name | Alvin Ailey, Jr. |
---|---|
birth date | January 05, 1931 |
birth place | Rogers, Texas, U.S. |
death date | December 01, 1989 |
death place | Manhattan, New York, U.S. |
occupation | Dancer, choreographer |
years active | }} |
Alvin Ailey, Jr. (January 5, 1931 – December 1, 1989) was an American choreographer and activist who founded the Alvin Ailey American Dance Theater in New York. Ailey is credited with popularizing modern dance and revolutionizing African-American participation in 20th century concert dance. His company gained the nickname "Cultural Ambassador to the World" because of its extensive international touring. Ailey's choreographic masterpiece Revelations is believed to be the best-known and most often seen modern dance performance.
In the fall of 1942, Ailey's mother, like many African Americans, migrated to Los Angeles, California where she had heard there was lucrative work supporting the war effort. Ailey joined his mother later by train, having stayed behind in Texas to finish out the school year. Ailey's first junior high school in California was located in a primarily white school district. As one of the only black students, Ailey felt out of place because of his fear of whites, so the Aileys moved to a predominantly black school district. He matriculated at George Washington Carver Junior High School, and later attended the Thomas Jefferson High School. He sang spirituals in the glee club, wrote poetry, and demonstrated a talent for languages. He regularly attended shows at Lincoln Theater and the Orpheum Theater. Ailey did not become serious about dance until in 1949 his school friend Carmen De Lavallade introduced him to the Hollywood studio of Lester Horton. Horton would prove to be Ailey's major influence, becoming a mentor and giving him both a technique and a foundation with which to grow artistically.
Horton's school taught a wide range of dance styles and techniques, including classical ballet, jazz, and Native American dance. Horton's school was also the first multi-racial dance school in the United States. Ailey was, at first, ambivalent about becoming a professional dancer. He had studied Romance languages at various universities in California, but was restless, academically, and took courses as well in the writings of James Baldwin, Langston Hughes, and Carson McCullers. He moved to San Francisco to continue his studies in 1951. There, he met Marguerite Johnson, who later changed her name to Maya Angelou. They occasionally performed a nightclub act called "Al and Rita." Ailey earned a living waiting tables and dancing at the New Orleans Champagne Supper Club. Eventually, he returned to study dance with Horton in southern California.
When Horton died in November 1953 the tragedy left the company without an artistic director. The company had outstanding contracts that required and desired new works. When no one else stepped forward, Ailey assumed the role of artistic director. Despite his youth and lack of experience (Ailey was only twenty-two and had choreographed only one dance in a workshop) he began choreographing, directing scene and costume designs, and running rehearsal.
Ailey designed his first piece in memory of Horton. It was arranged to showcase James Truitte's physical strength and Carmen de Lavallade's beauty and dramatic abilities.
For his signature work, Revelations, Ailey drew upon his "blood memories" of Texas, the blues, spirituals, and gospel. These forces resulted in the creation of his most popular and critically acclaimed work. Ailey originally intended the dance to be the second part of a larger, evening-length survey of African-American music which he began with Blues Suite.
Though Ailey created 79 works for his dancers, he maintained that his company was not merely a showcase for his own work. Today, the company continues Ailey's vision by performing important works from the past and commissioning new additions to the repertoire. In all, more than 200 works by over 70 choreographers have been performed by the company.
Ailey was proud that his company was multi-racial. While he wanted to give opportunities to black dancers, who were frequently excluded from performances by racist attitudes at the time, he also wanted to rise above issues of negritude. His company always employed artists based solely on artistic talent and integrity regardless of their race.
Ailey continued to create work for his own company and also choreographed for other companies.
In 1962 the U.S. State Department sponsored the Alvin Ailey Dance Company's first overseas tour. Ailey was suspicious of his government benefactors' motives. He suspected they were propagandistic, seeking to advertise a false tolerance by showcasing a modern Negro dance group.
In 1970, Ailey was honored by a commission to create The River for American Ballet Theatre. Ailey viewed The River, which he based on the music of composer Duke Ellington, as a chance to work with some of the finest ballet dancers in the world, particularly with the great dramatic ballerina Sallie Wilson. ABT, however, insisted that the leading male role be danced by the only black man, despite misgivings by Ailey and others about the dancer's talent.
Cry (1971), was one of Ailey's greatest successes. He dedicated it to his mother and black women everywhere. It became a signature piece for Judith Jamison.
The Alvin Ailey Dance Theater was constructed by Tishman Realty and Construction Corporation of New York, Manhattan's largest builder.
Ailey's dancers came to his company with training from a variety of other schools, from ballet to modern and jazz and later hip-hop. He was unique in that he did not train his dancers in a specific technique before they performed his choreography. He approached his dancers more in the manner of a jazz conductor, requiring them to infuse his choreography with a personal style that best suited their individual talents. This openness to input from dancers heralded a paradigm shift that brought concert dance into harmony with other forms of African-American expression, including big band jazz.
In 1992 Alvin Ailey was inducted into the C.V. Whitney Hall of Fame at the National Museum of Dance in Saratoga Springs, NY.-
Ailey was openly gay and is one of the most prominent gay Black men in American history. According to Black gay activist Keith Boykin, this is rarely acknowledged in the Black community due to the stigma surrounding homosexuality. For a time during the 1950s, Ailey was romantically linked with political activist David McReynolds . Ailey died in 1989 at the age of 58. To spare his mother the social stigma of his death from AIDS, he asked his doctor to announce that he had died of terminal blood dyscrasia.
Category:African American dancers Category:AIDS-related deaths in New York Category:American choreographers Category:American dancers Category:Danseurs Category:Guggenheim Fellows Category:Kennedy Center honorees Category:LGBT African Americans Category:Modern dance Category:Modern dancers Category:1931 births Category:1989 deaths Category:Spingarn Medal winners
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