The Scottish Western Isles of the Outer Hebrides are a chain of inter-connected islands, each possessing their own unique character and way of life. The landscapes of these islands vary wildly; from boulder-strewn mountains, shell-sand beaches, flower-covered machair, countless lochs and lochans, vast watery peat bogs, to monuments built by long-forgotten civilizations. The local communities are warm and welcoming - a defining trait of Gaelic island culture. Filmed over five weeks in the Summer of 2019, this film showcases some of the most dramatic environments and landmarks of the islands. Fourteen Hebridean islands are featured here; Vatersay, Barra, Eriskay, South Uist, North Uist, Benbecula, Baleshare, Grimsay, Berneray, Vallay, Lewis, Harris, Scalpay and Great Bernera. Music: Flares - Breathing Fire. Used under license. https://www.flaresmusic.com/ https://www.youtube.com/channel/UC-KrPWOyb7py-csyn4yjfXA https://open.spotify.com/artist/5N3NKmh2h5lZptFlQmFOYA?si=iH23M7rLQTG0WMLeZ9KHig No part of this video should be reproduced without permission. Technical Stuff The climate of the Outer Hebrides can be very changeable which makes filming with a drone quite challenging. More so than normal photography. I was also mostly wild camping, which meant I had no way of regularly recharging batteries. I had to pick and choose my shots with care and make the best of the conditions available to me. The most challenging shots were those of the Callanish standing stones. The site is usually busy with tourists during the day, and I wanted to get shots of the stones, not people! After a week of less than perfect conditions, the rain and cloudy conditions gave way to blue skies and I finally got the early morning shot I wanted. Strangely, the shots which required me to climb a mountain were much simpler. Some shots are less than perfect as weather and lighting conditions are always in flux. Thankfully, I quite enjoy the post-production process. The hyperlapse footage was the most time consuming to correct. Ideally you want very still conditions in order to get the most "fluid" motion. This is impossible when filming on islands where there is almost always a constant breeze. I used Adobe After Effects to stabilise all the hyperlapse segments (mostly frame-by-frame), as well as some of the other footage. It is far from perfect, but I am happy enough with the results. Colour correction and grading is an area I have been trying to perfect. I like to try and keep my colours looking as natural as possible but given the limitations (lighting conditions, the hardware, poorly configured settings...) I have had to do some extensive colour correction. For the most part the colours are real, with a slight boost to contrast and saturation. DJI Mavic 2 Zoom Skyreat ND Lenses Adobe Premiere Pro Adobe After Effects 00:00 - Vatersay 00:10 - Lewis 00:12 - Barra 00:16 - Lewis 00:19 - Barra 00:23 - Baleshare 00:26 - North Uist 00:33 - Lewis 00:40 - Benbecula 00:43 - Harris 00:46 - Lewis 00:50 - South Uist 00:53 - Lewis 00:56 - Vallay 01:00 - Lewis 01:03 - Eriskay 01:07 - South Uist 01:10 - Barra 01:24 - Vatersay 01:27 - Lewis 01:31 - Harris 01:40 - Berneray 01:44 - Baleshare 01:47 - Eriskay 01:50 - Berneray 01:54 - Harris 02:01 - Harris 02:04 - Great Bernera 02:11 - Lewis 02:14 - Barra 02:19 - Lewis 02:33 - Barra 02:45 - Harris 02:48 - South Uist 02:51 - Lewis 02:55 - Scalpay 03:01 - Barra 03:05 - North Uist 03:08 - Harris 03:15 - Grimsay 03:19 - Harris 03:22 - South Uist 03:25 - Lewis

• published: 05 Jul 2020
• views: 21974