Monday, May 21, 2012

May's Picks

1. KILBURN & THE HIGH ROADS-"Billy Bentley"
I stumbled upon these guys back when "Mojo" did a roots of punk CD about 6-7 years ago (after seeing their PRT 10" floating around for all of 25-30 years and thinking they looked sorta cool on the sleeve).  I went whole hog on these guys shortly after investigating further, much to the determent of Madness, who owe pretty much 85% of their early sound to these guys!

2. FIRST CREW TO THE MOON-"The Sun Lights Up The Shadows Of Your Mind"
You can fill a paper cup with what I know about U.S. 60's music as I've been into the English thing since before I can remember so every now and then I hear a track by a U.S. 60's band that is not only new to my ears but blows me away.  I heard this on a freebie "Mojo" magazine CD (unlike the shit ones they've been doing the past five years or so...an entire CD of no name cover versions of tunes from "Smile" REALLY?!?) of U.S. 60's garage/psych tracks called "I Can See For Miles" and it's a perfect mix of Farfisa propelled garage punk tainted with the technicolor hand of L.S.D.

3. THE STRANGLERS-"English Towns"
"There is no love inside of me, I gave it to a thousand girls...". Good old Stranglers, one of the brilliant sides on "No More Heroes", setting them above the pretty much nil talent, New York Dolls aping and gobbing safety pin crowd.

4. THE TASMANIANS-"Baby"
I've no idea who these guys were and I've dug this track since 1985 when I first heard it on a cassette of one of the Red Rooster's 60's radio shows called "Mod Mondays" from WNYU, I'm 100% sure they're American.  Primal garage punk with all the ingredients.

5. CAROLE KING-"Pleasant Valley Sunday"
I was in Barnes & Noble last week browsing and I heard what I thought was The Mamas and The Papas covering "Pleasant Valley Sunday", thanks to Shazam on my smartphone I found out it was actually Carole King's demo, and I still liked it!

6. THE TROGGS-"When Will The Rain Come"
"Cellophone" was The Troggs 3rd U.K. album and bore fruit that didn't necessarily include their usual 3 chord Kinks formula, like this hypnotic near raga sung by their drummer, the late Ronnie Bond.

7. GENE CLARK-"I Found You"
Back in the mid 80's when Edsel reissued "Gene Clark with The Gosdin Brothers" on vinyl I was pretty well steeped in Byrds material and the LP floored me more than anything I'd heard from The Byrds, and still does in some way no doubt aided by amazingly crafted tracks like this one!

8. THE FOUR TOPS-"You Keep Running Away"
All too often I overlook American 60's sounds in my lifelong quest for all things old and British, lucky a certain Sun Dried Sparrow from the U.K. recently shared a CD-R with this brilliant track that I'd never heard before from '67 that is one of the reasons The tops are my fave Motown act: boss vocals, stellar arrangement with strings, horns and baroque harpsichord.  Brilliant!

9. RAY DAVIES-"Stand Up Comic"
Every now and then R.D. pulls off a decent "solo" tune, like this.  I stumbled on this watching a Ray documentary on YouTube and it blew me away with it's "The Cat" meets "One Mint Julep" groove with loads of lad-ish mockery delivered rapid fire, witty, jazzy and of course cleverly. In the 60's Ray wrote about what he saw and sometimes taking the piss at a what he saw, this time it's the rapidly degenerating world (England) that he claims he sees around him in interviews so often with the Chavs and "lad culture" he seems so concerned about.

10. IAN DURY & THE BLOCKHEADS-"Sweet Gene Vincent"
It's Ian Dury month here......."White face, black shirt, black hair, white Strat, Bled white, died black"

And because I can't type, spell or count...

11. ANDY LEWIS-"Barney's Theme"
No let up in this cat's set up: a swanky and soulful instrumental (of sorts if you exclude the only lyrics, a chorus that goes "Hey there everybody dance now, get yourself together..")  that's got it all: horns, muzaky 70's synth solo, Mellotron, loads of happy "ba ba ba's" and a funky Nicky Hopkin's style piano pounding throughout.  Groovy!





Robin Gibb R.I.P.

Saturday, May 19, 2012

Paul Weller In New York City

Paul Weller played an invite only gig in NYC on May 17, 2012 at the former site of CBGB's (where The Jam played in 1977)where he played "In The City" and "Art School":



He then made an appearance on "Jimmy Fallon Live" dusting off "That's Entertainment":

Late Night with Jimmy Fallon - Web Exclusive: Paul Weller (5/17/12) - Video - NBC.com

I'm going to see the Modfather with the lads tonight in the Big Apple.  I think the last time I saw him live was possibly 20 years ago.......more to follow!  I've not gotten my head around "Sonik Kicks" save it's Ultravox "All Stood Still" meets '77 Bowie inspired opener "Green" which you can hear below.

Thursday, May 17, 2012

A Public Service Anouncement

And if you didn't dig that I'll say it once again, louder....


Wednesday, May 16, 2012

Fancy a swim?

Cotchford Farm, one time home of author A.A. Milne and more famously, the last home of the late Dandy in the Underworld himself Brian Jones is up for grabs.

For a cool $3.22 million the Sussex, England 9.5 acre estate can be yours, the pool, the sundial, the Christopher Robin statue (seen getting a kicking above), the living room where Mick, Keith and Charlie said (in the words of Keith in "25 X 5") "Hey cock you're fired" and the groovy wooden dining room complete with original beam that is alleged to have almost flattened Brian's belle du mois, Anna Wholin (seen below making a hasty exit from Cotchford on July 4, 1969) due to faulty workmanship of the builders he hired to repair the place. You can see pics of all of these and more in the link below.

http://curbed.com/archives/2012/05/15/aa-milnes-real-life-house-at-pooh-corner-hits-the-market.php


Interestingly I wonder what sort of person would buy a house like this.  I know I would but how many 60's Rolling Stones/Brian Jones fans have 3 mil and change laying around?  I do recall that during the filming of the Brian Jones biopic "Stoned" Cotchford Farm was to be utilized until the owners at the time (possibly the sellers now?) decided they wanted more dough for the use of their facilities necessitating the producers to recreate Cotchford elsewhere.  Also back in the late 90's some crass individual was selling pieces of the original pool tile in which Brian took his final dip on E-Bay, no idea how many takers there were on that.  I've got a friend who has a brick from the original Stax studio and I've got a pebble from Brighton beach trod on by original 60's mods and rockers but that's a bit too morbid/odd if you ask me.

MICK:"Should we tell him now?"
KEITH: "Nah, lets waitabit ya know wot I meahn? So, wotcha think a th boots maaan?"

Monday, May 14, 2012

Maximum R&B;!

The Who live at the Pier Pavillion, Felixstowe, Suffolk, U.K. September 8, 1966: 1. Heatwave 2. So Sad About Us 3. I'm a Boy 4. Substitute 5. My Generation

Monday, May 7, 2012

Mayall USA Part One

JOHN MAYALL-Jenny/Pictures On The Wall U.S. London 45-20037 1968



















Prior to his legendary LP "Blues Breakers featuring Eric Clapton" John Mayall was not a name anyone in the American record buying public was familiar with. Today's topic was his 10th U.K. single (his 11th if you count the two different issues of "I'm Your Witch Doctor", more on a U.S. pressing of that next), being released in the U.K. as Decca F 12732 in February 1968.  If my estimates are correct "Jenny" was his third U.S. 45. It was not an LP track but harks from the period of his "Bare Wires" LP, his last to bear the "Bluesbreakers" moniker and also the last to feature Peter Green.

The first time I heard "Jenny" it blew me away.  It was almost eerie.  Very bare bones, just guitar with some blues licks overdubbed (by Peter Green).  The eerie part is the echo on it all and Mayall's odd murmurings.  I think it's one of his finest vocal tracks, totally soulful.


May 5, 1968  Zurich, Switzerland
Eric Burdon, Stu Leathwood (Koobas) , Keith Ellis (Koobas), Roy Wood (Move), Jimi Hendrix, Noel Redding, Carl Wayne (Move), John Mayall, Steve Winwood, Trevor Burton (Move) and Roy Morris (Koobas).

"Pictures On The Wall" is too countrified for me.  Maybe it's the dobro, maybe it's the "down on the farm" feel/beat, but it just leaves me cold.

Both tracks are available as bonus cuts on the Cd reissue of Mayall's 1968 LP "Bare Wires".

Hear "Jenny":

http://youtu.be/fjqcicUhm8s