "La morale", and "L'immorale". Morricone worked as the conductor of seasons 3 to 5 of the series. He also worked as the music supervisor for the television project ''La bibbia'' ("The Bible"). In the late 1990s, he collaborated with his son, Andrea, on the ''Ultimo'' crime dramas. Their collaboration yielded the BAFTA-winning ''Nuovo cinema Paradiso''. In 2003, Ennio Morricone scored another epic, for Japanese television, called ''Musashi'' and was the Taiga drama about Miyamoto Musashi, Japan's legendary warrior. A part of his "applied music" is now applied to Italian television films.

Concerts and conducting

Since 2001, Morricone has been on a world tour, the latter part sponsored by Giorgio Armani, with the Orchestra Roma Sinfonietta, touring London (Barbican 2001; 75th birthday ''Concerto'', Royal Albert Hall 2003), Paris, Verona, and Tokyo. Morricone performed his classic film scores at the Munich Philharmonie in 2005 and Hammersmith Apollo Theatre in London, UK, on 2006-12-01 and 2006-12-02.

He made his North American concert debut on January 29, 2007 Auditorio Nacional in Mexico City and four days later at Radio City Music Hall in New York City. The previous evening, Morricone had already presented at the United Nations a concert comprising some of his film themes, as well as the cantata ''Voci dal silenzio'' to welcome the new Secretary-General Ban Ki-Moon. A ''Los Angeles Times'' review bemoaned the poor acoustics and opined of Morricone: "His stick technique is adequate, but his charisma as a conductor is zero." Morricone, though, has said: "Conducting has never been important to me. If the audience comes for my gestures, they had better stay outside."

On December 12, 2007, Morricone conducted the Roma Sinfonietta at the Wiener Stadthalle in Vienna, presenting a selection of his own works. Together with the Roma Sinfonietta and the Belfast Philharmonic Choir, Morricone performed at the Opening Concerts of the Belfast Festival at Queen's, in the Waterfront Hall on October 17 and 18, 2008. Morricone and Roma Sinfonietta also held a concert at the Belgrade Arena (Belgrade, Serbia) on February 14, 2009.

On April 10, 2010, Morricone conducted a concert at the Royal Albert Hall in London with the Roma Sinfonietta and (as in all of his previous London concerts) the Crouch End Festival Chorus. On August 27, 2010, he conducted a concert in Hungary. Two other concerts took place in Verona and Sofia (Bulgaria) on 11 and 17 September 2010.

Influence

Oscar-winning film composer Hans Zimmer has called Ennio Morricone his favorite composer in the world. Zimmer's ''Parlay'' in ''Pirates of the Caribbean: At World's End'' Soundtrack is a tribute to Ennio Morricone's ''Man with a Harmonica''.

Morricone's influence also extends into the realm of pop music. Hugo Montenegro had a hit with a version of the main theme from ''The Good, the Bad and the Ugly'' in both the United Kingdom and the United States. This was followed by his album of Morricone's music in 1968.

Aside from his music having been sampled by everyone from rappers (Jay-Z) to electronic outfits (the Orb), Morricone wrote "Se Telefonando", which became Italy's fifth biggest-selling record of 1966 and has since been re-recorded by Françoise Hardy, among many others, and scored the strings for "Dear God, Please Help Me" on Morrissey's 2006 "Ringleader of the Tormentors" album.

Morricone's film music was also recorded by many artists. John Zorn recorded an album of Morricone's music, ''The Big Gundown'', with Keith Rosenberg in the mid-1980s. Lyricists and poets have helped convert some of his melodies into a songbook.

Morricone collaborated with world music artists, like Portuguese fado singer Dulce Pontes (in 2003 with ''Focus'', an album praised by Paulo Coelho and where his songbook can be sampled) and virtuoso cellist Yo-Yo Ma (in 2004), who both recorded albums of Morricone classics with the Roma Sinfonietta Orchestra and Morricone himself conducting.

In 1990 the American singer Amii Stewart, best known for the 1979 disco hit "Knock On Wood", recorded a tribute album entitled ''Pearls - Amii Stewart Sings Ennio Morricone'' for the RCA label, including a selection of the composer's best known songs. Since the mid 1980s Stewart resides in Italy, the ''Pearls'' album features Rome's Philharmonic Orchestra and was co-produced by Morricone himself.

The 2003 Quentin Tarantino film ''Kill Bill'' Volumes 1 & 2 makes extensive use of several Morricone pieces from several 1960s film scores. The 2009 film ''Inglourious Basterds'' also uses many Morricone pieces, as well as sharing "Il Mercenario (Ripresa)" with Kill Bill.

Metallica uses Morricone's ''The Ecstasy of Gold'' as an intro at their concerts (shock jocks Opie and Anthony also use the song at the start of their XM Satellite Radio and CBS Radio shows.) The San Francisco Symphony Orchestra also played it on Metallica's Symphonic rock album S&M;. Ramones used the theme from ''The Good, the Bad and the Ugly'' as a concert intro. The theme from ''A Fistful Of Dollars'' is also used as a concert intro by The Mars Volta.

His influence extends from Michael Nyman to Muse. He even has his own tribute band, a large group which started in Australia, touring as The Ennio Morricone Experience.

Morricone is mentioned by Myles, a musician/scorer (played by Jack Black in "The Holiday" [2006 film]), as creator of magical sounds that formed a charracter as much as lines of music in his films. This played out in a scene at a video rental store between Black and actress Kate Winslett.

In 2007, the tribute album ''We All Love Ennio Morricone'' was released. It features performances by various artists, including Sarah Brightman, Andrea Bocelli, Celine Dion, Bruce Springsteen and Metallica.

British band Muse cites Morricone as an influence for the songs "City of Delusion", "Hoodoo", and "Knights of Cydonia" on their album ''Black Holes and Revelations''.. The band has recently started playing the song "Man With A Harmonica" live played by Chris Wolstenholme, as an intro to "Knights of Cydonia".

In January 2010, tenor Donald Braswell II released his album "We Fall and We Rise Again" on which he presented his tribute to Ennio Morricone with his original composition entitled "Ennio".

Recent activity

Morricone provided the string arrangements on Morrissey's "Dear God Please Help Me" from the album ''Ringleader of the Tormentors'' in 2006.

Quentin Tarantino originally wanted Morricone to compose the soundtrack for his most recent film, ''Inglourious Basterds''. However, Morricone refused because of the sped-up production schedule of the film. Tarantino did use several Morricone tracks from previous films in the soundtrack.

Morricone instead wrote the music for Baaria - La porta del vento, the most recent movie by Giuseppe Tornatore. The composer is also writing music for Tornatore's upcoming movie Leningrad.

In spring and summer 2010, Morricone worked with Hayley Westenra for a collaboration on her album ''Paradiso''. The album features new songs written by Morricone, as well as some of his best known film compositions of the last 50 years. Hayley recorded the album with Morricone's orchestra in Rome during the summer of 2010.

Personal life

On 13 October 1956, he married Maria Travia and had his first son, Marco, in 1957. Travia has written lyrics to complement her husband's pieces. Her works include the Latin texts for ''The Mission''. They have three sons and a daughter, in order of birth: Marco, Alessandra, the conductor and film composer Andrea (Andrew), and Giovanni (a filmmaker who lives in New York City).

Discography

Ennio Morricone has sold over 50 million records worldwide, including 6.5 million copies in France and more than two million albums in Korea.

Top worldwide film grosses

Ennio Morricone has been involved with eight movies grossing over $25 million at the box office:

{|class="wikitable sortable" |- ! Year !! class="unsortable"|Title !! class="unsortable"|Director !! Gross |- | 1966 || ''The Good, The Bad & The Ugly'' || Sergio Leone || $25,100,000 |- | 1977 || ''Exorcist II: The Heretic'' || John Boorman || $30,749,142 |- | 1987 || ''The Untouchables'' || Brian De Palma || $76,270,454 |- | 1991 || ''Bugsy'' || Barry Levinson || $49,114,016 |- | 1993 || ''In the Line of Fire'' || Wolfgang Petersen || $176,997,168 |- | 1994 || ''Wolf'' || Mike Nichols || $131,002,597 |- | 1994 || ''Disclosure'' || Barry Levinson || $214,015,089 |- | 2000 || ''Mission to Mars'' || Brian De Palma || $110,983,407 |}

Other successful movies with Morricone's work are ''Kill Bill Vol. 1 & 2'' (2003, 2004) and ''Inglourious Basterds'' (2009), though the tracks used are sampled from older pictures.

Awards

Academy Honorary Award

Morricone received an honorary Academy Award on February 25, 2007, presented by Clint Eastwood, "for his magnificent and multifaceted contributions to the art of film music." With the statuette came a standing ovation. Though nominated five times, he had not previously received an Oscar. In conjunction with the honor, Morricone released a tribute album, ''We All Love Ennio Morricone'', that featured as its centerpiece Celine Dion's rendition of "I Knew I Loved You" (based on "Deborah's Theme" from ''Once Upon a Time in America''), which she performed at the ceremony. Behind-the-scenes studio production and recording footage of "I Knew I Loved You" can be viewed in the debut episode of the QuincyJones.com Podcast. The lyric, as with Morricone's ''Love Affair'', had been penned by Oscar-winning husband-and-wife duo Marilyn and Alan Bergman. Morricone's acceptance speech was in his native Italian tongue and was interpreted by Clint Eastwood, who stood to his left. Eastwood and Morricone had in fact met two days earlier—for the first time in 40 years—at a reception.

Morricone and Alex North are the only composers to receive the honorary Oscar since the award's introduction in 1928. North was nominated for fifteen Oscars, but like Morricone, he never won competitively.

List of prizes and awards

1965 — Nastro d'Argento for ''A Fistful of Dollars''

1967 — Diapason d'Or

1969 — Premio Spoleto Cinema

1970 — Nastro d'argento for ''Metti una sera a cena''

1971 — Nastro d'argento for ''Sacco e Vanzetti''

1972 — Cork Film International for ''La califfa''

1979 — Academy Awards nomination for ''Days of Heaven''

1979 — Premio Vittorio de Sica

1981 — Premio della critica discografica for ''Il prato''

1984 — Premio Zurlini

1985 — Nastro d'argento and BAFTA for ''Once Upon A Time In America''

1986 — Academy Awards Nomination, BAFTA and Golden Globe Awards for ''The Mission''

1986 — ''Premio Vittorio de Sica''

1988 — Academy Awards nomination, Nastro d'argento, BAFTA and Grammy Awards for ''The Untouchables''

1988 — David di Donatello for ''Gli occhiali d'oro''

1989 — David di Donatello for ''Nuovo Cinema Paradiso''

1989 — Ninth Annual Ace Winner for ''Il Giorno prima''

1989 — Pardo d'Oro alla carriera Locarno Film Festival

1990 — BAFTA, Prix Fondation Sacem del XLIII Cannes Film Festival and David di Donatello for ''Nuovo Cinema Paradiso''

1991 — David di Donatello for ''Stanno tutti bene''

1992 — Academy Award nomination for ''Bugsy''

1992 — Pentagramma d'oro

1992 — Premio Michelangelo

1992 — Grolla d'oro alla carriera (Saint Vincent)

1993 — David di Donatello and Efebo d'Argento for ''Jonas che visse nella balena''

1993 — Globo d'oro Stampa estera in Italia

1993 — Gran Premio SACEM audiovisivi

1994 — ASCAP ''Golden Soundtrack Award'' (Los Angeles)

1995 — Premio Rota

1995 — Golden Lion Honorary Award by the Venice Film Festival

1996 — ''Premio citta' di Roma''

1996 — ''Premio Cappelli''

1996 — Premio Accademia di Santa Cecilia

1997 — Premio Flaiano

1998 — Columbus Prize

1999 — Erich Wolfgang Korngold Internationaler Preis für Film

1999 — Exsquibbidles Film Academy lifetime achievement award

2000 — Golden Globe for ''The Legend of 1900'' (1998)

2000 — David di Donatello and Nastro d'argento for ''Canone Inverso''

2000 — Academy Awards nomination for ''Malèna''

2000 — Nastro d'argento for ''Malèna''

2001 — Mikeldi de Honor at "Zinebi - International Festival of Documentary and Short Films" of Bilbao

2002 — Honorary Degree by the "Seconda Università" of Rome

2003 — Golden Eagle Award by the Russian National Academy of Motion Pictures Arts and Sciences of Russia for ''72 Meters (film)''

2003 — Honorary Senator of the Filmscoring Class of the Hochschule für Musik und Theater München

2006 — Grand Officer OMRI, nominated by Carlo Azeglio Ciampi

2007 — Honorary Academy Award for career achievement

2007 — The Film & TV Music Award for Lifetime Achievement

2007 — David di Donatello and Nastro d'argento for ''La sconosciuta''

2008 — Grammy Award for Best Rock Instrumental, performed by Bruce Springsteen

2008 — Knight of the Legion of Honour

2009 — Medal of Merits for Macedonia

2009 — America Award of the Italy-USA Foundation

2010 — Polar Music Prize of the Royal Swedish Academy of the Arts

Sources

Horace, B. ''Music from the Movies'', film music journal double issue 45/46, 2005: ISSN 0967-8131

Miceli, Sergio. ''Morricone, la musica, il cinema''. Milan: Mucchi/Ricordi, 1994: ISBN 88-7592-398-1

Miceli, Sergio. "Morricone, Ennio". ''The Nesw Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.

Poppi, R., M. Pecorari. ''Dizionario del cinema italiano. I film vol. 3. Dal 1960 al 1969''. Gremese, 1993: ISBN 88-7605-593-2

Poppi, R., M. Pecorari. ''Dizionario del cinema italiano. I film vol. 4. Dal 1970 al 1979* A/L''. Gremese, 1996: ISBN 88-7605-935-0

Poppi, R., M. Pecorari. ''Dizionario del cinema italiano. I film vol. 4. Dal 1970 al 1979** M/Z''. Gremese, 1996: ISBN 88-7605-969-5

Poppi, R., M. Pecorari. ''Dizionario del cinema italiano. I film vol. 5. Dal 1980 al 1989* A/L''. Gremese, 2000: ISBN 88-7742-423-0

Poppi, R., M. Pecorari. ''Dizionario del cinema italiano. I film vol. 5. Dal 1980 al 1989** M/Z''. Gremese, 2000: ISBN 88-7742-429-X

References

Further reading

Lhassa, Anne, and Jean Lhassa: ''Ennio Morricone: biographie''. Les Planches. Lausanne: Favre; [Paris]: [diff. Inter-forum], 1989. ISBN 2-8289-0418-0,

Wagner, Thorsten. "Improvisation als 'weiteste Ausdehnung des Begriffs der aleatorischen Musik': Franco Evangelisti und die Improvisationsgruppe Nuova Consonanza". In ''...hin zu einer neuen Welt: Notate zu Franco Evangelisti'', edited by Harald Muenz,.48-60, 2002. Saarbrücken: Pfau-Verlag. ISBN 3-89727-177-X.

Webb, Michael D. ''Italian 20th Century Music: The Quest for Modernity''. London: Kahn & Averill. ISBN 978-1-871082-89-0

External links

Ennio Morricone Myspace

The Ennio Morricone Online Community

Streaming audio of Morricone's "The Man with the Harmonica," from his soundtrack to ''Once upon a Time in the West''

TÊTE-À-TÊTE: Ennio Morricone by Nic Harcourt at Los Angeles Times Magazine

Category:1928 births Category:20th-century classical composers Category:Accademia Nazionale di Santa Cecilia alumni Category:Academy Honorary Award recipients Category:BAFTA winners (people) Category:European Film Awards winners (people) Category:Grammy Award winners Category:Italian composers Category:Italian film score composers Category:Living people Category:Virgin Records artists Category:People from Rome (city) Category:Spaghetti Western composers

ar:إنيو موريكوني an:Ennio Morricone az:Ennio Morrikone bs:Ennio Morricone br:Ennio Morricone bg:Енио Мориконе ca:Ennio Morricone cv:Морриконе Эннио cs:Ennio Morricone co:Ennio Morricone da:Ennio Morricone de:Ennio Morricone es:Ennio Morricone eo:Ennio Morricone eu:Ennio Morricone fa:انیو موریکونه fr:Ennio Morricone gl:Ennio Morricone ko:엔니오 모리코네 hr:Ennio Morricone id:Ennio Morricone it:Ennio Morricone he:אניו מוריקונה ka:ენნიო მორიკონე la:Ennius Morricone lt:Ennio Morricone hu:Ennio Morricone mk:Енио Мориконе nl:Ennio Morricone ja:エンニオ・モリコーネ no:Ennio Morricone pl:Ennio Morricone pt:Ennio Morricone ro:Ennio Morricone ru:Морриконе, Эннио sq:Ennio Morricone scn:Enniu Morriconi simple:Ennio Morricone sk:Ennio Morricone sl:Ennio Morricone szl:Ennio Morricone sr:Енио Мориконе fi:Ennio Morricone sv:Ennio Morricone th:เอนนิโอ มอร์ริโคเน tr:Ennio Morricone uk:Енніо Морріконе zh:恩尼奥·莫里科内