name	Record producer
official names	Record Producer Recording Artist
type	Profession
activity sector	Music Industry Music
competencies	Instrumental Skills, Keyboard Knowledge
employment field	Recording Studios
related occupation	Recording engineerExecutive ProducerFilm ProducerA&R;
average salary	$67'330 }}

A record producer is an individual working within the music industry, whose job is to oversee and manage the recording (i.e. "production") of an artist's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, selecting songs and/or musicians, coaching the artist and musicians in the studio, controlling the recording sessions, and supervising the entire process through mixing and mastering. Producers also often take on a wider entrepreneurial role, with responsibility for the budget, schedules, and negotiations.

Today, the recording industry has two kinds of producers: executive producer and music producer; they have different roles. While an executive producer oversees a project's finances, a music producer oversees the creation of the music.

A music producer can, in some cases, be compared to a film director, with noted practitioner Phil Ek himself describing his role as "the person who creatively guides or directs the process of making a record, like a director would a movie. The engineer would be more the cameraman of the movie." The music producer's job is to create, shape, and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will typically develop an overall vision for the album and how the various songs may interrelate.

In the US, before the rise of the record producer, someone from A&R; would oversee the recording session(s), assuming responsibility for creative decisions relating to the recording.

With today's relatively easy access to technology, an alternative to the record producer just mentioned, is the so called 'bedroom producer'. With today's technological advances, it is very easy for a producer to achieve high quality tracks without the use of a single instrument. Many established artists take this approach.

History

Early record producers

During the 1890s, Fred Gaisburg ran the first recording studio and provided the closest approximation of production by guiding an opera singer closer or further away from a gramophone's horn to match the dynamics in the score. (Citation: Gronow and Saunio 1998, p. 8; Moorefield 2005, p. 1).

However in the first part of the 20th century the record producer's role was similar to the role of a film producer in that the record producer organized and supervised recording sessions, paid technicians, musicians and arrangers, and sometimes chose material for the artist. In the mid-1950s a new category emerged, that of the independent record producer. Among the most famous early independent producers are the famed songwriting-production duo Leiber & Stoller, "Wall of Sound" creator Phil Spector and British studio pioneer Joe Meek.

Magnetic tape enabled the establishment of independent recording studios in major recording centres such as London, Los Angeles and New York. Unlike the old record company studios, which were effectively a "closed shop", these new studios could be hired by the hour by anyone who could afford to do so.

The biggest and best commercial studios were typically established and operated by leading recording engineers. They were carefully constructed to create optimum recording conditions, and were equipped with the latest and best recording equipment and top-quality microphones, as well as electronic amplification gear and musical instruments.

Top-line studios such as Olympic Studios in London, Fine Recording in New York City, United Western Recorders, and Musart in Los Angeles quickly became among the most sought-after recording facilities in the world, and both these studios became veritable "hit factories" that produced many of the most successful pop recordings of the latter 20th century.

Evolution of the role of the producer

Prior to the 1950s, the various stages of the recording and marketing process had been carried out by different professionals within the industry – A&R; managers found potential new artists and signed them to their labels; professional songwriters created new material; publishing agents sold these songs to the A&R; people; staff engineers carried out the task of making the recordings in company-owned studios.

Freed from this traditional system by the advent of independent commercial studios, the new generation of entrepreneurial producers – many of whom were former record company employees themselves – were able to create and occupy a new stratum in the industry, taking on a more direct and complex role in the musical process. This development in music was mirrored in the TV industry by the concurrent development of videotape recording and the consequent emergence of independent TV production companies like Desilu.

These producers now typically carried out most or all of these various tasks themselves, including selecting and arranging songs, overseeing sessions (and often engineering the recordings) and even writing the material. Independent music production companies rapidly gained a significant foothold in popular music and soon became the main intermediary between artist and record label, signing new artists to production contracts, producing the recordings and then licensing the finished product to record labels for pressing, promotion and sale. (This was a novel innovation in the popular music field, although a broadly similar system had long been in place in many countries for the production of content for broadcast radio.) The classic example of this transition is renowned British producer George Martin, who worked as a staff producer and A&R; manager at EMI for many years, before branching out on his own and becoming a highly successful independent producer.

As a result of these changes, record producers began to exert a strong influence, not only on individual careers, but on the course of popular music. A key example of this is Phil Spector, who defined the gap between early rock and roll and the Beatles (1959–1964) with such acts as the Ronettes, the Crystals, Darlene Love, the Righteous Brothers and the Paris Sisters. Spector's Wall of Sound production technique also persisted after that time with his select recordings of the Beatles, the Ramones, Leonard Cohen, George Harrison, Dion and Ike and Tina Turner.

Some producers also became ''ipso facto'' recording artists, often creating records themselves or with anonymous studio musicians and releasing them under a pseudonym. Examples of this phenomenon include the records by fictional groups the Archies and Josie & the Pussycats, produced by Don Kirshner and Danny Jansen respectively, who were contracted by TV production companies to produce these records to promote the animated children's TV series of the same name. Similarly, Jeff Barry and Andy Kim recorded as the Archies. The same producer-as-artist phenomenon can be found with many modern-day pop-oriented street- and electronic-music artists.

Another change that occurred for the role of producers occurred progressively over the 50’s and 60’s. Popularization of new technology such as synthesizers, electric guitars, amplifiers, and better microphones led to a fundamental switch. The goal of recording no longer was simply accurately capturing and documenting live performance. Instead producers could manipulate sounds. Producers became creative figures in the studio were no longer reserved to role of functional engineer. Examples of such engineers includes George Martin, Joe Meek, Teo Macero, Phil Spector, Brian Wilson, and Biddu. These producers became known as creative producers who turned the studio into a creative space.

Equipment and technology

There are numerous different technologies utilized by the producer. In modern day recordings, recording and mixing tasks are centralized within computers. However, there is also the main mixer, outboard effects gear, and the recording device itself.

See also

Music executive

Musician

Audio engineering

References

Further reading

Gibson, David and Maestro Curtis. "The Art of Producing". 1st. Ed. USA. ArtistPro Publishing, 2004. ISBN 1931140448

Burgess, Richard James. ''The Art of Music Production''. 3rd Ed. UK. Music Sales, 2005. ISBN 1-84449-432-4

Hewitt, Michael. ''Music Theory for Computer Musicians''. 1st Ed. USA. Cengage Learning, 2008. ISBN 13-978-1-59863-503-4

Gronow, Pekka and Ilpo Saunio (1998). ''An International History of the Recording Industry''. ISBN-X. Cited in Moorefield (2005).

Moorefield, Virgil (2005). ''The Producer as Composer: Shaping the Sounds of Popular Music''. ISBN. 123

Olsen, Eric et al. (1999). ''The Encyclopedia of Record Producers.'' ISBN 0823076075 9780823076079

Zak, Albin. ''The Poetics of Rock: Cutting Tracks, Making Records.'' Berkeley: University of California Press, 2001.

List of the Producers of the Current Top 100 Songs, Top 100 – Album Credits

External links

Record Producer Video Interviews

American Music Producers

Music Production Information Source

Category:Music production

bg:Музикален продуцент ca:Productor musical cs:Hudební producent cy:Cynhyrchydd recordiau da:Musikproducer de:Musikproduzent et:Muusikaprodutsent es:Productor discográfico fa:تهیه‌کننده موسیقی fr:Producteur de musique hr:Glazbeni producent ia:Productor discographic is:Upptökustjóri it:Produttore discografico he:מפיק מוזיקלי ka:მუსიკალური პროდიუსერი sw:Mtayarishaji wa Muziki mk:Музички продуцент ms:Penerbit rakaman nl:Muziekproducent ja:音楽プロデューサー no:Plateprodusent nn:Musikkprodusent pl:Producent muzyczny pt:Produtor musical ru:Музыкальный продюсер sq:Producenti i muzikës simple:Record producer sk:Hudobný producent fi:Tuottaja (musiikki) sv:Musikproducent th:โปรดิวเซอร์เพลง tr:Albüm yapımcısı uk:Музичний продюсер ur:محصل سجل zh:音樂製作人

Name	Static Major
Background	solo_singer
Birth name	Stephen Ellis Garrett
Birth date	November 11, 1974
Alias	Static Major, Static
Died	February 25, 2008Louisville, Kentucky, United States
Origin	Louisville, Kentucky, United States
Instrument	Vocals
Genre	R&B;, Hip-hop
Occupation	songwriter, rapper, record producer, singer
Associated acts	Playaz Circle, Aaliyah, Missy Elliott, Timbaland, Ginuwine, Pleasure P, Lil Wayne, Nicole Wray
Label	Def Jam, Blackground
Website	}}

Stephen Ellis Garrett (November 11, 1974 – February 25, 2008) also known as Static Major, was a Grammy Award-Winning American rapper, singer, songwriter and record producer from Louisville, Kentucky. He was a member of the R&B; trio Playa. Static Major gained posthumous fame for appearing on Lil Wayne's 2008 album Tha Carter III on the song Lollipop. Static Major was a producer of songs from several artists. Such artists he has helped produce songs for include Aaliyah, Ginuwine and Pretty Ricky. Static Major died suddenly on the operating table before Lil Wayne's Tha Carter III album was released.

Music career

Static started his producing career when he signed with Swing Mob Records. Major made a breakthrough working with R&B; singer Ginuwine. Major helped produce the song "Pony" which become a major hit and a milestone in both Major's and Timbaland's careers. He later became a member of the Def Jam group Playa, who were most known for their hit single "Cheers 2 U." Playa released an album of the same name in 1997. After working with Ginuwine, Static assisted producing the songs for Nicole Wray for her 1998 debut album, Make It Hot. Songs that Static produced and wrote for Aaliyah were "Are You That Somebody?", which was featured in the ''Dr. Dolittle'' soundtrack, Come Back In One Piece which was featured in the ''Romeo Must Die'' soundtrack along with the #1 single Try Again."More than a Woman,” “We Need a Resolution,” "Rock the Boat”, "Loose Rap","Extra Smooth", "I Refuse", "What If", "Those Were The Days","Never No More" were all featured in her third and final studio album ''Aaliyah''.He wrote her first and only #1 ''Billboard'' Hot 100 single Try Again, He earned Aaliyah 4 top 25 ''Billboard'' Hot 100 singles during his time working with late R&B; star. Static was frequently a collaborator with R&B; group Pretty Ricky, working with them on several songs including "Juicy" off their 2005 album ''Bluestars''. His most recent work producing music was Lil Wayne’s “Lollipop” from the album ''Tha Carter III''. ''Suppertime'' is the solo album that Static Major was reportedly set to release on OG Music/Blackground in 2008. "I stay in the streets, that’s where I draw my inspiration," Static Major said describing where he gets his inspiration. "If it can’t be played in the hood, then it just doesn’t work for me. And nobody can hold me on harmony. My whole aura is not your typical R&B; aura."

Death

"Stephen Garrett died at Baptist Hospital East on Feb. 25, 2008 after a number of tests was diagnosed with a rare condition called myasthenia gravis, an autoimmune disorder with hallmark symptoms of muscle weakness and fatigue. Doctors recommended a procedure called plasmapheresis, a treatment similar to dialysis that removes toxins from the blood using an implanted catheter as a central line through the neck and into the chest area." A large bore catheter must be inserted into the patient's arm in order to perform this procedure. Radiology reports indicate that the line was not placed properly, and when the nurse was instructed to remove it, he went into respiratory distress and did not recover. A lawsuit against the hospital is pending.

Discography

Singles

{|class="wikitable" !rowspan="2"|Year !rowspan="2"|Song !colspan="3"|Chart positions !rowspan="2"|Album |- !width="40"|U.S. Hot 100 !width="40"|U.S. R&B; !width="40"|U.S. Rap |- |align="center" rowspan="2"|2006 |align="left"|"Till the Wheels Fall Off" |align="center"|- |align="center"|- |align="center"|- |align="left" rowspan="4"|''Suppertime'' |- |align="left"|"Bus Stop Breezy" |align="center"|- |align="center"|- |align="center"|- |- |align="center" rowspan="2"|2007 |align="left"|"Your Valentine" |align="center"|- |align="center"|- |align="center"|- |- |align="left"|"I Got My" (featuring Lil Wayne) |align="center"|- |align="center"|98 |align="center"|- |- |}

Featured singles

{|class="wikitable" !rowspan="2"|Year !rowspan="2"|Song !colspan="3"|Chart positions !rowspan="2"|Album |- !width="40"|U.S. Hot 100 !width="40"|U.S. R&B; !width="40"|U.S. Rap |- |align="center" rowspan="1"|2008 |align="left"|"Lollipop" (Lil Wayne featuring Static Major) |align="center"|1 |align="center"|1 |align="center"|1 |align="left" rowspan="1"|''Tha Carter III'' |- |}

References

External links

Static Major Official Website

Playa Official Website

Static Major — Lollipop: A Hard to Swallow Reality on Dubcnn

Category:1974 births Category:2008 deaths Category:African American musicians Category:American rappers Category:American rhythm and blues musicians Category:Songwriters from Kentucky Category:Deaths from surgical complications Category:Def Jam Recordings artists Category:Swing Mob artists Category:Grammy Award winners

de:Stephen Garrett es:Static Major fr:Static Major it:Static Major no:Static Major pl:Static Major pt:Static Major