Look up Rita in Wiktionary, the free dictionary.

Rita is a common female first name, often a name in its own right, but mostly a shortened version of either Rachel or Margaret. The name may refer to:

People[link]

Given name[link]

• Rita of Armenia (1278–1333), Empress of Byzantium
• Rita of Cascia (1381–1457), Italian Augustinian saint
• Rita Abatzi (1914–1969), Greek singer
• Rita Angus (1908-1970), New Zealand painter
• Rita Atria (1974-1992), Italian anti-Mafia witness
• Rita Mae Brown (b. 1944), American writer and activist
• Rita R. Colwell (b. 1934), environmental microbiologist
• Rita Coolidge (b. 1945), American singer
• Rita Cosby (b. 1964), American journalist
• Rita Crockett (b. 1957), American volleyball player
• Rita Deverell (b. 1945), Canadian journalist
• Rita Donagh (b. 1939), British artist
• Rita Dove (b. 1952), American poet
• Rita Drávucz (b. 1980), Hungarian water polo player
• Rita Clay Estrada (b. 1941), romance novelist
• Rita Fan (b. 1945), politician in Hong Kong
• Rita Gorr (b. 1926), Belgian operatic mezzo-soprano
• Rita Guerra (b. 1967), Portuguese singer
• Rita Hayworth (1918–1987), American actress
• Rita Hosking (b. 1969), American singer-songwriter
• Rita Jenrette (b. 1949), former wife of disgraced U.S. Representative John Jenrette, posed for Playboy magazine
• Rita Jeptoo (born 1981), Kenyan marathon runner
• Rita Johnston (b. 1935), Canadian politician
• Rita Kalmbach, Canadian politician
• Rita Kassabian, Armenian composer
• Rita Lau (b. 1953), Hong Kong civil servant
• Rita Lee (b. 1947), Brazilian musician
• Rita Levi-Montalcini (b. 1909), Italian-American neurologist
• Rita de Acosta Lydig (1875-1929), American socialite
• Rita MacNeil (b. 1944), Canadian country and folk singer
• Rita Marley (b. 1946), Jamaican singer and widow of Bob Marley
• Rita Montone, a former American actress.
• Rita Moreno (b. 1931), Puerto Rican actress
• Rita Patel (b. 1987), Brit chica
• Rita Pavone (b. 1945), Italian singer
• Rita Reys (born 1924), Dutch jazz singer
• Rita Rudner (b. 1956), American comedian and writer
• Rita Sakellariou (1934–1999), Greek singer
• Rita Simons (b. 1977), English actress and singer
• Rita Streich (1920-1987), operatic soprano
• Rita Süssmuth (b. 1937), German politician
• Rita Tushingham (b. 1942), English actress
• Rita Verdonk (b. 1955), Dutch politician
• Rita Wilson (b. 1956), American actress and producer

Fictional characters[link]

• Rita (Cypher), in the film Cypher
• Rita, in the franchise Jungledyret Hugo
• Rita Mordio, in Tales of Vesperia
• Rita Bennett, in the TV series Dexter
• Rita Repulsa, a villain in the TV series Mighty Morphin' Power Rangers
• Rita Skeeter, in the Harry Potter franchise
• Rita Stapleton, in the TV series The Guiding Light
• Rita Sullivan, in the TV series Coronation Street
• Rita or Susan White, in Educating Rita
• Rita, a Saluki dog in the 1988 Disney film Oliver & Company
• Rita, a female cat in the show Animaniacs

Surname[link]

• Adam Rita (born 1947), Canadian Football League executive and former coach
• Jani Rita (born 1981), Finnish ice hockey player

Stage name[link]

• Rita (Israeli singer) (b. 1962), Persian-born Israeli singer and actress
• Rita (Japanese singer), Japanese voice actress, singer, and lyricist

Locations[link]

• Djarrit, also known as Rita, a community in the Marshall Islands
• 1180 Rita, an asteroid

Weather[link]

• Hurricane Rita
• Tropical Storm Rita (disambiguation), the name of several storms

Media and entertainment[link]

• Rita, an album by Rita Guerra
• RITA Award, an award for romantic fiction
• Rita (opera), an opera by Gaetano Donizetti
• Rita (Marathi film), a 2009 film directed by Renuka Shahane

Other meanings[link]

• Republic of Ireland Taekwon-Do Association, a national organisation for the Korean martial art of taekwon-do
• Research and Innovative Technology Administration, research programs agency within the U.S. Department of Transportation
• Resistance Inside the Army, a protest movement
• Rhee International Taekwon-Do (Australia), a martial art school
• Rita (genus), a genus of catfishes
• Rita (roller coaster), a roller coaster ride at Alton Towers theme park, England.
• RIT Ambulance, an emergency medical services organization

See also[link]

• Margarita
• Margherita (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Rita Ora
Background information
Birth name	Rita Sahatçiu Ora
Born	(1990-11-26) November 26, 1990 (age 21) Pristina, SFR Yugoslavia (present day Kosovo[a])
Origin	West London, England, UK.[1]
Genres	R&B, pop, soul , smooth jazz
Occupations	Singer, songwriter, actress
Instruments	Dramatic Mezzo-Soprano
Years active	2004–present
Labels	Roc Nation
Website	ritaora.com rocnation.com/ritaora

Rita Sahatçiu Ora (born 26 November 1990), better known as Rita Ora, is a British singer-songwriter and actress.^[2][3] In 2009, she appeared on the BBC's Eurovision: Your Country Needs You where she auditioned to be the British contestant for the Eurovision Song Contest 2009.^[1] Later in 2009, she signed to Roc Nation. Ora is of Kosovar Albanian ethnicity.

In 2012, Ora provided the vocals for DJ Fresh’s "Hot Right Now", which has been the fastest selling single in the UK of 2012.^[4] Ora's debut single, "R.I.P", topped the UK Singles Chart in May 2012.^[5] Ora will spend the summer 2012 opening concerts for Coldplay.^[6]

Biography[link]

Early life and career beginnings[link]

Rita Ora was born in Pristina, SFR Yugoslavia (now Kosovo^[a]) and moved to the United Kingdom the same year of her birth. She grew up in West London and attended St Cuthbert with St Matthias CE Primary School in Earls Court, following which she graduated from Sylvia Young Theatre School and then St Charles Catholic Sixth Form College. She began singing from a young age.^[7][8] In 2004, she appeared in the British film Spivs.^[9] She auditioned for Eurovision: Your Country Needs You on BBC One to be the British contestant for the 2009 Eurovision Song Contest^[1][10] but later withdrew from the competition after a few episodes as she did not feel ready.^[1]

In 2007, Ora had her first music release when she appeared on Craig David's track entitled "Awkward"^[11] and then again in 2008 on "Where's Your Love" featuring Tinchy Stryder, for which she also appears in the music video.^[12] Ora began singing in bars in and around London, and in 2009 a A&R told Roc Nation about Ora, a few days after Ora flew out to New York and met Jay Z.^[13] In 2009, Ora made a cameo on Jay-Z's video for "Young Forever" and "Over" by Drake. Ora caught the attention of Jay-Z and he signed her to Roc Nation, for which she was featured in a commercial for Roc Nation + Skullcandy Aviator Headphones.^[14][15]

2011–present: debut album[link]

Throughout 2011, Ora released viral videos of herself working on her debut album.^[16] On 14 December 2011, DJ Fresh and Ora released the music video for "Hot Right Now" on YouTube.^[17] The single was released on 12 February 2012 and reached No. 1 on the UK Singles Chart.^[4]

On 24 February 2012, Ora visited New York's Z100 radio station alongside her Roc Nation label boss Jay-Z, to premiere "How We Do (Party)", her debut single and the lead single from her upcoming studio album. "How We Do (Party)" borrows its familiar refrain from The Notorious B.I.G.'s "Party and Bullshit".^[18]

She has been recording her first studio album for two years. will.i.am, Ester Dean, Drake, The-Dream, Kanye West and Stargate are all working with Ora on her debut album.^[19][20]

When speaking about the sound of the album and its concept, Ora said it "definitely has pop in it, but (...) you can hear influences of jazz in there, you can hear influences of Monica and Aaliyah, and then you can hear Gwen Stefani.”^[21] She has also stated the album will be influenced by her father's record colllection which, in addition to reggae, also includes such artists as Eric Clapton and B.B. King.^[22] She confirmed the tracks "Roc the Life", "Love at War", "Facemelt" and "Shine Ya Light" to be featured on her debut album.^{[23] [24]}

Her first solo record, "R.I.P." featuring Tinie Tempah, was released as her first UK single on 6 May 2012.^[25] The video directed by Emil Nava was recorded in Hackney, East London, and released on 4 April 2012.^[26] Produced by Chase & Status, the song debuted at the top of the UK Singles Chart, becoming her first solo UK number 1, and second overall.^[5] In May, Ora became a guest judge on the ninth series of the X Factor in the UK, with the auditions filmed at the O2 Arena, London.^[27] In summer 2012, Ora will be opening stadiums for Coldplay.^[6]

Artistry[link]

Influences[link]

Ora credits Gwen Stefani as her idol and biggest influence, saying in an interview “Do you know how much I love that woman? I love everything about her."^[13] Ora has also named Beyoncé as a major influence and a mentor, in addition to talking about her admiration at being able to have one of her idols, Beyoncé, give her feedback on her debut album.^[20] Her other musical influences include Aaliyah, India Arie, Christina Aguilera, Brandy, Monica, Madonna, Tina Turner, Aretha Franklin, Ella Fitzgerald, Etta James, Celine Dion, Bruce Springsteen, David Bowie, Vybz Kartel and Sade.^[13][28] Ora has mentioned her admiration for Rita Hayworth as an early inspiration for wanting to pursue an acting career.^[29]

For fashion inspirations, Ora also cites Gwen Stefani^[30] as her most influential style icon. In addition to Stefani, Ora has drawn great inspiration stylistically from Marilyn Monroe and Daphne Guinness through fashionable trends in both vintage clothing and retro wear.^[31][32]

Discography[link]

Singles[link]

As featured artist[link]

Guest appearances[link]

She has appeared in 2 songs of James Morrison's album Songs for You, Truths for Me as backing vocal

Music videos[link]

Cameo appearances[link]

Filmography[link]

Notes and references[link]

Notes:

References:

External links[link]

• Official website
• Information

Tinie Tempah
Tempah at the 2010 Way Out West Festival.
Background information
Birth name	Patrick Junior Chukwuemeka Okogwu
Born	(1988-11-07) 7 November 1988 (age 23) Plumstead, London, England
Genres	Grime, Hip hop, drum and bass
Occupations	Rapper, songwriter
Years active	2005–present
Labels	Parlophone, Disturbing London
Associated acts	Labrinth, Ellie Goulding, Swedish House Mafia, Chase & Status, Usher, Kelly Rowland, Eric Turner, Range, Emeli Sandé, Wiz Khalifa, Bei Maejor, Snoop Dogg, Ester Dean, Taio Cruz, Wretch 32, J. Cole, Lupe Fiasco, Rita Ora, Taylor ThePALACE
Website	tinietempah.com

Patrick Chukwuemeka Okogwu^[1] (born 7 November 1988),^[2] better known by his stage name Tinie Tempah, is an English rapper. He made his first mixtape in 2007; his first album, Disc-Overy, debuted at number one in October 2010 and was preceded by two number-one singles.

Early life[link]

Patrick Chukwuemeka Okogwu, was born in London, England on 7 November 1988, and is of Ibusa, Delta State, Nigerian origin. ^[3] He lived on the Aylesbury Estate in South East London until he was 12 with his parents and three younger siblings.^[3] He attended St. Paul's Catholic School in Abbey Wood, London SE2, (now known as St. Paul's Academy). He went on to study A Levels at St Francis Xavier Sixth Form College, SW12. Of his London upbringing, Tempah states: “London is one of the only places in the world where you can live in a council block and see a beautiful semi-detached house across the street. Growing up around that was inspirational, it kept me motivated".^[1]

Career history[link]

Early career[link]

In 2006, Tempah gained a great deal of airplay on British music TV channel, Channel AKA, for his song "Tears" He made his first mixtape in 2007 with 28 songs, freestyles and remixes, featuring Mz Bratt, Chipmunk and G-Unit.^{[citation needed]} His first album, Disc-Overy, debuted at number one in October 2010 and was preceded by the number-one singles "Pass Out" and "Written in the Stars" and the UK Top 5 hits "Frisky" and "Miami 2 Ibiza". In late 2007, he collaborated on a track ("Perfect GCD Hood Economics Room 147") with grime artist Ultra and producers/songwriters Agent X.

Tempah toured with Chipmunk in February 2010. His first break as a musician came when Sony launched its PlayStation Portable (PSP) and used a track entitled "Listen To The Vibe" featuring Yasmin and DJ Ironik, and "Atlantic/Warner" for the futuristic racing game, Wipeout Pure. This resulted in a promotional European tour alongside the likes of Sway and Dizzee Rascal.

Tempah, his manager and cousin Dumi Oburota founded the independent label Disturbing London primarily as an official outlet for Tempah's music, but with the idea of also signing other young artists. According to Dumi: "We wanted to have a platform to put out our music and there wasn't any Def Jam or Roc-A-Fella label equivalent in England. [Also] I wanted to create a major independent label with quality artists. I felt like the major labels had lost the passion for music."^[4] The activities of the label were initially largely funded by student loans and the proceeds from buying and selling cars.^[4]

When scout and music consultant Jade Richardson saw Tempah performing at the 2009 Wireless Festival she called Parlophone Records president Miles Leonard saying: “You’ve got to check out this guy Tinie Tempah. He came on at lunchtime and there’s about 1,000 kids screaming for him. He’s only put out one independent release and he’s got this huge audience.”^[5] Leonard and A&R Nathan Thompson visited Tempah and his manager Dumi at their studio a few weeks later and were hugely impressed to hear about the work they had already done in developing Tempah's career and by the ambitious plans they had for his future.^[5] Leonard told HitQuarters: "I thought it was incredible that an artist and manager were doing so much so soon with so little ... That impressed as much as the music."^[5]

Tempah announced his signing to Parlophone in October 2009 by running a competition on his blog, with the winner invited to High Tea at Claridges to celebrate the deal.^[6]

[edit] 2010–2011: Success and Disc-Overy

Tempah released his debut single "Pass Out" with Parlophone on 28 February 2010, with it entering the UK Singles Chart at number 1. Selling just over 92,000 copies, making this his first number 1 which it remained for two consecutive weeks. Tempah would later perform "Pass Out" on 25 June 2010 at Glastonbury on the Pyramid stage with Snoop Dogg. Tempah then announced his second single, "Frisky", which was released on 6 June 2010 entering the UK Singles Chart at number 2. Tempah supported Rihanna for four dates in May on her 10-date UK tour with Tinchy Stryder and Pixie Lott.^[8] Tempah performed at many summer balls at various universities around the United Kingdom.^{[citation needed]} Tempah performed at Radio 1 Big Weekend in Bangor on 22 May 2010 on the In New Music We Trust stage. He also toured with Mr Hudson in May 2010. Tinie Tempah played the Summertime Ball at Wembley Stadium on 6 June 2010, at Wakestock in Abersoch on 3 July 2010, both T4 on the Beach and the Wireless Festival in London's Hyde Park on 4 July, and V Festival on 21 and 22 August 2010. Tempah released his third single "Written in the Stars" on 19 September 2010. This again charted at number 1 in the UK Singles Chart selling over 115,000 copies in its first week, making it his biggest-selling single to date. The song also went on to chart in a number of other countries. Tempah went on to team up with Swedish House Mafia for his fourth single "Miami 2 Ibiza" which was released on 1 October 2010. This went on to reach a peak of number 4 in the UK Singles Chart and his first number 1 in the Netherlands Mega Single Top 100 chart. He released his long-awaited debut album, Disc-Overy on 4 October 2010 which featured all his previous charted singles.

On 11 October 2010, he kicked off his first UK tour which was supported by Chiddy Bang. He went on to win his first 2 MOBO Awards in October. Tempah also featured on the Tinchy Stryder single "Game Over" which was released on 15 November 2010. This reached number 22 on the UK Singles Chart. On 25 December, Tempah released his fifth single "Invincible" featuring Kelly Rowland, which peaked at number 11 on the UK Singles Chart. "Wonderman", featuring Ellie Goulding, was released and was the fifth official single. Tempah joined Usher on the European leg of his OMG Tour in January 2011. Tempah was also nominated for 4 Brit Awards making him the most nominated artist at the awards. His single "Written in the Stars" was used for a WrestleMania XXVII countdown promo during the WWE PPV Royal Rumble on 30 January 2011. It was later confirmed by WWE that it will be the official theme for Wrestlemania XXVII. It's also the theme song for the 2011 MLB Post Season. On 15 February 2011, he won his first ever Brit Award, for Best British Breakthrough Act. He also won a Brit for Best British Single.^[9] On 7 March 2011, Tempah expressed his desire for his next album to go triple platinum. "I reckon in 2011, towards the end of it, I'm going to do an arena tour – and sell it out – then I reckon I'm going to release another album, and fingers crossed it can go platinum again, and double platinum, and triple. Let's just sell a million."^[10] In early 2011, Tinie Tempah announced a UK Arena tour. Support acts included Nero, Labrinth and Chase and Status (After Party DJ Set).^{[citation needed]} In 2011, Labrinth revealed that Tempah will be releasing "Pass Out" in the United States, featuring a well recognised artist in the American rap game.^[11] On 28 November 2011, Tinie Tempah hosted an episode of the TV show, Never Mind the Buzzcocks.^[12] Also in November, Tinie Tempah released two tracks, "Like It or Love It" which featured both Wretch 32 & J. Cole, and "Lucky Cunt" which featured Big Sean. On 16 December, Tempah released a 9-track mixtape/EP titled Happy Birthday. In early 2012 Tempah featured with Eric Turner and Lupe Fiasco on a track called "Angels and Stars". Tempah's song "Written in the Stars" was used as the entrance song for the New York Giants before Super Bowl XLVI.

[edit] 2012–present: Demonstration

By December 2010 Tempah was writing a second album,^[13] saying there will be a more electronic and live feel to it. It was originally intended for a late 2011 release.^[7][14] but is now scheduled for October 2012.^[15] During an interview, Tempah commented on his second album: "I always like to work with different people on each project I do, just so you get a different sound and angle. I will be working with some of the same people I did for the first album, you know what they say ‘if it ain't broke then don’t try and fix it’."^[16] Tempah hoped to collaborate with other artists; "I really want to collaborate with Toronto's very own Drake. I think he's amazing at what he does. I'd also like to collaborate with Adele, Sleigh Bells, Lykke Li, Dev, James Blake ― those are the few that I'd really like to work with."^[17] Tempah announced in an interview with Rolling Stone that his next single is to be called "Till I'm Gone" which will feature Wiz Khalifa and is produced by Stargate.^[18][19] The single and the video song were released at the end of June 2011.^[20] Tinie Tempah, world renowned drummer Travis Barker and Irish boxing champion Katie Taylor, joined forces to launch Lucozade’s new Yes Campaign, which signals a repositioning of its sports and energy drink brand. Featuring a performance of Tempah's "Simply Unstoppable" with Travis Barker on drums, remixed especially for Lucozade Sport,^{[citation needed]} the campaign was released in Summer 2011.

Tinie Tempah has asked a number of artists to appear on his upcoming second album, including Gary Barlow, Chris Martin, Dizzee Rascal, and The Script.^[21]

At the Brit Awards in 2012, he announced his second album would be called 'Demonstration'.^[22]

Discography[link]

• Disc-Overy (2010)
• Demonstration (2012)

Awards and nominations[link]

References[link]

External links[link]

• Official website

DJ Fresh
Background information
Birth name	Daniel Stein
Also known as	DJ Fresh, Fresh, Mosquito, Absolute Zero
Origin	England
Genres	Drum and bass, Dubstep
Occupations	Record producer, DJ, Musician
Years active	1996–present
Labels	Breakbeat Kaos, Data Records, Ram Records, V Records, Valve Recordings
Associated acts	Bad Company UK, Pendulum, Tenor Fly, $pyda, Adam F, Andy C, Deekline & Wizard, Ivory, Soundweapon, Stamina MC, Koko, Ce'Cile, Sigma, DJ Shadow, DJ Hype, Darrison, Mary Byker, Baron, Swift, Valkyrie, Sian Evans, Rita Ora, Dizzee Rascal.
Website	http://www.thedjfresh.com/

DJ Fresh (born as Daniel Stein) is an English Drum & Bass and Dubstep producer and DJ. He was one of the principal members of drum & bass supergroup, Bad Company,^[1] alongside Darren White (dBridge), Jason Maldini, and Michael Wojcicki (Vegas). He also owns and runs the pioneering drum & bass label Breakbeat Kaos with Adam F.

Career[link]

Early success and 'Escape from Planet Monday' (1998 - 2008)[link]

The cover for Escape From Planet Monday

Along with the three other members of Bad Company, Fresh founded the record label BC Recordings, as well as the website Dogs On Acid.^[2] Bad Company are heralded as one of the finest drum & bass acts ever, having produced numerous genre-defining tracks. Undoubtedly their most renowned track is "The Nine", a track released in 1998 when Fresh was just 21 years old. "The Nine" was later voted the greatest drum & bass track of all time by readers of Knowledge Magazine^[3]

Resuming his solo career in 2002, Fresh founded Breakbeat Punk, which merged with Adam F's Kaos Recordings to become Breakbeat Kaos in 2003.^[4] In 2004 Dogs on Acid was given its own imprint.

Fresh has worked with artists ranging from Pet Shop Boys, DJ Shadow, Apollo 440 to Andy C and Grooverider, and has also held a working relationship with the drum and bass trio Pendulum, whom he signed to Breakbeat Kaos in 2005.^[5]

Fresh has had his own tracks included on a number of remix CDs, including the 2006 release Jungle Sound: The Bassline Strikes Back!, Andy C's Nightlife series, DJ Hype's Drum and Bass Warfare, and Goldie's Drum and Bass Classics.

In 2006, Fresh released his first studio album, Escape from Planet Monday, featuring "The Immortal", "X Project", "Nervous" and "All that Jazz" on Breakbeat Kaos.

A 100% Pure Mix of X Project was featured in the video games Wipeout Pulse (2007) and Wipeout HD (2008).

'Kryptonite' and commercial success (2009 - 2011)[link]

The cover for Kryptonite

In 2009 Fresh released a 12" of "Heavyweight" (with Fantasia on the B side) on the Digital Soundboy label. "Heavyweight" had a different style from Fresh's usual output, and gained positive reviews and a general positive response through the underground scene and within various radio stations.^[6] Fresh subsequently released "Hypercaine" (including a remix from Nero) in September 2009,^[7] and made BBC Radio 1's daytime playlist.

On the 1 August 2010, he re-released his song Gold Dust Featuring vocals from Ce'Cile, Where it peaked 24 in the UK and 39 in Ireland, it marked his first Top 40 hit in both countries. On 16 August, he released his second studio album, "Kryptonite" where it peaked 4 on the UK Dance Chart.

He then released his follow-up single, called "Lassitude" with Sigma and Vocals from Koko. It managed to peak 98 on the UK Singles Chart and 11 on the UK Dance Chart.

Third album, tour and continued commercial success (2011)[link]

The first single from his Third Album, "Louder" was released on July 3, 2011. The song was used as part of a Lucozade Lite advertising campaign in the UK and Ireland. The song features vocals from Welsh singer Sian Evans from the band Kosheen, it peaked number 4 on the Irish Singles Chart and was the first ever Dubstep Number 1 on the UK Singles Chart.

On February 12, 2012 the second single "Hot Right Now" featuring British/Albanian singer Rita Ora which became his second number one in the UK, and the first Drum & Bass song to chart at Number 1 in the UK. The third single from the album, "The Power",features Dizzee Rascal is due to be officially released on June 3rd 2012.

His third album is due for release in September 2012.

FRESH/LIVE[link]

The poster for the FRESH/LIVE tour.

In late 2011, DJ Fresh began a new aspect of his career by launching 'FRESH/LIVE'. This live show incorporates a drummer, guitarist, vocalist, an MC and Fresh himself on keys to perform identical renditions of his studio-produced hits in live settings.

Fresh handpicked the musicians that made up the band, calling on people he had encountered at various stages of his career. On the drums was Kodish, a man with over ten years experience as a drummer in the drum & bass scene, having performed with such eminent acts as Moving Fusion, Bad Company, and Pendulum. Guitarist Richard de Rosa founded the Ska/Swing band Scubaroots, with whom he has performed to thousands of people at countless festivals. Seemingly a master of all trades, he also produced the band's album, was nominated for producer of the year at the 2011 South West Music Awards, and had previously performed on BBC Radio 1's Live Lounge with Example and Fresh. Vocalist Fleur exploded onto the scene after performing on X Factor to 9 million TV viewers in 2005 and had also previously performed with Fresh on Live Lounge, and with Ms Dynamite on 1Xtra. The MC comes in the form of Drum and Bass' rising star Messy MC, who has previously performed and toured extensively with Pendulum, The EZ Rollers, Nero, Camo and Crooked and the Hospital Records tour nights Hospitality. He also received the Award for Best Newcomer MC in 2010 at the DNBA Awards and was then subsequently nominated in 2011 for Best MC.

The UK-wide tour completely sold out, taking in seven prestigious venues: The Arches in Glasgow, Alexandra Palace in London, The Big Reunion in Skegness, Manchester Club Academy, Waterfront in Norwich, Concorde 2 in Brighton, and the Student Union in Leeds. FRESH/LIVE is set to return in Spring 2012.

Discography[link]

• Escape from Planet Monday (2006)
• Kryptonite (2010)
• Third Studio Album (2012)

See also[link]

• Breakbeat Kaos
• Drum and bass
• Dogs On Acid
• Dubstep
• Jungle
• Pendulum

References[link]

External links[link]

• DJ Fresh on Myspace
• DJ Fresh discography at Discogs
• DJ Fresh at rolldabeats

Rita Hayworth
1945
Born	Margarita Carmen Cansino (1918-10-17)October 17, 1918 Brooklyn, New York, U.S.
Died	May 14, 1987(1987-05-14) (aged 68) New York City, New York, U.S.
Nationality	American
Occupation	Actress, dancer
Years active	1934–1972
Spouse	Edward C. Judson (1937–1942) Orson Welles (1943–1948) Prince Aly Khan (1949–1953) Dick Haymes (1953–1955) James Hill (1958–1961)
Children	Rebecca Welles (b. December 17, 1944) Yasmin Aga Khan (b. December 28, 1949)
Parents	Eduardo Cansino, Sr. Volga Hayworth
Relatives	Eduardo Cansino, Jr. (brother, deceased)
Signature

Rita Hayworth (born Margarita Carmen Cansino; October 17, 1918 – May 14, 1987) was an American dancer and film actress who garnered fame during the 1940s as one of the era's top stars. Appearing first as Rita Cansino, she agreed to change her name to Rita Hayworth and her hair color to dark red to attract a greater range in roles. Her appeal led to her being featured on the cover of Life magazine five times, beginning in 1940.^[1]

The first dancer featured on film as a partner of both the stars Fred Astaire and Gene Kelly, Hayworth appeared in a total of 61 films over 37 years.^[2] She is listed by the American Film Institute as one of the 100 Greatest Stars of All Time.

Early life[link]

Hayworth was born in Brooklyn, New York in 1918 as Margarita Carmen Cansino, the oldest child of two dancers, Eduardo Cansino, Sr., from Castilleja de la Cuesta, a little town near Seville, Spain,^[3] and Volga Hayworth, an American of Irish-English descent who had performed with the Ziegfeld Follies.^[4] The Catholic couple had married in 1917. They also had two sons: Eduardo, Jr. and Vernon.^[4][5]

Margarita's father wanted her to become a professional dancer, while her mother hoped she would become an actress.^[6] Her paternal grandfather Antonio Cansino was renowned as a Spanish classical dancer; he popularized the bolero and his dancing school in Madrid was world famous.^[7] Rita later recalled,

From the time I was three and a half ... as soon as I could stand on my own feet, I was given dance lessons."^[8] I didn't like it very much ... but I didn't have the courage to tell my father, so I began taking the lessons. Rehearse, rehearse, rehearse, that was my girlhood.^[9]

She attended dance classes every day for a few years in a Carnegie Hall complex, where she was taught by her uncle Angel Cansino. She performed publicly from the age of six.^[4] In 1926 at the age of eight, she was featured in La Fiesta, a short film for Warner Bros..^[4]

In 1927, her father took the family to Hollywood. He believed that dancing could be featured in the movies and that his family could be part of it. He established his own dance studio,^[4] where he taught such Hollywood luminaries as James Cagney and Jean Harlow.^{[citation needed]} During the Great Depression, he lost all his investments, as musicals were no longer in vogue and commercial interest in his dancing classes waned. He partnered with his daughter to form "The Dancing Cansinos". Since under California law, Margarita was too young to work in nightclubs and bars, her father took her with him to work across the border in Tijuana, Mexico. In the early 1930s, it was a popular tourist spot for people from Los Angeles.^[4] Due to her working, Cansino never graduated from high school; she completed ninth grade at Hamilton High in Los Angeles.

At the age of 16, Cansino took a bit part in the film Cruz Diablo (1934), which led to another in In Caliente (1935) with the Mexican actress Dolores del Río.^[4] Cansino danced with her father in such nightspots as the Foreign and the Caliente clubs. Winfield Sheehan, the head of the Fox Film Corporation, saw her dancing at the Caliente Club and quickly arranged for Hayworth to do a screen test a week later. Impressed by her screen persona, Sheehan signed her for a short-term six-month contract at Fox, under the name Rita Cansino, the first of name changes for her film career.

Film career[link]

Publicity photo 1940

During her time at Fox, Cansino appeared in five pictures, in non-notable roles. By the end of her six-month contract, Fox had merged into 20th Century Fox, with Darryl F. Zanuck serving as the executive producer. Dismissing Sheehan's interest in Cansino, Zanuck did not renew her contract. Feeling that Cansino had screen potential, the salesman and promoter Edward C. Judson, whom she would marry in 1936, got her the lead roles in several independent films and arranged a screen test with Columbia Pictures. The studio head Harry Cohn signed Cansino to a long-term contract, and cast her in small roles in Columbia features.

Often cast as the exotic foreigner, Cansino appeared in several roles in 1935: in Dante's Inferno, with Spencer Tracy; and Paddy O'Day, in which she played a Russian dancer. She was an Argentinian in Under the Pampas Moon and an Egyptian beauty in Charlie Chan in Egypt. In 1936 she took her first starring role as a "Latin type" in Human Cargo.^[4]

Cohn argued that Cansino's image was too Mediterranean, which reduced her opportunities to being cast in "exotic" roles, more limited in number. With Cohn and Judson's encouragement, Hayworth changed her hair color to dark red and her name to Rita Hayworth. She had electrolysis to raise her hairline and broaden the appearance of her forehead. By using her mother's maiden name, she led people to see her British-American ancestry and became a classic "American" pin-up.^[4]

In 1937, Hayworth appeared in five minor Columbia pictures and three minor independent movies. The following year, she appeared in five Columbia B films. In 1939, Cohn pressured director Howard Hawks to use Hayworth for a small but important role as a man-trap in the aviation drama Only Angels Have Wings, in which she played opposite Cary Grant and Jean Arthur.^[4] With this film's box-office success, fan mail for Hayworth began pouring into Columbia's publicity department. Cohn began to see Hayworth as his first and official new star. The studio never officially had stars under contract, except for Jean Arthur, who was trying to break with it.

with Fred Astaire in You Were Never Lovelier (1942)

Cohn began to build Hayworth up in 1940, in features such as Music in My Heart, The Lady in Question, and Angels Over Broadway. That year she was first featured in a Life magazine photo.^[1] He loaned Hayworth to Metro-Goldwyn-Mayer to appear in Susan and God, opposite Joan Crawford. While on loan to Warner Brothers, Hayworth appeared as the second female lead in The Strawberry Blonde (1941), opposite James Cagney and Olivia de Havilland.^[4] As the film was a big box-office success, Hayworth's popularity rose; she immediately became one of Hollywood's hottest properties. So impressed was Warner Brothers that they tried to buy Hayworth's contract from Columbia, but Cohn refused to release her.

Her success led to a supporting role in Blood and Sand (1941), opposite Tyrone Power and Linda Darnell, with Fox, the studio that had dropped her six years before. In one of her most notable screen roles, Hayworth played Doña Sol des Muire, the first of many screen sirens. This was another box-office hit.

She returned in triumph to Columbia Pictures and was cast in the musical You'll Never Get Rich (1941) opposite Fred Astaire, in one of the highest-budgeted films Columbia had ever made.^[4] So successful was the picture that the following year, the studio produced and released another Astaire-Hayworth picture, You Were Never Lovelier.^[4] In 1942, Hayworth also appeared in two other pictures, Tales of Manhattan and My Gal Sal.

During this period, Hayworth was featured in an August 1941 Life Magazine photo, in which she lounged seductively in a black-lace negligee.^[1] When the U.S. joined World War II in December 1941, the photo made Hayworth one of the top two "pin-up girls" of the war years; the other was the blonde Betty Grable. In 2002, the satin nightgown Hayworth wore for the photo sold for $26,888.^[10]

Peak years at Columbia[link]

In 1944, Hayworth made one of her best-known films, the Technicolor musical Cover Girl (1944), with Gene Kelly.^[4] The film established her as Columbia's top star of the 1940s. For three consecutive years, starting in 1944, Hayworth was named one of the top movie box office attractions in the world. She was adept in ballet, tap, ballroom, and Spanish routines.

Cohn continued to showcase Hayworth's dance talents; she was the first dancer featured on film to partner with both Fred Astaire and Gene Kelly. Columbia featured her in the Technicolor films: Tonight and Every Night (1945), with Lee Bowman; and Down to Earth (1947), with Larry Parks.

Her erotic appeal was most noted in Charles Vidor's black and white film noir Gilda (1946), with Glenn Ford, which caused censors some consternation. The role, in which Hayworth in black satin performed a legendary one-glove striptease, made her into a cultural icon as a femme fatale.^[4] While her film was still in release, extensive publicity linked her to a widely covered nuclear bomb test in the South Pacific.

Numerous reporters from hundreds of papers across the country were covering preparations in 1946 at Bikini Atoll in the Pacific Ocean's Marshall Islands for testing of the first nuclear bomb after World War II. The United States had been the first nation to use nuclear bombs, against the civilian population of Japan. Reporters publicized that young scientists had put the name of "Gilda" and Hayworth's image on the bomb, alluding to her bombshell status as a film star. Coverage varied widely at the time, but the story stuck that her image had been put on the bomb, and was repeated in her 1987 obituary in The New York Times, which readers relied on as fact.^[1] Her husband Orson Welles issued a public statement at the time, saying they would be pleased only if this were the last bomb test ever.^[1] Hayworth was furious to be used in this way.

Her biographer Barbara Leaming had a later interview with Welles in which he recalled,

"... the angriest was when she found out that they’d put her on the atom bomb. Rita almost went insane, she was so angry. She was so shocked by it! Rita was the kind of person that kind of thing would hurt more than anybody. She wanted to go to Washington to hold a press conference, but Harry Cohn (president of Columbia Pictures) wouldn’t let her because it would be unpatriotic.”^[11]

Recent research documents that only the name "Gilda" was put on the bomb; no image of Hayworth was used.^[1][4]

From the trailer for Lady from Shanghai (1947)

A year later, Hayworth's performance in The Lady from Shanghai (1947), directed by her husband Orson Welles, was critically acclaimed.^[4] The film's failure at the box office was attributed in part to Welles' having had Hayworth's famous red hair cut short and dyed platinum blonde for the role. Cohn had not been consulted and was furious that Hayworth's image was changed.

Also in 1947, Hayworth was featured in a Life cover story by Winthrop Sargeant, which led to her nickname as "The "Love Goddess".^[12] This term was adopted and used later as the title of a biopic and of a biography about her. In a 1980s interview, Hayworth said, "Everybody else does nude scenes, but I don't. I never made nude movies. I didn't have to do that. I danced. I was provocative, I guess, in some things. But I was not completely exposed."^[13]

Her next film, The Loves of Carmen (1948), again with Glenn Ford, was the first film co-produced by Columbia and Hayworth's own production company, The Beckworth Corporation (named for her and Orson's daughter Rebecca); it was Columbia's biggest moneymaker for that year. She received a percentage of the profits from this and all her subsequent films until 1955, when she dissolved Beckworth to pay off debts she owed to Columbia.^{[citation needed]}

Struggles with Columbia Pictures[link]

Hayworth had a strained relationship with Columbia Pictures for many years. In 1943, she was suspended without pay for nine weeks because she refused to appear in Once Upon a Time.^[14] (During this period in Hollywood, actors did not get to choose their films; they were on salary rather than receiving a fixed amount per picture.)

In 1947, Hayworth's new contract with Columbia provided a salary of US$250,000 plus 50% of film profits.^[15] In 1951 Columbia alleged it had $800,000 invested in properties for her, including the film she walked out on that year. She left Hollywood to marry Prince Aly Khan. She was suspended for failing to report to work on the film Affair in Trinidad.

In 1952 she refused to report for work because "she objected to the script."^[16] In 1955, she sued to get out of a contract with the studio, but asked for her $150,000 salary, alleging filming failed to start when agreed.^[17] She said,

I was in Switzerland when they sent me the script for Affair in Trinidad and I threw it across the room. But I did the picture, and Pal Joey too. I came back to Columbia because I wanted to work and first, see, I had to finish that goddamn contract, which is how Harry Cohn owned me!"^[18] "Harry Cohn thought of me as one of the people he could exploit," said Hayworth, "and make a lot of money. And I did make a lot of money for him, but not much for me.^[19]

Years after her film career had ended and Cohn was dead, Hayworth still resented her treatment by him and Columbia.

I used to have to punch a time clock at Columbia ... Every day of my life. That's what it was like. I was under exclusive contract, like they owned me ... I think he had my dressing room bugged ... He was very possessive of me as a person, he didn't want me to go out with anybody, have any friends. No one can live that way. So I fought him ... You want to know what I think of Harry Cohn? He was a monster.^[20]

Rita Hayworth and Glenn Ford in Gilda (1946)

Hayworth resented that the studio failed to train her to sing or to encourage her to learn how to sing.^[21] Although she appeared to sing in many of her films, she was usually dubbed. As the public did not know the secret, she was embarrassed to be asked to sing by troops at USO shows.^[22] She complained that:

I wanted to study singing, but Harry Cohn kept saying, 'Who needs it?' and the studio wouldn't pay for it. They had me so intimidated that I couldn't have done it anyway. They always said, 'Oh, no, we can't let you do it. There's no time for that; it has to be done right now!' I was under contract, and that was it.^[23]

Cohn had a reputation as a taskmaster, but he had his own criticisms of Hayworth. He had invested heavily in her before she began a reckless affair with the married Aly Khan, and it could have caused a backlash against her career and Columbia's success. For instance, an article in the British The People called for a boycott of Hayworth's films. It said, "Hollywood must be told its already tarnished reputation will sink to rock bottom if it restores this reckless woman to a place among its stars."^[24] Cohn expressed his frustration with Hayworth's judgment in an interview with Time magazine.

Hayworth might be worth ten million dollars today easily! She owned 25% of the profits with her own company and had hit after hit and she had to get married and had to get out of the business and took a suspension because she fell in love again! In five years, at two pictures a year, at 25%! Think of what she could have made! But she didn't make pictures! She took two or three suspensions! She got mixed up with different characters! Unpredictable!^[25]

Later career[link]

After the collapse of her marriage to Aly Khan in 1951, Hayworth returned to the United States with great fanfare, where she starred in a string of hit films: Affair in Trinidad (1952) with favorite co-star Glenn Ford; and in 1953 had two films released: Salome, with Charles Laughton and Stewart Granger; and Miss Sadie Thompson, with José Ferrer and Aldo Ray. Her performance in the latter film won critical acclaim.

She was off the big screen for another four years, due mainly to a tumultuous marriage to the singer Dick Haymes. After making Fire Down Below (1957) with Robert Mitchum and Jack Lemmon, and her last musical Pal Joey (1957) with Frank Sinatra and Kim Novak, Hayworth finally left Columbia.

She received good reviews for her acting in Separate Tables (1958), with Burt Lancaster and David Niven, and The Story on Page One (1960) with Anthony Franciosa. She continued working throughout the 1960s. In 1962, her planned Broadway debut in Step on a Crack was cancelled for undisclosed health reasons.^[26] She continued to act in films until the early 1970s. She made a well-publicized 1971 television appearance on The Carol Burnett Show. Her last film was The Wrath of God (1972).

Beauty[link]

Hayworth was a top glamour girl in the 1940s, a pin-up girl for military servicemen and a beauty icon for women. At 5'6" (168 cm) and 120 lb (55 kgs)^[27] she was tall enough for her height to be a concern for dancing partners such as Fred Astaire. Hayworth got her big motion picture break because she was willing to change her hair color, whereas other actresses were not. She reportedly changed her hair color eight times in eight movies.^[28]

In 1949 Hayworth's lips were voted best in the world by the Artists League of America.^[29] She had a modeling contract with Max Factor to promote its Tru-Color lipsticks and Pan-Stik make-up.

Barbara Leaming writes in her biography of Hayworth, If This Was Happiness: A Biography of Rita Hayworth (1989) that, due to her fondness for alcohol and the stresses of her life, Hayworth aged before her time. Re-appearing in New York in 1956 to begin work on her first film in three years, Hayworth was described by the following: "despite the artfully applied make-up and shoulder-length red hair, there was no concealing the ravages of drink and stress. Deep lines had crept around her eyes and mouth, and she appeared worn, exhausted, older than her thirty-eight years." ^[30] Leaming wrote that during the filming of Fire Down Below, Hayworth heard a comment that she should hurry up as "no amount of time was going to make her look any younger."^{[citation needed]} In San Francisco the following year filming Pal Joey, she was signing autographs when she heard a fan say, "She looks so old."^{[citation needed]}

Personal life[link]

In 1941 Hayworth said she was the antithesis of the characters she played. "I naturally am very shy ... and I suffer from an inferiority complex."^[31] She once complained that "[M]en fell in love with Gilda, but they wake up with me." In 1970 she remarked that the only films she could watch without laughing were the dance musicals she made with Fred Astaire. "I guess the only jewels of my life," Hayworth said, "were the pictures I made with Fred Astaire."^[32]

Hayworth's two younger brothers, Vernon and Eduardo Cansino, Jr., both served in World War II. Vernon left the U.S. Army in 1946 with several medals, including the Purple Heart, and later married Susan Vail, a dancer. Eduardo Cansino, Jr. followed Hayworth into acting; he was also under contract with Columbia Pictures. In 1950 he made his screen debut in Magic Carpet.

Marriage and family[link]

Hayworth was married and divorced five times. She said, "Basically, I am a good, gentle person, but I am attracted to mean personalities."^[33]

• Edward Charles Judson (1937–1942): When Hayworth was 18, she married Edward Judson in 1937, an oilman turned promoter who was more than twice her age. They eloped in Las Vegas. He had played a major role in launching her acting career. A shrewd businessman, he was domineering and became her manager for months before he proposed. "He helped me with my career," Hayworth conceded after they divorced, "and helped himself to my money." She alleged Judson compelled her to transfer considerable property to him and promise to pay him $12,000 under threats that he would do her "great bodily harm."^[34] She filed for divorce from him on February 24, 1942, with the complaint of cruelty. She noted to the press that his work took him to Oklahoma and Texas, while she lived and worked in Hollywood. Judson was as old as her father, who was enraged by the marriage, which caused a rift between Hayworth and her parents until the divorce. Judson had failed to tell Hayworth before they married that he had previously been twice married.^[35] When she left him, she literally had no money. She asked her friend, Hermes Pan, if she could eat at his home.

• Orson Welles (1943–1948): Hayworth married Orson Welles on September 7, 1943. None of her colleagues knew about the planned marriage (before a judge) until she announced it the day before they got married. For the civil ceremony, she wore a beige suit, ruffled white blouse, and a veil. A few hours after they got married, they returned to work at the studio. They had a daughter, Rebecca (1944–2004). They struggled in their marriage. Hayworth said that Welles did not want to be tied down:

During the entire period of our marriage he showed no interest in establishing a home. When I suggested purchasing a home, he told me he didn't want the responsibility. Mr. Welles told me he never should have married in the first place; that it interfered with his freedom in his way of life.^[36]

• Prince Aly Khan (1949–1953): In 1948 she left her film career to marry Prince Aly Khan a son of Sultan Mahommed Shah, Aga Khan III, the leader of the Ismaili sect of Shia Islam. They were married on May 27, 1949. Her bridal trousseau was Dior's New Look.

Aly Khan and his family were heavily involved in horse racing, owning and racing horses. Hayworth had no interest in the sport but became a member of the Del Mar Thoroughbred Club. Her filly Double Rose won several races in France and notably finished second in the 1949 Prix de l'Arc de Triomphe.^[37]

In 1951, while still married to Hayworth, Khan was spotted dancing with the actress Joan Fontaine in the nightclub where he and his wife had met. Hayworth threatened to divorce him in Reno, Nevada. In early May she moved to Nevada to establish legal residence to qualify for a divorce. She stayed at Lake Tahoe with their daughter, saying there was a threat that the child would be kidnapped. Hayworth filed for divorce from Khan on September 2, 1951, on the grounds of "extreme cruelty, entirely mental in nature."^[38]

Hayworth once said she might convert to Islam but did not. During the custody fight over their daughter Princess Yasmin Aga Khan, the Prince said he wanted her raised as a Muslim; Hayworth (who had been raised a Roman Catholic) wanted the child to be a Christian.^[39]

Hayworth rejected his offer of $1,000,000 if she would rear Yasmin as a Muslim from age seven and allow her to go to Europe to visit with him for two or three months each year.

"Nothing will make me give up Yasmin's chance to live here in America among our precious freedoms and habits," declared Hayworth. "While I respect the Muslim faith and all other faiths it is my earnest wish that my daughter be raised as a normal, healthy American girl in the Christian faith. There isn't any amount of money in the entire world for which it is worth sacrificing this child's privilege of living as a normal Christian girl here in the United States. There just isn't anything else in the world that can compare with her sacred chance to do that. And I'm going to give it to Yasmin regardless of what it costs."^[40]

• Dick Haymes (1953–1955): When Hayworth and Haymes first met, he was still married and his singing career was waning. When she showed up at the clubs, he got a larger audience. Haymes was desperate for money, as two of his former wives were taking legal action against him for unpaid child support. His financial problems were so bad he could not return to California without being arrested.^[41] On July 7, 1954, his ex-wife Nora Haymes got a bench warrant for his arrest, because he owed her $3,800 in alimony. Less than a week prior, his other ex-wife, Joanne Dru, also got a bench warrant because she said he owed $4,800 in support payments for their three children.^[42] Hayworth ended up paying most of Haymes's debts.

Haymes was born in Argentina, and did not have solid proof of American citizenship. Not long after he met Hayworth, US officials initiated proceedings to have him deported to Argentina for being an illegal alien. He hoped Hayworth could influence the government and keep him in the United States. When she assumed responsibility for his citizenship, a bond was formed that led to marriage. The two were married on September 24, 1953 at the Sands Hotel, Las Vegas, and their wedding procession went through the casino.

From the start of their marriage, Haymes was deeply indebted to the Internal Revenue Service (IRS). When Hayworth took time off from attending his comeback performances in Philadelphia, the audiences sharply declined. Haymes's $5000 weekly salary was attached by the IRS to pay a $100,000 bill, and he was unable to pay his pianist. Haymes' ex-wives demanded money while Hayworth publicly bemoaned her own lack of alimony from Aly Khan. At one point, the couple was effectively imprisoned in a hotel room for 24 hours in Manhattan at the Hotel Madison as sheriff's deputies waited outside threatening to arrest Haymes for outstanding debts. At the same time, Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children. While living in New York, Hayworth sent the children to live with their nanny in Westchester County. They were found and photographed by a reporter from Confidential magazine.

After a tumultuous two years together, Haymes struck Hayworth in the face in 1955 in public at the Coconut Grove nightclub in Los Angeles. Hayworth packed her bags, walked out, and never returned. The assault and crisis shook her, and her doctor ordered her to remain in bed for several days.^[43]

Hayworth was short of money after her marriage to Haymes. She had failed to gain child support from Aly Khan. She sued Orson Welles for back payment of child support which she claimed had never been paid. This effort was unsuccessful and added to her stress.

• James Hill (1958–1961): Hayworth began a relationship with film producer James Hill, whom she went on to marry on February 2, 1958. He put her in one of her last major films, Separate Tables. On September 1, 1961, Hayworth filed for divorce, alleging extreme mental cruelty. He later wrote Rita Hayworth: A Memoir, in which he suggested their marriage collapsed because he wanted Hayworth to continue making movies, while she wanted them both to retire from Hollywood.

In his book, In the Arena, Charlton Heston writes about Hayworth's brief marriage to Hill. One night Heston and his wife Lydia joined the couple for dinner at a restaurant in Spain, with the director George Marshall and the actor Rex Harrison, Hayworth's co-star in The Happy Thieves. Heston wrote that the occasion "turned into the single most embarrassing evening of my life", describing how Hill heaped "obscene abuse" on Hayworth until she was "reduced to a helpless flood of tears, her face buried in her hands". Heston writes how the others sat stunned, witnesses to a "marital massacre" and, though he was "strongly tempted to slug him" (Hill), Heston left with his wife Lydia after she stood up, almost in tears. Heston wrote, "I'm ashamed of walking away from Miss Hayworth's humiliation. I never saw her again."^[44]

Health problems[link]

Hayworth struggled with alcohol throughout her life. Her daughter Yasmin Aga Khan said,

"I remember as a child that she had a drinking problem. She had difficulty coping with the ups and downs of the business ... As a child, I thought, 'She has a drinking problem and she's an alcoholic.' That was very clear and I thought, 'Well, there's not much I can do. I can just, sort of, stand by and watch.' It's very difficult, seeing your mother, going through her emotional problems and drinking and then behaving in that manner ... Her condition became quite bad. It worsened and she did have an alcoholic breakdown and landed in the hospital."^[45]

In 1972, Hayworth was 54 years old and wanted to retire from acting, but she needed money so signed up for The Wrath of God. The experience exposed her poor health and worsening mental state. As she could not remember lines, they filmed her scenes one line at a time.

The following year Hayworth agreed to do one more movie, Tales That Witness Madness (1973). Due to worse health, she abandoned the movie set, and returned to the United States. She never returned to acting.^[46]

In March 1974, both her brothers died within a week of each other, which caused her great sadness and led to heavy drinking. In 1976 at London's Heathrow Airport, Hayworth was removed from a TWA flight after having an angry outburst while traveling with her agent. "Miss Hayworth had been drinking when she boarded the plane," revealed a TWA flight attendant, "and had several free drinks during the flight." The event attracted much negative publicity; a disturbing photograph was published in newspapers.^[47]

Hayworth's alcoholism hid symptoms of what was eventually understood to be Alzheimer's disease. "For several years in the 1970s, she had been misdiagnosed as an alcoholic."^[48] "It was the outbursts," said her daughter, "She'd fly into a rage. I can't tell you. I thought it was alcoholism-alcoholic dementia. We all thought that. The papers picked that up, of course. You can't imagine the relief just in getting a diagnosis. We had a name at last, Alzheimer's! Of course, that didn't really come until the last seven or eight years. She wasn't diagnosed as having Alzheimer's until 1980. There were two decades of hell before that."^[49]

In July 1981, Hayworth's health had deteriorated to the point where a judge in Los Angeles Superior Court ruled that she should be placed under the care of her daughter, Princess Yasmin Khan of New York City.^[50] Hayworth lived in an apartment at The San Remo on Central Park West next to her daughter, who arranged for care for her mother through her final years.

Death[link]

Hayworth's grave at Holy Cross Cemetery, Culver City, California

Rita Hayworth lapsed into a semicoma in February 1987. She died at age 68 from Alzheimer's disease a few months later on May 14, 1987. A funeral service was held on May 19, 1987, at the Church of the Good Shepherd in Beverly Hills.^[51] Pallbearers included actors Ricardo Montalbán, Glenn Ford, Don Ameche and the choreographer Hermes Pan. She was interred in Holy Cross Cemetery, Culver City. Her headstone includes the inscription: "To yesterday's companionship and tomorrow's reunion."

"Rita Hayworth was one of our country's most beloved stars", said President Ronald Reagan, who had been an actor at the same time as Hayworth.

"Glamorous and talented, she gave us many wonderful moments on stage and screen and delighted audiences from the time she was a young girl. In her later years, Rita became known for her struggle with Alzheimer's disease. Her courage and candor, and that of her family, were a great public service in bringing worldwide attention to a disease which we all hope will soon be cured. Nancy and I are saddened by Rita's death. She was a friend who we will miss. We extend our deep sympathy to her family."^[52]

Awards[link]

Hayworth receives National Screen Heritage Award in 1977

• Nomination for Best Actress - Motion Picture Drama in Circus World (1964) (U.K. title: Magnificent Showman), which also featured John Wayne.^{[citation needed]}
• 1977, National Screen Heritage Award.
• Hayworth is included as one of the American Film Institute's Greatest Stars of All Time.

Legacy[link]

• A fund raiser for the Alzheimer's Association is named in her honor by her daughter, Yasmin Aga Khan, who has been the hostess for these events and a major sponsor of Alzheimer's Disease charities and awareness programs.
• The film I Remember Better When I Paint (2009) describes how Hayworth took up painting while struggling with Alzheimer's and produced art.^[53]

In popular culture[link]

• Lynda Carter portrayed Hayworth in the television movie Rita Hayworth: The Love Goddess (1983).
• Actress Veronica Watt portrayed her in the film Hollywoodland (2006).

Filmography[link]

As Rita Cansino[link]

La Fiesta (Short subject, 1926) [4] Cruz Diablo aka The Devil's Cross (Uncredited, 1934) [4] In Caliente (1935) [4] Under the Pampas Moon (1935) Charlie Chan in Egypt (1935) Dante's Inferno (1935) Paddy O'Day (1935)

HumanCargo (1936) Meet Nero Wolfe (1936) Rebellion (1936) The Dancing Pirate (1936) Old Louisiana (1937) Hit the Saddle (1937) Trouble in Texas (1937)

As Rita Hayworth[link]

Criminals of the Air (1937) Girls Can Play (1937) The Game That Kills (1937) Paid to Dance (1937) The Shadow (1937) Who Killed Gail Preston? (1938) Special Inspector (1938) There's Always a Woman (1938) Convicted (1938) Juvenile Court (1938) The Renegade Ranger (1938) Homicide Bureau (1939) The Lone Wolf Spy Hunt (1939) Only Angels Have Wings (1939) Music in My Heart (1940) Blondie on a Budget (1940) Susan and God (1940) The Lady in Question (1940) Angels Over Broadway (1940) The Strawberry Blonde (1941) Affectionately Yours (1941) Blood and Sand (1941) You'll Never Get Rich (1941) My Gal Sal (1942) Tales of Manhattan (1942) You Were Never Lovelier (1942)

Show Business at War (1943) (short subject) Cover Girl (1944) Tonight and Every Night (1945) Gilda (1946) Down to Earth (1947) The Lady from Shanghai (1947) The Loves of Carmen (1948) Champagne Safari (1952) Affair in Trinidad (1952) Salome (1953) Miss Sadie Thompson (1953) Fire Down Below (1957) Pal Joey (1957) Separate Tables (1958) They Came to Cordura (1959) The Story on Page One (1959) The Happy Thieves (1962) Circus World (1964) The Money Trap (1965) The Poppy Is Also a Flower (1966) L'Avventuriero (1967) I Bastardi (1968) The Naked Zoo (1971) Road to Salina (1971) The Wrath of God (1972)

References[link]

1. ↑ ^{1.0 1.1 1.2 1.3 1.4 1.5} Bill Geerhart "Atomic Goddess, Part I", Knol, accessed 21 March 2012
2. ↑ Gerald Faris (May 18, 1987). "A Screen Goddess and Hollywood Rebel Loses The Battle Against Disease". The Age. http://news.google.com/newspapers?id=q3wQAAAAIBAJ&sjid=dJIDAAAAIBAJ&dq=rita%20hayworth%20hollywood&pg=3397%2C4986759. Retrieved June 7, 2009. 
3. ↑ Márquez Reviriego, Víctor (24 March 1984). "Del firmamento al limbo". ABC. http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/sevilla/abc.sevilla/1984/03/24/003.html. Retrieved 5 April 2012. 
4. ↑ ^{4.00 4.01 4.02 4.03 4.04 4.05 4.06 4.07 4.08 4.09 4.10 4.11 4.12 4.13 4.14 4.15 4.16 4.17 4.18 4.19} Notable American Women: A Biographical Dictionary, Volume 5, Susan Ware, Radcliffe Institute for Advanced Study, Harvard University Press, p281 2004 ISBN 978-0-674-01488-6
5. ↑ "Princess Born to Rita After Pre-dawn Dash to Clinic", Associated Press, December 28, 1949. Accessed June 13, 2009.
6. ↑ "Rita Hayworth Delights Papa and Mama Cansino." Ellensburg Daily Record, July 13, 1944. Accessed June 7, 2009.
7. ↑ "Actress Rita Hayworth's Grandfather Dies at 89." Los Angeles Times, 22 June 1954
8. ↑ Patrick Agan, The Decline and Fall of the Love Goddesses, Indiana University: Pinnacle Books, 1979, p67
9. ↑ Joe Morella and Edward Z. Epstein, Rita: The Life of Rita Hayworth, New York: Dell, 1983, p 16
10. ↑ "Lot 37 Rita Hayworth Nightgown From Her Famous World War II Publicity Photos". Sotheby's. http://www.sothebys.com/app/live/lot/LotDetail.jsp?sale_number=N07818&live_lot_id=37. Retrieved 2010-02-07. 
11. ↑ Barbara Leaming, If This Was Happiness: A Biography of Rita Hayworth (New York: Viking, 1989), pp. 129-130
12. ↑ Winthrop Sargeant, “The Cult of the Love Goddess in America,” Life Magazine, 10 November 1947
13. ↑ Morella and Epstein (1983), Rita, p. 234
14. ↑ "Screen News Here and in Hollywood," New York Times, 22 March 1943.
15. ↑ Hedda Hopper, "Looking at Hollywood," AP, October 22, 1947. Accessed June 4, 2009
16. ↑ "Hayworth, Studio Agree Once Again," New York Times, January 9, 1952
17. ↑ "Rita Hayworth Files Suit to End Film Contract", Los Angeles Times, April 9, 1955
18. ↑ John Hallowell, "Rita Hayworth: Don't Put the Blame on Me, Boys", New York Times, October 25, 1970
19. ↑ Nancy Anderson, "Rita Hayworth Still Ranks as Beauty," Copley News Service, 11 February 1972. Accessed June 2, 2009.
20. ↑ John Hallowell, "Rita: Hollywood Still Is Her Town But No One Knows She's There", St. Petersburg Times, 23 June 1968. Accessed June 4, 2009. [1]
21. ↑ John Kobal Rita Hayworth: Portrait of a Love Goddess, 1977, p. 103
22. ↑ Kobal (1977), Rita Hayworth, p. 124
23. ↑ Kobal (1977), Rita Hayworth, p. 104
24. ↑ "Call For Boycott Of Rita Hayworth", AP, April 30, 1951
25. ↑ Kobal (1977), Rita Hayworth, p. 163
26. ↑ "Rita Hayworth Replaced in Play", AP, August 24, 1962.
27. ↑ Jerry Mason. "Meet Rita Hayworth." The Spokesman-Review. January 3, 1942.
28. ↑ John Chapman, "Red Heads", Chicago Daily Tribune, May 25, 1941
29. ↑ "Presenting: Ten Most Perfect Features in the World," AP, February 17, 1949. Accessed June 13, 2009.
30. ↑ Barbara Leaming (1989),If This Was Happiness: A biography of Rita Hayworth
31. ↑ Louella O. Parsons, "Rita, Shy Off Set, Now Groomed for Vamp Role", St. Petersburg Times, May 25, 1941.[2] Accessed June 2, 2009.
32. ↑ John Hallowell. "Rita Hayworth, "Don't Put the Blame on Me, Boys", New York Times, October 25, 1970
33. ↑ "Chatter", People, July 15, 1974. Accessed June 6, 2009.
34. ↑ "Rita Hayworth Tells of Threats by Ex-Mate", Los Angeles Times, July 3, 1943, A16
35. ↑ John Kobal, Rita Hayworth, Berkley: 1983, p. 62.
36. ↑ "Rita Hayworth Wins Divorce From Orson Welles," AP, November 10, 1947; accessed June 6, 2009
37. ↑ Staff writer, "Love's Long Shot", Time October 17, 1949. Accessed May 29, 2009.
38. ↑ "Rita Hayworth Files Divorce Action in Reno," Los Angeles Times, September 2, 1951
39. ↑ "Prince Wants Yasmin Back", AP, October 31, 1953. Accessed June 13, 2009.
40. ↑ "Rita Says No to Million", Sydney Morning Herald, September 13, 1953. Accessed June 13, 2009. [3]
41. ↑ "Dick Haymes Faces Arrest Over Alimony", Los Angeles Times, October 5, 1956
42. ↑ "Haymes Hears Sour Music," AP, July 7, 1954.
43. ↑ "Marriage Falls Down and So Does Rita", UP, August 30, 1955.
44. ↑ Heston, Charlton (1997). In the Arena: An Autobiography (1 ed.). Berkley Trade. p. 253. ISBN 1-57297-267-X. 
45. ↑ Pia Lindstrom, "Alzheimer's Fight in Her Mother's Name", New York Times, February 23, 1997. [4] Accessed June 6, 2009.
46. ↑ Stephanie Thames, "The Wrath of God," TCM.com. Accessed June 14, 2009
47. ↑ "Actress Helped from Jet", St. Petersburg Times, January 21, 1976.
48. ↑ "'Love Goddess' Rita Hayworth is Dead at 68", AP, May 16, 1987.
49. ↑ Paul Hendrickson, "Alzheimer's: A Daughter's Nightmare", Los Angeles Times, April 11, 1989
50. ↑ "Rita Hayworth Placed in Conservatorship" AP, July 23, 1981
51. ↑ Krebs, Albin (1987-05-16). "Rita Hayworth, Movie Legend, Dies". nytimes.com. http://www.nytimes.com/learning/general/onthisday/bday/1017.html. Retrieved 26 September 2011. 
52. ↑ Krebs, Albin. "Rita Hayworth, Movie Legend, Dies", The New York Times, May 16, 1987. Accessed May 29, 2009.
53. ↑ Rosalia Gitau (March 11, 2010). "Art Therapy for Alzheimer's". HuffingtonPost. http://www.huffingtonpost.com/rosalia-gitau/art-therapy-for-alzheimer_b_495914.html. 

Sources[link]

• Kobal, John. Rita Hayworth: The Time, the Place, the Woman (1977). ISBN 0-393-07526-5
• Leaming, Barbara. If This Was Happiness: A Biography of Rita Hayworth (New York: Viking, 1989)
• McLean, Adrienne L. Being Rita Hayworth: Labor, Identity, and Hollywood Stardom (2004). ISBN 0-8135-3389-9
• Morella, Joe and Epstein, Edward Z. Rita: The Life of Rita Hayworth (1983). ISBN 0-385-29265-1
• Peary, Gerald. Rita Hayworth: A Pyramid Illustrated History of the Movies (1976). ISBN 0-515-04116-5
• Ringgold, Gene. The Films of Rita Hayworth: The Legend and Career of a Love Goddess (1974). ISBN 0-8065-0439-0
• Roberts-Frenzel, Caren. Rita Hayworth: A Photographic Retrospective (2001). ISBN 0-8109-1434-4

External links[link]

Wikimedia Commons has media related to: Rita Hayworth

Wikiquote has a collection of quotations related to: Rita Hayworth

• Rita Hayworth at the Internet Movie Database
• Rita Hayworth at the TCM Movie Database
• Rita Hayworth at the Internet Broadway Database

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Persondata
Name	Hayworth, Rita
Alternative names	Cansino, Margarita Carmen
Short description	American actress
Date of birth	1918-10-17
Place of birth	Brooklyn, New York, United States
Date of death	1987-05-14
Place of death	New York, New York, United States