In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos. Most commonly, a record label is the company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing and promotion, and enforcement of copyright protection of sound recordings and music videos; conducts talent scouting and development of new artists ("artists and repertoire" or A&R;); and maintains contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.

The music industry

Within the music industry, most recording artists have become increasingly reliant upon record labels to broaden their audience, market their albums, and be both promoted and heard on radio, television, with publicists that assist performers in positive media reports to market their merchandise, and make it available via stores and other media outlets. The Internet has increasingly been a way that some artists avoid costs and gain new audiences, as well as the use of videos in some cases, to sell their products.

Major vs. independent record labels

Record labels may be small, localized, and "independent" ("indie"), or they may be part of a large international media group, or somewhere in between. The largest 4 record labels are called major labels. A sublabel is a label that is part of a larger record company, but it trades under a different name.

Imprint

When a label is strictly a trademark or brand, not a company, then it is usually called an ''imprint'', a term used for the same concept in the publishing industry. An imprint is sometimes marketed as being a ''project'', ''unit'', or ''division'' of a record label company, even though there is no legal business structure associated with the imprint.

Major labels

;Major labels 1988–1998 (Big Six) # Warner Music Group # EMI # Sony Music (known as CBS Records until January 1991 then known as Sony Music thereafter) # BMG Music # Universal Music Group # Polygram

;Major labels 1998–2004 (Big Five) # Warner Music Group # EMI # Sony Music # BMG Music # Universal Music Group (Polygram absorbed into UMG)

;Major labels 2004–2008 (Big Four) # Warner Music Group # EMI # Sony BMG (Sony and BMG joint-venture) # Universal Music Group

;Major labels since 2009 (Big Four) #Sony Music Entertainment #EMI Group #Warner Music Group #Universal Music Group

Record labels are often under the control of a corporate umbrella organization called a ''music group''. A music group is typically owned by an international conglomerate ''holding company'', which often has non-music divisions as well. A music group controls and consists of music publishing companies, record (sound recording) manufacturers, record distributors, and record labels. As of 2005, the "big four" music groups control about 70% of the world music market, and about 80% of the United States music market. Record companies (manufacturers, distributors, and labels) may also comprise a ''record group'' which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being ''divisions'' of the group.

Independent

Record companies and music publishers that are not under the control of the big four are generally considered to be ''independent'' (''indie''), even if they are large corporations with complex structures. The term ''indie label'' is sometimes used to refer to only those independent labels that adhere to an arbitrary, ill-defined criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure.

Sublabel

Music collectors often use the term ''sublabel'' to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s, "4th & B'way" was a trademarked brand owned by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in the U.S. would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company". Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by the corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). Island remained registered as corporations in both the U.S. and UK, but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as the "parent" of any sublabels.

Vanity labels

Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of his or her work. An example of such a label is the Neutron label owned by ABC while at Phonogram in Great Britain. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label).

However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by a bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records, owned by Trent Reznor of Nine Inch Nails; and Morning Records, owned by The Cooper Temple Clause, who were releasing EPs for years before the company was bought by RCA.

Organizational Structure

Not all Record Labels follow the same organizational structure and can be slightly different as larger labels buy smaller labels, the organizational structure tends to change.

Relationship with artists

A label typically enters into an exclusive recording contract with an artist to market the artist's recordings in return for royalties on the selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but Prince's much-publicized 1994–1996 feud with Warner Bros. provides a strong counterexample, as does Roger McGuinn's claim, made in July 2000 before a U.S. Senate committee, that The Byrds never received any of the royalties they had been promised for their biggest hits, "Mr. Tambourine Man" and "Turn, Turn, Turn".

A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios, additional musicians, and songs to be recorded, and may supervise the output of recording sessions. For established artists, a label is usually less involved in the recording process.

Although both parties need each other to survive, the relationship between record labels and artists can be a difficult one. Many artists have had albums altered or censored in some way by the labels before they are released—songs being edited, artwork or titles being changed, etc. Record labels generally do this because they believe that the album will sell better if the changes are made. Often the record label's decisions are prudent ones from a commercial perspective, but this typically frustrates the artist who feels that their artwork is being diminished or misrepresented by such actions.

In the early days of the recording industry, record labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s and 1960s, many artists were so desperate to sign a contract with a record company that they usually ended up signing a bad contract, sometimes giving away the rights to their music in the process. Entertainment lawyers can be used by some to look over any contract before it is signed.

Through the advances of the Internet the role of labels is becoming increasingly diminished, as artists are able to freely distribute their own material through file sharing, web radio, and other peer to peer services such as BitTorrent, for little or no cost. Bigger artists such as Nine Inch Nails have announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends are hurting musicians and the industry as a whole, and most of all hurting the fans. Radiohead also cited similar motives with the end of their contract with EMI when their album ''In Rainbows'' was released as a "pay what you want" sales model as an online download. Tom Delonge (Blink 182 and Angels and Airwaves) developed a website called "Modlife" that enables fans to get in touch with their favorite artists and bands for a small price, as small as two cups of coffee a day.

New Label Strategies

With an increase in file sharing and music sales plummeting in recent years, labels and organizations have had to change their strategies and the way they work with artists. New types of deals are being made with artists called "multiple rights" or "360" deals with artists. These types of pacts give Labels rights and percentages to artist's touring, merchandising, and endorsements. In exchange for these rights, Labels usually give higher advancement payments to artists, have more patience with artist development, and higher percentages in CD sales. These 360 style deals are most effective when the artist is established and has loyal fan base. For that reason, Labels now have to be more relaxed with the development of artists because longevity is the key to these types of pacts. Several artists such as Paramore, Maino, and even Madonna have signed such types of deals. A look at an actual 360 deal offered by Atlantic Records to an artist shows a variation of the structure. Atlantic’s document offers a conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist’s first album, however, the label has an option to pay an additional $200,000 in exchange for 30 percent of the net income from all touring, merchandise, endorsements and fan-club fees.

Atlantic would also have the right to approve the act’s tour schedule, and the salaries of certain tour and merchandise sales employees hired by the artist. But the label also offers the artist a 30 percent cut of the label’s album profits — if any — which represents an improvement from the typical industry royalty of 15 percent.

History

Industry consolidation

In the 1970s and 1980s, there was a phase of consolidation in the record industry that led to almost all major labels being owned by a very few multinational companies. CDs still flow through a handful of sources, with the majority of the sales going through the "big four" record labels.

Resurgence of independent labels

In the 1990s, as a result of the widespread use of home studios, consumer recording technology, and the Internet, independent labels began to become more commonplace. Independent labels are often artist-owned (although not always), with a stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big four" and as such will often lag behind them in market shares. Often independent artists manage a return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers.

On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton, Aimee Mann, Prince, Public Enemy, BKBravo (Kua and Rafi), among others, have gone this route. Historically, companies started in this manner have been re-absorbed into the major labels (two examples are Frank Sinatra's Reprise Records, which has been owned by Warner Music for some time now, and Herb Alpert's A&M; Records, now owned by Universal Music Group). Similarly, Madonna's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in the company.

There are many independent labels; folk singer Ani DiFranco's Righteous Babe Records is often cited as an ideal example. The singer turned down lucrative contracts from several top-name labels in order to establish her own New York-based company. Constant touring resulted in noteworthy success for an act without significant major funding. Ani and others from the company have spoken on several occasions about their business model in hopes of encouraging others.

Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely.

On the punk rock scene, the DIY ethic encourages bands to self-publish and self-distribute. This approach has been around since the early 1980s, in an attempt to stay "true" to the punk ideals of doing it yourself and not "selling out" to corporate profits and control. Such labels have a reputation for being fiercely uncompromising and especially unwilling to cooperate with the big record labels at all. One of the most notable and influential labels of the Do-It-Yourself attitude was SST Records, created by the band Black Flag. No labels wanted to release their material, so they simply created their own label to release not only their own material but the material of many other influential underground bands all over the country. Ian MacKaye's Dischord is often cited as a model of success in the DIY community, having survived for over twenty years with less than twelve employees at any one time.

Internet and digital labels

With the Internet now being a viable source for obtaining music, netlabels have emerged. Depending on the ideals of the net label, music files from the artists may be downloaded free of charge or for a fee that is paid via Paypal or an online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Most net labels acknowledge the Creative Commons licensing system thus reserving certain rights for the artist. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels seek to give the major record industry a real run for their money.

Open source labels

The new century brings the phenomenon of ''open-source'' or ''open-content'' record label. These are inspired by the free software and open source movements and the success of GNU/Linux.

Publishers as labels

In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote Elliott Yamin's debut album under a dormant Sony-owned imprint, rather than waiting for a deal with a proper label.

See also

List of record labels

White label

References

Category:Music industry

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Coordinates	34°03′″N118°15′″N
name	Chris Blackwell
background	non_performing_personnel
birth name
born	June 22, 1937London, England
genre	Rock, reggae
occupation	Record producerBusinessman
years active	1959-Present
label	Island
website	IslandRecords.com }}

Christopher Percy Gordon "Chris" Blackwell (born 22 June 1937) is a British record producer and businessman, who was the founder of Island Records, acknowledged as the most successful and groundbreaking independent record company in history. Blackwell has been a music industry mogul for over fifty years. According to the Rock and Roll Hall of Fame, to which Blackwell was inducted in 2001, he is the single person most responsible for turning the world on to reggae music.

Forming Island Records in Jamaica on 22 May 1959 aged 22, Blackwell was amongst the first to record the Jamaican popular music that eventually became known as ska. Returning to Britain in 1962, he sold records from the back of his car to the Jamaican community.

Blackwell's business and reach grew substantially, and he went on to forge the careers of Bob Marley, Grace Jones and U2 amongst many other diverse high-profile acts. He has produced many seminal albums, including Marley's ''Catch A Fire'' and ''Uprising''. Blackwell is known for his laid-back approach to his business, and the care he shows for his artists and the release of their work. He is recognised as one of the most influential people in Britain, and the global music industry.

Childhood

Blackwell was born in London to an Irish father and a Costa Rican-born Sephardic Jewish mother. Blackwell's father, Joseph, was related to the founder of Crosse & Blackwell, purveyors of jarred foods and relishes, and had some residual wealth. He became a Major in the Jamaican Regiment.

Blackwell's mother, Blanche Lindo, was of Jamaican ancestry. She belonged to a powerful family who made their fortune in sugar and Appleton rum toward the end of slavery. They are named as one of the 21 families who controlled Jamaica in the 20th century. Blanche was considered the love of Ian Fleming's later life, becoming the James Bond author's muse and the inspiration for the character Pussy Galore in ''Goldfinger''. She owned several thousand acres of land near Oracabessa, Jamaica, and sold properties to both Fleming and Noel Coward. Due to her heritage, Blanche was viewed as a white Jamaican.

Blackwell spent his childhood in Jamaica, and was sent to Britain to continue his education at Harrow School. Deciding not to attend university, he returned to Jamaica to become ADC to the Governor of Jamaica Sir Hugh Foot. After Foot was transferred to Cyprus, Blackwell left King's House to pursue a career in real estate and other businesses, including managing jukeboxes up and down the country, which brought him into contact with the Jamaican music community.

In 1958, Blackwell was sailing off Helshire Beach when his boat ran aground on a coral reef. The twenty one-year-old swam to the coast and attempted to find help along the shore in searing temperatures. Collapsing on the beach, Blackwell was rescued by Rasta fishermen who tended his wounds and restored him back to health with traditional Ital food. The experience gave Blackwell a spiritual introduction to Rastafarianism, and was a key to his connection to the culture and its music.

Career

Aged 22, Blackwell formed a record label in 1958 with a start-up investment of $1,000, taking its name from Alec Waugh's novel ''Island in the Sun''. Radio personality Graeme Goodall was his initial business partner. Blackwell received a small allowance from his mother, which enabled him to have his own apartment at a young age and survive on the little he was earning. Island's debut release was a piano album by Bermudan pianist Lance Hayward. Blackwell began recording Jamaican popular music in 1959, achieving a number one hit there with Laurel Aitken's ""Boogie in my Bones/Little Sheila".

In 1961, Blackwell acted as a location scout and production assistant for the 1962 Bond film ''Dr No''. After the movie wrapped, producer Harry Saltzman offered him a full-time position. Conflicted between music and film, Blackwell visited a psychic, who told him that he would be successful if he stayed in the music industry.

By 1962, the fledgling record producer had released 26 singles and two albums on Island. Blackwell returned to England that year and continued to grow his business. He began having success with the niche market of Jamaican music, and progressed to bringing in licensed master tapes. One of these contained a performance by fifteen-year-old Millie Small, who Blackwell brought over to England. In 1964, he produced Smalls' cover of a 1956 Barbie Gaye song "My Boy Lollypop" which was one of the first songs recorded in the "ska" style. Millie Smalls' version was a smash hit, selling over six million records worldwide. It launched Island Records into mainstream popular music, and is acknowledged as the first international ska hit.

Blackwell later remembered his breakthrough release:

After discovering The Spencer Davis Group, featuring Steve Winwood, Blackwell focused on the rock acts that Island had signed. Island became one of the most successful independent labels of the 1960s, 1970s, and 1980s with artists like Traffic, King Crimson, Emerson, Lake & Palmer, Jethro Tull, Cat Stevens, Grace Jones, Free, John Martyn, Sly and Robbie, Sparks, Spooky Tooth, Nick Drake, Roxy Music, Robert Palmer, Melissa Etheridge, The Cranberries and U2. "The bigger labels are supermarkets," Blackwell remarked. "I like to think of Island as a very classy delicatessen."

Island and Blackwell himself became renowned for a relaxed, nurturing vibe. Blackwell showed skill in spotting and creating trends, as well as a gift for finding talent. He had an imaginative flair for marketing, and Island's releases were often packaged in lovingly designed gatefold sleeves. Blackwell has said: "I really believe that if people see something that looks good, subconsciously they'll think maybe there's something going on inside, on the record. There were times when somebody came out with a cover which was actually better than the record itself, so I'd have to send them back to remake the record."

Island Records was also the first home for Trojan Records, Chrysalis Records and Virgin Records and the American Label Sue Records, who produced Jimmy McGriff, The Soul Sisters and Ike and Tina Turner.

Eventually, Island moved into movies and released ''The Harder They Come'' in the UK, which featured Jimmy Cliff. Produced and directed by fellow Jamaican Perry Henzell, the film marked the first time that Jamaican themes appeared in mainstream cinema.

In 1977, Blackwell built Compass Point Studios in Nassau, Bahamas as a recording home for his and other artists.

One of Blackwell's notable achievements was bringing Bob Marley & The Wailers to the attention of international audiences. Without a signed contract, Blackwell advanced money to The Wailers for their first Island album, displaying the trust which stemmed from his 1958 beach rescue by Rastas. Blackwell's gesture led to the longterm success of both Marley and the label.

Of his experience with Marley, Blackwell has said:

}}

Blackwell also formed Mango Records, which featured Jamaican and other artists from the Third World. Mango introduced Burning Spear, Black Uhuru, Third World (band), Salif Keita, Baaba Maal, Angelique Kidjo, King Sunny Ade and many others.

Blackwell sold his stake in Island in 1989, eventually resigning from the company in 1997. In 2009, Blackwell was at the centre of celebrations held in London for Island's fiftieth anniversary.

Each of Blackwell's companies was eventually sold to Polygram, and are as of 1998 part of the Universal Music Group conglomerate, but Blackwell left with a unique reputation for looking after artists as diverse as Bob Marley, U2, Cat Stevens, Grace Jones, Steve Winwood, Melissa Etheridge, Tom Waits, The Cranberries, Richard Thompson and PJ Harvey.

After selling these companies, Blackwell went on to found Palm Pictures, a media entertainment company with music, film and DVD releases. In the late Nineties, Blackwell merged Palm Pictures with Rykodisc to form RykoPalm, a new operation.

Blackwell currently runs Island Outpost, which he set up to operate and market a group of elite resorts in Jamaica and the Bahamas, including Strawberry Hill in the Blue Mountains (where Marley recovered after being shot in 1976), Jake's in Treasure Beach, The Caves in Negril, and the recording studio and private hotel Geejam near Port Antonio, where artists such as Gwen Stefani and No Doubt, Drake and Gorillaz have recorded. Island Outpost also owns The Tides and The Marlin in Miami Beach, Florida.

Blackwell has long owned Goldeneye in Oracabessa, the previous home of Ian Fleming, where the author wrote all the James Bond books. Until his death, Fleming was the longtime lover of Blackwell's mother, Blanche. Blackwell developed the property into a community of villas and beach cottages, each with its own private access to the sea, and Goldeneye is considered the most exclusive of the Island Outpost resorts.

Blackwell is involved in a number of philanthropic organizations. Among these are Island ACTS, the Oracabessa Foundation, the Mary Vinson Blackwell Foundation, and the Jamaican Conservation Trust.

In 2003, Blackwell launched the Goldeneye Film Festival, which continues to be held annually at the resort. In September that year, Blackwell received the coveted Jamaican Musgrave Medal, awarded to Jamaicans who excel in the arts, music and public service. In 2004, the Order of Jamaica was bestowed upon Blackwell for philanthropy and outstanding contribution to the entertainment industry.

In April 2009, the UK magazine ''Music Week'' named Blackwell the most influential figure in the last 50 years of the British music industry.

References

Bibliography

Baugh, Edward (1998). ''Chancellor, I Present''. Mona: Canoe Press.

Bradley, Lloyd (2001). ''This is Reggae Music''. London: Grove.

Childs, Peter and Mike Storry, eds. (1999). ''Encyclopedia of Contemporary British Culture''. London: Routledge.

(2001). "Chris Blackwell." Rock and Roll Hall of Fame.

External links

Video Interview with Chris Blackwell

Rock and Roll Hall of Fame: Inductee Biography of Blackwell

Palm Pictures website

Island Outpost website

Compass Point Studios website

Chris Blackwell interview: Island Records – ''The Telegraph''

Island: The record label which changed the world – ''The Independent''

Category:1937 births Category:Living people Category:Old Harrovians Category:British businesspeople Category:British music industry executives Category:Jamaican businesspeople Category:Rock and Roll Hall of Fame inductees Category:British Jews Category:Sephardi Jews Category:British record producers Category:English people of Jamaican descent

de:Chris Blackwell es:Chris Blackwell fr:Chris Blackwell it:Chris Blackwell hu:Chris Blackwell ja:クリス・ブラックウェル

Coordinates	34°03′″N118°15′″N
name	Lupe Fiasco
background	solo_singer
birth name	Wasalu Muhammad Jaco
birth date	February 16, 1982
Birth place	Chicago, Illinois, U.S.
origin	Chicago, Illinois
religion	Islam
instrument	Vocals, keyboard
genre	Hip hop
occupation	Rapper, producer, songwriter
years active	2006–present
label	Atlantic
associated acts	Child Rebel Soldier, Japanese Cartoon, Matthew Santos, B.o.B, Kanye West, All City Chess Club, Sway DaSafo, Pharrell
website	}}

Wasalu Muhammad Jaco (born February 16, 1982), better known by his stage name Lupe Fiasco ( ), is an American rapper, record producer, and entrepreneur. He rose to fame in 2006 following the success of his debut album, ''Lupe Fiasco's Food & Liquor''. He also performs as the frontman of rock band Japanese Cartoon under his real name. As an entrepreneur, Fiasco is the chief executive officer of 1st and 15th Entertainment.

Raised in Chicago, Fiasco developed an interest in hip hop after initially disliking the genre for its use of vulgarity. After adopting the name Lupe Fiasco and recording songs in his father's basement, 19-year-old Fiasco joined a group called Da Pak. The group disbanded shortly after its inception, and Fiasco soon met rapper Jay-Z who helped him sign a record deal with Atlantic Records. In 2006, Fiasco released his debut album ''Lupe Fiasco's Food & Liquor'' on the label, which received three Grammy nominations. He released his second album, ''Lupe Fiasco's The Cool'', in December 2007. The lead single "Superstar" peaked at number 10 on the ''Billboard'' Hot 100. He released ''Lasers'' on March 8, 2011 after a two-year delay. The album's lead single "The Show Goes On" peaked at number 9 on the chart, thus becoming his most successful single since "Superstar".

In addition to music, Fiasco has pursued other business ventures, including fashion. He runs two clothing lines, Righteous Kung-Fu and Trilly & Truly; he has designed sneakers for Reebok. He has been involved with charitable activities, including the Summit on the Summit expedition, and in 2010 he recorded a benefit single for victims of the 2010 Haiti earthquake. Fiasco is also noted for his anti-establishment views, which he has expressed in both interviews and his music.

Life and career

1982–98: Early life

Fiasco was born Wasalu Muhammad Jaco on February 16, 1982 in Chicago, Illinois. Born of West African descent, he was one of nine children of Shirley, a gourmet chef, and Gregory, an engineer. His father, a member of the Black Panther Party, was a prolific African drummer, karate teacher, operating plant engineer, and owner of karate schools and army surplus stores. Fiasco was raised Muslim on the West Side of Chicago on Madison Terrace housing project. At the age of three, Fiasco began taking martial arts classes. His parents divorced when he was five, and he went on to live with his mother, but his father still remained an important part of his life. He described his father's influence over the family by saying, "After school, my father would come and get us and take us out into the world—one day, we're listening to N.W.A, the next day we're listening to Ravi Shankar, the next day, he's teaching us how to shoot an AK-47, the next day, we're at karate class, the next day, we're in Chinatown...". His father lived next door to a crack house and taught Fiasco to use guns to defend himself from drug dealers. Despite his unstable upbringing, Fiasco states that he was well-educated as a child, asserting that his parents exposed him to a diverse array of subjects and that reading was highly encouraged in his household. As a teenager, Fiasco participated in Academic Decathlon competitions. His mother described him by saying, "He was a great spirited child. Smart, a bit complex; he kind of was a loner; he didn't hang with a lot of people...He always had the glasses. Always had a book bag over his shoulder and some type of a writing tablet." Fiasco initially disliked hip hop music for its use of vulgarity, and preferred to listen to jazz; he idolized clarinet player Benny Goodman. His struggle to learn to play an instrument led him to create poetry instead, which led to his interest in the lyrical aspects of music.

He began rapping his poems in the eighth grade, and upon hearing Nas' 1996 album, ''It Was Written'', began to pursue hip hop. While attending Thornton Township High School, Fiasco met gang member Bishop G. The two became friends due to their shared interest in music. Fiasco's father allowed the him and Bishop to make mixtapes in his basement, and the two gained notoriety at the school for their music. However, they were kicked off stage during their first performance because their eclectic musical style was not embraced by the hip hop community. Early in his career, he went by stage names Little Lu and Lu tha Underdog. Growing up, Fiasco was given the nickname "Lu", the last part of his first name, by his mother. "Lupe" is an extension of this nickname, which he borrowed from a friend from high school. "Fiasco" is a reference to The Firm song "Firm Fiasco"; the rapper "liked the way it looked on paper." He also said of his name, "You know how rappers always have names like MC Terrorist—like they're 'terrorizing' other rappers? I knew fiasco meant a great disaster or something like that, but I didn't realize that the person named Fiasco would be the disaster, and that you should be calling other MCs fiascos—not yourself...it kind of humbled me in a sense. It taught me like, 'Yo, stop rushing, or you're going to have some fiascos.'"

After turning away from gangsta rap, he developed a greater appreciation of the lyricism of Jay-Z and Nas. His mother also gave him a record of the influential group The Watts Prophets, one of the first bands to use spoken words with music. Although he was without a group for the first time, Fiasco continued to record music. One of these first self-recorded tracks was "Could Have Been", which described the career options he could have pursued had he not begun rapping. He viewed the song as a turning point in his career that marked a drastic change in the subject matter of his music.

He remixed another one of West's songs, "Diamonds from Sierra Leone", and renamed it as "Conflict Diamonds". With this remix, Fiasco wished to raise awareness of the conflict diamond business. This caught West's attention, and he asked Fiasco to perform on his song "Touch the Sky" off his album ''Late Registration''. The song, which sampled Curtis Mayfield's "Move On Up", became a hit in the Billboard Hot 100, peaking at number forty-two. After this success his first single "Kick, Push" was released earlier than expected. The song was a love story about two people sharing a passion for skateboarding, a topic generally not discussed in hip hop. Fiasco explained, "[Skateboarding culture is] just as deep as hip-hop. I'm not the greatest skateboarder, but I'm a damn good rapper, so I made a damn good skateboarding song." The single, and its accompanying music video, helped Fiasco get attention in the hip-hop community and was later nominated for two 2007 Grammy Awards. During this time, he had guest appearances on singles on Tha' Rayne's "Kiss Me" and "Didn't You Know" and also K Foxx's 2004 "This Life".

2006–08: ''Lupe Fiasco's Food & Liquor'' and ''The Cool''

Jay-Z assisted him in the production of what would become his debut album ''Lupe Fiasco's Food & Liquor''. The title of the album is a reference to 'Food and Liquor' stores common in Chicago. He explains, "The store is where everything is at...Food to me represents growth and progression. You eat food and you get strength. You need it to live. Liquor is not a necessity; it is a want. It destroys you. It breaks you down. I can see why it's prohibited in Islam...I've always felt like liquor represents the bad, the food represents the good, and everyone is made up of a little of both." ''Lupe Fiasco's Food & Liquor'' was officially released on September 19, 2006. The album featured production from Jay-Z, Kanye West, Mike Shinoda, The Neptunes, Prolyfic, among others. The record spawned the singles "Kick, Push," "I Gotcha" and "Daydreamin'" featuring Jill Scott. The critically lauded album was later nominated for three Grammy Awards including Best Rap Album. Fiasco won "Best Urban/Alternative Performance" for "Daydreamin'". In the same year, he was voted by ''GQ'' magazine as the "Breakout Man of the Year."

In 2007, Fiasco announced his second album, ''Lupe Fiasco's The Cool'', a concept album that expands on the story of the track of the same name on his first album. While recording this album, Fiasco's father died of type II diabetes and his business partner, Charles "Chilly" Patton, was convicted of attempting to supply heroin to a drug ring and was eventually sentenced to 44 years in a correctional facility. These events greatly affected Fiasco and the subsequent themes discussed on the record. The disc was released in December 2007 in United States while the first single and video from the album, "Superstar" featuring Matthew Santos was released the first week of November 2007. ''Lupe Fiasco's The Cool'', a concept album that expanded upon recurring themes in ''Food & Liquor'', is about "a hustler who dies and comes back to life, only to get robbed by two little kids with the same gun that killed him." For the record, Fiasco decided not to work with well-known producers as he considered it to be "too expensive", noting the commercial failure of his Pharrell collaboration, "I Gotcha".

''Lupe Fiasco's The Cool'' was very well received by critics and was referred to as "one of the year’s best hip-hop albums" by ''The New York Times''. "Superstar", a semi-autobiographical account of his rise to fame, was released as the first single from the album, and peaked at number 10 on the ''Billboard'' Hot 100. Baseball's Hanley Ramirez, Troy Tulowitzki, Ryan Zimmerman, Gerald Laird and Ryan Braun have used "Superstar" as their at-bat song. The album's second single (released in the UK in April 2008) was "Paris, Tokyo" – a song based around Fiasco's experiences of touring the world between his first and second albums. CRS initially released one single, entitled "US Placers" and featuring a Thom Yorke sample. In an interview with ''The Village Voice'', Fiasco revealed that he was writing a novel about a window washer, aptly titled ''Reflections of a Window Washer''. In 2008, Fiasco and his band 1500 or Nothin joined Kanye West's Glow in the Dark Tour which also featured Rihanna and N.E.R.D. The tour stopped in several cities, including his hometown of Chicago. In 2008, MTV named Fiasco the 7th Hottest MC in the Game and announced that he was remixing ''The Cool'' with French electro house act Justice.

2009–present: ''Lasers and Food & Liquor 2''

At a performance in New Zealand in February 2010, Fiasco performed new material from the then-titled ''We Are Lasers'' for the first time. He claimed that the album was complete and waiting for a release date from his label, Atlantic Records. However, Atlantic feared that the record lacked commercial singles, and presented Fiasco with songs the label wanted him to record. Fiasco declined, as he was told he would not have any ownership of the songs. He explained, "I don't think the label cares about an album...People just want their number-one record." For six months, the cause of the album's delay remained unclear to the public. In response, Fiasco's fans created an online petition demanding that Atlantic Records release ''Lasers''. The petition garnered considerable attention on hip hop blog sites as well as over 16,000 signatures. Fiasco stated that the petition "brought [him] to tears", and in response to the petition, Fiasco released a song titled "B.M.F-Building Minds Faster" to thank his fans.

While waiting for ''Lasers'' to be released, Fiasco completed another album, titled ''Food and Liquor II: The Great American Rap Album''. He is unsure if the ''Food and Liquor II'' will ever be released, though he released the song "Go To Sleep" from the record "out of desperation" to put out new music. He also pursued numerous side projects in the midst of the delay. In April 2010, Fiasco formed the hip hop collective All City Chess Club along with Pharrell, Asher Roth, B.o.B., The Cool Kids, Charles Hamilton, Blu, Diggy Simmons, Wale, J. Cole, & Dosage. The group has so far made one song, a remix of Fiasco's "I'm Beamin". Additionally, On July 16, 2010, Fiasco released his rock side-project Japanese Cartoon's debut EP ''In The Jaws Of The Lords Of Death''. Japanese Cartoon was influenced by a variety of musical genres, with Fiasco saying, "I’ve always been a fan of all music...Hip hop is just something I actually know how to do but I always had aspirations to participate in other forms of music. Once I got to create some hip hop, it was like, 'Okay, what am I going to do now?' So my artistic side was like, 'Yo, let's do some rock music.'"

More than two and a half years after the album's completion, ''Lasers'' was released March 8, 2011. The first single off of the record was "The Show Goes On", which samples "Float On" by Modest Mouse. "The Show Goes On" debuted at number 57 on the Billboard Hot 100. The lead single peaked at number 9 since then. The producers involved on the album include Alex Da Kidd, King David "The Future" and Jerry "Wonda" Duplessis, while featured artists include Skylar Grey, Trey Songz, and John Legend. Despite the album's commercial success, ''Lasers'' received mixed reviews from most music critics. Writing for Allmusic, editor Andy Kellman gave the record three out of five stars and criticized its "lumbering, overwrought choruses", writing that "If there is one MC whose rhymes should not be dulled for the sake of chasing pop trends, it’s Lupe Fiasco". ''Lasers'', however, was nominated Best Rap Album, with "The Show Goes On" nominated for Best Rap Performance, and Best Rap Song at the 54th Grammy Awards. Lupe Fiasco later involved himself at the Occupy Wall Street movement where he donated tents and released a poem in support of the protesters. He also released his "Friend of the People" mixtape on Thanksgiving Day. Fiasco has since announced the completion of his ''Food & Liquor 2'' album, as well as work being put intoa joint album with fellow Child Rebel Soldier & All City Chess Club member Pharrell.

Lyrical style

Fiasco, along with rappers Common, Rhymefest, and Talib Kweli, has been credited as a pioneer of the conscious hip hop movement, which focuses on social issues. Subjects touched upon on ''Lupe Fiasco's Food & Liquor'' include absent parents, terrorism, Islam and religion, war, and prostitution. Fiasco attributes his interest in social issues to his highly cultured upbringing, as he describes his mother as "very intellectual" and his father as a "Renaissance man". He rejects the misogyny common in hip hop, which he discusses in the song "Hurt Me Soul". Despite this, Fiasco is strongly opposed to censorship in music: "If we're going to [censor things] that are offensive, then we are going to have to blind and deafen everyone. Come on, man. Let's focus on education and literacy and poverty."

Fiasco employs various lyrical techniques in his songwriting. The rapper views hip-hop as a medium conducive to storytelling, a primary element of his lyrics due to his background in theater. He wrote plays as a child, which had a strong effect on his songwriting approaches. Fiasco utilizes both metaphors and literal statements in his work, which he describes as "getting from point A to point B in as few words as possible". His use of metaphors is exemplified by the song "Gotta Eat" from ''Lupe Fiasco's The Cool'', which is told from the perspective of a cheeseburger and addresses the poor nutrition in black communities in the United States.

Philanthropy and business ventures

In 2001, Fiasco co-founded 1st & 15th Entertainment with Charles "Chilly" Patton. 1st & 15th is a vanity record label under Atlantic named after the traditional twice-monthly paycheck dates. Fiasco and singer Matthew Santos were two of the most recognizable signed artists. In November 2009, Fiasco announced he would discontinue the 1st & 15th label: "It was just such a 'this isn't right for you right now. This isn't gonna work for you right now. You need to be focused on you. Do you really want that, do you really have the capacity to do it?'"

In 2005, he founded Righteous Kung-Fu, a company that designs fashions, sneakers, toys, video games, comic books, and graphics for album covers and skateboard decks. Fiasco also runs a fashion line out of Righteous Kung-Fu called Trilly & Truly. He has sponsored a skateboard team and has endorsements from DGK Skateboards. In January 2006, Fiasco signed with major footwear and apparel corporation Reebok, becoming part of the "O.G" marketing campaign where rap artists such as Lil Wayne and Mike Jones designed their own personal colorway of the Reebok "O.G" model.

In 2009, Fiasco performed in ''The People Speak'', a documentary feature film that employs musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's ''A People's History of the United States''. On January 7, 2010, Fiasco joined musician Kenna, actress Jessica Biel, and other celebrities and activists for an expedition to the top of Mount Kilimanjaro called Summit on the Summit to raise awareness of the billions of people worldwide who lack access to sanitary drinking water. On January 20, 2010, Fiasco released a track called "Resurrection" with Kenna in response to the 2010 Haiti earthquake. The song, part of a compilation released through the charity Music for Relief, aimed to encourage donations for immediate relief and long-term recovery following the disaster.

Political views

Fiasco is noted for his anti-establishment views. In an interview with Stephen Colbert on the satirical news show ''The Colbert Report'', Fiasco stated his credo on political philosophy: "You should criticize power even if you agree with it." In another interview in June 2011 on the CBS program ''What's Trending'', Fiasco discussed the political content of his music, stating, "My fight against terrorism, to me, the biggest terrorist is Obama and the United States of America. I'm trying to fight the terrorism that's actually causing the other forms of terrorism. You know, the root cause of terrorism is the stuff the U.S. government allows to happen. The foreign policies that we have in place in different countries that inspire people to become terrorists." He additionally criticized Obama for his stance on the Israeli-Palestinian conflict. Despite his strong political opinions, Fiasco does not vote in U.S. elections nor does he involve himself in U.S. politics as he believes they are "meaningless."

Discography

''Lupe Fiasco's Food & Liquor'' (2006)

''Lupe Fiasco's The Cool'' (2007)

''Lasers'' (2011)

''Lupe Fiasco's Food & Liquor II: The Great American Rap Album'' (2012)

See also

List of awards and nominations received by Lupe Fiasco

References

Bibliography

''Biography Today - Lupe Fiasco'' (2009). Omnigraphics. Detroit, Michigan. ISBN-978-0-7808-1052-5.

External links

Category:Living people Category:Midwest hip hop musicians Category:1982 births Category:African-American businesspeople Category:African American Muslims Category:African American rappers Category:American hip hop record producers Category:Atlantic Records artists Category:Rappers from Chicago, Illinois Category:Hip hop activists

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Coordinates	34°03′″N118°15′″N
Name	Frank Ocean
background	solo_singer
birth name	Christopher Breaux
alias	Christopher Francis Ocean, Lonny Breaux
born	October 28, 1987New Orleans, Louisiana, US
origin	Los Angeles, California, US
genre	Contemporary R&B;, alternative hip hop, hip hop soul
occupation	Singer-songwriter, rapper
instrument	Vocals, keyboards, guitar
years active	2007–present
label	Odd Future Records, Def Jam
associated acts	OFWGKTA, Jay-Z, Beyoncé, Kanye West, Pharrell Williams
website	}}

Christopher Francis Ocean (born Christopher Breaux; October 28, 1987), better known by his stage name Frank Ocean, is an American singer-songwriter and occasional rapper from New Orleans, Louisiana. Ocean made an early career as a ghost-writer for artists such as Bridget Kelly and John Legend. In early 2011 he became a member of OFWGKTA, though he is often mistaken for an affiliate because of his "different sound" from the rest of the collective. He made three appearances on the Tyler, the Creator album ''Goblin'', including the single "She" and two appearances on MellowHype's album ''BlackenedWhite'', both of which are Odd Future releases. In February 2011, he released his debut mixtape ''Nostalgia, Ultra'' to critical acclaim. He released two singles; "Novacane" and "Swim Good". Both singles achieved chart success. Ocean went on a 7 show tour through North America and Europe promoting the mixtape.

The mixtape caught the interest of recording artists such as Kanye West, Beyoncé Knowles and Jay-Z, and he appeared on ''Watch the Throne''. He wrote the popular track "Thinking About You" for Bridget Kelly he is set to appear on future solo releases by Jay-Z and Nas. On January 5, 2012, the BBC announced that he had finished in second place in the BBC's Sound of 2012 poll. Ocean is currently working on his debut studio album, set to be released in the first half of 2012, and will appear at Coachella 2012.

Biography

2005-2010: Career beginnings

Ocean was with the producer duo The MIDI Mafia. Ocean joined Los Angeles based hip hop collective OFWGKTA, who he met through his connections, at the end of 2009. In late 2009, he met Tricky Stewart, who helped Ocean sign a contract with Def Jam Recordings as a solo artist, however, he was initially unable to build a relationship with the company. In 2010, he changed his name from Christopher Breaux to Christopher Francis William Ocean via a legal website.

2011-present

Ocean has written songs for John Legend, Brandy, and Beyoncé Knowles ("I Miss You" from the album ''4''), Ocean has also worked with Nas (on whose 10th studio album Ocean is expected to feature, along with fellow Odd Future members Tyler, the Creator and Hodgy Beats) and Pharrell Williams. On February 18, 2011, Ocean released his first mixtape, ''Nostalgia, Ultra'', to critical acclaim. His music mostly focuses on interpersonal relationships, personal reflection and social commentary. NPR's Andrew Noz calls Ocean's songwriting "smart and subtle...setting him apart from the pack." ''Rolling Stone'' magazine's Jonah Weiner calls Ocean a "gifted avant-R&B; smoothie". In an April 2011 interview, Ocean stated that his relationship with Def Jam has strengthened since the release of his mixtape.

Ocean appeared in Tyler, the Creator's music video for the single "She", from Tyler's 2011 studio album ''Goblin''. Ocean first performed with Odd Future at the Coachella Music & Arts Festival in April 2011, then later joined his OFWGKTA bandmates for the first time on tour from May 12 to May 19, 2011. They toured the eastern seaboard of the United States. On May 19, 2011 Ocean's record label Def Jam announced its plans to re-release ''Nostalgia, Ultra'' as an EP. The single "Novacane" was released to iTunes on May 31, 2011, and the EP originally was set to be released on July 26, 2011, but through his Tumblr blog on July 24, he stated that it would not be released on that date. In June 2011, Ocean revealed on his Tumblr that he would be working on the upcoming Kanye West and Jay-Z collaborative album, ''Watch the Throne''. Ocean was ultimately a writer and featured artist on the tracks "No Church in the Wild" and "Made in America". On July 28, 2011 a song titled "Thinking About You" was leaked on the internet. It was later revealed the song was a reference track and written for Roc Nation artist Bridget Kelly for her debut studio album. Kelly who has performed an acoustic version of the song, has renamed it "Thinking About Forever". However on September 15, 2011 a music video directed by High5Collective for Ocean's version was released, so it is currently unknown on which project the song will end up.

Discography

Mixtapes

''Nostalgia, Ultra'' (2011)

Awards and nominations

! Year	! Organisation	! Award	! Result
2012		Sound of 2012
2012	Grammis	International Album of the Year

References

Category:OFWGKTA members Category:Musicians from Louisiana Category:Musicians from New Orleans, Louisiana Category:African American singer-songwriters Category:Living people Category:1987 births

de:Frank Ocean fr:Frank Ocean pl:Frank Ocean ru:Фрэнк Оушен sv:Frank Ocean

Coordinates	34°03′″N118°15′″N
name	Jools Holland
background	solo_singer
birth name	Julian Miles Holland
birth date	January 24, 1958
birth place	Blackheath, London, England
instrument	Piano, keyboard, guitar
genre	Boogie-woogie, jazz, blues, R&B;
occupation	Musician, composer, television presenter, bandleader
years active	1974–present
associated acts	Squeeze Rhythm & Blues Orchestra
website	Official site }}

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, The Who, David Gilmour, Magazine and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B; music. He currently hosts ''Later... with Jools Holland'', a music-based show aired on BBC2, on which his annual show the Hootenanny, is based.

Life and career

His great grandfather came from Ireland.

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.

Holland began issuing solo records in 1978, his first EP being ''Boogie Woogie '78''. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show ''The Tube'' with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks. He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

thumb|right|Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album ''Soul Mining''. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The ''Jools Holland Big Band'' which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television. Since 1992 he has presented the eclectic music program ''Later... with Jools Holland'', plus an annual New Year's Eve "Hootenanny".

In 1996 Holland signed a record deal with Warner Bros. Records and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff. He also headlined the Skegness SO Festival in July 2010.

Personal

Holland lives in the Westcombe Park area of Blackheath in southeast London, where he had his studio, Helicon Mountain, built to his design, heavily inspired by Portmeirion, the setting for the 1960s TV series ''The Prisoner''. Holland owns costumes and props from the series and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, ''The Laughing Prisoner'', with Stephen Fry, Terence Alexander and Hugh Laurie. Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. Holland is also a Millwall FC fan. His younger brother Christopher also plays organ in the Rhythm & Blues Orchestra as well as being a successful singer/songwriter in his own right.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film ''Spiceworld'' as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent. He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay, and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings. He is also patron of the Drake Music Project and has raised many thousands of pounds for the charity.

Jools Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, but they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.

Holland is also a patron for The Milton Rooms, a new Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.

Writing

His 2007 biography, ''Barefaced Lies and Boogie Woogie Boasts'' was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography

Albums that have charted and gained Certifications

Year	Album	Peak chart positions		!style="width:4em;font-size:75%"
1996	Jazz & Rock & Roll''
1998	''Best Of''				UK">Music recording sales certifications
!style="width:4em;font-size:75%"	!style="width:4em;font-size:75%"
1996	Jazz & Rock & Roll''
1998	''Best Of''				UK: Silver
2000	''Hop The Wag''				* UK: Silver
2001	''Small World Big Band''				* UK: 2× Platinum
2002	''SWBB Volume Two: More Friends''				* UK: Platinum
2003	''Jack O The Green (SWBB Friends 3)''				* UK: Silver
2005	''Swinging the Blues, Dancing the Ska''
2007	''Best of Friends''				* UK: Silver
2011	''Finding The Keys - The Best of''

Releases

1978 "Boogie Woogie '78" (EP)

1981 ''Jools Holland and His Millionaires''

1984 ''Jools Holland Meets Rock 'A' Boogie Billy'' (U.S. release only)

1990 ''World Of His Own''

1991 ''The Full Complement''

1992 "Together Again" (single with Sam Brown)

1992 ''The A-Z Geographer's Guide To The Piano''

1994 ''Solo Piano''

1994 ''Live Performance''

1996 " Jazz & Rock & Roll''

1997 ''Lift The Lid''

1998 ''Best Of''

1999 ''Sunset Over London''

2000 ''Hop The Wag''

2001 ''Small World Big Band''

2002 ''SWBB Volume Two: More Friends''

2003 ''Jack O The Green (SWBB Friends 3)''

2004 ''Tom Jones & Jools Holland''

2005 ''Beatroute''

2005 ''Swinging the Blues, Dancing the Ska''

2006 ''Moving Out To The Country''

2007 ''Best of Friends''

2008 ''The Collection''

2008 ''The Informer (With Ruby Turner)''

2008 ''"The Informer" (single with Ruby Turner)''

2009 ''"I Went By" (single with Louise Marshall)''

2010 ''Rockinghorse''

Film and television

1981 ''Urgh! A Music War''

1982 ''Police: Around the World''

1982 - 1987 ''The Tube'' (Host for 121 editions)

1983 ''Rebellious Jukebox'': Compere

1984 ''The Young Ones'': Punk (Episode entitled "Summer Holiday")

1985 ''Walking To New Orleans'' (Jools Holland in New Orleans)

1987 ''Eat the Rich'': Sun Reporter

1987 ''Filthy Rich & Catflap'': Strip Show Pianist (Episode #1.3)

1987 ''The Laughing Prisoner'': No. 7

1987 ''French and Saunders'' (Episode 1.5)

1988 ''Sunday Night'': Host (unknown episodes)

1989 ''Juke Box Jury'': Host (unknown episodes)

1989 ''The Groovy Fellers'' Himself, 6 episodes

1991 ''Mr Roadrunner'' (Jools Holland in Memphis)

1994 ''There's No Business'': Pianist

1994 - 1995 ''Don't Forget Your Toothbrush''

1995 ''The Beatles Anthology''

1997 ''Spice World'': Musical Director

1997 ''Name That Tune'': Host and Pianist

2003 ''Jool's History of the Piano'' : Presenter

2006 ''Top Gear: Star in a reasonably priced car.

2007 ''Fairport@Forty'': Interview

2009 ''Chop Shop Rover Concept: The Jet 1 Car'' : Customer

Current television programmes

1992–present ''Later... with Jools Holland''

1993–present ''Jools' Annual Hootenanny''

Books

''"Rolling Stones": A Life on the Road'', (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)

''Beat Route: Journeys Through Six Counties'', Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)

''Ray Charles: Man and Music'', (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)

''Hand That Changed Its Mind '', International Music Publications (2007), (ISBN 1-84328-645-9)

''Barefaced Lies and Boogie-woogie Boasts '', Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References

External links

Category:1958 births Category:Living people Category:Boogie-woogie pianists Category:English rock pianists Category:English television presenters Category:Officers of the Order of the British Empire Category:Bandleaders Category:Squeeze (band) members Category:I.R.S. Records artists Category:People from Blackheath, London Category:BBC Radio 2 presenters Category:Deputy Lieutenants of Kent Category:British people of Irish descent Category:English people of Irish descent

cy:Jools Holland de:Jools Holland es:Jools Holland fr:Jools Holland nl:Jools Holland pl:Jools Holland pt:Jools Holland fi:Jools Holland