Coordinates | 52°05′36″N5°7′10″N |
---|---|
name | Willie Dixon |
birth name | William James Dixon |
background | solo_singer |
born | July 01, 1915Vicksburg, Mississippi, United States |
died | January 29, 1992Burbank, California, United States |
origin | Chicago, Illinois, United States |
instrument | Vocals, double bass, guitar |
genre | Blues, rock and roll, Chicago blues, jump blues, R&B;, gospel |
occupation | Musician, Songwriter, Arranger, Producer, Boxer |
label | Chess, Columbia, Bluesville, Checker, Verve, MCA, Legacy, Columbia, Yambo |
associated acts | Big Three Trio |
website | www.willie-dixon.com |
notable instruments | }} |
William James "Willie" Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the Upright bass and the guitar, as well as his own singing voice, Dixon is arguably best known as one of the most prolific songwriters of his time. Dixon is recognized as one of the founders of the Chicago blues sound. His songs have been recorded not only by himself, or that of the trio and other ensembles in which he participated, but an uncounted number of musicians representing many genres between them. A short list of his most famous compositions include "Little Red Rooster", "Hoochie Coochie Man", "Evil", "Spoonful", "Back Door Man", "I Just Want to Make Love to You", "I Ain't Superstitious", "My Babe", "Wang Dang Doodle", and "Bring It On Home". They were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin' Wolf, and Little Walter, influencing a worldwide generation of musicians. Next to Muddy Waters, he was the most influential person in shaping the post World War II sound of the Chicago blues. He also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs were covered by some of the biggest artists of more recent times, including Styx, Bob Dylan, Cream, Jimi Hendrix, Led Zeppelin, Foghat, The Yardbirds, The Rolling Stones, Queen, Megadeth, The Doors, The Allman Brothers Band, Grateful Dead, and a posthumous duet with Colin James.
Dixon met Leonard "Baby Doo" Caston at the boxing gym where they would harmonize at times. Dixon performed in several vocal groups in Chicago but it was Caston that got him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned the guitar.
Dixon, whose initial attempts at his vocation as a boxer were now dubious, began performing around Chicago and with Caston, who convinced him to move towards a musical career. In 1939, was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress as he progressed on the Upright bass came to an abrupt halt during the advent of World War II when he resisted the draft as a conscientious objector and was imprisoned for ten months. After the war, he formed a group named the Four Jumps of Jive and then reunited with Caston, forming the Big Three Trio, who went on to record for Columbia Records.
Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others. His double bass playing was of a high standard. He appears on many of Chuck Berry's early recordings, further proving his linkage between the blues and the birth of rock and roll.
Dixon is remembered mainly as a songwriter; his most enduring gift to the blues lay in refurbishing archaic Southern motifs, often of magic and country folkways and often derived from earlier records such as those by Charlie Patton, in contemporary arrangements, to produce songs with both the sinew of the blues, and the agility of pop. British R&B; bands of the 1960s constantly drew on the Dixon songbook for inspiration. In December 1964, The Rolling Stones reached #1 in the UK Singles Chart with their cover version of Dixon's "Little Red Rooster".
By the late sixties, Dixon's songwriting and production work began to take a back seat to his organizational abilities, which were utilised to assemble all-star, Chicago-based blues ensembles for work in Europe.
In his later years, Willie Dixon became a tireless ambassador for the blues and a vocal advocate for its practitioners, founding the Blues Heaven Foundation. The organization works to preserve the blues’ legacy and to secure copyrights and royalties for blues musicians who were exploited in the past. Speaking with the simple eloquence that was a hallmark of his songs, Dixon claimed, "The blues are the roots and the other musics are the fruits. It’s better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues."
Dixon's health deteriorated increasingly during the seventies and the eighties, primarily due to long-term diabetes. Eventually one of his legs had to be amputated. Dixon was inducted at the inaugural session of the Blues Foundation's ceremony, and into the Blues Hall of Fame in 1980. In 1989 he was also the recipient of a Grammy Award for his album, ''Hidden Charms''.
Actor and comedian Cedric the Entertainer portrayed Dixon in ''Cadillac Records'', a 2008 film based on the early history of Chess Records.
Willie Dixon's grandson, Alex Dixon, recently recorded two Willie Dixon songs, ("Spoonful" and "Down in the Bottom"), on his latest release titled ''Rising from the Bushes''.
align="center" style="background:#f0f0f0;" | Year | ||||
1959 | ''Willie's Blues''| | Bluesville Records>Bluesville | BVLP-1003 | with Memphis Slim | |
1960 | ''Blues Every Which Way''| | Verve Records>Verve | MGV-3007 | with Memphis Slim | |
1960 | ''Songs of Memphis Slim and "Wee Willie" Dixon''| | Folkways Records>Folkways | FW-2385 | ||
1962 | ''Memphis Slim and Willie Dixon at the Village Gate''| | Folkways Records>Folkways | FA-2386 | live, with guest Pete Seeger | |
1963 | ''In Paris: Baby Please Come Home!''| | Battle | BM-6122 | with Memphis Slim, 1962 | |
1970 | ''I Am The Blues''| | Columbia Records>Columbia | PC-9987 | with the Chicago All Stars; also released in 2003 on a DVD | |
1971 | ''Willie Dixon's Peace?''| | Yambo Records>Yambo | 777-15 | with the Chicago All Stars | |
1973 | ''Catalyst''| | Ovation | OVQD-1433 | quadraphonic pressing | |
1976 | ''What Happened To My Blues''| | Ovation | OV-1705 | ||
1983 | ''Mighty Earthquake and Hurricane''| | Pausa Records>Pausa | PR-7157 | ||
1985 | ''Willie Dixon: Live (Backstage Access)''| | Pausa Records>Pausa | PR-7183 | with Sugar Blue and Clifton James, Montreux 1985 | |
1988 | ''Hidden Charms''| | Bug | C1-90593 | Grammy Awards of 1989#Blues>Grammy-winning album | |
1989 | ''Ginger Ale Afternoon''| | Varèse Sarabande | VSD-5234 | Ginger Ale Afternoon>movie of the same name | |
1990 | ''The Big Three Trio''| | Legacy Recordings>Legacy | C-46216 | from 1947–1952 | |
1995 | ''The Original Wang Dang Doodle: The Chess Recordings''| | MCA Records>MCA | 9353 | compilation (some unreleased) from 1954–1990 | |
1996 | ''Crying the Blues: Live in Concert''| | Thunderbolt | CDTB-166 | live with Johnny Winter & the Chicago All Stars, Houston 1971 | |
1998 | ''Good Advice''| | Wolf | 120.700 | live with the Chicago All Stars, Long Beach 1991 | |
1998 | ''I Think I Got the Blues''| | Prevue | 17 | ||
2001 | ''Big Boss Men - Blues Legends of the Sixties''| | Indigo (UK) | IGOXCD543 | live, Houston 1971-72 (six tracks) | |
Category:1915 births Category:1992 deaths Category:African American musicians Category:American blues musicians Category:American blues singers Category:American blues singer-songwriters Category:American conscientious objectors Category:American double-bassists Category:American record producers Category:American music arrangers Category:American session musicians Category:Songwriters from Mississippi Category:Blues Hall of Fame inductees Category:Blues musicians from Mississippi Category:Chicago blues musicians Category:Cardiovascular disease deaths in California Category:Grammy Award winners Category:Jive singers Category:Jump blues musicians Category:People from Vicksburg, Mississippi Category:Rock and Roll Hall of Fame inductees
bg:Уили Диксън cs:Willie Dixon da:Willie Dixon de:Willie Dixon es:Willie Dixon fr:Willie Dixon it:Willie Dixon he:וילי דיקסון nl:Willie Dixon ja:ウィリー・ディクスン no:Willie Dixon pl:Willie Dixon pt:Willie Dixon ru:Диксон, Вилли simple:Willie Dixon fi:Willie Dixon sv:Willie Dixon uk:Віллі ДіксонThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 52°05′36″N5°7′10″N |
---|---|
name | Memphis Slim |
background | solo_singer |
birth name | John Len Chatman |
birth date | September 03, 1915 |
died | February 24, 1988Paris, France |
origin | Memphis, Tennessee, United States |
genre | Blues |
occupation | VocalistMusicianBandleaderComposer |
years active | 1930s – 1980s |
label | BluebirdHy-ToneMiraclePremiumMercuryUnitedVee-JayFolkways |
notable instruments | }} |
Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939, and began teaming with Big Bill Broonzy in clubs soon afterward. In 1940 and 1941 he recorded two songs for Bluebird Records that became part of his repertoire for decades, "Beer Drinking Woman," and "Grinder Man Blues." These were released under the name "Memphis Slim," given to him by Bluebird's producer, Lester Melrose. Slim became a regular session musician for Bluebird, and his piano talents supported established stars such as John Lee "Sonny Boy" Williamson, Washboard Sam, and Jazz Gillum. Many of Slim's recordings and performances until the mid-1940s were with guitarist and singer Broonzy, who had recruited Slim to be his piano player after Joshua Altheimer's death in 1940.
After World War II, Slim began leading bands that, reflecting the popular appeal of jump-blues, generally included saxophones, bass, drums, and piano. With the decline of blues recording by the majors, Slim worked with the emerging independent labels. Starting in late 1945, he recorded with trios for the small Chicago-based label Hy-Tone. With a lineup of alto saxophone, tenor sax, piano, and string bass (Willie Dixon played the instrument on the first session), he signed with the Miracle label in the fall of 1946. One of the numbers recorded at the first session was the ebullient boogie "Rockin' the House," from which his band would take its name. Slim and the House Rockers recorded mainly for Miracle through 1949, enjoying commercial success. Among the songs they recorded were "Messin' Around" (which reached number one on the R&B; charts in 1948 and "Harlem Bound." In 1947, the day after producing a concert by Slim, Broonzy, and Williamson at New York City's Town Hall, folklorist Alan Lomax brought the three musicians to the Decca studios and recorded with Slim's on vocal and piano. Lomax presented sections of this recording on BBC radio in the early 1950s as a documentary titled ''The Art of the Negro,'' and later released an expanded version as the LP ''Blues in the Mississippi Night.'' In 1949, Slim expanded his combo to a quintet by adding a drummer; the group was now spending most of its time on tour, leading to off-contract recording sessions for King in Cincinnati and Peacock in Houston.
One of Slim's 1947 recordings for Miracle, released in 1949, was originally titled "Nobody Loves Me". It has become famous as "Every Day I Have the Blues." The tune was recorded in 1950 by Lowell Fulson, and subsequently by a raft of artists including B. B. King, Elmore James, Ray Charles, Eric Clapton, Natalie Cole, Ella Fitzgerald, Jimi Hendrix, Mahalia Jackson, Sarah Vaughan, Carlos Santana, and Lou Rawls. Joe Williams recorded it in 1952 for Checker; his remake from 1956 (included in ''Count Basie Swings, Joe Williams Sings'') was inducted in the Grammy Hall of Fame in 1992. "Every Day I Have the Blues" is also seen in John Mayer's, Where The Light Is, a DVD (and CD) live recording in Los Angeles' Nokia Theatre featuring Steve Jordan (drums) and Pino Palladino (bass).
Early in 1950, Miracle succumbed to financial troubles, but its owners regrouped to form the Premium label, and Slim remained on board until the successor company faltered in the summer of 1951. His February 1951 session for Premium saw two changes in the House Rockers' lineup: Slim started using two tenor saxophones instead of the alto and tenor combination, and he made a trial of adding guitarist Ike Perkins. His last session for Premium kept the two-tenor lineup but dispensed with the guitar. During his time with Premium, Slim first recorded his song "Mother Earth."
Slim made just one session for King, but the company bought his Hy-Tone sides in 1948 and acquired his Miracle masters after it failed in 1950. He was never a Chess artist, but Leonard Chess bought most of the Premium masters after the failure.
After a year with Mercury Records, Slim signed with United Records in Chicago; the A&R; man, Lew Simpkins, knew him from Miracle and Premium. The timing was propitious, because he had just added Matt "Guitar" Murphy to his group. He remained with United through the end of 1954, when the company began to cut back on blues recording.
Slim's next steady relationship with a record company had to wait until 1958, when he was picked up by Vee-Jay. In 1959 his band, still featuring Matt "Guitar" Murphy, cut LP ''Memphis Slim at the Gate of the Horn,'' which featured a lineup of his best known songs, including "Mother Earth," "Gotta Find My Baby," "Rockin' the Blues," 'Steppin' Out," and "Slim's Blues."
Slim first appeared outside the United States in 1960, touring with Willie Dixon, with whom he returned to Europe in 1962 as a featured artist in the first of the series of American Folk Festival concerts organized by Dixon and promoter Willie Dixon that brought many notable blues artists to Europe in the 1960s and 1970s. The duo released several albums together on Folkways Records, including, ''Memphis Slim and Willie Dixon at the Village Gate with Pete Seeger'', in 1962. That same year, he moved permanently to Paris and his engaging personality and well-honed presentation of playing, singing, and storytelling about the blues secured his position as the most prominent blues artist for nearly three decades. He appeared on television in numerous European countries, acted in several French films and wrote the score for another, and performed regularly in Paris, throughout Europe, and on return visits to the United States. In the last years of his life, he teamed up with respected jazz drummer George Collier. The two toured Europe together and became friends. After Collier died in August 1987, Slim appeared in public very little.
Two years before his death, Slim was named a Commander in the Ordre des Arts et des Lettres by the Ministry of Culture of the Republic of France. In addition, the U.S. Senate honored Slim with the title of Ambassador-at-Large of Good Will. Memphis Slim died on February 24, 1988, of renal failure in Paris, France, at the age of 72. He is buried at Galilee Memorial Gardens in Memphis, Tennessee.
In 1989, he was posthumously inducted into the Blues Hall of Fame.
!Year | !Title | !Label |
1959 | ''Memphis Slim and the Real Boogie-Woogie'' | Folkways Records |
1960 | ''Memphis Slim and the Honky-Tonk Sound'' | Folkways Records |
1960 | ''Travelling with the Blues '' | Storyville |
1960 | ''Blue This Evening'' | Black Lion |
1960 | ''Pete Seeger at the Village Gate with Memphis Slim and Willie Dixon - Vol 1'' | Folkways Records |
1960 | ''Songs of Memphis Slim and "Wee Willie" Dixon'' | Folkways Records |
1961 | ''Tribute To Big Bill Broonzy'' | Candid |
1961 | ''Steady Rollin' Blues: The Blues Of Memphis Slim'' | OBC |
1961 | ''Memphis Slim U.S.A.'' | Candid |
1961 | ''Broken Soul Blues'' | Beat Goes On |
1961 | ''Alone With My Friends'' | Battle |
1961 | ''Chicago Blues: Boogie Woogie and Blues Played and Sung By Memphis Slim'' | Folkways Records |
1961 | ''Blues by Jazz Gillum Singing and Playing His Harmonica: With Arbee Stidham and Memphis Slim'' | Folkways Records |
1961 | ''No Strain'' | Bluesville |
1962 | ''Sonny Boy Williamson & Memphis Slim: In Paris'' | GNP Crescendo |
1962 | ''Pete Seeger at the Village Gate with Memphis Slim and Willie Dixon - Vol 2'' | Folkways Records |
1962 | ''Memphis Slim and Willie Dixon at the Village Gate with Pete Seeger'' | Folkways Records |
1963 | ''All Kinds of Blues'' | Bluesville |
1963 | ''Jazz In Paris: Aux Trois Mailletz'' | Polygram |
1964 | ''Clap Your Hands'' | Maison De Blues |
1967 | ''Bluesingly Yours'' | Maison De Blues |
1968 | ''Lord Have Mercy On Me'' | Maison De Blues |
1969 | ''The Bluesman'' | Maison De Blues |
1969 | ''Mother Earth'' | One Way Records |
1970 | ''The Blue Memphis Suite'' | Maison De Blues |
1970 | ''Messin' Around with the Blues: The Very Best Of'' | King |
1971 | ''Boogie Woogie'' | Maison De Blues |
1971 | ''Born With The Blues'' | Fuel 2000 |
1971 | ''Blue Memphis'' | Wounded Bird |
1972 | ''South Side Reunion: Memphis Slim & Buddy Guy'' | Sunny Side |
1973 | ''Legacy of the Blues, Vol 7: Memphis Slim'' | Gnp Crescendo |
1973 | ''Memphis Slim'' | Storyville |
1973 | ''Soul Blues'' | Acrobat Records |
1973 | ''Raining the Blues'' | Fantasy |
1973 | ''Memphis Slim - Favorite Blues Singers'' | Folkways Records |
1973 | ''Very Much Alive and in Montreux'' | Universal International |
1975 | ''Going Back To Tennessee'' | Maison De Blues |
1981 | ''Rockin' the Blues'' | Charly |
1981 | ''Memphis Heat: Canned Heat & Memphis Slim'' (recorded in 1970) | Sunny Side |
1981 | ''I'll Just Keep On Singin' the Blues'' | SLG, LLC |
1990 | ''Steppin' Out: Live at Ronnie Scotts'' | Castle Music UK |
1990 | ''Together Again One More Time/Still Not Ready For Eddie'' | Texas Music Group |
1990 | ''Parisian Blues'' | Polygram |
1990 | ''The Real Folk Blues'' | Mca |
1992 | ''Blues Masters Vol 9: Memphis Slim'' | |
1993 | ''London Sessions 1960'' | Sequel Records UK |
1994 | ''The Blues Collection Vol 13: Beer Drinkin' Woman'' | ADD |
1994 | ''Lonesome'' | Legacy International |
1994 | ''Live at the Hot Club'' | BMG International |
1995 | Boogie After Midnight | Chicago Music Co. |
1996 | ''The Complete Recordings, Vol. 1: 1940-1941 (Peter Chatman As Memphis Slim)'' | EPM Musique |
1996 | ''Come Back & Other Classics'' | Masters Intercontinental |
1996 | ''The Bluebird Recordings, 1940-1941'' | RCA |
1997 | ''Dialogue in Boogie: Memphis Slim & Philippe Lejeune'' | Happy Bird |
1998 | ''Lonely Nights'' | Catfish |
1998 | ''Very Best of Memphis Slim: The Blues Is Everywhere'' | Collectables |
1999 | ''Life Is Like That'' | Charly UK |
2000 | ''The Folkways Years, 1959-1973'' | Smithsonian Folkways |
2000 | ''Blues At Midnight'' | Catfish |
2000 | ''Memphis Slim at the Gate of the Horn'' | Vee-Jay |
2001 | ''The Complete Recordings, Vol. 2: 1946-1948'' | EPM Musique |
2001 | ''Essential Masters'' | Cleopatra |
2001 | ''Blue and Lonesome'' | Arpeggio Blues |
2001 | ''Ambassador of the Blues'' | Indigo UK |
2002 | ''The Complete Recordings, Vol. 3: 1948-1950'' | EPM Musique |
2002 | ''I Am The Blues'' | Prestige Elite |
2002 | ''Kansas City'' | Classic World |
2002 | ''Boogie For My Friends'' | Black & Blue France |
2002 | ''The Come Back'' | Delmark |
2002 | ''Blues Legends: Memphis Slim'' | Lead |
2003 | ''Three Women Blues'' | |
2003 | ''The Complete Recordings, Vol 4: 1951-1952'' | EPM Musique |
2004 | ''Worried Life Blues'' | |
2004 | ''Grinder Man Blues'' | Snapper UK |
2004 | ''The Best of Memphis Slim'' | Liquid 8 |
2005 | ''Boogie For 2 Pianos Vol 1: Memphis Slim & Jean-Paul Amouroux'' | |
2005 | ''Paris Mississippi Blues'' | Sunny Side |
2005 | ''Double-Barreled Boogie: Memphis Slim & Roosvelt Sykes'' | Sunny Side |
2006 | ''Forty Years of More'' | Passport Audio |
2006 | ''Memphis Suite'' | Sunny Side |
2006 | ''Rockin' This House: Chicago Blues Piano 1946-1953 (CDs A&B;)'' | JSP Records |
2006 | ''The Sonet Blues Story'' | Verve Records |
2006 | ''An Introduction to Memphis Slim'' | Fuel 2000 |
2007 | ''The Ultimate Jazz Archive 14 1940-41 (1 Of 4)'' | Carinco AG |
2007 | ''Sings the Blues'' | Wnts |
2007 | ''Chicago Blues Masters Vol 1: Muddy Waters And Memphis Slim'' | Capitol |
2007 | ''Cold Blooded Woman'' | Collectables Records |
2008 | ''Greatest Moments'' | Stardust |
2008 | ''Four Walls'' | Jukebox Entertainment |
2008 | ''Born To Boogie'' | Unlimited Media |
2008 | ''Legend of the Blues'' | Wounded Bird Records |
2009 | ''Fip Fil and Fim'' | 101 Distribution |
Category:1915 births Category:1988 deaths Category:Acoustic blues musicians Category:American blues musicians Category:American blues pianists Category:American blues singers Category:Blues Hall of Fame inductees Category:People from Memphis, Tennessee Category:Musicians from Tennessee Category:King Records artists Category:Vee-Jay Records artists Category:Chess Records artists Category:Deaths from renal failure
de:Memphis Slim fr:Memphis Slim it:Memphis Slim he:ממפיס סלים nl:Memphis Slim pt:Memphis SlimThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 52°05′36″N5°7′10″N |
---|---|
name | Little Red |
background | group_or_band |
origin | Melbourne, Victoria, Australia |
genre | Pop, rock |
years active | 2005 – present |
label | Liberation Music |
associated acts | The GreasersThe HondasThe Cuckoos |
website | Little Red Music |
current members | Adrian BeltrameDominic ByrneQuang DinhTom HartneyTaka Honda |
past members | }} |
Little Red is a rock band from Melbourne, Australia most famous for their 2010 single, ''Rock It'' consisting of Adrian Beltrame (guitar, vocals), Dominic Byrne (guitar, vocals), Quang Dinh (bass, vocals), Tom Hartney (vocals, keyboards, tambourine and harmonica) and Taka Honda (drums).
Little Red's songs "Waiting", "Coca-Cola" and "Witch Doctor" have all received regular play on Australian nation-wide radio station Triple J, while "Coca-Cola" was also included on the official soundtrack of Australian TV series ''Underbelly'', and was voted #47 on the 2008 Triple J Hottest 100.
The band independently released in Australia an album entitled ''Listen to Little Red'' on 28 June 2008, which debuted at number 29 on the ARIA Charts. The album was licensed for release outside of Australia by the UK independent Lucky Number Music and was released on November 16, 2009 in the UK and early 2010 internationally.
In September, 2010, the band released a second album, ''Midnight Remember'', featuring their latest single, "Rock It" which gained a gold accreditation and second place in Triple J's Hottest 100 of 2010, with the album's second single "Slow Motion" securing 79th position.
On April 21, 2011 they released a music video to "All Mine," also from Midnight Remember on youtube, through the Liberation Music record label's account.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
In the 1970s he founded his own group, The Sons of the Blues, along with Lurrie Bell on guitar and Freddie Dixon on bass guitar. They are the sons of Carey Bell and Willie Dixon respectively, and they recorded for Alligator Records and with a change in personnel for Red Beans Records. The new band consisted of Carlos Johnson on guitar and J.W. Williams on vocals and bass guitar. He has also recorded for Verve Records and Evidence Records.
Other than co-headlining Alligator's 1990 summit meeting ''Harp Attack!'' with fellow harp masters Junior Wells, Carey Bell, and James Cotton, Branch largely busied himself with extensive sideman work and teaching an innovative "Blues in the Schools" program until 1995.
Branch has appeared at numerous major festivals including the Long Beach Blues Festival, Chicago Blues Festival, San Francisco Blues Festival and the North Sea Jazz Festival.
Billy Branch is also well known for creating the "Blues in Schools" program (currently endorsed by the Blues Foundation) whereby Billy would go to schools, often in underprivileged areas, and teach the blues and how to play harmonica.
The SOB's current lineup consists of Billy Branch on harmonica and vocals, Moses Rutues on drums and vocals, Nick Charles on bass and vocals, Ariyo on keyboards and vocals, and Dan Carelli on guitar and vocals.
Category:Harmonica blues musicians Category:Chicago blues musicians Category:American blues harmonica players Category:American blues singers Category:Electric blues musicians Category:1951 births Category:Living people Category:People from Illinois
de:Billy Branch fr:Billy Branch pl:Billy BranchThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 52°05′36″N5°7′10″N |
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name | Koko Taylor |
background | solo_singer |
birth name | Cora Walton |
alias | KoKo |
born | September 28, 1928Shelby County, Tennessee |
died | June 03, 2009Chicago, Illinois |
origin | Memphis, Tennessee |
instrument | Vocalist |
genre | bluesR&B; |
occupation | Musician |
years active | 1960s–2009 |
label | Alligator Records, MCA, Chess, Yambo Records, Charly Records, |
website | Koko Taylor.com |
notable instruments | }} |
Koko Taylor sometimes spelled KoKo Taylor (September 28, 1928 – June 3, 2009) was an American blues musician, popularly known as the "Queen of the Blues." She was known primarily for her rough, powerful vocals and traditional blues stylings.
National touring in the late 1960s and early 1970s improved her fan base, and she became accessible to a wider record-buying public when she signed with Alligator Records in 1975. She recorded nine albums for Alligator, 8 of which were Grammy-nominated, and came to dominate the female blues singer ranks, winning twenty five W. C. Handy Awards (more than any other artist). After her recovery from a near-fatal car crash in 1989, the 1990s found Taylor in films such as ''Blues Brothers 2000'' and ''Wild at Heart'', and she opened a blues club on Division Street in Chicago in 1994, but it closed in 1999.
Taylor influenced musicians such as Bonnie Raitt, Shemekia Copeland, Janis Joplin, Shannon Curfman, and Susan Tedeschi. In the years prior to her death, she performed over 70 concerts a year and resided just south of Chicago in Country Club Hills, Illinois.
In 2008, the Internal Revenue Service said that Taylor owed $400,000 in back taxes, penalties and interest. Her tax problems concerned 1998, 2000 and 2001; for those years combined, her adjusted gross income was $949,000.
Taylor died on June 3, 2009, after complications from surgery for gastrointestinal bleeding on May 19, 2009. Her final performance was at the Blues Music Awards, on May 7, 2009.
Category:1928 births Category:2009 deaths Category:American blues singers Category:African American female singers Category:American female singers Category:Blues Hall of Fame inductees Category:Deaths from surgical complications Category:Grammy Award winners Category:National Heritage Fellowship winners Category:Musicians from Chicago, Illinois Category:People from Shelby County, Tennessee Category:People from Memphis, Tennessee Category:Musicians from Tennessee Category:Independent Music Awards winners
ca:Koko Taylor cs:Koko Taylor da:Koko Taylor de:Koko Taylor es:Koko Taylor fr:Koko Taylor it:Koko Taylor hu:Koko Taylor nl:Koko Taylor ja:ココ・テイラー pl:Koko Taylor fi:Koko Taylor sv:Koko Taylor uk:Коко ТейлорThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.