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Name | Mark Twain |
---|---|
Imagesize | 200px |
Caption | Mark Twain, detail of photo by Mathew Brady, February 7, 1871 |
Birthname | Samuel Langhorne Clemens |
Pseudonym | Mark Twain |
Birthdate | November 30, 1835 |
Birthplace | Florida, Missouri, U.S. |
Deathdate | April 21, 1910 |
Deathplace | Redding, Connecticut, U.S. |
Occupation | Writer, lecturer |
Nationality | American |
Genre | Fiction, historical fiction, children's literature, non-fiction, travel literature, satire, essay, philosophical literature, social commentary, literary criticism |
Signature | Mark Twain Signatures-2.svg |
Notableworks | Adventures of Huckleberry Finn, The Adventures of Tom Sawyer |
Spouse | |
Children | Langdon, Susy, Clara, Jean |
Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), better known by his pen name Mark Twain, was an American author and humorist. He is noted for his novels Adventures of Huckleberry Finn (1885), called "the Great American Novel", and The Adventures of Tom Sawyer (1876).
Twain grew up in Hannibal, Missouri, which would later provide the setting for Huckleberry Finn and Tom Sawyer. He apprenticed with a printer. He also worked as a typesetter and contributed articles to his older brother Orion's newspaper. After toiling as a printer in various cities, he became a master riverboat pilot on the Mississippi River, before heading west to join Orion. He was a failure at gold mining, so he next turned to journalism. While a reporter, he wrote a humorous story, The Celebrated Jumping Frog of Calaveras County, which proved to be very popular and brought him nationwide attention. His travelogues were also well-received. Twain had found his calling.
He achieved great success as a writer and public speaker. His wit and satire earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.
However, he lacked financial acumen. Though he made a great deal of money from his writings and lectures, he squandered it on various ventures, in particular the Paige Compositor, and was forced to declare bankruptcy. With the help of Henry Huttleston Rogers, however, he eventually overcame his financial troubles. Twain worked hard to ensure that all of his creditors were paid in full, even though his bankruptcy had relieved him of the legal responsibility.
Born during a visit by Halley's Comet, he died on its return. He was lauded as the "greatest American humorist of his age", and William Faulkner called Twain "the father of American literature".
Twain was the sixth of seven children. Only three of his siblings survived childhood: his brother Orion (July 17, 1825 – December 11, 1897); Henry, who died in a riverboat explosion (July 13, 1838 – June 21, 1858); and Pamela (September 19, 1827 – August 31, 1904). His sister Margaret (May 31, 1830 – August 17, 1839) died when Twain was three, and his brother Benjamin (June 8, 1832 – May 12, 1842) died three years later. Another brother, Pleasant (1828–1829), died at six months. Twain was born two weeks after the closest approach to Earth of Halley's Comet. On December 4, 1985, the United States Postal Service issued a stamped envelope for "Mark Twain and Halley's Comet."
When Twain was four, his family moved to Hannibal, Missouri, a port town on the Mississippi River that inspired the fictional town of St. Petersburg in The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. Missouri was a slave state and young Twain became familiar with the institution of slavery, a theme he would later explore in his writing.
Twain’s father was an attorney and a local judge. The Hannibal and St. Joseph Railroad was organized in his office in 1846. The railroad connected the second and third largest cities in the state and was the westernmost United States railroad until the Transcontinental Railroad. It delivered mail to and from the Pony Express.
In March 1847, when Twain was 11, his father died of pneumonia. The next year, he became a printer's apprentice. In 1851, he began working as a typesetter and contributor of articles and humorous sketches for the Hannibal Journal, a newspaper owned by his brother Orion. When he was 18, he left Hannibal and worked as a printer in New York City, Philadelphia, St. Louis, and Cincinnati. He joined the union and educated himself in public libraries in the evenings, finding wider information than at a conventional school. At 22, Twain returned to Missouri.
On a voyage to New Orleans down the Mississippi, steamboat pilot Horace E. Bixby inspired Twain to be a steamboat pilot. As Twain observed in Life on the Mississippi, the pilot surpassed a steamboat's captain in prestige and authority; it was a rewarding occupation with wages set at $250 per month, roughly equivalent to $}} a year today. A steamboat pilot needed to know the ever-changing river to be able to stop at the hundreds of ports and wood-lots. Twain studied 2,000 miles (3,200 km) of the Mississippi for more than two years before he received his steamboat pilot license in 1859.
While training, Samuel convinced his younger brother Henry to work with him. Henry was killed on June 21, 1858, when the steamboat on which he was working, the Pennsylvania, exploded. Twain had foreseen this death in a dream a month earlier, which inspired his interest in parapsychology; he was an early member of the Society for Psychical Research. Twain was guilt-stricken and held himself responsible for the rest of his life. He continued to work on the river and was a river pilot until the American Civil War broke out in 1861 and traffic along the Mississippi was curtailed.
Missouri was considered by many to be part of the South, and was represented in both the Confederate and Federal governments during the Civil War. Twain wrote a sketch, "The Private History of a Campaign That Failed", which claimed he and his friends had been Confederate volunteers for two weeks before disbanding their company.
Twain moved to San Francisco, California in 1864, still as a journalist. He met writers such as Bret Harte, Artemus Ward, and Dan DeQuille. The young poet Ina Coolbrith may have romanced him.
His first success as a writer came when his humorous tall tale, "The Celebrated Jumping Frog of Calaveras County", was published in a New York weekly, The Saturday Press, on November 18, 1865. It brought him national attention. A year later, he traveled to the Sandwich Islands (present-day Hawaii) as a reporter for the Sacramento Union. His travelogues were popular and became the basis for his first lectures.
In 1867, a local newspaper funded a trip to the Mediterranean. During his tour of Europe and the Middle East, he wrote a popular collection of travel letters, which were later compiled as The Innocents Abroad in 1869. It was on this trip that he met his future brother-in-law.
The couple lived in Buffalo, New York from 1869 to 1871. Twain owned a stake in the Buffalo Express newspaper, and worked as an editor and writer. Their son Langdon died of diphtheria at 19 months.
In 1871, Twain moved his family to Hartford, Connecticut, where starting in 1873, he arranged the building of a home (local admirers saved it from demolition in 1927 and eventually turned it into a museum focused on him). While living there, Olivia gave birth to three daughters: Susy (1872–1896), Clara (1874–1962) and Jean (1880–1909). The couple's marriage lasted 34 years, until Olivia's death in 1904.
During his seventeen years in Hartford (1874–1891), Twain wrote many of his best-known works: The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1881), Life on the Mississippi (1883), Adventures of Huckleberry Finn (1884), and A Connecticut Yankee in King Arthur's Court (1889).
Twain made a second tour of Europe, described in the 1880 book A Tramp Abroad. His tour included a stay in Heidelberg from May 6 until July 23, 1878, and a visit to London.
Twain patented three inventions, including an "Improvement in Adjustable and Detachable Straps for Garments" (to replace suspenders) and a history trivia game. Most commercially successful was a self-pasting scrapbook; a dried adhesive on the pages only needed to be moistened before use.
His book A Connecticut Yankee in King Arthur's Court features a time traveler from contemporary America, using his knowledge of science to introduce modern technology to Arthurian England. This type of storyline would later become a common feature of the science fiction sub-genre, Alternate history.
In 1909, Thomas Edison visited Twain at his home in Redding, Connecticut and filmed him. Part of the footage was used in The Prince and the Pauper (1909), a two-reel short film.
Twain embarked on an around-the-world lecture tour in 1894 to pay off his creditors in full, although he was no longer under any legal obligation to do so. In mid-1900, he was the guest of newspaper proprietor Hugh Gilzean-Reid at Dollis Hill House. Twain wrote of Dollis Hill that he had "never seen any place that was so satisfactorily situated, with its noble trees and stretch of country, and everything that went to make life delightful, and all within a biscuit's throw of the metropolis of the world". He then returned to America in 1900, having earned enough to pay off his debts.
In 1906, Twain began his autobiography in the North American Review. In April, Twain heard that his friend Ina Coolbrith had lost nearly all she owned in the 1906 San Francisco earthquake, and he volunteered a few autographed portrait photographs to be sold for her benefit. To further aid Coolbrith, George Wharton James visited Twain in New York and arranged for a new portrait session. Initially resistant, Twain admitted that four of the resulting images were the finest ones ever taken of him.
Twain formed a club in 1906 for girls he viewed as surrogate granddaughters, the Angel Fish and Aquarium Club. The dozen or so members ranged in age from 10 to 16. Twain exchanged letters with his "Angel Fish" girls and invited them to concerts and the theatre and to play games. Twain wrote in 1908 that the club was his "life's chief delight."
Oxford University awarded Twain an honorary doctorate in letters (D.Litt.) in 1907.
In 1909, Twain is quoted as saying:
His prediction was accurate – Twain died of a heart attack on April 21, 1910, in Redding, Connecticut, one day after the comet's closest approach to Earth.
Upon hearing of Twain's death, President William Howard Taft said:
"Mark Twain gave pleasure – real intellectual enjoyment – to millions, and his works will continue to give such pleasure to millions yet to come... His humor was American, but he was nearly as much appreciated by Englishmen and people of other countries as by his own countrymen. He has made an enduring part of American literature."
.]] Twain's funeral was at the "Old Brick" Presbyterian Church in New York. He is buried in his wife's family plot at Woodlawn Cemetery in Elmira, New York. His grave is marked by a 12-foot (i.e., two fathoms, or "mark twain") monument, placed there by his surviving daughter, Clara. There is also a smaller headstone.
A complete bibliography of his works is nearly impossible to compile because of the vast number of pieces written by Twain (often in obscure newspapers) and his use of several different pen names. Additionally, a large portion of his speeches and lectures have been lost or were not written down; thus, the collection of Twain's works is an ongoing process. Researchers rediscovered published material by Twain as recently as 1995.
After this burst of popularity, Twain was commissioned by the Sacramento Union to write letters about his travel experiences for publication in the newspaper, his first of which was to ride the steamer Ajax in its maiden voyage to Hawaii, referred to at the time as the Sandwich Islands. These humorous letters proved the genesis to his work with the San Francisco Alta California newspaper, which designated him a traveling correspondent for a trip from San Francisco to New York City via the Panama isthmus. All the while, Twain was writing letters meant for publishing back and forth, chronicling his experiences with his burlesque humor. On June 8, 1867, Twain set sail on the pleasure cruiser Quaker City for five months. This trip resulted in The Innocents Abroad or The New Pilgrims' Progress.
In 1872, Twain published a second piece of travel literature, Roughing It, as a semi-sequel to Innocents. Roughing It is a semi-autobiographical account of Twain's journey to Nevada and his subsequent life in the American West. The book lampoons American and Western society in the same way that Innocents critiqued the various countries of Europe and the Middle East. Twain's next work kept Roughing It's focus on American society but focused more on the events of the day. Entitled , it was not a travel piece, as his previous two books had been, and it was his first attempt at writing a novel. The book is also notable because it is Twain's only collaboration; it was written with his neighbor Charles Dudley Warner.
Twain's next two works drew on his experiences on the Mississippi River. Old Times on the Mississippi, a series of sketches published in the Atlantic Monthly in 1875, featured Twain’s disillusionment with Romanticism. Old Times eventually became the starting point for Life on the Mississippi.
The Prince and the Pauper, despite a storyline that is omnipresent in film and literature today, was not as well received. Telling the story of two boys born on the same day who are physically identical, the book acts as a social commentary as the prince and pauper switch places. Pauper was Twain's first attempt at fiction, and blame for its shortcomings is usually put on Twain for having not been experienced enough in English society, and also on the fact that it was produced after a massive hit. In between the writing of Pauper, Twain had started Adventures of Huckleberry Finn (which he consistently had problems completing) and started and completed another travel book, A Tramp Abroad, which follows Twain as he traveled through central and southern Europe.
Twain's next major published work, Adventures of Huckleberry Finn, solidified him as a noteworthy American writer. Some have called it the first Great American Novel, and the book has become required reading in many schools throughout the United States. Huckleberry Finn was an offshoot from Tom Sawyer and had a more serious tone than its predecessor. The main premise behind Huckleberry Finn is the young boy's belief in the right thing to do though most believed that it was wrong. Four hundred manuscript pages of Huckleberry Finn were written in mid-1876, right after the publication of Tom Sawyer. Some accounts have Twain taking seven years off after his first burst of creativity, eventually finishing the book in 1883. Other accounts have Twain working on Huckleberry Finn in tandem with The Prince and the Pauper and other works in 1880 and other years. The last fifth of Huckleberry Finn is subject to much controversy. Some say that Twain experienced, as critic Leo Marx puts it, a "failure of nerve". Ernest Hemingway once said of Huckleberry Finn:
If you read it, you must stop where the Nigger Jim is stolen from the boys. That is the real end. The rest is just cheating.
Hemingway also wrote in the same essay:
All modern American literature comes from one book by Mark Twain called, Adventures of Huckleberry Finn.
Near the completion of Huckleberry Finn, Twain wrote Life on the Mississippi, which is said to have heavily influenced the former book.
Twain next focused on A Connecticut Yankee in King Arthur's Court, which featured him making his first big pronouncement of disappointment with politics. Written with the same "historical fiction" style of The Prince and the Pauper, A Connecticut Yankee showed the absurdities of political and social norms by setting them in the court of King Arthur. The book was started in December 1885, then shelved a few months later until the summer of 1887, and eventually finished in the spring of 1889.
Twain had begun to furiously write articles and commentary with diminishing returns to pay the bills and keep his business projects afloat, but it was not enough. He filed for bankruptcy in 1894.
His next large-scale work, Pudd'nhead Wilson, was written rapidly, as Twain was desperately trying to stave off the bankruptcy. From November 12 to December 14, 1893, Twain wrote 60,000 words for the novel.
Other authors to fall under Twain's attack during this time period (beginning around 1890 until his death) were George Eliot, Jane Austen, and Robert Louis Stevenson. In addition to providing a source for the "tooth and claw" style of literary criticism, Twain outlines in several letters and essays what he considers to be "quality writing". He places emphasis on concision, utility of word choice, and realism (he complains that Cooper's Deerslayer purports to be realistic but has several shortcomings). Ironically, several of his works were later criticized for lack of continuity (Adventures of Huckleberry Finn) and organization (Pudd'nhead Wilson).
Twain's wife died in 1904 while the couple were staying at the Villa di Quarto in Florence, and after an appropriate time Twain allowed himself to publish some works that his wife, a de facto editor and censor throughout his life, had looked down upon. Of these works, The Mysterious Stranger, depicting various visits of Satan to the Earth, is perhaps the best known. This particular work was not published in Twain's lifetime. There were three versions found in his manuscripts made between 1897 and 1905: the Hannibal, Eseldorf, and Print Shop versions. Confusion between the versions led to an extensive publication of a jumbled version, and only recently have the original versions as Twain wrote them become available.
Twain's last work was his autobiography, which he dictated and thought would be most entertaining if he went off on whims and tangents in non-chronological order. Some archivists and compilers have rearranged the biography into more conventional forms, thereby eliminating some of Twain's humor and the flow of the book. The first volume of autobiography, over 736 pages, was published by the University of California in November 2010, 100 years after his death as Twain wished. It soon became an unexpected best selling book, making Twain one of very few authors publishing new best-selling volumes in all 3 of the 19th, 20th, and 21st centuries.
in 1908]]
The two men introduced each other to their acquaintances. Twain was an admirer of the remarkable deafblind girl Helen Keller. He first met Keller and her teacher Anne Sullivan at a party in the home of Laurence Hutton in New York City in the winter of 1894. Twain introduced them to Rogers, who, with his wife, paid for Keller's education at Radcliffe College. Twain is credited with labeling Sullivan, Keller's governess and companion, a "miracle worker". His choice of words later became inspiration for the title of William Gibson's play and film adaptation, The Miracle Worker. Twain also introduced Rogers to journalist Ida M. Tarbell, who interviewed the robber baron for a muckraking expose that led indirectly to the breakup of the Standard Oil Trust. On cruises aboard the Kanawha, Twain and Rogers were joined at frequent intervals by Booker T. Washington, the famed former slave who had become a leading educator.
While the two famous old men were widely regarded as drinking and poker buddies, they also exchanged letters when apart, and this was often since each traveled a great deal. Unlike Rogers' personal files, which have never become public, these insightful letters were published. The written exchanges between the two men demonstrate Twain's well-known sense of humor and, more surprisingly, Rogers' sense of fun, providing a rare insight into the private side of the robber baron.
In April 1907, Twain and Rogers cruised to the opening of the Jamestown Exposition in Virginia. Twain's public popularity was such that many fans took boats out to the Kanawha at anchor in hopes of getting a glimpse of him. As the gathering of boats around the yacht became a safety hazard, he finally obliged by coming on deck and waving to the crowds.
Because of poor weather conditions, the steam yacht was delayed for several days from venturing into the Atlantic Ocean. Rogers and some of the others in his party returned to New York by rail; Twain disliked train travel and so elected to wait and return on the Kanawha. However, reporters lost track of his whereabouts; when he failed to return to New York City as scheduled, The New York Times speculated that he might have been "lost at sea". Upon arriving safely in New York and learning of this, the humorist wrote a satirical article about the episode, offering to "...make an exhaustive investigation of this report that I have been lost at sea. If there is any foundation for the report, I will at once apprise the anxious public". This bore similarities to an earlier event in 1897 when he made his famous remark "The report of my death was an exaggeration", after a reporter was sent to investigate whether he had died. In fact, it was his cousin who was seriously ill.
Later that year, Twain and Rogers's son, Henry Jr., returned to the Jamestown Exposition aboard the Kanawha. The humorist helped host Robert Fulton Day on September 23, 1907, celebrating the centennial of Fulton's invention of the steamboat. Twain, filling in for ailing former U.S. President Grover Cleveland, introduced Rear Admiral Purnell Harrington. Twain was met with a five-minute standing ovation; members of the audience cheered and waved their hats and umbrellas. Deeply touched, Twain said, "When you appeal to my head, I don't feel it; but when you appeal to my heart, I do feel it".
In April 1909, the two old friends returned to Norfolk, Virginia for the banquet in honor of Rogers and his newly completed Virginian Railway. Twain was the keynote speaker in one of his last public appearances, and was widely quoted in newspapers across the country.
A month later, Twain was en route from Connecticut to visit his friend in New York City when Rogers died suddenly on May 20, 1909. Twain arrived at Grand Central Station to be met by his daughter with the news. Stricken with grief, he uncustomarily avoided news reporters who had gathered, saying only "This is terrible...I cannot talk about it". Two days later, he served as an honorary pallbearer at the funeral in New York City. However, he declined to join the funeral party on the train ride for the interment at Fairhaven. He said "I cannot bear to travel with my friend and not converse".
Before 1899 Twain was an ardent imperialist. In the late 1860s and early 1870s he spoke out strongly in favor of American interests in the Hawaiian Islands. In the mid 1890s he explained later, he was "a red-hot imperialist. I wanted the American eagle to go screaming over the Pacific." He said the war with Spain in 1898 was "the worthiest" war ever fought. In 1899 he reversed course, and from 1901, soon after his return from Europe, until his death in 1910, Twain was vice-president of the American Anti-Imperialist League, which opposed the annexation of the Philippines by the United States and had "tens of thousands of members". He summed up his views of revolutions in the following statement:
Mark Twain was a staunch supporter of women's rights and an active campaigner for women's suffrage. His "Votes for Women" speech, in which he pressed for the granting of voting rights to women, is considered one of the most famous in history.
Helen Keller benefited from Twain's support, as she pursued her college education and publishing, despite her disabilities and financial limitations.
Twain's liberal views on race were not shown in his early sketches of Native Americans. Of them, Twain wrote in 1870:
As counterpoint, Twain's essay on "The Literary Offenses of Fenimore Cooper" offers a much kinder view of Indians. In his later travelogue Following the Equator (1897), Twain observes that in colonized lands all over the world, "savages" have always been wronged by "whites" in the most merciless ways, such as "robbery, humiliation, and slow, slow murder, through poverty and the white man's whiskey"; his conclusion is that "there are many humorous things in this world; among them the white man's notion that he is less savage than the other savages".
I am not interested to know whether vivisection produces results that are profitable to the human race or doesn't. ... The pain which it inflicts upon unconsenting animals is the basis of my enmity toward it, and it is to me sufficient justification of the enmity without looking further.
In 1901 Twain criticized the actions of missionary Dr. William Scott Ament (1851–1909) because Ament and other missionaries had collected indemnities from Chinese subjects in the aftermath of the Boxer Uprising of 1900. Twain's response to hearing of Ament's methods was published in the North American Review in February 1901: To the Person Sitting in Darkness, and deals with examples of imperialism in China, South Africa, and with the U.S. occupation of the Philippines. A subsequent article, "To My Missionary Critics" published in The North American Review in April 1901, unapologetically continues his attack, but with the focus shifted from Ament to his missionary superiors, the American Board of Commissioners for Foreign Missions.
After his death, Twain's family suppressed some of his work which was especially irreverent toward conventional religion, notably Letters from the Earth, which was not published until his daughter Clara reversed her position in 1962 in response to Soviet propaganda about the withholding. The anti-religious The Mysterious Stranger was published in 1916. Little Bessie, a story ridiculing Christianity, was first published in the 1972 collection Mark Twain's Fables of Man.
Despite these views, he raised money to build a Presbyterian Church in Nevada in 1864, although it has been argued that it was only by his association with his Presbyterian brother that he did that.
Twain created a reverent portrayal of Joan of Arc, a subject over which he had obsessed for forty years, studied for a dozen years and spent two years writing. In 1900 and again in 1908, he stated, "I like Joan of Arc best of all my books, it is the best."
Those who knew Twain well late in life recount that he dwelt on the subject of the afterlife, his daughter Clara saying: "Sometimes he believed death ended everything, but most of the time he felt sure of a life beyond."
Mark Twain's frankest views on religion appeared in his final Autobiography which was published 100 years after his death, in November 2010. In it, he said,
Twain was a Freemason. He belonged to Polar Star Lodge No. 79 A.F.&A.M.;, based in St. Louis. He was initiated an Entered Apprentice on May 22, 1861, passed to the degree of Fellow Craft on June 12, and raised to the degree of Master Mason on July 10.
in the Braeswood Place neighborhood of Houston, Texas]]
Public Library in Garden City, Kansas]]
Twain's legacy lives on today as his namesakes continue to multiply. Several schools are named after him, including Mark Twain Elementary School in Houston, Texas, which has a statue of Twain sitting on a bench, and Mark Twain Intermediate School in New York. There are several schools named Mark Twain Middle School in different states, as well as Samuel Clemens High School in Schertz, near San Antonio, Texas. There are also other structures, such as the Mark Twain Memorial Bridge.
Mark Twain Village is a United States Army installation located in the Südstadt district of Heidelberg, Germany. It is one of two American bases in the United States Army Garrison Heidelberg that house American soldiers and their families (the other being Patrick Henry Village).
Awards in his name proliferate. In 1998, The John F. Kennedy Center for the Performing Arts created the Mark Twain Prize for American Humor, awarded annually. The Mark Twain Award is an award given annually to a book for children in grades four through eight by the Missouri Association of School Librarians. Stetson University in DeLand, Florida sponsors the Mark Twain Young Authors' Workshop each summer in collaboration with the Mark Twain Boyhood Home & Museum in Hannibal. The program is open to young authors in grades five through eight. The museum sponsors the Mark Twain Creative Teaching Award.
in Sydney, Australia]]
Buildings associated with Twain, including some of his many homes, have been preserved as museums. His birthplace is preserved in Florida, Missouri. The Mark Twain Boyhood Home & Museum in Hannibal, Missouri preserves the setting for some of the author's best known work. The home of childhood friend Laura Hawkins, said to be the inspiration for his fictional character Becky Thatcher, is preserved as the "Thatcher House".In May 2007, a painstaking reconstruction of the home of Tom Blankenship, the inspiration for Huckleberry Finn, was opened to the public. The family home he had built in Hartford, Connecticut, where he and his wife raised their three daughters, is preserved and open to visitors as the Mark Twain House.
Actor Hal Holbrook created a one-man show called Mark Twain Tonight, which he has performed regularly for about years. The broadcast by CBS in 1967 won him an Emmy Award. Of the three runs on Broadway (1966, 1977, and 2005), the first won him a Tony Award.
Additionally, like many influential individuals, Twain was honored by having an asteroid, 2362 Mark Twain, named after him.
Often, Twain is depicted in pop culture as wearing a white suit. While there is evidence that suggests that, after Livy's death in 1904, Twain began wearing white suits on the lecture circuit, modern representations suggesting that he wore them throughout his life are unfounded. There is no evidence of him wearing a white suit before 1904; however, it did eventually become his trademark, as illustrated in anecdotes about this eccentricity (such as the time he wore a white summer suit to a Congressional hearing during the winter). In 2011, the US Postal Service plans to release another stamp in his honor.
He maintained that his primary pen name came from his years working on Mississippi riverboats, where two fathoms, a depth indicating safe water for passage of boat, was measured on the sounding line. A fathom is a maritime unit of depth, equivalent to two yards (1.8 m); twain is an archaic term for "two". The riverboatman's cry was mark twain or, more fully, by the mark twain, meaning "according to the mark [on the line], [the depth is] two [fathoms]", that is, "The water is deep and it is safe to pass".
Twain claimed that his famous pen name was not entirely his invention. In Life on the Mississippi, he wrote:
Captain Isaiah Sellers was not of literary turn or capacity, but he used to jot down brief paragraphs of plain practical information about the river, and sign them "MARK TWAIN", and give them to the New Orleans Picayune. They related to the stage and condition of the river, and were accurate and valuable; ... At the time that the telegraph brought the news of his death, I was on the Pacific coast. I was a fresh new journalist, and needed a nom de guerre; so I confiscated the ancient mariner's discarded one, and have done my best to make it remain what it was in his hands – a sign and symbol and warrant that whatever is found in its company may be gambled on as being the petrified truth; how I have succeeded, it would not be modest in me to say.
Twain's version of the story about his nom de plume has been questioned by biographer George Williams III, the Territorial Enterprise newspaper, and Purdue University's Paul Fatout. which claim that mark twain refers to a running bar tab that Twain would regularly incur while drinking at John Piper's saloon in Virginia City, Nevada.
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Category:1835 births Category:1910 deaths Category:American agnostics Category:American humorists Category:American memoirists Category:American novelists Category:American satirists Category:American short story writers Category:American travel writers Category:Alternate history writers Category:American autobiographers Category:Writers from Connecticut Category:Writers from Missouri Category:Writers from Nevada Category:Literary collaborators Category:Holy Land travellers Category:People of the Philippine–American War Category:People of the California Gold Rush Category:People from Elmira, New York Category:People from Hannibal, Missouri Category:People from St. Louis, Missouri Category:People from Monroe County, Missouri Category:Lecturers Category:Critics of Christian Science
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Having learned from his grandfather, Bellini left provincial Catania in June 1819 to study at the conservatory in Naples, with a stipend from the municipal government of Catania. By 1822 he was in the class of the director Nicolò Zingarelli, studying the masters of the Neapolitan school and the orchestral works of Haydn and Mozart. It was the custom at the Conservatory to introduce a promising student to the public with a dramatic work: the result was Bellini's first opera Adelson e Salvini an opera semiseria that was presented at the Conservatory's theatre. Bellini's next opera, Bianca e Gernando, met with some success at the Teatro San Carlo, leading to a commission from the impresario Barbaia for an opera at La Scala. Il pirata was a resounding immediate success and began Bellini's faithful and fruitful collaboration with the librettist and poet Felice Romani, and cemented his friendship with his favored tenor Giovanni Battista Rubini, who had sung in Bianca e Gernando. in Paris]] Bellini spent the next years, 1827–33 in Milan, where all doors were open to him. Sparking controversy in the press for its new style and its restless harmonic shifts into remote keys, La straniera (1828) was even more successful than Il pirata, and allowed Bellini to support himself solely by his opera commissions. The composer showed the taste for social life and the dandyism that Heinrich Heine emphasized in his literary portrait of Bellini (Florentinische Nächte, 1837). Opening a new theatre in Parma, his Zaira (1829) was a failure at the Teatro Ducale, but Venice welcomed I Capuleti e i Montecchi, which was based on the same Italian source as Shakespeare's Romeo and Juliet.
The next five years were triumphant, with major successes with his greatest works, La sonnambula, Norma and I puritani, cut short by Bellini's premature death.
Bellini died in Puteaux, near Paris of acute inflammation of the intestine, and was buried in the cemetery of Père Lachaise, Paris; his remains were removed to the cathedral of Catania in 1876. The Museo Belliniano housed in the Gravina Cruyllas Palace, in Catania, preserves memorabilia and scores.
*Tre Ariette: 1. Il Fervido Desiderio 2. Dolente Immagine di Fille Mia 3. Vaga Luna che Inargenti
*Sei Ariette: 1. Malinconia, Ninfa Gentile 2. Vanne, O Rosa Fortunata 3. Bella Nice, che d'Amore
4. Almem se non poss'io 5. Per pieta, bell'idol mio 6. Ma rendi pur contento
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Charles-Camille Saint-Saëns () (9 October 183516 December 1921) was a French Late-Romantic composer, organist, conductor, and pianist, known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Havanaise, Introduction and Rondo capriccioso, Cello Concerto No.1 in A minor, and his Symphony No. 3 (Organ Symphony).
He then studied composition under Fromental Halévy at the Conservatoire de Paris. Saint-Saëns won many top prizes and gained a reputation that resulted in his introduction to Franz Liszt, who would become one of his closest friends. At the age of sixteen, Saint-Saëns wrote his first symphony; his second, published as Symphony No. 1 in E-flat major, was performed in 1853 to the astonishment of many critics and fellow composers. Hector Berlioz, who also became a good friend, famously remarked, Il sait tout, mais il manque d'inexpérience ("He knows everything, but lacks inexperience").
From 1861 to 1865, Saint-Saëns held his only teaching position as professor of piano at the École Niedermeyer, where he raised eyebrows by including contemporary music—Liszt, Gounod, Schumann, Berlioz, and Wagner—along with the school's otherwise conservative curriculum of Bach and Mozart. His most successful students at the Niedermeyer were André Messager and Gabriel Fauré, who was Saint-Saëns's favourite pupil and soon his closest friend.
Saint-Saëns was a multi-faceted intellectual. From an early age, he studied geology, archaeology, botany, and lepidoptery. He was an expert at mathematics. Later, in addition to composing, performing, and writing musical criticism, he held discussions with Europe's finest scientists and wrote scholarly articles on acoustics, occult sciences, Roman theatre decoration, and ancient instruments. He wrote a philosophical work, Problèmes et mystères, which spoke of science and art replacing religion; Saint-Saëns's pessimistic and atheistic ideas foreshadowed Existentialism. Other literary achievements included Rimes familières, a volume of poetry, and La crampe des écrivains, a successful farcical play. He was also a member of the Astronomical Society of France; he gave lectures on mirages, had a telescope made to his own specifications, and even planned concerts to correspond to astronomical events such as solar eclipses.
In 1870, the Franco-Prussian War, despite being over in barely six months, left an indelible mark on the composer. He was relieved from fighting duty as one of the favourites of a relative of emperor Napoleon III, but fled nonetheless to London for several months when the Paris Commune broke out in the besieged Paris of winter 1871, his fame and societal status posing a threat to his survival. In the same year, he co-founded with Romain Bussine the Société Nationale de Musique in order to promote a new and specifically French music. After the fall of the Paris Commune, the Society premiered works by members such as Fauré, César Franck, Édouard Lalo, and Saint-Saëns himself, who served as the society's co-president. In this way, Saint-Saëns became a powerful figure in shaping the future of French music.
In 1875, Saint-Saëns married Marie-Laure Truffot and they had two children, André and Jean-François, who died within six weeks of each other in 1878. Saint-Saëns left his wife three years later. The two never divorced, but lived the rest of their lives apart from one another.
In 1908, he had the distinction of being the first celebrated composer to write a musical score to a motion picture, The Assassination of the Duke of Guise (L'assassinat du duc de Guise), directed by Charles Le Bargy and André Calmettes, adapted by Henri Lavedan, featuring actors of the Comédie Française. It was 18 minutes long, a considerable run time for the day.
In 1915, Saint-Saëns traveled to San Francisco, California and guest conducted the San Francisco Symphony Orchestra during the Panama-Pacific International Exposition, one of two world's fairs celebrating the completion of the Panama Canal.
Saint-Saëns continued to write on musical, scientific and historical topics, travelling frequently before spending his last years in Algiers, Algeria. In recognition of his accomplishments, the government of France awarded him the Légion d'honneur.
Saint-Saëns died of pneumonia on 16 December 1921 at the Hôtel de l'Oasis in Algiers. His body was repatriated to Paris, honoured by state funeral at La Madeleine, and interred at Cimetière du Montparnasse in Paris.
Saint-Saëns had been an early champion of Richard Wagner's music in France, teaching his pieces during his tenure at the École Niedermeyer and premiering the March from Tannhäuser. He had stunned even Wagner himself when he sight-read the entire orchestral scores of Lohengrin, Tristan und Isolde, and Siegfried, prompting Hans von Bülow to refer to him as "the greatest musical mind" of the era. However, despite admitting appreciation for the power of Wagner's work, Saint-Saëns defiantly stated that he was not an aficionado. In 1886, Saint-Saëns was punished for some particularly harsh and anti-German comments on the Paris production of Lohengrin by losing engagements and receiving negative reviews throughout Germany. Later, after World War I, Saint-Saëns angered both French and Germans with his inflammatory articles entitled Germanophilie, which ruthlessly attacked Wagner.
Saint-Saëns edited Jean-Philippe Rameau's Pièces de clavecin, and published them in 1895 through Durand in Paris (re-printed by Dover in 1993).
According to a well known anecdote which has not been confirmed, however, Saint-Saëns stormed out of the première of Igor Stravinsky's Le sacre du printemps (The Rite of Spring) On 29 May 1913, allegedly infuriated over what he considered the misuse of the bassoon in the ballet's opening bars.
As a composer, Saint-Saëns was often criticized for his refusal to embrace romanticism and at the same time, rather paradoxically, for his adherence to the conventions of 19th-century musical language. He is remembered chiefly for works such as The Carnival of the Animals, which was not published in full until after his death - reportedly because Saint-Saëns feared it would affect his reputation as a serious composer; the Introduction and Rondo Capriccioso for violin and orchestra, the operas Samson and Delilah and Henry VIII (of which only the first is frequently performed today), the Symphony No. 3; the second, fourth and fifth piano concertos; the third violin concerto; the first cello concerto; and the first violin sonata.
Saint-Saëns' concertos and many of his chamber music works are both technically difficult and transparent, requiring the skills of a virtuoso. The later chamber music pieces, such as the second violin sonata, the second cello sonata, and the second piano trio, are less accessible to a listener than earlier pieces in the same form. They were composed and performed when Saint-Saëns was already slipping in popularity and, as a result, they are little known. They show a willingness to experiment with more progressive musical language and to abandon lyricism and charm for more profound expression.
The piano music, while not as deep or as challenging as that of some of his contemporaries, occupies the stylistic ground between Liszt and Ravel. At times brilliant, transparent and idiomatic, the music for two pianos includes the Variations on a Theme by Beethoven, the Scherzo, a palindromic piece that uses a blend of modern tonalities and conventional gestures, and the Caprice arabe, a rhythmically inventive fantasy that pays homage to the music of northern Africa. Although Saint-Saëns was considered old-fashioned in later life, he explored many new forms and reinvigorated some older ones. His compositional approach was inspired by French classicism, which makes him an important forerunner of the neoclassicism of Ravel and others.
In performance, Saint-Saëns is said to have been "unequalled on the organ", and rivaled by only a few on the piano. However, Saint-Saëns's concert style was restrained, subtle, and cool; he sat unmoving at the piano. His playing was marked by extraordinarily even scales and passagework, great speed, and aristocratic refinement. The recordings he left at the end of his life give glimpses of these traits. He was often charged with being unemotional and business-like, less memorable than other more charismatic performers. He was probably the first pianist to publicly perform a cycle of all the Mozart piano concertos. In some cases these influenced his own piano concertos; for example, the first movement of his 4th Piano Concerto in C minor strongly resembles the last movement of Mozart's 24th Concerto, which is in the same key. In turn, his own concertos appear to have influenced those of Sergei Rachmaninoff and other later Romantic composers. Throughout his life, Saint-Saëns continued to play with the technique taught to him by Stamaty, using the strength of the hand rather than the arm. Claudio Arrau never forgot the ease with which Saint-Saëns played (he cites Chopin's fourth scherzo as an example).
Saint-Saëns's early start and his long life provided him with time to write hundreds of compositions; during his career, he wrote many dramatic works, including four symphonic poems, and thirteen operas, of which Samson et Dalila and the symphonic poem Danse macabre are among his most famous. In all, he composed over 300 works and was the first major composer to write music specifically for the cinema, for Henri Lavedan's film The Assassination of the Duke of Guise (Op. 128, 1908).
Saint-Saëns wrote five symphonies, although only three of these are numbered. He withdrew the first, written for a Mozartian-scale orchestra, and the third, a competition piece. His symphonies are a significant contribution to the genre during a period when the French symphonic tradition was otherwise in decline. Saint-Saëns also contributed voluminously to the French concertante literature; he wrote five piano concertos, three violin concertos, two cello concertos, and about twenty smaller concertante works for soloist and orchestra, including a colorfully orchestrated piano fantasy, Africa; the Havanaise and the Introduction and Rondo capriccioso for violin and orchestra; and the Morceau de concert for harp and orchestra. Of the concertos, the Second Piano concerto is one of the most popular of virtuoso piano concertos, and the Third Violin Concerto and First Cello Concerto also remain popular.
In 1886 he wrote his final symphony, the Symphony No. 3, avec orgue (with organ), one of his best-known works. The motif of the third became the inspiration for the 1978 song If I Had Words by Scott Fitzgerald and Yvonne Keeley. Aided by the monumental symphonic organs built in France by Aristide Cavaillé-Coll, at that time the world's foremost organ builder, this work demonstrates the spirit of "gigantism" and the confidence of France in the Belle Époque at the end of the 19th century, a period that produced the Eiffel Tower, the Universal Exposition at Paris. The confident Maestoso fourth movement perhaps reflects the confidence of Europe in its technology, its science, its "age of reason". He was frequently named as "the most German of all the French composers", perhaps due to his use of counterpoint.
In 1886, Saint-Saëns also completed The Carnival of the Animals, which was first performed privately on 9 March. In contrast with the work's later popularity, Saint-Saëns forbade complete performances of it shortly after its première, allowing only one movement, Le cygne (The Swan) for cello and two pianos, to be published in his lifetime. Carnival was written as a musical jest, and Saint-Saëns believed it would damage his reputation as a serious composer. In fact, since its posthumous publication, this work's imagination and musical brilliance have impressed listeners and critics.
Saint-Saëns also wrote six preludes and fugues for organ, three in Op. 99 and three in Op. 109, of which Op. 99, no. 3 in E flat major is most often performed.
The opera Hélène was composed by Saint-Saëns for the great Australian soprano, Dame Nellie Melba, in 1904. Unstaged after its premiere in Monaco, it was performed in the soprano's home city (Melbourne) during January 2008.
One of Saint-Saëns's symphonic poems, Le rouet d'Omphale, Op. 31, became famous to a new generation of listeners beginning in 1937 through its use of the ominous middle section of it as the theme to the long-running radio program, The Shadow.
He was also rumoured to be homosexual.
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Zimerman is best known for his interpretations of Romantic music, but has performed a wide variety of classical pieces as well. He has also been a supporter of contemporary music. For example, Witold Lutosławski wrote his piano concerto for Zimerman, who later recorded it. Amongst his best-known recordings are the piano concerti of Edvard Grieg and Robert Schumann with conductor Herbert von Karajan; the Brahms concerti with Leonard Bernstein, the piano concerti of Frédéric Chopin, one recording conducted by Carlo Maria Giulini and a later one conducted by himself at the keyboard; the Third, Fourth and Fifth Piano Concertos of Beethoven under Bernstein (Zimerman himself led the accompaniment of the Vienna Philharmonic from the keyboard in Beethoven's First and Second Concertos); the first and second piano concerti of Rachmaninoff; the piano concerti of Franz Liszt with Seiji Ozawa, the piano concerti of Maurice Ravel with Pierre Boulez, and solo piano works by Frédéric Chopin, Franz Liszt, Claude Debussy and Franz Schubert. Recently, Zimerman recorded Brahms' Piano Concerto No. 1 with Berlin Philharmonic conducted by Simon Rattle (DG 477 5413; Limited Edition DG 477 6021).
Category:1956 births Category:Living people Category:Chopin Competition winners Category:People from Zabrze Category:Polish classical pianists Category:Polish music educators
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When his engagement to Isabella Hampton was opposed by her parents, Wieniawski wrote Légende, Op. 17; this work helped the parents change their mind, and the couple married in 1860.
At the invitation of Anton Rubinstein, Wieniawski moved to St. Petersburg, where he lived from 1860 to 1872, taught many violin students, and lead the Russian Musical Society's orchestra and string quartet. From 1872 to 1874, Wieniawski toured the United States with Rubinstein. Wieniawski replaced Henri Vieuxtemps as violin professor at the Conservatoire Royal de Bruxelles in 1875.
During his residence in Brussels, Wieniawski's health declined, and he often had to stop in the middle of concerts. He started a tour of Russia in 1879 but was unable to complete it. He was taken to a hospital in Odessa after a concert. On 14 February 1880, Tchaikovsky's patroness Nadezhda von Meck took him into her home and provided him with medical attention. His friends also arranged a benefit concert to help provide for his family. He died in Moscow a few weeks later from a heart attack and was interred in the Powązki Cemetery in Warsaw.
His daughter Régine Wieniawski, born in Brussels the year before his death, also became a composer. She published her early works as "Irène Wieniawska," but after marrying Sir Aubrey Dean Paul and becoming a British subject, she used the pseudonym "Poldowski."
Wieniawski was a player in the Beethoven Quartet Society in London where he also performed on viola.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
The first violin competition named after Wieniawski took place in Warsaw in 1935. Ginette Neveu took first prize, David Oistrakh second, and Henri Temianka third. The International Henryk Wieniawski Violin Competition has been held every five years since 1952.
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Chopin was born in Żelazowa Wola, a village in the Duchy of Warsaw. A renowned child-prodigy pianist and composer, he grew up in Warsaw and completed his musical education there. Following the Russian suppression of the Polish November 1830 Uprising, he settled in Paris as part of the Polish Great Emigration. He supported himself as a composer and piano teacher, giving few public performances. From 1837 to 1847 he carried on a relationship with the French woman writer George Sand. For most of his life, Chopin suffered from poor health; he died in Paris in 1849 at the age of 39.
All of Chopin's works involve the piano. They are technically demanding but emphasize nuance and expressive depth. Chopin invented the musical form known as the instrumental ballade and made major innovations to the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude.
Frédéric Chopin was the couple's second child and only son. (The eldest child, Ludwika, was to become his first piano teacher, and several decades later was to repatriate his heart from Paris.) He was born at Żelazowa Wola, forty-six kilometres west of Warsaw, in what was the Duchy of Warsaw. The parish baptismal record, discovered in 1892, gives his birthday as 22 February 1810, but a date one week later, 1 March, was stated by the composer and his family as his birthday; he was "born 1 March 1810 at the village of Żelazowa Wola in the Province of Mazowsze." He was baptized on Easter Sunday, 23 April 1810, in the same Brochów church where his parents had married. The parish register cites his given names in the Latin form Fridericus Franciscus; which also hosted the newly founded Warsaw University. The family lived in a spacious second-floor apartment in an adjacent building. Chopin attended the Warsaw Lyceum from 1823 to 1826.
The Polish spirit, culture and language pervaded the Chopins' home, and as a result the son would never, even in Paris, perfectly master the French language. Louis Énault, a biographer, borrowed George Sand's phrase to describe Chopin as being "more Polish than Poland".
Others in Chopin's family were musically talented. Chopin's father played the flute and violin; his mother played the piano and gave lessons to boys in the elite boarding house that the Chopins maintained. As a result Fryderyk became conversant with music in its various forms at an early age. He received his earliest piano lessons not from his mother but from his older sister Ludwika (in English, "Louise"). Though the youngster's skills soon surpassed his teacher's, Chopin later spoke highly of Żywny. Seven-year-old "little Chopin" (Szopenek) began giving public concerts that soon prompted comparisons with Mozart as a child and with Beethoven.
manor where Chopin vacationed in 1824 and 1825]] In those years, Chopin was sometimes invited to the Belweder Palace as playmate to the son of Russian Poland's ruler, Grand Duke Constantine, and charmed the irascible duke with his piano-playing.
At the village of Szafarnia (where he was a guest of Juliusz Dziewanowski, father of schoolmate Dominik Dziewanowski) and at his other vacation venues, Chopin was exposed to folk melodies that he later transmuted into original compositions. His missives home from Szafarnia (the famous self-styled "Szafarnia Courier" letters), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
In 1827 the family moved to lodgings just across the street from Warsaw University, in the south annex of the Krasiński Palace at Krakowskie Przedmieście 5 (what is now the Warsaw Academy of Fine Arts). Here the parents continued running their elite boarding house for male students. Young Chopin would live here until he left Warsaw in 1830. (In 1837–39, artist and poet Cyprian Norwid would live there while study painting at the Academy of Fine Arts; later he would pen the famous poem, "Chopin's Piano," about Russian troops' 1863 defenestration of the instrument.) The Chopin family's parlor (salonik Chopinów) is now maintained as a museum open to visitors; it was in this parlor that Chopin first played many of his early compositions.
In 1829, Polish portraitist Ambroży Mieroszewski executed a set of five portraits of Chopin family members (the youngest daughter, Emilia, had died in 1827): Chopin's parents, his elder sister Ludwika, younger sister Izabela, and, in the first known portrait of him, the composer himself. (The originals perished in World War II; only black-and-white photographs remain.) In 1913, historian Édouard Ganche would write that this painting of the precocious composer showed "a youth threatened by tuberculosis. His skin is very white, he has a prominent Adam's apple and sunken cheeks, even his ears show a form characteristic of consumptives." Chopin's younger sister Emilia had already died of tuberculosis at the age of fourteen, and their father would succumb to the same disease in 1844. His compositions were, however, often inspired by emotional and sensual experiences in his own life. One of his first such inspirations was a beautiful young singing student at the Warsaw Conservatory and later a singer at the Warsaw Opera, Konstancja Gładkowska. In letters to his friend Tytus Woyciechowski, Chopin indicated which of his works, and even which of their passages, were influenced by his erotic transports. His artist's soul was also enriched by friendships with such leading lights of Warsaw's artistic and intellectual world as Maurycy Mochnacki, Józef Bohdan Zaleski and Julian Fontana.
Back in Warsaw, in 1829, Chopin heard Niccolò Paganini play and met the German pianist and composer Johann Nepomuk Hummel. In August the same year, three weeks after completing his studies at the Warsaw Conservatory, Chopin made a brilliant debut in Vienna. He gave two piano concerts and received many favorable reviews – in addition to some that criticized the "small tone" that he drew from the piano. improvisation," in his native Polish language into the pages of a little journal that he kept secret to the end of his life. He expressed fear for the safety of his family and other civilians, especially the womenfolk at risk of outrages by the Russian troops; mourned the death of "kindly [General] Sowiński" (to whose wife he had dedicated a composition); damned the French for not having come to the aid of the Poles; and expressed dismay that God had permitted the Russians to crush the Polish insurgents – "or are you [God] yourself a Russian?" These outcries of a tormented heart found musical expression in his Scherzo in B minor, Op. 20, and his "Revolutionary Étude", in C minor, Op. 10, No. 12. With a view to easing his entry into the Parisian musical community, he began taking lessons from the prominent pianist Friedrich Kalkbrenner. In February 1832 Chopin gave a concert that garnered universal admiration. The influential musicologist and critic François-Joseph Fétis wrote in Revue musicale: "Here is a young man who, taking nothing as a model, has found, if not a complete renewal of piano music, then in any case part of what has long been sought in vain, namely, an extravagance of original ideas that are unexampled anywhere..." Only three months earlier, in December 1831, Robert Schumann, reviewing Chopin's Variations on "La ci darem la mano", Op. 2 (variations on a theme from Mozart's opera Don Giovanni), had written: "Hats off, gentlemen! A genius."
After his Paris concert début in February 1832, Chopin realized that his light-handed keyboard technique was not optimal for large concert spaces. However, later that year he was introduced to the wealthy Rothschild banking family, whose patronage opened doors for him to other private salons. He formed friendships with Hector Berlioz, Franz Liszt, Vincenzo Bellini, Ferdinand Hiller, Felix Mendelssohn, Heinrich Heine, Eugène Delacroix, Prince Adam Jerzy Czartoryski, Alfred de Vigny, and Charles-Valentin Alkan. in France he used the French versions of his given names and traveled on a French passport, possibly to avoid having to rely on Imperial Russian documents. The French passport was issued on August 1, 1835, after Chopin had become a French citizen.
In Paris, Chopin seldom performed publicly. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons – social gatherings of the aristocracy and artistic and literary elite – but preferred playing at his own Paris apartment for small groups of friends. His precarious health prevented his touring extensively as a traveling virtuoso, and beyond playing once in Rouen, he seldom ventured out of the capital.
(self-portrait)]]
In 1835 Chopin went to Carlsbad, where, for the last time in his life, he met with his parents. En route through Saxony on his way back to Paris, he met old friends from Warsaw, the Wodzińskis. He had made the acquaintance of their daughter Maria, now sixteen, in Poland five years earlier, and fell in love with the charming, artistically talented, intelligent young woman. The following year, in September 1836, upon returning to Dresden after having vacationed with the Wodzińskis at Marienbad, Chopin proposed marriage to Maria. She accepted, and her mother Countess Wodzińska approved in principle, but Maria's tender age and Chopin's tenuous health (in the winter of 1835–1836 he had been so ill that word had circulated in Warsaw that he had died) forced an indefinite postponement of the wedding. The engagement remained a secret to the world and never led to the altar. Chopin finally placed the letters from Maria and her mother in a large envelope, on which he wrote the Polish words "Moja bieda" ("My sorrow").
After Chopin's matrimonial plans ended, Polish countess Delfina Potocka appeared episodically in Chopin's life as muse and romantic interest. He dedicated to her his Waltz in D flat major, Op. 64, No. 1, the famous "Minute Waltz".
Chopin initially felt an aversion to Sand. Sand, however, in a candid thirty-two page letter to Count Wojciech Grzymała, a friend to both her and Chopin, admitted strong feelings for the composer. In her letter she debated whether to abandon a current affair in order to begin a relationship with Chopin, and attempted to gauge the currency of his previous relationship with Maria Wodzińska, which she did not intend to interfere with should it still exist. By the summer of 1838, Chopin's and Sand's involvement was an open secret. In 1842, they moved to 80 rue Taitbout in the Square d'Orléans, living in adjacent buildings.
It was around this time that we have evidence of Chopin's playing an instrument other than the piano. At the funeral of the tenor Adolphe Nourrit, who had jumped to his death in Naples but whose body was returned to Paris for burial, Chopin played an organ transcription of Franz Schubert's lied Die Gestirne.
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet but productive days during which he composed many works. They included his Polonaise in A flat major, Op. 53, the "Heroic", one of his most famous pieces. It is to Sand that we owe the most compelling description of Chopin's creative processes—of the rise of his inspirations and of their painstaking working-out, sometimes amid real torments, amid weeping and complaints, with hundreds of changes in the initial concept, only to return to the initial idea.
In 1847, without any dramatics or formalities, Sand and Chopin ended their relations that had lasted ten years, since 1837. The two composers repose four meters apart at Père Lachaise Cemetery.
In late October 1848, at the home of Dr. Łyszczyński, Chopin wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere," he wrote his friend Wojciech Grzymała. In his thoughts he was now constantly with his mother and sisters, and conjured up for himself scenes of his native land by playing his adaptations of its folk music on cool Scottish evenings at Miss Stirling's castle.
At the end of November, Chopin returned to Paris.
On 15 October, when his condition took a marked turn for the worse, his numerous visitors were asked to leave, and a handful of his closest friends remained with him. A couple of times during those last two days, they thought that the end had come, but the composer was able to catch his breath again. He asked Delfina Potocka to play sonatas and prayed and called out to God, though only a few days earlier he had refused confession, saying that he did not believe in it. He complained that George Sand had promised that he "would die in her arms." He asked for a piece of paper and wrote: "Comme cette terre m'étouffera, je vous conjure de faire ouvrir mon corps pour [que] je ne sois pas enterré vif." ("As this earth will suffocate me, I implore you to have my body opened so that I will not be buried alive.")
Frédéric Chopin's illness and the cause of his death remained unclear and consequently have become a matter of medical argument. His death certificate stated the cause as tuberculosis. In 2008 an alternative cause of Chopin's death would be proposed: cystic fibrosis. In counterpoint, it can well be argued that survival with cystic fibrosis in the 1800s until the age of 39 was virtually impossible, without modern respiratory therapy and medical support. Given the contextual facts, it is much more likely that Chopin suffered from pulmonary tuberculosis.
Many people who had not been present at Chopin's death would later claim to have been there. "Being present at Chopin's death," writes Tad Szulc, "seemed to grant one historical and social cachet." Those actually around his bed appear to have included his sister Ludwika Jędrzejewicz, Princess Marcelina Czartoryska, Solange and Auguste Clésinger (George Sand's daughter and son-in-law), Chopin's friend and former pupil Adolf Gutmann, his friend Thomas Albrecht, and his confidant, Polish Catholic priest Father Aleksander Jełowicki. Also played were Chopin's Préludes No. 4 in E minor and No. 6 in B minor. The organist was Franz Liszt.
The funeral was attended by nearly three thousand people, but George Sand was not among them.
The funeral procession traversed the considerable distance from the church, in the center of town, adjacent to the Opera, to Père Lachaise Cemetery at the city's eastern edge. It was led by the dean of the Polish Great Emigration, the aged Prince Adam Jerzy Czartoryski; immediately after the casket, which was borne by shifts of artists (including Eugène Delacroix, cellist Auguste Franchomme and pianist Camille Pleyel), walked Chopin's sister Ludwika.
Chopin's tombstone, featuring the muse of music, Euterpe, weeping over a broken lyre, was designed and sculpted by Auguste Clésinger. The expenses of the funeral and monument, in the amount of five thousand francs, were covered by Jane Stirling, who also paid for Chopin's sister's return to Warsaw.
In 1926 a bronze statue of Chopin, designed by sculptor Wacław Szymanowski in 1907, was erected in the upper part of Warsaw's Royal Baths (Łazienki) Park, adjacent to Ujazdów Avenue (Aleje Ujazdowskie). The statue was originally to have been installed in 1910, on the centenary of Chopin's birth, but its execution was delayed by controversy about the design, then by the outbreak of World War I.
On 31 May 1940, during the German occupation of Poland in World War II, the statue was destroyed by the Nazis. It was reconstructed after the war, in 1958. Since 1959, free piano recitals of Chopin's compositions have been performed at the statue's base on summer Sunday afternoons. The stylized willow over Chopin's seated figure echoes a pianist's hand and fingers. Until 2007, the statue was the world's tallest monument to Chopin.
A 1:1-scale replica of Szymanowski's Art Nouveau statue is found in Warsaw's sister city of Hamamatsu, Japan. There are also preliminary plans to erect another replica along Chicago's lakefront in addition to a different sculpture commemorating the artist in Chopin Park for the 200th anniversary of Chopin's birth.
A bronze bust memorializing Chopin stands at Symphony Circle outside Kleinhans Music Hall in Buffalo, New York.
There are numerous other monuments to Chopin around the world. The most recent, by a small margin taller than the Warsaw statue, is a modernistic bronze sculpture by Lu Pin in Shanghai, China, that was unveiled on 3 March 2007.
The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw.
Established in 1954, the Fryderyk Chopin Museum is housed in Warsaw's Ostrogski Palace, seat of the Fryderyk Chopin Society. Refurbished for the 200th anniversary (2010) of Chopin's birth, the Fryderyk Chopin Museum is the most modern museum in Poland.
Periodically the Grand prix du disque de F. Chopin is awarded for notable Chopin recordings, both remastered and newly-recorded work.
Named for the composer are the largest Polish music conservatory, the Fryderyk Chopin University of Music in Warsaw; Warsaw Chopin Airport; and asteroid 3784 Chopin.
Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of Chopin's twenty-one Nocturnes were published only after his death in 1849, contrary to his wishes. He also endowed popular dance forms, such as the Polish mazurek and the Viennese Waltz, with a greater range of melody and expression.
Chopin's mazurkas, while based somewhat on the traditional Polish dance (the mazurek), were different from the traditional variety in that they were suitable for concerts halls as well as dance settings. With his mazurkas, Chopin brought a new sense of nationalism, which was an idea that other composers writing both at the same time as, and after, Chopin would also incorporate into their compositions. Chopin’s nationalism was a great influence and inspiration for many other composers, especially Eastern Europeans, and he was one of the first composers to clearly express nationalism through his music. Furthermore, he was the first composer to take a national genre of music from his home country and transform it into a genre worthy of the general concert-going public, thereby creating an entirely new genre.
Chopin was the first to write ballades and scherzi as individual pieces. He also took the example of Bach's preludes and fugues, transforming the genre in his own Préludes. Chopin reinvented the étude, expanding on the idea and making it into a gorgeous, eloquent and emotional showpiece. He also used his Études to teach his own revolutionary style, The Revolutionary Étude was not written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March was written before the rest of the sonata within which it is contained, but the exact occasion is not known; it appears not to have been inspired by any specific personal bereavement. Other melodies have been used as the basis of popular songs, such as the slow section of the Fantaisie-Impromptu (Op. posth. 66) and the first section of the Étude, Op. 10, No. 3. These pieces often rely on an intense and personalised chromaticism, as well as a melodic curve that resembles the operas of Chopin's day – the operas of Gioachino Rossini, Gaetano Donizetti, and especially Vincenzo Bellini. Chopin used the piano to recreate the gracefulness of the singing voice, and talked and wrote constantly about singers.
Chopin's style and gifts became increasingly influential. Robert Schumann was a huge admirer of Chopin's music, and he used melodies from Chopin and even named a piece from his suite Carnaval after Chopin. This admiration was not generally reciprocated, although Chopin did dedicate his Ballade No. 2 in F major to Schumann.
Franz Liszt was another admirer and personal friend of the composer, and he transcribed for piano six of Chopin's Polish songs. However, Liszt denied that he wrote Funérailles (subtitled "October 1849", the seventh movement of his piano suite Harmonies poétiques et religieuses of 1853) in memory of Chopin. Though the middle section seems to be modeled on the famous octave trio section of Chopin's Polonaise in A flat major, Op. 53, Liszt said the piece had been inspired by the deaths of three of his Hungarian compatriots in the same month. However, Liszt's Hungarian Rhapsody No. 2 in C-sharp minor borrows heavily from the "funeral march" third movement of Chopin's Piano Sonata No. 2 in B-flat minor. This influence can be seen in the first segment of Liszt's piece: this section expands on Chopin's minimalist melody.
Johannes Brahms and the younger Russian composers, too, found inspiration in Chopin's examples.
The series of seven Polonaises published in his lifetime (another nine were published posthumously), beginning with the Op. 26 pair, set a new standard for music in the form, and were rooted in Chopin's desire to write something to celebrate Polish culture after the country had fallen into Russian control. The Polonaise in A major, Op. 40, No. 1, the "Military," and the Polonaise in A-flat major, Op. 53, the "Heroic," are among Chopin's best-loved and most-often-played works.
Chopin also wrote 24 different preludes as a tribute to J. S. Bach's "The Well Tempered Clavier." Chopin's preludes move up the circle-of-fifths, where as Bach uses the chromatic scale to create a prelude in every major and minor tonality achievable on the clavier.
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However, while some can provide restrictive quotes about Chopin such as the above, often to the effect that "the accompanying hand always played in strict tempo", these quotes need to be considered in better context in terms both of the time when they were made and of the situations that may have prompted the original writer to set down the thoughts. Constantin von Sternberg (1852–1924) has written: }}
There are also views of contemporary writers such as Hector Berlioz.
This suggests that Chopin is not to be found at commonly encountered one-sided extremes. The unbalanced views are:
Some performers' (and piano-schools') "too-strongly-held one-sided views on Chopin's way of playing rubato" may account for some unsatisfactory interpretations of his music.
Chopin regarded most of his contemporaries with indifference, though he had many acquaintances who were associated with romanticism in music, literature, and the fine arts—many of them via his liaison with George Sand. Chopin's music is, however, considered by many to epitomise the Romantic style. The relative classical purity and discretion in his music, with little extravagant exhibitionism, partly reflects his reverence for Bach and Mozart.
Chopin never indulged in explicit "scene-painting" in his music, or used programmatic titles. He castigated publishers who renamed his compositions in this way.
Some Polish writers have used for Chopin's surname the Polonized spelling Szopen, pronounced .
Chopin composed:
*58 mazurkas
He also composed: a fantaisie, an Allegro de concert (which is possibly the remnant of an incomplete concerto), a barcarole, a berceuse, a bolero, a tarantelle, a contredanse, a fugue, a cantabile, a lento, a Funeral march, and a Feuille d'album.
Chopin's other works include: a krakowiak for piano and orchestra; Variations on "Là ci darem la mano" for piano and orchestra; fantasia on themes from Polish songs with accompanying orchestra; a trio for violin, cello and piano; a sonata for cello and piano; a Grand Duo in E major for cello and piano on themes from Giacomo Meyerbeer's opera Robert le diable, co-written with Auguste Franchomme; and 19 Polish songs for voice and piano.
Chopin expressed a deathbed wish that all his unpublished manuscripts be destroyed. However, at the request of the composer's mother and sisters, his pianist friend and musical executor Julian Fontana selected 23 unpublished piano pieces and grouped them into eight opus numbers (Opp. 66–73). These works were published in 1855.
In 1857, 17 Polish songs which Chopin wrote at various stages of his life were collected and published as Op. 74—the order within that opus having little regard to the actual order of composition. Two other songs were published in 1910.
Works that have been published since 1857 have not received opus numbers. Instead, alternate catalog designations have been applied to them.
How is one to know what the composer truly meant and wanted when we are presented with autographs and first drafts bearing the composer’s approval that differ in content? Details such as phrase markings, dynamics, fingerings, even the notes themselves are often subject to suspicion. The several editions of the time had different ways of dealing with this problem; the Germans of course believed that their version was infallible, the French called Chopin their own, having spent most of his adult life based in Paris, and the English publisher (a German who largely copied the French editions) annoyed Chopin by insisting on adding flowery titles to his pieces. Nearly 200 years later, the state of affairs in regards to Chopin editions has turned over a new leaf.
Today, several scholarly editions exist that attempt to organize the vast array of sources and compile the information in one presentable volume, notably the Paderewski and Polish National editions which contain lengthy and scholarly explanations and discussions regarding choices and sources. Even so, it is ultimately up to the taste of an editor as to which version of which piece suits them most at the given time, and perhaps Chopin himself faced the same dilemma, resulting in the variations we have today.
Chopin's life and his relations with George Sand have been fictionalized in film. The 1945 biopic A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and (2002). The 1975 Ken Russell film Lisztomania outlandishly portrayed Chopin and Sand's relationship as dominant and submissive, with Sand fulfilling the role of dominatrix over Chopin's submissive attitude.
Another reference to Chopin in cinema occurs in Ingmar Bergman's Autumn Sonata. The difference of interpretation of Chopin's Prelude No. 2 in A minor by the pianist Charlotte Andergast and her daughter Eva constitutes a major scene in the film.
The role-playing video game Eternal Sonata (2007) is set in a dream world, created by a fictional Chopin on his deathbed. Its story line refers to Chopin's life and music and his compositions are heard on the soundtrack. Periodically, episodes of Chopin's life are narrated, accompanied with photographs and video footage of relevant locations.
Category:1810 births Category:1849 deaths Category:Polish classical pianists Category:Polish composers Category:French composers Category:Romantic composers Category:19th-century composers Category:Child classical musicians Category:French music educators Category:University of Warsaw alumni Category:Activists of the Great Emigration Category:Polish expatriates in France Category:Polish people of French descent Category:Polish Roman Catholics Category:People from Sochaczew County Category:People from Warsaw Category:19th-century Polish people Category:Infectious disease deaths in France Category:Deaths from tuberculosis Category:Burials at Père Lachaise Cemetery
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Name | Bill Gates |
---|---|
Caption | Bill Gates at the World Economic Forum in Davos, 2007 |
Birth date | October 28, 1955 |
Birth place | Seattle, Washington, United States |
Nationality | American |
Occupation | Chairman of Microsoft Chairman of Corbis Co-Chair of the Bill & Melinda Gates Foundation Director of Berkshire Hathaway CEO of Cascade Investment |
Net worth | US$54 billion (2010) |
Spouse | |
Children | 3 |
Residence | Medina, WA |
Alma mater | Harvard University (dropped out in 1975) |
Website | Bill Gates |
Signature | BillGates Signature.svg |
Parents | William H. Gates, Sr. Mary Maxwell Gates |
William Henry "Bill" Gates III, (born October 28, 1955) is an American business magnate, philanthropist, author and chairman of Microsoft, the software company he founded with Paul Allen. He is consistently ranked among the world's wealthiest people and was the wealthiest overall from 1995 to 2009, excluding 2008, when he was ranked third. During his career at Microsoft, Gates held the positions of CEO and chief software architect, and remains the largest individual shareholder with more than 8 percent of the common stock. He has also authored or co-authored several books.
Gates is one of the best-known entrepreneurs of the personal computer revolution. Although he is admired by many, a number of industry insiders criticize his business tactics, which they consider anti-competitive, an opinion which has in some cases been upheld by the courts. In the later stages of his career, Gates has pursued a number of philanthropic endeavors, donating large amounts of money to various charitable organizations and scientific research programs through the Bill & Melinda Gates Foundation, established in 2000.
Bill Gates stepped down as chief executive officer of Microsoft in January 2000. He remained as chairman and created the position of chief software architect. In June 2006, Gates announced that he would be transitioning from full-time work at Microsoft to part-time work and full-time work at the Bill & Melinda Gates Foundation. He gradually transferred his duties to Ray Ozzie, chief software architect and Craig Mundie, chief research and strategy officer. Gates' last full-time day at Microsoft was June 27, 2008. He remains at Microsoft as non-executive chairman.
At 13 he enrolled in the Lakeside School, an exclusive preparatory school. When he was in the eighth grade, the Mothers Club at the school used proceeds from Lakeside School's rummage sale to buy an ASR-33 teletype terminal and a block of computer time on a General Electric (GE) computer for the school's students. Gates took an interest in programming the GE system in BASIC and was excused from math classes to pursue his interest. He wrote his first computer program on this machine: an implementation of tic-tac-toe that allowed users to play games against the computer. Gates was fascinated by the machine and how it would always execute software code perfectly. When he reflected back on that moment, he commented on it and said, "There was just something neat about the machine." After the Mothers Club donation was exhausted, he and other students sought time on systems including DEC PDP minicomputers. One of these systems was a PDP-10 belonging to Computer Center Corporation (CCC), which banned four Lakeside students—Gates, Paul Allen, Ric Weiland, and Kent Evans—for the summer after it caught them exploiting bugs in the operating system to obtain free computer time.
At the end of the ban, the four students offered to find bugs in CCC's software in exchange for computer time. Rather than use the system via teletype, Gates went to CCC's offices and studied source code for various programs that ran on the system, including programs in FORTRAN, LISP, and machine language. The arrangement with CCC continued until 1970, when the company went out of business. The following year, Information Sciences, Inc. hired the four Lakeside students to write a payroll program in COBOL, providing them computer time and royalties. After his administrators became aware of his programming abilities, Gates wrote the school's computer program to schedule students in classes. He modified the code so that he was placed in classes with mostly female students. He later stated that "it was hard to tear myself away from a machine at which I could so unambiguously demonstrate success." In early 1973, Bill Gates served as a congressional page in the U.S. House of Representatives.
Gates graduated from Lakeside School in 1973. He scored 1590 out of 1600 on the SAT and enrolled at Harvard College in the autumn of 1973. While at Harvard, he met Steve Ballmer, who later succeeded Gates as CEO of Microsoft. In his sophomore year, Gates devised an algorithm for pancake sorting as a solution to one of a series of unsolved problems, presented in a combinatorics class by Harry Lewis, one of his professors. Gates' solution, which was later formalized in a published paper in collaboration with Harvard computer scientist Christos Papadimitriou, held the record as the fastest version for over thirty years; its successor is faster by only one percent. and spent a lot of time using the school's computers. He remained in contact with Paul Allen, joining him at Honeywell during the summer of 1974. The following year saw the release of the MITS Altair 8800 based on the Intel 8080 CPU, and Gates and Allen saw this as the opportunity to start their own computer software company. He had talked this decision over with his parents, who were supportive of him after seeing how much Gates wanted to start a company. In reality, Gates and Allen did not have an Altair and had not written code for it; they merely wanted to gauge MITS's interest. MITS president Ed Roberts agreed to meet them for a demo, and over the course of a few weeks they developed an Altair emulator that ran on a minicomputer, and then the BASIC interpreter. The demonstration, held at MITS's offices in Albuquerque, was a success and resulted in a deal with MITS to distribute the interpreter as Altair BASIC. Paul Allen was hired into MITS, and Gates took a leave of absence from Harvard to work with Allen at MITS in Albuquerque in November 1975. They named their partnership "Micro-Soft" and had their first office located in Albuquerque. This letter was unpopular with many computer hobbyists, but Gates persisted in his belief that software developers should be able to demand payment. Microsoft became independent of MITS in late 1976, and it continued to develop programming language software for various systems.
During Microsoft's early years, all employees had broad responsibility for the company's business. Gates oversaw the business details, but continued to write code as well. In the first five years, he personally reviewed every line of code the company shipped, and often rewrote parts of it as he saw fit.
Gates oversaw Microsoft's company restructuring on June 25, 1981, which re-incorporated the company in Washington state and made Gates President of Microsoft and the Chairman of the Board.
As an executive, Gates met regularly with Microsoft's senior managers and program managers. Firsthand accounts of these meetings describe him as verbally combative, berating managers for perceived holes in their business strategies or proposals that placed the company's long-term interests at risk. He often interrupted presentations with such comments as, "That's the stupidest thing I've ever heard!" and, "Why don't you just give up your options and join the Peace Corps?" The target of his outburst then had to defend the proposal in detail until, hopefully, Gates was fully convinced.
Gates's role at Microsoft for most of its history was primarily a management and executive role. However, he was an active software developer in the early years, particularly on the company's programming language products. He has not officially been on a development team since working on the TRS-80 Model 100 line, but wrote code as late as 1989 that shipped in the company's products.
Many decisions that led to antitrust litigation over Microsoft's business practices have had Gates' approval. In the 1998 United States v. Microsoft case, Gates gave deposition testimony that several journalists characterized as evasive. He argued with examiner David Boies over the contextual meaning of words like "compete", "concerned" and "we". BusinessWeek reported:
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Gates later said that he had simply resisted attempts by Boies to mischaracterize his words and actions. As to his demeanor during the deposition, he said, "Did I fence with Boies? ... I plead guilty. Whatever that penalty is should be levied against me: rudeness to Boies in the first degree." Despite Gates's denials, the judge ruled that Microsoft had committed monopolization and tying, and blocking competition, both in violation of the Sherman Antitrust Act. As they are walking out of the mall, Seinfeld asks Gates if he has melded his mind to other developers, after getting a yes, he then asks if they are working on a way to make computers edible, again getting a yes. Some say that this is an homage to Seinfeld's own show about "nothing" (Seinfeld). In a second commercial in the series, Gates and Seinfeld are at the home of an average family trying to fit in with normal people.
In April 2010, Gates was invited to visit and speak at the Massachusetts Institute of Technology where he asked the students to take on the hard problems of the world in their futures.
His estate has a swimming pool with an underwater music system, as well as a gym and a dining room.
Also among Gates's private acquisitions is the Codex Leicester, a collection of writings by Leonardo da Vinci, which Gates bought for $30.8 million at an auction in 1994. Gates is also known as an avid reader, and the ceiling of his large home library is engraved with a quotation from The Great Gatsby. He also enjoys playing bridge, tennis, and golf.
Gates was number one on the "Forbes 400" list from 1993 through to 2007 and number one on Forbes list of "The World's Richest People" from 1995 to 2007 and 2009. In 1999, Gates's wealth briefly surpassed $101 billion, causing the media to call him a "centibillionaire". Since 2000, the nominal value of his Microsoft holdings has declined due to a fall in Microsoft's stock price after the dot-com bubble burst and the multi-billion dollar donations he has made to his charitable foundations. In a May 2006 interview, Gates commented that he wished that he were not the richest man in the world because he disliked the attention it brought. Gates has several investments outside Microsoft, which in 2006 paid him a salary of $616,667, and $350,000 bonus totalling $966,667. He founded Corbis, a digital imaging company, in 1989. In 2004 he became a director of Berkshire Hathaway, the investment company headed by long-time friend Warren Buffett. In March 2010 Bill Gates was bumped down to the 2nd wealthiest man behind Carlos Slim.
Gates began to realize the expectations others had of him when public opinion mounted that he could give more of his wealth to charity. Gates studied the work of Andrew Carnegie and John D. Rockefeller and in 1994 sold some of his Microsoft stock to create the William H. Gates Foundation. In 2000, Gates and his wife combined three family foundations into one to create the charitable Bill & Melinda Gates Foundation, which is the largest transparently operated charitable foundation in the world. The foundation is set up to allow benefactors access to how its money is being spent, unlike other major charitable organizations such as the Wellcome Trust. The generosity and extensive philanthropy of David Rockefeller has been credited as a major influence. Gates and his father have met with Rockefeller several times and have modeled their giving in part on the Rockefeller family's philanthropic focus, namely those global problems that are ignored by governments and other organizations. As of 2007, Bill and Melinda Gates were the second most generous philanthropists in America, having given over $28 billion to charity.
The foundation has also received criticism because it invests the assets that it has not yet distributed with the exclusive goal of maximizing the return on investment. As a result, its investments include companies that have been criticized for worsening poverty in the same developing countries where the Foundation is attempting to relieve poverty. These include companies that pollute heavily and pharmaceutical companies that do not sell into the developing world. In response to press criticism, the foundation announced in 2007 a review of its investments to assess social responsibility. It subsequently cancelled the review and stood by its policy of investing for maximum return, while using voting rights to influence company practices. Gates has made The Giving Pledge to donate over half of his wealth to charity.
Time magazine named Gates , as well as one of the 100 most influential people of 2004, 2005, and 2006. Time also collectively named Gates, his wife Melinda and U2's lead singer Bono as the 2005 Persons of the Year for their humanitarian efforts. In 2006, he was voted eighth in the list of "Heroes of our time". Gates was listed in the Sunday Times power list in 1999, named CEO of the year by Chief Executive Officers magazine in 1994, ranked number one in the "Top 50 Cyber Elite" by Time in 1998, ranked number two in the Upside Elite 100 in 1999 and was included in The Guardian as one of the "Top 100 influential people in media" in 2001.
In 1994, he was honoured as the twentieth Distinguished Fellow of the British Computer Society. Gates has received honorary doctorates from Nyenrode Business Universiteit, Breukelen, The Netherlands, in 2000; the Royal Institute of Technology, Stockholm, Sweden, in 2002; Waseda University, Tokyo, Japan, in 2005; Tsinghua University, Beijing, China, in April 2007; Harvard University in June 2007; the Karolinska Institutet, Stockholm, in January 2008, and Cambridge University in June 2009. He was also made an honorary trustee of Peking University in 2007. Gates was also made an honorary Knight Commander of the Order of the British Empire (KBE) by Queen Elizabeth II in 2005, in addition to having entomologists name the Bill Gates flower fly, Eristalis gatesi, in his honor.
In November 2006, he and his wife were awarded the Order of the Aztec Eagle for their philanthropic work around the world in the areas of health and education, particularly in Mexico, and specifically in the program "Un país de lectores". In October 2009, it was announced that Gates will be awarded the 2010 Bower Award for Business Leadership of The Franklin Institute for his achievements in business and for his philanthropic work. In 2010 he was honored with the Silver Buffalo Award by the Boy Scouts of America, its highest award for adults, for his service to youth.
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