name	Jenn Grinels
background	solo_singer
origin	San Diego, California, U.S.
genre	Indie rockAcoustic rockFolk rock
years active	2003–present
label	Unsigned
website	Official website http://www.myspace.com/jenngrinels
current members	Jenn Grinels }}

Jenn Grinels is an American actress, guitarist, singer and songwriter. Originally from Northern California, Grinels settled in San Diego, California after studying musical theater at UC Irvine. Since late 2007 she has toured continuously in support of her album, ''Little Words''.

History

Jenn left her hometown of Cupertino, California to study musical theater at the University of California at Irvine. After graduation, Jenn moved to San Diego and made a living performing in musicals, including performances as Janis Joplin in the 1960s musical ''Beehive'' and as Yitzhak in Hedwig and the Angry Inch before devoting her time to a solo career.

After recording a self titled EP in 2004, Grinels recorded her first full-length album, ''Little Words'', in 2007. The album, along with Jenn's live performances, has received almost universal praise from reviewers and comparisons to well known musicians Fiona Apple, Ani Difranco, and Jewel.

Her song ''Can't Stay Here'' was featured on MTV's Real World/Road Rules Challenge: The Island.

Grinels released her second full-length album, ''Broken Heart Breaker'', in May 2011.

Musical style

Grinels' music is characterized by acoustic guitar and powerful vocals. Her vocal delivery has elements of folk, pop rock, jazz, and blues.

Awards

2007 Honoring Acoustic Talent Award - Best Performer

2007 Honoring Acoustic Talent Award - Best Vocalist

West Coast Songwriters' Song Contest - 2010 APCA Best Female Solo Artist

Discography

''Jenn Grinels'', 2004 EP

''Little Words'', 2007

''Broken Heart Breaker'', 2011

References

Category:Folk musicians Category:American composers Category:American female singers Category:American folk guitarists Category:American singer-songwriters Category:American female guitarists Category:American folk singers Category:Musicians from California Category:People from San Diego, California Category:Living people

name	Jean Michel Jarre
background	non_vocal_instrumentalist
birth date	August 24, 1948
origin	Lyon, France
instrument	Synthesizer, piano, organ, laser harp, accordion, guitar, bass guitar
genre	AmbientNew AgeElectronic rockEarly tranceProgressive house
occupation	Composer, musician, artist, producer
years active	1969–present
label	Disques Dreyfus, Polydor/PolyGram, Epic/SME, Warner Bros., EMI
website	}}

Jean Michel André Jarre (born 24 August 1948 in Lyon) is a French composer, performer and music producer. He is a pioneer in the electronic, ambient and New Age genres, and known as an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks.

Jarre was raised in Lyon by his mother and grandparents, and trained on the piano. From an early age he was introduced to a variety of art forms, including those of street performers, jazz musicians, and the artist Pierre Soulages. He played guitar in a band, but his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.

His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 12 million copies. ''Oxygène'' was followed in 1978 by ''Équinoxe'', and in 1979 Jarre performed to a record-breaking audience of more than a million people at the Place de la Concorde, a record he has since broken three times. More albums were to follow, but his 1979 concert served as a blueprint for his future performances around the world. Several of his albums have been released to coincide with large-scale outdoor events, and he is now perhaps as well known as a performer as a musician.

Jarre has sold an estimated 80 million albums and singles. He was the first Western musician to be allowed to perform in the People's Republic of China, and holds the world record for the largest-ever audience at an outdoor event.

Biography

Early life, influences, and education

Jean Michel Jarre was born in Lyon on 24 August 1948, to composer Maurice Jarre and French Resistance member and concentration camp survivor France Pejot. His father moved to the United States when Jarre was five, leaving him with his mother; the two did not meet again until he was eighteen. For the first eight years of his life, Jarre spent six months of each year at his grandparents' flat along the Cours de Verdun, in the Perrache district of Lyon. Jarre's grandfather was an oboe player, engineer and inventor, designing an early audio mixer used at Radio Lyon. He also gave Jean Michel his first record player. From his vantage point high above the pavement, the young Frenchman was able to watch street performers at work, an experience he later cited as proving influential on his later art.

Jarre struggled with his classical piano studies, although he later changed teachers and worked on his scales. A more general interest in musical instruments was sparked by his discovery at the Saint-Ouen flea market of a Boris Vian Trumpet Violin. He often accompanied his mother to Le Chat Qui Pêche (The Fishing Cat), a friend's Paris jazz club, where saxophonists Archie Shepp and John Coltrane, and trumpet players Don Cherry and Chet Baker were regular performers. These early Jazz experiences suggested to him that music may be "descriptive, without lyrics". He was also influenced by the work of French artist Pierre Soulages, whose exhibition at the Musée d'Art Moderne de la Ville de Paris he attended. Soulages' paintings used multiple textured layers, and Jarre realised that "for the first time in music, you could act as a painter with frequencies and sounds." He was also influenced by more traditional music; in a 2004 interview for ''The Guardian'', he spoke of the effect that a performance of Stravinsky's ''The Rite of Spring'' had upon him:

As a young man he funded his lifestyle by painting, exhibiting some of his works at the Lyon Gallery – ''L'Œil écoute'', and by playing in a band called Mystère IV. While he studied at the Lycée Michelet, his mother arranged for him to take lessons in harmony, counterpoint and fugue with Jeannine Rueff of the Conservatoire de Paris. In 1967 he played guitar in a band called ''The Dustbins'', who appear in the film ''Des garçons et des filles''. He mixed instruments including the electric guitar and the flute, and tape effects and other sounds. More experimentation followed in 1968, when he began to use tape loops, radios and other electronic devices, but joining the Groupe de Recherches Musicales (GRM) in 1969, then under the direction of Pierre Schaeffer ("father" of musique concrète), proved hugely influential. Jarre was introduced to the Moog modular synthesizer and spent time working at the studio of influential German composer Karlheinz Stockhausen in Cologne.

In the kitchen of his flat on ''Rue de la Trémoille'', near the Champs-Élysées in Paris, he set up a small recording studio, which included EMS VCS 3 and EMS Synthi AKS synthesisers, and two linked Revox tape machines. For a 1969 exposition at the ''Maison de la Culture (Cultural House)'' in Reims Jarre wrote the five-minute song "Happiness Is a Sad Song", but his first commercial release came in 1969 with ''La Cage/Erosmachine'', a mixture of harmony, tape effects and synthesisers.

1970s

In 1971 Jarre was commissioned by choreographer Norbert Schmucki to perform a ballet called ''AOR'' (in Hebrew, "light"), at the Palais Garnier. He also composed music for ballet, theatre, advertisements and television programs, as well as music and lyrics for artists like Patrick Juvet and Christophe. Jarre composed the soundtrack for ''Les Granges Brûlées'' and in 1972 wrote music for the International Festival of Magic. That year he also released his first solo album, ''Deserted Palace'', and from 1973–74 wrote music for Françoise Hardy and Gérard Lenorman, as well as directing Christophe's Olympia show.

Jarre's 1976 low budget solo album ''Oxygène'', recorded at his home studio, made him internationally famous. It comprises six numbered synthesiser tracks that make strong use of melody, rather than rhythm or dissonance. A Scully eight-track recorder was used to record instruments like the Eminent 310 (with an Electro-Harmonix ''Small Stone'' phaser on its string pads) and the Korg Minipops drum machine. Liberal use of echo was used on the various sound effects generated by the VCS3 synthesiser.

''Oxygène'' initially proved difficult to sell. Jarre was turned down by several record companies, until another of Schaeffer's students, Hélène Dreyfus, persuaded her husband to publish the album on his label, Disques Motors. The first pressing of 50,000 copies was promoted through hi-fi shops, clubs and discos, and by April 1977 the album had sold 70,000 copies in France. When interviewed in ''Billboard'' magazine, Dreyfus's director Stanislas Witold said "In a sense we're putting most of our bets on Jean Michel Jarre. He is quite exceptional and we're sure that by 1980 he will be recognised worldwide." ''Oxygène'' has since sold an estimated 12 million copies, the best-selling French record of all time. It reached number 2 in the UK, number 65 in Canada and broke the top 100 in the US. It also contains his most recognisable single, "Oxygène IV", which reached number 4 in the UK single charts.

Jarre's follow-up album, ''Équinoxe'', was released in 1978. It was composed with sequencers, particularly on the bass, and features a more baroque and classical style than ''Oxygène'', with more emphasis on melodic development. It was less successful than ''Oxygène'', but the following year Jarre held a large open-air concert on Bastille Day, at the Place de la Concorde. The free outdoor event set a new world record for the largest number of spectators ever at an open-air concert, drawing more than 1 million spectators, with a television audience of over 100 million watching live. The crowds were so large that Jarre's wife, Charlotte Rampling, found it difficult to access the venue. Although it was not the first time he had performed in concert (Jarre had already played at the Paris Opera Ballet), the 40 minute-long event, which used projections of light, images and fireworks, served as a blueprint for Jarre's future concerts. Its popularity helped create a surge in sales—a further 800,000 records were sold between 14 July and 31 August 1979—and introduced the Frenchman to Francis Rimbert, who now works for Jarre on a full-time basis.

1980–1984

By the time ''Les Chants Magnétiques'' was released on 20 May 1981, ''Oxygène'' and ''Équinoxe'' had achieved global sales of about 6 million units. In its first two months the new album sold a reported 200,000 units in France alone. The album uses sounds from the Fairlight CMI, a new instrument of which Jarre was an early pioneer. Its digital technology allowed him to continue his earlier sonic experimentation in new ways.

The album's release coincided with Jarre's first foreign tour. In 1981 the British Embassy gave Radio Beijing copies of ''Oxygène'' and ''Équinoxe'', which became the first pieces of foreign music to be played on Chinese national radio in decades. The republic invited Jarre to become the first western musician to play there, with The Concerts in China. The performances were scheduled to run from 18 October to 5 November 1981. The first, in Beijing, was initially attended mostly by officials, but before the concert began technicians realised that not enough power was available to supply the stage and auditorium. Chinese officials solved the problem by temporarily cutting power to the surrounding districts. The stadium was almost full when the concert began, but as Beijing's buses stopped running at about 10 o'clock, about half the audience left before it finished. To boost the audience attendance for the second night, Jarre and his production team purchased some of the concert tickets and gave them to children on the streets (Jarre originally wanted the concerts to be free, but the Chinese authorities decided to charge between £0.20 and £0.50 per ticket). The event was notable for its lack of audience involvement; the Chinese were apparently nonplussed by both the music and the light show, and applause was muted. The second venue, in Shanghai, was a different matter. Jarre actively encouraged audience participation by stepping into the crowd, which became much more exuberant than that in Beijing. Recordings of the concerts, which featured one of Jarre's signature electronic instruments, the laser harp, were released as a double-disc LP in 1982.

''Musique pour Supermarché'' was created for a planned performance at the "Supermarché" art exhibition. Jarre allowed Radio Luxembourg to broadcast it uninterrupted, in its entirety, before he auctioned off a single vinyl print on 5 July 1983, at the Hôtel Drouot in Paris. The sale raised about 70,000 francs, and in protest at the "silly industrialisation of music", Jarre promised to burn the original tapes in the presence of a bailiff. Parts of the destroyed album were reworked into his next release, ''Zoolook''. It makes heavy use of the Fairlight CMI's ability to sample audio, featuring snippets of words and speech from languages across the globe. Laurie Anderson provided the vocals for the track "Diva". A long list of musicians, including Adrian Belew and Marcus Miller, also made significant contributions. The album was somewhat less successful than Jarre's previous works, reaching only number 47 in the UK album charts.

}}

1985–1989

In 1985 Jarre was invited by the musical director of the Houston Grand Opera to perform a concert celebrating Texas's 150th anniversary. Although he was busy with other projects and was at first unimpressed by the proposal, on a later visit to the city he was immediately impressed by the visual grandeur of the city's skyline, and agreed to perform. 1985 also marked the 25th anniversary of the foundation of the Lyndon B. Johnson Space Center, and Jarre was contacted by NASA to integrate the anniversary into the concert.

''Rendez-Vous'' was created over a period of about two months, and as with ''Zoolook'', contains elements of his 1983 album ''Musique pour Supermarché''. Its three movements represent Houston's development, from a rural economy, to its role as a leader in space technology. Baroque in style, the album uses a mixture of French horns, trombones and violins, and features heavy use of the Elka Synthex, notably so on "Third Rendez-Vous", a track Jarre often performs using a laser harp. Jarre worked with several Houston-based astronauts including Bruce McCandless II, and former Jazz musician Ronald McNair, who was to have played the saxophone on "Rendez-Vous VI", recorded in the weightless environment of space. McNair's planned live performance was curtailed by the Space Shuttle Challenger disaster on 28 January 1986. Consideration was given to the cancellation of the concert, but Jarre was contacted by McCandless and urged to proceed, in memory of the shuttle's crew. McNair's saxophone piece was recorded by Kirk Whalum and retitled "Ron's Piece".

About 2,000 projectors shone images onto buildings and giant screens up to high, transforming the city's skyscrapers into spectacular backdrops for an elaborate display of fireworks and lasers. Rendez-vous Houston entered the ''Guinness Book of Records'' for its audience of over 1.5 million, beating his earlier record, set in 1979. The display was so impressive that a nearby freeway was blocked by passing vehicles, forcing the authorities to close it for the duration of the concert. Several months later he performed to an audience of about a million at his home city of Lyon, in celebration of a visit by Pope John Paul II. Watching from Lyon Cathedral, the Pope began the concert with a good-night blessing, a recording of which appears on ''Cities In Concert — Houston/Lyon''.

In 1988 Jarre released ''Revolutions''. The album spans several genres, including symphonic industrial, Arabian inspired, light guitar pop and ethnic electro jazz. A two hour concert called Destination Docklands was planned for September 1988, to be held at the Royal Victoria Dock in east London. Close to the heart of London, the location was chosen in part for its desolate environment, but also because Jarre thought the architecture was ideally suited for his music. Early in 1988 Jarre met with local officials and members of the community, but Newham Borough Council expressed their fears about the event's safety and delayed their decision on whether to allow the concert to proceed until 12 September eventually rejecting the licence application. The local fire service were also concerned about access in the event of a fire. Site work continued as Jarre's team searched for alternative locations in which to stage the concert, but following improvements to both on and off-site safety Jarre eventually won conditional approval on 28 September to stage two separate performances, from 8–9 October.

The floating stage on which Jarre and his musicians performed was built on top of four large barges. Large purpose-built display screens were built, and one of the buildings to be used as a backdrop was painted white. One large mirror ball being transported to the event fell onto the roadside, causing a degree of confusion as some people mistook it for a fallen satellite. World War II searchlights were installed, to illuminate the sky and surrounding architecture. Along with thousands in the surrounding streets and parks, 200,000 people watched Jarre and guests like guitarist Hank Marvin perform in less than ideal conditions. Inclement weather had threatened to break the stage from its moorings, putting paid to the original plan to float the stage across the Royal Victoria Dock. Wind speeds were so high that television cameras were blown over. The audience, which included Diana, Princess of Wales, was on the second evening soaked by rain and wind.

1990s

In 1990 Jarre released ''En Attendant Cousteau'', inspired by the French oceanographer Jacques-Yves Cousteau. On Bastille Day 1990 he performed a concert at La Défense in Paris, attended by a record-breaking audience of about two million people, again beating his earlier world record. He later promoted a concert near the Pyramids of Teotihuacan in Mexico, to be held during the solar eclipse of 11 July 1991. However, with only weeks to go, important equipment had not arrived and the sinking in the Atlantic Ocean of a cargo ship containing the purpose-built pyramidal stage and other technical equipment made staging the concert impossible. Jarre's disappointment was such that he "could not cope with Mexican food for two years". About two years later he released ''Chronologie'', an album which was largely influenced by the techno-music scene. From a technical standpoint the album is a reversion to a concept seen in Jarre's ''Oxygène''/''Équinoxe'' period, where a grandiose overture precedes more rhythmic sections. The album features Jarre's traditional collection of instruments like the ARP 2600 and Minimoog, as well as newer synthesisers such as the Roland JD-800 and the Kurzweil K2000.

''Chronologie'' was performed at a series of 16 performances across Europe called ''Europe In Concert''. These were on a smaller scale than his previous concerts, featuring a miniature skyline, laser imaging and fireworks. Locations included Lausanne, Mont St Michel, London, Manchester, Barcelona, Sevilla and the Versailles Palace near Paris. A concert was also held in Hong Kong in March 1994, to mark the opening of the city's new stadium. Jarre performed many of his most well-known hits at the ''Concert for Tolerance'' on Bastille Day in 1995, celebrating the 50th anniversary of the United Nations. The Eiffel Tower was specially lit for the occasion, prompting the installation of a more permanent display. The following December he created the website "A Space for Tolerance", which featured music from ''En Attendant Cousteau'', played while the user browsed a variety of "visual worlds".

In 1997 Jarre returned to the analogue synthesisers of the 1970s with ''Oxygène 7–13'', dedicated to his mentor at the GRM, Pierre Schaeffer, who had died two years before. Eschewing digital techniques developed in the 1980s, in an interview for ''The Daily Telegraph'' he said:

In September that year he set his fourth record for the largest ever outdoor concert audience with a performance at the Moscow State University, celebrating the 850th anniversary of Moscow. The even was viewed by an audience of about 3.5 million. The funeral of Diana, Princess of Wales, had taken place on the same day, and the Frenchman therefore dedicated "Souvenir of China" to her memory, before observing a minute's silence. Another large scale concert followed on 31 December 1999, in the Egyptian desert near Giza. The Twelve Dreams of the Sun celebrated the new millennium and offered a preview of his next album, ''Métamorphoses''. The show featured performances from more than 1,000 local artists and musicians, and was based on ancient Egyptian mythology about the journey of the sun and its effect upon humanity.

2000s

Jarre released his first vocal album, ''Métamorphoses'', in 2000. It was mixed on an early version of Pro Tools, a digital audio workstation designed to record, edit and play back digital audio. ''Métamorphoses'' marks a departure from Jarre's earlier work. Sound effects used include radio interference from mobile phones, and Macintalk, a Macintosh program used to generate lyrics on the track "Love, Love, Love". Contributors included Laurie Anderson, who also appared on ''Zoolook'', Natacha Atlas and Sharon Corr.

It was followed in 2001 by ''Interior Music'', which has not been commercially released, and 2002's ''Sessions 2000'', a set of experimental synth-jazz pieces distinct from his previous work. ''Sessions'' was well received by ''Billboard Magazine'', which said "He's created a deeply nuanced soundscape that invites repeated listening." A concert in September 2002 at a windfarm near Aalborg in Denmark proved problematic when 22mm of rain fell on the venue, causing long delays for spectators. It also marked a change in direction in Jarre's live concerts; from Rendez-vous Houston onwards he had been accompanied by a full complement of live musicians, but at Aaloborg he was accompanied only by the Klarup Girls Choir, Francis Rimbert, Safri Duo and the Aalborg Symphonic Orchestra.

In 2003 he released ''Geometry of Love'', commissioned by Jean-Roch as a soundtrack for his 'V.I.P. Room' nightclub in France. It contains a mix of 'electro-chill' music, with touches of his more traditional style. In October 2004 he returned to China to open its "Year of France" cultural exchange. Jarre gave two performances, the first at the Meridian Gate of the Forbidden City, and the second in Tiananmen Square. More than 15,000 spectators watched the concert at the Meridian Gate, and each concert was transmitted live to television viewers across the country. Jarre collaborated with musician Chen Lin. Accompanying his traditional musical repertoire, 600 projectors shone coloured light and images across various screens and objects.

In September 2004, Jarre released ''AERO'', both a DVD and a CD in one package. Purportedly the world's first album released for 5.1 systems, with it being fully "constructed" in 5.1 surround sound, it contains re-recorded versions of some of his most famous tracks, including tracks from ''Oxygène'' and ''Équinoxe''. Accompanying the audio, the DVD features a visual image of Anne Parillaud's eyes, recorded in real time as she listened to the album. Jarre used the minimalist imagery to reinforce the audio content of the DVD. The CD was mixed in super-stereo.

In his role of UNESCO Goodwill Ambassador, Jarre performed a concert named Water for Life in Morocco, on 16 December 2006, to celebrate the year of desertification in the world. The performance was in front of the Erg Chebbi Dunes of Merzouga, in the Sahara. A free event, it was attended by about 25,000 people. Images of water and the environment were projected onto nine vertical screens, held in place by sand which was watered to keep it hard. Several permanent drinking fountains were built on the site, along with a permanent electricity installation. Jarre was accompanied by over 60 Moroccan artists.

Jarre released ''Téo & Téa'' on 26 March 2007. He described the two computer-generated characters in the video clip of the title track as being "like twins", one female, one male. The album is supposed to describe the different stages of a loving relationship, and explores the idea that the length of such relationships is unpredictable. Its release demonstrated a move away from virtual instruments and computers that Jarre had been using up to that point; he instead chose to use a simplified range of devices, including several new prototype instruments. The album's cover was inspired by the David Lynch film ''Wild at Heart''.

In August 2007 Jarre signed for EMI France. He released an anniversary package containing a special live recording of his classic work, ''Oxygène'', in 3D DVD, live CD and normal 2D DVD formats in November 2007, named ''Oxygène: New Master Recording''. A first for Jarre, the album was recorded live, without tape or hard disk playback, with help from Francis Rimbert, Claude Samard, and Dominique Perrier. The album also contains three extra tracks not found on either the original or remake, which form links between the main movements. Jarre plans to integrate the original analog synthesizers from ''Oxygène'' into his next album, and is building a new private recording studio on the outskirts of Paris. In the same year Disques Dreyfus released ''The Complete Oxygène'', containing the original versions of ''Oxygène'' and ''Oxygène 7–13'', and remixes of tracks from ''Oxygène 7–13''.

Jarre performed 10 concerts (''Oxygène Live'') in Paris, from 12–26 December 2007, held in the Théâtre Marigny, a small 1000-seat theatre in the Champs-Élysées. Later in 2008 Jarre performed several concerts to celebrate the 30th anniversary of ''Oxygène'', in theatres in Europe. Following one such performance at the Royal Albert Hall Jarre met Brian May, who proposed he create a concert in Tenerife for the International Year of Astronomy, but a lack of sponsorship meant that the concert did not take place.

In 2009 he was selected as the artistic director of the World Sky Race, and also accepted a role as Goodwill Ambassador for the International Year of Astronomy. In 2009 he started an indoor tour in arenas throughout Europe.

2010s

On 1 March 2010, Jean Michel Jarre started the second leg of his 2009–2010 indoors tour, and on 10 June he was presented with a Lifetime Achievement Award by Mojo magazine.

On 30 May 2011, he released the double CD set ''Essentials & Rarities''. The ''Essentials'' disc is a compilation of his most famous work. The ''Rarities'' disc includes tracks made before ''Oxygène''.

On 1 July 2011, Jarre performed a large scale concert in Monaco to celebrate the marriage of Prince Albert and his bride Charlene. During the last [quarter] of 2011 he concluded his 3-years tour.

Personal life

Jarre has been married three times. He was married to Flore Guillard from 20 January 1975 until 1977, their daughter Émilie Charlotte was born in 1975 (or 1976) and became a fashion model. He met his second wife Charlotte Rampling at a dinner party in St Tropez in 1976. Both were in failing marriages, but they each obtained a divorce (Rampling was married to New Zealander Bryan Southcombe). The two married, Jarre gaining custody of his daughter Émilie Charlotte, and Rampling her son Barnaby. Together they have a son, David. In 1995 photographs in ''Hello!'' showed Jarre apparently romantically involved with 31-year old secretary Odile Froument, and in 1996 Jarre and Rampling separated. They divorced in 2002. He had a brief relationship with Isabelle Adjani, but married French actress Anne Parillaud in May 2005. In November 2010 the couple announced their divorce.

Jarre has a half-sister Stéphanie Jarre, from Maurice Jarre's other marriages. His half-brother, Kevin Jarre, died in 2011. Although Maurice and Jean-Michel remained estranged, following Maurice's death in 2009 Jarre paid tribute to his legacy. Jarre said about his father:

Large concerts

! Date	! Audience	! Place	! Event	! Note
July 14, 1979	1 million	Place de la Concorde, FRA	celebrating the Bastille Day	1st entry in the Guinness Book Of Records for largest outdoor concert crowd.
April 5, 1986	1.5 million	Houston, USA	celebration of the 150th anniversary of Texas and Houston	2nd entry in the Guinness Book Of Records.
October 5, 1986	0.8 million	Lyon, FRA	The visit of Pope John Paul II to Jarre's hometown of Lyon was celebrated by this event.	/
October 8, 9th 1988	0.2 million (official) 1 million (unofficial)	London, GBR	Large outdoor concert titled "Destination Docklands" performed in London's docklands, noted for its planning difficulties and poor weather.	/
July 14, 1990	2.5 million	Paris la Defense, FRA	celebration of the 200th anniversary of the French Revolution	3rd entry in the Guinness Book Of Records.
July 14, 1995	1.25 million	Eiffel Tower, FRA	UNESCO's 50th birthday and UNESCO'S proclaimed year of tolerance	/
September 6, 1997	3.5 million	Moscow, RUS	Jarre was invited for a concert celebrating the 850th birthday of Moscow	4th entry in the Guinness Book Of Records (equaled with R. Stewart's 1994 Copacabana concert).
July 14, 1998	0.6 million	Eiffel Tower, FRA	Bastille Day	/

Awards and recognition

Year	! Award
	Grand Prix du Disque by L'Académie Charles Cros, for ''Oxygène''
1978	Midem award
1979	''Guinness Book of Records'' entry for the biggest concert ever (La Concorde)
1981	Honorary member of the Beijing Conservatory of Music
1984	Grand Prix du Disque by L'Académie Charles Cros, for ''Zoolook''.
1985	Instrumental album of the year, at the Victoires de la Musique in France, for ''Zoolook''
	Instrumental album of the year, at the Victoires de la Musique, for ''Rendez-vous''
Musical spectacle of the year, at the Victoires de la Musique, for the Rendez-Vous Houston concert
	New ''Guinness Book of Records'' entry for the biggest concert ever (Rendez-Vous Houston)
"European musician Person of the Year" by ''People'' magazine
1990	New ''Guinness Book of Records'' entry for the biggest concert ever (Paris La Defense: A City in Concert)
1993	UNESCO Goodwill Ambassador
1994	Victoire de la Musique for Chronologie.
1995
1997	New ''Guinness Book of Records'' entry for the biggest concert ever with 3.5 million watching at Moscow's 850th anniversary
1998	IFPI's Platinum Europe Award
2005	HCA Ambassador for the Hans Christian Andersen 2005 Bicentenary Festival
	Polish Television Academy's "Super Wiktor" award for "Space of Freedom"
Gdańsk's Man Of The Year 2005 Award
2007
2008	Doctor Honoris Causa by the Mendeleev Russian University of Chemistry and Technology
	International Cavalchina Award.

An asteroid, 4422 Jarre, has been named in his honour. He is honorary citizen of Gdansk. He is the second honorary member of the HHS.

Discography

Jarre has sold an estimated 80 million albums and singles, the first of which was the 1969 single "La Cage / Erosmachine". His first solo album, ''Deserted Palace'', was released in 1972, but it was the success of his 1976 album, ''Oxygène'', that catapulted him to international stardom. Until 2000 Jarre's output was entirely instrumental, but that year he released ''Métamorphoses'', his first vocal album.

;Studio albums

''Deserted Palace'' (1972)

''Les Granges Brûlées'' (1973)

''Oxygène'' (1976)

''Équinoxe'' (1978)

''Magnetic Fields'' (1981)

''Music for Supermarkets'' (1983)

''Zoolook'' (1984)

''Rendez-Vous'' (1986)

''Revolutions'' (1988)

''Waiting for Cousteau'' (1990)

''Chronologie'' (1993)

''Oxygène 7–13'' (1997)

''Métamorphoses'' (2000)

''Interior Music'' (2001)

''Sessions 2000'' (2002)

''Geometry of Love'' (2003)

''Téo & Téa'' (2007)

''Oxygène: New Master Recording'' (2007)

See also

List of Jean Michel Jarre concerts

List of Jean Michel Jarre compositions with multiple titles

References

;Notes

;Bibliography

External links

Official blog

Jean Michel Jarre – live@ Bucharest (review+photos)

Official collaborative photobase

Jarre Discography

Jarre Technologies Official Website with AeroSystem One IPhone Speaker Dock

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Tetsu Inoue is a producer of electronic music. His style could be described as ambient with a heavy minimalist influence. He has lived in Japan, San Francisco, and New York, and has collaborated with musicians such as Pete Namlook, Bill Laswell, Andrew Deutsch, Jonah Sharp, and Taylor Deupree.

His debut solo album, ''Ambiant Otaku'', is regarded by some as a classic of minimalist ambient techno. The album was initially released in a limited edition of 1,000 copies on Pete Namlook's Fax label.

Selected discography

Albums and collaborations

Shades Of Orion (with Pete Namlook) (1993, reissued 2000)

2350 Broadway (with Pete Namlook) (1993, reissued 1996)

DATacide (with Uwe Schmidt as DATacide) (1993)

Ambiant Otaku (1994, reissued 2000)

Zenith (as Zenith) (1994)

Cymatic Scan (with Bill Laswell) (1995)

Flowerhead (with Uwe Schmidt as DATacide) (1995)

Mu (with Uwe Schmidt as Masters Of Psychedelic Ambiance) (1995)

Organic Cloud (1995, reissued 2003)

Slow And Low (1995)

Second Nature (with Uwe Schmidt and Bill Laswell) (1995)

World Receiver (1996, reissued 2006)

Waterloo Terminal (1998)

Psycho-Acoustic (1998)

Active/Freeze (with Taylor Deupree) (2000)

Audio (with Charles Uzzell-Edwards and Daimon Beail) (2000)

Fragment Dots (2000)

Field Tracker (with Andrew Deutsch) (2001)

Pict. Soul (with Carl Stone) (2001)

Yolo (2005)

Inland (May 2007)

See also

Ambient house

Yellow Magic Orchestra

References

External links

Tetsu Inoue - Official Web site

Tetsu Inoue interview at AmbiEntrance

Category:Year of birth missing (living people) Category:Living people Category:Electronic musicians Category:Ambient musicians

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