A Zodiac jukebox.

The jukebox when opened.

The internal workings of the jukebox.

A jukebox or nickelodeon is a partially automated music-playing device, usually a coin-operated machine, that will play a patron's selection from self-contained media. The classic jukebox has buttons with letters and numbers on them that, when entered in combination, are used to play a specific selection.

[edit] History

Coin-operated music boxes and player pianos were the first forms of automated coin-operated musical devices. These instruments used paper rolls, metal disks, or metal cylinders to play a musical selection on the instrument, or instruments, enclosed within the device. In the 1890s these devices were joined by machines which used actual recordings instead of physical instruments.^[1][2] In 1890, Louis Glass and William S. Arnold invented the nickel-in-the-slot phonograph, the first of which was an Edison Class M Electric Phonograph retrofitted with a device patented under the name of Coin Actuated Attachment for Phonograph. The music was heard via one of four listening tubes.^[3] Early designs, upon receiving a coin, unlocked the mechanism, allowing the listener to turn a crank which simultaneously wound the spring motor and placed the reproducer's stylus in the starting groove. Frequently exhibitors would equip many of these machines with listening tubes (acoustic headphones) and array them in "phonograph parlors" allowing the patron to select between multiple records, each played on its own machine. Some machines even contained carousels and other mechanisms for playing multiple records. Most machines were capable of holding only one musical selection, the automation coming from the ability to play that one selection at will. In 1918 Hobart C. Niblack patented an apparatus that automatically changed records, leading to one of the first selective jukeboxes being introduced in 1927 by the Automated Musical Instrument Company, later known as AMI. In 1928, Justus P. Seeburg, who was manufacturing player pianos, combined an electrostatic loudspeaker with a record player that was coin operated, and gave the listener a choice of eight records.^[4] This Audiophone machine was wide and bulky, and had eight separate turntables mounted on a rotating Ferris wheel-like device, allowing patrons to select from eight different records. Later versions of the jukebox included Seeburg's Selectophone, with 10 turntables mounted vertically on a spindle. By maneuvering the tone arm up and down, the customer could select from 10 different records.^[3]

Greater levels of automation were gradually introduced. As electrical recording and amplification improved there was increased demand for coin-operated phonographs.

The term "jukebox" came into use in the United States around 1940, apparently derived from the familiar usage "juke joint", derived from the Gullah word "juke" or "joog" meaning disorderly, rowdy, or wicked.^[5]

Song-popularity counters told the owner of the machine the number of times each record was played (A and B side were generally not distinguished), with the result that popular records remained, while lesser-played songs could be replaced.

Wallboxes were an important, and profitable, part of any jukebox installation. Serving as a remote control, they enabled patrons to select tunes from their table or booth. One example is the Seeburg 3W1, introduced in 1949 as companion to the 100-selection Model M100A jukebox. Stereo sound became popular in the early 1960s, and wallboxes of the era were designed with built-in speakers to provide patrons a sample of this latest technology.

Initially playing music recorded on wax cylinders, the shellac 78 rpm record dominated jukeboxes in the early part of the 20th century. The Seeburg Corporation introduced an all 45 rpm vinyl record jukebox in 1950 leading to the 45 rpm record becoming the dominant jukebox media for the last half of the 20th century. 33⅓-R.P.M., C.D.s, and videos on DVDs were all introduced and used in the last decades of the century. MP3 downloads, and internet-connected virtually unlimited playlists came in the new, 21st century. The jukebox's history has followed the wave of technological improvements in music reproduction and distribution.

Jukeboxes were most popular from the 1940s through the mid-1960s, particularly during the 1950s. By the middle of the 1940s, three-quarters of the records produced in America went into jukeboxes.^[6] While often associated with early rock and roll music, their popularity extends back much further, including classical music, opera and the swing music era. In 1977, The Kinks recorded a song called "Jukebox Music" for their album Sleepwalker.

Styling progressed from the plain wooden boxes in the early thirties to beautiful light shows with marbelized plastic and color animation in the Wurlitzer 850 Peacock of 1941. But after the United States entered the war, metal and plastic were needed for the war effort. Jukeboxes were considered "nonessential", and none were produced until 1946. The 1942 Wurlitzer 950 featured wooden coin chutes to save on metal. At the end of the war, in 1946, jukebox production resumed and several "new" companies joined the fray.

Reproduction Wurlitzer 1015 in the Hotel Nacional de Cuba, Havana

Models designed and produced in the late 20th century needed more panel space for the increased number of record titles they needed to present for selection, reducing the space available for decoration, leading to less ornate styling in favor of functionality and less maintenance.

Many manufacturers produced jukeboxes, including 1890s Wurlitzer, 1920s Seeburg, 1930s "Rock-Ola" whose name is actually based on that of the company founder, David Cullen Rockola, and Crosley.

Seeburg Wall-o-Matic tableside extension, at Triple XXX, Issaquah, Washington, 2009.

[edit] Notable models

• 1946 Wurlitzer Model 1015 - referred to as the "1015 bubbler" offered 24 selections. More than 56,000 were sold in less than 2 years and it is considered a pop culture icon. Designed by Wurlitzer's Paul Fuller.^[3]
• 1953 Seeburg M100C - This was the jukebox exterior used in the credit sequences for the sitcom Happy Days. It played up to fifty 45 rpm records making it a 100-play. It was a very colorful jukebox with chrome glass tubes on the front, mirrors in the display, and rotating animation in the pilasters.^{[citation needed]}
• 1967 Rock-Ola 434 Concerto - This was the jukebox interior used in the intro sequence for the sitcom Happy Days. Like the Seeburg M100C, it played up to fifty 45 rpm records, but featured a horizontal playback mechanism unlike the M100C.^{[citation needed]}
• Gables Kuro - 4 or 5 are known to exist and are valued at US$125,000^{[citation needed]}
• Rock-Ola President - only one known to exist and valued at at least US$150,000^{[citation needed]}
• Rock-Ola Premier - 15 known to exist and valued at US$20,000^{[citation needed]}
• Wurlitzer 950 - 75-90 known to exist and valued at US$35,000^{[citation needed]}
• 1927 LINK - valued at US$40,000 and extremely rare^{[citation needed]}

[edit] Demise

Jukeboxes once received the newest songs first. They played music on demand without commercials. They offered a means to control the music listened to beyond what was available through the technology of their heyday.^[3]

Jukeboxes seem to have been superseded by personal digital audio players, and the easy and free access to music on demand. There is less incentive to pay a jukebox to reproduce music.

While jukeboxes maintain popularity in bars they have fallen out of favor with what were once their more lucrative locations—restaurants, diners, military barracks, video arcades and laundromats.

[edit] References

Wikimedia Commons has media related to: Jukeboxes

Bent Fabricius-Bjerre (born December 7, 1924 in Frederiksberg, Denmark), better known internationally as Bent Fabric, is a Danish pianist and composer.

[edit] Biography

Bent Fabricius-Bjerre started a jazz ensemble after World War II and founded a label, Metronome Records, in 1950. However, he is best known for his 1961 instrumental "Omkring et Flygel" (literally, "Around a Piano") which became a hit in Denmark.^[1] The song was re-released worldwide under the name "Alley Cat" on Atco Records the following year, and went to #1 in Australia and #49 in Germany. The tune also became a hit in the United States; the song hit #2 on the AC chart and #7 on the Billboard Hot 100,^[2] and the LP of the same name hit #13 on the Billboard 200.^[3] "Alley Cat" also won a Grammy Award for Best Instrumental.^[4] It sold over one million copies, and was awarded a gold disc.^[5] The follow-up single, "Chicken Feed", hit #63 in the U.S.

Fabricius-Bjerre had done extensive work in film scores prior to the success of his singles, and continued to work in film for decades after. In 2003, Fabricius-Bjerre returned to the charts, this time in his native Denmark. He released the album Jukebox as Bent Fabric, where he worked with critically acclaimed Danish musicians. The singles "Jukebox" hit #3 in Denmark and "Shake" hit #10 that year. In 2006, a remix of "Jukebox" was released, and the title track became a dance music hit, peaking at #7 on the US Dance/Club Play charts.^[2] The album was also re-released in the United States, this time featuring a remix of his famous instrumental song "Alley Cat", among others.

In 2005 he released the compilation album, Kan du kende melodien (literally Do you recognize the melody) featuring some of his most famous and recognized film and TV scores.

On Sunday December 6. 2009, the day before his 85th. birthday, Fabricius-Bjerre played host to a gala-performance of a theatrical concert featuring 24 of his songs. It was performed at the Royal Danish Theatre by a cast of 12 performers, all of whom graduated from the Danish Academy for Musical Theatre. It was developed under The Danish New Works Development Center, Uterus, and directed and choreographed by Tim Zimmermann. Martin Konge was MD.

An interesting fact: in many states of Mexico, both the songs "Alley Cat" and "Chicken Feed" have been adopted by the ubiquitous loudspeaker vans which go around the neighborhood getting children to go outside to buy an ice cream.

[edit] Film music

• Poeten og Lillemor (1958)
• Helle for Helene (1959)
• Forelsket i København (1960)
• Poeten og Lillemor og Lotte (1960)
• Cirkus Buster (1961)
• Flemming på kostskole (1961)
• Svinedrengen og prinsessen på ærten (1962)
• Poeten og Lillemor i forårshumør (1963)
• Tre piger i Paris (1963)
• Hvis lille pige er du? (1963)
• Halløj i himmelsengen (1964)
• Døden kommer til middag (1964)
• Pigen og millionæren (1965)
• Slå først, Frede! (1965)
• Slap af, Frede! (1966)
• Olsen-banden (1968–1998)
• Tænk på et tal (1969)
• Ballade på Christianshavn (1971)
• Flåklypa Grand Prix (Norwegian, 1976)
• Matador (TV series, 1978–1981)
• Min farmors hus (1984)
• Når engle elsker (1986)
• Peter von Scholten (1990)
• Lad isbjørnene danse (1990)
• Det skaldede spøgelse (1992)
• Blinkende lygter (2000)
• Olsen Banden Junior (2001)
• Klovn - The Movie (2010)

[edit] Discography

[edit] Albums

• 1962 Alley Cat (Atco Records)
• 1962 The Happy Puppy (Atco Records)
• 1964 Organ Grinder's Swing (Atco Records)
• 1964 The Drunken Penguin (Atco Records)
• 1966 Never Tease Tigers (Atco Records)
• 1967 Operation Lovebirds (Atco Records)
• 1968 Relax With Bent Fabric (Atco Records)
• 1997 The Very Best of Bent Fabric
• 1998 Klaver med mer (CMC Records)
• 2001 Mit livs melodi (Copenhagen Records)
• 2004 Jukebox (Universal)
• 2005 Kan du kende melodien (Universal)

[edit] Singles

• 1962 "Alley Cat"
• 1963 "Chicken Feed"
• 2003 "Jukebox"
• 2003 "Shake"
• 2006 "Sweet Senorita"

[edit] References

[edit] External links

• Official website