Accountancy is the process of communicating financial information about a business entity to users such as shareholders and managers. The communication is generally in the form of financial statements that show in money terms the economic resources under the control of management; the art lies in selecting the information that is relevant to the user and is reliable. The principles of accountancy are applied to business entities in three divisions of practical art, named accounting, bookkeeping, and auditing.

Accountancy is defined by the Oxford English Dictionary (OED) as "the profession or duties of an accountant".

Accounting is defined by the American Institute of Certified Public Accountants (AICPA) as "the art of recording, classifying, and summarizing in a significant manner and in terms of money, transactions and events which are, in part at least, of financial character, and interpreting the results thereof."

Accounting is thousands of years old; the earliest accounting records, which date back more than 7,000 years, were found in Mesopotamia (Assyrians). The people of that time relied on primitive accounting methods to record the growth of crops and herds. Accounting evolved, improving over the years and advancing as business advanced.

Early accounts served mainly to assist the memory of the businessperson and the audience for the account was the proprietor or record keeper alone. Cruder forms of accounting were inadequate for the problems created by a business entity involving multiple investors, so double-entry bookkeeping first emerged in northern Italy in the 14th century, where trading ventures began to require more capital than a single individual was able to invest. The development of joint stock companies created wider audiences for accounts, as investors without firsthand knowledge of their operations relied on accounts to provide the requisite information. This development resulted in a split of accounting systems for internal (i.e. management accounting) and external (i.e. financial accounting) purposes, and subsequently also in accounting and disclosure regulations and a growing need for independent attestation of external accounts by auditors.

Today, accounting is called "the language of business" because it is the vehicle for reporting financial information about a business entity to many different groups of people. Accounting that concentrates on reporting to people inside the business entity is called management accounting and is used to provide information to employees, managers, owner-managers and auditors. Management accounting is concerned primarily with providing a basis for making management or operating decisions. Accounting that provides information to people outside the business entity is called financial accounting and provides information to present and potential shareholders, creditors such as banks or vendors, financial analysts, economists, and government agencies. Because these users have different needs, the presentation of financial accounts is very structured and subject to many more rules than management accounting. The body of rules that governs financial accounting in a given jurisdiction is called Generally Accepted Accounting Principles, or GAAP. Other rules include International Financial Reporting Standards, or IFRS, or US GAAP.

Theory

The basic accounting equation is assets = liabilities + stockholders' equity. This is the balance sheet. The foundation for the balance sheet begins with the income statement, which is revenues - expenses = net income or net loss. This is followed by the retained earnings statement, which is beginning retained earnings + net income - dividends = ending retained earnings or beginning retained earnings - net loss - dividends = ending retained earnings. The current ratio is current assets divided by current liabilities. The debt to total assets ratio is total assets divided by total liabilities.

Etymology

The word "Accountant" is derived from the French word , which took its origin from the Latin word . The word was formerly written in English as "Accomptant", but in process of time the word, which was always pronounced by dropping the "p", became gradually changed both in pronunciation and in orthography to its present form (see also ''comptroller'').

History

Token accounting in ancient Mesopotamia

The earliest accounting records were found amongst the ruins of ancient Babylon, Assyria and Sumeria, which date back more than 7,000 years. The people of that time relied on primitive accounting methods to record the growth of crops and herds. Because there is a natural season to farming and herding, it is easy to count and determine if a surplus had been gained after the crops had been harvested or the young animals weaned.

Early Accounting in India

Early references to accounting concepts are found in the Vedas: Vikraya is found in the Atharvaveda and the Nirukta denoting ‘sale’. Sulka in the Rig veda clearly means ‘price’. In the Dharma Sutras it denotes a ‘tax’.

Accounting in the Roman Empire

The ''Res Gestae Divi Augusti'' (Latin: "The Deeds of the Divine Augustus") is a remarkable account to the Roman people of the Emperor Augustus' stewardship. It listed and quantified his public expenditure, which encompassed distributions to the people, grants of land or money to army veterans, subsidies to the ''aerarium'' (treasury), building of temples, religious offerings, and expenditures on theatrical shows and gladiatorial games. It was not an account of state revenue and expenditure, but was designed to demonstrate Augustus' munificence. The significance of the ''Res Gestae Divi Augusti'' from an accounting perspective lies in the fact that it illustrates that the executive authority had access to detailed financial information, covering a period of some forty years, which was still retrievable after the event. The scope of the accounting information at the emperor's disposal suggests that its purpose encompassed planning and decision-making.

The Roman historians Suetonius and Cassius Dio record that in 23 BC, Augustus prepared a ''rationarium'' (account) which listed public revenues, the amounts of cash in the ''aerarium'' (treasury), in the provincial ''fisci'' (tax officials), and in the hands of the ''publicani'' (public contractors); and that it included the names of the freedmen and slaves from whom a detailed account could be obtained. The closeness of this information to the executive authority of the emperor is attested by Tacitus' statement that it was written out by Augustus himself.

Records of cash, commodities, and transactions were kept scrupulously by military personnel of the Roman army. An account of small cash sums received over a few days at the fort of Vindolanda circa 110 CE shows that the fort could compute revenues in cash on a daily basis, perhaps from sales of surplus supplies or goods manufactured in the camp, items dispensed to slaves such as ''cervesa'' (beer) and ''clavi caligares'' (nails for boots), as well as commodities bought by individual soldiers. The basic needs of the fort were met by a mixture of direct production, purchase and requisition; in one letter, a request for money to buy 5,000 ''modii'' (measures) of ''braces'' (a cereal used in brewing) shows that the fort bought provisions for a considerable number of people.

The Heroninos Archive is the name given to a huge collection of papyrus documents, mostly letters, but also including a fair number of accounts, which come from Roman Egypt in 3rd century CE. The bulk of the documents relate to the running of a large, private estate is named after Heroninos because he was ''phrontistes'' (Koine Greek: manager) of the estate which had a complex and standarised system of accounting which was followed by all its local farm managers. Each administrator on each sub-division of the estate drew up his own little accounts, for the day-to-day running of the estate, payment of the workforce, production of crops, the sale of produce, the use of animals, and general expenditure on the staff. This information was then summarized as pieces of papyrus scroll into one big yearly account for each particular sub—division of the estate. Entries were arranged by sector, with cash expenses and gains extrapolated from all the different sectors. Accounts of this kind gave the owner the opportunity to take better economic decisions because the information was purposefully selected and arranged.

Simple accounting is mentioned in the Christian Bible (New Testament) in the Book of Matthew, in the Parable of the Talents.

Islamic accounting and algebra

In the Qur’an, the word "account" (Arabic: ''hesab'') is used in its generic sense, relating to one's obligation to account to God on all matters pertaining to human endeavour. According to the Qur’an, followers are required to keep records of their indebtedness (Sura 2, ayah 282), thus Islam provides general approval and guidelines for the recording and reporting of transactions.

The Islamic law of inheritance (Sura 4, ayah 11) defines exactly how the estate is calculated after death of an individual. The power of testamentary disposition is basically limited to one-third of the net estate (i.e. the assets remaining after the payment of funeral expenses and debts), providing for every member of the family by allotting fixed shares not only to wives and children, but also to fathers and mothers. The complexity of this law served as an impetus behind the development of algebra (Arabic: ''al-jabr'') by the Persian mathematician Muhammad ibn Mūsā al-Khwārizmī and other medieval Islamic mathematicians. Khwārizmī's "The Compendious Book on Calculation by Completion and Balancing" (Arabic: ''Hisab al-jabr w’al-muqabala'', Baghdad, c. 825) devoted a chapter on the solution to the Islamic law of inheritance using linear equations. In the 12th century, Latin translations of al-Khwārizmī's "Book of Addition and Subtraction According to the Hindu Calculation" (Arabic:''Kitāb al-Jamʿ wa-l-tafrīq bi-ḥisāb al-Hind'') on the use of Indian numerals, introduced the decimal positional number system to the Western world. Zakah is charged on earnings,agricultural produce, animals, mercantile goods etc. Islam has fixed Nisab (minimum amount) that is chargeable to Zakah, rates at which Zakah is to be charged as well as periodicity. In case of animals Nisab is fixed in terms of their number. However in respect of merchandise it has fixed Nisab in terms of their monetary value. Hifzur Rab has discussed its implications and the guiding principles that emanate from it. According to him 'Command to measure correctly implies that any error in measurement/accounting must be corrected. Accordingly, we must correct all our accounts that use currency as the unit for the error resulting from manipulation of the currency. The best approach to this problem lies in applying the advancement in our knowledge derived from observations with wisdom based on the sure knowledge derived from the Quran-e-Hakim and Sunnah Mubarakah. One of major guiding principles it provides is that the value of anything is best measured in terms of a given quantity of itself. For example: gold in terms of gold and rice in terms of rice. Thus, growth in wheat production should be measured in terms of quantity produced and not its value. The second guiding principle based on these infallible sources of knowledge is to use the most reliable unit in cases that require use of a common unit of value. A third guiding principle pertinent to our case is to let free open markets determine the prices.' Thus, where the unit of account is manipulated Islamic Accounting mandates that all data and accounting be corrected to free it from the error resulting from the manipulation. The development of mathematics and accounting was intertwined during the Renaissance. Mathematics was in the midst of a period of significant development in the late 15th century. Hindu-Arabic numerals and algebra were introduced to Europe from Arab mathematics at the end of the 10th century by the Benedictine monk Gerbert of Aurillac, but it was only after Leonardo Pisano (also known as Fibonacci) put commercial arithmetic, Hindu-Arabic numerals, and the rules of algebra together in his Liber Abaci in 1202 that Hindu-Arabic numerals became widely used in Italy.

Luca Pacioli and double-entry bookkeeping

Bartering was the dominant practice for traveling merchants during the Middle Ages. When medieval Europe moved to a monetary economy in the 13th century, sedentary merchants depended on bookkeeping to oversee multiple simultaneous transactions financed by bank loans. One important breakthrough took place around that time: the introduction of double-entry bookkeeping, which is defined as any bookkeeping system in which there was a debit and credit entry for each transaction, or for which the majority of transactions were intended to be of this form. The historical origin of the use of the words ‘debit’ and ‘credit’ in accounting goes back to the days of single-entry bookkeeping in which the chief objective was to keep track of amounts owed by customers (debtors) and amounts owed to creditors. ‘Debit,’ is Latin for ‘he owes’ and ‘credit’ Latin for ‘he trusts’.

The earliest extant evidence of full double-entry bookkeeping is the Farolfi ledger of 1299-1300. Giovanno Farolfi & Company were a firm of Florentine merchants whose head office was in Nîmes who also acted as moneylenders to the Archbishop of Arles, their most important customer. The oldest discovered record of a complete double-entry system is the ''Messari'' (Italian: Treasurer's) accounts of the city of Genoa in 1340. The ''Messari'' accounts contain debits and credits journalised in a bilateral form, and contains balances carried forward from the preceding year, and therefore enjoy general recognition as a double-entry system.

Luca Pacioli's ''"Summa de Arithmetica, Geometria, Proportioni et Proportionalità"'' (Italian: "Review of Arithmetic, Geometry, Ratio and Proportion") was first printed and published in Venice in 1494. It included a 27-page treatise on bookkeeping, ''"Particularis de Computis et Scripturis"'' (Italian: "Details of Calculation and Recording"). It was written primarily for, and sold mainly to, merchants who used the book as a reference text, as a source of pleasure from the mathematical puzzles it contained, and to aid the education of their sons. It represents the first known printed treatise on bookkeeping; and it is widely believed to be the forerunner of modern bookkeeping practice. In ''Summa Arithmetica'', Pacioli introduced symbols for plus and minus for the first time in a printed book, symbols that became standard notation in Italian Renaissance mathematics. ''Summa Arithmetica'' was also the first known book printed in Italy to contain algebra.

Although Luca Pacioli did not invent double-entry bookkeeping, his 27-page treatise on bookkeeping contained the first known published work on that topic, and is said to have laid the foundation for double-entry bookkeeping as it is practiced today. Even though Pacioli's treatise exhibits almost no originality, it is generally considered as an important work, mainly because of its wide circulation, it was written in the vernacular Italian language, and it was a printed book.

According to Pacioli, accounting is an ad hoc ordering system devised by the merchant. Its regular use provides the merchant with continued information about his business, and allows him to evaluate how things are going and to act accordingly. Pacioli recommends the Venetian method of double-entry bookkeeping above all others. Three major books of account are at the direct basis of this system: the ''memoriale'' (Italian: memorandum), the ''giornale'' (journal), and the ''quaderno'' (ledger). The ledger is considered as the central one and is accompanied by an alphabetical index.

Pacioli's treatise gave instructions in how to record barter transactions and transactions in a variety of currencies – both being far more commonplace than they are today. It also enabled merchants to audit their own books and to ensure that the entries in the accounting records made by their bookkeepers complied with the method he described. Without such a system, all merchants who did not maintain their own records were at greater risk of theft by their employees and agents: it is not by accident that the first and last items described in his treatise concern maintenance of an accurate inventory.

The nature of double-entry can be grasped by recognizing that this system of bookkeeping did not simply record the things merchants traded so that they could keep track of assets or calculate profits and losses; instead as a system of writing, double-entry produced effects that exceeded transcription and calculation. One of its social effects was to proclaim the honesty of merchants as a group; one of its epistemological effects was to make its formal precision based on a rule bound system of arithmetic seem to guarantee the accuracy of the details it recorded. Even though the information recorded in the books of account was not necessarily accurate, the combination of the double entry system's precision and the normalizing effect that precision tended to create, produced the impression that books of account were not only precise, but accurate as well. Instead of gaining prestige from numbers, double entry bookkeeping helped confer cultural authority on numbers.

Double entry accounting means that money is never lost or gained. It is always transferred from one place to another. This is done by recording transactions. Each transaction requires the use of at least two accounts.

Accounting in the internet era

In the IETF RFCs the act of accounting is usually defined as ''the act of collecting information on resource usage for the purpose of trend analysis, auditing, billing, or cost allocation''.

For example when a user uses a connectivity service paid with a pay-per-use approach the accounting process is based on a metering of the resource usage by the user (usually time spent with an active connection or the amount of data tranferred using that connection). The accounting is hence the recording of this connectivity service ''consumption'' for subsequent charging of the service itself.

Accounting scandals

The year 2001 witnessed a series of financial information frauds involving Enron Corporation, auditing firm Arthur Andersen, the telecommunications company WorldCom, Qwest and Sunbeam, among other well-known corporations. These problems highlighted the need to review the effectiveness of accounting standards, auditing regulations and corporate governance principles. In some cases, management manipulated the figures shown in financial reports to indicate a better economic performance. In others, tax and regulatory incentives encouraged over-leveraging of companies and decisions to bear extraordinary and unjustified risk.

The Enron scandal deeply influenced the development of new regulations to improve the reliability of financial reporting, and increased public awareness about the importance of having accounting standards that show the financial reality of companies and the objectivity and independence of auditing firms.

In addition to being the largest bankruptcy reorganization in American history, the Enron scandal undoubtedly is the biggest audit failure. The scandal caused the dissolution of Arthur Andersen, which at the time was one of the five largest accounting firms in the world. It involved a financial scandal of Enron Corporation and their auditors Arthur Andersen, which was revealed in late 2001. After a series of revelations involving irregular accounting procedures conducted throughout the 1990s, Enron filed for Chapter 11 bankruptcy protection in December 2001.

One consequence of these events was the passage of Sarbanes-Oxley Act in 2002, as a result of the first admissions of fraudulent behavior made by Enron. The act significantly raises criminal penalties for securities fraud, for destroying, altering or fabricating records in federal investigations or any scheme or attempt to defraud shareholders. Another example of corporate fraud was the case of Australian telecommunications company One-tel. The financial manager, Jodee Rich was subsequently charged with fraud and spent several years in jail after fraudulently stating the companies financial position, to encourage investment by some of Australia's richest people including James Packer and Lachlan Murdoch. When it collapsed in 2001, One-tel lost its shareholders in excess of 920 million dollars.

Notes and references

Category:Business Category:Finance Category:Occupations

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name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, Surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created their influential ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to Elvis Presley's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, they changed the way performers entertained audiences. The Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of ''Flying Circus''

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ''ComedyWorld'', a summer replacement series for ''The Dean Martin Show''. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the ''Flying Circus''

Filmography

''And Now for Something Completely Different'' (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle once flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of associates of The Beatles being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media

Television

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

Films

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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name	Imran Khan Niazi
birth date	November 25, 1952
birth place	Lahore, Punjab, Pakistan
party	Pakistan Tehreek-e-Insaf
spouse	Jemima Khan (1995 - 2004)
children	2 (Sulaiman Isa and Kasim)
residence	Lahore
occupation	Politician, philanthropist
religion	Islam
website	http://www.insaf.pk/ }}

playername	Imran Khan
country	Pakistan
fullname	Imran Khan Niazi
living	true
dayofbirth	25
monthofbirth	11
yearofbirth	1952
placeofbirth	Lahore, Punjab
countryofbirth	Pakistan
batting	Right-handed
bowling	Right-arm fast
role	All-rounder
international	true
testdebutdate	3 June
testdebutyear	1971
testdebutagainst	England
testcap	65
lasttestdate	7 January
lasttestyear	1992
lasttestagainst	Sri Lanka
odidebutdate	31 August
odidebutyear	1974
odidebutagainst	England
odicap	12
lastodidate	25 March
lastodiyear	1992
lastodiagainst	England
club1	Sussex
year1	1977 – 1988
club2	New South Wales
year2	1984/85
club3	PIA
year3	1975 – 1981
club4	Worcestershire
year4	1971 – 1976
club5	Oxford University
year5	1973 – 1975
club6	Lahore
year6	1969 – 1971
columns	4
column1	Test
matches1	88
runs1	3807
bat avg1	37.69
100s/50s1	6/18
top score1	136
deliveries1	19458
wickets1	362
bowl avg1	22.81
fivefor1	23
tenfor1	6
best bowling1	8/58
catches/stumpings1	28/–
column2	ODI
matches2	175
runs2	3709
bat avg2	33.41
100s/50s2	1/19
top score2	102*
deliveries2	7461
wickets2	182
bowl avg2	26.61
fivefor2	1
tenfor2	n/a
best bowling2	6/14
catches/stumpings2	36/–
column3	FC
matches3	382
runs3	17771
bat avg3	36.79
100s/50s3	30/93
top score3	170
deliveries3	65224
wickets3	1287
bowl avg3	22.32
fivefor3	70
tenfor3	13
best bowling3	8/34
catches/stumpings3	117/–
column4	LA
matches4	425
runs4	10100
bat avg4	33.22
100s/50s4	5/66
top score4	114*
deliveries4	19122
wickets4	507
bowl avg4	22.31
fivefor4	6
tenfor4	n/a
best bowling4	6/14
catches/stumpings4	84/–
date	26 June
year	2008
source	http://cricketarchive.com/Archive/Players/1/1383/1383.html CricketArchive }}

Imran Khan Niazi (Punjabi, Pashto, }}) (born 25 November 1952) is a Pakistani politician and former Pakistani cricketer, playing international cricket for two decades in the late twentieth century and being a politician since the mid-1990s. Currently, besides his political activism, Khan is also a philanthropist, cricket commentator and Chancellor of the University of Bradford.

Khan played for the Pakistani cricket team from 1971 to 1992 and served as its captain intermittently throughout 1982-1992. After retiring from cricket at the end of the 1987 World Cup, he was called back to join the team in 1988. At 39, Khan led his teammates to Pakistan's first and only World Cup victory in 1992. He has a record of 3807 runs and 362 wickets in Test cricket, making him one of eight world cricketers to have achieved an 'All-rounder's Triple' in Test matches. On 14 July 2010, Khan was inducted into the ICC Cricket Hall of Fame.

In April 1996, Khan founded and became the chairman of a political party Pakistan Tehreek-e-Insaf (Movement for Justice). He represented Mianwali as a member of the National Assembly from November 2002 to October 2007. Khan, through worldwide fundraising, helped establish the Shaukat Khanum Memorial Cancer Hospital & Research Centre in 1996 and Mianwali's Namal College in 2008.

Family, education, and personal life

Imran Khan was born to Shaukat Khanum (Burki) and Ikramullah Khan Niazi, a civil engineer, in Lahore. A quiet and shy boy in his youth, Khan grew up in a middle-class Niazi Pathan family with four sisters. Settled in Punjab, Khan's father descended from the Pashtun (Pathan) Niazi Shermankhel tribe of Mianwali in Punjab. Imran's Mother Shaukat Khanum (Burki's) family includes successful hockey players and cricketers such as Javed Burki and Majid Khan. Khan was educated at Aitchison College, the Cathedral School in Lahore, and the Royal Grammar School Worcester in England, where he excelled at cricket. In 1972, he enrolled to study Philosophy, Politics and Economics at Keble College, Oxford, where he graduated with a second-class degree in Politics and a third in Economics.

Marriage to Jemima Marcelle Goldsmith

On 16 May 1995, Khan married English socialite Jemima Goldsmith, a convert to Islam, in an Islamic ceremony in Paris. A month later, on 21 June, they were married again in a civil ceremony at the Richmond register office in England, followed by a reception at the Goldsmiths' house in Surrey. The marriage, described as "tough" by Khan, produced two sons, Sulaiman Isa (born 18 November 1996) and Kasim (born 10 April 1999). As an agreement of his marriage, Khan spent four months a year in England. On 22 June 2004, it was announced that the Khans had divorced because it was "difficult for Jemima to adapt to life in Pakistan" .The marriage ended amicably. Imran has regular access to his children and his relationship with his ex-wife is friendly. Khan now resides in Bani Gala, Islamabad, where he built a farmhouse with the money he gained from selling his London flat. He grows fruit trees, wheat, and keeps cows, while also maintaining a cricket ground for his two sons, who visit during their holidays.

Cricket career

Khan made a lacklustre first-class cricket debut at the age of sixteen in Lahore. By the start of the 1970s, he was playing for his home teams of Lahore A (1969–70), Lahore B (1969–70), Lahore Greens (1970–71) and, eventually, Lahore (1970–71). Khan was part of Oxford University's Blues Cricket team during the 1973-75 seasons. At Worcestershire, where he played county cricket from 1971 to 1976, he was regarded as only an average medium pace bowler. During this decade, other teams represented by Khan include Dawood Industries (1975–76) and Pakistan International Airlines (1975–76 to 1980-81). From 1983 to 1988, he played for Sussex.

In 1971, Khan made his Test cricket debut against England at Birmingham. Three years later, he debuted in the One Day International (ODI) match, once again playing against England at Nottingham for the Prudential Trophy. After graduating from Oxford and finishing his tenure at Worcestershire, he returned to Pakistan in 1976 and secured a permanent place on his native national team starting from the 1976-77 season, during which they faced New Zealand and Australia. Following the Australian series, he toured the West Indies, where he met Tony Greig, who signed him up for Kerry Packer's World Series Cricket. His credentials as one of the fastest bowlers of the world started to establish when he finished third at 139.7 km/h in a fast bowling contest at Perth in 1978, behind Jeff Thomson and Michael Holding, but ahead of Dennis Lillee, Garth Le Roux and Andy Roberts.

As a fast bowler, Khan reached the peak of his powers in 1982. In 9 Tests, he got 62 wickets at 13.29 each, the lowest average of any bowler in Test history with at least 50 wickets in a calendar year. In January 1983, playing against India, he attained a Test bowling rating of 922 points. Although calculated retrospectively (ICC player ratings did not exist at the time), Khan's form and performance during this period ranks third in the ICC's All-Time Test Bowling Rankings.

Khan achieved the all-rounder's triple (securing 3000 runs and 300 wickets) in 75 Tests, the second fastest record behind Ian Botham's 72. He is also established as having the second highest all-time batting average of 61.86 for a Test batsman playing at position 6 of the batting order. He played his last Test match for Pakistan in January 1992, against Sri Lanka at Faisalabad. Khan retired permanently from cricket six months after his last ODI, the historic 1992 World Cup final against England at Melbourne, Australia. He ended his career with 88 Test matches, 126 innings and scored 3807 runs at an average of 37.69, including six centuries and 18 fifties. His highest score was 136 runs. As a bowler, he took 362 wickets in Test cricket, which made him the first Pakistani and world's fourth bowler to do so. In ODIs, he played 175 matches and scored 3709 runs at an average of 33.41. His highest score remains 102 not out. His best ODI bowling is documented at 6 wickets for 14 runs.

Captaincy

At the height of his career, in 1982, the thirty-year old Khan took over the captaincy of the Pakistani cricket team from Javed Miandad. Recalling his initial discomfort with this new role, he later said, "When I became the cricket captain, I couldn’t speak to the team directly I was so shy. I had to tell the manager, I said listen can you talk to them, this is what I want to convey to the team. I mean early team meetings I use to be so shy and embarrassed I couldn’t talk to the team." As a captain, Khan played 48 Test matches, out of which 14 were won by Pakistan, 8 lost and the rest of 26 were drawn. He also played 139 ODIs, winning 77, losing 57 and ending one in a tie.

In the team's second match under his leadership, Khan led them to their first Test win on English soil for 28 years at Lord's. Khan's first year as captain was the peak of his legacy as a fast bowler as well as an all-rounder. He recorded the best Test bowling of his career while taking 8 wickets for 58 runs against Sri Lanka at Lahore in 1981-82. He also topped both the bowling and batting averages against England in three Test series in 1982, taking 21 wickets and averaging 56 with the bat. Later the same year, he put up a highly acknowledged performance in a home series against the formidable Indian team by taking 40 wickets in six Tests at an average of 13.95. By the end of this series in 1982-83, Khan had taken 88 wickets in 13 Test matches over a period of one year as captain.

This same Test series against India, however, also resulted in a stress fracture in his shin that kept him out of cricket for more than two years. An experimental treatment funded by the Pakistani government helped him recover by the end of 1984 and he made a successful comeback to international cricket in the latter part of the 1984-85 season.

In 1987, Khan led Pakistan to its first ever Test series win in India, which was followed by Pakistan's first series victory in England the same year. During the 1980s, his team also recorded three creditable draws against the West Indies. India and Pakistan co-hosted the 1987 World Cup, but neither ventured beyond the semi-finals. Khan retired from international cricket at the end of the World Cup. In 1988, he was asked to return to the captaincy by the President Of Pakistan, General Zia-Ul-Haq, and on 18 January, he announced his decision to rejoin the team. Soon after returning to the captaincy, Khan led Pakistan to another winning tour in the West Indies, which he has recounted as "the last time I really bowled well". He was declared Man of the Series against West Indies in 1988 when he took 23 wickets in 3 tests.

Khan's career-high as a captain and cricketer came when he led Pakistan to victory in the 1992 Cricket World Cup. Playing with a brittle batting line-up, Khan promoted himself as a batsman to play in the top order along with Javed Miandad, but his contribution as a bowler was minimal. At the age of 39, Khan scored the highest runs of all the Pakistani batsmen and took the winning last wicket himself.

Post-retirement

In 1994, Khan had admitted that, during Test matches, he "occasionally scratched the side of the ball and lifted the seam." He had also added, "Only once did I use an object. When Sussex were playing Hampshire in 1981 the ball was not deviating at all. I got the 12th man to bring out a bottle top and it started to move around a lot." In 1996, Khan successfully defended himself in a libel action brought forth by former English captain and all-rounder Ian Botham and batsman Allan Lamb over comments they alleged were made by Khan in two articles about the above-mentioned ball-tampering and another article published in an Indian magazine, ''India Today''. They claimed that, in the latter publication, Khan had called the two cricketers "racist, ill-educated and lacking in class." Khan protested that he had been misquoted, saying that he was defending himself after having admitted that he tampered with a ball in a county match 18 years ago. Khan won the libel case, which the judge labelled a "complete exercise in futility", with a 10-2 majority decision by the jury.

Since retiring, Khan has written opinion pieces on cricket for various British and Asian newspapers, especially regarding the Pakistani national team. His contributions have been published in India's ''Outlook'' magazine, the ''Guardian'', the ''Independent'', and the ''Telegraph''. Khan also sometimes appears as a cricket commentator on Asian and British sports networks, including BBC Urdu and the Star TV network. In 2004, when the Indian cricket team toured Pakistan after 14 years, he was a commentator on TEN Sports' special live show, Straight Drive, while he was also a columnist for sify.com for the 2005 India-Pakistan Test series. He has provided analysis for every cricket World Cup since 1992, which includes providing match summaries for BBC during the 1999 World Cup.

In November 2009 Khan underwent emergency surgery at Lahore's Shaukat Khanum Cancer Hospital to remove an obstruction in his small intestine.

Social work

For more than four years after retiring from cricket in 1992, Khan focused his efforts solely on social work. By 1991, he had founded the Shaukat Khanum Memorial Trust, a charity organisation bearing the name of his mother, Mrs. Shaukat Khanum. As the Trust's maiden endeavour, Khan established Pakistan's first and only cancer hospital, constructed using donations and funds exceeding $25 million, raised by Khan from all over the world. Inspired by the memory of his mother, who died of cancer, the Shaukat Khanum Memorial Cancer Hospital & Research Centre, a charitable cancer hospital with 75 percent free care, opened in Lahore on 29 December 1994. Khan currently serves as the chairman of the hospital and continues to raise funds through charity and public donations. Princess of Wales Lady Diana also visited Lahore in 1996 in order to raise funds for the Cancer hospital.

During the 1990s, Khan also served as UNICEF's Special Representative for Sports and promoted health and immunisation programmes in Bangladesh, Pakistan, Sri Lanka and Thailand.

On 27 April 2008, Khan's brainchild, a technical college in the Mianwali District called Namal College, was inaugurated. Namal College was built by the Mianwali Development Trust (MDT), as chaired by Khan, and was made an associate college of the University of Bradford (of which Khan is Chancellor) in December 2005. Currently, Khan is building another cancer hospital in Karachi, using his successful Lahore institution as a model. While in London, he also works with the Lord’s Taverners, a cricket charity.

Political work

Khan entered electoral politics after few years after the end of his professional cricketing career. Since then, his most significant political work has been to bring awareness towards the lack of justice in Pakistan. This movement to bring justice was coupled with awareness in media and harassment of judiciary by President Pervez Musharaf. The public, with the help of lawyers, NGOs and other major political parties, including Pakistan Tehreek-e-Insaf, fought a battle on the roads, getting judiciary eventually restored in its much improved (impartial)form . Initially, Imran Khan's politics were not taken seriously in Pakistan. However, his popularity has sharply risen, especially among women and the youth of Pakistan, after the repeated bad governance by the government and interference by US. Recently, Imran Khan has been the only politician who has responded to terrorism allegations on Pakistan. While Khan is viewed as a fundamentalist by some political circles, he has suggested solutions for helping US and NATO forces to fight terrorism while at the same time, not creating more terrorists in Pakistan. Imran Khan is sometimes viewed as a stubborn politician who does not involve others in decision making. However, Imran Khan has openly denied this allegation and claimed that the level of democracy in the executive committee meeting of his party (PTI) is unmatched by any other political party in Pakistan. While many people seem hopeless about Imran's political victory in Pakistan, he has known to someone possessing high level of determination and perseverance, as demonstrated by his cricket and philanthropic career. His political popularity is rising quickly in Pakistan and although the party has only one seat in 2002 elections and kept out of elections in 2008, resulting in no representation in Parliament, Imran Khan is considered as the one of the four major political leaders in Pakistan, especially by mainstream media (others being Asif Ali Zardari, Nawaz Sharif and Altaf Hussain).

On 25 April 1996, Khan founded his own political party called the Pakistan Tehreek-e-Insaf (PTI) with a proposed slogan of "Justice, Humanity and Self Esteem." Khan, who contested from 7 districts, and members of his party were universally defeated at the polls in the 1997 general elections. Khan supported General Pervez Musharraf's military coup in 1999, but denounced his presidency a few months before the 2002 general elections. Many political commentators and his opponents termed Khan's change in opinion an opportunistic move. "I regret supporting the referendum. I was made to understand that when he won, the general would begin a clean-up of the corrupt in the system. But really it wasn't the case," he later explained. During the 2002 election season, he also voiced his opposition to Pakistan's logistical support of US troops in Afghanistan by claiming that their country had become a "servant of America." PTI won 0.8% of the popular vote and one out of 272 open seats on the 20 October 2002 legislative elections. Khan, who was elected from the NA-71 constituency of Mianwali, was sworn in as an MP on 16 November.. As an MP, he was part of the Standing Committees on Kashmir and Public Accounts, and expressed legislative interest in Foreign Affairs, Education and Justice.

On 6 May 2005, Khan became one of the first Muslim figures to criticise a 300-word ''Newsweek'' story about the alleged desecration of the Qur'an in a U.S. military prison at the Guantánamo Bay Naval Base in Cuba. Khan held a press conference to denounce the article and demanded that Gen. Pervez Musharraf secure an apology from American president George W. Bush for the incident. In 2006, he exclaimed, "Musharraf is sitting here, and he licks George Bush’s shoes!" Criticizing Muslim leaders supportive of the Bush administration, he added, "They are the puppets sitting on the Muslim world. We want a sovereign Pakistan. We do not want a president to be a poodle of George Bush." During George W. Bush's visit to Pakistan in March 2006, Khan was placed under house arrest in Islamabad after his threats of organising a protest. In June 2007, the federal Parliamentary Affairs Minister Dr. Sher Afghan Khan Niazi and the Muttahida Qaumi Movement (MQM) party filed separate ineligibility references against Khan, asking for his disqualification as member of the National Assembly on grounds of immorality. Both references, filed on the basis of articles 62 and 63 of the Constitution of Pakistan, were rejected on 5 September.

On 2 October 2007, as part of the All Parties Democratic Movement, Khan joined 85 other MPs to resign from Parliament in protest of the Presidential election scheduled for 6 October, which General Musharraf was contesting without resigning as army chief. On 3 November 2007, Khan was put under house arrest at his father's home hours after President Musharraf declared a state of emergency in Pakistan. Khan had demanded the death penalty for Musharraf after the imposition of emergency rule, which he equated to "committing treason". The next day, on 4 November, Khan escaped and went into peripatetic hiding. He eventually came out of hiding on 14 November to join a student protest at the University of the Punjab. At the rally, Khan was captured by students from the Jamaat-i-Islami political party, who claimed that Khan was an uninvited nuisance at the rally, and they handed him over to the police, who charged him under the Anti-terrorism act for allegedly inciting people to pick up arms, calling for civil disobedience, and for spreading hatred. Incarcerated in the Dera Ghazi Khan Jail, Khan's relatives had access to him and were able to meet him to deliver goods during his week-long stay in jail. On 19 November, Khan let out the word through PTI members and his family that he had begun a hunger strike but the Deputy Superintendent of Dera Ghazi Khan Jail denied this news, saying that Khan had bread, eggs and fruit for breakfast. Khan was one of the 3,000 political prisoners released from imprisonment on 21 November 2007.

His party boycotted the national elections on 18 February 2008 and hence, no member of PTI has served in Parliament since Khan's resignation in 2007. Despite no longer being a member of Parliament, Khan was placed under house arrest in the crackdown by Pakistani President Asif Ali Zardari of anti-government protests on 15 March 2009.

In April 2011, Khan lead protests over the drone attacks in the Tribal Areas of Pakistan. He and his protesters stayed on the streets overnight to show solidarity with the victims of these drone attacks by the US Military.

Ideology

Khan's proclaimed political platform and declarations include: Islamic values, to which he rededicated himself in the 1990s; liberal economics, with the promise of deregulating the economy and creating a welfare state; decreased bureaucracy and anti-corruption laws, to create and ensure a clean government; the establishment of an independent judiciary; overhaul of the country's police system; and an anti-militant vision for a democratic Pakistan.

Khan has credited his decision to enter politics with a spiritual awakening,"I never drank or smoked, but I used to do my share of partying. In my spiritual evolution there was a block," he explained to the American ''Washington Post''. As an MP, Khan sometimes voted with a bloc of hard-line religious parties such as the Muttahida Majlis-e-Amal, whose leader, Maulana Fazlur Rehman, he supported for prime minister over Musharraf's candidate in 2002. On religion in Pakistan, Khan has said that, "As time passes by, religious thought has to evolve, but it is not evolving, it is reacting against Western culture and often has nothing to do with faith or religion."

Khan told Britain's ''Daily Telegraph'', "I want Pakistan to be a welfare state and a genuine democracy with a rule of law and an independent judiciary." Other ideas he has presented include a requirement of all students to spend a year after graduation teaching in the countryside and cutting down the over-staffed bureaucracy in order to send them to teach too. "We need decentralisation, empowering people at the grass roots," he has said. In June 2007, Khan publicly deplored Britain for knighting Indian-born author Salman Rushdie. He said, "Western civilisation should have been mindful of the injury the writer had caused to the Muslim community by writing his highly controversial book, ''The Satanic Verses''."

Criticism

During the 1970s and 1980s, Khan became known as a socialite due to his "non-stop partying" at London nightclubs such as Annabel's and Tramp. though he claims to have hated English pubs and never drank alcohol. He also gained notoriety in London gossip columns for romancing young debutantes such as Susannah Constantine, Lady Liza Campbell and the artist Emma Sergeant.

Khan is often dismissed as a political lightweight and a celebrity outsider in Pakistan, where national newspapers also refer to him as a "spoiler politician". Muttahida Qaumi Movement, a political party with its voting stronghold in Karachi, has asserted that Khan is "a sick person who has been a total failure in politics and is alive just because of the media coverage". The Political observers say the crowds he draws are attracted by his cricketing celebrity, and the public has been reported to view him as a figure of entertainment rather than a serious political authority.

''The Guardian'' newspaper in England described Khan as a "miserable politician," observing that, "Khan's ideas and affiliations since entering politics in 1996 have swerved and skidded like a rickshaw in a rainshower... He preaches democracy one day but gives a vote to reactionary mullahs the next." The charge constantly raised against Khan is that of hypocrisy and opportunism, including what has been called his life's "playboy to puritan U-turn." One of Pakistan's most controversial political commentators, Najam Sethi, stated that, "A lot of the Imran Khan story is about backtracking on a lot of things he said earlier, which is why this doesn’t inspire people." Khan's political flip-flops consist of his vocal criticism of President Musharraf after having supported his military takeover in 1999. Similarly, Khan has been a critic of former Prime Minister Nawaz Sharif when Sharif was in power, having said at the time: "Our current prime minister has a fascist mind-set, and members of parliament cannot go against the ruling party. We think that every day he stays in power, the country is sinking more into anarchy.". In a column entitled "Will the Real Imran Please Stand Up," Pakistani columnist Amir Zia quoted one of PTI's Karachi-based leaders as saying, "Even we are finding it difficult to figure out the real Imran. He dons the shalwar-kameez and preaches desi and religious values while in Pakistan, but transforms himself completely while rubbing shoulders with the elite in Britain and elsewhere in the west."

In 2008, as part of the Hall of Shame awards for 2007, Pakistan's ''Newsline'' magazine gave Khan the "Paris Hilton award for being the most undeserving media darling." The 'citation' for Khan read: "He is the leader of a party that is the proud holder of one National Assembly seat (and) gets media coverage inversely proportional to his political influence." ''The Guardian'' has described the coverage garnered by Khan's post-retirement activities in England, where he made his name as a cricket star and a night-club regular., as "terrible tosh, with danger attached. It turns a great (and greatly miserable) Third World nation into a gossip-column annexe. We may all choke on such frivolity." After the 2008 general elections, political columnist Azam Khalil addressed Khan, who remains respected as a cricket legend, as one of the "utter failures in Pakistani politics". Writing in the ''Frontier Post'', Khalil added: "Imran Khan has time and again changed his political course and at present has no political ideology and therefore was not taken seriously by a vast majority of the people."

Awards and honours

In 1992, Khan was given Pakistan's civil award, the Hilal-i-Imtiaz

In 1983, he had received the President’s Pride of Performance Award

Khan is featured in the University of Oxford's Hall of Fame and has been an honorary fellow of Oxford's Keble College.

On 7 December 2005, Khan was appointed the fifth Chancellor of the University of Bradford, where he is also a patron of the Born in Bradford research project.

In 1976 as well as 1980, Khan was awarded The Cricket Society Wetherall Award for being the leading all-rounder in English first-class cricket.

In 1983, he was also named Wisden Cricketer of the Year

In 1985, Sussex Cricket Society Player of the Year

In 1990, Indian Cricket Cricketer of the Year

Khan is currently placed at Number 8 on the all-time list of the ESPN Legends of Cricket.

On 5 July 2008, he was one of several veteran Asian cricketers presented special silver jubilee awards at the inaugural Asian cricket Council (ACC) award ceremony in Karachi. On 8 July 2004, Khan was awarded the Lifetime Achievement Award at the 2004 Asian Jewel Awards in London, for "acting as a figurehead for many international charities and working passionately and extensively in fund-raising activities. On 13 December 2007, Khan received the Humanitarian Award at the Asian Sports Awards in Kuala Lumpur for his efforts in setting up the first cancer hospital in Pakistan. In 2009, at International Cricket Council's centennial year celebration, Khan was one of fifty-five cricketers inducted into the ICC Hall of Fame.

Writings by Khan

Khan occasionally contributes opinion editorials on cricket and Pakistani politics to British newspapers. He has also published five works of non-fiction, including an autobiography co-written with Patrick Murphy. It was disclosed in 2008 that Khan did not write his second book, ''Indus Journey: A Personal View of Pakistan''. Instead, his the book's publisher Jeremy Lewis revealed in a memoir that he had to write the book for Khan. Lewis recalls that when he asked Khan to show his writing for publication, "he handed me a leatherbound notebook or diary containing a few jottings and autobiographical snippets. It took me, at most, five minutes to read them; and that, it soon became apparent, was all we had to go on."

Books

Articles

Guardian comments, political and cricket commentary by Khan

Telegraph columns, sports articles penned by Khan from 2000 to present

We must address the root causes of this terror, Khan's editorial in the ''Independent'' following the 11 September attacks

Benazir Bhutto has only herself to blame, Khan's 2007 editorial on Bhutto's return to Pakistan

References

Further reading

External links

Pakistan Tehreek-e-Insaf, Khan's political party

Chancellor: Imran Khan at the University of Bradford

Imran Khan: Pakistan has lost its dignity and self-esteem, Imran Khan, ''The Independent'', 3 May 2011

;Articles

The NS Interview: Imran Khan Mehdi Hasan, ''New Statesman'', 20 August 2010

Imran Khan's revolution, Murtaza Razvi, ''Dawn'', 27 April 2011

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