Interview is a remake of Dutch film maker Theo van Gogh's 2003 movie of the same title. The American version, which premiered in 2007, stars Steve Buscemi as Pierre Peders (originally played by Pierre Bokma), a fading political journalist interviewing a soap opera star, Katya, played by Sienna Miller (originally played by Katja Schuurman). This film also stars Tara Elders as Maggie, Molly Griffith as a waitress, and Philippe Vonlanthen as an autograph seeker. Steve Buscemi is also a director of this American adaptation. Katja Schuurman, the actress who played Sienna Miller's part in the original movie, has a small cameo as a woman leaving a limo towards the end of the movie.

Plot [link]

Pierre Peders (Buscemi) is a tough political correspondent infuriated by his editor's insistence he cover a tabloid-level story about the paparazzi favorite Katya (Miller). Pierre's chagrin increases given the news of a searing White House scandal that is just breaking; instead of covering the piece, Peders must visit a posh Manhattan restaurant and interview Katya, whom he instantly detests. The one-on-one is more of a disaster than either could have predicted, but by some strange twist of fate, Pierre is injured and brought back to Katya's loft. Once there, liquor is downed, cocaine is consumed, minor violence erupts, and the two begin to "dance a pas de deux" — attempting, not so subtly, to out-maneuver one another psychologically, as dark secrets and long-hidden vulnerabilities emerge.

Katya teases Peders into kissing her, which Peders passionately does, but as her cell phone rings and reality reasserts itself, Katya demands that he stop. Peders is exasperated and complains that she doesn't let him finish what she starts, unlike the male prostitute he once visited. During another of Katya's phone calls, Peders uses Katya's laptop and opens a folder containing what he believes is Katya's diary. He is able to barely conceal his surprise when Katya eyes him suspiciously, by saying he is merely Googling her, as per an earlier suggestion by her.

When Katya's attention returns to her phone call, Peders e-mails a particularly expressive and emotional diary passage to himself. Later, unable to forget what he had read, Peders betrays his snooping by asking Katya what has made her lose hope. After an emotional outburst about her loss of privacy, she admits that she has cancer. At this, Peders is immediately contrite about the way he has been treating her. He learns that no one knows about Katya's illness; she feels that saying it aloud will make it more "real". Peders promises not to reveal the truth about her health; Katya demands that Peders reveal something about himself in return.

As Katya films the confession with a camcorder, Peders admits that, as a reporter, he has made up stories and sources, and that he essentially caused his alcoholic former wife's death. (He took his time responding to her distress call to him - by the time he arrived, she was already dead.) Katya swaps out the camcorder tape when Peders is unaware, and a while later, Peders attempts to do the same. On a clandestine phone call to his editor, Peders - against his promise to Katya - tells him that Katya has cancer. Peders leaves Katya's loft, and as he is walking outside, she calls him on his cell phone.

Katya reveals that not only did she lie about having cancer, (the diary Peders believed was hers was actually the diary of the character she played) but she has Peders' confessional tape. She inquires whether she should send it to his editor first or the police. Peders smugly retorts that he swapped the tape first; Katya disagrees and says he only has her rehearsal tape. The movie ends with Peders and Katya watching their tapes - Peders wearing a sullen expression. Katya sips a glass of wine while watching Peders' confessional tape, but it is unknown if she will follow through with her threat.

References [link]

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2010)

External links [link]

John Mayer
Mayer at the Mile High Music Festival on July 20, 2008
Background information
Birth name	John Clayton Mayer
Born	(1977-10-16) October 16, 1977 (age 34) Bridgeport, Connecticut United States
Genres	Pop rock, blues rock, acoustic rock, blue-eyed soul
Occupations	Musician, songwriter, record producer, columnist, graphic designer, photographer, comedian, television host
Instruments	Guitar, vocals, omnichord, piano, vibraphone, harmonica, percussion, clarinet, violin
Years active	1998 (1998)–present
Labels	Arista, Aware, Columbia
Associated acts	John Mayer Trio, Fall Out Boy
Website	johnmayer.com
Notable instruments
Fender Stratocaster Martin Guitars Gibson Guitars

John Clayton Mayer ( /ˈmeɪ.ər/ MAY-ər;^[1] (born October 16, 1977) is an American pop and blues rock musician, singer-songwriter, recording artist, and music producer.^[2] Born in Bridgeport, Connecticut and raised in Fairfield, Connecticut, he attended Berklee College of Music in Boston. He moved to Atlanta in 1997, where he refined his skills and gained a following, and he now lives in New York City.^[3][4] His first two studio albums, Room for Squares and Heavier Things, did well commercially, achieving multi-platinum status. In 2003, he won a Grammy Award for Best Male Pop Vocal Performance for "Your Body Is a Wonderland."^[5]

Mayer began his career performing mainly acoustic rock, but gradually began a transition towards the blues genre in 2005 by collaborating with renowned blues artists such as B. B. King, Buddy Guy, and Eric Clapton, and by forming the John Mayer Trio. The blues influence can be heard throughout his 2005 live album Try! with the John Mayer Trio and his third studio album Continuum, released in September 2006. At the 49th Annual Grammy Awards in 2007 Mayer won Best Pop Vocal Album for Continuum and Best Male Pop Vocal Performance for "Waiting on the World to Change". He released his fourth studio album, Battle Studies, in November 2009. His fifth album, Born and Raised, was released on May 22, 2012. He has sold over 10 million albums in the U.S. and 20 million albums worldwide.

Early life[link]

John Clayton Mayer was born on October 16, 1977 in Bridgeport, Connecticut to Margaret, an English teacher, and Richard, a high school principal.^[6] He grew up in Fairfield, Connecticut, the second of three children.^[7] His father is Jewish, and Mayer has said that he "relat[es] to Judaism".^[8] He attended Fairfield High School in Fairfield^[9] although he was enrolled in the Center for Global Studies at Brien McMahon High School in Norwalk for his junior year (then known as the Center for Japanese Studies Abroad, it is a magnet program for students wanting to learn Japanese).^[10]

After watching Michael J. Fox's guitar performance as Marty McFly in Back to the Future, Mayer became fascinated with the instrument, and when he turned 13, his father rented one for him.^[11][12] A neighbor gave Mayer a Stevie Ray Vaughan cassette, which cultivated Mayer's love of blues music.^[13]a[›] Mayer started taking lessons from a local guitar-shop owner, Al Ferrante, and soon became consumed with playing the instrument.^[3][14] His singular focus concerned his parents, and they took him twice to see a psychiatrist—but Mayer was determined to be fine.^[3][14] Mayer says that the contentious nature of his parents' marriage led him to "disappear and create my own world I could believe in".^[3] After two years of practice, he started playing at blues bars and other venues in the area, while he was still in high school.^[10][12] In addition to performing solo, he was a member of a band called Villanova Junction (named for a Jimi Hendrix song) with Tim Procaccini, Joe Beleznay, and Rich Wolf.^[3][15] Mayer considered skipping college to pursue his music, but the disapproval of his parents dissuaded him from doing so.^[3]

When Mayer was seventeen, he was stricken with cardiac dysrhythmia and was hospitalized for a weekend. Reflecting on the incident, Mayer said, "That was the moment the songwriter in me was born," and he penned his first lyrics the night he got home from the hospital.^[4] Shortly thereafter, he began suffering from panic attacks, and lived with the fear of having to enter a mental institution.^[3] He continues to manage such episodes with Xanax, an anti-anxiety drug.^[4][16] After graduation, he worked for fifteen months at a gas station until he saved enough money to buy a 1996 Stevie Ray Vaughan signature Stratocaster.^[17]

Career[link]

Early career[link]

Mayer enrolled in the Berklee College of Music in Boston, Massachusetts, aged 19.^[7] However, at the urging of his college friend an Atlanta, Georgia native, Clay Cook, he left school after two semesters and moved with Cook to Atlanta.^[18] In Atlanta they formed a two-man band called LoFi Masters and began performing in local coffee houses and club venues such as Eddie's Attic.^[12] According to Cook, they began to experience musical differences due to Mayer’s desire to move more towards pop music.^[19] As a result, the two parted ways, and Mayer embarked on a solo career.^[18]

With the help of local producer and engineer Glenn Matullo, Mayer recorded the independent EP Inside Wants Out. Cook co-wrote many of the songs from the EP including Mayer's first commercial single release, "No Such Thing".^[19] The EP includes eight songs with Mayer on lead vocals and guitars. However, Cook's only contribution was backing vocals on the song "Comfortable". For the opening track, "Back To You", a full band was enlisted, including the EP’s co-producer David "DeLa" LaBruyere on bass guitars.^[20] Mayer and LaBruyere then began to perform throughout Georgia and nearby states.

Major label success[link]

	"City Love" excerpt noicon From the album Room for Squares.
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Mayer’s reputation began to build, and a March 2000 appearance at South by Southwest brought him to the attention of "launch" label, Aware Records.^[14][21][22] After including him in the Aware Festival concerts and having his songs included on Aware compilations, in early 2001, Aware released Mayer's internet-only album titled, Room for Squares. During this time, Aware inked a deal with Columbia Records that gave Columbia first pick in signing Aware artists, and so in September of the same year, Columbia remixed and re-released Room for Squares.^[23] As part of the major label "debut", the album's artwork was updated, and the track "3x5" was added. The re-release also included reworked studio versions of the first four songs from his indie album, Inside Wants Out.^[24]

By the end of 2002, Room for Squares had spawned several radio hits, including "No Such Thing," "Your Body Is a Wonderland", and ultimately, "Why Georgia". In 2003, Mayer won a Grammy for Best Male Pop Vocal Performance for "Your Body Is a Wonderland." In his acceptance speech he remarked, "This is very, very fast, and I promise to catch up."^[25] He also figuratively referred to himself as being sixteen, a remark that many mistook to mean that he was only sixteen years old at the time.^[26]

In 2003, Mayer released a live CD and DVD of a concert in Birmingham, Alabama titled Any Given Thursday. The concert featured songs previously not recorded, such as "Man on the Side" (co-written with Cook) and "Something's Missing", which later appeared on Heavier Things. The concert also included "Covered In Rain". According to the accompanying DVD documentary, this song is "part two" of the song "City Love", which features the line "covered in rain". Commercially, the album quickly peaked at number seventeen on the Billboard 200 chart. The CD/DVD received conservative, although consistent, praise, with critics torn between his pop-idol image, and (at the time) emerging guitar prowess. Erik Crawford (of Allmusic) asked "Is he the consummate guitar hero exemplified when he plays a cover of Stevie Ray Vaughan's 'Lenny', or is he the teen idol that the pubescent girls shriek for after he plays 'Your Body Is a Wonderland?'"^[27][28]

Heavier Things, Mayer's second album, was released in 2003 to generally favorable reviews. Rolling Stone, Allmusic and Blender all gave positive, although reserved, feedback. PopMatters said that it "doesn't have as many drawbacks as one might assume".^[29] The album was commercially successful, and while it did not sell as well as Room for Squares, it peaked at number one on the US Billboard 200 chart. Mayer earned his first number one single with the song "Daughters" as well as a 2005 Grammy for Song of the Year, beating out fellow contenders Alicia Keys and Kanye West. He dedicated the award to his grandmother, Annie Hoffman, who died in May 2004. He also won Best Male Pop Vocal Performance, beating Elvis Costello, Prince, and Seal for the award. In a February 9, 2009 interview on The Ellen DeGeneres Show, Mayer said that he thought he should not have won the Grammy for Song of the year because he thought that Alicia Keys' If I Ain't Got You was the better song. Because of this, he removed the top half of the Grammy and gave it to Keys, and kept the bottom part for himself. At the 37th Annual Songwriters Hall of Fame Induction Ceremony in 2006, Mayer was honored with the Hal David Starlight Award.^[30]

Mayer again recorded live concerts across seven nights of his U.S. tour in 2004. These recordings were released to the iTunes Store under the title As/Is, indicating that the errors were included along with the good moments. A few months later, a "best of" CD was compiled from the As/Is nights. The album included a previously unreleased cover of Marvin Gaye's song "Inner City Blues (Make Me Wanna Holler)", featuring a solo from Mayer's support act, jazz and blues turntablist DJ Logic. All the album covers of the As/Is releases feature drawings of anthropomorphic bunnies.^[31]

January 2005, left to right: David Ryan Harris, John Mayer and Steve Jobs at Macworld 11, SF Moscone Center.

With increased exposure, Mayer's talent came into demand in other areas. Steve Jobs invited Mayer to perform during the keynote address of Apple's annual Macworld Conference & Expo, in January 2004, as Jobs introduced the software application GarageBand.^[32] The gig led to Mayer becoming a fixture of the event. He rejoined Jobs on stage for a solo performance at Macworld 2007, following the announcement of the iPhone.^[33] Mayer has also done endorsements, such as a Volkswagen commercial for the Beetle's guitar outlet and for the BlackBerry Curve.^[34]

Change in musical direction[link]

Mayer began to collaborate extensively, often working with artists outside of his own genre. He appeared on Common's song "Go!" and on Kanye West's "Bittersweet Poetry".^b[›] Following these collaborations, Mayer received praise from rap heavyweights Jay-Z and Nelly.^[35] When asked about his presence in the hip hop community, Mayer said, "It's not music out there right now. That's why, to me, hip-hop is where rock used to be."^[36]

	"Go!" excerpt noicon From the album Be. In 2004, after the three saw the movie Ray together, Kanye West and Mayer joined Common back in the studio. Mayer came up with the song's concept—fantasies—and his vocals were sampled for the track.[37]
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It was around this time that Mayer began hinting a change in his musical interests, announcing that he was "closing up shop on acoustic sensitivity."^[36] In 2005, he began a string of collaborations with various blues artists, including Buddy Guy, B.B. King, Eric Clapton, as well as jazz artist John Scofield. He also went on tour with legendary jazz pianist Herbie Hancock, which included a show at the Bonnaroo Music Festival in Manchester, Tennessee. These collaborations led to recordings with several of these artists, namely, Clapton (Back Home, Crossroads Guitar Festival), Guy (Bring 'Em In), Scofield (That's What I Say), and King (80). Although Mayer has maintained a reputation for being a sensitive singer-songwriter, he has also gained distinction as an accomplished guitarist, influenced by the likes of the above artists, as well as Eric Johnson, Jimi Hendrix, Stevie Ray Vaughan, Eric Clapton, Robert Cray, and Freddie King.^[38]

John Mayer Trio[link]

	"Who Did You Think I Was?" noicon From the album Try! The first single, "Who Did You Think I Was?," lyrically underscores Mayer's decision to move away from acoustic pop music and towards blues, with lines such as, "Got a brand new blues that I can't explain."[39] This sample features an extended electric guitar solo.
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In the spring of 2005, Mayer formed the John Mayer Trio with bassist Pino Palladino and drummer Steve Jordan, both of whom he had met through previous studio sessions. The trio played a combination of blues and rock music. In October 2005, the Trio opened for The Rolling Stones during a sold-out club tour of their own,^[40] and that November, released a live album called Try! The band took a break in mid-2006. In September 2006, Mayer announced plans for the Trio to begin work on a future studio album.^[41]

[edit] Continuum

Mayer's third studio album, titled Continuum, was released on September 12, 2006, and was produced by Mayer and Steve Jordan. Mayer suggested the album was intended to combine his signature pop music with the feel, sound, groove, and sensibilities of the blues. In that vein, two of the tracks from his Trio release Try!—"Vultures" and "Gravity"—also were included on Continuum.^[7]

The first single from Continuum was "Waiting on the World to Change", which debuted on The Ron and Fez Show. The song was the third most downloaded song of the week on the iTunes Store following its release on July 11, 2006, and debuted at #25 on the Billboard Hot 100 Chart.

On August 23, 2006, Mayer debuted the entire album on the Los Angeles radio station Star 98.7, giving commentary on each track.^[42] A subsequent version was released the next day on the Clear Channel Music website as a streaming sneak preview. On September 21, 2006, Mayer appeared on CSI: Crime Scene Investigation, playing "Waiting on the World to Change" and "Slow Dancing in a Burning Room." The song "Gravity" was featured on the television series House, in the episode "Cane & Able", and Numb3rs. He recorded a session for the British program Live from Abbey Road at Abbey Road Studios on October 22, 2006.

On December 7, 2006, Mayer was nominated for five 2007 Grammy Awards, including Album of the Year. The John Mayer Trio also received a nomination for their album, Try!. He won two: Best Pop Song with Vocal for "Waiting on the World to Change" and Best Pop Album for Continuum. Mayer remixed an acoustic version of his single "Waiting on the World to Change" with vocal additions from fellow musician Ben Harper. In preparation for recording Continuum, Mayer had booked the Village Recorder in Los Angeles to record five demo acoustic versions of his songs with veteran musician Robbie McIntosh. These recordings became The Village Sessions, an EP released on December 12, 2006. As usual, Mayer oversaw the artwork of the release.^[43]

Mayer was featured on the cover of Rolling Stone (#1020) in February 2007, along with John Frusciante and Derek Trucks. He was named as one of the "New Guitar Gods," and the cover nicknamed him "Slowhand, Jr.," a reference to Eric Clapton.^[38] Additionally, he was selected by the editors of Time magazine as one of the 100 Most Influential People of 2007 and was listed among artists and entertainers.^[44]

On November 20, 2007, the re-issue of Continuum became available online and in stores. The release contains a bonus disc of six live songs from his 2007 tour: five from Continuum and a cover of the Ray Charles song "I Don't Need No Doctor".^[45] His new single, "Say", also became available through iTunes. On December 6, 2007, "Belief" was nominated for Best Male Pop Vocal for the 50th Annual Grammy Awards. He accompanied Alicia Keys on guitar on her song "No One" at the ceremony.

In February 2008, Mayer hosted a three-day Caribbean cruise event that included performances with various musicians including David Ryan Harris, Brett Dennen, Colbie Caillat and Dave Barnes, among others. The event was called "The Mayercraft Carrier" and was held aboard the cruise ship known as the Carnival Victory.^[46] A follow up cruise titled "Mayercraft Carrier 2" set sail from Long Beach, California from March 27–31, 2009 on the Carnival Splendor.

On July 1, 2008, Mayer released Where the Light Is, a live concert film of Mayer's performance at the Nokia Theatre L.A. Live on December 8, 2007. The film was directed by Danny Clinch. It features an acoustic set and a set with the John Mayer Trio, followed by a set with John's band from the Continuum album. The DVD and Blu-ray bonus material includes footage of Mayer backstage and playing outside on Mulholland Drive.^[47]

Australian artist Guy Sebastian invited Mayer to collaborate on three songs from his 2009 album Like It Like That.^[48] Mayer also played guitar on the title track of Crosby Loggins' debut LP, Time to Move, released on July 10, 2009.^[49]

On July 7, 2009, Mayer performed an instrumental guitar version of Michael Jackson's "Human Nature" at Jackson's televised memorial service.^[50]

[edit] Battle Studies

On November 17, 2009, Mayer's fourth studio album, Battle Studies, was released and debuted at number one on the U.S. Billboard 200 album chart.^[51] The album consists of 11 tracks with a total time of 45 minutes. The first single from the album, "Who Says", was released on September 24, 2009 in advance of album, and was followed on October 19 by the single "Heartbreak Warfare" and the single "Half of My Heart" released on June 21, 2010. Despite the album's commercial success, critics were mixed with their praise; while some reviews were glowing, calling it his "most adventurous",^[52][53] others called the album "safe" and noted that "Mayer the singer-songwriter and Mayer the man about town sometimes seem disconnected, like they don’t even belong in the same body."^{[3][54][55][56]}

Mayer admitted to Rolling Stone that he thought Battle Studies was not his best album.^[57][58]

[edit] Born and Raised

Early reports indicated that the follow-up to Battle Studies would be called Born and Raised, and would be released in October 2011.^[59]

On September 16, 2011 Mayer posted on his blog that his new record, Born and Raised, was being delayed due to granulomas discovered in his throat. The granulomas were found next to the vocal cords and are treatable. Mayer described this as a "temporary setback" and that recording and mixing of "Born and Raised" was entirely finished except for a few remaining vocal tracks. He expects the album to be out in early 2012.^[60]

On October 20, 2011 Mayer updated his fans about the treatment of his throat granuloma, announcing that he "had surgery this afternoon to remove it and am now on complete vocal rest for a month or more", during which he plans to "travel the country, look, and listen."^[60]

The first single from Born and Raised, called "Shadow Days" was released on February 27, 2012

On February 28, 2012 John Mayer released the track listing for the album and announced that Born and Raised would be released on May 22, 2012.^[61]

On March 9, 2012 Mayer announced on his blog that due to the return of a serious throat condition, he has been forced to cancel his tour and refrain from all singing indefinitely.^[62]

Other projects[link]

Philanthropy and activism[link]

In 2002, Mayer began the "Back to You" Fund, a nonprofit organization that focuses on fundraising in the areas of health care, education, the arts, and talent development. The foundation raises funds through the auction of exclusive John Mayer items, such as guitar picks, T-shirts, and signed CDs, made available on Mayer's auction site. The auctions have been successful, with some tickets selling for more than seventeen times their face value.^[63][64]

Mayer participated at the East Rutherford, New Jersey location of the Live Earth project, a musical rally to support awareness for global warming held July 7, 2007.^[65] He converted his tour bus to bio-diesel fuel.^[66]

Mayer has performed at a number of benefits and telethons for charity throughout his career. In response to the Virginia Tech massacre, Mayer (along with Dave Matthews Band, Phil Vassar, and Nas) performed a free concert at Virginia Tech's Lane Stadium on September 6, 2007.^[67] On December 8, 2007, Mayer hosted the first annual Charity Revue, a tradition he has continued each year. Charities who have benefited from the concerts include Toys for Tots, Inner City Arts, and the Los Angeles Mission.^[68] Both CDs and DVDs of the first concert were released under the title Where the Light Is in July 2008. It has not been announced whether the DVD proceeds will go to charity or not.^[69] Mayer appeared on Songs for Tibet: The Art of Peace, a celebrity initiative to support Tibet and the 14th Dalai Lama, Tenzin Gyatso.^[70]

Design[link]

In a Rolling Stone interview, Mayer recalled that after former Columbia Records head, Don Ienner, panned Continuum, he briefly considered quitting music and studying design full time.^[4] In 2003, Martin Guitars gave Mayer his own signature model acoustic guitar called the OM-28 John Mayer.^[72] The guitar was limited to a run of only 404, an Atlanta area code.^[73] This model was followed by the release of two Fender signature Stratocaster electric guitars, beginning in 2005. A third Stratocaster, finished in charcoal frost metallic paint with a racing stripe, was also a limited-release, with only 100 guitars made. In January 2006, Martin Guitars released the Martin OMJM John Mayer acoustic guitar. The guitar was intended to have many of the attributes of the Martin OM-28 John Mayer but with a more affordable price tag.^[74] In August 2006, Fender started manufacturing SERIES II John Mayer Stratocasters. The new Olympic white with mint green pickguard and cream plastics replaced the shoreline gold model.^[75]

In January 2007, Two Rock collaborated with Mayer on custom-designed amps. Only 25 (all signed by Mayer himself) were made available to the public.^[76][77] June 2007 saw the release of the "album art" guitar, with the Continuum motif repeated on the face of the instrument,^[78] as well as a 500-run John Mayer signature Fender Stratocaster in Cypress-Mica, including the limited Cypress-Mica model was the INCSvsJM gig bag on which Mayer collaborated with Incase designs. In 2006, Mayer was estimated to have more than 200 guitars in his personal collection.^[4] In 2010, Fender announced a production model of Mayer's "The Black One" guitar.^[79]

Writing[link]

With the June 1, 2004, issue of Esquire, Mayer began a column called "Music Lessons with John Mayer". Each article featured a lesson and his (often humorous) take on various topics, both of personal and popular interest. In the August 2005 issue, he invited readers to create music for orphaned lyrics he had written.^[80] The winner was Tim Fagan of L.A., as announced in the following January's issue.^[81]

Mayer has been active online, and has maintained four blogs: a Myspace page, a blog at his official site, another at Honeyee.com, one at tumblr.com, and a photoblog at StunningNikon.com. He also is one of the most-followed persons on the micro-blogging site Twitter,^[82] reaching 3 million followers in January 2010. Although his posts often deal with career-related matters, they also contain jokes, videos, photos, his convictions, and his personal activities; they sometimes overlap in content. He is noted for writing the blogs himself, and not through a publicist.^[16][44] On January 23, 2008, he posted a graphic that read, "Done & Dusted & Self Conscious & Back to Work." on his official blog, followed by the quote "There is danger in theoretical speculation of battle, in prejudice, in false reasoning, in pride, in braggadocio. There is one safe resource, the return to nature..";^c[›] all the previous blog entries were deleted.^[83]

In the mid-2000s he did stand-up comedy sporadically^[82] making random appearances at the famed Comedy Cellar in New York and at other venues. He stated that it helped him write better but that increased media attention made him too careful in his technique.^[4]

He co-wrote "Worlds of Chance" with Demi Lovato for her second album Here We Go Again.

Television[link]

In 2004, Mayer hosted a one-shot, half-hour comedy special on VH1 titled John Mayer Has a TV Show, with antics including wearing a bear suit while anonymously teasing concertgoers in the parking lot outside one of his concerts. The American network CBS announced on January 14, 2009 that they were in negotiations with Mayer for a variety show; it may air as a special or as a regular series.^[84][85] In an interview with Rolling Stone, posted online on January 22, 2010, Mayer confirmed that the program, also called John Mayer Has a TV Show, was still in development, and that personnel were being hired. He described the concept as "a high quality music performance show, where I could also steer it a little bit. It's about there being a bastion of artists being made to look good and sound good.".^[86]

Mayer has made many appearances on talk shows and other television programs, most notably, on a Chappelle's Show comedy skit, Late Night with David Letterman and on the final episode of Late Night with Conan O'Brien. Mayer made an appearance with Rob Dyrdek in the MTV show Rob Dyrdek's Fantasy Factory.

Mayer has written the theme song to the upcoming show Rollin' with Zach on the OWN network.

Touring[link]

Mayer has toured with many musical groups, including Maroon 5,^[87] Guster, Howie Day, Mat Kearney, Counting Crows,^[88] Ben Folds, The Wallflowers, Teitur,^[89] Brett Dennen, Sheryl Crow, Colbie Caillat, Train, Ellie Goulding, OneRepublic and Paramore. Crow and Mayer, who had just previously appeared on the Cars Soundtrack together, co-headlined a tour that ran from August to October 2006.^[90] In 2007, Mayer toured Europe, hoping to reach the popularity abroad that he enjoys in North America.^[91] The initial North American Continuum tour ended on February 28, 2007, with a show at Madison Square Garden, a performance which the New York Post described as "career-defining."^[92] In 2010, Mayer and Keith Urban performed at a CMT Crossroads concert which saw Mayer and Urban performing a medley of their own songs together and a rendition of George Michael's single, "Faith". This performance was led to Urban and Mayer teaming up again for future performances, including at the 2010 CMT Music Awards.

Mayer allows audio taping at most of his live performances, and he also allows for the non-commercial trading of those recordings. He does this to give fans the opportunity to recreate the live experience, and to encourage fan interaction.^[93]

Mayer often shows up at small venues unannounced (or with little advance notice) for surprise concerts—occasionally for free or without accepting the performance fee.^{[94][95][96][97]} He has made appearances throughout the Los Angeles, Atlanta and New York areas, including shows at The Laugh Factory,^[98] Eddie's Attic,^[99] and the Village Underground.^[97] His latest surprise appearance was on January 8, 2011 at Hotel Cafe where he played seven new unreleased songs. In 2004, after being asked for numerous past years, he performed for over 1000 students at the Pennsbury High School Senior Prom. Wonderland, a book written by Micheal Bamberger, describes the world- famous prom and John Mayer's performance.

Touring band members[link]

Current members

• David Ryan Harris – guitar, backing vocals (2003–present)
• Sean Hurley – bass, backing vocals (2008–present)
• Chuck Leavell - keyboards (2011–present)
• Aaron Sterling - drums (2011–present)

Former members

• Bob Reynolds – saxophones, flute (2006–2008, 2010)
• Robbie McIntosh – guitar, slide guitar, backing vocals (2006–2010)
• Pino Palladino - Bass (2010)
• Keith Carlock - drums, percussion (2010)
• David LaBruyere – bass (1999–2008)
• Nir Z - drums (2001)
• Matt Mangano - guitar (2001)
• Matt Johnson - drums (2002)
• Stephen Chopek – drums, percussion (2001–2002)
• Michael Chaves – guitar, keyboards, backing vocals (2001–2005)
• Kevin Lovejoy – keyboards (2003–2004)
• Erik Jekabsen – trumpet, flugelhorn (2003–2004)
• Chris Karlic – saxophone, flute (2003–2005)
• J.J. Johnson – drums (2003–2005, 2006–2008)
• Onree Gill – keyboards (2004–2005)
• Chuck McKinnon – trumpet, flugelhorn (2004–2005)
• Keith Carlock - drums, percussion (2010–2011)
• Ricky Peterson – keyboards, organ, backing vocals (2006–2007)
• Charlie Wilson – keyboards (2009–2011)
• Tim Bradshaw – keyboards, organ, lap steel guitar, backing vocals (2007–2008)
• Kenna Ramsey - backing vocals (2009–2010)
• Melanie Taylor - backing vocals (2009–2010)
• Steve Jordan – drums, percussion, backing vocals (2003, 2005–2006, 2009–2010)
• Brad Mason - trumpet, flugelhorn (2006–2008)

Personal life[link]

Mayer has a number of tattoos. These include: "Home" and "Life" (from the song title) on the back of his left and right arms respectively, "77" (his year of birth) on the left side of his chest, and a koi-like fish on his right shoulder. His entire left arm is covered in a sleeve tattoo that he acquired gradually, ending in April 2008; it includes: "SRV" (for his idol, Stevie Ray Vaughan) on his shoulder, a decorated rectangle on his biceps, a dragon-like figure on his inner arm, and various other floral designs. In 2003, he got a tattoo of three squares on his right forearm, which, he has explained, he will fill in gradually.^[100]

Mayer has followed the discipline of Krav Maga.^{[101][102][103]} He is an avid collector of watches and owns timepieces worth tens of thousands of dollars.^[104][105] Mayer also has an extensive collection of sneakers, estimated (in 2006^[update]) at more than 200 pairs.^[4][106]

Mayer's parents concluded an uncontested divorce on May 27, 2009.^[107] After the divorce, Mayer moved his (82-year-old) father to an assisted-living facility in Los Angeles.^[3]

In September 2011, according to a Rolling Stone magazine article, Mayer has granuloma in his throat which must be treated surgically – this has caused him to cancel various planned shows.^[108]

Mayer sold his home in the Los Angeles suburbs in 2011.^[3][4][109] He also recently sold his apartment in New York City's SoHo neighborhood and moved to Montana following his throat surgery where he has purchased a home.^[110]

[edit] Playboy interview controversy

In April 2010 Mayer gave a controversial interview to Playboy magazine, in which he made sexually explicit comments about former girlfriends Jessica Simpson and Jennifer Aniston. It was alleged that one remark he made in the interview was racist.^[111] He later apologized onstage for these statements.^[112]

Despite assertions that he would not be doing any more press,^[86] an interview with Playboy magazine (posted to their website on February 10, 2010) set off accusations in the media and on Twitter of his being a misogynist, kiss-and-tell ex-boyfriend, and racist.^[101][113] He apologized via Twitter for his use of the word "nigger," saying, "It was arrogant of me to think I could intellectualize...a word that is so emotionally charged."^[114] He also tearfully apologized to his band and fans at his concert in Nashville later that night.^[115] Mayer was dubbed an "accidental racist" by comedian, Kumail Nanjiani.^[116]

Solo discography[link]

• Room for Squares (2001)
• Heavier Things (2003)
• Continuum (2006)
• Battle Studies (2009)
• Born and Raised (2012)

Awards[link]

Grammy Awards[link]

Mayer has won seven awards from eighteen nominations.

Others awards and nominations[link]

See also[link]

• Annual John Mayer Holiday Charity Revue
• Battle Studies World Tour

Notes[link]

Footnotes[link]

References[link]

• Edwards, G. (2006) Is Tiny Dancer Really Elton's Little John?, New York: Crown Publishing Group. ISBN 0-307-34603-X

External links[link]

Wikiquote has a collection of quotations related to: John Mayer

Wikimedia Commons has media related to: John Mayer

• Official website

Jimmy Page
Jimmy Page onstage in Chicago in 1977
Background information
Birth name	James Patrick Page
Born	(1944-01-09) 9 January 1944 (age 68) Heston, Middlesex, England
Genres	Hard rock, heavy metal, blues rock, rock and roll, folk rock
Occupations	Musician, songwriter, producer
Instruments	Guitar, mandolin, dulcimer, theremin, bass guitar, banjo, harmonica, dobro, sitar, keyboards, tambourine, tambura, hurdy gurdy, pedal steel guitar, synthesizer, vocals, guitar synthesizer, lap steel guitar, slide guitar
Years active	1957–present
Labels	Swan Song, Atlantic, Geffen, Fontana, Mercury
Associated acts	The Yardbirds, Led Zeppelin, The Honeydrippers, The Firm, Coverdale and Page, Page and Plant, Herman's Hermits, XYZ, Joe Cocker, The Edge, Jack White, Donovan, The Black Crowes
Website	Official website
Notable instruments
Jimmy Page Signature Les Paul Gibson EDS-1275 Fender Telecaster Danelectro 59DC Custom Manson guitars [1] Jolana Resonet[2]

James Patrick "Jimmy" Page, OBE (born 9 January 1944) is an English guitarist, songwriter, and record producer. He began his career as a studio session guitarist in London and was subsequently a member of The Yardbirds from 1966 to 1968, after which he founded the English rock band Led Zeppelin.

Jimmy Page is viewed by critics, fans and fellow musicians alike as one of the most influential and important guitarists and songwriters in rock music.^[3][4][5] Rolling Stone magazine has described him as "the pontiff of power riffing & probably the most digitally sampled artist in pop today after James Brown."^[6] In 2010, Jimmy Page was ranked No.2 in Gibson's list of "Top 50 Guitarists of All Time"^[7] and, in 2007, No.4 on Classic Rock Magazine's "100 Wildest Guitar Heroes".^[8] Page was ranked third in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" in 2011.^[9] He has been inducted into the Rock and Roll Hall of Fame twice; once as a member of The Yardbirds (1992),^[10] and once as a member of Led Zeppelin (1995).^[11]

Early years[link]

Jimmy Page was born to James Patrick Page and Patricia Elizabeth Page (née Gaffikin)^[12][13] in the West London suburb of Heston, which today forms part of the London Borough of Hounslow. His father was an industrial personnel manager and his mother was a doctor's secretary. In 1952 they moved to Feltham, and later again to Miles Road, Epsom in Surrey, which is where Page came across his first guitar. "I don't know whether [the guitar] was left behind by the people [in the house] before [us], or whether it was a friend of the family's — nobody seemed to know why it was there."^[14] First playing the instrument at the age of twelve years,^[15] he took a few lessons in nearby Kingston, but was largely self-taught:

When I grew up there weren't many other guitarists ... There was one other guitarist in my school who actually showed me the first chords that I learned, and I went on from there. I was bored so I taught myself the guitar from listening to records. So obviously it was a very personal thing.^[16]

Among Page's early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley. Hearing the Elvis Presley song "Baby Let's Play House" is cited by Page as being his inspiration to take up playing the guitar.^[17] Although he appears on BBC1 in 1957 with another guitar, Page states that his first guitar was a second-hand 1959 Futurama Grazioso, which was later replaced by a Telecaster.^[17][18]

Page's musical tastes included skiffle (a popular English music genre of the time) and acoustic folk playing, particularly that of Bert Jansch and John Renbourn, and the blues sounds of Elmore James, B.B. King, Willie Dixon, Otis Rush, Buddy Guy, Muddy Waters, Freddie King and Hubert Sumlin.^[19] "Basically, that was the start: a mixture between rock and blues."^[17]

At the age of 13, Page appeared on Huw Wheldon's All Your Own talent quest programme in a skiffle quartet, one performance of which aired on BBC TV in 1957. The group played "Mama Don't Want To Skiffle Anymore" and another very American-flavoured song, "In Them Ol' Cottonfields Back Home". When asked by Wheldon what he wanted to do after schooling, Page said, "I want to do biological research" to find a cure for "cancer, if it isn't discovered by then".

In an interview with Guitar Player magazine, Page stated that "there was a lot of busking in the early days, but as they say, I had to come to grips with it, and it was a good schooling."^[17] Page would take a guitar to school each day and have it confiscated and handed back to him at 4:00 pm^[20] Although he had an interview for a job as a laboratory assistant, he ultimately chose to leave Danetree Secondary School, West Ewell, to pursue music instead.^[20]

Initially, Page had difficulty finding other musicians with whom he could play on a regular basis. "It wasn't as though there was an abundance. I used to play in many groups... anyone who could get a gig together, really."^[18] Following stints backing recitals by Beat poet Royston Ellis at the Mermaid Theatre between 1960–61,^[21] and singer Red E. Lewis, he was asked by singer Neil Christian to join his band, The Crusaders, after Christian had seen a fifteen-year-old Page playing in a local hall.^[18] Page toured with Christian for approximately two years and later played on several of his records, including the November 1962 single, "The Road to Love".

During his stint with Christian, Page fell seriously ill with glandular fever (infectious mononucleosis) and couldn't continue touring.^[18] While recovering, he decided to put his musical career on hold and concentrate on his other love, painting, and enrolled at Sutton Art College in Surrey.^[5] As he explained in 1975:

[I was] travelling around all the time in a bus. I did that for two years after I left school, to the point where I was starting to get really good bread. But I was getting ill. So I went back to art college. And that was a total change in direction. That's why I say it's possible to do. As dedicated as I was to playing the guitar, I knew doing it that way was doing me in forever. Every two months I had glandular fever. So for the next 18 months I was living on ten dollars a week and getting my strength up. But I was still playing.^[15]

Session musician[link]

While still a student, Page would often perform on stage at The Marquee with bands such as Cyril Davies' All Stars, Alexis Korner's Blues Incorporated and with guitarists Jeff Beck and Eric Clapton. He was spotted one night by John Gibb of Brian Howard & The Silhouettes, who asked him to help record a number of singles for Columbia Graphophone Company, including "The Worrying Kind". Mike Leander of Decca Records first offered Page regular studio work. His first session for the label was the recording "Diamonds" by Jet Harris and Tony Meehan, which went to Number 1 on the singles chart in early 1963.^[18]

After brief stints with Carter-Lewis and the Southerners, Mike Hurst and the Method, and Mickey Finn and the Blue Men, Page committed himself to full-time session work. As a session guitarist he was known as 'Little Jim' so there was no confusion with other noted British session guitarist Big Jim Sullivan. Page was mainly called in to sessions as "insurance" in instances when a replacement or second guitarist was required by the recording artist. "It was usually myself and a drummer", he explained, "though they never mention the drummer these days, just me ... Anyone needing a guitarist either went to Big Jim [Sullivan] or myself."^[18] He has also stated that "In the initial stages they just said, play what you want, cos at that time I couldn't read music or anything."^[22]

Page was the favoured session guitarist of producer Shel Talmy. As a result, he secured session work on songs for The Who and The Kinks.^[23] Page is credited with playing acoustic twelve string guitar on two tracks on The Kinks' debut album "I'm a Lover Not a Fighter" and "I've Been Driving On Bald Mountain"^[24] and possibly on the b-side "I Gotta Move".^[25] He played six-string rhythm guitar on the sessions for The Who's first single "I Can't Explain"^[22] (although Pete Townshend was reluctant to allow Page's contribution on the final recording, Page also played lead guitar on the B-side "Bald Headed Woman").^[26] Page's studio output in 1964 included Marianne Faithfull's "As Tears Go By", The Nashville Teens' "Tobacco Road", The Rolling Stones' "Heart of Stone" (released on Metamorphosis), Van Morrison & Them's "Baby Please Don't Go" and "Here Comes the Night", Dave Berry's "The Crying Game" and "My Baby Left Me", Brenda Lee's "Is It True," and Petula Clark's "Downtown".

In 1965 Page was hired by Rolling Stones manager Andrew Loog Oldham to act as house producer and A&R man for the newly formed Immediate Records label, which also allowed him to play on and/or produce tracks by John Mayall, Nico, Chris Farlowe, Twice as Much and Eric Clapton. Page also formed a brief songwriting partnership with then romantic interest, Jackie DeShannon. He also composed and recorded songs for the John Williams^[27] album The Maureeny Wishful Album with Big Jim Sullivan. Page worked as session musician on Donovan Leitch's Sunshine Superman (1966) and the Johnny Hallyday albums Jeune Homme (1968) and Je Suis Né Dans La Rue (1969), the Al Stewart album Love Chronicles (1969), and played guitar on five tracks of Joe Cocker's debut album, With a Little Help from My Friends. Over the years since 1970 Page has played lead guitar on 10 Roy Harper tracks, comprising 81 minutes of music.

When questioned about which songs he played on, especially ones where there exists some controversy as to what his exact role was, Page often points out that it is hard to remember exactly what he did given the enormous number of sessions he was playing at the time.^[22][23] In a radio interview he explained that "I was doing three sessions a day, fifteen sessions a week. Sometimes I would be playing with a group, sometimes I could be doing film music, it could be a folk session ... I was able to fit all these different roles."^[16]

Although Page recorded with many notable musicians, many of these early tracks are only available as bootleg recordings, several of which were released by the Led Zeppelin fan club in the late 1970s. One of the rarest of these is the early jam session featuring Jimmy Page and Rolling Stones guitarist Keith Richards covering Robert Johnson's "Little Queen of Spades". Several early tracks with Page were compiled on the twin album release, Jimmy Page: Session Man.

Page decided to leave studio work when the increasing influence of Stax Records on popular music led to the greater incorporation of brass and orchestral arrangements into recordings at the expense of guitars.^[17] However, he has stated that his time as a session player served as extremely good schooling for his development as a musician:

My session work was invaluable. At one point I was playing at least three sessions a day, six days a week! And I rarely ever knew in advance what I was going to be playing. But I learned things even on my worst sessions – and believe me, I played on some horrendous things. I finally called it quits after I started getting calls to do Muzak. I decided I couldn't live that life any more; it was getting too silly. I guess it was destiny that a week after I quit doing sessions Paul Samwell-Smith left The Yardbirds, and I was able to take his place. But being a session musician was good fun in the beginning – the studio discipline was great. They'd just count the song off, and you couldn't make any mistakes.^[19]

The Yardbirds[link]

In late 1964, Page was approached about the possibility of replacing Eric Clapton in The Yardbirds, but he declined the offer out of loyalty to his friend.^[18] In February 1965 Clapton quit the Yardbirds, and Page was formally offered Clapton's spot, but because he was unwilling to give up his lucrative career as a session musician, and because he was still worried about his health under touring conditions, he suggested his friend, Jeff Beck.^[28] On 16 May 1966, drummer Keith Moon, bass player John Paul Jones, keyboardist Nicky Hopkins, Jeff Beck and Page recorded "Beck's Bolero" in London's IBC Studios. The experience gave Page an idea to form a new supergroup featuring Beck, along with The Who's John Entwistle on bass and Keith Moon on drums.^[18] However, the lack of a quality vocalist and contractual problems prevented the project from getting off the ground. During this time, Moon suggested the name "Lead Zeppelin" for the first time, after Entwistle commented that the proceedings would take to the air like a lead balloon.

Within weeks, Page attended a Yardbirds concert at Oxford. After the show he went backstage where Paul Samwell-Smith announced that he was leaving the group.^[17] Page offered to replace Samwell-Smith and this was accepted by the group. He initially played electric bass with the Yardbirds before finally switching to twin lead guitar with Beck when Chris Dreja moved to bass. The musical potential of the line-up was scuttled, however, by interpersonal conflicts caused by constant touring and a lack of commercial success, although they released one single, "Happenings Ten Years Time Ago". (While Page and Jeff Beck played together in The Yardbirds, the trio of Page, Beck and Clapton never played in the original group at the same time. The three guitarists did appear on stage together at the ARMS charity concerts in 1983.)

After Beck's departure, the Yardbirds remained a quartet. They recorded one album with Page on lead guitar, Little Games. The album received indifferent reviews and was not a commercial success, peaking at only number 80 on the Billboard Music Charts. Though their studio sound was fairly commercial at the time, the band's live performances were just the opposite, becoming heavier and more experimental. These concerts featured musical aspects that Page would later perfect with Led Zeppelin, most notably performances of "Dazed and Confused".

After the departure of Keith Relf and Jim McCarty in 1968, Page reconfigured the group with a new line-up to fulfil unfinished tour dates in Scandinavia. As he said:

Once [the other Yardbirds] decided not to continue, then I was going to continue. And shift the whole thing up a notch ... The whole thing was putting a group together and actually being able to play together. There were a lot of virtuoso musicians around at the time who didn't gel as a band. That was the key: to find a band that was going to fire on all cylinders.^[29]

To this end, Page recruited vocalist Robert Plant and drummer John Bonham, and he was also contacted by John Paul Jones who asked to join.^[30] During the Scandinavian tour the new group appeared as "The New Yardbirds", but soon recalled the old joke by Keith Moon and John Entwistle. Page stuck with that name to use for his new band. Peter Grant changed it to "Led Zeppelin", to avoid a mispronunciation of "Leed Zeppelin."^[31]

Led Zeppelin[link]

Page has explained that he had a very specific idea in mind as to what he wanted Led Zeppelin to be, from the very beginning:

I had a lot of ideas from my days with The Yardbirds. The Yardbirds allowed me to improvise a lot in live performance and I started building a textbook of ideas that I eventually used in Zeppelin. In addition to those ideas, I wanted to add acoustic textures. Ultimately, I wanted Zeppelin to be a marriage of blues, hard rock and acoustic music topped with heavy choruses – a combination that had never been done before. Lots of light and shade in the music.^[19]

Post-Led Zeppelin career[link]

Page at the Cow Palace, San Francisco, 2 December 1983

Led Zeppelin broke up in 1980 following the death of drummer John Bonham at Page's home, The Old Mill House at Clewer in Berkshire. Page refused to touch a guitar out of sadness for the loss of his friend Bonham,^[22][32] but made a return to the stage at a Jeff Beck show in March 1981 at the Hammersmith Odeon.^[33] Also in 1981 Page joined with Yes bassist Chris Squire and drummer Alan White to form a supergroup called XYZ (for ex-Yes-Zeppelin). They rehearsed several times, but the project was shelved. Demos of these sessions have turned up on bootleg and they reveal that some of the material emerged on later projects, notably The Firm's "Fortune Hunter" and Yes songs "Mind Drive" and "Can You Imagine?". Page would later join Yes on stage in 1984 at Westfalenhalle in Dortmund, Germany, playing "I'm Down".

In 1982 Page collaborated with director Michael Winner to record the Death Wish II soundtrack. This, and several subsequent Page recordings including Death Wish III soundtrack (1985), were recorded and produced at his own recording studio, The Sol in Cookham, which he had purchased from Gus Dudgeon in the early 1980s.

In 1983 Page appeared with the A.R.M.S. (Action Research for Multiple Sclerosis) charity series of concerts which honoured Small Faces bass player Ronnie Lane, who suffered from the disease. For the first shows at the Royal Albert Hall in London, Page's set consisted of songs from the Death Wish II soundtrack (with Steve Winwood on vocals) and an instrumental version of "Stairway to Heaven". A four-city tour of the United States followed, with Paul Rodgers of Bad Company replacing Winwood as vocalist. During the US tour, Page and Rodgers also performed "Midnight Moonlight" which would later be recorded for The Firm's first album. All of the shows featured an on stage jam of "Layla" that reunited Page with Yardbirds guitarists Beck and Eric Clapton. According to the book Hammer of the Gods, it was reportedly around this time that Page told friends that he'd just given up heroin after seven years of use. On 13 December 1983, Page joined Robert Plant on-stage for one encore at the Hammersmith Odeon in London.

Page next linked up with Roy Harper for the 1984 album (Whatever Happened to Jugula?) and occasional concerts, performing a predominantly acoustic set at folk festivals under various guises such as the MacGregors, and Themselves. Also in 1984 Page recorded with former Led Zeppelin vocalist Robert Plant as The Honeydrippers on the albumThe Honeydrippers: Volume 1, and with John Paul Jones on the film soundtrack Scream for Help.

Page subsequently collaborated with Paul Rodgers to record two albums under the name The Firm. The first album, released in 1985, was the self-titled The Firm. Popular songs included "Radioactive" and "Satisfaction Guaranteed". The album peaked at number 17 on the Billboard pop albums chart and went gold in the US. It was followed by Mean Business in 1986. The band toured in support of both albums, but soon split up.

Various other projects followed, such as session work for Graham Nash, Stephen Stills and The Rolling Stones (on their 1986 single "One Hit (to the Body)"). In 1986, Page reunited temporarily with his ex-Yardbirds band members to play on several tracks of the Box of Frogs album Strange Land.^[34] Page released a solo album entitled Outrider in 1988 which featured contributions from Robert Plant, with Page contributing in turn to Plant's solo album Now and Zen, which was released the same year. Page also embarked on a collaboration with David Coverdale in 1993 entitled Coverdale Page.

Throughout these years Page also reunited with the other former members of Led Zeppelin to perform live on a few occasions, most notably in 1985 for the Live Aid concert with both Phil Collins and Tony Thompson filling drum duties. However, the band members considered this performance to be sub-standard, with Page having been let down by a poorly tuned Les Paul.^[35] Page, Plant and Jones, as well as John Bonham's son Jason, performed at the Atlantic Records 40th Anniversary show on 14 May 1988, closing the 12-hour show.^[35] In 1990, a Knebworth concert to aid the Nordoff-Robbins Music Therapy Centre and the British School for Performing Arts and Technology saw Plant unexpectedly joined by Page to perform "Misty Mountain Hop", "Wearing and Tearing" and "Rock and Roll". Page also performed with the band's former members at various private family functions.

In 1994, Page reunited with Plant for the penultimate performance in MTV's "Unplugged" series. The 90-minute special, dubbed Unledded, premiered to the highest ratings in MTV's history. In October of the same year, the session was released as the CD No Quarter: Jimmy Page and Robert Plant Unledded, and in 2004 as the DVD No Quarter Unledded. Following a highly successful mid-90s tour to support No Quarter, Page and Plant recorded 1998's Walking into Clarksdale.

Since 1990, Page has been heavily involved in remastering the entire Led Zeppelin back catalogue and is currently participating in various charity concerts and charity work, particularly the Action for Brazil's Children Trust (ABC Trust), founded by his wife Jimena Gomez-Paratcha in 1998. In the same year, Page played guitar for rap singer/producer Puff Daddy's song "Come with Me", which heavily samples Led Zeppelin's "Kashmir" and was included in the soundtrack of Godzilla. The two later performed the song on Saturday Night Live.

In October 1999, Page teamed up with The Black Crowes for a two-night performance of material from the Led Zeppelin catalogue and old blues and rock standards. The concert was recorded and released as a double live album, Live at the Greek in 2000. In 2001 he made an appearance on stage with Limp Bizkit frontman Fred Durst and Wes Scantlin of Puddle of Mudd at the MTV Europe Video Music Awards in Frankfurt, where they performed a version of Led Zeppelin's "Thank You".^[36]

Jimmy Page performing at the Led Zeppelin reunion concert (2007)

In 2005, Page was appointed Officer of the Order of the British Empire (OBE) in recognition of his Brazilian charity work for Task Brazil and Action For Brazil's Children's Trust,^[37] made an honorary citizen of Rio de Janeiro later that year, and was awarded a Grammy award.^[38]

In November 2006, Led Zeppelin was inducted into the UK Music Hall of Fame. The television broadcasting of the event consisted of an introduction to the band by various famous admirers (including Roger Taylor, Slash, Joe Perry, Steven Tyler, Jack White and Tony Iommi), a presentation of an award to Jimmy Page, and then a short speech by the guitarist. After this, rock group Wolfmother played a tribute to Led Zeppelin, playing the song "Communication Breakdown".^[39][40]

In 2006, Page attended the induction of Led Zeppelin to the UK Music Hall of Fame. During an interview for the BBC for said event, he expressed plans to record new material in 2007, saying "It's an album that I really need to get out of my system... there's a good album in there and it's ready to come out" and "Also there will be some Zeppelin things on the horizon".^[41]

On 10 December 2007, the surviving members of Led Zeppelin, as well as John Bonham's son, Jason Bonham played a charity concert at the O2 Arena London.

For the 2008 Olympics, Jimmy Page, David Beckham and Leona Lewis represented Britain during the closing ceremonies on 24 August 2008. Beckham rode a double-decker bus into the stadium, and Page and Lewis performed "Whole Lotta Love".^[42]

In 2008 Page co-produced a documentary film directed by Davis Guggenheim entitled It Might Get Loud. The film examines the history of the electric guitar, focusing on the careers and styles of Page, The Edge, and Jack White. The film premiered on 5 September 2008 at the Toronto Film Festival.^[43] Page also participated in the 3 part BBC documentary London Calling: The making of the Olympic handover ceremony on 4 March 2009.^[44] On 4 April 2009, Page inducted Jeff Beck into the Rock and Roll Hall of Fame.^[45] Page has announced his 2010 solo tour while talking to the Sky News on 16 December 2009.^[46][47]

On 7 June 2008, Page and John Paul Jones appeared with the Foo Fighters to close out the band's concert at Wembley Stadium, performing "Rock and Roll" and "Ramble On."

In January 2010, Jimmy Page announced he is publishing an autobiography through Genesis Publications, in a hand-crafted, limited edition of 2,500 copies.^[48] Page has also been honoured with a first-ever Global Peace Award by the United Nations' Pathways to Peace organisation after confirming reports that he would be among the headliners at a planned Show of Peace Concert in Beijing, China on 10 October 2010.^[49][50]

On 3 June 2011, Jimmy Page played with Donovan "Mellow Yellow" and "Sunshine Superman" twice, live at the Royal Albert Hall in London. The concert was filmed. Page made an unannounced appearance with The Black Crowes at the Shepherd's Bush Empire in London on 13 July 2011. He also played alongside Roy Harper at Harper's 70th birthday celebratory concert, in London's Royal Festival Hall on 13 July 2011.

In November 2011, Conservative MP Louise Mensch launched a campaign to have Page knighted for his contributions to the music industry.^[51]

Legacy and influence[link]

Page's past experiences both in the studio and with the Yardbirds were very influential in contributing to the success of Led Zeppelin in the 1970s. As a producer, composer, and guitarist he helped make Led Zeppelin a prototype for countless future rock bands, and was one of the major driving forces behind the rock sound of that era, influencing a host of other guitarists.^[53] Allmusic states that "just about every rock guitarist from the late '60s/early '70s to the present day has been influenced by Page's work with Led Zeppelin".^[5] For example, Dictators bassist Andy Shernoff states that Jimmy Page's sped up, downstroke guitar riff in "Communication Breakdown", an influential song that contained elements of protopunk,^[54][55] was an inspiration for The Ramones guitarist Johnny Ramone's downstroke guitar style.^[56] Ramone, who has described Page as "probably the greatest guitarist who ever lived",^[57] stated in the documentary "Ramones:The True Story" that he improved at his down-stroke picking style by playing the song over and over again for the bulk of his early career.^[58] Brian May of Queen, who was also influenced by Page,^[59] has said "I don't think anyone has epitomised riff writing better than Jimmy Page – he's one of the great brains of rock music".^[60] Tom Scholz of Boston was heavily influenced by Jimmy Page and credits the dual guitar harmonies in Led Zeppelin's "How Many More Times" as the inspiration for Boston's distinctive sound.^[61] Page's guitar solo from the song "Heartbreaker" has been credited by Eddie Van Halen as being the inspiration for his two-hand tapping technique after he had seen Led Zeppelin perform in 1971.^[62] Similarly, Steve Vai has also commented about the song in a September 1998 Guitar World interview: "This one [Heartbreaker] had the biggest impact on me as a youth. It was defiant, bold, and edgier than hell. It really is the definitive rock guitar solo."^[63]

Page in 2008 at the Mojo Awards

Many other rock guitarists were also influenced by Jimmy Page, such as Ace Frehley,^[64] Joe Satriani,^[65] John Frusciante,^[66] James Hetfield,^[67] Kirk Hammett,^[68] Zakk Wylde,^[69] Yngwie Malmsteen,^[70] Tony Iommi,^[71] Joe Perry,^[72] Richie Sambora,^[73] Angus Young,^[74] Slash,^[75] Dave Mustaine,^[76] Mike McCready,^[77] Jerry Cantrell,^[78] Stone Gossard,^[79] Mick Mars,^[80] Paul Stanley,^[81] Alex Lifeson,^[82] and Dan Hawkins.^[83]

Page has been described by Uncut as the "rock's greatest and most mysterious guitar hero".^[84] According to msnbc.com Jimmy Page "played some of the most fundamental and memorable guitar in rock history—from the heaviest crunch to the most delicate acoustic finger picking."^[85] Page's solo in the famous epic "Stairway to Heaven" has been voted by readers of Guitar World^[86] and Total Guitar as the greatest guitar solo of all time, and he was named 'Guitarist of the Year' five times during the 1970s in Creem magazine's annual reader poll. Guitar World wrote: "Truly a guitar god, Jimmy Page is one of the most captivating soloists the rock world has ever known."^[87] In 1996 Mojo Magazine ranked him number 7 on their list of "100 Greatest Guitarists Of All Time".^[88] In 2002 he was voted the second greatest guitarist of all time in a Total Guitar magazine reader poll.^[89] In 2007, Classic Rock Magazine ranked him No. 4 on their list of the "100 Wildest Guitar Heroes".^[90] Gigwise.com, an online music magazine, ranked Page No. 2 on their list of the "50 greatest guitarists ever" in 2008.^[91] In August 2009, Time Magazine ranked him the 6th greatest electric-guitar player of all time.^[92] In 2010, Jimmy Page was ranked No. 2 on Gibson's "Top 50 Guitarists of All Time".^[7] In 2011, Rolling Stone magazine named him number three on their list of the "100 greatest guitarists of all time".^[9]

David Fricke, a senior editor at Rolling Stone magazine, described Jimmy Page in 1988 as "probably the most digitally sampled artist in pop today after James Brown."^[6] Roger Daltrey of The Who has been a longtime fan of Page^[93] and expressed his desire to form a supergroup with Page in 2010 saying: "I’d love to do something, I’d love to do an album with Jimmy Page."^[94] Keith Richards of The Rolling Stones has described Jimmy Page as "one of the best guitar players I've ever known."^[95][96] Jimmy Page was the first inductee onto the British Walk of Fame in August 2004.^[97] Page was awarded "Living Legend Award" at Classic Rock Magazine Roll of Honour 2007.^[98] In June 2008, he was awarded an honorary doctorate by the University of Surrey for his services to the music industry.^[99][100] Page was inducted into Mojo Hall Of Fame at the magazine's award ceremony on 11 June 2010.^[101]

In August 2010, Auburn University graduate student Justin Havird named a new species of fish "Lepidocephalichthys zeppelini" after Led Zeppelin, because the fish's pectoral fin reminded him of the double-neck guitar used by Jimmy Page.^[102][103]

Equipment and recording techniques[link]

Page became famous for playing a double-necked Gibson EDS-1275 in concert

Guitars[link]

For the recording of most of Led Zeppelin material from Led Zeppelin's second album onwards, Page used a Gibson Les Paul guitar (sold to him by Joe Walsh) with Marshall amplification. A Harmony Sovereign H-1260 was used in-studio on Led Zeppelin III and Led Zeppelin IV and on-stage from 5 March 1971 to 28 June 1972. During the studio sessions for Led Zeppelin, and later for recording the guitar solo in "Stairway to Heaven", he used a Fender Telecaster (a gift from Jeff Beck).^[104] He also used a Danelectro 3021, tuned to DADGAD, most notably on live performances of "Kashmir".

Page also plays his guitar with a cello bow,^{[105][106][107][108]} as on the live versions of the songs "Dazed and Confused" and "How Many More Times". This was a technique he developed during his session days.^[23] On MTV's Led Zeppelin Rockumentary, Page said that he obtained the idea of playing the guitar with a bow from David McCallum, Sr. who was also a session musician. Page used his Fender Telecaster and later his Gibson Les Paul for his bow solos.^{[citation needed]}

Notable guitars[link]

• 1959 Fender Telecaster (given to Page by Jeff Beck and repainted with a psychedelic dragon design by Page) played with the Yardbirds. Used to record the first Led Zeppelin album and used on the early tours during 1968–1969. In 1971, it was used for recording the "Stairway to Heaven" solo.
• 1959 Gibson Les Paul Standard (No. 1) (Given as a gift to Page by Joe Walsh) modified with a shaved neck. This guitar was also used by Gibson as the model for the company's second run of Page signature models in 2004. Produced by Gibson and aged by luthier Tom Murphy, this second generation of Page tribute models was limited to 25 guitars signed by Page himself; and only 150 guitars in total for the aged model issue.^[109][110]
• 1959 Gibson Les Paul Standard (No. 2) with a shaved down neck to match the profile on his No.1; He added four push/pull pots to coil split the humbuckers as well as phase and series switches which were added under the pick guard after the break-up of Led Zeppelin.
• 1991 English luthier Roger Giffin built a guitar for Page based loosely on Page's #2. Giffin's work was later copied for Gibson's original run of Jimmy Page Signature model Les Pauls in the mid-1990s.^{[109][111][112]}
• 1971 Gibson EDS-1275 (used for playing "Stairway to Heaven", "The Song Remains the Same", "The Rain Song", "Celebration Day" during live concerts and the Knebworth, "Tangerine" at the 1975 Earls Court shows, and "Sick Again" throughout the 1977 North American tour)
• 1959 Danelectro 59-DC (tuned to DADGAD and used live for "White Summer", "Black Mountain Side", "Kashmir" and "Midnight Moonlight" with The Firm).
• Danelectro 3021 (tuned to open G and used on the Outrider tour for "In My Time Of Dying". This one has a smaller pickguard, as opposed to the large "seal" pickguard on his first Danelectro.
• 1967 Vox 12-String used during the recording for the Yardbirds Little Games album and for on-stage appearances.
• 1960 Black Gibson Les Paul Custom (with Bigsby Tremolo) – stolen in 1970. An ad was placed by Page for the return of this highly modified instrument but the guitar was never recovered. In 2008 the Gibson Custom Shop produced a limited run of 25 re-creations of the guitar, each with a Bigsby Tremolo and a new custom 6-way toggle switch.^[113]
  • Because the guitar was too heavy, one of Jimmy Page's Les Paul Custom Black Beauty guitars is now owned by Dan Hawkins of The Darkness.^[114]
• 1969 Gibson Les Paul Standard (seen in "The Song Remains The Same" during the theremin/solo section of "Whole Lotta Love" and for "Kashmir" at the O2 reunion concert. This guitar was later fitted with a Parsons-White B-string bender and used extensively by Page from the mid-to-late 1980s onward, including the Outrider tour, and the Page/Plant "Unledded" special on MTV.
• 1964 Lake Placid Blue Fender Stratocaster (Used during recording sessions for In Through the Out Door at Earls Court 1975 and in 1979 at Knebworth for In the Evening).
• 1966 Cream Fender Telecaster (Used on Physical Graffiti and on All My Love during the Tour Over Europe 1980).
• 1953 Brown Fender Telecaster featuring a Parsons and White B-string bender, and neck salvaged from the "Dragon Telecaster". Seen primarily during the 1980s The Firm and Outrider era. Also used at Knebworth in 1979, notably on "Ten Years Gone" and "Hot Dog".
• 1965 Fender Electric XII (12-String) used to record Thank You and Stairway to Heaven.
• 1972 Martin D28 used to record acoustic songs after Led Zeppelin IV, used live at Earls Court 1975
• In 1994 Andy Manson was commissioned to make another triple neck guitar for Page. It was used during the Unledded performances with Robert Plant. ^[115]

Strings[link]

• Ernie Ball Super Slinky electric guitar strings .009s-.042s^[116]

Signature models[link]

Gibson released Jimmy Page Signature Les Paul which was discontinued in 1999, then released another version in 2004, which has also been discontinued. The 2004 version included 25 guitars signed by Page, 150 aged by a former Gibson employee (an acknowledged ageing 'master'), and 840 'unlimited' production guitars. The Jimmy Page Signature EDS-1275 has been produced by Gibson. Recently, Gibson reproduced Page's 1960 Les Paul Black Beauty, the one stolen from him in 1970, with modern modifications. This guitar was sold in 2008 with a run of 25, again signed by Page, plus an additional 500 unsigned guitars.

In December 2009, Gibson released the 'Jimmy Page "Number Two" Les Paul'.^[117] This is a re-creation of Page's famous number 2 Les Paul used by him since about 1974 until present. The model includes the same pick-up switching setup as devised by Page, shaved-down neck profile, Burstbucker pick-up at neck and 'Pagebucker' at the bridge. A total of 325 were made in three finishes: 25 Aged by Gibson's Tom Murphy, signed and played by Page ($26,000), 100 aged ($16,000) and 200 with VOS finish ($12,000).

Amplifiers and effects[link]

He usually recorded in studio with a Vox AC30, Fender, and Orange amplification. The first Led Zeppelin album and the solo on "Stairway to Heaven" were played on a Fender Telecaster through a Supro amplifier.^[118]

Page used a limited number of effects, including a Maestro Echoplex,^{[118][119][120]} a Dunlop Cry Baby, an MXR Phase 90, a Vox Cry Baby Wah, a Boss CE-2 Chorus, a Yamaha CH-10Mk II Chorus, a Sola Sound Tone Bender Professional Mk II, an MXR Blue Box (distortion/octaver) and a DigiTech Whammy.^[118] Page also played a theremin.^[118]

Music production techniques[link]

Jimmy Page is credited for the innovations in sound recording he brought to the studio during the years he was a member of Led Zeppelin,^[121][122] many of which he had initially developed as a session musician:^[123]

This apprenticeship ... became a part of [learning] how things were recorded. I started to learn microphone placements and things like that, what did and what didn't work. I certainly knew what did and didn't work with drummers because they put drummers in these little sound booths that had no sound deflection at all, and the drums would just sound awful. The reality of it is the drum is a musical instrument, it relies on having a bright room and a live room ... And so bit by bit I was learning really how not to record.^[16]

He developed a reputation for employing effects in new ways and trying out different methods of using microphones and amplification. During the late 1960s, most British music producers placed microphones directly in front of amplifiers and drums, resulting in the sometimes "tinny" sound of the recordings of the era. Page commented to Guitar World magazine that he felt the drum sounds of the day in particular "sounded like cardboard boxes."^[121] Instead, Page was a fan of 1950s recording techniques, Sun Studios being a particular favourite. In the same Guitar World interview, Page remarked, "Recording used to be a science", and "[engineers] used to have a maxim: distance equals depth." Taking this maxim to heart, Page developed the idea of placing an additional microphone some distance from the amplifier (as much as twenty feet) and then recording the balance between the two. By adopting this technique, Page became one of the first British producers to record a band's "ambient sound" – the distance of a note's time-lag from one end of the room to the other.^[124]

For the recording of several Led Zeppelin tracks, such as "Whole Lotta Love" and "You Shook Me", Page additionally utilised "reverse echo" – a technique which he claims to have invented himself while with The Yardbirds (he had originally developed the method when recording the 1967 single "Ten Little Indians").^[121] This production technique involved hearing the echo before the main sound instead of after it, achieved by turning the tape over and employing the echo on a spare track, then turning the tape back over again to get the echo preceding the signal.

Page has stated that, as producer, he deliberately changed the audio engineers on Led Zeppelin albums, from Glyn Johns for the first album, to Eddie Kramer for Led Zeppelin II, to Andy Johns for Led Zeppelin III and later albums. He explained that "I consciously kept changing engineers because I didn't want people to think that they were responsible for our sound. I wanted people to know it was me."^[121]

John Paul Jones acknowledged that Page's production techniques were a key component of the success of Led Zeppelin:

The backwards echo stuff [and] a lot of the microphone techniques were just inspired. Using distance-miking... and small amplifiers. Everybody thinks we go in the studio with huge walls of amplifiers, but Page doesn’t. He uses a really small amplifier and he just mikes it up really well, so that it fits into a sonic picture.^[32]

In an interview that Page himself gave to Guitar World magazine in 1993, he remarked on his work as a producer:

Many people think of me as just a riff guitarist, but I think of myself in broader terms... As a producer I would like to be remembered as someone who was able to sustain a band of unquestionable individual talent, and push it to the forefront during its working career. I think I really captured the best of our output, growth, change and maturity on tape – the multifaceted gem that is Led Zeppelin.^[19]

Personal life[link]

French model Charlotte Martin was Page's partner from 1970 to about 1982 or 1983. Page called her 'My Lady'.Today he calls her 'my ex-wife' too.(from Guitar World magazine November issue 2010) Together they have a daughter, Scarlet Page (born in 1971), who is a photographer.

From 1986 to 1995 Page was married to Patricia Ecker, a model and waitress. They have a son, James Patrick Page III (born April 1988). Page later married Jimena Gómez-Paratcha, whom he met in Brazil on the No Quarter tour.^[125] He adopted her oldest daughter Jana (born 1994), and they have two children together: Zofia Jade (born 1997) and Ashen Josan (born 1999).^[126]

In 1972 Page bought, from Richard Harris, the home which William Burges (1827–1881) designed for himself in London, The Tower House. "I had an interest going back to my teens in the pre-Raphaelite movement and the architecture of Burges", he said. "What a wonderful world to discover." The reputation of Burges rests on his extravagant designs and his contribution to the Gothic revival in architecture in the nineteenth century.^[127]

From 1980 to 2004 Page owned The Mill House, Mill Lane, Windsor, which was formerly the home of actor Michael Caine. Fellow Led Zeppelin band member John Bonham died at the house in 1980.

From the early 1970s to the early 1990s,^[128] Page owned the Boleskine House, the former residence of occultist Aleister Crowley.^[128][129] Sections of Page's fantasy sequence in the film The Song Remains the Same were filmed at night on the mountain side directly behind Boleskine House.

According to The Sunday Times Rich List, Page's assets are worth £75 million as of 2009.^[130] He resides in Sonning, Berkshire in Deanery Garden, a house designed by Edwin Lutyens for the owner of Country Life magazine, William Hudson deanery Garden. Page also previously owned Plumpton Place, Sussex also owned by William Hudson with certain parts of the house also designed by Edwin Lutyens. This house features in the Zeppelin film "The Song Remains The Same" where Jimmy is seen sitting on the lawn playing a hurdy gurdy.

Recreational drug use[link]

Page has acknowledged heavy recreational drug use throughout the 1970s. In an interview with Guitar World magazine in 2003, he stated, "I can't speak for the [other members of the band], but for me drugs were an integral part of the whole thing, right from the beginning, right to the end."^[131] After the band's 1973 concert tour of the United States, Page told Nick Kent, "Oh, everyone went over the top a few times. I know I did and, to be honest with you, I don't really remember much of what happened."^[132]

In 1975, Page began to use heroin, a fact attributed to Richard Cole, who stated that Page (in addition to himself) was taking the drug during the recording sessions of the album Presence in that year, and that Page admitted to him shortly afterwards that he was addicted to the drug.^[133]

By Led Zeppelin's 1977 tour of the United States, Page's heroin addiction was beginning to hamper his guitar playing performances.^{[5][124][134]} By this time the guitarist had lost a noticeable amount of weight. His onstage appearance was not the only obvious change; his addiction caused Page to become so inward and isolated it altered the dynamic between him and Plant considerably.^[135] During the recording sessions for In Through the Out Door in 1978, Page's diminished influence on the album (relative to bassist John Paul Jones) is partly attributed to his heroin addiction, which resulted in his absence from the studio for long periods of time.^[136]

Page reportedly kicked his heroin habit in the early 1980s.^[137] In a 1988 interview with Musician magazine, Page took offence when the interviewer noted that heroin had been associated with his name, and insisted "Do I look as if I'm a smack addict? Well, I'm not. Thank you very much."^[138]

In an interview he gave to Q magazine in 2003, Page responded to a question as to whether he regrets getting so involved in heroin and cocaine:

I don't regret it at all because when I needed to be really focused, I was really focused. That's it. Both Presence and In Through the Out Door were only recorded in three weeks: that's really going some. You've got to be on top of it.^[139]

Interest in the occult[link]

A derivative of Page's Saturn sigil, itself derived from a 1557 source

The appearance of four symbols on the jacket of Led Zeppelin's fourth album has been linked to Page's interest in the occult.^[140] The four symbols represented each member of the band. Page's own so-called "Zoso" symbol originated in 'Ars Magica Arteficii' (1557) by Gerolamo Cardano, an old alchemical grimoire, where it has been identified as a sigil consisting of zodiac signs. The sigil is reproduced in "Dictionary of Occult, Hermetic and Alchemical Sigils" by Fred Gettings.^[141][142]

During tours and performances after the release of the fourth album, Page often had the "Zoso" symbol embroidered on his clothes, along with zodiac symbols. These were visible most notably on his "Dragon Suit", which included the signs for Capricorn, Scorpio and Cancer which are Page's Sun, Ascendant, and Moon signs, respectively.

The artwork inside the album cover of Led Zeppelin IV is from a painting by William Holman Hunt, influenced by the traditional Rider/Waite Tarot card design for the card called "The Hermit".^[140] Page transforms into this character during his fantasy sequence in Led Zeppelin's concert film The Song Remains the Same.

In the early 1970s Page owned an occult bookshop and publishing house, "The Equinox Booksellers and Publishers" in Kensington High Street, London, eventually closing it as the increasing success of Led Zeppelin resulted in his having insufficient time to devote to it. The company published a facsimile of English occultist's Aleister Crowley's 1904 edition of The Goetia.^[143] Page has maintained a strong interest in Crowley for many years. In 1978, he explained:

I feel Aleister Crowley is a misunderstood genius of the 20th century. Because his whole thing was liberation of the person, of the entity, and that restrictions would foul you up, lead to frustration which leads to violence, crime, mental breakdown, depending on what sort of makeup you have underneath. The further this age we're in now gets into technology and alienation, a lot of the points he's made seem to manifest themselves all down the line.^[144]

Page was commissioned to write the soundtrack music for the film Lucifer Rising by another occultist and Crowley admirer, underground movie director Kenneth Anger. Page ultimately produced 23 minutes of music which Anger felt was insufficient because the film ran for 28 minutes and Anger wanted the film to have a full soundtrack. Anger claimed Page took three years to deliver the music, and the final product was only 23 minutes of droning. The director also slammed the guitarist in the press by calling him a "dabbler" in the occult and an addict, and being too strung out on drugs to complete the project. Page countered that he had fulfilled all his obligations, even going so far as to lend Anger his own film editing equipment to help him finish the project.^[145]

Although Page collected works by Crowley, he has never described himself as a Thelemite nor was he ever initiated into the O.T.O. The Equinox Bookstore and Boleskine House were both sold off during the 1980s, as Page settled into family life and participated in charity work.

Discography[link]

Led Zeppelin portal

Single[link]

• "She Just Satisfies"/"Keep Moving" (February 1965)

Albums[link]

Pre-Led Zeppelin (1963–1969)[link]

Many pre-Led Zeppelin session recordings have been released on various labels and compilation packages, including:

• Mannish Boys 1965 recordings with David Bowie (then Davy Jones) & 'The Lower 3rd' group. Page was a session guitarrist for the side A of the EP, titled 'The Manish Boys'. They just recorded two tracks, 'I Pity the Fool' and 'Take my Tip'. ^[146]
• Blues Anytime 1, 2, 3 series on Immediate Records featuring the Immediate All-Stars, mid 1960s
• No Introduction Necessary (1968), Recordings feat. John Paul Jones, Albert Lee, Nicky Hopkins, Clem Cattini and Keith de Groot
• Jimmy Page and Friends – Wailing Sounds (2006). Includes Lord Sutch & Heavy Friends album (1970) + six tracks from the 1968 sessions for Keith De Groot's debut album.
• Guitar Boogie (1971) Jimmy Page, Jeff Beck, Eric Clapton compilation album from the recordings on the Blues Anytime series on Immediate Records.
• Special Early Works (1972), 1965 session recordings with Sonny Boy Williamson
• Smoke and Fire (1984), session recordings with Jeff Beck, Noel Redding and Nicky Hopkins
• Jimmy Page: Session Man Vol. 1 (1989)
• Jimmy Page: Session Man Vol. 2 (1990)
• Jimmy's Back Pages...The Early Years (1992)
• Jimmy Page and His Heavy Friends: Hip Young Guitar Slinger (2000, double cd)
• This Guitar Kills: More 60s Groups & Sessions – remastered by Jimmy Page (2007, the 2003 ed. is not remastered) (double cd)
• Jimmy Page and Friends (2006, double cd)

Please note that there are several duplicates amongst all these albums.

Post-Led Zeppelin[link]

References[link]

Published sources[link]

• Case, George (2007). Jimmy Page: Magus, Musician, Man. Hal Leonard books. ISBN 1-4234-0407-6. 
• Mylett, Howard (1984) Jimmy Page: Tangents Within a Framework, London: Omnibus Press, ISBN 0-7119-0265-8.
• Welch, Chris (1985) Power & Glory: Robert Plant & Jimmy Page, London: Zomba Books, ISBN 0-946391-74-2.

External links[link]

Wikimedia Commons has media related to: Jimmy Page

• Official Jimmy Page site
• Official Led Zeppelin site
• Jimmy Page at the Internet Movie Database
• Jimmy Page discography at Discogs
• ASCAP titles
• Jimmy Page by Jimmy Page – Genesis Publications Limited Edition Book