Arab people, also known as Arabs (, ''ʿarab''), are a panethnicity primarily living in the Arab world, which is located in Western Asia and North Africa. They are identified as such on one or more of genealogical, linguistic, or cultural grounds, with tribal affiliations, and intra-tribal relationships playing an important part of Arab identity in tracing descent of a national from an Arab state.

Etymology

The earliest documented use of the word "Arab" to refer to a people appears in the Monolith Inscription, an Akkadian language record of the 9th century BC Assyrian Conquest of Syria. Listed among the booty captured by the army of king Shalmaneser III in the Battle of Qarqar are 1000 camels of "Gi-in-di-bu'u the ar-ba-a-a" or "[the man] Gindibu belonging to the ''ʕarab''" (''ar-ba-a-a'' being an adjectival nisba of the noun ''ʕarab'').

The most popular Arab account holds that the word 'Arab' came from an eponymous father called Yarab, who was supposedly the first to speak Arabic. Al-Hamdani had another view; he states that Arabs were called GhArab (West in Semitic) by Mesopotamians because Arabs resided in Western Mesopotamia; the term was then corrupted into Arab. Yet another view is held by Al-Masudi that the word Arabs was initially applied to the Ishmaelites of the "Arabah" valley.

The root of the word has many meanings in Semitic languages including "west/sunset," "desert," "mingle," "merchant," "raven" and are "comprehensible" with all of these having varying degrees of relevance to the emergence of the name. It is also possible that some forms were metathetical from "moving around" (Arabic "traverse"), and hence, it is alleged, "nomadic."

Identity

Arab identity is defined independently of religious identity, and pre-dates the rise of Islam, with historically attested Arab Christian kingdoms and Arab Jewish tribes. Today, however, most Arabs are Muslim, with a minority adhering to other faiths, largely Christianity. Arabs are generally Sunni, Shia, or Ismaili Muslims, but currently, 7.1 percent to 10 percent of Arabs are Arab Christians.

Muslim but non-Arab people, who are about 80 percent of the world's Muslim population, do not form part of the Arab world, but instead comprise what is the geographically larger, and more diverse, Muslim World.

Arabic, the main unifying feature among Arabs, is a Semitic language originating in Arabia. From there it spread to a variety of distinct peoples across most of West Asia and North Africa, resulting in their acculturation and eventual denomination as Arabs. Arabization, a culturo-linguistic shift, was often, though not always, in conjunction with Islamization, a religious shift.

With the rise of Islam in the 7th century, and as the language of the Qur'an, Arabic became the lingua franca of the wider Middle East. It was in this period that Arabic language and culture was widely disseminated with the early Islamic expansion, both through conquest and cultural contact.

Arabic culture and language, however, began a more limited diffusion before the Islamic age, first spreading in West Asia beginning in the 2nd century, as Arab Christians such as the Ghassanids, Lakhmids and Banu Judham began migrating north from Arabia into the Syrian Desert, Iraq and the Levant.

In the modern era, defining who is an Arab is done on the grounds of one or more of the following three criteria: Genealogical: someone who can trace his or her ancestry to the tribes of Arabia – the original inhabitants of the Arabian Peninsula – and the Syrian Desert. This was the definition used in medieval times, for example by Ibn Khaldun, but has decreased in importance over time, as a portion of those of Arab ancestry lost their links with their ancestors' motherland. In the modern era, however, DNA tests have at times proved reliable in identifying those of Arab genealogical descent. For example, it has been found that the frequency of the "Arab marker" Haplogroup J1 collapses suddenly at the borders of Arabic speaking countries. Linguistic: someone whose first language, and by extension cultural expression, is Arabic, including any of its varieties. This definition covers more than 300 million people. Certain groups that fulfill this criterion reject this definition on the basis of non-Arab ancestry; such an example may be seen in the way that Egyptians identified themselves in the early 20th century.

Political: in the modern nationalist era, any person who is a citizen of a country where Arabic is either the national language or one of the official languages, and/or a citizen of a country which may simply be a member of the Arab League, thereby having Arabic as an official government language, even if not used by the majority of the population. This definition would cover over 350 million people. It may also be the most contested definition, as it is the most simplistic one. It would exclude the entire Arab diaspora outside of the Arab world and include people who do not identify themselves as Arabs.

The relative importance of these three factors is estimated differently by different groups and frequently disputed. Some combine aspects of each definition, as done by Palestinian Habib Hassan Touma, who defines an ''Arab'' "in the modern sense of the word", as "one who is a national of an Arab state, has command of the Arabic language, and possesses a fundamental knowledge of Arab tradition, that is, of the manners, customs, and political and social systems of the culture." Most people who consider themselves Arab do so based on the overlap of the political and linguistic definitions. Few people consider themselves Arab based on the political definition without also having Arabic as a first or primary language. Thus few Kurds and Baluch identify as Arab, and some Berbers have also rejected the label. Some religious minorities within Western Asia and North Africa who speak Arabic or any of its varieties as their primary community language also may not identify with the Arab identity, most notably the Assyrians and other Syriac Christian communities and the Copts of Egypt.

The Arab League, a regional organization of countries intended to encompass the Arab world, defines an Arab as:

The relation of '''' and '''' is complicated further by the notion of "lost Arabs" '''' mentioned in the Qur'an as punished for their disbelief. All contemporary Arabs were considered as descended from two ancestors, Qahtan and Adnan.

Versteegh (1997) is uncertain whether to ascribe this distinction to the memory of a real difference of origin of the two groups, but it is certain that the difference was strongly felt in early Islamic times. Even in Islamic Spain there was enmity between the Qays of the northern and the Kalb of the southern group. The so-called Sabaean or Himyarite language described by Abū Muhammad al-Hasan al-Hamdānī (died 946) appears to be a special case of language contact between the two groups, an originally north Arabic dialect spoken in the south, and influenced by Old South Arabian.

During the Muslim conquests of the 7th and 8th centuries, the Arabs forged an Arab Empire (under the Rashidun and Umayyads, and later the Abbasids) whose borders touched southern France in the west, China in the east, Asia Minor in the north, and the Sudan in the south. This was one of the largest land empires in history. In much of this area, the Arabs spread Islam and the Arabic culture, Science, and Language (the language of the Qur'an) through conversion and cultural assimilation.

Arab population

The table below shows the number of Arab people, including expatriates and some groups that may not be identified as Arabs.

Arab diaspora

The Arab diaspora is a global diaspora distributed across many continents.

According to the International Organization for Migration, there are 13 million first-generation Arab migrants in the world, of which 5.8 reside in Arab countries. Arab expatriates contribute to the circulation of financial and human capital in the region and thus significantly promote regional development. In 2009 Arab countries received a total of 35.1 billion USD in remittance in-flows and remittances sent to Jordan, Egypt and Lebanon from other Arab countries are 40 to 190 per cent higher than trade revenues between these and other Arab countries.

Central Asia and Caucasus

In 1728, a Russian officer described a group of Sunni Arab nomads who populated the Caspian shores of Mughan (in present-day Azerbaijan) and spoke a mixed Turkic-Arabic language. It is believed that these groups migrated to the Caucasus in the 16th century. The 1888 edition of Encyclopædia Britannica also mentioned a certain number of Arabs populating the Baku Governorate of the Russian Empire. They retained an Arabic dialect at least into the mid-19th century, but since then have fully assimilated with the neighbouring Azeris and Tats. Today in Azerbaijan alone, there are nearly 30 settlements still holding the name ''Arab'' (for example, Arabgadim, Arabojaghy, Arab-Yengija, etc.).

From the time of the Arab conquest of the Caucasus, continuous small-scale Arab migration from various parts of the Arab world was observed in Dagestan influencing and shaping the culture of the local peoples. Up until the mid-20th century, there were still individuals in Dagestan who claimed Arabic to be their native language, with the majority of them living in the village of Darvag to the north-west of Derbent. The latest of these accounts dates to the 1930s. Most Arab communities in southern Dagestan underwent linguistic Turkicisation, thus nowadays Darvag is a majority-Azeri village.

According to the ''History of Ibn Khaldun'', the Arabs that were once in Central Asia have been either killed or have fled the Tatar invasion of the region, leaving only the locals . However, today many people in Central Asia identify as Arabs. Most Arabs of Central Asia are fully integrated into local populations, and sometimes call themselves the same as locals (for example, Tajiks, Uzbeks) but they use special titles to show their Arabic origin such as Sayyid, Khoja or Siddiqui.

Iranian Arab communities are also found in Khuzestan Province.

South Asia

In South Asia descendants of Arabs are known as Ashraf.

History

Pre-Islamic

Semitic origin

There is a consensus that the Semitic peoples originated from Arabian peninsula, deriving the entire population of Mesopotamia from population movements out of ''Jazirat al-Arab'' ("island of the Arabs") – an area between the Red Sea and the Persian Gulf, with Hadramawt its southern perimeter, extending northward up to the area just east of the Dead Sea (Jordan). Early Semitic peoples from the Ancient Near East, such as the Arameans, Akkadians and Canaanites, built civilizations in Mesopotamia and the Levant; genetically, they often interlapped and mixed. Slowly, however, they lost their political domination of the Near East due to internal turmoil and attacks by non-Semitic peoples. Although the Semites eventually lost political control of Western Asia to the Persian Empire, the Aramaic language remained the lingua franca of Mesopotamia and the Levant. Aramaic itself was replaced by Greek as Western Asia's prestige language following the conquest of Alexander III of Macedon.

Early history

The first written attestation of the ethnonym "Arab" occurs in an Assyrian inscription of 853 BCE, where Shalmaneser III lists a King Gindibu of ''mâtu arbâi'' (Arab land) as among the people he defeated at the Battle of Karkar. Some of the names given in these texts are Aramaic, while others are the first attestations of Ancient North Arabian dialects. In fact several different ethnonyms are found in Assyrian texts that are conventionally translated "Arab": ''Arabi, Arubu, Aribi'' and ''Urbi''. Many of the Qedarite queens were also described as queens of the ''aribi''. The Hebrew Bible occasionally refers to ''Aravi'' peoples (or variants thereof), translated as "Arab" or "Arabian." The scope of the term at that early stage is unclear, but it seems to have referred to various desert-dwelling Semitic tribes in the Syrian Desert and Arabia.

Medieval Arab genealogists divided Arabs into three groups:

"Ancient Arabs", tribes that had vanished or been destroyed, such as 'Ad and Thamud, often mentioned in the Qur'an as examples of God's power to destroy wicked peoples.

"Pure Arabs" of South Arabia, descending from Qahtan. The Qahtanites (Qahtanis) are said to have migrated from the land of Yemen following the destruction of the Ma'rib Dam (''sadd Ma'rib'').

The "Arabized Arabs" (''musta`ribah'') of center and North Arabia, descending from Ishmael, the elder son of Abraham. The Book of Genesis narrates that God promised Hagar to beget from Ishmael twelve princes and turn him to a great nation.⁽⁾ The Book of Jubilees, in the other hand, claims that the sons of Ishmael intermingled with the 6 sons of Keturah, from Abraham, and their descendants were called Arabs and Ishmaelites:

Book of Jubilees 20:13 ''And Ishmael and his sons, and the sons of Keturah and their sons, went together and dwelt from Paran to the entering in of Babylon in all the land which is towards the East facing the desert. And these mingled with each other, and their name was called Arabs, and Ishmaelites.''

Ibn Khaldun's ''Muqaddima'' distinguishes between sedentary Muslims who used to be nomadic Arabs and the Bedouin nomadic Arabs of the desert. He used the term "formerly-nomadic" Arabs and refers to sedentary Muslims by the region or city they lived in, as in Egyptians, Spaniards and Yemenis. The Christians of Italy and the Crusaders preferred the term Saracens for all the Arabs and Muslims of that time. The Christians of Iberia used the term Moor to describe all the Arabs and Muslims of that time. Muslims of Medina referred to the nomadic tribes of the deserts as the A'raab, and considered themselves sedentary, but were aware of their close racial bonds. The term "A'raab' mirrors the term Assyrians used to describe the closely related nomads they defeated in Syria.

The Qur'an does not use the word '''', only the nisba adjective ''''. The Qur'an calls itself '''', "Arabic", and '''', "clear". The two qualities are connected for example in ayat 43.2–3, "By the ''clear'' Book: We have made it an ''Arabic'' recitation in order that you may understand". The Qur'an became regarded as the prime example of the '''', the language of the Arabs. The term '''' has the same root and refers to a particularly clear and correct mode of speech. The plural noun '''' refers to the Bedouin tribes of the desert who resisted Muhammad, for example in ayat 9.97, '''' "the Bedouin are the worst in disbelief and hypocrisy".

Based on this, in early Islamic terminology, '''' referred to the language, and '''' to the Arab Bedouins, carrying a negative connotation due to the Qur'anic verdict just cited. But after the Islamic conquest of the 8th century, the language of the nomadic Arabs became regarded as the most pure by the grammarians following Abi Ishaq, and the term , "language of the Arabs", denoted the uncontaminated language of the Bedouins.

Classical kingdoms

Proto-Arabic, or Ancient North Arabian, texts give a clearer picture of the Arabs' emergence. The earliest are written in variants of epigraphic south Arabian ''musnad'' script, including the 8th century BCE Hasaean inscriptions of eastern Saudi Arabia, the 6th century BCE Lihyanite texts of southeastern Saudi Arabia and the Thamudic texts found throughout Arabia and the Sinai (not in reality connected with Thamud).

The Nabataeans were nomadic newcomers who moved into territory vacated by the Edomites – Semites who settled the region centuries before them. Their early inscriptions were in Aramaic, but gradually switched to Arabic, and since they had writing, it was they who made the first inscriptions in Arabic. The Nabataean Alphabet was adopted by Arabs to the south, and evolved into modern Arabic script around the 4th century. This is attested by Safaitic inscriptions (beginning in the 1st century BCE) and the many Arabic personal names in Nabataean inscriptions. From about the 2nd century BCE, a few inscriptions from Qaryat al-Faw (near Sulayyil) reveal a dialect which is no longer considered "proto-Arabic", but pre-classical Arabic. Five Syriac inscriptions mentioning Arabs have been found at Sumatar Harabesi, one of which has been dated to the 2nd century CE.

Late kingdoms

The Ghassanids, Lakhmids and Kindites were the last major migration of non-Muslims out of Yemen to the north.

The Ghassanids revived the Semitic presence in the then Hellenized Syria. They mainly settled in the Hauran region and spread to modern Lebanon, Palestine and East Jordan. The Ghassanids held Syria until the expansion of Islam.

Greeks and Romans referred to all the nomadic population of the desert in the Near East as Arabi. The Romans called Yemen "Arabia Felix". The Romans called the vassal nomadic states within the Roman Empire "Arabia Petraea" after the city of Petra, and called unconquered deserts bordering the empire to the south and east Arabia Magna. The Lakhmids as a dynasty inherited their power from the Tanukhids, the mid Tigris region around their capital Al-Hira they ended up allying with the Sassanid against the Ghassanids and the Byzantine Empire. The Lakhmids contested control of the Central Arabian tribes with the Kindites with the Lakhmids eventually destroying Kinda in 540 after the fall of their main ally Himyar. The Sassanids dissolved the Lakhmid dynasty in 602, being under puppet kings, then under thir direct control.

The Kindites migrated from Yemen along with the Ghassanids and Lakhmids, but were turned back in Bahrain by the Abdul Qais Rabi'a tribe. They returned to Yemen and allied themselves with the Himyarites who installed them as a vassal kingdom that ruled Central Arbia from "Qaryah Dhat Kahl" (the present-day called Qaryat al-Faw) in Central Arabia. They ruled much of the Northern/Central Arabian peninsula, till they were destroyed by the Lakhmid king Al-Mundhir, and his son 'Amr

Islamic

Arab Caliphate

Rashidun Era (632-661) After the death of Prophet Muhammad in 632, Rashidun armies launched campaigns of conquest, establishing the Caliphate, or Islamic Empire, one of the largest empires in history. It was larger and lasted longer than the previous Arab empires of Queen Mawia or the Palmyrene Empire. The Rashidun state was a completely new state and not a mere imitation of the earlier Arab kingdoms such as the Himyarite, Lakhmids or Ghassanids, although it benefited greatly from their art, administration and architecture.

Umayyad Era (661-750)

In 661 Caliphate turned to the hands of the Umayyad dynasty, Damascus was established as the Muslim capital. They were proud of their Arab ancestry and sponsored the poetry and culture of pre-Islamic Arabia. They established garrison towns at Ramla, ar-Raqqah, Basra, Kufa, Mosul and Samarra, all of which developed into major cities.

Caliph Abd al-Malik established Arabic as the Caliphate's official language in 686. This reform greatly influenced the conquered non-Arab peoples and fueled the Arabization of the region. However, the Arabs' higher status among non-Arab Muslim converts and the latter's obligation to pay heavy taxes caused resentment. Caliph Umar II strove to resolve the conflict when he came to power in 717. He rectified the situation, demanding that all Muslims be treated as equals, but his intended reforms did not take effect as he died after only three years of rule. By now, discontent with the Umayyads swept the region and an uprising occurred in which the Abbasids came to power and moved the capital to Baghdad.

Umayyads expanded their Empire westwards capturing North Africa from the Byzantines. Prior to the Arab conquest, North Africa was inhibited by various people including Punics, Vandals and Greeks. It was not until the 11th century that the Maghreb saw a large influx of ethnic Arabs. Starting with the 11th century, the Arab bedouin Banu Hilal tribes migrated to the West. Having been sent by the Fatimids to punish the Berber Zirids for abandoning Shiism, they travelled westwards. The Banu Hilal quickly defeated the Zirids and deeply weakened the neighboring Hammadids. Their influx was a major factor in the Arabization of the Maghreb, Although Berbers would rule the region until the 16th century (under such powerful dynasties as the Almoravids, the Almohads, Hafsids, etc.), the arrival of these tribes would eventually help to Arabize much of it ethnically in addition to the linguistic and political impact on the none-Arabs there. With the collapse of the Umayyad state in 1031 AD, Islamic Spain was divided into small kingdoms.

Abbassid Era (750-1513)

Abbasids let a revolt against the Umayyads and defeated them in the Battle of the Zab effectively ending their rule in all part of the Empire except Al-Andalus. The Abbasids descendants of Muhammad's uncle Abbas, but unlike the Ummayads, they had the support of non-Arab subjects of the Umayyads. where Umayyads treated non-Arabs in contempt. Abbasids ruled for 200 years before they lost their central control when Wilayas begain to fracture, afterwards in the 1190s there was a revival for their power which was put to end by the Mongols who conquered Baghdad and killed the Caliph, members of the Abbasid royal family escaped the massacre and resorted to Cairo, which fractured from the Abbasid rule two years earlier, the Mamluk generals were taking the political side of the kingdom while Abbasid Caliphs were engaged in civil activities and continued patronizing science, arts and literature.

Fractured Entities:

Fatimids

Ayyubid dynasty

Ottoman Caliphate

Arabs were ruled by Ottoman sultans from 1513 to 1922. Ottomans defeated the Mamluk Sultanate in Cairo, and ended the Abbasid Caliphate when they choose to bear the title of Caliph. Arabs did not feel the change of administration because Ottomans modeled their rule after the previous Arab administration systems.

Modern

Arabs in modern times live in the Arab world, which comprises 22 countries. They are all modern states and became significant as distinct political entities after the fall of the Ottoman Empire.

Religion

Arab Muslims are generally Sunni and Shia. Arab Christians generally follow Eastern Churches such as the Coptic Orthodox, Greek Orthodox and Greek Catholic churches and the Maronite church and others how Syrian Orthodox and Chaldean Church most common in Iraq . The Greek Catholic churches and Maronite church are under the Pope of Rome, and a part of the larger worldwide Catholic Church. There are also Arab communities consisting of Druze and Baha'is.

Before the coming of Islam, most Arabs followed a pagan religion with a number of deities, including Hubal, Wadd, Allāt, Manat, and Uzza. A few individuals, the ''hanifs'', had apparently rejected polytheism in favor of monotheism unaffiliated with any particular religion. Some tribes had converted to Christianity or Judaism. The most prominent Arab Christian kingdoms were the Ghassanid and Lakhmid kingdoms. When the Himyarite king converted to Judaism in the late 4th century, the elites of the other prominent Arab kingdom, the Kindites, being Himyirite vassals, apparently also converted (at least partly). With the expansion of Islam, polytheistic Arabs were rapidly Islamized, and polytheistic traditions gradually disappeared.

Today, Sunni Islam dominates in most areas, overwhelmingly so in North Africa. Shia Islam is dominant in southern Iraq and Lebanon. Substantial Shi'a populations exist in Saudi Arabia, Kuwait, northern Syria, the al-Batinah region in Oman, and in northern Yemen. The Druze community, concentrated in Lebanon, Israel, and Syria. Many Druze claim independence from other major religions in the area and consider their religion more of a philosophy. Their books of worship are called Kitab Al Hikma (Epistles of Wisdom). They believe in reincarnation and pray to five messengers from God.

Christians make up 5.5% of the population of the Near East. In Lebanon they number about 39% of the population. In Syria, Christians make up 16% of the population. In British Palestine estimates ranged as high as 25%, but is now 3.8% due largely to the 1948 Palestinian exodus. In West Bank and in Gaza, Arab Christians make up 8% and 0.8% of the populations, respectively. In Iraq, Arab Christians constitute today up 2%, the number dropped after Iraq war. In Israel, Arab Christians constitute 2.1% (roughly 9% of the Arab population). Arab Christians make up 6% of the population of Jordan. Most North and South American Arabs are Christian, as are about half of Arabs in Australia who come particularly from Lebanon, Syria, and the Palestinian territories. One well known member of this religious and ethnic community is Saint Abo, martyr and the patron saint of Tbilisi, Georgia.

Jews from Arab countries – mainly Mizrahi Jews and Yemenite Jews – are today usually not categorised as Arab. Sociologist Philip Mendes asserts that before the anti-Jewish actions of the 1930s and 1940s, overall Iraqi Jews "viewed themselves as Arabs of the Jewish faith, rather than as a separate race or nationality". Also, prior to the massive Sephardic emigrations to the Middle East in the 16th and 17th centuries, the Jewish communities of what are today Syria, Iraq, Israel, Lebanon, Egypt and Yemen were known by other Jewish communities as Musta'arabi Jews or "like Arabs". Prior to the emergence of the term ''Mizrahi'', the term "Arab Jews" was sometimes used to describe Jews of the Arab world. The term is rarely used today. The few remaining Jews in the Arab countries reside mostly in Morocco and Tunisia. From the late 1940s to the early 1960s, following the creation of the state of Israel, most of these Jews fled their countries of birth and are now mostly concentrated in Israel. Some immigrated to France, where they form the largest Jewish community, outnumbering European Jews, but relatively few to the United States. See Jewish exodus from Arab lands.

Urbanization

Dozens of large cities & hundreds of towns reflect pronounced urban character of Arab world; in most of the countries about 40% of people are urban dwellers. All Arab nations suffer from councpicous economical inequalities, especially the concentration of wealth and power in ruling elite. Most are also undergoing severe urbanization stresses as the failing rural economies drive poverty stricken landless peasants to the cities. The growth of modern cities through rural migration has causes serious problems in these urban sectors, including unemployment, housing shortages and, the proliferation of vast slums.

Science

The Islamic Golden Age was inaugurated by the middle of the 8th century by the ascension of the Abbasid Caliphate and the transfer of the capital from Damascus to the newly founded city Baghdad. The Abbassids were influenced by the Qur'anic injunctions and hadith such as "The ink of the scholar is more holy than the blood of martyrs" stressing the value of knowledge. During this period the Muslim world became an intellectual centre for science, philosophy, medicine and education as the Abbasids championed the cause of knowledge and established the "House of Wisdom" (Arabic: بيت الحكمة) in Baghdad. Rival Muslim dynasties such as the Fatimids of Egypt and the Umayyads of al-Andalus were also major intellectual centres with cities such as Cairo and Córdoba rivaling Baghdad.

Culture

Arab culture is a term that draws together the common themes and overtones found in the Arab countries, especially those of the Middle-Eastern countries. This region's distinct religion, art, and food are some of the fundamental features that define Arab culture.

Art

Arabic Art includes a wide range or artistic components, it can be Arabic miniature, calligraphy or Arabesque.

Architecture

Arab Architecture has a deep diverse history, it dates to the dawn of the history in pre-Islamic Arabia. Each of it phases largely an extension of the earlier phase, it left also heavy impact on the architecture of other nations.

Music

Arabic music is the music of Arab people or countries, especially those centered on the Arabian Peninsula. The world of Arab music has long been dominated by Cairo, a cultural center, though musical innovation and regional styles abound from Morocco to Saudi Arabia. Beirut has, in recent years, also become a major center of Arabic music. Classical Arab music is extremely popular across the population, especially a small number of superstars known throughout the Arab world. Regional styles of popular music include Algerian raï, Moroccan gnawa, Kuwaiti sawt, Egyptian el gil and Arabesque-pop music in Turkey.

Literature

Arabic literature spans for over two millennium, it has three phases, the pre-Islamic, Islamic and modern. Arabic literature had contributions by thousands of figures, many of them are not only poets but are celebrates in other fields such as politicians, scientists and scholars among others.

References

;Notes ;Bibliography

Touma, Habib Hassan. ''The Music of the Arabs''. Portland, Oregon: Amadeus P, 1996. ISBN 0-931340-88-8.

Lipinski, Edward. ''Semitic Languages: Outlines of a Comparative Grammar'', 2nd ed., Orientalia Lovanensia Analecta: Leuven 2001

Kees Versteegh, ''The Arabic Language'', Edinburgh University Press (1997)

The Catholic Encyclopedia, Robert Appleton Company, 1907, Online Edition, K. Night 2003: article Arabia

History of Arabic language(1894), Jelsoft Enterprises Ltd.

The Arabic language, National Institute for Technology and Liberal Education web page (2006)

Hooker, Richard. "Pre-Islamic Arabic Culture." WSU Web Site. 6 June 1999. Washington State University.

Owen, Roger. "State Power and Politics in the Making of the Modern Middle East 3rd Ed" Page 57 ISBN 0-415-29714-1

External links

Arab League (Arabic)

Category:Arab Category:Ethnic groups in Asia Category:Ethnic groups in Africa Category:Ethnic groups in the Middle East Category:Muslim communities Category:Ethnic groups in the Arab League Category:Semitic peoples Category:Ancient peoples

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name	Russell Peters
birth name	Russell Dominic Peters
birth date	September 29, 1970
birth place	Brampton, Ontario, Canada
medium	Stand-up, Television, Film, Radio
nationality	Canadian
genre	Satire, Improvisational comedy, Observational comedy
active	1989–present
subject	Racism, Race relations, Stereotypes, Multiculturalism, Indian culture
influences	George Carlin, Steve Martin, Cheech and Chong, Don Rickles, Eddie Murphy
signature	Russell Peters Autograph.svg
website	RussellPeters.com
spouse	Monica Diaz (2010–present) 1 child }}

Russell Dominic Peters (born September 29, 1970) is a Canadian comedian, actor and disc jockey. He began performing in Toronto in 1989 and has been nominated for four Gemini Awards.

Early life

Russell Peters was born in Brampton, Ontario, Canada to Eric and Maureen Peters. His family is of Anglo-Indian ancestry and is Catholic. His father was born in Pune, India and worked as a federal meat inspector and his mother was born in Calcutta, India. He has an older brother named Clayton who was born in Calcutta.

He went to Georges Vanier Catholic Elementary School from kindergarten to grade 8, Bramalea Secondary School for grades 9–10, and North Peel Secondary School for grades 11–12 in Brampton.

Career

Peters began performing in Toronto in 1989. He has since also performed in the United States, United Kingdom, Australia, mainland China, Hong Kong, Iran, Denmark, South Africa, the Caribbean, Vietnam, New Zealand, Mexico, Sri Lanka, Sweden, India, United Arab Emirates, Bahrain, Jordan, Norway , Lebanon, London, Pakistan and Trinidad among other places.

He hosted the Canada Day Comedy Festival 2006. His comedy special ''Russell Peters: Outsourced'', aired on Comedy Central on August 16, 2006. The DVD version features his uncensored performance. The DVD has been popular, especially in Canada, selling over 100,000 copies. ''Outsourced'' remained on the National DVD Chart over one and a half years after release.

In September 2008, it was confirmed that Peters made a deal with Fox to develop a new sitcom, based on his experience in Canada. Peters says, "It's really a snapshot of where my family maybe was ten years ago" and he ensures that the sitcom is "Something that will be funny and honest." Peters participated in a USO tour of Iraq, Afghanistan, Germany, Africa and Greenland in November 2007 with Wilmer Valderrama and Mayra Veronica. Peters' latest DVD/CD combo ''Russell Peters: Red, White, and Brown'' was recorded on February 2, 2008, at The WAMU Theatre at Madison Square Garden. Peters and his brother, Clayton Peters, who is also his manager, self-produced and financed ''Red, White and Brown''. It was released in Canada in September 2008 and in the US on January 27, 2009. Peters also currently produces and stars on the radio situation comedy series, ''Monsoon House'', on CBC Radio One.

Peters was the host of the 2008 Juno Awards televised ceremonies in Calgary on April 6, 2008, for which he won a Gemini Award for "Best Performance or Host in a Variety Program or Series". The 2008 awards broadcast received the second-highest ratings ever for the program. He was asked to host the Juno Awards for a second year in a row. The 2009 Juno Awards took place in Vancouver on March 29, 2009.

Between June 2008 and June 2009, Peters earned $10 million, making him one of the highest-paid comedians during that twelve-month period.

Between June 2008 and June 2010, Peters earned $15 million, continuing his run as one of the highest-paid comedians.

On October 26, 2010, Peters released his autobiography, ''Call me Russell'', co - written with his brother Clayton and Dannis Koromilas.

Russell first appeared as a guest on the Joe Rogan podcast on December 17th 2010, episode 63. On June 21st 2011, Russell went onto the Joe Rogan podcast again, this time with Junior Simpson. Joe Rogan was the main host and Brian Redban was the co-host/technician.

Popularity

Peters' popularity extends to several countries. In Canada, Peters became the first comedian to sell out Toronto's Air Canada Centre, with more than 15,000 tickets in two days for the single show. He ended up selling over 30,000 tickets nationally over the two-day sales period. A total of over 60,000 tickets were sold across six cities. In Sydney, Peters had a record breaking audience of 13,880, making the event the largest stand-up comedy show in Australian history He broke a UK comedy sales record at London's O2 arena when he sold over 16,000 tickets to his show on February 14, 2009 . Peters attributes his sudden widespread popularity to a stand-up performance he did on the Canadian TV comedy series ''Comedy Now!'' that was uploaded onto YouTube and became viral. While the initial video upload featured his performance in its 45 minute entirety, subsequent videos uploaded by other YouTube users were snippets of that performance, chopped into each of the cultural groups he targeted. According to Peters, those snippets made their way to those specified cultural groups, and were well received by them.

Comedy

Russell Peters' stand-up performances are mostly made up of observational comedy where he uses humor to poke fun at the subjects of race, class and culture, often using his own life experiences as well as impersonations of different cultural accents to illustrate his act. Russell Peters uses his minority status to allow him to poke fun at different races in his performance, but according to an interview done for ''The National'', he does not intend to put down or offend different races and cultures, but instead tries to raise them up through humor. For example: "Somebody gonna get a hurt real bad".

Personal life

Peters proposed to girlfriend Monica Diaz García on July 10, 2010 at the Los Angeles International Airport. He announced the engagement via Twitter. The couple married on August 20, 2010 at A Little White Wedding Chapel in Las Vegas. The wedding was attended by about 20 guests, including an Elvis impersonator. Peters and Diaz had their first child, a girl, due February 23, 2011. When announcing the pregnancy, Peters told The Canadian Press, "Did I get married because she was knocked up? I would say that expedited it." His daughter was born two and a half months early,on December 14, 2010, but was healthy as Peters stated on his Twitter. She was given the name Crystianna Marie Peters.

Awards and recognition

He has been nominated for four Gemini Awards, the Canadian television awards. He has also been nominated for Best Male Comic at the Canadian Comedy Awards. Peters has been featured at such shows as Montreal's Just for Laughs (Juste pour rire) Comedy Festival, the Winnipeg Comedy Festival, and the Edinburgh Festival.

On June 28, 2011 it was announced that Peters will receive a star on Canada's Walk of Fame and will be inducted on October 1 at Elgin Theatre in Toronto.

1997 – Nomination for the Gemini Award in the category "Best Individual Performance in a Comedy Program or Series". This was for ''Show Me The Funny'', from the TV-series ''Comics!'' (1997)

2004 – Nomination for a Gemini Award for his Comedy Now! special.

2008 – Nomination for a Gemini Award for hosting The Junos.

2008 – Winner of a Gemini Award for 'Best Performance or Host in a Variety Program or Series'.

Filmography

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Notable roles played

Peters has appeared in a few films, most recently ''Senior Skip Day'' also starring Larry Miller, Tara Reid, and Gary Lundy. Besides this, he has also had short appearances in the 1994 film ''Boozecan'' as Snake's Friend, the 1999 film ''Tiger Claws III'' as Detective Elliott, the 2004 film ''My Baby's Daddy'' as the obstetrician, the 2006 film ''Quarter Life Crisis'' as Dilip Kumar, the 2007 film ''The Take'' as Dr. Sharma, and the 2008 film ''Senior Skip Day'' as Uncle Todd.

Peters is scheduled to star as "Pervius" in ''National Lampoon's The Legend of Awesomest Maximus'' he is also going to appear in a CBC movie entitled 'Breakaway'. He also acted in Duncan Jones's movie ''Source Code'' as Max, an amateur comedian with a bad attitude. ;Acting roles – television

"Comics Without Borders" (2008)

Russell Peters: Red, White and Brown (2008)

Senior Skip Day/High School's Day Off (Australia title) (2008)- Uncle Todd

;Appearances on television

"Lopez Tonight" - Himself (February 2, 2010)

"The Late Late Show with Craig Ferguson" – Himself (2009)

"The 9th Annual Canadian Comedy Awards" (2008)- Himself (Winner – Best Large Venue Stand-up)

"CBC News: The Hour" .... Himself – Episode dated 18 September 2008 (2008) TV episode .... Himself

"The Tonight Show with Jay Leno" – Himself – Episode dated 15 February 2008 (2008)

"Def Comedy Jam" – Episode #8.4 (2008) TV episode – Himself/Comedian

"Pulse: The Desi Beat" – Episode #1.9 (2007) TV episode – Himself

"Video on Trial" – Episode #3.3 (2007) TV episode – Himself

"Comics Unleashed" – Episode #1.6 (2009) TV episode- Himself

The 4th Annual Canadian Comedy Awards (2003) – Himself

The 5th Annual Canadian Comedy Awards (2004) – Nominee (Male Stand-up)

MTV Cribs (Where he featured on two different episodes)

;Self

Heckler (2007)

Let's All Hate Toronto (2007)

References

Further reading

External links

Official website

Russell Peters at Facebook

Russell named first Toronto ambassador

Category:1970 births Category:Actors from Ontario Category:Anglo-Indian people Category:Canadian expatriates in the United States Category:Canadian film actors Category:Canadian Internet personalities Category:Canadian people of Indian descent Category:Canadian radio actors Category:Canadian Roman Catholics Category:Canadian stand-up comedians Category:Gemini Award winners Category:Living people Category:People from Brampton

de:Russell Peters es:Russell Peters hi:रसेल पीटर्स it:Russell Peters kn:ರಸ್ಸೆಲ್ ಪೀಟರ್ಸ್ nl:Russell Peters ro:Russell Peters simple:Russell Peters ta:ரசல் பீட்டர்சு zh:罗素·彼得斯

bgcolour	orange
name	Nicola Formichetti
birth date	May 31, 1977
birth place	Tokyo, Japan
field	fashion direction, editing, design,creative direction, art direction
awards	2010 Isabella Blow Award
website	}}

Nicola Formichetti (; born 31 May 1977) is an internationally prolific fashion director and fashion editor of mixed Italian and Japanese heritage. He is most widely known as the new creative director for the French fashion house MUGLER, and for being a frequent collaborator with singer-songwriter and performance artist Lady Gaga. Formichetti is also known as fashion director of ''Vogue Hommes Japan'', is a contributing editor of several other fashion magazines, and is fashion director for the clothing company Uniqlo. In November 2010 he was named one of the "most influential creative forces working in fashion today." The following month he was awarded the Isabella Blow Award for Fashion Creator at the 2010 British Fashion Awards.

Early life

The son of a Japanese stewardess and an Italian pilot, Formichetti was born in Japan and grew up in Rome and Tokyo, attempting to assimilate in both cultures. As a child he trained as a classical pianist (and still plays for relaxation). But moving to London became his great desire and he used the excuse of attending an architecture school to which he was accepted in order to get there. Formichetti has explained that instead of attending he "literally walked in the front door of the architecture school and then ran out of the back one to go clubbing for three years." He became a student of the nightlife and street fashions, and began working at a fashionable boutique called 'The Pineal Eye' where he would become art director and head buyer for two years.

Career

While working at 'The Pineal Eye' Formichetti was spotted by fashion editor Katy England and she offered him a monthly page at ''Dazed & Confused'' called "Eye Spy," and after being named the magazine's fashion director in 2005 would eventually be promoted to become its creative director 2008. His work at ''Dazed & Confused'' led to other fashion magazines, including ''V'', ''Another Magazine'', ''Arena Homme +'', and ''Harper's Bazaar USA''. Among fashion designers he has worked with Kim Jones, collaborating with him on his collections and shows, and has worked with fashion houses such as Dolce & Gabbana, Alexander McQueen, Gareth Pugh, Carri "Cassette Playa" Mundane, Prada, Missoni, Iceberg, and brands such as Nike, Umbro, Puma, Stussy, Topman, H&M;, and Edwin. Among fashion photographers Formichetti has worked with Nick Knight, Hedi Slimane, Terry Richardson, Steven Klein, and Oliviero Toscani, as well as others.

Lady Gaga

2009-2010

His collaboration with Lady Gaga as her stylist, or more appropriately fashion director, began in early May 2009 at a shoot with photographer Sebastian Faena for the July 2009 issue of ''V Magazine'' (''V60''), Formichetti saying that "It was an instant love." This was soon followed by a cover shoot for ''V61'' (September issue) with Mario Testino. The following June he was fashion director for her performance at the 2009 MuchMusic Video Awards, and following that for the majority of Lady Gaga's important performances and appearances in the second half of 2009, including at the 2009 MTV Video Music Awards in September, where she appeared in four dresses by Jean-Paul Gaultier and one by Alexander McQueen, then on ''Saturday Night Live'' in October, where she appeared in a metal orb structure designed by Nazir Mazhar, and later at the Royal Variety Performance in December, where she appeared in a latex dress, by Atsuko Kudo, designed to resemble those worn by Elizabeth I of England, for Gaga's introduction to her namesake Elizabeth II. In the fall she also appeared in the third volume of ''Vogue Hommes Japan'', the editorial titled "Lady Gaga & Araki's Tokyo Love" shot by Nobuyoshi Araki, with the fashion direction naturally by Formichetti. Their first collaboration in a music video together, the immensely successful Bad Romance, directed by Francis Lawrence, would later be voted Video of the Year and then win the Grammy Award for Best Short Form Music Video. In this Gaga appears in several outfits and footwear by Alexander McQueen, reappears in the orb by Nazir Mazhar, as well as in a "diamond crown" outfit by Franc Fernandez, and one by her creative team, the "Haus of Gaga" itself, among other pieces. Formichetti is also credited as stylist for her album ''The Fame Monster'' (shot by Hedi Slimane), and has been fashion director for her sold-out The Monster Ball Tour.

2010

In late January 2010 he was stylist/fashion director for Lady Gaga's music video Telephone, directed by Jonas Åkerlund, which was later released in March. Immediately after this video was filmed came her appearance at the 52nd Grammy Awards (where Gaga performed with Elton John), for which Formichetti was also fashion director. In February he was again for her appearance at the 2010 BRIT Awards, where she dedicated her performance to their friend Alexander McQueen, who had committed suicide only five days earlier. Following their collaboration for several more appearances and performances over the next months came Formichetti's styling for her video Alejandro, directed by his collaborator in the past Steven Klein, and for the associated cover shoot by Terry Richardson for the mid-July issue of ''Rolling Stone''. Her ''American Idol'' performance of "Alejandro" in early May was also styled by Formichetti. Among other projects, next came the styling for Richardson's shoot of Gaga (in a meat bikini) and Nick Knight's shoot of model Jo Calderone (Gaga in "drag") for the fifth volume of ''Vogue Hommes Japan''. Around the same time Richardson shot Gaga as styled by Formichetti for the company Supreme NYC, but the shoot would wait until 2011 to be released both in the Supreme ad campaign and in the French magazine ''Purple''. Knight then photographed her again, styled by Formichetti, for the upcoming September issue of ''Vanity Fair''. In August the three would appear yet again in collaboration for the 30th birthday issue of the magazine ''i-D'' (the shoot itself actually dating from 2009), Formichetti also giving a short interview for the Gaga piece following hers. Then in September came her celebrated appearance, for which he did the styling, at the 2010 MTV Video Music Awards, where she wore (among other outfits) the famous "meat dress" by Franc Fernandez. Also in September the Fall issue of ''V Magazine'' (''V67'') appeared on newsstands, with Gaga, styled by Formichetti and shot by Mario Testino, on the cover with Marc Jacobs.

At the end of 2010 she was named Best-Dressed of the Year by ''Vogue''.

2011

After several months largely out of the spotlight (except on tour) Gaga returned in January 2011 to begin the serious promotion for her upcoming album ''Born This Way'' and Formichetti has been fashion director for the project. The music video for the title track "Born This Way" was directed later in January by Nick Knight, with Formichetti responsible for the styling. In February came her performance at the 53rd Grammy Awards where they collaborated with designer Hussein Chalayan on her appearance and performance. Gaga, interested in the concept of rebirth, sent Formichetti a picture of a human embryo, and he was first inspired to create, as he told her, "egg [shaped] shoes—like you were born that way, with eggs as feet." She took the idea further, resulting in the egg or "vessel" (designed by Chalayan) in which she was carried down the red carpet and later onto the stage, hatching out in a yolk-coloured latex outfit to perform her new single "Born This Way". She was wearing, as he tweeted, "Mugler by Nicola Formichetti." A "Born This Way"-associated shoot called "Alien Excess" done in January by photographer Mariano Vivanco for the Spring 2011 (March) issue of ''i-D'' features Gaga in a latex coat from the new Mugler menswear collection, with Formichetti responsible for the styling. A shot from the same session with Vivanco, but with different styling, also by Formichetti, appeared on the cover of ''Billboard'' in February.

He has also done Gaga's styling (shot by Nick Knight) for her as spokesperson for the MAC VIVA GLAM Campaign of the MAC AIDS Fund. A new project called "The Masterpiece" has been announced in which Formichetti will collaborate with her for MAC to create a "wearable piece of art" composed of the profile photos of fans who join the campaign.

MUGLER

After months of rumours, in September 2010 Formichetti was announced as the new creative director for the Parisian fashion house founded by the celebrated designer Thierry Mugler (who has largely retired from the business), which he has renamed to MUGLER. He has said that it was in fact Lady Gaga who persuaded him to go for the job, when they were looking through pieces from the Mugler archive when shooting the video for "Telephone". At MUGLER Formichetti oversees designers Sébastien Peigné for womenswear and Romain Kremer for menswear. Joël Palix, director general of the company, said "We were looking for a young talent who could really bring energy to the brand... Nicola is a multiculural, techno-savvy expert involved in fashion, communication, image and entertainment. He and the appointed talented designers will represent a new direction for French fashion."

Menswear

The menswear, a collaboration with Romain Kremer, of Formichetti's debut (Fall/Winter) collection "Anatomy of Change" premiered during the Men's Paris fashion week on 19 January 2011. This was accompanied by a video shot by Mariano Vivanco, featuring Formichetti's new muse, the full-body tattooed Canadian model Rick Genest, and by a remix by Lady Gaga, as musical director for the menswear project, of a new track ("Scheiße") from her upcoming album ''Born This Way''. The clothes, worn by Rico Genest and other models on the runway, recall those by Mugler himself from earlier decades, in such ways as the use of the colours navy blue and bright orange, or "hyper-modern"-style jackets lacking lapels. The collection also features some not-so-conventional latex pieces such as biker jackets, gloves, and even latex trousers. On the overall vision, Cathy Horyn of ''The New York Times'' describes Formichetti creating a "mechanical man" in the tradition of Mugler's fantastical woman, yet Adam Tschorn of the ''Los Angeles Times'' found plenty of the pieces surprisingly wearable. Formichetti himself says on the collection "I want to say something that has the past and the future, but what is really important to me is the present." Returning to Rico Genest, it was his discovery by Formichetti and then Gaga's urging which actually resulted in the menswear show, something not originally planned. Genest's discovery also influenced the collection itself. The show was streamed live from Paris on the Internet.

Genest can be seen styled in MUGLER by Formichetti and shot by Mariano Vivanco in the sixth volume of ''Vogue Hommes Japan'', the editorial being titled "Hard To Be Passive". In the Spring/Summer 2011 issue of ''GQ Style'' (UK) Formichetti is interviewed on the future of the brand, with Genest (also interviewed) shot in MUGLER by Karim Sadli for the editorial.

Womenswear

On March 2 the womenswear, a collaboration with Sébastien Peigné, premiered. Lady Gaga was again musical director, previewing the track "Government Hooker" from her upcoming album as well as including the already released title track "Born This Way" in the soundtrack. But this time she actually performed on the runway in person for Formichetti's show, modelling pieces from his collection, called "Anatomy of Change Femme – Mode Sans Frontiers." Additionally, Rick Genest from the menswear collection made a reappearance on the runway among the models. The reaction of critics to the clothes was generally similar to their reaction to the menswear two months previously. Formichetti offers a silhouette in the Mugler tradition, "minimally rendered" as described by Cathy Horyn, and with sculptured shoulders (for the appropriate pieces), Alex Fury of SHOWstudio.com describing them as "architectonic". For the show Formichetti employed Rein Vollenga to contribute sculptural elements to the silhouette, Atsuko Kudo skin-like items of torn-up latex, and Franc Fernandez for Gaga's two hats. She herself gave input for the collection, associated with her ''Born This Way'' projects and performances, but is not financially involved with Formichetti's MUGLER. As he says, "It's just friends helping each other... I think when you start talking about money, it stops the whole creative process for me."

Although there was worry it might, Gaga's appearance did not prevent Formichetti's audience from noticing the clothes, variously described as "shiny and sexy", and "taut and futuristic", or like the menswear "surprisingly wearable", in particular the jackets and dresses. He chose to go mainly with the colours black, white, electric/royal blue, and beige. The set he designed for the show was composed of clustered columns from which rose arches to form a structure resembling the long central interior of a Gothic Cathedral, the nave and its flanking aisles, through which the models, Genest and finally Gaga strutted. While it was found by critics among Formichetti's audience who were physically present at the show that both the architecture and lighting made it difficult to properly see the collection, the performance was as much or more for the millions around the world watching it streamed live on the Internet, like the menswear collection, but this time on the brand's Facebook page, and featuring forty five minutes live behind the scenes preshow. In fact he believes the future of the brand is a digital one, Formichetti saying "I design digitally, I communicate digitally, and I live digitally, and I wanted to incorporate that into the brand." For him Gaga's performance fits in the "new Mugler world", a "fantasy world" fusion of high fashion and pop with an existence both real and digital. The performance continued with her wearing a leopard print see-through catsuit from his collection out on a Paris street and into the celebrated restaurant Maxim's for the afterparty.

Vogue Hommes Japan

Uniqlo

MAC

In addition to his collaboration with Lady Gaga for the MAC VIVA GLAM Campaign, Formichetti has styled Irina Lazareanu, shot by Miles Aldridge, for MAC's ''Quite Cute'' collection.

Philosophy and influence

In the fifth volume of ''Vogue Hommes Japan'', Lady Gaga had the following to say about what she and Formichetti desire for the future of fashion:

Formichetti has repeatedly declared he is "not an elitist" in fashion, instead wanting to share what he does with everyone, using the Internet for this purpose. Like Gaga, who has inspired him to do so, he also interacts with and is inspired by his followers, and usually works in collaboration with others. He sees himself not as a "stylist", which term he rejects, but rather as an art director "whose job it is to create moods, oversee an overall image." As he further told ''Vice'':

His influence is varied. Before his MUGLER collections even premiered he was ranked the most influential stylist in the world (even if he dislikes the term), in no small part because of the enormous volume of his fashion magazine work, including making ''Vogue Hommes Japan'' "the most powerful Japanese-language publication in the global fashion industry", and because of his consulting for a number of fashion houses and other brands. It is with and through Lady Gaga as her fashion director, however, that Formichetti's influence on culture is greatest. Previously the role and influence of stylists was more limited, and while others have become designers, he is the first to take control of a major fashion house, interpreted as the most prominent example of a stylist becoming a power broker within the industry. Formichetti's eclectic selection for the avant-garde Gaga of pieces from designers ranging vastly from the great, such as Giorgio Armani, to the obscure, has influenced what has been described as a "cultural phenomenon" of imitation, extending even into "provincial backwaters".

He frequently meets and is very hopeful for many younger talents who are interested in fashion today.

References

External links

Official Website

Blog (for fashion credits)

MUGLER

Vogue Hommes Japan

Uniqlo

VivaGlam

Models.com

Gaga Fashionland (in-depth fashion credits and interviews)

Category:1977 births Category:People of Italian descent Category:People of Japanese descent Category:Magazine editors Category:People in fashion Category:Costume designers Category:Lady Gaga Category:Living people

id:Nicola Formichetti it:Nicola Formichetti mk:Никола Формичети