"10:15 Saturday Night" is a song by British post-punk band, The Cure. It was the B-side to their single "Killing an Arab", as well as the opening track of their debut album, Three Imaginary Boys. It was also released in France as a single with the track "Accuracy" as the B-side. It has been performed live during most of their shows since its release, and was included in their live album Concert.

According to interviews in the booklet for the Deluxe Edition of Three Imaginary Boys, the demo to the song is what caught Chris Parry's attention in 1978 and led him to sign the band to his newly founded record company, Fiction. The track was written by Robert Smith at the age of 16 one evening while sitting at the kitchen table feeling "utterly morose" watching the tap dripping and drinking his dad's home made beer. It was first performed as part of the Easy Cure set around the band's local area of Crawley.

This song was sampled on "Man Next Door" by Massive Attack.

The home demo of the song (RS Organ Home Demo With Vox 2/78) was used in the film Awaydays.

Australian rock group The Living End covered the song on their second EP It's For Your Own Good.

References[link]

• Apter, Jeff. (2006). Never Enough: The Story of the Cure. Omnibus Press. ISBN 1-84449-827-1 page 63
• Discogs.com (2008). http://www.discogs.com/release/1248948

v t e The Cure Robert Smith Simon Gallup Roger O'Donnell Jason Cooper Andy Anderson Perry Bamonte Michael Dempsey Matthieu Hartley Porl Thompson Phil Thornalley Lol Tolhurst Boris Williams Studio albums Three Imaginary Boys Seventeen Seconds Faith Pornography The Top The Head on the Door Kiss Me, Kiss Me, Kiss Me Disintegration Wish Wild Mood Swings Bloodflowers The Cure 4:13 Dream Live albums Concert: The Cure Live Entreat Show Paris Bestival Live 2011 Compilations Boys Don't Cry Happily Ever After Japanese Whispers Standing on a Beach/Staring at the Sea Mixed Up Assemblage CD Collection Galore Greatest Hits Join the Dots 4play EPs Half an Octopuss Quadpus The Peel Sessions Integration Lost Wishes Sideshow Five Swing Live Festival 2005 Hypnagogic States EP Singles Boys Don't Cry "Killing an Arab" "Boys Don't Cry" "Jumping Someone Else's Train" Seventeen Seconds "A Forest" Faith "Primary" Pornography "A Single" Japanese Whispers "Let's Go to Bed" "The Walk" "The Love Cats" The Top "The Caterpillar" The Head on the Door "In Between Days" "Close to Me" Kiss Me Kiss Me Kiss Me "Why Can't I Be You?" "Catch" "Just Like Heaven" "Hot Hot Hot!!!" Disintegration "Lullaby" "Fascination Street" "Lovesong" "Pictures of You" Mixed Up "Never Enough" "Close to Me (Remix)" Wish "High" "Friday I'm in Love" "A Letter to Elise" Wild Mood Swings "The 13th" "Mint Car" "Gone!" "Strange Attraction" Galore "Wrong Number" Greatest Hits "Cut Here" "Just Say Yes" The Cure "The End of the World" "Taking Off" ("alt.end") 4.13 Dream "The Only One" "Freakshow" "Sleep When I'm Dead" "The Perfect Boy" Non-album singles "Charlotte Sometimes" Other songs "10:15 Saturday Night" Videos Staring at the Sea: The Images The Cure Live in Japan The Cure in Orange Picture Show Play Out Show Galore: The Videos 1987–1997 Greatest Hits Trilogy Festival 2005 Related articles Articles Discography Personnel Labels Fiction Suretone Geffen Polydor Elektra Asylum Sire Warner Bands Associates Babacar COGASM Cult Hero Easy Cure Fools Dance The Glove Levinhurst Lockjaw The Magazine Spies Malice Presence Shelleyan Orphan Siouxsie and the Banshees Albums Nocturne Hyæna Essential Glastonbury Songs "I'm a Cult Hero" Book Category

The Cure
The Cure performing in Singapore in 2007. Left to right: Porl Thompson, Jason Cooper (back), Robert Smith, Simon Gallup.
Background information
Origin	Crawley, England
Genres	Gothic rock,[1][2] alternative rock, New Wave, post-punk
Years active	1976–present
Labels	Fiction, Suretone, Geffen, Polydor, Elektra, Asylum, Sire
Associated acts	Malice, Easy Cure, The Glove, Siouxsie and the Banshees
Website	www.thecure.com
Members
Robert Smith Simon Gallup Roger O'Donnell Jason Cooper Reeves Gabrels
Past members
Lol Tolhurst Michael Dempsey Matthieu Hartley Andy Anderson Phil Thornalley Boris Williams Porl Thompson Perry Bamonte

The Cure are an English alternative rock band formed in Crawley, West Sussex in 1976. The band has experienced several line-up changes, with frontman, vocalist, guitarist and principal songwriter Robert Smith being the only constant member. The Cure first began releasing music in the late 1970s with its debut album Three Imaginary Boys (1979); this, along with several early singles, placed the band as part of the post-punk and New Wave movements that had sprung up in the wake of the punk rock revolution in the United Kingdom. During the early 1980s, the band's increasingly dark and tormented music helped form the gothic rock genre.^[1][2][3]

After the release of Pornography (1982), the band's future was uncertain and Smith was keen to move past the gloomy reputation his band had acquired. With the 1982 single "Let's Go to Bed" Smith began to place a pop sensibility into the band's music (as well as a unique stage look). The Cure's popularity increased as the decade wore on, especially in the United States where the songs "Just Like Heaven", "Lovesong" and "Friday I'm in Love" entered the Billboard Hot 100 chart. By the start of the 1990s, The Cure were one of the most popular alternative rock bands in the world. The band is estimated to have sold 27 million albums as of 2004.^[4] The Cure have released thirteen studio albums, 10 EPs and over thirty singles during the course of their career. Since 2010, they have been working on a fourteenth studio album.^[5]

History[link]

Formation and early years (1973–1979)[link]

The first incarnation of what became The Cure was The Obelisk, a band formed by students at Notre Dame Middle School in Crawley, Sussex. The band made their public debut in a one-off performance in April 1973, and featured Robert Smith (piano), Michael "Mick" Dempsey (guitar), Laurence "Lol" Tolhurst (percussion), Marc Ceccagno (lead guitar) and Alan Hill (bass guitar).^[6] In January 1976 the band took a more substantial form of what would be when Ceccagno formed Malice with Smith and Dempsey along with two other classmates from St. Wilfrid's Catholic Comprehensive School, with Ceccagno on lead, Smith on guitar, and Dempsey switching to bass. Ceccagno soon left, however, to form a jazz-rock fusion band called Amulet. Increasingly influenced by the emergence of punk rock, Malice's remaining members became known as Easy Cure in January 1977.^[7] By this time, Smith and Dempsey had been joined by Lol Tolhurst from The Obelisk on drums, and new lead guitarist Porl Thompson. Both Malice and Easy Cure auditioned several vocalists before Smith finally assumed the role of Easy Cure's frontman in September 1977.^[8]

That year, Easy Cure won a talent competition with German label Hansa Records, and received a recording contract. Although the band recorded tracks for the company, none were ever released.^[9] Following disagreements in March 1978 over the direction the band should take, the contract with Hansa was dissolved. Smith later recalled, "We were very young. They just thought they could turn us into a teen group. They actually wanted us to do cover versions and we always refused."^[9] Thompson was dropped from the band in May, and the remaining trio (Smith/Tolhurst/Dempsey) were soon renamed The Cure by Smith.^[10] Later that month the band recorded their first sessions as a trio at Chestnut Studios in Sussex, which were distributed as a demo tape to a dozen major record labels.^[11] The demo found its way to Polydor Records scout Chris Parry, who signed The Cure to his newly formed Fiction label—distributed by Polydor—in September 1978.^[12] The Cure released their debut single "Killing an Arab" in December 1978 on the Small Wonder label as a stopgap until Fiction finalised distribution arrangements with Polydor. "Killing an Arab" garnered both acclaim and controversy: while the single's provocative title led to accusations of racism, the song is actually based on French existentialist Albert Camus's novel The Stranger.^[13] The band placed a sticker label that denied the racist connotations on the single's 1979 reissue on Fiction. An early NME article on the band wrote that The Cure "are like a breath of fresh suburban air on the capital's smog-ridden pub-and-club circuit" and noted "With a John Peel session and more extensive London gigging on their immediate agenda, it remains to be seen whether or not The Cure can retain their refreshing joie de vivre."^[14]

The Cure released their debut album Three Imaginary Boys in May 1979. Because of the band's inexperience in the studio, Parry and engineer Mike Hedges took control of the recording.^[15] The band, particularly Smith, were unhappy with their debut; in a 1987 interview, he admitted, "a lot of it was very superficial – I didn't even like it at the time. There were criticisms made that it was very lightweight, and I thought they were justified. Even when we'd made it, I wanted to do something that I thought had more substance to it".^[16] The band's second single "Boys Don't Cry" was released in June. The Cure then embarked as the support band for Siouxsie and the Banshees' Join Hands promotional tour of England, Northern Ireland, and Wales between August and October. The tour saw Smith pull double duty each night by performing with The Cure and as the guitarist with The Banshees when John McKay quit the group.^[17] That musical experience had a strong impact on him: "On stage that first night with the Banshees, I was blown away by how powerful I felt playing that kind of music. It was so different to what we were doing with The Cure. Before that, I'd wanted us to be like The Buzzcocks or Elvis Costello, the punk Beatles. Being a Banshee really changed my attitude to what I was doing."^[18]

The Cure's third single "Jumping Someone Else's Train" was released in early October 1979. Soon afterwards, Dempsey was dropped from the band because of his cold reception to material Smith had written for the upcoming album.^[19] Dempsey joined the Associates, while Simon Gallup (bass) and Matthieu Hartley (keyboards) from The Magspies joined The Cure. The Associates toured as support band for The Cure and The Passions on the Future Pastimes Tour of England between November and December—all three bands were on the Fiction Records roster—with the new Cure line-up already performing a number of new songs for the projected second album.^[20] Meanwhile, a spin-off band comprising Smith, Tolhurst, Dempsey, Gallup, Hartley and Thompson, with backing vocals from assorted family and friends, and lead vocals provided by their local postman Frankie Bell released a 7-inch single in December under the assumed name of Cult Hero.^[21]

Early Gothic Phase (1980–1982)[link]

	"One Hundred Years" (1982) noicon Sample of "One Hundred Years" from Pornography.
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Due to the band's lack of creative control on the first album, Smith exerted a greater influence on the recording of The Cure's second album Seventeen Seconds, which he co-produced with Mike Hedges.^[22] The album was released in 1980 and reached number 20 on the UK charts. A single from the album, "A Forest", became the band's first UK hit single, reaching number 31 on the singles chart.^[23] The album was a departure from The Cure's sound up to that point, with Hedges describing it as "morose, atmospheric, very different to Three Imaginary Boys."^[24] In its review of Seventeen Seconds the NME said, "For a group as young as The Cure, it seems amazing that they have covered so much territory in such a brief time."^[25] At the same time, Smith was pressed concerning the concept of an alleged "anti-image".^[26] Smith told the press he was fed up with the anti-image association that some considered to be "elaborately disguising their plainness", stating, "We had to get away from that anti-image thing, which we didn't even create in the first place. And it seemed like we were trying to be more obscure. We just didn't like the standard rock thing. The whole thing really got out of hand."^[27] That same year Three Imaginary Boys was repackaged for the American market as Boys Don't Cry, with new artwork and a modified tracklist. The Cure set out on their first world tour to promote both releases. At the end of the tour, Matthieu Hartley left the band. Hartley said, "I realised that the group was heading towards suicidal, sombre music—the sort of thing that didn't interest me at all."^[28]

The band reconvened with Hedges to produce their third album Faith (1981), which furthered the mood of misery present on Seventeen Seconds.^[29] The album peaked at number 14 on the UK charts.^[23] Included with cassette copies of Faith was an instrumental soundtrack for Carnage Visors, an animated film shown in place of an opening act for the band's 1981 Picture Tour.^[30] In late 1981, The Cure released the non-album single "Charlotte Sometimes". By this point, the sombre mood of the music had a profound effect on the attitude of the band. The band would refuse requests for older songs in concert, and sometimes Smith would be so absorbed by the persona he projected onstage he would leave at the end in tears.^[31]

In 1982, The Cure recorded and released Pornography, the third and final album of an "oppressively dispirited" trio that cemented the Cure's stature as purveyors of the emerging gothic rock genre.^[32] Smith has said that during the recording of Pornography he was "undergoing a lot of mental stress. But it had nothing to do with the group, it just had to do with what I was like, my age and things. I think I got to my worst round about Pornography. Looking back and getting other people's opinions of what went on, I was a pretty monstrous sort of person at that time".^[16] Gallup described the album by saying, "Nihilism took over [. . .] We sang 'It doesn't matter if we all die' and that is exactly what we thought at the time."^[33] Parry was concerned that the album did not have a hit song for radio play and instructed Smith and producer Phil Thornalley to polish the track "The Hanging Garden" for release as a single.^[34] Despite the concerns about the album's uncommercial sound, Pornography became the band's first UK Top 10 album, charting at number eight.^[23] The release of Pornography was followed by the Fourteen Explicit Moments tour, where the band finally dropped the anti-image angle and first adopted their signature look of big, towering hair and smeared lipstick on their faces.^[35] The tour also saw a series of incidents that prompted Simon Gallup to leave The Cure at the tour's conclusion. Gallup and Smith did not talk to each other for eighteen months following his departure.^[36]

Increasing commercial success (1983–1986)[link]

	"Just Like Heaven" (1987) noicon Sample of "Just like Heaven" from Kiss Me, Kiss Me, Kiss Me.
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With Gallup's departure from The Cure and with Smith's work with Siouxsie and the Banshees, rumours spread that The Cure had broken up. In December 1982, Smith remarked to Melody Maker, "Do The Cure really exist any more? I've been pondering that question myself [. . .] it has got to a point where I don't fancy working in that format again." He added, "Whatever happens, it won't be me, Laurence, and Simon together any more. I know that."^[37]

Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style. Parry managed to convince Smith and Tolhurst of the idea; Parry said, "It appealed to Robert because he wanted to destroy The Cure anyway."^[38] With Tolhurst now playing keyboards instead of drums, the duo released the single "Let's Go to Bed" in late 1982. While Smith wrote the single from as a throwaway, "stupid" pop song to the press,^[39] it became a minor hit in the UK, reaching number 44 on the singles chart.^[23] It was followed in 1983 by two more successful songs: the synthesiser-based "The Walk" (number 12), and "The Love Cats", which became the band's first British Top 10 hit, reaching number seven.^[23] The group released these studio singles and their B-sides as the compilation album Japanese Whispers, designed by Smith for the Japanese market only, but released worldwide on the decision of the record company. The same year, Smith also recorded and toured with Siouxsie and the Banshees, contributing as guitarist on their Nocturne live video and their Hyaena studio album. Meanwhile, he recorded the Blue Sunshine album with Banshees bassist Steven Severin as The Glove, while Lol Tolhurst produced the first two singles and debut album of the English band And Also The Trees.

In 1984, The Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the U.S., reaching number 180.^[23][40] Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why The Cure are having hits now of all times."^[41] The Cure then embarked on their worldwide "Top Tour" with Thompson, Anderson, and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams.^[42] Thornalley also left because of the stress of touring.^[43] However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band.^[44] Smith was ecstatic about Gallup's return and declared to Melody Maker, "It's a group again."^[45]

In 1985, the new line-up of Smith, Tolhurst, Gallup, Thompson, and Williams released The Head on the Door, an album that managed to bind together the optimistic and pessimistic aspects of the band's music between which they had previously shifted.^[46] The Head on the Door reached number seven in the UK and was the band's first entry into American Top 75 at number 59,^[23][40] a success partly due to the international impact of the LP's two singles, "In Between Days" and "Close to Me". Following the album and world tour, the band released the singles compilation Standing on a Beach in three formats (each with a different track listing and a specific name) in 1986. This compilation made the US Top 50,^[40] and saw the re-issue of three previous singles: "Boys Don't Cry" (in a new form), "Let's Go To Bed" and later "Charlotte Sometimes". This release was accompanied by a VHS or LaserDisc called Staring at the Sea, which featured videos for each track on the compilation. The Cure toured to support the compilation and released a live concert VHS of the show, filmed in the south of France called The Cure in Orange. During this time, The Cure became a very popular band in Europe (particularly in France, Germany and the Benelux countries) and increasingly popular in the U.S.^[47]

[edit] Kiss Me, Kiss Me, Kiss Me and worldwide success (1987–1993)

In 1987, The Cure released the double LP Kiss Me, Kiss Me, Kiss Me, which reached number six in the UK, the Top 10 in several countries^[48] and was the band's first entry into the U.S. Top 40 at number 35 (where it was certified platinum),^[23][40][49] due to the combination of the band's rising popularity and the success of lead single, "Why Can't I Be You?".^[50] The album's third single, "Just Like Heaven" was the band's most successful single to date in the US, being their first to enter the Billboard Top 40.^[51] After the album's release, the band embarked on the successful Kissing Tour. During the European leg of the tour, Lol Tolhurst's alcohol consumption was interfering with his ability to perform so The Psychedelic Furs keyboardist Roger O'Donnell was frequently called upon to stand in for him.^[52]

	"Lovesong" (1989) noicon Sample of "Lovesong" from Disintegration. "Lullaby" (1989) noicon Sample of "Lullaby" from Disintegration.
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In 1989, The Cure released the album Disintegration, which saw a return to the gothic atmospheres of earlier releases like Faith and Pornography.^[53] It became their highest charting album in the UK to date, entering at number three and featuring three Top 30 singles in the UK and Germany ("Lullaby", "Lovesong" and "Pictures of You").^[23][54] Disintegration also reached number twelve on the US charts.^[40] The first single stateside, "Fascination Street", reached number one on the American Modern Rock chart, but was quickly overshadowed when its third US single, "Lovesong", reached number two on the American pop charts (the only Cure single to reach the US Top 10).^[51] By 1992, Disintegration had sold over three million copies worldwide.^[55]

During the Disintegration sessions, the band gave Smith an ultimatum that either Tolhurst would have to leave the band or they would.^[56] In February 1989, Tolhurst's exit was made official and announced to the press;^[57] this resulted in Roger O'Donnell becoming a full-fledged member of the band and left Smith as The Cure's only remaining founder member. Smith attributed Tolhurst's dismissal to an inability to exert himself and issues with alcohol, concluding, "He was out of step with everything. It had just become detrimental to everything we'd do."^[58] Because Tolhurst was still on the payroll during the recording of Disintegration, he was credited in the album's liner notes as playing "other instruments", however it has since been revealed that he contributed nothing to the album in either performance or song writing. The Cure then embarked on the Prayer Tour, which saw the band playing stadiums in the US. On 6 September 1989, The Cure performed "Just Like Heaven" at the 1989 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles.^[59] In February 1990, the song won the Brit Award for Best British Video.^[60]

In May 1990, Roger O'Donnell quit and was replaced with the band's guitar technician Perry Bamonte. That November, The Cure released a collection of remixes called Mixed Up. The album was not well received and quickly slid down the charts.^[61] The one new song on the collection, "Never Enough", was released as a single. In 1991 The Cure were awarded the Brit Award for Best British Group.^[62] That same year Tolhurst filed a lawsuit against Smith and Fiction Records in 1991 over royalties payments, and claimed joint ownership of the name "The Cure" with Smith; the verdict was handed out in September 1994 in favour of Smith. In respite from the lawsuit, the band returned to the studio to record their next album.^[63] Wish reached number one in the UK and number two in the US and yielded the international hits "High" and "Friday I'm in Love".^[23][40] The Cure also embarked on the "Wish Tour" with Cranes, and released the live albums Show (September 1993) and Paris (October 1993). As a promotional exercise with the Our Price music chain in the UK, a limited edition EP was released consisting of instrumental outtakes from the Wish sessions. Entitled Lost Wishes, the proceeds from the four-track cassette tape went to charity. In 1993, the band were nominated for a Grammy Award for Best Alternative Music Album for Wish.^[64]

In the years between the release of Wish and the start of sessions for The Cure's next album, the band's line-up shifted again. Thompson left the band once more during 1993 to play with Robert Plant and Jimmy Page of Led Zeppelin, and Bamonte took over as lead guitarist. Boris Williams also left the band, and was replaced by Jason Cooper (formerly of My Life Story).

Period of transition (1994–1998)[link]

The album sessions began in 1994 with only Smith and Bamonte present; the pair were later joined by Gallup (who was recovering from physical problems) and Roger O'Donnell, who had been asked to rejoin the band at the end of 1994.^[65] The Cure performed "Burn" in the movie The Crow and "Dredd Song", the theme song of the 1995 movie Judge Dredd starring Sylvester Stallone (The former song despite never being released as a single nor ever played live, is regarded a fan favourite of Cure fans and fans of 'The Crow'). It was not released on a Cure album until 2004 on Join the Dots: B-Sides & Rarities 1978–2001 (The Fiction Years).

Wild Mood Swings, finally released in 1996, was poorly received compared with previous albums and marked the end of the band's commercial peak.^[66] Early in 1996, the Cure played festivals in South America, followed by a world tour in support of the album Galore. Galore contained all of the Cure's singles released between 1987 and 1997, as well as the new single "Wrong Number", which featured longtime David Bowie guitarist Reeves Gabrels. Gabrels also accompanied The Cure on a brief American radio festival tour as an onstage guest guitarist for "Wrong Number". In 1998 The Cure contributed to the soundtrack album for The X Files feature film as well as the Depeche Mode tribute album For the Masses, with their cover of "World in My Eyes".

	"Out of This World" (2000) noicon Sample of "Out of This World" from Bloodflowers.
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Later years (1999–2009)[link]

With only one album left in their record contract and with commercial response to Wild Mood Swings and the Galore compilation lacklustre, Smith once again considered that the end of The Cure might be near and thus wanted to make an album that reflected the more serious side of the band.^[67] The Grammy-nominated album Bloodflowers was released in 2000 after being delayed since 1998.^[68] According to Smith, the album was the third of a trilogy along with Pornography and Disintegration.^[69] The band also embarked on the nine-month Dream Tour, attended by over one million people worldwide. In 2001, The Cure left Fiction and released their Greatest Hits album and DVD, which featured the music videos for a number of classic Cure songs. In 2002, the band headlined twelve major summer music festivals, and played three extended concerts (one in Brussels, two in Berlin) in which they performed the albums Pornography, Disintegration and Bloodflowers in their respective entireties each night. The Berlin performances were released on DVD as The Cure: Trilogy in 2003.

In 2003, The Cure signed with Geffen Records. In 2004, they released a new four-disc boxed set on Fiction Records titled Join the Dots: B-Sides and Rarities, 1978-2001 (The Fiction Years). The compilation includes seventy Cure songs, some previously unreleased, and a 76-page full-colour book of photographs, history and quotes, packaged in a hard cover. The album peaked at number 106 on the Billboard 200 album charts.^[40] The band released their twelfth album The Cure on Geffen in 2004, which was produced by Ross Robinson. It made a top ten debut on both sides of the Atlantic in July 2004.^[23][40] To promote the album, the band headlined the Coachella Valley Music and Arts Festival that May. From 24 July to 29 August, The Cure headlined the Curiosa concert tour of North America. While attendances were lower than expected, Curiosa was still one of the more successful American summer festivals of 2004.^[70] The same year the band was honoured with an MTV Icon award in a television special presented by Marilyn Manson.^[71]

The Cure in concert in 2004. From left to right: Robert Smith, Jason Cooper, and Simon Gallup

In May 2005, Roger O'Donnell and Perry Bamonte were fired from the band. O'Donnell claims Smith informed him he was reducing the band to a three-piece. Previously O'Donnell said he had only found out about the band's upcoming tour dates via a fan site and added, "It was sad to find out after nearly 20 years the way I did but then I should have expected no less or more."^[72] The remaining members of the band—Smith, Gallup and Cooper—made several appearances as a trio before it was announced in June that Porl Thompson would be returning for the band's 2005 Festival summer shows, as well as their set at Live 8 in Paris on 2 July. Later that year, the band recorded a cover of John Lennon's "Love" for Amnesty International's charity album Make Some Noise. It is available for download on the Amnesty website, while the album was released on CD in 2006. On 1 April 2006, The Cure appeared at the Royal Albert Hall on behalf of the Teenage Cancer Trust. It was their only show through to the end the year. In December a live DVD, entitled The Cure: Festival 2005 including 30 songs of their 2005 Festival tour was released.

The Cure began writing and recording material for their thirteenth album in 2006. Smith initially stated it would be a double album.^[73] The Cure announced a last-minute postponement of their autumn 2007 North American 4Tour in August in order to continue working on the album, rescheduling the dates for spring 2008.^[74] Titled 4:13 Dream, the album was released in October 2008. The group released four singles and an EP—"The Only One", "Freakshow", "Sleep When I'm Dead", "The Perfect Boy" and Hypnagogic States respectively—on or near to the 13th of each month, in the months leading up to the album's release. In February 2009, The Cure received the 2009 Shockwaves NME Award for Godlike Genius.^[75]

Reunion with former members and next album (2010–present)[link]

On January 13, 2010, Smith announced on The Cure's website that they were working on the follow-up to 4:13 Dream and an iTunes exclusive release. He explained, "There is an 'exclusive' iTunes Cure album still in the works... and part two of the Dream sessions is slowly taking shape."^[5] In August 2011, Smith told Hot Press that The Cure may not be interested in wrapping up the leftover material that was recorded during the 4:13 Dream sessions. He explained, "It's one of those things that it's been left so long now I expect it will come out as a half-finished sort of thing. I'm not sure if the band wants to complete it, which is sort of the elephant in the room. What happened to the second half of the album? No one mentions it! We're aware that it's there. Nobody really wants to talk about it. Maybe it will come up after a few post-festival beers!". Smith later added, "I think between now and this time next year, The Cure will take precedence over anything else. Until I get the second half of this album out, I won't do another collaboration."^[76]

In 2011, the band played their first three studio albums in their entirety during two shows in Sydney, Australia. These "Reflections" shows notably featured Roger O'Donnell and Laurence Tolhurst, both in a keyboard and percussion role. Porl Thompson was absent from the performances. The shows are due to be released on DVD in 2012.^[77] The band later headlined Bestival. Roger O'Donnell again joined the band on stage. On 11 September 2011, Roger O'Donnell announced on his Facebook page that he had officially rejoined the band. The band announced seven more Reflections shows, one in London, three in New York City and three in Los Angeles.^[78] On Tuesday 27 September, The Cure was announced as a nominee for 2012 induction into the Rock and Roll Hall of Fame.^[79] The Cure have been announced as one of the three headliners of the 2012 Reading and Leeds Festivals.

Musical style[link]

The Cure are often identified with the gothic rock subgenre of alternative rock, and are viewed as one of the form's definitive bands. However, the band has routinely rejected classification, particularly as a gothic rock band. Robert Smith said in 2006, "It's so pitiful when 'goth' is still tagged onto the name The Cure", and added, "We're not categorisable. I suppose we were post-punk when we came out, but in total it's impossible [...] I just play Cure music, whatever that is."^[80] Smith has also expressed his distaste for gothic rock, describing it as "incredibly dull and monotonous. A dirge really."^[81] While typically viewed as producers of dark and gloomy music, The Cure have also yielded a number of upbeat songs. Spin has said "The Cure have always been an either/or sort of band: either [...] Robert Smith is wallowing in gothic sadness or he's licking sticky-sweet cotton-candy pop off his lipstick-stained fingers."^[82]

The Cure's primary musical traits have been listed as "dominant, melodic bass lines; whiny, strangulated vocals; and a lyric obsession with existential, almost literary despair."^[83] Most Cure songs start with Smith and Gallup writing the drum parts and bass lines. Both record demos at home and then bring them into the studio for fine-tuning.^[84] Smith said in 1992, "I think when people talk about the 'Cure sound,' they mean songs based on 6-string bass, acoustic guitar, and my voice, plus the string sound from the Solina."^[84] On top of this foundation is laid "towering layers of guitars and synthesisers".^[85] Keyboards have been a component of the band's sound since Seventeen Seconds, and their importance increased with the instrument's extensive use on Disintegration.^[86] With the Departure of Roger O'Donnell in 2005, keyboards have not been as prominent in the band's album 4:13 Dream and their live shows.

Music videos[link]

The band's early music videos have been described as "dreadful affairs" and have been maligned for their poor quality, particularly by the band itself. Lol Tolhurst said, "Those videos were unmitigated disasters; we weren't actors and our personalities weren't coming across."^[87] It was with the video for "Let's Go to Bed", their first collaboration with director Tim Pope, that The Cure would become noted for their videos. Pope added a playful element to the band's videos; the director insisted in a 1987 Spin interview, "I think that side of them was always there, but was never brought out."^[16] Pope would go on to direct the majority of The Cure's videos, and his videos, which became synonymous with the band, helped expand The Cure's audience during the 1980s.^[88] Pope explained the appeal of working with The Cure by saying, "The Cure is the ultimate band for a filmmaker to work with because Robert Smith really understands the camera. His songs are so cinematic. I mean on one level there's this stupidity and humour, right, but beneath that there are all [Smith's] psychological obsessions and claustrophobia."^[81]

Legacy[link]

The Cure were one of the first alternative bands to have chart and commercial success in an era before alternative rock had broken into the mainstream. In 1992 the NME declared The Cure had during the 1980s become "a goth hit machine (19 to date), an international phenomenon and, yep, the most successful alternative band that ever shuffled disconsolately about the earth".^[55] Smith has noted he looks at Cure-influenced bands like Interpol and My Chemical Romance with affection, adding, "I also think [Interpol bassist] Carlos D.'s obsession with Simon Gallup is sweet."^[89] Interpol lead singer, Paul Banks was quoted as saying "The Cure is the band that all of us in Interpol can say influenced us. When I was younger I listened to them a lot. Carlos as well. Actually, he took a straight influence from this band on the way he played the bass and the keys. To me, Robert Smith is also one of these examples: you can't be Robert Smith if you're not Robert Smith. It's one of the bands with the deepest influence on Interpol, because we all like them. They're legendary."^[90]

Several references to The Cure and their music have been made in popular culture. A number of films have used the title of a Cure song as the film's title, including Boys Don't Cry (1999) and Just Like Heaven (2005). The Cure's gloomy image has been the subject of parody at times. In series two of The Mighty Boosh, The Moon sings 'The Love Cats' over the credits. In the same episode, a powerful gothic hairspray, Goth Juice, is said to be "The most powerful hairspray known to man. Made from the tears of Robert Smith." The Mary Whitehouse Experience often featured brief clips of the stars of the show performing comical songs and nursery rhymes as The Cure in a morose style. Robert Smith appeared in the final episode of the first series of The Mary Whitehouse Experience singing "The sun has got his hat on" before punching the character Ray (played by Robert Newman) whilst uttering Ray's catchphrase "Oh no what a personal disaster". Robert Smith was also portrayed on an episode of South Park (Season 1, Episode 12) where he transforms into the form of Mothra and battles Mecha-Streisand to save the day and Kyle shouts "Disintegration is the best album ever!" In Craig Thompson's graphic novel Blankets the chapter seven is called "Just Like Heaven". The same chapter shows Raina singing some lyrics from this song to Craig.

Discography[link]

• Three Imaginary Boys (1979)
• Boys Don't Cry (1980)
• Seventeen Seconds (1980)
• Faith (1981)
• Pornography (1982)
• Japanese Whispers (1983)
• The Top (1984)
• The Head on the Door (1985)
• Kiss Me, Kiss Me, Kiss Me (1987)
• Disintegration (1989)
• Wish (1992)
• Wild Mood Swings (1996)
• Bloodflowers (2000)
• The Cure (2004)
• 4:13 Dream (2008)

Members[link]

Current line-up

• Robert Smith – lead vocals, guitars, keyboards (1976–present)
• Simon Gallup – bass guitar, keyboards (1979–1982, 1985–present)
• Roger O'Donnell – keyboards (1987–1990, 1995–2005, 2011–present)
• Jason Cooper – drums, percussion (1995–present)
• Reeves Gabrels – guitars (2012–present)

See also[link]

• Wikipedia books: The Cure

References[link]

Sources[link]

• Apter, Jeff. (2006). Never Enough: The Story of the Cure. Omnibus Press. ISBN 1-84449-827-1

Further reading[link]

• Ten Imaginary Years, by L. Barbarian, Steve Sutherland and Robert Smith (1988) Zomba Books ISBN 0-946391-87-4
• The Cure: A Visual Documentary, by Dave Thompson and Jo-Ann Greene(1988) Omnibus Press ISBN 0-7119-1387-0
• The Cure: Songwords 1978–1989 S. Hopkins, Robert Smith and T. Foo (1989) Omnibus Press ISBN 0-7119-1951-8
• In Between Days: An Armchair Guide To The Cure by Dave Thompson, Helter Skelter Publishing (October 2005) ISBN 1-905139-00-4
• The Cure – Greatest Hits (songbook containing 20 of their best, transcribed note-for-note with tab, chord symbols and complete lyrics), Hal Leonard Corporation (May 2002) ISBN 0-634-04667-5
• Robert Smith: "The Cure" and Wishful Thinking by Richard Carman (2005) Independent Music Press (UK) ISBN 978-0-9549704-1-3
• Jeremy Wulc : My dream comes true : Carnet de route avec The Cure. (2009) Editions : Camion Blanc

External links[link]

Wikimedia Commons has media related to: The Cure

• Official website
• The Cure Records – the most complete discography on the Internet
• The Cure discography at Discogs

Jimmy McMillan
McMillan in Brooklyn, New York
Personal details
Born	James McMillan III (1946-12-01) December 1, 1946 (age 65) New Smyrna Beach, Florida
Political party	Registered Republican[1] Rent Is Too Damn High Party
Residence	East Village, Manhattan, New York City, NY
Occupation	Political activist Perennial Candidate
Religion	Christian
Website	http://rentistoodamnhigh.org

James "Jimmy" McMillan III (born December 1, 1946)^[2] is an American political activist, perennial candidate, and Vietnam War veteran, as well as a former postal worker and private investigator from Brooklyn, New York. He is best known as the founder of the Rent Is Too Damn High Party, a New York-based political party. McMillan has run for office at least six times since 1993, including in the 2010 New York gubernatorial election on the "Rent Is 2 Damn High" line.^[3][4] He declared on December 23, 2010, that he would run in the 2012 U.S. presidential election as a Republican.^[1]

Political career[link]

Early campaigns[link]

McMillan's first run for political office came in 1993, when he ran for Mayor of New York on the Rent Is Too Damn High ticket. In the course of that campaign, McMillan was at one point tied to a tree and doused with gasoline;^[5] he would later climb the Brooklyn Bridge and refuse to come down from it unless television stations broadcast his message.^[6] He was ultimately disqualified from the ballot for coming 300 petition signatures short of the 7,500 needed to qualify for the general election ballot.

McMillan next ran for governor of New York in 1994 by traveling from his home in Brooklyn through upstate New York to Buffalo on foot, staying in homeless shelters along the way; his original itinerary had him walking back to Brooklyn as well, but an injury in Rochester led to him taking a bus home.^[7] When he arrived in Buffalo, the site of the state Democratic convention, McMillan disrupted a speech by incumbent governor Mario Cuomo at the convention and was thrown out because of it.^[8] After failing to collect enough signatures to get onto the ballot, he continued in a write-in campaign.

McMillan was removed from the ballot during the 2000 U.S. Senate election in New York.^[9]

McMillan qualified for the November general election ballot for mayor of New York City in 2005 and 2009.^[10][11] In 2005, he received over 4000 votes^[12] (0.3% of the total vote). In 2009, he received 2615 votes.^[13]

McMillan's significant media coverage spawned imitators, such as these two men at the Rally to Restore Sanity and/or Fear in Washington, D.C.

McMillan received 13,355 votes in the 2006 gubernatorial election, fifth place in a field of six candidates.^[14]

2010 gubernatorial campaign[link]

For the 2010 campaign, McMillan filed petitions to appear on the Democratic primary ballot and the Rent Is Too Damn High line. However, McMillan put very little effort into the Democratic petitions, and the vast majority of the 13,350 signatures bearing his name were collected by Randy Credico, who had partnered with McMillan for a joint Democratic petition.^[15] Credico had counted on McMillan to collect 10,000 signatures to put his total at over 20,000, above the 15,000 required to get onto the ballot, but McMillan never followed through, leaving both candidates short of the necessary signatures to force a Democratic primary. Credico, in response, called McMillan a "jack-off" and a "sorry ass," accusing him of "working against me," "turn[ing] in a wagonload of blank pages and then [leaving] Albany in brand new automobiles."^[16] McMillan did file the necessary signatures to get onto the "Rent Is 2 Damn High" line; the petitions were technically invalid because they did not include a lieutenant governor candidate, but McMillan was allowed onto the ballot anyway because nobody challenged the petitions. During an appearance at a 2010 gubernatorial debate in which McMillan figured prominently, he stated his views on gay marriage, by saying "The Rent Is Too Damn High Party believes that if you want to marry a shoe, I'll marry you." After the debate, McMillan garnered significant attention from the media.^{[17][18][19][20][21]}

McMillan, perceived by many as a protest vote, garnered 40,000 votes, enough to finish in fifth place out of seven, compared to winning Andrew Cuomo's 2.5 million and second-place Carl Paladino's 1.4 million. McMillan gained almost as many votes as Libertarian Party candidate Warren Redlich with 48,000 votes, and nearly double the votes of Anti-Prohibition Party candidate Kristin M. Davis.^{[22][23][24][25][26][27]}

Regarding his use of black gloves during the debate, "I’m a war vet," McMillan said. "Don’t forget I was in Vietnam for two and half years and I have three Bronze Stars, but the chemicals of Agent Orange -- dioxin and a lot of other chemicals mixed up -- I would get sick. When I get home tonight, I know I’m not going to be able to breathe if I take them off. It could be psychological, I don’t know, but I just put em on and wear them anyway."^[28]

Jimmy McMillan's gubernatorial campaign was the subject of an independent, feature-length documentary titled DAMN!.^[29] Filmmakers Aaron Fisher-Cohen and Kristian Almgren documented McMillan throughout his campaign for Governor of New York, as well as the events immediately following McMillan's loss of the election. The film was an official selection at the Little Rock Film Festival in Arkansas, as well as at the Brooklyn Film Festival, but did not officially premiere until August 2011.^[30][31]

2012 presidential campaign[link]

McMillan is a registered member of the Democratic Party.^[32] On December 23, 2010, however, he said that he would switch parties and run as a Republican in the 2012 U.S. presidential election, to avoid a primary challenge from President Barack Obama. He believes that his greatest political strengths include a mastery of social media, an ability to pinch pennies, and inimitable political vision.^[33] McMillan appeared at the Conservative Political Action Conference in February 2011.^[34] He also appeared at Northeastern University in March 2011, through the Political Science Student Association, where he discussed key issues. McMillan campaigned during the Occupy Wall Street protests, criticizing the protesters for voting for the wrong person but defending the protesters' right to protest. On November 15, 2011 McMillan held court on the 23rd floor of the Financial Industry Regulatory Authority offices kibbutzing with his legal staff and media representatives. ^[35]

Political positions[link]

McMillan's political positions contain heavy influence from populist principles. The Rochester Democrat and Chronicle described his 1994 platform as such: "While McMillan said he hopes to be a spokesman for the poor in his bid for Governor, his solutions make him sound more like a Republican."^[7]

• McMillan has come out against federal bailouts, specifically the Wall Street Bailout of 2008 and the Obama Administration's bailout of General Motors. Referencing the bailout and his presidential run, he said of Obama: "If you don't do your job right, I am coming at you."^[36]
• McMillan believes that global warming is a natural occurrence that occurs every 15,000 years. He disputes the idea that is caused by man and pollution, saying he "isn't buying [the] punk science" of Al Gore.
• A supporter of same-sex marriage, McMillan joked in the 2010 gubernatorial debate he would allow marriage between a person and a shoe.^[37][38][39] After the Marriage Equality Act passed, McMillan stated of same-sex couples "now you don’t have to marry a shoe, you can marry somebody."^[40]
• On transvestites and transgendered people, McMillan says "When you see a guy walk down the street and he’s got a little skirt on, and he’s so happy. Why shouldn’t you be happy? This is America, it’s beautiful to watch someone different."^[40]
• McMillan, as founder of the Rent Is Too Damn High Party, is against high rent and property taxes for homeowners. He believes that lowering rent and cutting taxes will ease financial stress and help eradicate hunger and poverty, as well as raise tax revenue. He surmises that reducing rent would "create 3 to 6 million jobs" by freeing up capital to give businesses a chance to hire people. He also favors tax credits for commuters.^[41][42]
• McMillan and the party are in favor of writing off all taxes owed to the state, consolidating the rent boards in New York, seizure of unoccupied apartment buildings, reforming the state court system, and free college tuition.^[41][42]
• McMillan is in favor of having fixed rate of low rent across America, which would be the same regardless of property value. He states that adjusting the rent for property value "is a bunch of crap" and "a scheme to run out the poor."^{[citation needed]}
• McMillan supports allowing laws to be influenced by Christianity. His website states that "we need more reliance on the moral laws brought by religion and not limit out goodwill to our neighbors and co-workers to what the law demands alone." He also spoke of "restoring family values" and making sure that one parent remains at home to watch children.^[43]
• McMillan and the party oppose any spending cuts to education or elderly care services.^[41][42]
• McMillan has called for investigations of, and has sought to increase awareness of, fraud and Ponzi schemes in the real estate markets.^[44]
• Of his potential Republican opponents for the Presidential nomination, he thinks of Newt Gingrich as a "good liar" in the vein of John Edwards and that "people look at him and laugh," Mitt Romney as a "good-looking guy [that] will keep the ladies from looking at me." He has also stated that he loves Sarah Palin^[45] and holds an extremely negative view of New York City mayor Michael Bloomberg.^[46] He views current governor Andrew Cuomo as a do-nothing and New Jersey Governor Chris Christie as "just a big mouth (...) New Jersey is crumbling just like every state in the union."^[40]

Personal life[link]

McMillan is single and has two adult children; the elder child is a daughter (age 38 as of 2011) whom McMillan claims developed disabilities as a result of his exposure to Agent Orange, and the younger is a son (James McMillan IV, age 32 as of 2011), who currently serves in the U.S. military.^[47] McMillan served in the United States Army during the Vietnam War. After his time in Vietnam, he briefly spent time in the 1970s as an R&B recording artist; he claims to have spent a brief time at Brunswick Records before leaving the label to do independent work.^[48] McMillan graduated from Barkley Private Security Investigations Academy prior to 1993.^[44] He admits to smoking marijuana in the past, and he states that his favorite film is Deep Throat.^[49]

According to an interview with the New York Times, McMillan does not currently pay rent on a Flatbush apartment he has claimed as his residence and he has not done so since the 1980s but pays with maintenance services provided to the landlord. His landlord apparently allows him to reside in his apartment for free in exchange for performing maintenance work on his apartment building. He had previously told the Wall Street Journal that he pays rent of $800 a month for his apartment, but told the New York Times that he definitely did not pay rent. He pays the rent for an apartment McMillan shares with his son in the East Village in Manhattan, which is $900 per month under current rent controls.^[50] The landlord of the East Village apartment is moving to evict McMillan on the grounds that McMillan lives in the Flatbush apartment and not in the East Village one; McMillan, who has held the apartment lease since 1977, claims that the Flatbush apartment is not his residence but instead an office for the Rent Is Too Damn High Party.^[51]

Portrayals[link]

McMillan was portrayed by Kenan Thompson on Saturday Night Live. Kenan Thompson kept saying "the rent is too damn high" to most of the questions mocking McMillan by making the joke that he only has one political view. McMillan praised the portrayal, saying that "that put me over the top... this election is over. Jimmy's gonna win it."^[52]

References[link]

External links[link]

• Jimmy McMillan for President in 2012 official campaign website
• https://secure.americanselect.org/profile-candidate/367217/draft-status Americans elect Candidate Page.
• Campaign finance reports and data at the Federal Election Commission
• Appearances at the Internet Movie Database

Scott Leo "Taye" Diggs (born January 2, 1971) is an American theatre, film and television actor. He is perhaps best known for his roles in the Broadway musical Rent, the motion picture How Stella Got Her Groove Back, and the television series Private Practice. His nickname, Taye, comes from the playful pronunciation of Scotty as "Scottay".^[1]

Early life[link]

Diggs was born in Newark, New Jersey but grew up in Rochester, New York,^[2] the son of Marcia (née Berry), a teacher and actress, and Jeffries Diggs.^[3] He attended Allendale Columbia School in Rochester and later transferred to School of the Arts. He starred in the first production of "It All Adds Up", an original musical by the piano teacher and musician John Gabriele and math teacher Jack Donovan. He is the oldest of five children; he has two brothers, Gabriel and Michael, and two sisters, Shalom and Christian.^[4][5] Diggs received a Bachelor of Fine Arts degree in musical theater from Syracuse University. He performed many times at the popular Lakes Region Summer Theatre in Meredith, New Hampshire. Diggs's Broadway debut was in the ensemble cast of the 1994 Tony Award-winning revival of the musical Carousel. In 1995, he also performed as a dancer in Sebastian's Caribbean Carnival at Tokyo Disneyland.

Career[link]

In 1996, he originated the role of the nasty landlord Benny in Jonathan Larson's Tony Award- and Pulitzer Prize-winning Rent, which also starred his future wife, Idina Menzel. After Rent he appeared as Mr. Black alongside Idina Menzel's character of Kate in Andrew Lippa's off-Broadway production of The Wild Party at Manhattan Theatre Club. Diggs also played The Bandleader in the 2002 film version of the long-running Broadway revival of Chicago and filled in as Billy Flynn on Broadway.^[6] He also temporarily filled in for Norbert Leo Butz (an original Rent standby) as the love interest Fiyero of Idina Menzel's Elphaba character in Wicked.

Diggs then moved from stage to television, with a role on the soap opera Guiding Light. In 1998, he made his film debut in How Stella Got Her Groove Back. This movie brought Diggs much acclaim and exposure. The following year he played a tantric sex god in Doug Liman's Go, and an AWOL groom in the coming-of-age drama The Wood. Malcolm D. Lee's The Best Man features Diggs as the eponymous character, an author and best friend of the groom (portrayed by Morris Chestnut). He also starred in the remake of William Castle's The House on Haunted Hill. Diggs was featured in an episode of America's Next Top Model, to help the contestants through an acting challenge. Another notable role of his was when he guest starred on the comedy-drama Ally Mcbeal as a lawyer named Jackson Duper who was the love interest of the character Renee Raddick and also the possible love interest on the Ling Woo character.

Diggs portrayed the title character on the short-lived UPN television series Kevin Hill which despite critical acclaim was not renewed for a second season due to the troubles that UPN was having^{[citation needed]}. He reprised the role of Benny for the 2005 Rent film. Diggs is featured on the following cast recordings: Carousel 1994 revival cast; Rent 1996 original Broadway cast; The Wild Party original off-Broadway cast. He also sings on the Rent film soundtrack. In 2002, he reprised his role as the Bandleader in the film adaptation of Chicago, and also played opposite Christian Bale as Bale's partner/antagonist Brandt in the dystopian sci-fi thriller Equilibrium.

In 2003, Diggs was on Punk'd after being tricked by Ashton Kutcher, while getting a check-up at a Punk'd-operated doctor's office. In early 2006, Diggs guest-starred for several episodes as Will Truman's love interest, James, on the final season of Will & Grace. In May, ABC picked up his pilot, Day Break, in which he portrayed a detective trapped in the same day and forced to relive it to clear his name of murder; the show debuted in mid-November 2006, but was abruptly canceled due to poor ratings. Although his film and television career continue to move forward, he still returns to the stage frequently. Most recently he was seen alongside James McDaniel in Charles Fuller's A Soldier's Play at Second Stage Theatre in New York.

Diggs co-stars opposite Kate Walsh in Private Practice, the fall 2007 spin-off of Grey's Anatomy.^[7] Diggs had a guest role on The West Wing as a Secret Service agent in charge of the security detail for the President's daughter. He then guest-starred on Grey's Anatomy again in the Grey's Anatomy/Private Practice Crossover Event. Diggs stars in the live adaptation of the comic Dylan Dog: Dead of Night.^[8] He also narrated the ESPN Films documentary The Fab Five about University of Michigan basketball players Chris Webber, Juwan Howard, Jalen Rose, Jimmy King, and Ray Jackson.

Personal life[link]

Diggs married Rent co-star actress Idina Menzel on January 11, 2003. Their son, Walker Nathaniel Diggs, was born on September 2, 2009. He also co-owns and co-directs a dance company, dre.dance with fellow Broadway veteran, Andrew Palermo.^[9]

Filmography[link]

TV credits[link]

Awards and honors[link]

In popular culture[link]

• In 2012, in the "Dr. Klaustus" episode of the animated TV series American Dad, the character Roger the Alien sees a picture of Diggs in a magazine and comments that he's "still perfect." He refers to Diggs as "my constant, my ebony north star".

References[link]

Notes

External links[link]

• Taye Diggs' official website
• Taye Diggs on Twitter
• Taye Diggs on Facebook
• Taye Diggs at the Internet Movie Database
• Taye Diggs at the Internet Broadway Database
• Taye Diggs at the Internet Off-Broadway Database
• Taye Diggs interview

Tarak Mehta (born 1930) is an Indian columnist, humorist, writer and playwright. best known for the column Duniya Na Undha Chasma in Gujarati Language. He has translated and adapted several comedies into Gujarati, and has been well-known figure in the Gujarati theatre.^[1]

The humorous weekly column first appeared in Chitralekha in March 1971 and ever since has been looking at contemporary issues from a different perspective. He has published 80 books, over the years, three books are based on the columns he wrote in Gujarati newspaper, Divya Bhaskar while rest were compiled from the stories in Taarak Mehta Ka Ooltah Chashmah.^[2]

In 2008 SAB TV, a popular entertainment channel in India, started a show Taarak Mehta Ka Ooltah Chashmah that is based on his column.,^[3] and soon it became the flagship show of the channel.^[4]

Personal life[link]

He stays in Ahmedabad, Gujarat, where he moved in year 2000, with second wife, Indu of over 30 years, His first wife, Ila who later married Manohar Doshi, (died 2006), also stayed in the same apartment building. He has daughter from his first marriage, Ishani, who stays in US, and has two children, Kushan and Shaili.^[2][5]

Bibliography[link]

• Duniya ne Oondha Chashmah
• Aa Duniya Panjarapole
• Action Reply ½
• Albelun America Vanthelun America
• Bagicha Ni Hadvi Havama
• Bahero Hase Be Vay...!
• Champaklal Tapuni Jugalbandhi
• Betaj Batali Baj Popatlal Taraj
• Taarak mehta ka oolta chashmah

References[link]

• "Tarak Mehta". The Statesman. http://www.thestatesman.net/page.arcview.php?clid=26&id=245516&usrsess=1. Retrieved 2009-04-20. 
• http://www.glamsham.com/dramas/features/tarak_mehta.pdf - contains a lot of information about Tarak Mehta

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