Name	Alec
Type	sexi|usage Standard Definition video Standard definition sound PS2 Xbox Xbox 360 games
Capacity	4.7 GB (single-sided, single-layer – common)8.5–8.7 GB (single-sided, double-layer)9.4 GB (double-sided, single-layer)17.08 GB (double-sided, double-layer – rare)
Read	650 nm laser, 10.5 Mbit/s (1×)
Write	10.5 Mbit/s (1×)
Standard	DVD Forum's DVD Books and DVD+RW Alliance specifications
Owners/creators	Sony, Panasonic, Samsung, Toshiba, Philips }}

A DVD is an optical disc storage media format, invented and developed by Philips, Sony, Toshiba, and Panasonic in 1995. DVDs offer higher storage capacity than Compact Discs while having the same dimensions.

Pre-recorded DVDs are mass-produced using molding machines that physically stamp data onto the DVD. Such discs are known as DVD-ROM, because data can only be read and not written nor erased. Blank recordable DVDs (DVD-R and DVD+R) can be recorded once using optical disc recording technologies and supported by optical disc drives and DVD recorders and then function as a DVD-ROM. Rewritable DVDs (DVD-RW, DVD+RW, and DVD-RAM) can be recorded and erased multiple times.

DVDs are used in DVD-Video consumer digital video format and in DVD-Audio consumer digital audio format, as well as for authoring AVCHD discs. DVDs containing other types of information may be referred to as DVD data discs.

History

Before the advent of DVD and Blu-ray, the Video CD (abbreviated as VCD, and also known as View CD, Compact Disc digital video) became the first format for distributing digitally encoded films on standard 120 mm optical discs. (its predecessor CD Video used analog video encoding). VCD was on the market in 1993. In the same year, two new optical disc storage formats were being developed. One was the Multimedia Compact Disc (MMCD), backed by Philips and Sony, and the other was the Super Density (SD) disc, supported by Toshiba, Time Warner, Matsushita Electric, Hitachi, Mitsubishi Electric, Pioneer, Thomson, and JVC.

Representatives of the SD camp approached IBM, asking for advice on the file system to use for their disc as well as seeking support for their format for storing computer data. Alan E. Bell, a researcher from IBM's Almaden Research Center got that request and also learned of the MMCD development project. Wary of being caught in a repeat of the costly videotape format war between VHS and Betamax in the 1980s, he convened a group of computer industry experts, including representatives from Apple, Microsoft, Sun, Dell, and many others. This group was referred to as the Technical Working Group, or TWG.

The TWG voted to boycott both formats unless the two camps agreed on a single, converged standard. Lou Gerstner, president of IBM, was recruited to apply pressure on the executives of the warring factions. Eventually, the computer companies won the day, and a single format, now called DVD, was agreed upon. The TWG also collaborated with the Optical Storage Technology Association (OSTA) on the use of their implementation of the ISO-13346 file system (known as Universal Disc Format) for use on the new DVDs.

Philips and Sony decided it was in their best interest to avoid another format war over their Multimedia Compact Disc, and agreed to unify with companies backing the Super Density Disc to release a single format with technologies from both. The specification was mostly similar to Toshiba and Matsushita's Super Density Disc, except for the dual-layer option (MMCD was single-sided and optionally dual-layer, whereas SD was single-layer but optionally double-sided) and EFMPlus modulation.

EFMPlus was chosen because of its great resilience to disc damage, such as scratches and fingerprints. EFMPlus, created by Kees Immink (who also designed EFM), is 6% less efficient than the modulation technique originally used by Toshiba, which resulted in a capacity of 4.7 GB, as opposed to the original 5 GB. The result was the DVD specification, finalized for the DVD movie player and DVD-ROM computer applications in December 1995.

The DVD Video format was first introduced by Toshiba in Japan in November 1996, in the United States in March 1997 (test marketed), in Europe in October 1998, and in Australia in February 1999.

In May 1997, the DVD Consortium was replaced by the DVD Forum, which is open to all other companies.

Specifications

DVD specifications created and updated by the DVD Forum are published as so-called ''DVD Books'' (e.g. DVD-ROM Book, DVD-Audio Book, DVD-Video Book, DVD-R Book, DVD-RW Book, DVD-RAM Book, DVD-AR Book, DVD-VR Book, etc.).

Some specifications for mechanical, physical and optical characteristics of DVD optical discs can be downloaded as ''freely available standards'' from the ISO website. Also, the DVD+RW Alliance publishes competing DVD specifications such as DVD+R, DVD+R DL, DVD+RW or DVD+RW DL. These DVD formats are also ISO standards.

Some of DVD specifications (e.g. for DVD-Video) are not publicly available and can be obtained only from the DVD Format/Logo Licensing Corporation for a fee of US $5000. Every subscriber must sign a non-disclosure agreement as certain information in the DVD Book is proprietary and confidential.

Etymology

The official DVD charter documents specify that the basis of the DVD name stems from the term "digital versatile disc". Usage in the present day varies, with ''Digital Versatile Disc'', ''Digital Video Disc'', and ''DVD'' being the most common.

''DVD'' was originally used as an initialism for the unofficial term ''digital videodisk''.

A newsgroup FAQ written by Jim Taylor (a prominent figure in the industry) claims that four years later, in 1999, the DVD Forum stated that the format name was simply the three letters "DVD" and did not stand for anything.

The DVD Forum website has a section called "DVD Primer" in which the answer to the question, "What does DVD mean?" reads, "The keyword is 'versatile.' Digital Versatile Discs provide superb video, audio and data storage and access—all on one disc."

Identification (MID)

The DVD is made of a spiral groove read or written starting at the center. The form of the groove encodes unalterable identification data known as Media Identification Code (MID). The MID contains data such as the manufacturer and model, byte capacity, allowed data rates (also known as speed), etc.

Design

As a movie delivery medium

DVD was adopted by movie and home entertainment distributors to replace the ubiquitous VHS tape as the primary means of distributing films to consumers in the home entertainment marketplace. DVD was chosen for its superior ability to reproduce moving pictures and sound, for its superior durability, and for its interactivity. Interactivity had proven to be a feature which consumers, especially collectors, favored when the movie studios had released their films on laser disk. When the price point for a laser disk at approximately $100 per disk moved to $20 per disk at retail, this luxury feature became available for mass consumption. Simultaneously, the movie studios decided to change their home entertainment release model from a rental model to a for purchase model, and large numbers of dvds were sold.

At the same time, a demand for interactive design talent and services was created. Movies in the past had uniquely designed title sequences. Suddenly every movie being released required information architecture and interactive design components that matched the film's tone and were at the quality level that Hollywood demanded for its product.

New DVD releases are released weekly by all major studios. DVDs are typically released on Tuesdays of every week. With the advent of Blu-ray releases, studios now rely on both Blu-ray and DVDs to supplement their revenue for a particular movie.

As an interactive medium

DVD as a format had two qualities at the time that were not available in any other interactive medium: 1. Enough capacity and speed to provide high quality, full motion video and sound, and 2. low cost delivery mechanism provided by consumer products retailers who quickly moved to sell their players for under $200 and eventually for under $50 at retail. In addition, the medium itself was small enough and light enough to mail using general first class postage. Almost overnight, this created a new business opportunity and model for business innovators like Netflix to re-invent the home entertainment distribution model. It also opened up the opportunity for business and product information to be inexpensively provided on full motion video through direct mail.

Capacity

!rowspan="2" style="text-align:right;">1 style="text-align:right;" style="text-align:right;" style="text-align:right;" style="text-align:right;" style="text-align:right;" style="text-align:right;" style="text-align:right;" style="text-align:right;"

+ Capacity and nomenclature<	SS = single-sided, DS = double-sided, SL = single-layer, DL = dual-layer	Designation	Layers(total) !!rowspan="2"	Diameter(cm) !!colspan="2"| Capacity
(Gigabyte	GB) !!align=right| (GiB)
DVD-1	SS SL		|	8	1.46	1.36
DVD-2	SS DL	style="text-align:right;"	1	2 ||	8	2.66	2.47
DVD-3	DS SL	style="text-align:right;"	2	2 ||	8	2.92	2.72
DVD-4	DS DL	style="text-align:right;"	2	4 ||	8	5.32	4.95
DVD-5	SS SL	style="text-align:right;"	1	1 ||	12	4.70	4.37
DVD-9	SS DL	style="text-align:right;"	1	2 ||	12	8.54	7.95
DVD-10	DS SL	style="text-align:right;"	2	2 ||	12	9.40	8.75
DVD-14<		DS SL+DL	style="text-align:right;">2	3 ||	12	13.24	12.33 <
DVD-18	DS DL	style="text-align:right;">2	4 ||	12	17.08	15.90

!rowspan="2" 1 SS SL (2.0) SS SL SS SL SS SL DS SL DS SL DS SL DS SL SS SL DS SL SS SL (1.0) SS SL (2.0) DS SL (1.0) DS SL (2.0)

+ Capacity and nomenclature of (re)writable discs	Designation	Layers(total) !!rowspan="2"	Diameter(cm) !!colspan="2"| Capacity
(Gigabyte		GB) !!align=right| (GiB)
DVD-R	SS SL (1.0)	|	1	12	3.95	3.68
DVD-R	|	1	1	12	4.70	4.37
DVD-RW	|	1	1	12	4.70	4.37
DVD+R	|	1	1	12	4.70	4.37
DVD+RW	|	1	1	12	4.70	4.37
DVD-R	|	2	2	12	9.40	8.75
DVD-RW	|	2	2	12	9.40	8.75
DVD+R	|	2	2	12	9.40	8.75
DVD+RW	|	2	2	12	9.40	8.75
DVD-RAM	|	1	1	8	1.46	1.36*
DVD-RAM	|	2	2	8	2.65	2.47*
DVD-RAM	|	1	1	12	2.58	2.40
DVD-RAM	|	1	1	12	4.70	4.37
DVD-RAM	|	2	2	12	5.16	4.80
DVD-RAM	|	2	2	12	9.40	8.75*

The basic types of DVD (12 cm diameter, single-sided or homogeneous double-sided) are referred to by a rough approximation of their capacity in gigabytes. In draft versions of the specification, DVD-5 indeed held five gigabytes, but some parameters were changed later on as explained above, so the capacity decreased. Other formats, those with 8 cm diameter and hybrid variants, acquired similar numeric names with even larger deviation.

The 12 cm type is a standard DVD, and the 8 cm variety is known as a MiniDVD. These are the same sizes as a standard CD and a mini-CD, respectively. The capacity by surface (MiB/cm²) varies from 6.92 MiB/cm² in the DVD-1 to 18.0 MiB/cm² in the DVD-18.

As with hard disk drives, in the DVD realm, gigabyte and the symbol GB are usually used in the SI sense (i.e., 10⁹, or 1,000,000,000 bytes). For distinction, gibibyte (with symbol GiB) is used (i.e., 1024³ (2³⁰), or 1,073,741,824 bytes).

Each DVD sector contains 2,418 bytes of data, 2,048 bytes of which are user data. There is a small difference in storage space between ''+'' and ''-'' (hyphen) formats:

Bytes 2,298,496 2,295,104 4,171,712 4,173,824

+ Capacity differences of writable DVD formats	Type	Sectors	|	kB	MB	GB	KiB	MiB	GiB
DVD-R SL	|	4,707,319,808	4,707,319.808	4,707.320	4.707	4,596,992	4,489.250	4.384
DVD+R SL	|	4,700,372,992	4,700,372.992	4,700.373	4.700	4,590,208	4,482.625	4.378
DVD-R DL	|	8,543,666,176	8,543,666.176	8,543.666	8.544	8,343,424	8,147.875	7.957
DVD+R DL	|	8,547,991,552	8,547,991.552	8,547.992	8.548	8,347,648	8,152.000	7.961

Technology

DVD uses 650 nm wavelength laser diode light as opposed to 780 nm for CD. This permits a smaller pit to be etched on the media surface compared to CDs (0.74 µm for DVD versus 1.6 µm for CD), allowing in part for DVD's increased storage capacity.

In comparison, Blu-ray Disc, the successor to the DVD format, uses a wavelength of 405 nm, and one dual-layer disc has a 50 GB storage capacity.

Writing speeds for DVD were 1×, that is, 1,385 kB/s (1,353 KiB/s), in the first drives and media models. More recent models, at 18× or 20×, have 18 or 20 times that speed. Note that for CD drives, 1× means 153.6 kB/s (150 KiB/s), about one-ninth as swift.

1.32 2.64 3.17 3.43 5.28 7.93 10.57 13.21 15.85 21.13 23.78 26.42 29.06 31.70

+ DVD drive speeds	Drive speed	Data rate	~Write time (min)
(Mbit/s) !! (MB/s) !! (MiB/s)	! SL !! DL
! 1×	11.08	1.39	|	57	103
2×	22.16	2.77	|	28	51
2.4×	26.59	3.32	|	24	43
2.6×	28.81	3.60	|	22	40
4×	44.32	5.54	|	14	26
6×	66.48	8.31	|	9	17
8×	88.64	11.08	|	7	13
10×	110.80	13.85	|	6	10
12×	132.96	16.62	|	5	9
16×	177.28	22.16	|	4	6
18×	199.44	24.93	|	3	6
20×	221.60	27.70	|	3	5
22×	243.76	30.47	|	3	5
24×	265.92	33.24	|	2	4

Internal mechanism of a drive

This mechanism is shown right side up; the disc would sit on top of it. The laser and optical system scans the underside of the disc.

With reference to the photo, just to the right of image center is the disc spin motor, a gray cylinder, with its gray centering hub and black resilient drive ring on top. A clamp (not in the photo, retained in the drive's cover), pulled down by a magnet, clamps the disc when this mechanism rises, after the disc tray stops moving inward. This motor has an external rotor – every visible part of it spins.

The gray metal chassis is shock-mounted at its four corners to reduce sensitivity to external shocks, and to reduce drive noise when running fast. The soft shock mount grommets are just below the brass-colored washers at the four corners (the left one is obscured). Running through those grommets are screws to fasten them to the black plastic frame that's underneath.

Two parallel precision guide rods that run between upper left and lower right in the photo carry the "sled", the moving optical read-write head. As shown, this "sled" is close to, or at the position where it reads or writes at the edge of the disc.

A dark gray disc with two holes on opposite sides has a blue lens surrounded by silver-colored metal. This is the lens that's closest to the disc; it serves to both read and write by focusing the laser light to a very small spot. It is likely that this disc rotates half a turn to position a different set of optics (the other "hole") for CDs vs. DVDs.

Under the disc is an ingenious actuator comprising permanent magnets and coils that move the lens up and down to maintain focus on the data layer. As well, the actuator moves the lens slightly toward and away from the spin-motor spindle to keep the spot on track. Both focus and tracking are relatively quite fast and very precise. The same actuator rotates the lens mount half a turn as described.

To select tracks (or files) as well as advancing the "sled" during continuous read or write operations, a stepping motor rotates a coarse-pitch leadscrew to move the "sled" throughout its total travel range. The motor, itself, is the gray cylinder just to the left of the most-distant shock mount; its shaft is parallel to the support rods. The leadscrew, itself, is the rod with evenly-spaced darker details; these are the helical groove that engages a pin on the "sled".

The irregular orange material is flexible etched copper foil supported by thin sheet plastic; these are "flexible printed circuits" that connect everything to the electronics (which is not shown).

DVD recordable and rewritable

HP initially developed recordable DVD media from the need to store data for backup and transport.

DVD recordables are now also used for consumer audio and video recording. Three formats were developed: DVD-R/RW, DVD+R/RW (plus), and DVD-RAM. DVD-R is available in two formats, General (650 nm) and Authoring (635 nm), where Authoring discs may be recorded with encrypted content but General discs may not.

Although most DVD writers can nowadays write the DVD+R/RW and DVD-R/RW formats (usually denoted by "DVD±RW" and/or the existence of both the DVD Forum logo and the DVD+RW Alliance logo), the "plus" and the "dash" formats use different writing specifications. Most DVD readers and players will play both kinds of discs, although older models can have trouble with the "plus" variants.

Some first generation DVD players would cause damage to DVD±R/RW/DL when attempting to read them.

== Dual-layer recording == Dual-layer recording (sometimes also known as double-layer recording) allows DVD-R and DVD+R discs to store significantly more data—up to 8.54 gigabytes per disc, compared with 4.7 gigabytes for single-layer discs. Along with this, DVD-DLs have slower write speeds as compared to ordinary DVDs and when played on a DVD player a slight transition can sometimes be seen between the layers. DVD-R DL was developed for the DVD Forum by Pioneer Corporation; DVD+R DL was developed for the DVD+RW Alliance by Philips and Mitsubishi Kagaku Media (MKM).

A dual-layer disc differs from its usual DVD counterpart by employing a second physical layer within the disc itself. The drive with dual-layer capability accesses the second layer by shining the laser through the first semitransparent layer. In some DVD players, the layer change can exhibit a noticeable pause, up to several seconds. This caused some viewers to worry that their dual-layer discs were damaged or defective, with the end result that studios began listing a standard message explaining the dual-layer pausing effect on all dual-layer disc packaging.

DVD recordable discs supporting this technology are backward-compatible with some existing DVD players and DVD-ROM drives. Many current DVD recorders support dual-layer technology, and the price is now comparable to that of single-layer drives, although the blank media remain more expensive. The recording speeds reached by dual-layer media are still well below those of single-layer media.

There are two modes for dual-layer orientation. With ''Parallel Track Path'' (PTP), used on DVD-ROM, both layers start at the inside diameter (ID) and end at the outside diameter (OD) with the lead-out. With ''Opposite Track Path'' (OTP), used on many Digital Video Discs, the lower layer starts at the ID and the upper layer starts at the OD, where the other layer ends; they share one lead-in and one lead-out.

DVD-Video

DVD-Video is a standard for storing and distributing video/audio content on DVD media. The format went on sale in Japan on November 1, 1996, in the United States on March 1, 1997, in Europe on October 1, 1998 and in Australia on February 1, 1999. DVD-Video became the dominant form of home video distribution in Japan when it first went on sale in 1996, but did not become the dominant form of home video distribution in the United States until June 15, 2003, when weekly DVD-Video in the United States rentals began outnumbering weekly VHS cassette rentals, reflecting the rapid adoption rate of the technology in the U.S. marketplace. Currently, DVD-Video is the dominant form of home video distribution worldwide, although in Japan it was surpassed by Blu-ray Disc when Blu-ray first went on sale in Japan on March 31, 2006.

Security

Content Scramble System (CSS) is a Digital Rights Management (DRM) and encryption system employed on almost all commercially produced DVD-video discs. CSS utilizes a proprietary 40-bit stream cipher algorithm. The system was introduced around 1996 and was first compromised in 1999.

The purpose of CSS is twofold:

# CSS prevents byte-for-byte copies of an MPEG (digital video) stream from being playable since such copies do not include the keys that are hidden on the lead-in area of the restricted DVD. # CSS provides a reason for manufacturers to make their devices compliant with an industry-controlled standard, since CSS scrambled discs cannot in principle be played on noncompliant devices; anyone wishing to build compliant devices must obtain a license, which contains the requirement that the rest of the DRM system (region codes, Macrovision, and user operation prohibition) be implemented.

While most CSS-decrypting software is used to play DVD videos, other pieces of software (such as DVD Decrypter, AnyDVD, DVD43, Smartripper, and DVD Shrink) can copy a DVD to a hard drive and remove Macrovision, CSS encryption, region codes and user operation prohibition.

Consumer restrictions

The rise of filesharing and "piracy" has prompted many copyright holders to display notices on DVD packaging or displayed on screen when the content is played that warn consumers of the illegality of certain uses of the DVD. It is commonplace to include a 90 second advert warning that most forms of copying the contents are illegal. Many DVDs prevent skipping past or fast-forwarding through this warning.

Arrangements for renting and lending differ by geography. In the U.S., the right to re-sell, rent, or lend out bought DVDs is protected by the first-sale doctrine under the Copyright Act of 1976. In Europe, rental and lending rights are more limited, under a 1992 European Directive that gives copyright holders broader powers to restrict the commercial renting and public lending of DVD copies of their work.

DVD-Audio

DVD-Audio is a format for delivering high fidelity audio content on a DVD. It offers many channel configuration options (from mono to 5.1 surround sound) at various sampling frequencies (up to 24-bits/192 kHz versus CDDA's 16-bits/44.1 kHz). Compared with the CD format, the much higher-capacity DVD format enables the inclusion of considerably more music (with respect to total running time and quantity of songs) and/or far higher audio quality (reflected by higher sampling rates and greater sample resolution, and/or additional channels for spatial sound reproduction).

Despite DVD-Audio's superior technical specifications, there is debate as to whether the resulting audio enhancements are distinguishable in typical listening environments. DVD-Audio currently forms a niche market, probably due to the very sort of format war with rival standard SACD that DVD-Video avoided.

Security

DVD-Audio discs employ a DRM mechanism, called Content Protection for Prerecorded Media (CPPM), developed by the 4C group (IBM, Intel, Matsushita, and Toshiba).

Although CPPM was supposed to be much harder to crack than DVD-Video's CSS, it too was eventually cracked in 2007 with the release of the ''dvdcpxm'' tool. The subsequent release of the libdvdcpxm library (which is based on dvdcpxm) allowed for the development of open source DVD-Audio players and ripping software, such as DVD-Audio Explorer. As a result, making 1:1 copies of DVD-Audio discs is now possible with relative ease, much like DVD-Video discs.

Improvements and succession

HD DVD and Blu-ray Disc

In 2006, two new formats called HD DVD and Blu-ray Disc were released as the successor to DVD. HD DVD competed successfully with Blu-ray Disc in the format war of 2006–2008. A dual layer HD DVD can store up to 30GB and a dual layer Blu-ray disc can hold up to 50GB.

However, unlike previous format changes, e.g., audio tape to Compact Disc or VHS videotape to DVD, there is no immediate indication that production of the standard DVD will gradually wind down, as they still dominate, with around 75% of video sales and approximately one billion DVD player sales worldwide as of 3 April 2011. In fact, experts claim that the DVD will remain the dominant medium for at least another five years as Blu-ray technology is still in its introductory phase, write and read speeds being poor as well as the fact of necessary hardware being expensive and not readily available.

Consumers initially were also slow to adopt Blu-ray due to the cost. By 2009, 85% of stores were selling Blu-ray Discs. A high-definition television and appropriate connection cables are also required to take advantage of Blu-ray disc. Some analysts suggest that the biggest obstacle to replacing DVD is due to its installed base; a large majority of consumers are satisfied with DVDs. The DVD succeeded because it offered a compelling alternative to VHS. In addition, Blu-ray players are designed to be backward-compatible, allowing older DVDs to be played since the media are physically identical; this differed from the change from vinyl to CD and from tape to DVD, which involved a complete change in physical medium. it is still commonplace for major releases to be issued in "combo pack" format, including both a DVD and a Blu-ray disc (as well as, in many cases, a third disc with an authorized digital copy). Also, some multi-disc sets use Blu-ray for the main feature, but DVDs for supplementary features (examples of this include the ''Harry Potter'' "Ultimate Edition" collections, the 2009 re-release of the 1967 ''The Prisoner'' TV series, and a 2007 collection related to ''Blade Runner''). Another reason cited (July 2011) for the slower transition to Blu-ray from DVD is the necessity of and confusion over "firmware updates" and needing an internet connection to perform updates.

This situation can be best compared to the changeover from 78 rpm shellac recordings to 45 rpm and 33⅓ rpm vinyl recordings; because the medium used for the earlier format was virtually the same as the latter version (a disc on a turntable, played using a needle), phonographs continued to be built to play obsolete 78s for decades after the format was discontinued. Manufacturers continue to release standard DVD titles , and the format remains the preferred one for the release of older television programs and films, with some programs such as ''Star Trek: The Original Series'' needing to be re-scanned to produce a high definition version from the original film recordings (certain special effects were also updated in order to be better received in high-definition viewing). In the case of ''Doctor Who'', a series primarily produced on standard definition videotape between 1963 and 1989, BBC Video reportedly intends to continue issuing DVD-format releases of that series until at least November 2013 (since there would be very little increase in visual quality from upconverting the standard definition videotape masters to high definition).

Holographic Versatile Disc

The Holographic Versatile Disc (HVD) is an optical disc technology that may one day hold up to 6 terabytes of information, although the current maximum is 500 GB. It employs a technique known as collinear holography.

5D DVD

The 5D DVD, being developed in the Swinburne University of Technology in Melbourne, Australia, uses a multilaser system to encode and read data on multiple layers. Technology could be compatible with current DVD disc-drive technology. Disc capacities are estimated at up to 10 terabytes, and the technology could be commercially ready by 2019.

Use as backup medium

Durability of DVDs is measured by how long the data may be read from the disc, assuming compatible devices exist that can read it: that is, how long the disc can be stored until data is lost. Five factors affect durability: sealing method, reflective layer, organic dye makeup, where it was manufactured, and storage practices.

The longevity of the ability to read from a DVD+R or DVD-R is largely dependent on manufacturing quality, ranging from 2 to 15 years, and is believed to be an unreliable medium for backup unless great care is taken for storage conditions and handling.

According to the Optical Storage Technology Association (OSTA), "manufacturers claim life spans ranging from 30 to 100 years for DVD, DVD-R and DVD+R discs and up to 30 years for DVD-RW, DVD+RW and DVD-RAM".

See also

Book type

Digital video recorder (DVR)

Disk drive performance characteristics

DVD authoring

DVD region code

DVD TV game

Evita (first film to be released on DVD)

IFO, BUP and VOB

Professional Disc

VCD

References

Further reading

External links

DVD at the Open Directory Project

Dual Layer Explained – Informational Guide to the Dual Layer Recording Process

DVD Frequently Asked Questions (and Answers)

DVD Burning and Ripping: A Primer, A Glossary

YouTube: Segment from 1997 Toshiba DVD demo disc – Technical information about the then-new DVD format, from "DVD Gallery," an in-store demonstration disc from Toshiba.

Category:DVD Category:Audio storage Category:Computer storage media Category:Consumer electronics Category:Joint ventures Category:Video storage Category:120 mm discs Category:1995 introductions

af:DVD als:DVD ar:دي في دي ast:DVD az:DVD bn:ডিভিডি bs:DVD bg:DVD ca:DVD cs:DVD cy:DVD da:Dvd de:DVD et:DVD el:DVD es:DVD eo:DVD eu:DVD fa:دی‌وی‌دی fr:DVD fy:DVD gl:DVD ko:DVD hy:DVD hi:DVD hr:DVD io:DVD id:DVD ia:DVD is:Mynddiskur it:DVD he:DVD pam:DVD ka:დვდ la:Discus versatilis digitalis lv:DVD lt:DVD hu:DVD mk:Дигитален видео диск ml:ഡിജിറ്റൽ വെർസറ്റൈൽ ഡിസ്ക് mr:डीव्हीडी ms:DVD nah:Vīdeocaquizcopīnalōni nl:Dvd ne:डि भी डि ja:DVD no:DVD nn:DVD pnb:ڈی وی ڈی pl:DVD pt:DVD ro:DVD qu:Ñit'isqa ñawra phiruru ru:DVD sq:DVD scn:DVD simple:DVD sk:DVD sl:DVD so:DVD sr:DVD sh:DVD fi:DVD sv:DVD tl:DVD ta:இறுவட்டு th:ดีวีดี tg:DVD tr:DVD uk:DVD ur:رقمی منظری قرص vi:DVD yo:DVD zh-yue:DVD zh:DVD

Name	Carlos Hathcock
Birth date	May 20, 1942
Death date	February 23, 1999
Birth place	Little Rock, Arkansas
Death place	Virginia Beach, Virginia
Nickname	Lông Trắng du Kich (White Feather Sniper)
Allegiance	United States
Branch	United States Marine Corps
Serviceyears	1959–1979
Rank	Gunnery Sergeant
Unit	1st Marine Division
Battles	Vietnam War
Awards	Silver StarPurple HeartNavy and Marine Corps Commendation Medal
Laterwork	}}

Carlos Hathcock (May 20, 1942 – February 23, 1999) was a United States Marine Corps Gunnery Sergeant sniper with a service record of 93 confirmed kills. Hathcock's record and the extraordinary details of the missions he undertook made him a legend in the Marine Corps. His fame as a sniper and his dedication to long distance shooting led him to become a major developer of the United States Marine Corps Sniper training program. He was honored by having a rifle named after him: a variant of the M21 dubbed the Springfield Armory M25 White Feather.

Early life

Hathcock was born in Little Rock, Arkansas on May 20, 1942. He grew up in rural Arkansas, living with his grandmother after his parents separated. He took to shooting and hunting at an early age, partly out of necessity to help feed his poor family. He would go into the woods with his dog and pretend to be a soldier and hunt imaginary Nazis in his "own little Germany". He would hunt at that early age with a rifle that his father had brought back from Europe during World War II. Hathcock dreamed of being a Marine throughout his childhood, and so on May 20, 1959, at the age of 17, he enlisted in the Marine Corps. Hathcock married Jo Winstead on November 20, 1962. Jo gave birth to a son, whom they named Carlos Norman Hathcock, III.

Marine Corps career

Before deploying to Vietnam, Hathcock had won shooting championships, including matches at Camp Perry and the Wimbledon Cup. In 1966 Hathcock started his deployment in Vietnam as an MP and later became a sniper after Captain Edward James Land pushed the Marines into raising snipers in every platoon. Land later recruited Marines who had set their own records in sharpshooting; he quickly found Hathcock, who had won the Wimbledon Cup, the most prestigious prize for long-range shooting, at Camp Perry in 1965.

Statistics of confirmed kills

During the Vietnam War Hathcock had 93 confirmed kills of North Vietnamese Army and Viet-Cong personnel. (During the Vietnam War, kills had to be confirmed by an acting third party, who had to be an officer, besides the sniper's spotter. Snipers often did not have an acting third party present, making confirmation difficult, especially if the target was behind enemy lines, as was usually the case.) He is ranked fourth, behind U.S. Marine Corps snipers Eric R. England and Chuck Mawhinney and United States Army sniper Adelbert Waldron, on the list of most confirmed kills for an American sniper.

Confrontations with NVA snipers

The North Vietnamese Army put a bounty of $30,000 on Hathcock's life for killing so many of their men. Rewards put on U.S. snipers by the N.V.A. typically ranged from $8 to $2,000. Hathcock held the record for highest bounty and killed every Vietnamese marksman who sought it. The Viet Cong and N.V.A. called Hathcock ''Lông Trắng'', translated as "White Feather," because of the white feather he kept in a band on his bush hat. After a platoon of trained Vietnamese snipers was sent to hunt down "White Feather," many Marines in the same area donned white feathers to deceive the enemy. These Marines were aware of the impact Hathcock's death would have and took it upon themselves to make themselves targets in order to confuse the counter-snipers.

One of Hathcock's most famous accomplishments was shooting an enemy sniper through the enemy's own scope, hitting him in the eye and killing him. Hathcock and John Roland Burke, his spotter, were stalking the enemy sniper in the jungle near Hill 55, the firebase from which Hathcock was operating. The sniper had already killed several Marines and was believed to have been sent specifically to kill Hathcock. When Hathcock saw a flash of light (light reflecting off the enemy sniper's scope) in the bushes, he fired at it, shooting through the scope and killing the sniper. Surveying the situation, Hathcock concluded that the only feasible way he could have put the bullet straight down the enemy's scope and through his eye would have been if both snipers were zeroing in on each other at the same time and Hathcock fired first, which gave him only a few seconds to act. Given the flight time of rounds at long ranges, both snipers could have simultaneously killed one another. Hathcock took possession of the dead sniper's rifle, hoping to bring it home as a "trophy", but after tagging the rifle it was stolen from the armory.

It was a one in a million shot. I could probably shoot a whole box of ammunition and never hit him again. - Carlos Hathcock.

A female Viet cong sniper, platoon commander, and interrogator known as "Apache", because of her methods of torturing US Marines and ARVN troops and letting them bleed to death, was killed by Hathcock. This was a major morale victory as "Apache" was terrorizing the troops around Hill 55.

Assassination of an NVA commanding general

Hathcock only once removed the white feather from his bush hat while deployed in Vietnam. During a volunteer mission days before the end of his first deployment, he crawled over 1,500 yards of field to shoot an NVA commanding general. He wasn't informed of the details of the mission until he accepted it. This effort took four days and three nights, without sleep, of constant inch-by-inch crawling. Hathcock said he was almost stepped on as he lay camouflaged with grass and vegetation in a meadow shortly after sunset. At one point he was nearly bitten by a bamboo viper but had the presence of mind to avoid moving and giving up his position. As the general exited his tent, Hathcock fired a single shot that struck the general in the chest, killing him. He had to crawl back instead of run when soldiers started searching, and later regretted taking the mission, for in the aftermath of the assassination the NVA doubled their attacks in the area, apparently in retaliation for their general being killed and leading to an increase in American casualties.

After the arduous mission of killing the general, Hathcock returned to the United States in 1967. However, he missed the Marine Corps and returned to Vietnam in 1969, where he took command of a platoon of snipers.

Medical evacuation

Hathcock's career as a sniper came to a sudden end along Route 1, north of LZ Baldy in September 1969, when an amtrack he was riding on struck an anti-tank mine. Hathcock pulled seven Marines off the flame-engulfed vehicle and was severely burned before jumping to safety. Nearly 30 years later, he would receive the Silver Star for this action. All eight injured marines were medevaced to the USS ''Repose'' (AH-16), then to a Naval Hospital in Tokyo, and ultimately to the burn center at Brooke Army Medical Center in San Antonio, Texas.

After the Vietnam War

After returning to active duty, Hathcock helped establish the school for training Marine snipers, the Marine Corps Scout Sniper School, at the Marine base in Quantico, Virginia. Due to his extreme injuries suffered in Vietnam, he was in nearly constant pain, but he continued to dedicate himself to teaching snipers. In 1975, Hathcock's health began to deteriorate and he was diagnosed with multiple sclerosis. He stayed in the Corps but his health continued to decline and was forced to retire just 55 days short of the 20 years that would have made him eligible for full retirement pay. Being medically retired, he received 100% disability. He would have received only 50% of his final pay grade had he retired after 20 years. He fell into a state of depression when he was forced out of the Marines because he felt as if the service kicked him out. During this depression his wife Jo nearly left him, but decided to stay. Hathcock eventually picked up the hobby of shark fishing with the locals, which helped him overcome his depression. Hathcock often paid visits to the sniper training facility at Quantico, where he was welcomed by students and instructors alike as being "bigger than life" due to his status in shooting circles.

Civilian life

Hathcock once said that he survived in his work because of an ability to "get in the bubble," to put himself into a state of "utter, complete, absolute concentration," first with his equipment, then his environment, in which every breeze and every leaf meant something, and finally on his quarry. After the war, a friend showed Hathcock a passage written by Ernest Hemingway: "Certainly there is no hunting like the hunting of man, and those who have hunted armed men long enough and like it, never really care for anything else thereafter." He copied Hemingway's words on a piece of paper. "He got that right," Hathcock said. "It was the hunt, not the killing." Hathcock said in a book written about his career as a sniper: "I like shooting, and I love hunting. But I never did enjoy killing anybody. It's my job. If I don't get those bastards, then they're gonna kill a lot of these kids dressed up like Marines. That's the way I look at it."

Hathcock's son, Carlos Hathcock III, would later enlist in the Marine Corps; he retired from the Marine Corps as a Gunnery Sergeant after following in his father's footsteps as a shooter, and became a member of the Board of Governors of the Marine Corps Distinguished Shooters Association.

Carlos Hathcock died on February 23, 1999, in Virginia Beach, Virginia, after a long struggle with multiple sclerosis.

Decorations

60px  Silver Star. Hathcock was awarded a Silver Star in 1996 not for his sniping, but for his act in 1969 of saving the lives of seven fellow Marines after the amphibious tractor (amtrac) on which they were riding struck a mine. Hathcock was knocked unconscious, but awoke in time to race back through the flames to reach his comrades.

Legacy

Hathcock remains a legend in the U.S. Marine Corps. The Gunnery Sergeant Carlos Hathcock Award is presented annually to the Marine who does the most to promote marksmanship training. A sniper range is named for Hathcock at Camp Lejeune, North Carolina.

In 1967 Hathcock set the record for the longest combat kill. He used a Browning M2 machine gun mounting a telescopic sight at a range of , taking down a single Vietcong guerilla. This was not exceeded until the War in Afghanistan in 2002. Hathcock was one of several individuals to utilize the Browning M2 machine gun in the sniping role. This success led to the adoption of the .50 BMG cartridge as a viable sniper round. Sniper rifles have since been designed around and chambered in this caliber since the 1970s.

Springfield Armory designed a highly accurized version of their M1A Supermatch rifle with a McMillan Stock and match grade barrel and dubbed it the "M-25 White Feather." The rifle had a likeness of Hathcock's signature and his "White Feather Logo" marked on the receiver.

Turner Saddlery similarly honored Hathcock by producing a line of leather rifle slings based on his design. The slings are embossed with Hathcock's signature.

On March 9, 2007 the rifle and pistol complex at Marine Corps Air Station Miramar was officially renamed the Carlos Hathcock Range Complex.

Hathcock was the subject of a number of books including: - Total pages: 277 - Total pages: 315 - Total pages: 336 - Total pages: 288

Weaponry

Hathcock generally used the standard sniper rifle: the Winchester Model 70 .30-06 caliber rifle with the standard 8-power Unertl scope. On some occasions, however, he used a different weapon: the Browning M2 machine gun, on which he mounted a 10X Unertl scope, using a bracket of his own design. Hathcock made a number of kills with this weapon in excess of 1,000 yards, including his record for the longest confirmed kill at 2,286 yards. Hathcock carried a Colt M1911A1 pistol as a sidearm.

In fictional works

Hathcock's career as a sniper has been used as a basis for a variety of fictional snipers from the "shooting through the scope incident" to the number of kills he made. There is a reference to Hathcock in the television show ''NCIS'' during the episode "One Shot One Kill," when a small white feather is found at the crime scenes of a sniper's victims. Gibbs, a former Marine, credits Hathcock with "39 confirmed kills," apparently having transposed the digits of Hathcock's actual 93 confirmed kills.

The protagonist of Stephen Hunter's ''Bob Lee Swagger Series'' consisting of the novels ''Point of Impact,'' ''Black Light,'' ''Time to Hunt'' and ''I, Sniper'' is loosely based on Carlos Hathcock (Hathcock is alluded to in the book as "Gunny Sgt Carl Hitchcock").

The 1993 movie ''Sniper,'' featuring actor Tom Berenger, is based on Hathcock's exploits in Vietnam. In ''JAG,'' Season 1, Episode 16 ("High Ground"), Gunnery Sergeant Ray Crockett (portrayed by Stephen McHattie) is based on Hathcock. The Gunny is a Sniper Instructor at Quantico Virginia who believes that he is being "forced out of the service" short of his retirement. He makes the statement that he "wrote most of the book" on Sniper Operations. The character, Rabb, refers to an incident where the Gunny pins down an NVA unit by killing their officer with the first shot. Lastly, Gunny Crockett is a winner of The Wimbledon Cup.

In the fourth episode of the first season of the CBS show ''Criminal Minds: Suspect Behavior,'' the criminal being chased by the Behavioral Analysis Unit's red cell team is a long-distance sniper killer, (played by Noel Fisher). Fisher sends Mick Rawson (played by Matt Ryan) of the BAU team a package containing a pager which he uses to notify Rawson of his next kills; he signs the package "Carlos Hathcock," which Rawson explains by sharing the tale of Hathcock's 93 kills and an incident during the Vietnam War in which he was put up against the best sniper of the opposing army (thus mimicking the incident since Rawson is also a skilled sniper shooter).

Bibliography

;References - Total pages: 277 - Total pages: 432 - Total pages: 315 - Total pages: 336 - Total pages: 288 - Total pages: 372 ;Notes

External links

Marine Corps Sniper Carlos N. Hathcock, ''Marine Corps Heroes''.

Carlos Hathcock, Sniper Central.

Photos and specifications for the Carlos Hathcock "White Feather" Rifle

See also

Jack Coughlin, a retired Marine sniper with over 60 confirmed kills whose service includes Iraq and Somalia

List of historically important U.S. Marines

Chuck Mawhinney holds the highest number of confirmed kills (103) for any USMC sniper in history

Adelbert Waldron, who holds the record for the most confirmed kills in U.S. military history, with 109 kills in Vietnam

Longest recorded sniper kills

Category:1942 births Category:1999 deaths Category:American military personnel of the Vietnam War Category:Guerrilla warfare Category:Military snipers Category:People from Little Rock, Arkansas Category:Recipients of the Purple Heart medal Category:Recipients of the Silver Star Category:Sniper warfare Category:United States Marines

cs:Carlos N. Hathcock it:Carlos Hathcock ja:カルロス・ハスコック ru:Хэскок, Карлос Норман simple:Carlos Hathcock sl:Carlos Norman Hathcock zh:卡羅斯·海斯卡克

Name	Don Moen
Background	solo_singer
Birth date	June 29, 1950
Origin	Minneapolis, Minnesota, United States
Instrument	Vocals, Piano, Keyboards, Violin
Genre	CCM, Contemporary worship music, Gospel
Occupation	Singer-songwriter, worship leader, musician, producer, pastor, businessman, radio hostFormer Integrity Music occupations:President of Integrity Music, President of Integrity Label Group, Executive Vice President of Integrity Media, Integrity Music producer, Integrity Music executive producer, Integrity Media creative director
Years active	1984–present
Label	Integrity Music, Hosanna! Music, Integrity Asia, Sparrow, Star Song, Word, Epic, Columbia, Sony
Website	http://www.donmoen.com/ }}

Don Moen (born June 29, 1950 in Minneapolis, Minnesota) is an American singer-songwriter, pastor, and producer of Christian worship music.

Before Moen was hired to work for Integrity Music, he attended Oral Roberts University and became a Living Sound musician for Terry Law Ministries and traveled with Terry Law for ten years. He produced 11 volumes for the ''Hosanna! Music'' series of worship albums. His first album under his own name, ''Worship with Don Moen'', was released in 1992. His music has total global sales of over five million units.

Moen worked for Integrity Media for over 20 years, serving as creative director and president of Integrity Music, president of Integrity Label Group, and an executive producer of Integrity Music albums. He left Integrity Media in 2008 to start a new initiative, The Don Moen Company. The Don Moen Company acquired MediaComplete, the church software company that created MediaShout. Moen became a radio host for ''Don Moen & Friends'' in 2009. Moen received a Dove Award for his work on the musical ''God with Us'' in addition to amassing nine nominations for his songs. Moen is also a prolific songwriter, having worked with Claire Cloninger, Paul Overstreet, Martin J. Nystrom, Randy Rothwell, Ron Kenoly, Bob Fitts, Debbye Graafsma, Paul Baloche, Tom Brooks, among many others. He has also worked with talented musicians, Justo Almario, Abraham Laboriel, Alex Acuna, Paul Jackson, Jr. and Carl Albrecht. His name is associated with some of the most well-known songs in Contemporary Christian Music.

Notable recordings

Moen's first album for ''Hosanna! Music'', ''Give Thanks'', became the label's bestseller. He followed this with a number of successful albums of his own including two, ''En Tu Presencia'' and ''Trono De Gracia'', in Spanish. On an Asian tour in 1999 he recorded ''The Mercy Seat'' at Singapore Indoor Stadium in Singapore and ''Heal Our Land'' at Yoido Park in South Korea, which was released in 2000. One of Moen's albums, ''I Will Sing'', was recorded at Christian Broadcasting Network.

''God Will Make a Way: The Best of Don Moen'' was released in 2003 and features 19 greatest hits. The title song was written for his wife's sister and her husband, who lost their oldest son in an auto accident while three other children were seriously injured. Moen's album, ''Hiding Place'', became his first studio album which was recorded at Paragon Studios in Franklin, Tennessee and was released in the autumn of 2006. ''I Believe There Is More'' released on fall 2008. His third studio recording titled ''Uncharted Territory'' (funded successfully through Kickstarter), plus his Christmas recording, are expected to release on 2011.

Discography

{{infobox discography | type	live | Name ''Give Thanks'' | Released 1986 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Sparrow, Epic, Sony | Writer | Producer Tom Brooks, Michael Coleman (Executive), Ed Lindquist (Executive) | Chart position | Sales | Certification Gold | Tracks Fifteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Steadfast Love'' | Released 1988 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Sparrow, Columbia, Sony | Writer | Producer Tom Brooks, Michael Coleman (Executive), Ed Lindquist (Executive), Don Moen (Executive) | Chart position | Sales | Certification | Tracks Fourteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Bless the Lord'' | Released 1989 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Sparrow-Star Song, Columbia, Sony | Writer | Producer Tom Brooks, Michael Coleman (Executive), Ed Lindquist (Executive) | Chart position | Sales | Certification | Tracks Fourteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Christmas'' | Released 1990 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Sparrow-Star Song, Columbia, Sony | Writer | Producer Tom Brooks, Michael Coleman (Executive), Ed Lindquist (Executive) | Chart position | Sales | Certification | Tracks Seventeen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Eternal God'' | Released 1990 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Sparrow-Star Song, Columbia, Sony | Writer | Producer Tom Brooks, Michael Coleman (Executive), Ed Lindquist (Executive) | Chart position | Sales | Certification | Tracks Thirteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Worship with Don Moen'' | Released 1992 | Format CD, tape, video, VCD | Label Integrity, Hosanna! Music, Word | Writer | Producer Tom Brooks, Michael Coleman (Executive), Ed Lindquist (Executive) | Chart position | Sales | Certification | Tracks Twelve | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''God with Us'' | Released 1993 | Format CD, tape, video, VCD | Label Integrity, Hosanna! Music, Sparrow | Writer | Producer Tom Fettke, Tom Hartley (Executive) | Chart position | Sales | Certification Dove Award | Tracks Seventeen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Trust in the Lord - Live Worship with Don Moen'' | Released 1994 | Format CD, tape, video, VCD, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Mark Gasbarro, Don Moen (Producer and Executive Producer), Michael Coleman (Executive) | Chart position | Sales | Certification | Tracks Seven | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Mighty Cross'' | Released 1994 | Format CD, tape | Label Integrity, Hosanna! Music | Writer | Producer Tom Hartley, Michael Coleman (Executive), Don Moen (Executive) | Chart position | Sales | Certification | Tracks Eight | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Rivers of Joy'' | Released 1995 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Don Harris, Michael Coleman (Executive), Don Moen (Executive) | Chart position | Sales | Certification | Tracks Fourteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Emmanuel Has Come'' | Released 1996 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Steven V. Taylor, Chris Long (Executive), Michael Coleman (Senior Executive), Don Moen (Senior Executive) | Chart position | Sales | Certification | Tracks Ten | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	compilation | Name ''Praise with Don Moen'' | Released 1996 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Integrity Asia, Columbia, Sony | Writer | Producer Tom Brooks, Don Harris, Michael Coleman (Executive), Don Moen (Executive) | Chart position | Sales | Certification | Tracks Ten | Bonus tracks | Singles | from Album | Other info compilation }}

{{infobox discography | type	live | Name ''Let Your Glory Fall'' | Released 1997 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Tom Brooks, Don Moen (Executive), Chris Long (Executive) | Chart position | Sales | Certification | Tracks Eleven | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''God for Us'' | Released 1998 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Tom Fettke, Don Moen (Executive), Randy Vader (Executive) | Chart position | Sales | Certification | Tracks Eighteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''God Is Good - Worship with Don Moen'' | Released 1998 | Format CD, tape, video, DVD, VCD | Label Integrity, Hosanna! Music | Writer | Producer Tom Brooks, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Eleven | Bonus tracks Twelve (Asia version) | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''En Tu Presencia'' | Released 1999 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Isaac Hernandez, Tom Brooks, Don Harris, Don Moen (Executive), Chris Thomason (Executive), Dario Navac (Executive) | Chart position | Sales | Certification | Tracks Twelve | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type

compilation | Name ''More of You, Lord - Praise with Don Moen Volume 2'' | Released 1999 | Format CD, tape | Label Integrity, Hosanna! Music, Integrity Asia | Writer | Producer Tom Brooks, Russell Fragar, Don Harris, Chris Springer, Darlene Zschech, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Eleven | Bonus tracks | Singles | from Album | Other info compilation }}

{{infobox discography | type	video | Name ''Give Thanks'' | Released 1999 | Format VCD | Label Integrity, Hosanna! Music, Integrity Asia | Writer | Producer Steve Merkel, Tom Brooks, Mark Gasbarro, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Eleven | Bonus tracks | Singles | from Album | Other info video }}

{{infobox discography | type	live | Name ''The Mercy Seat'' | Released 2000 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Integrity Asia, Columbia, Sony | Writer | Producer Tom Brooks, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Twelve | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Heal Our Land'' | Released 2000 | Format CD, tape | Label Integrity, Hosanna! Music, Integrity Asia | Writer | Producer Tom Brooks, Don Moen (Executive), Paul Wilbur (Executive) | Chart position | Sales | Certification | Tracks Fourteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''I Will Sing'' | Released 2000 | Format CD, tape, video, DVD, VCD, digital download | Label Integrity, Hosanna! Music, Epic, Sony | Writer | Producer Paul Mills, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Nineteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''God in Us'' | Released 2001 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Tom Fettke, Don Moen (Executive), Randy Vader (Executive) | Chart position | Sales | Certification | Tracks Ten | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	greatest hits | Name ''God Will Make a Way: The Best of Don Moen'' | Released 2003 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Epic, Sony | Writer | Producer Tom Brooks, Don Harris, Paul Mills, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Nineteen | Bonus tracks | Singles | from Album | Other info greatest hits }}

{{infobox discography | type

live | Name ''Trono de Gracia'' | Released 2003 | Format CD, tape, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Miguel Angel "Malin" Villagran, Tom Brooks, Paul Mills, Don Moen (Executive), Keith Manwaring (Executive), Dario Navac (Executive) | Chart position | Sales | Certification | Tracks Twelve | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	live | Name ''Thank You Lord'' | Released 2004 | Format CD, tape, video, DVD, VCD, digital download | Label Integrity, Hosanna! Music, CBN, Epic, Columbia, Sony | Writer | Producer David Hamilton, Don Moen (Executive), Chris Thomason (Executive) | Chart position | Sales | Certification | Tracks Fourteen | Bonus tracks | Singles | from Album | Other info live }}

{{infobox discography | type	EP | Name ''Arise: The Worship Legacy of Don Moen'' | Released 2006 | Format Digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer David Hamilton, Don Moen (Executive) | Chart position | Sales | Certification | Tracks Four | Bonus tracks | Singles | from Album | Other info EP }}

{{infobox discography | type	studio | Name ''Hiding Place'' | Released 2006 | Format CD, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer David Hamilton, Don Moen (Executive) | Chart position | Sales | Certification | Tracks Twelve | Bonus tracks | Singles | from Album | Other info album }}

{{infobox discography | type	studio | Name ''I Believe There Is More'' | Released 2008 | Format CD, digital download | Label Integrity, Hosanna! Music, Columbia, Sony | Writer | Producer Don Moen, Michael Coleman (Executive) | Chart position | Sales | Certification | Tracks Fourteen | Bonus tracks | Singles | from Album | Other info album }}

{{infobox discography | type	greatest hits | Name ''With a Thankful Heart: The Best of Don Moen'' | Released 2011 | Format CD | Label Integrity, Hosanna! Music, Integrity Asia | Writer | Producer Tom Brooks, David Hamilton, Don Harris, Paul Mills, Don Moen, Andy Skarda (Executive) | Chart position | Sales | Certification | Tracks Fifteen | Bonus tracks | Singles | from Album | Other info greatest hits }}

{{infobox discography | type	studio | Name ''Uncharted Territory'' | Released 2011 | Format CD | Label Don Moen Productions | Writer | Producer Don Moen | Chart position | Sales | Certification | Tracks | Bonus tracks | Singles | from Album | Other info }}

{{infobox discography | type	studio | Name TBA Untitled Christmas Album | Released 2011 | Format CD | Label | Writer | Producer | Chart position | Sales | Certification | Tracks | Bonus tracks | Singles | from Album | Other info }}

Other recordings

''Hatiku'' (1995)

''Behold the Lamb'' (1997)

''Healing'' (1998)

''The Smithton Outpouring'' (1999)

''Hope Changes Everything'' (2000)

''Mas de Ti'' (2000)

''Sing for Joy'' (2002)

''Amor Sin Limites'' (2004)

''American Worship Gathering'' (2005)

''Arise: A Celebration of Worship'' (2006)

''Cool Worship'' (2010)

''A Little Boy's Prayer'' (2010)

Awards and nominations

! Year	! Association	! Category	! Result
	Dove Awards	Song of the Year "God Will Make A Way"
Dove Awards	Creator - Children's Musical Album of the Year "I'm A Helper"
	Dove Awards	Artist - Inspirational Album of the Year "Worship with Don Moen"
	Dove Awards	Creator - Musical Album of the Year "God with Us"
	Dove Awards	Creator - Musical Album of the Year "Mighty Cross"
	Dove Awards	Creator - Musical of the Year "Emmanuel Has Come"
	Dove Awards	Creator - Musical of the Year "God for Us"
	Dove Awards
	Dove Awards	Country Recorded Song of the Year "God Is Good All The Time"
Dove Awards	Creator - Musical of the Year "God in Us"
	Dove Awards

Gold Certification

1986

*"Give Thanks"

Ray DeVries Church Ministry Award

2002

See also

Christian music

Christian music industry

References

External links

Official site

Don Moen Company

Don Moen at Facebook

Don Moen at MySpace

Don Moen at Twitter

Don Moen channel at YouTube

Don Moen on iLike

Integrity Music Artists - Don Moen

Christian Music Central wiki page

Category:1950 births Category:American Christians Category:American male singers Category:American performers of Christian music Category:American pianists Category:American singer-songwriters Category:American singers Category:American violinists Category:Christian religion-related songwriters Category:Columbia Records artists Category:Contemporary Christian music Category:Contemporary worship music Category:Epic Records artists Category:Living people Category:Musicians from Alabama Category:Musicians from Minnesota Category:Musicians from Tennessee Category:Oral Roberts University alumni Category:People from Minneapolis, Minnesota Category:Songwriters from Minnesota Category:Spanish-language singers

ko:돈 모엔 id:Don Moen ja:ドン・モーエン

birth name	Whitney Elizabeth Houston
background	solo_singer
birth date	August 09, 1963
birth place
death date	February 11, 2012
death place
instrument	Vocals, piano
genre	R&B;, soul, pop, dance, gospel
occupation	Singer, actress, model, film producer, record producer, songwriter
years active	1977–2012
label	Arista, RCA
associated acts	Cissy Houston, Dionne Warwick, Dee Dee Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown
website	130pxWhitney Houston's Autograph }}

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African-American female artists to follow in her footsteps.

Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.

Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.

On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. News of her death coincided with the 2012 Grammy Awards and featured prominently in American and international media.

Life and career

1963–1976: Early life

Whitney Houston was born in what was then a middle-income neighborhood in Newark, New Jersey, the second child of Army serviceman and entertainment executive John Russell Houston, Jr. (September 13, 1920 – February 2, 2003), and gospel singer Cissy Houston (née Emily Drinkard). She was of African American, Native American and Dutch descent. Her mother, along with cousins Dionne Warwick and Dee Dee Warwick, godmother Darlene Love and honorary aunt Aretha Franklin were all notable figures in the gospel, rhythm and blues, pop, and soul genres. She met her honorary aunt at age 8, or 9, when her mother took her to a recording studio. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four.

At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.

1977–1984: Early career

Houston spent some of her teenage years touring nightclubs where her mother Cissy was performing, and she would occasionally get on stage and perform with her. In 1977, at age 14, she became a backup singer on the Michael Zager Band's single "Life's a Party". In 1978, at age 15, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a larger hit for herself on her monster-selling ''The Bodyguard'' soundtrack album. She also sang back-up on albums by Lou Rawls and Jermaine Jackson.

In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.

Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.

Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.

1985–1986: Rise to international prominence

With production from Michael Masser, Kashif, Jermaine Jackson, and Narada Michael Walden, Houston's debut album ''Whitney Houston'' was released in February 1985. ''Rolling Stone'' magazine praised Houston, calling her "one of the most exciting new voices in years" while ''The New York Times'' called the album "an impressive, musically conservative showcase for an exceptional vocal talent". Arista Records promoted Houston's album with three different singles from the album in the US, UK and other European countries. In the UK, the dance-funk "Someone for Me", which failed to chart in the country, was the first single while "All at Once" was in such European countries as the Netherlands and Belgium, where the song reached the top 5 on the singles charts, respectively.

In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.

By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.

At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". Houston's performance of the song during the Grammy telecast later earned her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.

Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.

1987–1991: ''Whitney'', ''I'm Your Baby Tonight'' and "The Star Spangled Banner"

With many expectations, Houston's second album, ''Whitney'', was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. ''Rolling Stone'' said, "the narrow channel through which this talent has been directed is frustrating". Still, the album enjoyed commercial success. Houston became the first female artist in music history to debut at number one on the ''Billboard'' 200 albums chart, and the first artist to enter the albums chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The album's first single, "I Wanna Dance With Somebody (Who Loves Me)", was also a massive hit worldwide, peaking at No. 1 on the ''Billboard'' Hot 100 chart and topping the singles chart in many countries such as Australia, Germany and the UK. The next three singles, "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100 chart, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by The Beatles and The Bee Gees. Houston became the first female artist to generate four number-one singles from one album. ''Whitney'' has been certified 9× Platinum in the US for shipments of over 9 million copies, and has sold a total of 20 million copies worldwide.

At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.

At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".

The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.

In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.

With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.

Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.

Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.

1992–1994: Marriage to Bobby Brown and ''The Bodyguard''

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated. She then met R&B; singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992. On March 4, 1993, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her only child, and his fourth. Brown would go on to have several run-ins with the law, including some jail time.

With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.

Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.

The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.

The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.

Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".

1995–1997: ''Waiting to Exhale'', ''The Preacher's Wife'', and ''Cinderella''

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film ''Waiting to Exhale'', a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers". After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as ''How Stella Got Her Groove Back'' and the Tyler Perry movies that have become popular in the 2000s. The film is also notable for its portrayal of black women as strong middle class citizens as opposed to stereotypes. The reviews were mainly positive for the ensemble cast. ''The New York Times'' said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant." Houston was nominated for an NAACP Image Award for "Outstanding Actress In A Motion Picture", but lost to her co-star Bassett.

The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.

In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.

1998–2000: ''My Love Is Your Love'' and ''Whitney: The Greatest Hits''

After spending much of the early and mid 1990s working on motion pictures and their soundtrack albums, Houston's first studio album in eight years, the critically acclaimed ''My Love Is Your Love'', was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the ''Billboard'' 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B;, reggae, torch songs, and ballads all with great dexterity.

From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.

The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.

In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.

2000–2005: ''Just Whitney'', and personal struggles

Though Houston was seen as a "good girl" with a perfect image in the 1980s and early 1990s, by the late 1990s, her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaii airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against them, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but failed to show up.

Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.

In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.

In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.

Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.

In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.

On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."

In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.

In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.

2006–2012: Return to music, ''I Look to You'', tour and film comeback

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the following month. On February 1, 2007, Houston asked the court to fast track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter. On May 4, Houston sold the suburban Atlanta home featured in ''Being Bobby Brown'' for $1.19 million. A few days later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition. Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released another compilation ''The Ultimate Collection'' outside the United States.

Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."

Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".

The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.

Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.

In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.

Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".

In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston will have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah - originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.

Death

On February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis' pre-Grammy Awards party at the Beverly Hilton Hotel in Beverley Hills. That same day, she made her last public performance, when she joined Kelly Price on stage in Hollywood, CA and sang "Jesus Loves Me".

On February 11, 2012, Houston was found dead in suite 434 at the Beverly Hilton Hotel, submerged in the bathtub. The cause of death was not immediately known. Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 3:55 p.m. PST. Local police said there were "no obvious signs of criminal intent."

Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Among those who performed at the funeral were Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You"), interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried on Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.

Reaction

The Clive Davis' pre-Grammy party that Houston was expected to attend, and that featured many of the biggest names in music and movies, went on as scheduled although it was quickly turned into a tribute to Houston. Davis spoke about Houston's death at the evening's start: "By now you have all learned of the unspeakably tragic news of our beloved Whitney's passing. I don't have to mask my emotion in front of a room full of so many dear friends. I am personally devastated by the loss of someone who has meant so much to me for so many years. Whitney was so full of life. She was so looking forward to tonight even though she wasn't scheduled to perform. Whitney was a beautiful person and a talent beyond compare. She graced this stage with her regal presence and gave so many memorable performances here over the years. Simply put, Whitney would have wanted the music to go on and her family asked that we carry on."

Tony Bennett spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston". Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"

Some celebrities opposed Davis' decision to continue on the party while a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne, on February 15 episode of ''The Talk'', also condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."

Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."

Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a photo of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.

Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".

Ken Ehrlich, executive producer of the 54th Grammy Awards announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 with Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You".

Houston was honored in the form of various tributes at the 43rd NAACP Image Awards, held on February 17. A image montage of Houston and important black figures who died in 2011 was followed by video footage from the 1994 ceremony, which depicted her accepting two Image Awards for outstanding female artist and entertainer of the year. Following the video tribute, Yolanda Adams delivered a rendition of "I Love the Lord" from ''The Preacher's Wife Soundtrack''. In the finale of the ceremony, Kirk Franklin and The Family started their performance with "Greatest Love of All." The 2012 BRIT Awards, which took place at London's O2 Arena on February 21, also paid tribute to Houston by playing a 30-second-video montage of her music videos with a snippet of "One Moment in Time" as the background music in the ceremony's first segment. New Jersey Governor Chris Christie said that all New Jersey state flags would be flown at half-staff on Tuesday, February 21 to honor Houston. Accompanied by Esperanza Spalding belting out "What a Wonderful World" along with the Southern California Children's Choir, Houston was featured in the In Memoriam montage alongside other cinema greats at the 84th Academy Awards, held at the Hollywood and Highland Center on February 26, 2012.

Artistry and legacy

Voice

Houston was a mezzo-soprano, and was commonly referred to as "The Voice" in reference to her exceptional vocal talent. Her vocal range extended from G below middle C (G₃) to high B-flat (B₅); she could belt out to treble F (F₅). She was third in MTV's list of 22 Greatest Voices, and sixth on ''Online Magazine COVE''s list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, ''Rolling Stone'' listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating, "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's 'I Will Always Love You' is a tour de force." Matthew Perpetua from ''Rolling Stone'' also eulogized Houston's vocal, enumerating ten performances, including "How Will I Know" from the 1986 MTV VMAs and "The Star Spangled Banner" at the 1991 Super Bowl. "Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision," he stated. "She was a brilliant performer, and her live shows often eclipsed her studio recordings."

Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".

Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".

Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."

Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."

Influence

During the 1980s, MTV was coming into its own and received harsh criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became the first black female artist to receive heavy rotation on the network following the success of the "How Will I Know" video. Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music. Baker commented that "Because of what Whitney and Sade did, there was an opening for me... For radio stations, black women singers aren't taboo anymore."

Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:

Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.

Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:

She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.

''The Independant''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".

Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".

A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk, Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."

Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."

Alicia Keys, in an interview about her album ''The Element of Freedom'' with ''Billboard'' magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.

Awards and achievements

Houston was the most awarded female artist of all time, according to Guinness World Records, with two Emmy Awards, six Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any female solo artist and shared the record with Michael Jackson for the most AMAs ever won in a single year with eight wins in 1994. Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993. She also had the record for the most WMAs won in a single year, winning five awards at the 6th World Music Awards in 1994.

In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.

Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.

Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.

She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.

Discography

;Studio Albums

1985: ''Whitney Houston''

1987: ''Whitney''

1990: ''I'm Your Baby Tonight''

1998: ''My Love Is Your Love''

2002: ''Just Whitney''

2009: ''I Look to You''

;Holiday Albums

2003: ''One Wish: The Holiday Album''

Filmography

+ Film roles
! Year	! Title	! Role	Notes and awards
	''The Bodyguard''	Rachel Marron	Nominated – 1993 MTV Movie Award for Best Female PerformanceNominated – 1993 MTV Movie Award for Best Breakthrough PerformanceNominated – 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin CostnerNominated – 1992 Golden Raspberry Award for Worst Actress
	''Waiting to Exhale''	Savannah Jackson	Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture
	''The Preacher's Wife''	Julia Biggs
		Fairy Godmother	Made-for-television film, part of a revival of the ''Wonderful World of Disney''.Nominated – 1998 Emmy Award for Outstanding Variety, Music Or Comedy SpecialNominated – 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series
		Emma	Posthumous release

+ Television roles	! Year	! Title	! Network	! Role	Notes
	''Gimme a Break!''	NBC	Rita	"Katie's College" (Season 3, Episode 20)
	''Silver Spoons''	NBC	Herself	"Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words.
	''Boston Public''	Fox	Herself	She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''.

+ Commercials
! Year	! Company	! Promoting	! Country	Notes
	Dr Pepper/Seven Up	Canada Dry(soft drink beverage)	United States		* Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale.
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the Diet Coke theme song, "Just for the taste of it".
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it".	* Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music.	1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them.
	Sanyo	Electronics(the stereo, TV)	Japan		Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''.	* Sanyo also sponsored Houston's 1990 Japan only Feels So Right Tour.
	AT&T;	Telephone services	United States		* Houston sang its theme song, "True Voice".
	Nissin	Consumer credit business	Japan		* Houstons appeared on both print advetisement and TV commercial for Nissin, a nonbank finance company that lends to consumers and small businesses in Japan, with then the company's slogan "Make it happen with Nissin"

+ Production
! Year	! Title	! Director	Notes and awards
1997		Robert Iscove	Executive producerNominated – 50th Primetime Emmy Awards
2001		[[Garry Marshall	ProducerWon – 2002 Young Artist Award for Best Family Feature Film – ComedyNominated – 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action) Nominated – 2002 Phoenix Film Critics Society Award for Best Family FilmNominated – 2002 Teen Choice Award for Film – Choice Movie, Comedy
2003		Oz Scott	Producer
2004	''The Princess Diaries 2: Royal Engagement''	Garry Marshall	Producer
2006		Kenny Ortega	Co-executive producer

Tours

;World tours

''The Greatest Love World Tour'' (1986)

''Moment of Truth World Tour'' (1987–88)

''I'm Your Baby Tonight World Tour'' (1991)

''The Bodyguard World Tour'' (1993–94)

''My Love Is Your Love World Tour'' (1999)

''Nothing But Love World Tour'' (2010)

;Regional tours

''Feels So Right Tour'' (1990)

''Pacific Rim Tour'' (1997)

''The European Tour'' (1998)

''Soul Divas Tour'' (2004)

;Televised concerts

''Nelson Mandela 70th Birthday Tribute'' (1988)

''Welcome Home Heroes with Whitney Houston'' (1991)

''The Concert for a New South Africa'' (1994)

''Classic Whitney Live from Washington, D.C.'' (1997)

See also

American Music Award nominations for Whitney Houston

Grammy nominations for Whitney Houston

Honorific nicknames in popular music

List of artists who reached number one in the United States

List of artists who reached number one on the U.S. Dance chart

List of best-selling music artists

Melisma

References

Further reading

External links

Category:1963 births Category:2012 deaths Category:20th-century actors Category:American people of Dutch descent Category:American people of Native American descent Category:Actors from New Jersey Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Articles with inconsistent citation formats Category:Baptists from the United States Category:Death in California Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:People from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers

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