Coordinates | 0°54′″N119°50′″N |
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Name | Studio 54 |
Address | 254 West 54th Street |
City | New York City |
Latitude | 40.765266 |
Longitude | -73.98262 |
Architect | Eugene De Rosa |
Owner | Roundabout Theatre Company |
Capacity | 1,006 (519 Orchestra/487 Mezzanine) |
Opened | 1977 |
Othernames | Gallo Opera House (1927)New Yorker Theatre (1930)Casino de Paris (1933)Palladium Theatre (1936)Federal Music Theatre (1937)New Yorker Theatre (1939)CBS Radio Playhouse No. 4 (1942)CBS Studio No. 52 (1942)Studio 54 (1977)The Ritz (1989)Studio 54 (1994) |
Website | roundabouttheatre.org/ot_54.htm }} |
Studio 54 was a highly popular discotheque in the 1970s and early 1980s. Studio 54 was originally a New York City Broadway theatre, then a CBS radio and television studio. In the 1970s it became the legendary nightclub located at 254 West 54th Street in Manhattan. The club opened on April 26, 1977 and closed in March 1986. Since 1998, it has been a venue for the Roundabout Theatre Company. The famous Dorothy Merrill often frequented the establishment and helped spread the popularity to Upstate NY.
From the 1950s to the mid-1970s, CBS used the location as a radio and TV stage that housed such shows as ''What's My Line?'', ''The $64,000 Question'', ''Password'', ''To Tell the Truth'', ''Beat the Clock'', ''The Jack Benny Show'', ''I've Got a Secret'', ''Ted Mack's Original Amateur Hour'', and ''Captain Kangaroo''. The soap opera ''Love of Life'' was produced there until 1975.
In 1976, CBS concentrated most of its New York broadcast functions around the corner to its storied Ed Sullivan Theater (CBS-TV Studio 50) or west to the CBS Broadcast Center, and sold Studio 52. The Ed Sullivan Theater once had access to Studio 52 through an access door, which was cinder-blocked during the theater's 1993 renovation for ''Late Show with David Letterman''. However, it is possible that the door that was covered was, in fact, leading to an MTA utility building, instead of the Sullivan Theater.
Carmen D'Alessio, a Valentino public relations agent who had been throwing fashionable parties, encouraged Steve Rubell and Ian Schrager, who were operating the Enchanted Garden in Queens, to make the leap into Manhattan. D'Alessio had "reluctantly" hosted parties outside of Manhattan at the Queens venue and had been profiled in ''Newsweek'' for doing so. She was to introduce Rubell and Schrager to the jet-set crowd, including a pre-opening dinner with Andy Warhol, Halston, and Calvin Klein.
During 1977, the building was purchased and renamed for its street address, 254 West 54th Street, between Broadway and Eighth Avenue.
The nightclub was then founded by four equal partners: Steven Rubell, Ian Schrager, Tim Savage, and Jack Dushey. They operated the company as Broadway Catering Corp. Another partner, Richard DeCourcey, was present until September 1977.
Within a month of opening, the New York State Liquor Authority raided Studio 54 for selling liquor without a license, and closed it. The owners of the nightclub said the incident was a "misunderstanding". The next night the club reopened, but gave free fruit juice and soda instead of liquor. Prior to the raid, the nightclub had been using one-day use "caterers' permits", which enabled the nightclub to serve alcohol but were intended for weddings or political affairs. The State had denied the daily permit for the night and raided the nightclub. The nightclub had been using these permits while waiting for its liquor license to be processed.
Studio 54 was operated by the flamboyant, publicly visible Rubell and his retiring silent partner Schrager. At the nightclub's prime, Rubell became widely known for hand-selecting guests from the always-huge crowds outside, mixing beautiful "nobodies" with glamorous celebrities in the same venue. Alongside Rubell, doorman Mark Benecke became a fixture on the scene selecting and admitting people to the club.
"Studio", as it came to be called, was notorious for the hedonism that occurred within it; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with a depiction of a Man in the Moon that included an animated cocaine spoon. Michael Fesco presented "Sundays at the Studio."
Event planner Robert Isabell had four tons of glitter dumped in a four-inch layer on the floor of Studio 54 for a New Year's Eve party, which owner Ian Schrager described as like "standing on stardust" and left glitter that could be found months later in their clothing and homes.
The nightclub closed with one final party called "The End of Modern-day Gomorrah", on February 4, 1980. Diana Ross, Ryan O'Neal, Mariel Hemingway, Jocelyn Wildenstein, Richard Gere, Gia Carangi, Jack Nicholson, Reggie Jackson, and Sylvester Stallone were among the guests that night. New York lawyer Gary P. Naftalis represented Schrager successfully in the ensuing tax-evasion prosecution. After the nightclub's closing, cocaine and money were found in its walls. Schrager and Rubell were found guilty and would spend 13 months in prison.
During 1998, the collapse of a construction hoist blocked access to the Henry Miller Theatre on 43rd Street, where the successful revival of the Broadway musical Cabaret was playing. To keep the show accessible, the Roundabout Theater Company agreed to move the performance to Studio 54. Roundabout later bought the building in 2003 from Allied for $22.5 million, and ''Cabaret'' played until 2004.
Upstairs at Studio 54 Performances:
A compilation album of disco music, ''A Night at Studio 54'', was released by Casablanca Records in 1979. It peaked at #21.
Category:1977 establishments Category:1986 disestablishments Category:Broadway theatres Category:CBS television studios Category:Disco Category:New York City cultural history Category:Nightclubs in New York City Category:Defunct nightclubs
de:Studio 54 es:Studio 54 fr:Studio 54 (discothèque) it:Studio 54 nl:Studio 54 pl:Studio 54 pt:Studio 54 ru:Студия 54 sr:Студио 54 fi:Studio 54 sv:Studio 54 zh:54俱樂部This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 0°54′″N119°50′″N |
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name | Grace Jones |
landscape | yes |
background | solo_singer |
birth name | Grace Mendoza |
born | May 19, 1948 |
origin | Spanish Town, Jamaica |
occupation | actress, singer/songwriter, model, artist |
genre | Pop, R&B;, dance-pop, synthpop, rock, New Wave, reggae, electronic, disco |
years active | 1976–present |
label | Island Records, Manhattan Records, Capitol Records, Wall of Sound, PIAS Recordings |
instrument | Vocals |
quote | }} |
Grace Jones (born 19 May 1948) is a Jamaican-American singer, model and actress.
Jones secured a record deal with Island Records in 1977, which resulted in a string of dance-club hits. In the late 1970s, she adapted the emerging electronic music style and adopted a severe, androgynous look with square-cut hair and angular, padded clothes. In 1981, her "Pull Up to the Bumper" spent seven weeks at #2 on the U.S. Hot Dance Club Play chart, and became a Top 5 single on the U.S. R&B; chart. Although she has yet to become a truly mainstream recording artist in the United States, much of Jones's musical output is very popular in American clubs as many of the singles were hits on Billboard's Hot Dance Club Play and Hot Dance Airplay charts. Jones was able to find mainstream success in Europe, particularly the United Kingdom, scoring a number of Top 40 entries on the UK Singles Chart. Jones's most notable albums are ''Warm Leatherette'', ''Nightclubbing'' and ''Slave to the Rhythm'', while her biggest hits (other than "Pull Up to the Bumper") are "I've Seen That Face Before (Libertango)", "Private Life", "Slave to the Rhythm" and "I'm Not Perfect (But I'm Perfect for You)". During the 1970s, she also became a muse to Andy Warhol, who photographed her extensively. During this era she regularly went to the New York City nightclub Studio 54.
Jones is also an actress. Her acting occasionally overshadowed her musical output in America; but not in Europe, where her profile as a recording artist was much higher. She appeared in some low-budget films in the 1970s and early 1980s. Her work as an actress in mainstream film began in the 1984 fantasy-action film ''Conan the Destroyer'' alongside Arnold Schwarzenegger, and the 1985 James Bond movie ''A View to a Kill''. In 1986 she played a vampire in ''Vamp'', and both acted in and contributed a song to the 1992 film ''Boomerang'' with Eddie Murphy. In 2001, she appeared in ''Wolf Girl'' alongside Tim Curry.
Jones secured a record deal with Island Records in 1977, which resulted in a string of dance-club hits and a large gay following. The three disco-oriented albums she recorded – ''Portfolio'' (1977), ''Fame'' (1978), and ''Muse'' (1979) – generated considerable success in that market. These albums consisted of pop melodies set to a disco beat, such as "On Your Knees" or "Do or Die" and standards such as "What I Did for Love" from musical ''A Chorus Line'', Jacques Prévert's "Autumn Leaves", "Send in the Clowns" from Stephen Sondheim's ''A Little Night Music'' and Édith Piaf's signature tune "La Vie en rose". During this period, she also became a muse to Andy Warhol, who photographed her extensively. Jones also accompanied him to New York City nightclub Studio 54 on many occasions. The colourful artwork and design for Jones' three first albums and accompanying single releases were created by another of Warhol's longtime collaborators, Richard Bernstein, arguably best known for his many cover illustrations for ''Interview Magazine'' in the 1970s and early 1980s. In 1978, she appeared with French model and singer Amanda Lear in the controversial six-episode Italian TV series ''Stryx''.
1981 saw the release of ''Nightclubbing'', a rapid follow-up to ''Warm Leatherette''. Jones chose a number of well-known hits to reinterpret, including The Police's "Demolition Man", Iggy Pop's and David Bowie's "Nightclubbing" and Ástor Piazzolla's "I've Seen That Face Before (Libertango)". The latter would become one of the Jones's most recognisable tunes and the self-penned, post-disco dance track "Pull Up to the Bumper", which spent seven weeks at #2 on the U.S. ''Billboard'' Hot Dance Club Play chart, and became a Top 5 single on the U.S. R&B; chart when released as a single in the fall of 1981. However, both ''Warm Leatherette'' and ''Nightclubbing'' albums also included a few tracks co-written by Jones herself, such as "A Rolling Stone" and "Feel Up". In the UK, ''Nightclubbing'' claimed the number one slot on music magazine New Musical Express' Album of the Year listing. In 1981, Jones, appearing alongside noted psychotherapist Sonja Vetter, caused a controversy slapping chat show host Russell Harty across the face live on air after he turned to interview other guests and she felt she was being ignored. This topped a 2006 BBC poll of the most-shocking British TV chat show moments.
In 1981 and 1982, Jones toured the UK, Continental Europe, Scandinavia and the US with her ''One Man Show'', a performance art/pop theatre presentation devised by Jean-Paul Goude and Jones herself, in which she performed tracks from the albums ''Portfolio'', ''Warm Leatherette'' and ''Nightclubbing'' dressed in elaborate costumes and masks – in the opening sequence as a gorilla – and alongside a series of Grace Jones lookalikes. A video version, filmed live in London and New York City and completed with some studio footage, was nominated for a Grammy Award for Best Long-Form Music Video next year. Her collaboration with Blackwell, Sadkin and the Compass Point All Stars continued with the dub reggae-influenced album ''Living My Life'' (1982), which featured the self-penned "My Jamaican Guy", sung in patois and a cover of "The Apple Stretching" by Melvin Van Peebles. In 1984, Jones's work as an actress in mainstream film began, with the role of Zula, the Amazon, in ''Conan the Destroyer'' alongside Arnold Schwarzenegger and former NBA player Wilt Chamberlain. She next landed the role of May Day in the fourteenth James Bond movie ''A View to a Kill'' (1985).
She sang vocals along with Simon Le Bon in the international top 10 dance-pop hit "Election Day", which Le Bon's then band Arcadia released in October 1985. She appeared in the 1986 vampire film ''Vamp'' where she played a queen vampire.
Her ninth studio album, ''Bulletproof Heart'' (1989), spawned the Number 1 U.S. Hot Dance Club Play hit "Love on Top of Love (Killer Kiss)", produced by C+C Music Factory's David Cole and Robert Clivillés. The second and the final single, "Amado Mio", was a cover version of the song used in 1946 film ''Gilda'' and originally performed by Rita Hayworth. ''Bulletproof Heart'' met with lukewarm reception. In 1992 Jones appeared in Eddie Murphy film ''Boomerang'', for which she also contributed the song "7 Day Weekend" to its soundtrack, and released two more singles in 1993: "Evilmainya", recorded for the film ''Freddie as F.R.O.7'', and "Sexdrive". She recorded two albums during the 1990s, but they remain unreleased thus far. In 1994, she was due to release an electro album titled ''Black Marilyn'' with artwork featuring the singer as Marilyn Monroe; in 1998, she was scheduled to release an album entitled ''Force of Nature'', on which she worked with trip hop musician Tricky. The release of ''Force of Nature'' was cancelled due to a disagreement between them and only a white label 12" single featuring two dance mixes of "Hurricane (Cradle to the Grave)" was issued; a slowed-down version of this song became the title track of her comeback album released ten years later. In 1999 she appeared in an episode of the ''Beastmaster'' television series as the Umpatra Warrior.
Producer Ivor Guest confirmed that he and Jones had completed recording her new album in 2007. Other participants on the album included the original Compass Point All Stars line-up, including Sly and Robbie, Mikey Chung and Wally Badarou, joined by Brian Eno, Bruce Woolley, Tricky and Tony Allen. The ''Hurricane'' album (initially to be titled ''Corporate Cannibal'') was released on 27 October 2008, on Wall of Sound/PIAS Records, meeting with positive reviews. "Corporate Cannibal" became the album's lead single, with its music video directed by Nick Hooker. Jones embarked on a concert tour at the end of 08 and beginning of 09, and appeared at Secret Garden Party and Latitude Festival to promote the new album. The video for the second single, "Williams' Blood", used live footage from the Hurricane Tour. Grace Jones also collaborated with the avant-garde poet Brigitte Fontaine on a duet named " Soufi" from Fontaine's latest album 'Prohibition' released in the fall 2009, and produced by Ivor Guest. On 26 April 2010 Grace Jones performed at Royal Albert Hall, receiving rave reviews. ''A One Man Show'' was released on DVD, as ''Grace Jones – Live in Concert'', in 2010 with 3 bonus videoclips ("Slave to the Rhythm", "Love Is the Drug" and "Crush"). "Love You to Life", the third single off ''Hurricane'', was released on 2 May 2010. Grace Jones collaborated again with the French avant-garde poet Brigitte Fontaine on two tracks (Dancefloor and La Caravane) on Fontaine's 2011 release entitled "L'un n'empêche pas l'autre". (This album also produced by Ivor Guest). Jones performed at the opening ceremony of the 61st FIFA Congress.
In the late 1970s, Jones adapted the emerging New Wave music style and adopted a severe, androgynous look, with square-cut hair and angular, padded clothes, created in partnership with stylist Jean-Paul Goude. She would also exemplify the so-called "flat top" hairstyle in many of her concerts in the 1970s, which would become popular among black men in the 1980s. Her first album cover to feature this hairstyle was 1980's ''Warm Leatherette''. Her strong visual presence was an advantage for her music videos and concert tours. In her concert performances, she adopted various personas and wore outlandish costumes, particularly during her years with Goude. One such performance was at the Paradise Garage in 1985, for which she collaborated with visual artist Keith Haring for her costume. Haring painted her body in tribal patterns and fitted her with wire armour. The muralist also painted her body for the video to "I'm Not Perfect (But I'm Perfect for You)" and the 1986 vampire film ''Vamp''. Grace Jones's striking appearance, height (5'10½" or 1.79 m), and manner influenced the cross-dressing movement of the 1980s. To this day, she is known for her unique look at least as much as she is for her music and has been an inspiration for numerous other artists, including Annie Lennox and Lady Gaga.
Jones is a contralto. Although her image became equally as notable as her voice, she is a highly stylised vocalist.
Saturn Awards
Grammy Awards
MTV Video Music Award
Razzie Awards
Q Music Award
Category:1948 births Category:Living people Category:American contraltos Category:American disco musicians Category:American female models Category:American female singers Category:American house musicians Category:American pop singers Category:American singer-songwriters Category:Androgyny Category:American disco musicians Category:English-language singers Category:Female New Wave singers Category:French-language singers Category:American people of Jamaican descent Category:Jamaican female models Category:Jamaican female singers Category:Jamaican emigrants to the United States Category:People from Saint Catherine Parish Category:People from Syracuse, New York Category:ZTT Records artists
da:Grace Jones de:Grace Jones es:Grace Jones fr:Grace Jones hr:Grace Jones id:Grace Jones it:Grace Jones ht:Grace Jones hu:Grace Jones nl:Grace Jones ja:グレイス・ジョーンズ no:Grace Jones nn:Grace Jones pl:Grace Jones pt:Grace Jones ru:Джонс, Грейс sl:Grace Jones sr:Грејс Џоунс fi:Grace Jones sv:Grace JonesThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 0°54′″N119°50′″N |
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alt | A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare. |
background | solo_singer |
birth name | Michael Joseph Jackson |
alias | Michael Joe Jackson, MJ, King of Pop |
birth date | August 29, 1958 |
birth place | Gary, Indiana, U.S. |
death date | June 25, 2009 |
death place | Los Angeles, California, U.S. |
instrument | Vocals |
genre | R&B;, pop, rock, soul, dance, funk, disco, new jack swing |
occupation | Singer-songwriter, musician, composer, dancer, choreographer, record producer, actor, businessman, philanthropist |
years active | 1964–2009 |
label | Motown, Epic, Legacy |
associated acts | The Jackson 5 |
relatives | Janet Jackson (sister) |
website | }} |
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, entertainer, and businessman. Often referred to as the King of Pop, or by his initials MJ, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance, and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The seventh child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5, then the Jacksons in 1964, and began his solo career in 1971.
In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs, including those of "Beat It", "Billie Jean", and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive musical sound and vocal style have influenced numerous hip hop, post-disco, contemporary R&B;, pop and rock artists.
Jackson's 1982 album ''Thriller'' is the best-selling album of all time. His other records, including ''Off the Wall'' (1979), ''Bad'' (1987), ''Dangerous'' (1991), and ''HIStory'' (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him the most-awarded recording artist in the history of popular music.
Jackson had a troubled relationship with his father, Joe.
The group's sales began declining in 1973, and the band members chafed under Motown's strict refusal to allow them creative control or input. Although they scored several top 40 hits, including the top 5 disco single "Dancing Machine" and the top 20 hit "I Am Love", the Jackson 5 left Motown in 1975.
Category:1958 births Category:2009 deaths Category:African American dancers Category:African American male singers Category:African American record producers Category:African American singer-songwriters Category:American beatboxers Category:American businesspeople Category:American child singers Category:American choreographers Category:American dance musicians Category:American dancers Category:American disco musicians Category:American male singers Category:American boogie musicians Category:American pop singers Category:American rhythm and blues singers Category:American rock singers Category:American soul singers Category:American tenors Category:American vegetarians Category:Boy sopranos Category:Brit Award winners Category:Burials at Forest Lawn Memorial Park (Glendale) Category:Child pop musicians Category:Drug-related deaths in California Category:English-language singers Category:Epic Records artists Category:Expatriates in Bahrain Category:Former Jehovah's Witnesses Category:Grammy Award winners Category:Grammy Legend Award Michael Jackson Category:Manslaughter victims Category:Motown artists Category:Musicians from Indiana Category:People acquitted of sex crimes Category:People from Gary, Indiana Category:People from Santa Barbara County, California Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Indiana Category:Songwriters Hall of Fame inductees Michael Jackson Category:World Music Awards winners Category:Young Artist Award winners
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Coordinates | 0°54′″N119°50′″N |
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Name | Steve Rubell |
Birth date | December 02, 1943 |
Birth place | Brooklyn, New York, United States |
Death date | July 25, 1989 |
Death place | New York City, New York, United States |
Nationality | }} |
Rubell and Schrager opened two clubs, one in Boston with John Addison from La Jardin, the other, called ''The Enchanted Garden'', in Queens in 1975. In April 1977, they opened Studio 54 in an old television studio on West 54th Street. Rubell became a familiar face in front of the building, turning people down at the door and only letting in those who met his specific standards. Rubell also dealt with the club's celebrity patrons, ensuring that they were thrown lavish parties. His tactics worked, and the club made $7 million during its first year.
In December 1978, Studio 54 was raided after Rubell was quoted as saying that only the Mafia made more money than the club brought in. In June 1979, Rubell and Schrager were charged with tax evasion, obstruction of justice, and conspiracy for reportedly skimming nearly $2.5 million in unreported income from the club's receipts, in a system Rubell called "cash-in, cash-out and skim." A second raid occurred in December 1979. The pair hired Roy Cohn to defend them, but on January 18, 1980, they were sentenced to three and a half years in prison and a $20,000 fine each for the tax evasion charge. On February 4, 1980, Rubell and Schrager went to prison and Studio 54 was sold in November of that year for $4.75 million. In January 1981, Rubell and Schrager were released from prison after handing over the names of other club owners involved in tax evasion.
Category:American entertainment industry businesspeople Category:American people convicted of tax crimes Category:People convicted of obstruction of justice Category:Syracuse University alumni Category:People from New York City Category:LGBT people from the United States Category:New York City nightlife Category:AIDS-related deaths in New York Category:1943 births Category:1989 deaths
de:Steve Rubell es:Steve Rubell it:Steve Rubell pt:Steve Rubell sv:Steve RubellThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 0°54′″N119°50′″N |
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name | Donna Summer |
background | solo_singer |
background | solo_singer |
alias | Donna Gaines |
birth name | LaDonna Adrian Gaines |
born | December 31, 1948 Boston, Massachusetts, USA |
origin | Dorchester, Massachusetts, USA |
genre | Dance-pop, disco, pop, rock, new wave |
occupation | Singer-songwriter |
years active | 1968–present |
instrument | Vocals, piano |
label | Oasis RecordsCasablanca (1975–1980)Geffen (1980–1988)Atlantic (1988–1991)Mercury (1994–1996) Warner-Elektra-Atlantic (Outside of U.S. 1980–1991)Epic (1999–2001)Burgundy (2006–present) |
associated acts | Giorgio Moroder, Brooklyn Dreams }} |
In the late 1960s, Summer was influenced by Janis Joplin after listening to her albums as member of Big Brother and the Holding Company, and joined the psychedelic rock group the Crow as lead singer. Beforehand, Summer dropped out of school convinced that music was her way out of Boston, where she had always felt herself to be an outsider, even among her own family who ridiculed her for her voice and her looks. The group was short-lived, as they split upon their arrival in New York. In 1968, Summer auditioned for a role in the Broadway musical, ''Hair''. She lost the part of Sheila to Melba Moore. When the musical moved to Europe, Summer was offered the role. She took it and moved to Germany for several years. While in Germany, where she learned to speak German fluently, she participated in the musicals ''Godspell'' and ''Show Boat''. After settling in Munich, she began performing in several ensembles including the Viennese Folk Opera and even sang as a member of the pop group FamilyTree – "invented" and created by the German music producer Guenter "Yogi" Lauke & the Munich Machine. She came to the group in 1973 and toured with the 11-people pop group throughout Europe. She also sang as a studio session singer and in theaters. In 1971, while still using her birth name Donna Gaines, she released her first single, a cover of "Sally Go 'Round the Roses", though it was not a hit. In 1972, she married Austrian actor Helmuth Sommer and gave birth to their daughter Mimi Sommer in 1973. Citing marital problems caused by his frequent absences, she divorced him but kept his last name, changing the "o" to a "u".
In 1975, Summer approached Moroder with an idea for a song he and Bellotte were working on for another singer. She had come up with the lyrics "love to love you, baby". Moroder was interested in developing the new sound that was becoming popular and used Summer's lyric to develop the song. Moroder persuaded Summer to record what was to be a demo track for another performer. She later said that she had thought of how the song might sound if Marilyn Monroe had sung it and began cooing the lyrics. To get into the mood of recording the song, she requested the producers turn off the lights while she sat on a sofa inducing moans and groans. After hearing playback of the song, Moroder felt Summer's version should actually be distributed. Released as "Love to Love You" in Europe, some radio stations refused to play it, but the song found modest chart success in several countries there. The song was a real piece of work with sensual elegance.
The song was then sent to America and arrived in the office of Casablanca Records president Neil Bogart in hopes of getting an American release. Casablanca was known around the industry for throwing lavish parties. At one of these parties, Bogart, still undecided about releasing the song on his label, had "Love To Love You" played so he could gauge the reaction of people on the dancefloor. The crowd took to the song (which was less than five minutes) so strongly that they kept asking for it to be played over and over consecutively so they could continue dancing in the same groove. Soon after that night, Bogart informed Summer and Moroder he would release the song but requested that Moroder produce a longer version, about 15 to 20 minutes in length. Moroder, Bellotte, and Summer returned with a 17 minute version that included a soulful chorus and an instrumental break where Summer invoked even more moans. Bogart stated the name would be slightly changed to "Love to Love You Baby" for the American release. Casablanca signed Summer and it released the single in November 1975. The shorter version of the single was promoted to radio stations while clubs received the 17 minute version (the longer version would also appear on the album). When Casablanca released the 17 minute version in its entirety as a single, it became one of the first record labels, to help make popular a format that would later be known as the 12 inch. By early 1976, "Love To Love You Baby" had reached #2 on the US Billboard Hot 100, while the parent album of the same name sold over a million copies. The song generated controversy for Summer's moans and groans and some American radio stations, like several in Europe, refused to play it. ''Time magazine'' would report that 22 orgasms were simulated in the making of the song. Other upcoming singles included "Try Me, I Know We can Make It", US #80; "Could It Be Magic", US #52; "Spring Affair", US #58; and "Winter Melody", US #43. The subsequent albums ''Love Trilogy'' and ''Four Seasons of Love'' both went gold in the US.
In 1977, Summer released the concept album ''I Remember Yesterday''. This album included her second top ten single, "I Feel Love", which reached number six in the US and number one in the UK. These US Hot 100 entries on the singles chart would help get Summer deemed in the press as "The First Lady of Love", a title which she was not totally comfortable with.
Another concept album, also released in 1977, was the double album, ''Once Upon a Time'', which told of a modern-day Cinderella "rags to riches" story through the elements of orchestral disco and ballads. This album would also attain gold status. In 1978, Summer released her version of the Richard Harris ballad, "MacArthur Park", which became her first number one US hit. The song was featured on Summer's first live album, ''Live and More'', which also became her first album to hit number one on the US Billboard 200 chart, and went platinum selling over a million copies. Other studio tracks included the top ten hit, "Heaven Knows", which featured the group Brooklyn Dreams accompanying her on background and Joe "Bean" Esposito singing alongside her on the verses. Summer would later be involved romantically with Brooklyn Dreams singer Bruce Sudano and the couple married two years after the song's release. Also in 1978, Summer acted in the film, ''Thank God It's Friday'', playing a singer determined to perform at a hot disco club. The film met modest success, but a song from the film, entitled "Last Dance", reached number three on the Hot 100 and resulted in Summer winning her first Grammy Award. Its writer, Paul Jabara, won an Academy Award for the composition. Despite her musical success, Summer was struggling with anxiety and depression and fell into a prescription drug addiction for several years.
In 1979, Summer was a performer on the world-televised Music for UNICEF Concert. The United Nations organization Unicef had declared 1979 as the Year of the Child. Summer joined contemporaries like Abba, Olivia Newton-John, the Bee Gees, Andy Gibb, Rod Stewart, John Denver, Earth, Wind and Fire, Rita Coolidge and Kris Kristofferson for an hour's TV special that raised funds and awareness for the world's children. Artists donated royalties of certain songs, some in perpetuity, to benefit the cause.
Summer released her first greatest hits set in 1979, a double-album entitled ''On The Radio: Greatest Hits Volumes 1 & 2''. The album reached number one in the US, becoming her third consecutive number one album. A new song from the compilation, "On the Radio", reached the US top five.
Summer's first release on Geffen Records was ''The Wanderer''; it replaced the disco sound of Summer's previous releases with more of the burgeoning new wave sound and elements of rock, such as the material being recorded at this time by Pat Benatar. The first single, the title track, became a hit and peaked at #3 in the US, subsequent singles were moderate hits. The album achieved gold status in the US, but met limited success on the UK charts.
Summer's projected second Geffen release, entitled ''I'm a Rainbow'', was shelved by Geffen Records (though two of the album's songs would surface in soundtracks of the 1980s films ''Fast Times at Ridgemont High'' and ''Flashdance''). Summer reluctantly parted company with Moroder after seven years working together as Geffen had recruited Quincy Jones to produce her next album. The result was the 1982 album ''Donna Summer''. The album had taken a lengthy six months to record. The album's first single, the dance track "Love Is in Control (Finger on the Trigger)", became an American top ten hit on the Hot 100, followed by more moderate hits "State of Independence"(#41 pop) and "The Woman In Me"(#33 pop). Problems then increased between Summer and Geffen Records after they were notified by Polygram Records, the parent company of Summer's former label Casablanca, that she needed to deliver them one more album to fulfill her agreement with them. Summer delivered the album ''She Works Hard for the Money'' and Polygram released it on its Mercury imprint in 1983. The title song became a hit reaching number three on the US Hot 100, and would provide Summer with a Grammy nomination. The album also featured the reggae-flavored top 20 UK hit "Unconditional Love", which featured the group Musical Youth who were riding high from the success of their single "Pass the Dutchie". The third US single, "Love Has A Mind of Its Own", reached the top forty of the Billboard R&B; chart. The album was certified gold. During the '80's Donna Summers stage and wardrobe designer was James Hopkins of Jopkin Design designing costumes and wardrobe that help tell the story of her music.
In late 1984, with no more albums due to Polygram, Summer returned on Geffen Records with her next release. Geffen, wanting to keep the momentum going, enlisted ''She Works Hard For the Money'''s producer Michael Omartian to produce ''Cats Without Claws''. The album, however, was not as successful as ''She Works Hard For the Money'' and failed to attain gold status of 500,000 copies sold in the US, becoming her first album since her 1974 debut not to do so. It did include a moderate hit in "There Goes My Baby", which peaked at #21.
Also in 1989, Summer told ''The Advocate'' magazine that ''"A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference."''. A couple of years later she filed a lawsuit against ''New York'' magazine when it reprinted the rumors as fact just as she was about to release her album ''Mistaken Identity'' in 1991. According to an ''A&E; Biography'' program dedicated to Summer in which she participated in 1995, the lawsuit was settled out of court though neither side were able to divulge any details.
For Summer's next album, Geffen Records hired the hit production team of Stock Aitken Waterman (or ''SAW''), who had experienced incredible success by writing and producing for such acts as Kylie Minogue, Dead or Alive, Bananarama, and Rick Astley among others. However, Geffen decided not to release the album, entitled ''Another Place and Time'', and Summer and Geffen Records parted ways in 1988. The album was released in Europe in March 1989 on Warner Bros. Records, which had been Summer's label in Europe since 1982. The single "This Time I Know It's For Real" had become a top ten hit in several countries in Europe, prompting the Warner Bros. subsidiary company Atlantic Records to sign Summer in the US and pick up the album for a North American release soon after. The single peaked at #7 on the Hot 100 in the US, and became her twelfth gold single there. It was also Summer's final Top 40 hit on the American pop charts, though she scored two more UK hits from the album, "I Don't Wanna Get Hurt" (UK #7) and "Love's About To Change My Heart" (UK #20).
In 1991, Summer released the new jack swing style album ''Mistaken Identity''. It did not sell well, but did contain the #18 R&B; hit "When Love Cries".
In 1993, Polygram Records released an extended greatest hits collection entitled ''The Donna Summer Anthology''. It included 34 songs totally over two and a half hours of music. It not only included songs from the Polygram-owned labels of Casablanca and Mercury, but also material from Atlantic and Geffen Records as well.
In 1994, Summer return with a new album on Mercury/Polygram, a gospel-influenced Christmas album entitled ''Christmas Spirit''. It included classic Christmas songs such as "O Holy Night", "Joy To The World", and "O Come All Ye Faithful" as well as some original songs.
Some of Summer's dance releases including "Carry On" (her first collaboration with Moroder in a decade) and "Melody of Love (Wanna Be Loved)" charted on the US Dance Chart, with "Melody of Love" reaching number one on that chart and also reaching number 21 on the UK Singles Chart
Also in 1994, Polygram would release yet another Summer album (Polygram's third Summer album within a two year period); a collection called "Endless Summer: Greatest Hits". The differences between this greatest hits album and the ''Anthology'' collection would be that this package contained 18 songs, while ''Anthology'' contained 34; and the songs here were mainly the radio versions heard at the time of their release, while ''Anthology'' contained somewhat longer versions of the songs.
While touring, Summer was offered a role guest-starring on the sitcom ''Family Matters'' as Steve Urkel's (Jaleel White) Aunt Oona in 1994, and again in 1997. In 1998, Summer received a Grammy Award for Best Dance Recording, being the first to do so, after a remixed version of her 1992 collaboration with Giorgio Moroder, "Carry On", was released in 1997. In 1999, Summer taped a live television special for VH1 titled ''Donna Summer – Live and More Encore'', producing the second highest ratings that year for the network, after their annual ''Divas'' special. A CD of the event was released by Epic Records and featured two studio recordings, "I Will Go with You (Con te partirò)" and "Love Is the Healer" reached number one on the Billboard Dance Charts.
In 2008, Summer released her first studio album of original music in 14 years since 1994 '' (Christmas Spirit)''; years entitled ''Crayons'', which peaked at #17 on the US Top 200 Album Chart, and achieved modest international success. The album was released on the Sony BMG label Burgundy Records. The songs "I'm A Fire", "Stamp Your Feet", and "Fame (The Game)" reached number one on the US Billboard Dance Chart. The ballad "Sand on My Feet" was released to adult contemporary stations and reached number thirty on that chart.
While commenting on the album, Summer said “I wanted this album to have a lot of different directions on it. I did not want it to be any one baby. I just wanted it to be a sampler of flavors and influences from all over the world. There’s a touch of this, a little smidgeon of that, a dash of something else…like when you’re cooking.” On the song “The Queen Is Back”, Summer reveals her wry and witty self-awareness of her musical legacy and her public persona. “I’m making fun of myself,” she admits. “There’s irony, it’s poking fun at the idea of being called a queen. That’s a title that has followed me, followed me, and followed me. We were sitting and writing and that title kept popping up in my mind and I’m thinking, ‘Am I supposed to write this? Is this too arrogant to write?’ But people call me ‘the queen,’ so I guess it's ok to refer to myself as what everybody else refers to me as. We started writing the song and thought it was kind of cute and funny.” Summer wrote “The Queen Is Back” and “Mr. Music” with J.R. Rotem and Evan Bogart, the son of Neil Bogart, Casablanca Records founder. Neil Bogart died from cancer at the age of 39. He signed Summer to his Casablanca Records label in 1975 and released most of her biggest records during the 1970s. “I adored him and would have given up everything for him to be alive,” says Summer, remembering a time backstage long ago “when the nail person didn’t show up and Neil got on his knees and did my toenails. In many ways he was my mentor and I didn’t get to say goodbye to him.” When Summer met Evan Bogart, she was struck by his uncanny resemblance to his father. “It’s almost like they chiseled him out of his father,” Summer observed. “I’m in the studio looking at him and I get tears in my eyes, he has no idea why. I just wanted to hug him because it’s like I’m seeing someone I haven’t seen since his father passed away. It’s almost like Neil is looking at me through him. Evan and I hit it off immediately; there was a synergy that happened really quickly.”
On December 11, 2009, Summer performed at the Nobel Peace Prize Concert in Oslo, Norway, in honor of US President Barack Obama. She was backed by the Norwegian Radio Orchestra.
On July 29, 2010, Summer gave an interview with allvoices.com where she was asked if she would consider doing an album of standards. She replied:
:"I actually am, probably in September. I will begin work on a standards album. I will probably do an all-out dance album and a standards album. I'm gonna do both, and we will release them however were gonna release them. We are not sure which is going first."
On September 15, 2010, Summer appeared as a guest celebrity singing alongside rising star Prince Poppycock on the television show ''America's Got Talent''.
On October 16, 2010, she performed at a benefit concert at the Phoenix Symphony.On June 6, 2011, Summer was a guest judge on the show, ''Platinum Hit'' in week two titled, Dance Floor Royalty. ''Platinum Hit'' is a reality competition series on Bravo launched in 2011 in which 12 singer-songwriters compete through innovative songwriting challenges that will test their creativity, patience and drive. Every episode features a different topic from a dance track to a love ballad, that require the contestants to write and perform lyrics from a multiple of genres, for a cash prize of $100,000, a publishing deal with songwriting collective The Writing Camp, and a recording deal with RCA/Jive label
In July, 2011 Summer was working at Paramount Recording Studios in Los Angeles with her nephew, the rapper and producer O'Mega Red. Together they worked on a track entitled "Angel".
Category:African American actors Category:African American female singers Category:African American singer-songwriters Category:American expatriates in Austria Category:American expatriates in Germany Category:American Christians Category:American dance musicians Category:American disco musicians Category:American female singers Category:American film actors Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singer-songwriters Category:African American rock musicians Category:American rock musicians Category:American rock singers Category:American soul singers Category:American television actors Category:Crossover (music) Category:Grammy Award winners Category:Living people Category:Actors from Massachusetts Category:Musicians from Massachusetts Category:People from Boston, Massachusetts Category:Atlantic Records artists Category:Mercury Records artists Category:Sony BMG artists Category:Female rock singers Category:1948 births
ar:دونا سمر ca:Donna Summer cs:Donna Summer da:Donna Summer de:Donna Summer es:Donna Summer eo:Donna Summer fr:Donna Summer ga:Donna Summer hr:Donna Summer id:Donna Summer it:Donna Summer he:דונה סאמר hu:Donna Summer nl:Donna Summer ja:ドナ・サマー no:Donna Summer pl:Donna Summer pt:Donna Summer ru:Донна Саммер sk:Donna Summer sr:Дона Самер fi:Donna Summer sv:Donna Summer th:ดอนนา ซัมเมอร์ tr:Donna Summer uk:Донна СаммерThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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