A camera is a device that records and stores images. These images may be still photographs or moving images such as videos or movies. The term ''camera'' comes from the ''camera obscura'' (Latin for "dark chamber"), an early mechanism for projecting images. The modern camera evolved from the camera obscura.

Cameras may work with the light of the visible spectrum or with other portions of the electromagnetic spectrum. A camera generally consists of an enclosed hollow with an opening (aperture) at one end for light to enter, and a recording or viewing surface for capturing the light at the other end. A majority of cameras have a lens positioned in front of the camera's opening to gather the incoming light and focus all or part of the image on the recording surface. The diameter of the aperture is often controlled by a diaphragm mechanism, but some cameras have a fixed-size aperture. Most 20th century cameras used photographic film as a recording surface, while the majority of new ones now use an electronic image sensor.

The still camera takes one photo each time the user presses the shutter button. A typical movie camera continuously takes 24 film frames per second as long as the user holds down the shutter button, or until the shutter button is pressed a second time.

From its inception, the camera has been instrumental in the recording of still images from then-present surroundings, and further modifications led to the development of motion picture sequences in the late 19th century. Cameras and the exhibition of camera-captured images are widely used in both professional and consumer settings in the 21st century for both mass and interpersonal communication purposes.

History

The forerunner to the camera was the camera obscura. It was a dark chamber (in Latin, a ''camera obscura'', demonstrating the etymology), "consist[ing] of a darkened chamber or box, into which light is admitted through a pinhole (later a convex lens), forming an image of external objects on a surface of paper or glass, etc., placed at the focus of the lens". In the 6th century, Greek mathematician and architect Anthemius of Tralles used a type of camera obscura in his experiments. The camera obscura was described by the Arabic scientist Ibn al-Haytham (Alhazen) in his Book of Optics (1015–1021). Scientist-monk Roger Bacon also studied the matter. The actual name of ''camera obscura'' was applied by mathematician and astronomer Johannes Kepler in his ''Ad Vitellionem paralipomena'' of 1604. He later added a lens and made the apparatus transportable, in the form of a tent. Irish scientist Robert Boyle and his assistant Robert Hooke developed a portable camera obscura in the 1660s.

The first camera obscura that was small and portable enough for practical use was built by Johann Zahn in 1685. At this time there was no way to preserve the images produced by these cameras apart from manually tracing them. However, in 1724, Johann Heinrich Schultz discovered that a silver and chalk mixture darkens under exposure to light. Early photography built on these discoveries and developments. The early photographic cameras were essentially similar to Zahn's camera obscura, though usually with the addition of sliding boxes for focusing. Before each exposure, a sensitized plate would be inserted in front of the viewing screen to record the image. The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce using a sliding wooden box camera made by Charles and Vincent Chevalier in Paris and building on Johann Heinrich Schultz's discovery about silver and chalk mixtures darkening when exposed to light. Jacques Daguerre's popular daguerreotype process utilized copper plates, while the calotype process invented by William Fox Talbot recorded images on paper.

The development of the collodion wet plate process by Frederick Scott Archer in 1850 cut exposure times dramatically, but required photographers to prepare and develop their glass plates on the spot, usually in a mobile darkroom. Despite their complexity, the wet-plate ambrotype and tintype processes were in widespread use in the latter half of the 19th century. Wet plate cameras were little different from previous designs, though there were some models, such as the sophisticated Dubroni of 1864, where the sensitizing and developing of the plates could be carried out inside the camera itself rather than in a separate darkroom. Other cameras were fitted with multiple lenses for making cartes de visite. It was during the wet plate era that the use of bellows for focusing became widespread.

The first color photograph was made by Scottish physicist James Clerk Maxwell, with the help of English inventor and photographer Thomas Sutton, in 1861

The electronic video camera tube was invented in the 1920s, starting a line of development that eventually resulted in digital cameras, which largely supplanted film cameras after the turn of the 21st century.

Mechanics

Image capture

Traditional cameras capture light onto photographic film or photographic plate. Video and digital cameras use an electronic image sensor, usually a charge coupled device (CCD) or a CMOS sensor to capture images which can be transferred or stored in a memory card or other storage inside the camera for later playback or processing.

Cameras that capture many images in sequence are known as movie cameras or as ciné cameras in Europe; those designed for single images are still cameras. However these categories overlap as still cameras are often used to capture moving images in special effects work and many modern cameras can quickly switch between still and motion recording modes. A video camera is a category of movie camera that captures images electronically (either using analogue or digital technology).

Lens

The lens of a camera captures the light from the subject and brings it to a focus on the film or detector. The design and manufacture of the lens is critical to the quality of the photograph being taken. The technological revolution in camera design in the 19th century revolutionized optical glass manufacture and lens design with great benefits for modern lens manufacture in a wide range of optical instruments from reading glasses to microscopes. Pioneers included Zeiss and Leitz.

Camera lenses are made in a wide range of focal lengths. They range from extreme wide angle, wide angle, standard, medium telephoto and telephoto. Each lens is best suited a certain type of photography. The extreme wide angle may be preferred for architecture because it has the capacity to capture a wide view of a building. The normal lens, because it often has a wide aperture, is often used for street and documentary photography. The telephoto lens is useful for sports, and wildlife but it is more susceptible to camera shake.

Focus

Due to the optical properties of photographic lenses, only objects within a limited range of distances from the camera will be reproduced clearly. The process of adjusting this range is known as changing the camera's focus. There are various ways of focusing a camera accurately. The simplest cameras have fixed focus and use a small aperture and wide-angle lens to ensure that everything within a certain range of distance from the lens, usually around 3 metres (10 ft) to infinity, is in reasonable focus. Fixed focus cameras are usually inexpensive types, such as single-use cameras. The camera can also have a limited focusing range or scale-focus that is indicated on the camera body. The user will guess or calculate the distance to the subject and adjust the focus accordingly. On some cameras this is indicated by symbols (head-and-shoulders; two people standing upright; one tree; mountains).

Rangefinder cameras allow the distance to objects to be measured by means of a coupled parallax unit on top of the camera, allowing the focus to be set with accuracy. Single-lens reflex cameras allow the photographer to determine the focus and composition visually using the objective lens and a moving mirror to project the image onto a ground glass or plastic micro-prism screen. Twin-lens reflex cameras use an objective lens and a focusing lens unit (usually identical to the objective lens.) in a parallel body for composition and focusing. View cameras use a ground glass screen which is removed and replaced by either a photographic plate or a reusable holder containing sheet film before exposure. Modern cameras often offer autofocus systems to focus the camera automatically by a variety of methods.

Exposure control

The size of the aperture and the brightness of the scene controls the amount of light that enters the camera during a period of time, and the shutter controls the length of time that the light hits the recording surface. Equivalent exposures can be made with a larger aperture and a faster shutter speed or a corresponding smaller aperture and with the shutter speed slowed down.

Shutters

Although a range of different shutter devices have been used during the development of the camera only two types have been widely used and remain in use today.

The Leaf shutter or more precisely the in-lens shutter is a shutter contained within the lens structure, often close to the diaphragm consisting of a number of metal leaves which are maintained under spring tension and which are opened and then closed when the shutter is released. The exposure time is determined by the interval between opening and closing. In this shutter design, the whole film frame is exposed at one time. This makes flash synchronisation much simpler as the flash only needs to fire once the shutter is fully open. Disadvantages of such shutters are their inability to reliably produce very fast shutter speeds ( faster than 1/500th second or so) and the additional cost and weight of having to include a shutter mechanism for every lens.

The focal-plane shutter operates as close to the film plane as possible and consists of cloth curtains that are pulled across the film plane with a carefully determined gap between the two curtains (typically running horizontally) or consisting of a series of metal plates (typically moving vertically) just in front of the film plan. The focal-plane shutter is primarily associated with the single lens reflex type of cameras, since covering the film rather than blocking light passing through the lens allows the photographer to view through the lens at all times ''except'' during the exposure itself. Covering the film also facilitates removing the lens from a loaded camera (many SLRs have interchangeable lenses).

Complexities

Professional medium format SLR cameras (typically using 120/220 roll film) use a hybrid solution, since such a large focal-plane shutter would be difficult to make and/or may run slowly. A manually inserted blade known as a dark slide allows the film to be covered when changing lenses or film backs. A blind inside the camera covers the film prior to and after the exposure (but is not designed to be able to give accurately controlled exposure times) and a leaf shutter that is normally ''open'' is installed in the lens. To take a picture, the leaf shutter closes, the blind opens, the leaf shutter opens then closes again, and finally the blind closes and the leaf shutter re-opens (the last step may only occur when the shutter is re-cocked).

Using a focal-plane shutter, exposing the whole film plane can take much longer than the exposure time. The exposure time does not depend on the time taken to make the exposure over all, only on the difference between the time a specific point on the film is uncovered and then covered up again. For example an exposure of 1/1000 second may be achieved by the shutter curtains moving across the film plane in 1/50th of a second but with the two curtains only separated by 1/20th of the frame width. In fact in practice the curtains do not run at a constant speed as they would in an ideal design, obtaining an even exposure time depends mainly on being able to make the two curtains accelerate in a similar manner.

When photographing rapidly moving objects, the use of a focal-plane shutter can produce some unexpected effects, since the film closest to the start position of the curtains is exposed earlier than the film closest to the end position. Typically this can result in a moving object leaving a slanting image. The direction of the slant depends on the direction the shutter curtains run in (noting also that as in all cameras the image is inverted and reversed by the lens, i.e. "top-left" is at the bottom right of the sensor as seen by a photographer behind the camera).

Focal-plane shutters are also difficult to synchronise with flash bulbs and electronic flash and it is often only possible to use flash at shutter speeds where the curtain that opens to reveal the film completes its run and the film is fully uncovered, before the second curtain starts to travel and cover it up again. Typically 35mm film SLRs could sync flash at only up to 1/60th second if the camera has horizontal run cloth curtains, and 1/125th if using a vertical run metal shutter.

Film formats

A wide range of film and plate formats has been used by cameras. In the early history plate sizes were often specific for the make and model of camera although there quickly developed some standardisation for the more popular cameras. The introduction of roll film drove the standardisation process still further so that by the 1950s only a few standard roll films were in use. These included 120 film providing 8, 12 or 16 exposures, 220 film providing 16 or 24 exposures, 127 film providing 8 exposures (principally in Brownie cameras) and 35 mm film providing 12, 20 or 36 exposures – or up to 72 exposures in bulk cassettes for the Leica Camera range.

For cine cameras, 35 mm film was the original film format but 16 mm film soon followed, produced by cutting 35 mm in two. An early amateur format was 9.5 mm. Later formats included 8 mm film and Super 8.

Camera accessories

Accessories for cameras are mainly for care, protection, special effects and functions.

Lens hood: used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare.

Lens cover: covers and protects the lens during storage

Lens adapter: sometimes called a step-ring, adapts the lens to other size filters

Lens extension tubes allow close focus in macro photography

Flash equipment: including light diffuser, mount and stand, reflector, soft box, trigger and cord

Care and protection: including camera case and cover, maintenance tools, and screen protector

Large format cameras use special equipment which includes magnifier loupe, view finder, angle finder, focusing rail /truck.

Battery and charger

Camera designs

Plate camera

The earliest cameras produced in significant numbers used sensitised glass plates and are now termed ''plate cameras''. Light entered a lens mounted on a lens board which was separated from the plate by an extendible bellows. Many of these cameras, had controls to raise or lower the lens and to tilt it forwards or backwards to control perspective. Focussing of these plate cameras was by the use of a ground glass screen at the point of focus. Because lens design only allowed rather small aperture lenses, the image on the ground glass screen was faint and most photographers had a dark cloth to cover their heads to allow focussing and composition to be carried out more easily. When focus and composition were satisfactory, the ground glass screen was removed and a sensitised plate put in its place protected by a dark slide (photography). To make the exposure, the dark slide was carefully slid out and the shutter opened and then closed and the dark-slide replaced. In current designs the plate camera is best represented by the view camera.

Large format camera

The large format camera is a direct successor of the early plate cameras and remain in use for high quality photography and for technical, architectural and industrial photography. There are three common types, the monorail camera, the field camera and the press camera. All use large format sheets of film, although there are backs for medium format 120-film available for most systems, and have an extensible bellows with the lens and shutter mounted on a lens plate at the front. These cameras have a wide range of movements allowing very close control of focus and perspective.

Medium format camera

Medium-format cameras have a film size somewhere in between the large format cameras and the smaller 35mm cameras. Typically these systems use 120- or 220-film. The most common sizes being 6x4.5 cm, 6x6 cm and 6x7 cm. The designs of this kind of camera show greater variation than their larger brethren, ranging from monorail systems through the classic Hasselblad model with separate backs, to smaller rangefinder cameras. There are even compact amateur cameras available in this format.

Folding camera

The introduction of films enabled the existing designs for plate cameras to be made much smaller and for the base-plate to be hinged so that it could be folded up compressing the bellows. These designs were very compact and small models were dubbed ''Vest pocket'' cameras.

Box camera

Box cameras were introduced as a budget level camera and had few if any controls. The original box Brownie models had a small reflex viewfinder mounted on the top of the camera and had no aperture or focusing controls and just a simple shutter. Later models such as the Brownie 127 had larger direct view optical viewfinders together with a curved film path to reduce the impact of deficiencies in the lens.

Rangefinder camera

As camera and lens technology developed and wide aperture lenses became more common, range-finder cameras were introduced to make focussing more precise. The range finder has two separated viewfinder windows, one of which is linked to the focusing mechanisms and moved right or left as the focusing ring is turned. The two separate images are brought together on a ground glass viewing screen. When vertical lines in the object being photographed meet exactly in the combined image, the object is in focus. A normal composition viewfinder is also provided.

Single-lens reflex

In the single-lens reflex camera the photographer sees the scene through the camera lens. This avoids the problem of parallax which occurs when the viewfinder or viewing lens is separated from the taking lens. Single-lens reflex cameras have been made in several formats including 220/120 taking 8, 12 or 16 photographs on a 120 roll and twice that number of a 220 film. These correspond to 6x9, 6x6 and 6x4.5 respectively (all dimensions in cm). Notable manufacturers of large format SLR include Hasselblad, Mamiya, Bronica and Pentax. However the most common format of SLRs has been 35 mm and subsequently the migration to digital SLRs, using almost identical sized bodies and sometimes using the same lens systems.

Almost all SLR used a front surfaced mirror in the optical path to direct the light from the lens via a viewing screen and pentaprism to the eyepiece. At the time of exposure the mirror flipped up out of the light path before the shutter opened. Some early cameras experimented other methods of providing through the lens viewing including the use of a semi transparent pellicle as in the Canon ''Pellix'' and others with a small periscope such as in the Corfield Periflex series.

Twin-lens reflex

Twin-lens reflex cameras used a pair of nearly identical lenses, one to form the image and one as a viewfinder. The lenses were arranged with the viewing lens immediately above the taking lens. The viewing lens projects an image onto a viewing screen which can be seen from above. Some manufacturers such as Mamiya also provided a reflex head to attach to the viewing screen to allow the camera to be held to the eye when in use. The advantage of a TLR was that it could be easily focussed using the viewing screen and that under most circumstances the view seen in the viewing screen was identical to that recorded on film. At close distances however, parallax errors were encountered and some cameras also included an indicator to show what part of the composition would be excluded.

Some TLR had interchangeable lenses but as these had to be paired lenses they were relatively heavy and did not provide the range of focal lengths that the SLR could support. Although most TLRs used 120 or 220 film some used 127 film.

Ciné camera

A ciné camera or movie camera takes a rapid sequence of photographs on strips of film. In contrast to a still camera, which captures a single snapshot at a time, the ciné camera takes a series of images, each called a "frame" through the use of an intermittent mechanism. The frames are later played back in a ciné projector at a specific speed, called the "frame rate" (number of frames per second). While viewing, a person's eyes and brain merge the separate pictures to create the illusion of motion. The first ciné camera was built around 1888 and by 1890 several types were being manufactured. The standard film size for ciné cameras was quickly established as 35mm film and this remains in use to this day. Other professional standard formats include 70 mm film and 16mm film whilst amateurs film makers used 9.5 mm film, 8mm film or Standard 8 and Super 8 before the move into digital format.

The size and complexity of ciné cameras varies greatly depending on the uses required of the camera. Some professional equipment is very large and too heavy to be hand held whilst some amateur cameras were designed to be very small and light for single-handed operation. In the last quarter of the 20th century camcorders supplanted film motion cameras for amateurs. Professional video cameras did the same for professional users around the turn of the century.

Image gallery

See also

Types

Camera phone

Digital camera

Game camera

IP camera

Movie camera

Pinhole camera

Pocket camera

Rangefinder camera

Single-lens reflex camera

Toy camera

Traffic camera

Trail camera

Twin-lens reflex camera

Video camera

View camera

Brands

AgfaPhoto

Aigo

Aiptek

Alpa

Argus

Asahiflex

BenQ

Bolex

Braun

Bronica

Canon

Casio

Contax

Corfield

Coronet

Diana

Ducati Sogno

Ebony

Edixa

Exakta

FED

Fujica

Fujifilm

Gami

Gateway

Graflex

Hasselblad

Hewlett-Packard

Holga

Honeywell

Ilford Photo

Kodak

Konica Minolta

Leica Camera

Leidolf

Linhof

LOMO

Lumix

Mamiya

Micro Precision Products

Minolta

Minox

Miranda

Mustek

Newman & Guardia

Nikon

Olympus

Oregon Scientific

Panasonic

Pentax

Petri

Phase One

Plaubel

Polaroid

Praktica

Reid and Sigrist

Ricoh

Rollei

Samsung

Seagull

Sharp

Sigma

Silvestri

Sinar

Sony

Tessina

Thornton-Pickard

Topcon

Vivitar

Voigtländer

Wray (lenses)

Yashica

Zeiss

Zenit

Zorki

Other

Flash (photography)

Photographic filter

Tripod (photography)

Viewfinder

Cameras in mobile phones

References

External links

How camera works at How stuff works.

Category:Photography equipment Category:Optical devices

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name	Wiz Khalifa
alt	Wiz Khalifa holding a microphone
background	solo_singer
birth name	Cameron Jibril Thomaz
alias
born	September 08, 1987Minot, North Dakota, United States
origin	Pittsburgh, Pennsylvania, United States
genre	Hip hop
occupation	Rapper, Singer
years active	2005–present
label	Rostrum, Warner Bros., Atlantic
associated acts	Tinie Tempah, Snoop Dogg,Rick Ross, Curren$y, Big Sean, Fashawn, Mac Miller
website	wizkhalifa.com
notable instruments	}}

Cameron Jibril Thomaz (born September 8, 1987), better known by the stage name Wiz Khalifa, is an American rapper. He released his debut album, ''Show and Prove'', in 2006, and signed to Warner Bros. Records in 2007. His eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts in 2008. Khalifa parted with Warner Bros. and released his second album, ''Deal or No Deal'', in November 2009. He released the mixtape ''Kush and Orange Juice'' as a free download in April 2010; he then signed with Atlantic Records. He is also well-known for his debut single for Atlantic, "Black and Yellow", which peaked at number 1 on the Billboard Hot 100. His debut album for the label, ''Rolling Papers'', was released on March 29, 2011.

Early life

Khalifa was born on September 8, 1987 in Minot, North Dakota, to a mother and a father serving in the military. His parents divorced when Khalifa was about three years old. His parents' military service caused him to move on a regular basis. Khalifa lived in Germany, England, and Japan before settling in Pittsburgh where he attended Taylor Allderdice High School.

His stage name is derived from khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was fifteen. Khalifa stated to spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got his stage name tattooed on his 17th birthday. He includes Camp Lo, The Notorious B.I.G. and Bone Thugs-n-Harmony among his influences.

Career

2005-08: Early mixtapes and ''Show and Prove''

Khalifa released his first mixtape, ''Prince of the City: Welcome to Pistolvania'', in 2005. The mixtape led to his first full length album entitled ''Show and Prove'' in 2006. Khalifa was declared an "artist to watch" that year in ''Rolling Stone'' magazine.

In 2007, Khalifa signed to Warner Bros. Records and released two mixtapes through Rostrum Records: ''Grow Season'', hosted by DJ Green Lantern and released on July 4, 2007, and ''Prince of the City 2'', released on November 20, 2007. His debut Warner Bros. single "Say Yeah" reached number 25 on the ''Billboard'' Rhythmic Top 40 music chart and number 20 on ''Billboard's'' Hot Rap Tracks. The song samples "Better Off Alone" by Alice Deejay. Khalifa's vocals from "Say Yeah" appear near the end of Pittsburgh mash up producer Girl Talk's 2008 album, ''Feed the Animals'', over music from Underworld's "Born Slippy", Usher's "Love in This Club", and the Cure's "In Between Days". Khalifa appeared with The Game, David Banner and Play-n-Skillz at U92's Summer Jam at the USANA Amphitheatre in West Valley City, Utah on August 2, 2008. Khalifa released the mixtapes ''Star Power'' in September 2008, and ''Flight School'' in April 2009 on Rostrum Records.

Khalifa parted ways with Warner Bros. Records in July 2009 after numerous delays in releasing his planned debut album for the label, ''First Flight''. Khalifa stated to the ''Pittsburgh Post-Gazette'' that, "I learned a lot during my time there and matured as an artist during the process. I'm happy to be moving on with all of my material and having the chance to be in control of my next moves". Khalifa appeared with Girl Talk, Modey Lemon, Donora, Grand Buffet, and Don Caballero at the Amphitheatre at Station Square in Pittsburgh on July 31, 2009, where he announced that his relationship with Warner Bros. was over.

2009-10: ''Deal or No Deal''

Continuing his association with Rostrum Records, Khalifa released the single "Teach U to Fly", and the mixtape ''How Fly'', a collaboration with New Orleans rapper Curren$y, on August 9, 2009. Khalifa introduced a more melodic style on the mixtape, alternating between singing and rapping. He opened for Wu-Tang Clan member U-God at the 2009 CMJ Music Marathon in New York City. Khalifa released the mixtape ''Burn After Rolling'' on November 2, 2009, where he raps over familiar beats from other artists, including the songs "If I Were A Boy" and "Diva" by Beyoncé, "Walking on a Dream" by Empire of the Sun, "Luchini AKA This Is It" by Camp Lo, and "Best I Ever Had" by Drake. Khalifa released his second album, ''Deal or No Deal'', on November 24, 2009.

Khalifa performed at Emo's in Austin, Texas in March 2010 as part of the 2010 South by Southwest Music Festival. He appeared on the cover of ''XXL'' magazine that same month, for the magazine's annual list of Top 10 Freshman, which included Donnis, J. Cole, Pill, Freddie Gibbs, and Fashawn. Wiz Khalifa was named 2010 "Rookie Of The Year" by "The Source", with alongside Rick Ross, "The Man Of The Year". He toured with rapper Yelawolf on a 20-date tour, the Deal Or No Deal Tour. Khalifa released the free mixtape ''Kush and Orange Juice'' for download on April 14, 2010. Due to Khalifa's devoted grassroots fan base, the mixtape became the No. 1 trending topic on Twitter with the hash tag #kushandorangejuice, and "Kush and Orange Juice download” ranked No. 1 on Google’s hot search trends.

2010: Signing with Atlantic Records

Citing music industry insiders, ''New York'' magazine wrote that Khalifa signed with Atlantic Records in April 2010, although the rapper did not confirm it. He stated to AllHipHop in June 2010 that he was working on a new album, but was weighing his options and had not yet decided on a label to distribute it. Khalifa confirmed to MTV on July 30 that he was signing an Atlantic Records deal.

Khalifa was featured in a remix and video for the 2010 Rick Ross single "Super High", alongside Curren$y. He guested on the mixtape ''Grey Goose, Head Phones, and Thirsty Women '' by St. Louis rapper M.C, and was featured on the track "The Breeze (Cool)" on rapper Wale's August 2010 mixtape ''More About Nothing''. Khalifa was named MTV's Hottest Breakthrough MC of 2010, winning with nearly 70,000 votes, and beating out finalists Nicki Minaj, J. Cole, Travis Porter, and Diggy Simmons.

Khalifa appeared at the Soundset 2010 festival in May 2010 in Minneapolis, Minnesota, alongside Method Man & Redman, Del the Funky Homosapien and Hieroglyphics, Atmosphere, Murs, Cage, and others. He also performed at the 2010 Rock the Bells festival, along with hip hop veterans Wu-Tang Clan, Snoop Dogg, Lauryn Hill, A Tribe Called Quest, Rakim, KRS-One, Jedi Mind Tricks and Slick Rick. Khalifa declined an invitation to tour with rapper Drake and launched his own "Waken Baken" tour, a 50-city national tour with rapper Yelawolf. The tour, scheduled to last from September to November 2010, has, as of October, sold out every venue. On November 2010, during his "Waken Baken" tour at East Carolina University, Wiz Khalifa was arrested for possession and trafficking of marijuana. He was then released the next morning after a $300K bail, and resumed his tour. Khalifa performed in a cypher during the 2010 BET Hip-Hop Awards. He recited his verse from the song, "The Check Point", from his mixtape with Curren$y, ''How Fly''.

2010-11: Mainstream success and ''Rolling Papers''

Khalifa released "Black and Yellow", his first single for Rostrum/Atlantic, produced by Stargate, which has received radio airplay. The single was peaked at number 1 on the Billboard Hot 100; the title of the song refers to the colours of the Pittsburgh Steelers. Khalifa will release his debut album with Atlantic Records in 2011. He appeared with Curren$y on the track "Scaling the Building" on producer Ski Beatz' 2010 album, ''24 Hour Karate School''. Khalifa's fanbase is known as the Taylor Gang, named after his love of Chuck Taylor All-Stars shoes.

On March 29, 2011, Khalifa released his first studio album, ''Rolling Papers''. The album debuted at number two on the US ''Billboard'' 200 chart, with first-week sales of 197,000 copies in the United States.

On June 26, 2011, Khalifa was nominated and won Best New Artist at the BET Awards of 2011.

Khalifa collaborated with the prolific British rapper Tinie Tempah whom Tinie announced in an interview with Rolling Stone that his next single is to be called "Till I'm Gone" and would feature Wiz Khalifa and is to be produced by Stargate. The single and the video song were released at the end of June 2011.

Personal life

Thomaz is dating Amber Rose, the former girlfriend of Thomaz's fellow hip-hop star Kanye West. He is also personal friends with rapper Yelawolf, and fellow Pittsburgh rapper, Mac Miller.

Discography

;Studio albums

''Show and Prove'' (2006)

''Deal or No Deal'' (2009)

''Rolling Papers'' (2011)

References

External links

Wiz Khalifa at MTV

Category:1987 births Category:Military brats Category:African American rappers Category:Atlantic Records artists Category:Living people Category:Musicians from Pittsburgh, Pennsylvania Category:People from Minot, North Dakota Category:Rappers from Pennsylvania

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