Radiohead are an English rock band from Abingdon, Oxfordshire, formed in 1985. The band consists of Thom Yorke (vocals, guitars, keyboards), Jonny Greenwood (guitars, keyboards, other instruments), Ed O'Brien (guitars, backing vocals), Colin Greenwood (bass, synthesisers) and Phil Selway (drums, percussion).

Radiohead released their debut single "Creep" in 1992. The song was initially unsuccessful, but it became a worldwide hit several months after the release of their debut album, ''Pablo Honey'' (1993). Radiohead's popularity rose in the United Kingdom with the release of their second album, ''The Bends'' (1995). Radiohead's third album, ''OK Computer'' (1997), propelled them to greater international fame. Featuring an expansive sound and themes of modern alienation, ''OK Computer'' is often acclaimed as the landmark record of the 1990s.

''Kid A'' (2000) and ''Amnesiac'' (2001) marked an evolution in Radiohead's musical style, as the group incorporated experimental electronic music, Krautrock and jazz influences. ''Hail to the Thief'' (2003), a mix of piano and guitar driven rock, electronics and lyrics inspired by war, was the band's final album for their major record label, EMI. Radiohead self-released their seventh album, ''In Rainbows'' (2007), as a digital download for which customers could set their own price, and later in physical form to critical and chart success. Radiohead's eighth album, ''The King of Limbs'' (2011), was an exploration of rhythm and quieter textures, which the band released independently.

Radiohead have sold more than 30 million albums. The band's work has been placed highly in both listener polls and critics' lists. In 2005, Radiohead were ranked number 73 in ''Rolling Stone'''s list of "The Greatest Artists of All Time", while Ed O'Brien and Johnny Greenwood were both included in Rolling Stone's list of greatest guitarists, and Thom Yorke in their list of greatest singers. While the band's earlier albums were most influential on British rock and pop music, musicians in a wide variety of genres have been influenced by their later work.

History

Formation and first years (1985–91)

Although Yorke, O'Brien, Selway, and Colin Greenwood had left Abingdon by 1987 to attend university, the band continued to rehearse often on weekends and holidays. In 1991, when all the members except Jonny had completed their university degrees, On a Friday regrouped, began to record demos such as ''Manic Hedgehog'', and performed live gigs around Oxford at venues such as The Jericho Tavern. Oxfordshire and the Thames Valley had an active independent music scene in the late 1980s, but it centred around shoegazing bands such as Ride and Slowdive; On a Friday were never seen as fitting this trend, commenting that they had missed it by the time they returned from university.

Nevertheless, as On a Friday's number of live performances increased, record labels and producers became interested. Chris Hufford, Slowdive's producer and the co-owner of Oxford's Courtyard Studios, attended an early On a Friday concert at the Jericho Tavern. Impressed by the band, he and his partner Bryce Edge produced a demo tape and became On a Friday's managers; they remain the band's managers to this day. Following a chance meeting between Colin Greenwood and EMI A&R; representative Keith Wozencroft at the record shop where Greenwood worked, the band signed a six-album recording contract with the label in late 1991. At the request of EMI, the band changed their name to Radiohead, inspired by the title of a song on Talking Heads' ''True Stories'' album. The song in turn was inspired by a story the actor, writer and director Stephen Tobolowsky told David Byrne about psychic experiences he had as a teenager.

''Pablo Honey'', ''The Bends'' and early success (1992–95)

The band released their debut album, ''Pablo Honey'', in February 1993. It stalled at number 22 in the UK charts, as "Creep" and its anthemic follow-up singles "Anyone Can Play Guitar" and "Stop Whispering" failed to become major hits. "Pop Is Dead", a non-album single later disavowed by the band, sold equally poorly. Some critics compared the band's early style to the wave of grunge music popular in the early 1990s—to the extent of Radiohead being dubbed "Nirvana-lite"—yet ''Pablo Honey'' failed to make either a critical or a commercial splash upon its initial release. Despite shared influences with popular guitar-heavy acts, and some notice for Yorke's falsetto voice, the band toured only British universities and clubs. In the first few months of 1993, Radiohead began to attract listeners elsewhere. "Creep" had been played very frequently on Israeli radio by influential DJ Yoav Kutner, and in March, after the song became a hit in that country's charts, Radiohead were invited to Tel Aviv for their first live gig overseas. Around the same time, the San Francisco alternative radio station KITS added the song to its playlist. Soon other radio stations along the west coast of the United States followed suit. By the time Radiohead began their first North American tour in June 1993, the music video for "Creep" was in heavy rotation on MTV. The song rose to number two on the US modern rock chart, entered the lower reaches of the top 40 pop chart, and finally hit number seven in the UK Singles Chart when EMI re-released it in the UK in September.

Unexpected attention to the single in America caused the label to improvise new promotional plans, and the band shuttled back and forth between continents, playing over 150 concerts in 1993. Radiohead nearly broke up due to the pressure of sudden success as the ''Pablo Honey'' supporting tour extended into its second year. Band members described the tour as difficult to adjust to, saying that towards its end they were "still playing the same songs that [they had] recorded two years previously... like being held in a time warp", when they were eager to work on new songs.

The band began work on their second album in 1994, hiring veteran Abbey Road Studios producer John Leckie. Tensions were high, with mounting expectations on the band to deliver a superior follow-up to match or exceed the success of "Creep". Recording felt unnatural in the studio, band members having over-rehearsed their material. They sought a change of scenery, touring the Far East, Australasia and Mexico in an attempt to reduce the pressure. The band found greater confidence performing their new music live. However, confronted again by the fame he had achieved, Yorke became disillusioned at being "right at the sharp end of the sexy, sassy, MTV eye-candy lifestyle" he felt he was helping to sell to the world.

''My Iron Lung'', an EP and single released late in 1994, was Radiohead's reaction, marking a transition towards the greater depth they aimed for on their second album. Promoted through alternative radio stations, the hard-edged single's sales were better than expected, and suggested for the first time that the band had found a loyal fan base beyond one hit. Having introduced more new songs on tour, Radiohead finished recording their second album by year's end, and they released ''The Bends'' in March 1995. The album was driven by dense riffs and ethereal atmospheres from the band's three guitarists, with greater use of keyboards than their debut. It also received stronger reviews for both songwriting and performances.

While Radiohead were seen as outsiders to the Britpop scene that dominated the media's attention at the time, they were finally successful in their home country with ''The Bends'', as singles "Fake Plastic Trees", "High and Dry", "Just", and "Street Spirit (Fade Out)" made their way to UK chart success; the latter song placed Radiohead in the top five for the first time. In 1995, Radiohead again toured North America and Europe, this time in support of R.E.M., one of their formative influences and at the time one of the biggest rock bands in the world. The buzz generated by such famous fans as Michael Stipe, along with distinctive music videos for "Just" and "Street Spirit", helped to sustain Radiohead's popularity outside the UK.

However, Radiohead's growing fan base was insufficient for them to repeat the commercial popularity of "Creep" worldwide. "High and Dry" became a modest hit, but ''The Bends'' peaked at 88 on the US album charts, which remains Radiohead's lowest showing there. Radiohead were satisfied with the album's reception. Jonny Greenwood said, "I think the turning point for us came about nine or twelve months after ''The Bends'' was released and it started appearing in people's [best of] polls for the end of the year. That's when it started to feel like we made the right choice about being a band".

''OK Computer'', fame and critical acclaim (1996–98)

In August 1996, Radiohead toured as the opening act for Alanis Morissette, seeking to perfect their new songs live before completing the record. They then resumed recording, again outside a traditional music studio, settling instead at a 15th-century mansion, St. Catherine's Court, near Bath. The recording sessions were relaxed, with the band playing at all hours of the day, recording songs in different rooms, and listening to The Beatles, DJ Shadow, Ennio Morricone and Miles Davis for inspiration. Radiohead contributed "Talk Show Host", as well as a newly recorded song called "Exit Music (For a Film)", to Baz Luhrmann's adaptation of ''Romeo + Juliet'' late in the year. Most of the rest of the album was complete by the end of 1996, and by March 1997, the record was mixed and mastered.

Radiohead released their third album, ''OK Computer'', in June 1997. Largely composed of melodic rock songs, the new record also found the band experimenting with song structures and incorporating some ambient, avant garde and electronic influences. The album's lyrics took a more observational, less personal tone than ''The Bends'', expressing what one magazine called "end-of-the-millennium blues". ''OK Computer'' met with great critical acclaim, and Yorke admitted that he was "amazed it got the reaction it did. None of us fucking knew any more whether it was good or bad. What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create."

''OK Computer'' was the band's first number one UK chart debut, propelling Radiohead to commercial success around the world. Despite peaking at number 21 in the US charts, the album eventually met with mainstream recognition there, receiving the first Grammy Awards recognition of the band's career, a win for Best Alternative Album and a nomination for Album of the Year. "Paranoid Android", "Karma Police" and "No Surprises" were released as singles from the album, of which "Karma Police" was most successful internationally.

The release of ''OK Computer'' was followed by the "Against Demons" world tour. Grant Gee, the director of the "No Surprises" video, accompanied and filmed the band, releasing the footage in the 1999 documentary ''Meeting People Is Easy''. The film portrays the band's disaffection with the music industry and press, showing their burnout as they progressed from their first tour dates in mid-1997 to mid-1998, nearly a year later. The film is also notable for documenting earlier versions of songs that were never released or were not released until years later, such as "How to Disappear Completely", "Life in a Glasshouse" and "Nude". During this time the band also released a music video compilation, ''7 Television Commercials'', as well as two EPs, ''Airbag/How Am I Driving?'' and ''No Surprises/Running from Demons'', that compiled their B-sides from ''OK Computer'' singles.

''Kid A'', ''Amnesiac'' and a change in sound (1999–2001)

Radiohead were largely inactive following their 1997–1998 tour; after its end, their only public performance in 1998 was at an Amnesty International concert in Paris. Yorke later admitted that during that period the band came close to splitting up, and that he had developed severe depression. In early 1999, Radiohead began work on a follow-up to ''OK Computer''. Although there was no longer any pressure or even a deadline from their record label, tension during this period was high. Band members all had different visions for Radiohead's future, and Yorke was experiencing writer's block, influencing him toward a more abstract, fragmented form of songwriting. Radiohead secluded themselves with producer Nigel Godrich in studios in Paris, Copenhagen, and Gloucester, and in their newly completed studio in Oxford. Eventually, all the members agreed on a new musical direction, redefining their instrumental roles in the band. After nearly 18 months, Radiohead's recording sessions were completed in April 2000.

In October 2000 Radiohead released their fourth album, ''Kid A'', the first of two albums from these recording sessions. Rather than being a stylistic sequel to ''OK Computer'', ''Kid A'' featured a minimalist and textured style with less overt guitar parts and more diverse instrumentation including the ondes Martenot, programmed electronic beats, strings, and jazz horns. It debuted at number one in many countries, including the US, where its debut atop the ''Billboard'' chart marked a first for the band and a rare success in the US by UK musicians. This success was attributed variously to marketing, to the album's leak on the file-sharing network Napster a few months before its release, and to advance anticipation based, in part, on the success of ''OK Computer''. Although Radiohead did not release any singles from ''Kid A'', promos of "Optimistic" and "Idioteque" received radio play, and a series of "blips", or short videos set to portions of tracks, were played on music channels and released freely on the Internet. The band had read Naomi Klein's anti-globalisation book ''No Logo'' during the recording, and they decided to continue a summer 2000 tour of Europe later in the year in a custom-built tent free of advertising; they also promoted ''Kid A'' with three sold-out North American theatre concerts.

''Kid A'' received a Grammy Award for Best Alternative Album and a nomination for Album of the Year in early 2001. Yet it won both praise and criticism in independent music circles for appropriating underground styles of music, while some mainstream British critics saw ''Kid A'' as a "commercial suicide note", labelling it "intentionally difficult" and longing for a return to the band's earlier style. Radiohead's fans were similarly divided; along with those who were appalled or mystified, there were many who saw the album as the band's best work. Yorke, however, denied that Radiohead had set out to eschew commercial expectations, saying, "I was really, really amazed at how badly [''Kid A''] was being viewed ... because the music's not that hard to grasp. We're not trying to be difficult ... We're actually trying to communicate but somewhere along the line, we just seemed to piss off a lot of people ... What we're doing isn't that radical."

''Amnesiac'', released in June 2001, comprised additional tracks from the ''Kid A'' recording sessions. Radiohead's musical style on these songs was similar to that of ''Kid A'' in their fusion of electronic music and jazz influences, though more reliant on the use of guitars. The record was a critical and commercial success worldwide, it topped the UK Albums Chart and reached number two in the US, being nominated for a Grammy Award and the Mercury Music Prize. After ''Amnesiac'''s release, the band embarked on a world tour, visiting North America, Europe and Japan. Meanwhile, "Pyramid Song" and "Knives Out", Radiohead's first issued singles since 1998, were modestly successful, and "I Might Be Wrong", initially planned as a third single, expanded into Radiohead's thus far only live record. ''I Might Be Wrong: Live Recordings'', released in November 2001, featured performances of seven songs from ''Kid A'' and ''Amnesiac'' along with the acoustic, previously unreleased "True Love Waits".

''Hail to the Thief'' and departure from EMI (2002–04)

During July and August 2002, Radiohead toured Portugal and Spain, playing a number of newly written songs. They then recorded the new material in two weeks in a Los Angeles studio with Nigel Godrich, adding several tracks later in Oxford, where the band continued their work into the next year. Radiohead members described the recording process as relaxed, in contrast to the tense sessions for ''Kid A'' and ''Amnesiac''. The band's sixth album, ''Hail to the Thief'', was released in June 2003. Mixing sounds from throughout their career, ''Hail to the Thief'' combined guitar-based rock with electronic influences and topical lyrics by Yorke. Although the album was critically praised, many critics felt that Radiohead were treading water creatively rather than continuing the "genre-redefining" trend that ''OK Computer'' had begun. Nevertheless, ''Hail to the Thief'' enjoyed commercial success, debuting at number one in the UK and number three on the ''Billboard'' chart and eventually being certified platinum in the UK and gold in the US. The album's singles, "There There", "Go to Sleep" and "2 + 2 = 5", achieved a level of play on modern rock radio. At the 2003 Grammy Awards, Radiohead were again nominated for Best Alternative Album, while producer Godrich and engineer Darrell Thorp received the Grammy Award for Best Engineered Album.

Yorke denied that ''Hail to the Thief'''s title was a comment on the controversial 2000 US presidential election, explaining that he first heard the words in a BBC Radio 4 discussion of 19th century American politics. Yorke said his lyrics had been affected by news reports of war in 2001 to 2002 and "the feeling that we are entering an age of intolerance and fear where the power to express ourselves in a democracy and have our voices heard is being denied us" but said, "[Radiohead] didn't write a protest record, we didn't write a political record." After the release of ''Hail to the Thief'', Radiohead embarked in May 2003 on a world tour, including a headlining performance at the Glastonbury Festival. The tour finished in May 2004 with a performance at the Coachella Festival. During their tour, the band released ''COM LAG'', an EP compiling most of their b-sides from the time. Following their tour, the band began writing and rehearsing in their Oxford studio but soon went on hiatus. Free of their label contract, Radiohead spent the remainder of 2004 resting with their families and working on solo projects.

''In Rainbows'' and "pay what you want" (2005–08)

Radiohead's seventh album, ''In Rainbows'', was released through the band's own website in October 2007 as a digital download for which customers could make whatever payment that they deemed appropriate (Pay what you want), including paying nothing at all; the site only advised, "it's up to you". Following the band's sudden announcement 10 days beforehand, Radiohead's unusual strategy received much notice within the music industry and beyond. 1.2 million downloads were reportedly sold by the day of release, but the band's management did not release official sales figures, claiming that the Internet-only distribution was intended to boost later retail sales. Colin Greenwood explained the Internet release as a way of avoiding the "regulated playlists" and "straightened formats" of radio and TV, ensuring fans around the world could all experience the music at the same time, and preventing leaks in advance of a physical release. A "discbox", including a second disc from the recording sessions, vinyl and CD editions of the album, and a hardcover book of artwork, was also sold and shipped in late 2007.

''In Rainbows'' was physically released in the UK in late December 2007 on XL Recordings and in North America in January 2008 on TBD Records, charting at number one both in the UK and in the US. The record's success in the US marked Radiohead's highest chart success in that country since ''Kid A'', while it was their fifth UK number one album. ''In Rainbows'' sold more than three million copies within one year of release. ''In Rainbows'' also received extremely positive reviews, among the best of Radiohead's career; critics praised the album for having a more accessible sound and personal style of lyrics than their past work. The album was nominated for the short list of the Mercury Music Prize, and went on to win the 2009 Grammy Award for Best Alternative Music Album. Their production team won the Grammy for Best Boxed or Special Limited Edition Package, while Radiohead received their third nomination for Album of the Year. Along with three other nominations for the band, Godrich's production work and the "House of Cards" music video also received nominations.

Radiohead released a number of singles from ''In Rainbows'' in support of the album; "Jigsaw Falling into Place", the first, was released in the UK in January 2008. The second single, "Nude", debuted at number 37 in the ''Billboard'' Hot 100, Radiohead's first song to make that chart since 1995's "High and Dry" and their first top 40 hit in the US since "Creep". Radiohead continued to put out tracks from ''In Rainbows'' as singles and videos; in July a digitally shot video for "House of Cards" was made available. "House of Cards", along with "Bodysnatchers", also received a single release on radio. In September the band announced a fourth single, "Reckoner", and a remix competition similar to one organised for "Nude". A greatest hits album, titled ''Radiohead: The Best Of'', was released by EMI in June 2008. The compilation was made without the input of the band and also did not contain any songs from ''In Rainbows'', as the band had already left their label. Yorke expressed his disapproval on behalf of Radiohead: "We haven't really had any hits so what exactly is the purpose? ... It's a wasted opportunity in that if we'd been behind it, and we wanted to do it, then it might have been good." From mid-2008 to early 2009, Radiohead toured North America, Europe, Japan, Mexico and South America to promote ''In Rainbows''. The band headlined the Reading and Leeds Festivals in August 2009.

''The King of Limbs'' and independent work (2009–present)

In a mid-2009 ''NME'' interview, Yorke suggested that Radiohead would turn their focus from full length albums to releasing EPs, including the possibility of an EP of orchestral music. In December that year, O'Brien stated on Radiohead's website that the band would begin work on their next album in January, "The vibe in the camp is fantastic at present, and we head off into the studio in January to continue on from the work we started last summer...10 years ago we were all collectively (that’s the band) in the land of ''Kid A''... and although hugely proud of that record, it wasn’t a fun place to be...What's reassuring now, is that we are most definitely a different band, which should therefore mean that the music is different too and that is the aim of the game." In an interview with BBC 6 Music in June 2010, Ed O'Brien made similar comments, that Radiohead were "in the heart of [recording] now". O'Brien also said the band hoped to be able to release the record by the end of the year. In September 2010, Colin Greenwood mentioned that they had just finished a new set of songs and "have begun to wonder about how to release them in a digital landscape that has changed again". Phil Selway added later that month that the band will "take stock" of the new material and said that it is all "up in the air".

In January 2010, while Radiohead members were in Los Angeles to record, the band played their only gig of the year as a benefit for Oxfam. Tickets were auctioned to the highest bidders, allowing the show at L.A.'s Henry Fonda Theater to raise over half a million US dollars for the NGO's work in Haiti, which earlier that month had been hit by a devastating earthquake. A group of fans edited together digital video taken by attendees to make a multi-camera document of the concert, which they made available through YouTube and torrents in December 2010, with the band's support and a "pay what you want" link to donate to Oxfam. In 2010, another collective of fans made a not-for-profit video of Radiohead's 2009 Prague concert and distributed it freely online, with soundboard audio provided by the band. ''Live in Praha'' and ''Radiohead for Haiti'' were reviewed by mainstream media and were described as examples of the band's openness to fans and their positivity toward non-commercial forms of Internet distribution.

Radiohead's eighth album, ''The King of Limbs'', was digitally released in February 2011 through the band's web site. The announcement of the album on Valentine's Day was followed by the Internet release four days later, along with a music video for the song "Lotus Flower". ''The King of Limbs'' was released in CD, vinyl and standard download formats in March, and in a "newspaper album", which included art, writings, and a CD as well as vinyl edition of the record, in May. In March, to coincide with the retail release of the album, the band also issued "The Universal Sigh", a different edition of the custom newspaper, featuring poetry, stories, essays, lyrics, and art, for which the band employed people to distribute it free in the centre of select cities throughout the world. On its commercial release ''The King of Limbs'' charted at number six in the United Kingdom, becoming the band's first album since ''The Bends'' not to debut at number one in the UK. In the United States it reached number three, on par with the band's last major label release, 2003's ''Hail to the Thief''. In July 2011 ''The King of Limbs'' vinyl edition was reported to be the best-selling vinyl of the year so far by a large margin, and Radiohead were credited with helping an ongoing surge in vinyl sales.

There were no physical singles, apart from remixes, released from ''The King of Limbs'', marking it as the only Radiohead album besides ''Kid A'' without singles. However, "Lotus Flower" charted in a number of countries due to digital sales or radio airplay, and manipulations of its video, featuring Thom Yorke dancing to different songs, became a popular Internet meme. On 16 April 2011, Radiohead released a single on vinyl, "''Supercollider / The Butcher''", for Record Store Day. The band revealed that they worked on both songs during sessions for ''The King of Limbs'', but decided they didn't fit on it. "Supercollider," at over seven minutes, is the longest studio-recorded song ever released by Radiohead in any form. Digital files of the songs were made available at no cost to anyone who had already purchased the album on the band's website, and the band uploaded audio of the songs to their YouTube channel. Radiohead also released a series of remixes from ''The King of Limbs'' on various 12" vinyls, with a CD collecting the remixes to be released in the Autumn. Remixers announced so far include Caribou, Jacques Greene, Lone and Four Tet. The band also uploaded each remix as it was released to their YouTube channel and their website for free streaming.

On 21 June 2011, a video of the band performing a new song, "Staircase", was uploaded by the band to YouTube. On 24 June 2011, Radiohead played as a "secret" act at the Glastonbury Festival, where they introduced another new song previously performed by Yorke, "The Daily Mail". The band made their first public performance of many songs from ''The King of Limbs'' at Glastonbury, for which they were joined by a guest member, Portishead touring drummer Clive Deamer. In July 2011, a number of television channels around the world debuted a taped live performance of the ''From the Basement'' series, featuring Radiohead and Deamer performing every song from ''The King of Limbs'', as well as "The Daily Mail" and the previously released live performance of "Staircase".

In August 2011 Phil Selway very briefly discussed Radiohead's touring plans, saying the band had been inspired by their Glastonbury performance and were discussing plans for touring ''The King of Limbs'' more widely, though they had not made any decisions as of yet.

Style and songwriting

Among Radiohead members' earliest influences were Queen and Elvis Costello; post-punk acts such as Joy Division and Magazine; and significantly 1980s alternative rock bands such as R.E.M., Pixies, The Smiths and Sonic Youth. By the mid-1990s, Radiohead began to mention an interest in electronic music, especially that of DJ Shadow, which the band cited as an influence on parts of ''OK Computer''. Other influences on the album were Miles Davis and Ennio Morricone, along with 1960s rock groups, such as The Beatles and The Beach Boys. Jonny Greenwood also cited composer Krzysztof Penderecki as an inspiration on the sound of ''OK Computer''. The electronic style of ''Kid A'' and ''Amnesiac'' was the result of Thom Yorke's admiration for glitch, ambient techno and IDM as exemplified by Warp Records artists such as Autechre and Aphex Twin. The jazz of Charles Mingus, John Coltrane, and Miles Davis, and 1970s Krautrock bands such as Can and Neu!, were other major influences during this period. Jonny Greenwood's interest in 20th century classical music also had a role, as the influence of both Penderecki and composer Olivier Messiaen was apparent; for several songs on ''OK Computer'' and later albums, Greenwood has played the ondes Martenot, an early electronic instrument popularised by Messiaen. While working on ''Hail to the Thief'', Radiohead put renewed emphasis on guitar rock. The Beatles, The Rolling Stones and particularly Neil Young were reported sources of inspiration to the band during this period. Since beginning to record ''In Rainbows'', Radiohead members have mentioned a variety of rock, electronic, hip hop and experimental musicians as influences, including Björk, Liars, Modeselektor and Spank Rock.

Since their formation Radiohead have, lyrically and musically, been spearheaded by Yorke. However, although Yorke is responsible for writing nearly all the lyrics, songwriting is a collaborative effort, and it has been noted in interviews that all the band members have roles in the process. As a result, all the band's songs are officially credited to "Radiohead". The ''Kid A/Amnesiac'' sessions brought about a change in Radiohead's musical style, and an even more radical change in the band's working method. Since the band's shift from standard rock music instrumentation toward an emphasis on electronic sound, band members have had greater flexibility and now regularly switch instruments depending on the particular song requirements. On ''Kid A'' and ''Amnesiac'', Yorke played keyboard and bass, while Jonny Greenwood often played ondes Martenot rather than guitar, bassist Colin Greenwood worked on sampling, and O'Brien and Selway branched out to drum machines and digital manipulations, also finding ways to incorporate their primary instruments, guitar and percussion, respectively, into the new sound. The relaxed 2003 recording sessions for ''Hail to the Thief'' led to a different dynamic in Radiohead, with Yorke admitting in interviews that "[his] power within the band was absolutely unbalanced and [he] would subvert everybody else's power at all costs. But ... it's actually a lot more healthy now, democracy wise, than it used to be."

Collaborators

Band members

Discography

Awards and nominations

References

Sources

Further reading

External links

Category:ATO Records artists Category:English alternative rock groups Category:English electronic music groups Category:Experimental rock groups Category:Capitol Records artists Category:English rock music groups Category:Grammy Award winners Category:Music from Oxford Category:Musical groups established in 1985 Category:Musical quintets Category:Parlophone artists Category:XL Recordings artists Category:Art rock musical groups

Career

2007 - 2009

2010- Present

On June 6, 2011 the two-track self-produced single "Far Nearer"/"Beat For" was released. The song "Far Nearer" was selected Best New Track by Pitchfork Media, and the double A-side single charted at #128 in the UK singles chart. Later the same year, Smith produced the title track off Drake's second album, ''Take Care'', which features pop singer Rihanna. In addition, Smith helped create several reworks for Radiohead's song "Bloom" which were released on a remix album entitled ''TKOL RMX 1234567''.

Discography

''With The Xx''

Solo Work

Singles

Albums

Remixes

References

Category:English record producers Category:Post-dubstep musicians