The brown bear (''Ursus arctos'') is a large bear distributed across much of northern Eurasia and North America. It can weigh from and its largest subspecies, the Kodiak Bear, rivals the polar bear as the largest member of the bear family and as the largest land-based predator.

There are several recognized subspecies within the brown bear species. In North America, two types are generally recognized, the coastal brown bear and the inland grizzly, and the two types could broadly define all brown bear subspecies. Grizzlies weigh as little as 350 lb (159 kg) in Yukon, while a brown bear, living on a steady, nutritious diet of spawning salmon, from coastal Alaska and Russia can weigh 1,500 lb (682 kg). The exact number of overall brown subspecies remains in debate.

While the brown bear's range has shrunk, and it has faced local extinctions, it remains listed as a least concern species by the IUCN, with a total population of approximately 200,000. Its principal range countries are Russia, the United States (mostly in Alaska), Canada, the Carpathian region (especially Romania, but also Ukraine, Slovakia, and so on), the Balkans, Sweden and Finland, where it is the national animal. The brown bear is the most widely distributed of all bears.

Naming and etymology

The brown bear is sometimes referred to as the ''bruin'', from Middle English, based on the name of the bear in ''History of Reynard the Fox'', translated by William Caxton, from Middle Dutch ''bruun'' or ''bruyn'', meaning ''brown'' (the color). During the Old West, the grizzly was termed "Old Ephraim" and sometimes as "Moccasin Joe".

Taxonomy and evolution

Brown bears are thought to have evolved from ''Ursus etruscus''. The oldest fossils occur in China from about 0.5 million years ago. They entered Europe about 250,000 years ago, and North Africa shortly after. Brown bear remains from the Pleistocene period are common in the British Isles, where it is thought they outcompeted cave bears. The species entered Alaska 100,000 years ago, though they did not move south until 13,000 years ago. It is thought brown bears were unable to migrate south until the extinction of the much larger ''Arctodus simus''. Several paleontologists suggest the possibility of two separate brown bear migrations: grizzlies are thought to stem from narrow-skulled bears which migrated from northern Siberia to central Alaska and the rest of the continent, while Kodiak bears descend from broad-skulled bears from Kamchatka, which colonized the Alaskan peninsula. Brown bear fossils discovered in Ontario, Ohio, Kentucky and Labrador show the species occurred farther east than indicated in historic records.

Subspecies

There is little agreement on classification of brown bears. Some systems have proposed as many as 90 subspecies, while recent DNA analysis has identified as few as five clades. DNA analysis recently revealed that the identified subspecies of brown bears, both Eurasian and North American, are genetically quite homogeneous, and that their genetic phylogeography does not correspond to their traditional taxonomy. As of 2005, 16 subspecies have been recognized. The subspecies have been listed as follows:

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		valign="top">Russia: Southern Kuril Islands, Sakhalin, Maritime territory, and the Ussuri/Amur river region south of the Stanovoy Range, China: northeastern Heilongjiang, Japan: Hokkaidō
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Hybrids

A grizzly–polar bear hybrid (known as a ''pizzly Bear'' or ''grolar bear'') is a rare ursid hybrid resulting from a union of a brown bear and a polar bear. It has occurred both in captivity and in the wild. In 2006, the occurrence of this hybrid in nature was confirmed by testing the DNA of a strange-looking bear that had been shot in the Canadian arctic. Previously, the hybrid had been produced in zoos, and was considered a "cryptid" (a hypothesized animal for which there is no scientific proof of existence in the wild).

Formerly considered subspecies

!Former Subspecies Name!! Image !! Distribution!! Description

See photographs in Spanish, also available in Catalan, Basque and Galician)">Eroski article (in Spanish, also available in Catalan, Basque and Galician) and in Spanish">Fauna Ibérica. Oso pardo ibérico (Ursus arctos pyrenaicus), in Spanish

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Iberian Peninsula, although one of the smallest of the brown bears, since males rarely surpass 180 kg and adult females average 130 kg. Their fur varies from a pale cream color to dark brown, but always with a distinctively darker, nearly black tone at the paws and a yellowish tinge at the tip of each hair. The brown bear population is considered Endangered species>endangered in Spain.

The brown bear population in the Pyrenees stems mostly from bears reintroduced from Slovenia, with one or two remaining original males.

Fundación Oso Pardo, with distribution maps and population from 2008 (in Spanish language>Spanish) and DEPANA, with detailed distribution maps and census information from 2009 (in [[Catalan language

Physical description

Brown bears have very large and curved claws, those present on the forelimbs being longer than those on the hind limbs. They may reach and sometimes along the curve. They are generally dark with a light tip, with some forms having completely light claws. Brown bear claws are longer and straighter than those of American black bears. The claws are blunt, while those of a black bear are sharp.

Adults have massive, heavily built concave skulls, which are large in proportion to the body. The forehead is high and rises steeply. The projections of the skull are well developed when compared to those of Asian black bears: the latter have sagittal crests not exceeding more than 19–20% of the total length of the skull, while the former have sagittal crests comprising up to 40–41% of the skull's length. Skull projections are more weakly developed in females than in males. The braincase is relatively small and elongated. There is a great deal of geographical variation in the skull, and presents itself chiefly in dimensions. Grizzlies, for example, tend to have flatter profiles than European and coastal American brown bears. Skull lengths of Russian bears tend to be for males, and for females. The width of the zygomatic arches in males is , and in females. Brown bears have very strong teeth: the incisors are relatively big and the canine teeth are large, the lower ones being strongly curved. The first three molars of the upper jaw are underdeveloped and single crowned with one root. The second upper molar is smaller than the others, and is usually absent in adults. It is usually lost at an early age, leaving no trace of the alveolus in the jaw. The first three molars of the lower jaw are very weak, and are often lost at an early age. Although they have powerful jaws, brown bear jaws are incapable of breaking large bones with the ease of spotted hyenas.

The dimensions of brown bears fluctuate very greatly according to sex, age, individual, geographic location, and season. The normal range of physical dimensions for a brown bear is a head-and-body length of 1.7 to 2.8 meters (5.6 to 9.2 ft) and a shoulder height of 90 to 150 centimeters (35–60 in). The smallest subspecies is the Eurasian brown bear, whose mature females weigh as little as . Barely larger, grizzly bears from the Yukon region (which are a third smaller than most grizzlies) can weigh as little as in the spring and the Syrian brown bear, with mature females weighing as little as . The largest subspecies are the Kodiak bear, Siberian brown bear, and the bears from coastal Russia, Alaska, and British Columbia. It is not unusual for large males in coastal regions to stand over while on their hind legs, and to weigh up to . The heaviest recorded brown bear weighed over .

Brown bears have long, thick fur, with a moderately long mane at the back of the neck. In India, brown bears can be reddish with silver tips, while in China, brown bears are bicolored with a yellow-brown or whitish cape across the shoulders. North American grizzlies can be dark brown (almost black) to cream (almost white) or yellowish brown. Black hairs usually have white tips. The winter fur is very thick and long, especially in northern subspecies, and can reach at the withers. The winter hairs are thin, yet rough to the touch. The summer fur is much shorter and sparser, and its length and density varies geographically.

Distribution and habitat

There are about 200,000 brown bears in the world. The largest populations are in Russia with 120,000, the United States with 32,500, and Canada with 21,750. About 95% of the brown bear population in the United States is in Alaska, though in the lower 48 states, they are repopulating slowly but steadily along the Rockies and the western Great Plains. Although many people hold the belief some brown bears may be present in Mexico and the Atlas Mountains of Morocco, both are almost certainly extinct. The last Mexican brown bear was shot in 1960. In Europe, there are 14,000 brown bears in ten fragmented populations, from Spain (estimated at only 20-25 animals in the Pyrenees in 2010, in a range shared between France, Spain and Andorra, and some 85-90 animals in Asturias, Cantabria, Galicia and León, in the Picos de Europa and adjacent areas in 2003 and some 100 animals in 2005) in the west, to Russia in the east, and from Sweden and Finland in the north to Romania (4000–5000), Bulgaria (900–1200), Slovakia (with about 600–800 animals), Slovenia (500-700 animals) and Greece (with about 200 animals) in the south. They are extinct in the British Isles, extremely threatened in France and Spain, and in trouble over most of Central Europe. The Carpathian brown bear population of Romania is the largest in Europe outside Russia, estimated at 4,500 to 5,000 bears, although declining alarmingly due to overhunting. There is also a smaller brown bear population in the Carpathian Mountains in Ukraine (estimated at about 200 in 2005), Slovakia and Poland (estimated at about 100 in 2009 in the latter country). The total Carpathian population is estimated at about 8,000. Northern Europe is home to a large bear population, with an estimated 2,500 (range 2,350–2,900) in Sweden, about 1,600 in Finland, about 700 in Estonia and 70 in Norway. Another large and relatively stable population of brown bears in Europe, consisting of 2,500–3,000 individuals, is the Dinaric-Pindos (Balkans) population, with contiguous distribution in northeast Italy, Slovenia, Croatia, Bosnia and Herzegovina, Serbia, Montenegro, Macedonia, Albania, Bulgaria and Greece.

Brown bears were once native to Asia, the Atlas Mountains in Africa, Europe, and North America, but are now extinct in some areas, and their populations have greatly decreased in other areas. They prefer semiopen country, usually in mountainous areas.

Brown bears live in Alaska, east through the Yukon and Northwest Territories, south through British Columbia and through the western half of Alberta. Small populations exist in the Greater Yellowstone Ecosystem of northwest Wyoming (with about 600 animals), the Northern Continental Divide Ecosystem of northwest Montana (with about 750 animals), the Cabinet-Yaak Ecosystem of northwest Montana and northeast Idaho (with about 30–40 animals), the Selkirk Ecosystem of northeast Washington and northwest Idaho (with about 40–50 animals), and the North Cascades Ecosystem of northcentral Washington (with about 5–10 animals). These five ecosystems combine for a total of roughly 1,470 wild grizzlies still persisting in the contiguous United States. Unfortunately, these populations are isolated from each other, inhibiting any genetic flow between ecosystems. This poses one of the greatest threats to the future survival of the grizzly bear in the contiguous United States.

In Asia, brown bears are found in most of Russia, parts of the Middle East, and in a small area of Manchuria in China. They can also be found on the island of Hokkaidō in Japan, western China, and parts of North Korea, Afghanistan and India.

The population of brown bears in the Pyrenees mountain range between France and Spain is so low, estimated at 14 to 18, with a shortage of females, that bears, mostly female, from Slovenia were released in spring 2006 to reduce the imbalance and preserve the species' presence in the area, despite protests from French farmers.

A small population of brown bears (Ursus arctos marsicanus) still lives in central Italy (Apennine mountains, Abruzzo and Latium), with no more than 70 individuals, protected by strong laws, but endangered by the human presence in the area.

In Arctic areas, the potential habitat of the brown bear is increasing. The warming of that region has allowed the species to move farther north into what was once exclusively the domain of the polar bear. In non-Arctic areas, habitat loss is blamed as the leading cause of endangerment, followed by hunting.

North American brown bears, or grizzly bears, seem to prefer open landscapes, whereas in Eurasia they inhabit mostly dense forests. It is thought the Eurasian bears which colonized America were tundra-adapted. This is indicated by brown bears in the Chukotka Peninsula on the Asian side of Bering Strait, which are the only Asian brown bears to live year-round in lowland tundra like their North American cousins.

Behavior

The brown bear is primarily nocturnal. In the summer, it gains up to of fat, on which it relies to make it through winter, when it becomes very lethargic. Although they are not full hibernators, and can be woken easily; both sexes like to den in a protected spot, such as a cave, crevice, or hollow log, during the winter months. Brown bears are mostly solitary, although they may gather in large numbers at major food sources and form social hierarchies based on age and size. Adult male bears are particularly aggressive and are avoided by adolescent and subadult males. Female bears with cubs rival adult males in aggression, and are more intolerant of other bears than single females. Young adolescent males tend to be least aggressive, and have been observed in nonagonistic interactions with each other. In his ''Great Bear Almanac'', Gary Brown lists 11 different sounds bears produce in 9 different contexts. Sounds expressing anger or aggravation include growls, roars, woofs, champs and smacks, while sounds expressing nervousness or pain include woofs, grunts and bawls. Sows will bleat or hum when communicating with their cubs.

Reproduction

The mating season is from late May to early July. Being serially monogamous, brown bears remain with the same mate from several days to a couple of weeks. Females mature sexually between the age of 5 and 7 years, while males usually mate a few years later, when they are large and strong enough to successfully compete with other males for mating rights. thumb|200px|left|A pair of mating brown bears, at the Bärengraben in [[Old City of Bern|Bern, Switzerland]] Males, however, take no part in raising their cubs – parenting is left entirely to the females.

Through the process of delayed implantation, a female's fertilized egg divides and floats freely in the uterus for six months. During winter dormancy, the fetus attaches to the uterine wall. The cubs are born eight weeks later, while the mother sleeps. If the mother does not gain enough weight to survive through the winter, the embryo does not implant and is reabsorbed into the body. The average litter has one to four cubs, usually two. There have been cases of bears with five cubs, although females sometimes adopt stray cubs. Older females tend to give birth to larger litters. The size of a litter also depends on factors such as geographic location and food supply. At birth, the cubs are blind, toothless, hairless, and weigh less than . They feed on their mother's milk until spring or even early summer, depending on climate conditions. At this time, the cubs weigh and have developed enough to follow her and begin to forage for solid food.

Cubs remain with their mother from two to four years, during which time they learn survival techniques, such as which foods have the highest nutritional values and where to obtain them; how to hunt, fish, and defend themselves; and where to den. The cubs learn by following and imitating their mother's actions during the period they are with her. Brown bears practice infanticide. An adult male bear may kill the cubs of another bear either to make the female sexually receptive or simply for consumption. Cubs flee up a tree when they see a strange male bear, and the mother defends them, even though the male may be twice her size.

Dietary habits

They are omnivores and feed on a variety of plant products, including berries, roots, and sprouts, and fungi, as well as meat products such as fish, insects, and small mammals. Despite their reputation, most brown bears are not highly carnivorous, as they derive up to 90% of their dietary food energy from vegetable matter. Their jaw structure has evolved to fit their dietary habits. Their diet varies enormously throughout their differing areas based on opportunity. For example, bears in Yellowstone eat an enormous number of moths during the summer, sometimes as many as 40,000 in a day, and may derive up to half of their annual food energy from these insects. In the Kamchatka peninsula and parts of coastal Alaska, brown bears feed mostly on spawning salmon, whose nutrition and abundance explain the enormous size of the bears in these areas, though, these bears very rarely hunt large animals. Brown bears also occasionally prey on large mammals, such as deer (including elk, moose and caribou), bighorn sheep, mountain goats, bison and muskoxen. When brown bears attack these animals, they tend to choose the young ones, as they are easier to catch. When hunting, the bear pins its prey to the ground and then tears and eats it alive. On rare occasions, bears kill by hitting their prey with their powerful forearms, which can break the necks and backs of large prey, such as moose. They also feed on carrion, and use their size to intimidate other predators, such as wolves, cougars, tigers, and black bears from their kills.

Interspecific predatory relationships

Brown bears often use their large size for intimidation when a kill or a territory is in dispute with another large predator and they are normally dominant in such interactions. Sometimes, the conflict will escalate to the point of violence, but usually threat displays are sufficient, since most animals try to avoid potential bodily harm. However, the massive strength and size of the brown bear will usually result in it winning violent conflicts, even against wolf packs and Siberian Tigers. In situations where the interspecies conflict turns deadly, brown bears may also eat the competitor, despite it not being the primary reason for attack.

Brown bears regularly intimidate wolves away from their kills. In Yellowstone National Park, brown bears pirate wolf kills so often, Yellowstone's Wolf Project Director Doug Smith wrote, "It's not a matter of if the bears will come calling after a kill, but when." Though conflict over carcasses is common, on rare occasions the two predators tolerate each other on the same kill. Given the opportunity, both species prey on the other's cubs. Conclusively, the individual power of the bear against the collective strength of the wolf pack usually results in a long battle for kills or domination. In some areas, the brown bear also regularly displaces cougars from their kills.

Adult bears are generally immune from predatory attacks from anything other than other bears. Some bears emerging from hibernation seek tigers to steal their kills. Indeed, Russian researchers have identified "satellite bears" who "follow tigers over extensive periods of time, sequentially usurping kills"; these bears were observed tracking tigers in spring snow and regularly usurped their kills. In the Russian Far East, brown bears along with smaller Asiatic black bears constitute 5–8% of the diet of Siberian tigers. In particular, the brown bear's input is estimated to be 1.0–1.5% in one source. However, another source states that such attacks are rare and do not have any actual significance because Siberian tigers are almost extinct. Siberian tigers most typically attack brown bears in the winter in the hibernaculum or in the late autumn and early spring, and when ungulate populations decrease. Adult bears, generally smaller ones, are sometimes vulnerable to tiger attacks and have been killed in their dens in winter, with the tiger taking advantage of the bear's hibernating condition. There are also records of bears killing tigers, including fully grown adult males and tigers whose sex and age were not specified, either in self defense, or in disputes over kills or for consumption.

Brown bears usually dominate other bear species in areas where they coexist. Due to their smaller size, American black bears are at a competitive disadvantage to brown bears in open, unforested areas. Although displacement of black bears by brown bears has been documented, actual interspecific killing of black bears by brown bears has only occasionally been reported. Confrontation is mostly avoided due to the black bear's diurnal habits and preference for heavily forested areas, as opposed to the brown bear's largely nocturnal habits and preference for open spaces. Brown bears may attack Asian black bears. They will eat the fruit dropped by the latter species from trees, as they themselves are too large and cumbersome to climb.

There has been a recent increase in interactions between brown bears and polar bears, theorized to be caused by climate change. Brown bears have been seen moving increasingly northward into territories formerly claimed by polar bears. Brown bears tend to dominate polar bears in disputes over carcasses, and dead polar bear cubs have been found in brown bear dens.

Relationship with humans

Bears become attracted to human-created food sources, such as garbage dumps, litter bins, and dumpsters; they venture into human dwellings or barns in search of food as humans encroach into bear habitats. In the U.S., bears sometimes kill and eat farm animals. When bears come to associate human activity with a "food reward", they are likely to continue to become emboldened; the likelihood of human-bear encounters increases, as they may return to the same location despite relocation. The saying, "a fed bear is a dead bear", has come into use to popularize the idea that allowing bears to scavenge human garbage, such as trash cans and campers' backpacks, pet food, or other food sources that draw the bear into contact with humans, can result in a bear's death.

Relocation of the bear has been used to separate the bear from the human environment, but it does not address the problem of the bear's newly-learned association of humans with food or the environmental situations which created the human-habituated bear. "Placing a bear in habitat used by other bears may lead to competition and social conflict, and result in the injury or death of the less dominant bear."

Yellowstone National Park, an enormous reserve located in the western United States, contains prime habitat for the grizzly bear (''Ursus arctos horribilis''), and due to the enormous number of visitors, human-bear encounters are common. The scenic beauty of the area has led to an influx of people moving into the area. In addition, because there are so many bear relocations to the same remote areas of Yellowstone, and because male bears tend to dominate the center of the relocation zone, female bears tend to be pushed to the boundaries of the region and beyond. As a result, a large proportion of repeat offenders, bears that are killed for public safety, are females. This creates a further depressive effect on an already endangered species. The grizzly bear is officially described as "threatened" in the U.S. Though the problem is most significant with regard to grizzlies, these issues affect the other types of brown bears as well.

In Europe, part of the problem lies with shepherds; over the past two centuries, many sheep and goat herders have gradually abandoned the more traditional practice of using dogs to guard flocks, which have concurrently grown larger. Typically, they allow the herds to graze freely over sizeable tracts of land. As bears reclaim parts of their range, they may eat livestock. In some cases, the shepherds shoot the bear, thinking their livelihood is under threat. Many are now better informed about the ample compensation available, and will make a claim when they lose livestock to a bear.

Legal status

The grizzly bear, sometimes called the ''silvertip bear'', is listed as threatened in the contiguous United States. It is slowly repopulating in areas where it was previously extirpated, though it is still vulnerable.

The California golden bear (''Ursus arctos californicus'') disappeared from the state of California in 1922, when the last one was shot in Tulare County, but it is still on the state flag of California. The bear is alluded to in the names of the sports teams of the University of California, Berkeley (the California Golden Bears), and of the University of California, Los Angeles (the UCLA Bruins) and in the mascot of University of California, Riverside (Scottie the Bear, dressed in a Highland kilt).

The Mexican grizzly bear is listed as an endangered species, but it may be extinct.

In Canada, it is listed as vulnerable in Alberta, British Columbia, Northwest Territories, and Yukon Territory. Prairie populations of grizzly bear are listed as extirpated in Alberta, Manitoba, and Saskatchewan.

The brown bear is a European Protected Species, given protection throughout the European Union.

The brown bear is also the national animal of Finland.

The brown bear is depicted on the reverse of the Croatian 5 kuna coin, minted since 1993.

Bear encounters

There are an average of two fatal attacks by bears per year in North America. In Scandinavia, there are only four known cases since 1902 of bear encounters which have resulted in death. The two most common causes for bear attack are surprise and curiosity. Some types of bears, such as polar bears, are more likely to attack humans when searching for food, while American black bears are much less likely to attack.

The Alaska Science Center ranks the following as the most likely reasons for bear attacks: # Surprise # Curiosity # Invaded personal space (this includes a mother bear protecting her young) # Predatory intent # Hunting wounded # Carcass defense # Provoked charge

Aggressive behavior in brown bears is favored by numerous selection variables. Unlike the smaller black bears, adult brown bears are too large to escape danger by climbing trees, so they respond to danger by standing their ground and warding off their attackers. Increased aggressiveness also assists female brown bears in better ensuring the survival of their young to reproductive age. Mothers defending cubs are the most prone to attacking, being responsible for 70% of brown bear-caused human fatalities in North America.

Attacks on humans

As a rule, brown bears seldom attack humans on sight, and usually avoid people. They are, however, unpredictable in temperament, and will attack if they are surprised or feel threatened. Sows with cubs account for the majority of injuries and fatalities in North America. Habituated or food-conditioned bears can also be dangerous, as their long-term exposure to humans causes them to lose their natural shyness, and, in some cases, to associate humans with food. Small parties of one or two people are more often attacked than large groups, with only one known case of an attack on a group of six or more. In that instance, it is thought that due to surprise the bear may not have recognized the size of the group. In contrast to injuries caused by American black bears, which are usually minor, brown bear attacks tend to result in serious injury and, in some cases, death. In the majority of attacks resulting in injury, brown bears precede the attack with a growl or huffing sound, and seem to confront humans as they would when fighting other bears: they rise up on their hind legs, and attempt to "disarm" their victims by biting and holding on to the lower jaw to avoid being bitten in turn. Due to the bears' enormous physical strength, even a single bite or swipe can be deadly, as in tigers, with some human victims having had their heads completely crushed by a bear bite. Most attacks occur in the months of July, August and September, the time when the number of outdoor recreationalists, such as hikers or hunters, is higher. People who assert their presence through noises tend to be less vulnerable, as they alert bears to their presence. In direct confrontations, people who run are statistically more likely to be attacked than those who stand their ground. Violent encounters with brown bears usually last only a few minutes, though they can be prolonged if the victims fight back.

Attacks on humans are considered extremely rare in the former Soviet Union, though exceptions exist in districts where they are not pursued by hunters. Siberian bears, for example, tend to be much bolder toward humans than their shyer, more persecuted European counterparts. In 2008, a platinum mining compound in the Olyotorsky district of northern Kamchatka was besieged by a group of 30 bears, who killed two guards and prevented workers from leaving their homes. Ten people a year are killed by brown bears in Russia. In Scandinavia, only three fatal attacks were recorded in the 20th century.

In Japan, a large brown bear nicknamed "''Kesagake''" (袈裟懸け, "kesa-style slasher") made history for causing the worst bear attack in Japanese history at Tomamae, Hokkaidō during numerous encounters in December, 1915. It killed seven people (including one pregnant woman) and wounded three others (with possibly another three previous fatalities to its credit) before being gunned down after a large-scale beast-hunt. Today, there is still a shrine at Rokusensawa (六線沢), where the event took place, in memory of the victims of the incident.

Native American tribes sympatric to brown bears often viewed them with a mixture of awe and fear. North American brown bears were so feared by the Natives, they were rarely hunted, especially alone. When Natives hunted grizzlies, the act was done with the same preparation and ceremoniality as intertribal warfare, and was never done except with a company of 4–10 warriors. The tribe members who dealt the killing blow were highly esteemed among their compatriots. Californian Indians actively avoided prime bear habitat, and would not allow their young men to hunt alone, for fear of bear attacks. During the Spanish colonial period, some tribes, instead of hunting grizzlies themselves, would seek aid from European colonists to deal with problem bears. Many authors in the American west wrote of Natives or voyagers with lacerated faces and missing noses or eyes due to attacks from grizzlies. Within Yellowstone National Park, injuries caused by grizzly attacks in developed areas averaged approximately one per year during the 1930s through to the 1950s, though it increased to four per year during the 1960s. They then decreased to one injury every two years during the 1970s. Between 1980 and 2002, there have been only two human injuries caused by grizzly bears in a developed area. Though grizzly attacks were rare in the backcountry before 1970, the number of attacks increased to an average of approximately one per year during the 1970s, 1980s, and 1990s.

History of defense from bears

A study by Canadian and US researchers has found pepper spray to be more effective at stopping aggressive bear behavior than guns, working in 92% of studied incidents versus 67% for guns. Carrying pepper spray is highly recommended by many authorities when traveling in bear country; however, carrying two means of deterrent, one of which is a large caliber gun, is also advised. Solid shotgun slugs, or three buckshot rounds, or a semiautomatic pistol of .45 caliber or more is suggested if a heavy hunting rifle is not available. Guns remain a viable, last resort option to be used in defense of life from aggressive bears. Too often, people do not carry a proper caliber weapon to neutralize the bear. According to the Alaska Science Center, a 12 gauge shotgun with slugs has been the most effective weapon. There have been fewer injuries as a result of only carrying lethal loads in the shotgun, as opposed to deterrent rounds. State of Alaska Defense of Life or Property (DLP) laws require one to report the kill to authorities, and salvage the hide, skull, and claws.

Campers are often told to wear bright colored red ribbons and bells, and carry whistles to ward off bears. They are told to look for grizzly scat in camping areas, and be careful to carry the bells and whistles in those areas. Grizzly scat is difficult to differentiate from black bear scat, as diet is in a constant state of flux depending on the availability of seasonal food items. If a bear is killed near camp, the bear's carcass must be adequately disposed of, including entrails and blood, if possible. Failure to move the carcass has often resulted in it attracting other bears and further exacerbating a bad situation. Moving camps immediately is another recommended method.

State of Alaska Department of Natural Resources website states, "Select a gun that will stop a bear (12-gauge shotgun or .300 mag rifle)."

Culture

Many Native American tribes both respected and feared the brown bear, even thinking of it as a god. One tale tells of how the black bear was a creation of the Great Spirit, while the grizzly was created by the Evil Spirit. In Kwakiutl mythology, black and brown bears became enemies when Grizzly Bear Woman killed Black Bear Woman for being lazy. Black Bear Woman's children, in turn, killed Grizzly Bear Woman's own cubs.

The grizzly bear is the state animal of both Montana and California.

Brown bears often figure into the literature of Europe and North America, in particular that which is written for children. "The Brown Bear of Norway" is a Scottish fairy tale telling the adventures of a girl who married a prince magically turned into a bear, and who managed to get him back into a human form by the force of her love and after many trials and difficulties. With "Goldilocks and the Three Bears", a story from England, the three bears are usually depicted as brown bears. In German speaking countries, children are often told the fairytale of Snow White and Rose Red; the handsome prince in this tale has been transfigured into a brown bear. In the United States, parents often read their preschool age children the book Brown Bear, Brown Bear, What Do You See? to teach them their colors and how they are associated with different animals.

The Russian bear is a common national personification for Russia (as well as the Soviet Union). The brown bear is also Germany's and Finland's national animal.

The school mascot for Brown University, the University of California, Los Angeles, the University of California, Berkeley, and the University of Alberta is the brown bear.

The coat of arms of Madrid depicts a bear reaching up into a ''madroño'' or strawberry tree (''Arbutus unedo'') to eat some of its fruit, whereas the Swiss city of Bern's coat of arms also depicts a bear and the city's name is popularly thought to derive from the German word for bear.

In the town of Prats de Molló, in Vallespir, Northern Catalonia, a "bear festival" (''festa de l'ós'') is celebrated annually at the beginning of spring, in which the locals dress up as bears, cover themselves with soot or coal and oil, and "attack" the onlookers, attempting to get everyone dirty. The festival ends with the ''ball de l'os'' (bear dance).

See also

European brown bear

Cantabrian brown bear

Environmental Centre ARCTUROS

List of fatal bear attacks in North America

Sankebetsu brown bear incident

Kodiak bear

Grizzly bear

References

External links

Brown Bear profile from National Geographic

IFAW Rebuilding the European Brown Bear Population

Bear Hunting Altered Genetics More Than Ice Age Isolation

Ancient Fossil Offers New Clues To Brown Bears Past

Category:Bears Category:Arctic land animals Category:Mammals of Armenia Category:Fauna of Bulgaria Category:Mammals of Finland Category:Fauna of Kazakhstan Category:Mammals of Asia Category:Mammals of Tajikistan Category:Mammals of Canada Category:Mammals of Europe Category:Mammals of North America Category:Mammals of Pakistan Category:Mammals of Romania Category:Mammals of Russia Category:Mammals of Serbia Category:Mammals of the United States Category:Megafauna of Eurasia Category:Scavengers Category:Fauna of the Arctic Category:National symbols of Finland Category:Animals described in 1758

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Billy Martin or Bill Martin may refer to:

Bill Martin (basketball), a retired American basketball player

Bill Martin (philosophy), American philosopher at DePaul University.

Bill Martin (rugby league), rugby league footballer of the 1960s for Great Britain, and Workington Town

Bill Martin, Jr. (1916-2004), US children's book author

Bill Martin (musician) (b. 1938), Scottish songwriter

Billy Martin (American football halfback) (b. 1938), retired American football player

Billy Martin (American football tight end) (b. 1942), retired American football player

Billy Martin (guitarist) (b. 1981), a guitarist for American band Good Charlotte

Billy Martin (lawyer) of the Washington, D.C.-based legal firm Sutherland Asbill & Brennan LLP

Billy Martin (percussionist), the drummer for jazz trio Medeski Martin & Wood

Billy Martin (tennis), touring American professional in the 1970s

Billy Martin (1928-89), a former Major League Baseball player and manager

Billy Martin (shortstop), Former Major League Baseball shortstop

William E. Martin, American songwriter and screenwriter

Bill Martin, a stage name briefly adopted by Billy Joel around 1972

Billy Martin, the head writer and executive producer of Bill Maher's programs ''Politically Incorrect'', ''Real Time with Bill Maher'' and ''Amazon Fishbowl''

William C. Martin, known as Bill Martin, Director of University of Michigan Department of Intercollegiate Athletics

See also

William Martin (disambiguation)

de:Billy Martin es:Billy Martin it:Billy Martin

Coordinates	50°15′″N19°0′″N
name	Sir David Attenborough
birth date	May 08, 1926
birth place	Isleworth, London, England
residence	Richmond, London
nationality	British
alma mater
occupation
title
spouse	Jane Elizabeth Ebsworth Oriel (m. 1950–1997, her death)
children
footnotes	}}

Sir David Frederick Attenborough () OM, CH, CVO, CBE, FRS, FZS, FSA (born 8 May 1926 in London, England) is a broadcaster and naturalist. His career as the respected face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine ''Life'' series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s.

He is a younger brother of director, producer and actor Richard Attenborough.

Early life and family

Attenborough grew up in College House on the campus of the University of Leicester, where his father, Frederick, was principal. He is the middle of three sons (his elder brother, Richard, became an actor/film director and his younger brother, John Michael Attenborough, an executive at Alfa Romeo). During World War II his parents also adopted two Jewish refugee girls from Europe.

Attenborough spent his childhood collecting fossils, stones and other natural specimens. He received encouragement in this pursuit at age seven, when a young Jacquetta Hawkes admired his "museum". A few years later, one of his adoptive sisters gave him a piece of amber filled with prehistoric creatures; some 50 years later, it would be the focus of his programme ''The Amber Time Machine''.

Attenborough was educated at Wyggeston Grammar School for Boys in Leicester and then won a scholarship to Clare College, Cambridge in 1945, where he studied geology and zoology and obtained a degree in Natural Sciences. In 1947, he was called up for National Service in the Royal Navy and spent two years stationed in North Wales and the Firth of Forth.

In 1950, Attenborough married Jane Elizabeth Ebsworth Oriel; the marriage lasted until her death in 1997. The couple had two children, Robert and Susan.

His son, Robert Attenborough, is a senior lecturer in Bioanthropology for the School of Archaeology and Anthropology at the Australian National University in Canberra.

First years at BBC

After leaving the Navy, Attenborough took a position editing children's science textbooks for a publishing company. He soon became disillusioned with the work, however, and in 1950, he applied for a job as a radio talks producer with the BBC. Although he was rejected for this job, his CV later attracted the interest of Mary Adams, head of the Talks (factual broadcasting) department of the BBC's fledgling television service. Attenborough, like most Britons at that time, did not own a television, and he had seen only one programme in his life. However, he accepted Adams' offer of a three-month training course, and in 1952, he joined the BBC full time. Initially discouraged from appearing on camera because Adams thought his teeth were too big, he became a producer for the Talks Department, which handled all non-fiction broadcasts. His early projects included the quiz show ''Animal, Vegetable, Mineral?'' and ''Song Hunter'', a series about folk music presented by Alan Lomax.

Attenborough's association with natural history programmes began when he produced and presented the three-part series ''The Pattern of Animals''. The studio-bound programme featured animals from London Zoo, with the naturalist Sir Julian Huxley discussing their use of camouflage, aposematism and courtship displays. Through this programme, Attenborough met Jack Lester, the curator of the zoo's reptile house, and they decided to make a series about an animal-collecting expedition. The result was ''Zoo Quest'', first broadcast in 1954, which Attenborough presented at short notice, due to Lester being taken ill.

In 1957, the BBC Natural History Unit was formally established in Bristol. Attenborough was asked to join it, but declined, not wishing to move from London where he and his young family were settled. Instead he formed his own department, the Travel and Exploration Unit, which allowed him to continue to front the ''Zoo Quest'' programmes as well as produce other documentaries, notably the ''Travellers’ Tales'' and ''Adventure'' series.

In the early 1960s, Attenborough resigned from the permanent staff of the BBC to study for a postgraduate degree in social anthropology at the London School of Economics, interweaving his study with further filming. However, he accepted an invitation to return to the BBC as Controller of BBC Two before he could finish the degree.

BBC administration

Attenborough became the Controller of BBC Two in March 1965, but had a clause inserted in his contract that would allow him to continue making programmes on an occasional basis. Later the same year, he filmed elephants in Tanzania, and in 1969, he made a three-part series on the cultural history of Bali. For the 1971 film ''A Blank on the Map'', he joined the first Western expedition to a remote highland valley in New Guinea to seek out an uncontacted tribe.

BBC Two was launched in 1964, but had struggled to capture the public's imagination. When Attenborough arrived as Controller, he quickly abolished the channel's quirky kangaroo mascot and shook up the schedule. With a mission to make BBC Two's output diverse and different from that offered by other networks, he began to establish a portfolio of programmes that defined the channel's identity for decades to come. Under his tenure, music, the arts, entertainment, archaeology, experimental comedy, travel, drama, sport, business, science and natural history all found a place in the weekly schedules. Often, an eclectic mix was offered within a single evening's viewing. Programmes he commissioned included ''Man Alive'', ''Call My Bluff'', ''Chronicle'', ''Life'', ''One Pair of Eyes'', ''The Old Grey Whistle Test'', ''Monty Python's Flying Circus'' and ''The Money Programme''. When BBC Two became the first British channel to broadcast in colour in 1967, Attenborough took advantage by introducing televised snooker, as well as bringing rugby league to British television on a regular basis via the BBC2 Floodlit Trophy.

One of his most significant decisions was to order a 13-part series on the history of Western art, to show off the quality of the new UHF colour television service that BBC Two offered. Broadcast to universal acclaim in 1969, ''Civilisation'' set the blueprint for landmark authored documentaries, which were informally known as "tombstone" or "sledgehammer" projects. Others followed, including Jacob Bronowski's ''The Ascent of Man'' (also commissioned by Attenborough), and Alistair Cooke's ''America''. Attenborough thought that the story of evolution would be a natural subject for such a series. He shared his idea with Chris Parsons, a producer at the Natural History Unit, who came up with the title ''Life on Earth'' and returned to Bristol to start planning the series. Attenborough harboured a strong desire to present the series himself, but this would not be possible so long as he remained in a management post.

In 1969, Attenborough was promoted to Director of Programmes, making him responsible for the output of both BBC channels. His tasks, which included agreeing budgets, attending board meetings and firing staff, were now far removed from the business of filming programmes. When Attenborough's name was being suggested as a candidate for the position of Director General of the BBC in 1972, he phoned his brother Richard to confess that he had no appetite for the job. Early the following year, he left his post to return to full-time programme making, leaving him free to write and present the planned natural history epic.

Return to broadcasting

After his resignation, Attenborough became a freelance broadcaster and immediately started work on his next project, a pre-arranged trip to Indonesia with a crew from the Natural History Unit. It resulted in the 1973 series ''Eastwards with Attenborough'', which was similar in tone to the earlier ''Zoo Quests'' but without the animal-collecting element.

On his return, he began to work on the scripts for ''Life on Earth''. Due to the scale of his ambition, the BBC decided to partner with an American network to secure the necessary funding. While the negotiations were proceeding he worked on a number of other television projects. He presented a series on tribal art (''The Tribal Eye'', 1975) and another on the voyages of discovery (''The Explorers'', 1975). He also presented a BBC children's series about cryptozoology entitled ''Fabulous Animals'' (1975), which featured mythical creatures such as the griffin and kraken. Eventually, the BBC signed a co-production deal with Turner Broadcasting and ''Life on Earth'' moved into production in 1976.

"Life" series

Beginning with ''Life on Earth'' in 1979, Attenborough set about creating a body of work which became a benchmark of quality in wildlife film-making and influenced a generation of documentary film-makers. The series also established many of the hallmarks of the BBC's natural history output. By treating his subject seriously and researching the latest discoveries, Attenborough and his production team gained the trust of the scientific community, who responded by allowing him to feature their subjects in his programmes. In Rwanda, for example, Attenborough and his crew were granted privileged access to film Dian Fossey's research group of mountain gorillas. Innovation was another factor in ''Life on Earth'''s success: new film-making techniques were devised to get the shots Attenborough wanted, with a focus on events and animals that were hitherto unfilmed. Computerised airline schedules, which had only recently been introduced, enabled the series to be elaborately devised so that Attenborough visited several locations around the globe in each episode, sometimes even changing continents mid-sentence. Although appearing as the on-screen presenter, he consciously restricted his pieces to camera to give his subjects top billing.

The success of ''Life on Earth'' prompted the BBC to consider a follow-up, and five years later, ''The Living Planet'' was screened. This time, Attenborough built his series around the theme of ecology, the adaptations of livings things to their environment. It was another critical and commercial success, generating huge international sales for the BBC. In 1990, ''The Trials of Life'' completed the original "Life" trilogy, looking at animal behaviour through the different stages of life. The series drew strong reactions from the viewing public for its sequences of killer whales hunting sea lions on a Patagonian beach and chimpanzees hunting and violently killing a colobus monkey.

In the 1990s, Attenborough continued to use the "Life" moniker for a succession of authored documentaries. In 1993, he presented ''Life in the Freezer'', the first television series to survey the natural history of Antarctica. Although past normal retirement age, he then embarked on a number of more specialised surveys of the natural world, beginning with plants. They proved a difficult subject for his producers, who had to deliver five hours of television featuring what are essentially immobile objects. The result, ''The Private Life of Plants'' (1995), showed plants as dynamic organisms by using time-lapse photography to speed up their growth.

Prompted by an enthusiastic ornithologist at the BBC Natural History Unit, Attenborough then turned his attention to the animal kingdom and in particular, birds. As he was neither an obsessive twitcher, nor a bird expert, he decided he was better qualified to make ''The Life of Birds'' (1998) on the theme of behaviour. The order of the remaining "Life" series was dictated by developments in camera technology. For ''The Life of Mammals'' (2002), low-light and infrared cameras were deployed to reveal the behaviour of nocturnal mammals. The series contains a number of memorable two shots of Attenborough and his subjects, which included chimpanzees, a blue whale and a grizzly bear. Advances in macro photography made it possible to capture natural behaviour of very small creatures for the first time, and in 2005, ''Life in the Undergrowth'' introduced audiences to the world of invertebrates.

At this point, Attenborough realised that he had spent 20 years unconsciously assembling a collection of programmes on all the major groups of terrestrial animals and plants — only reptiles and amphibians were missing. When ''Life in Cold Blood'' was broadcast in 2008, he had the satisfaction of completing the set, brought together in a DVD encyclopaedia called ''Life on Land''. In an interview that year, Attenborough was asked to sum up his achievement, and responded:

However, in 2010 Attenborough asserted that his forthcoming ''First Life'' — dealing with evolutionary history before ''Life on Earth'' — should also be included within the "Life" series. In the documentary ''Attenborough's Journey'' he stated, "This series, to a degree which I really didn't fully appreciate until I started working on it, really completes the set."

Other documentaries

Alongside the "Life" series, Attenborough has continued to work on other television documentaries, mainly in the natural history genre. He wrote and presented a series on man's influence on the natural history of the Mediterranean basin, ''The First Eden'', in 1987. Two years later, he demonstrated his passion for fossils in ''Lost Worlds Vanished Lives''.

Attenborough narrated every episode of ''Wildlife on One'', a BBC One wildlife series which ran for 253 episodes between 1977 and 2005. At its peak, it drew a weekly audience of eight to ten million, and the 1987 episode "Meerkats United" was voted the best wildlife documentary of all time by BBC viewers. He has also narrated over 50 episodes of ''Natural World'', BBC Two's flagship wildlife series. (Its forerunner, ''The World About Us'', was created by Attenborough in 1969, as a vehicle for colour television.) In 1997, he narrated the ''BBC Wildlife Specials'', each focussing on a charismatic species, and screened to mark the Natural History Unit's 40th anniversary.

As a writer and narrator, he continued to collaborate with the BBC Natural History Unit in the new millennium. Alastair Fothergill, a senior producer with whom Attenborough had worked on ''The Trials of Life'' and ''Life in the Freezer'', was making ''The Blue Planet'' (2001), the Unit's first comprehensive series on marine life. He decided not to use an on-screen presenter due to difficulties in speaking to camera through diving apparatus, but asked Attenborough to narrate the films. The same team reunited for ''Planet Earth'' (2006), the biggest nature documentary ever made for television, and the first BBC wildlife series to be shot in high definition. In 2009, Attenborough wrote and narrated ''Life'', a ten-part series focussing on extraordinary animal behaviour, and narrated ''Nature's Great Events'', which showed how seasonal changes trigger major natural spectacles.

By the turn of the millennium, Attenborough's authored documentaries were adopting a more overtly environmentalist stance. In ''State of the Planet'' (2000), he used the latest scientific evidence and interviews with leading scientists and conservationists to assess the impact of man's activities on the natural world. He later turned to the issues of global warming (''The Truth about Climate Change'', 2006) and human population growth (''How Many People Can Live on Planet Earth?'', 2009). He also contributed a programme which highlighted the plight of endangered species to the BBC's ''Saving Planet Earth'' project in 2007, the 50th anniversary of the Natural History Unit.

Interestingly, although Attenborough's documentaries have attained immense popularity in the United States, several have never been made available on DVD in NTSC format, most notably those that cast doubt upon conservative religious or political positions. These include:

''Life on Earth'', which examines the evidence for evolution.

''State of the Planet''

''The Truth About Climate Change''

''First Life'', which examines the origin of life.

Current projects

Attenborough continues to work into his ninth decade, and is currently involved in a number of projects for the BBC and for Sky.

He is writing and presenting ''Frozen Planet'', a major new series for BBC One which examines the impact of a warming climate on the people and wildlife of the polar regions. He has also recently completed two projects for BBC Two. ''Madagascar'' (which first aired weekly between the 9 to 23 February 2011) a three-part series giving an overview of Madagascar's unique wildlife. The accompanying documentary ''Attenborough and the Giant Egg'' (which first aired on the 2nd of March 2011) features the elephant bird egg which Attenborough discovered on his first filming expedition to the island in the 1960s.

Attenborough is also forging a new partnership with Sky, working on documentaries for the broadcaster's new 3D network, Sky 3D. Their first collaboration is ''Flying Monsters 3D'', a film about pterosaurs which debuted on Christmas Day 2010. A second film, ''Penguin Island 3D'', has also been announced. Both are produced by Atlantic Productions, the company behind Attenborough's 2010 series ''First Life''.

Other work

From 1983, Attenborough worked on two environmentally themed musicals with the WWF and writers Peter Rose and Anne Conlon. ''Yanomamo'' was the first, about the Amazon rainforest, and the second, ''Ocean World'', premiered at the Royal Festival Hall in 1991. They were both narrated by Attenborough on their national tour, and recorded on to audio cassette. ''Ocean World'' was also filmed for Channel 4 and later released.

In 1990, he highlighted the case of Mahjoub Sharif as part of the BBC's ''Prisoners of Conscience'' series.

In January 2009, the BBC commissioned Attenborough to provide a series of 20 ten-minute monologues covering the history of nature. Entitled ''David Attenborough's Life Stories'', they are broadcast on Radio 4 in the Friday night slot vacated by Alistair Cooke's ''Letter from America''. Part of Radio 4's ''A Point of View'' strand, the talks are also available as podcasts.

He appeared in the 2009 Children's Prom at the BBC Promenade Concerts and in the Last Night of the Proms on 12 September 2009, playing a floor polisher in Sir Malcolm Arnold's "A Grand, Grand Overture" (after which he was "shot" by Rory Bremner, who was playing the gun).

Attenborough also serves on the advisory board of ''BBC Wildlife'' magazine.

Achievements, awards and recognition

{| style="float:right; background:#f9f9f9; border:1px solid darkgrey;" |- !align="left"|Styles and honours |- |

Mr David Attenborough (1926–1974)

Mr David Attenborough CBE (1974–1983)

Mr David Attenborough CBE FRS (1983–1985)

Sir David Attenborough CBE FRS (1985–1991)

Sir David Attenborough CVO CBE FRS (1991–1996)

Sir David Attenborough CH CVO CBE FRS (1996–2005)

Sir David Attenborough OM CH CVO CBE FRS (2005–)

|}

Attenborough's contribution to broadcasting and wildlife film-making has brought him international recognition. He has been called "the great communicator, the peerless educator" and "the greatest broadcaster of our time". His programmes are often cited as an example of what public service broadcasting should be, even by critics of the BBC, and has influenced a generation of wildlife film-makers.

Honorary titles

In 2010 it was reported that Attenborough has been given 29 honorary degrees by British universities, more than any other person. In 1980, he was honoured by the Open University, with whom he has had a close association throughout his career. He also has honorary Doctor of Science awards from the University of Cambridge (1984) and the University of Oxford (1988). In 2006, the two eldest Attenborough brothers returned to their home city to receive the title of Distinguished Honorary Fellows of the University of Leicester, "in recognition of a record of continuing distinguished service to the University." David Attenborough was previously awarded an honorary Doctor of Letters degree by the university in 1970, and was made an honorary Freeman of the City of Leicester in 1990.

Attenborough has received the title Honorary Fellow from Clare College, Cambridge (1980), the Zoological Society of London (1998), the Linnean Society (1999), the Institute of Biology (2000) and the Society of Antiquaries (2007).

Recognition

Attenborough has featured as the subject of a number of BBC television programmes. ''Life on Air'' (2002) examined the legacy of his work and ''Attenborough the Controller'' (2002) focused on his time in charge of BBC Two. He also featured prominently in ''The Way We Went Wild'' (2004), a series about natural history television presenters, and ''100 Years of Wildlife Films'' (2007), a special programme marking the centenary of the nature documentary. In 2006, British television viewers were asked to vote for their ''Favourite Attenborough Moments'' for a UKTV poll to coincide with the broadcaster's 80th birthday. The winning clip showed Attenborough observing the mimicry skills of the superb lyrebird.

Attenborough was named as the most trusted celebrity in Britain in a 2006 Reader's Digest poll,. and the following year he won ''The Culture Show'''s Living Icon Award. He has also been named among the 100 Greatest Britons in a 2002 BBC poll and is one of the top ten "Heroes of Our Time" according to ''New Statesman'' magazine.

He has the distinction of having a number of newly-discovered species and fossils being named in his honour. In 1993, after discovering that the Mesozoic reptile ''Plesiosaurus conybeari'' had not, in fact, been a true plesiosaur, the paleontologist Robert Bakker renamed the species ''Attenborosaurus conybeari''. A fossilised armoured fish discovered at the Gogo Formation, Western Australia in 2008 was given the name ''Materpiscis attenboroughi'', after Attenborough had filmed at the site and highlighted its scientific importance in ''Life on Earth''. The ''Materpiscis'' fossil is believed to be the earliest organism capable of internal fertilisation.

He has also lent his name to a species of Ecuadorian flowering tree, ''Blakea attenboroughi'', one of the world's largest carnivorous plants, ''Nepenthes attenboroughii'', and one of only four species of long-beaked echidna, the critically endangered ''Zaglossus attenboroughi'', discovered by explorer and zoologist Tim Flannery in the Cyclops Mountains of New Guinea in 1998.

In September 2009, London's Natural History Museum opened the Attenborough Studio, part of its Darwin Centre development.

Awards

1970: BAFTA Desmond Davis Award

1974: Commander of the Order of the British Empire (CBE)

1980: BAFTA Fellowship

1983: Fellow of the Royal Society (FRS)

1985: Knighthood

1991: Commander of the Royal Victorian Order (CVO) for producing Queen Elizabeth II's Christmas broadcast for a number of years from 1986

1991: Foreign Honorary Member of the American Academy of Arts and Sciences

1996: Companion of Honour (CH) "for services to nature broadcasting"

1998: International Cosmos Prize

2003: Michael Faraday Prize awarded by the Royal Society

2004: Descartes Prize for Outstanding Science Communication Actions

2004: Caird Medal of the National Maritime Museum

2005: Order of Merit (OM)

2005: Nierenberg Prize for Science in the Public Interest

2006: National Television Awards Special Recognition Award

2006: Institute of Ecology and Environmental Management - Institute Medal in recognition of his outstanding contribution to the public perception and understanding of ecology

2006: The Culture Show British Icon Award

2007: British Naturalists' Association Peter Scott Memorial Award

2009: BAFTA Specialist factual award for ''Life In Cold Blood''

2009: Prince of Asturias Award

2010: Fonseca Prize

2010: Queensland Museum Medal

Views and advocacy

Environmental causes

Attenborough's programmes have often included references to the impact of human society on the natural world. The last episode of ''The Living Planet'', for example, focuses almost entirely on humans' destruction of the environment and ways that it could be stopped or reversed. Despite this, he has been criticised for not giving enough prominence to environmental messages. Some environmentalists feel that programmes like Attenborough's give a false picture of idyllic wilderness and do not do enough to acknowledge that such areas are increasingly encroached upon by humans.

However, his closing message from ''State of the Planet'' was forthright:

The future of life on earth depends on our ability to take action. Many individuals are doing what they can, but real success can only come if there's a change in our societies and our economics and in our politics. I've been lucky in my lifetime to see some of the greatest spectacles that the natural world has to offer. Surely we have a responsibility to leave for future generations a planet that is healthy, inhabitable by all species.

Attenborough has subsequently become more vocal in his support of environmental causes. In 2005 and 2006, he backed a BirdLife International project to stop the killing of albatross by longline fishing boats. He gave public support to WWF's campaign to have 220,000 square kilometres of Borneo's rainforest designated a protected area. He also serves as a vice-president of BTCV, vice-president of Fauna and Flora International, president of Butterfly Conservation and president of Leicestershire and Rutland Wildlife Trust. In 2003 he launched an appeal to create a rainforest reserve in Ecuador in memory of Christopher Parsons, the producer of ''Life on Earth'' and a personal friend, who had died the previous year. The same year, he helped to launch ARKive, a global project instigated by Parsons to gather together natural history media into a digital library. ARKive is an initiative of Wildscreen, of which Attenborough is a patron. He later became patron of the World Land Trust, and an active supporter. He supported Glyndebourne in their successful application to obtain planning permission for a wind turbine in an Area of Outstanding Natural Beauty, and gave evidence at the planning inquiry arguing in favour of the proposal.

Attenborough has repeatedly said that he considers human overpopulation to be the root cause of many environmental problems. In ''The Life of Mammals'', he made a plea for humans to curb population growth so that other species will not be crowded out. In 2009, he became a patron of Population Matters, (formerly known as the Optimum Population Trust), a UK charity advocating sustainable human populations.

He has written and spoken publicly about the fact that, despite past scepticism, he believes the Earth's climate is warming in a way that is cause for concern, and that this can likely be attributed to human activity. He summed up his thoughts at the end of his 2006 documentary "Can We Save Planet Earth?" as follows:

In the past, we didn't understand the effect of our actions. Unknowingly, we sowed the wind and now, literally, we are reaping the whirlwind. But we no longer have that excuse: now we do recognise the consequences of our behaviour. Now surely, we must act to reform it — individually and collectively, nationally and internationally — or we doom future generations to catastrophe.

In a 2005 interview with ''BBC Wildlife'' magazine, Attenborough said he considered George W. Bush to be the era's top "environmental villain". In 2007, he further elaborated on the USA's consumption of energy in relation to its population. When asked if he thought America to be "the villain of the piece", he responded:

I don't think whole populations are villainous, but Americans are just extraordinarily unaware of all kinds of things. If you live in the middle of that vast continent, with apparently everything your heart could wish for just because you were born there, then why worry? [...] If people lose knowledge, sympathy and understanding of the natural world, they're going to mistreat it and will not ask their politicians to care for it.

Religion and creationism

In a December 2005 interview with Simon Mayo on BBC Radio Five Live, Attenborough stated that he considers himself an agnostic. When asked whether his observation of the natural world has given him faith in a creator, he generally responds with some version of this story, making reference to the ''Loa loa'' parasitic worm:

My response is that when Creationists talk about God creating every individual species as a separate act, they always instance hummingbirds, or orchids, sunflowers and beautiful things. But I tend to think instead of a parasitic worm that is boring through the eye of a boy sitting on the bank of a river in West Africa, [a worm] that's going to make him blind. And [I ask them], 'Are you telling me that the God you believe in, who you also say is an all-merciful God, who cares for each one of us individually, are you saying that God created this worm that can live in no other way than in an innocent child's eyeball? Because that doesn't seem to me to coincide with a God who's full of mercy'.

He has explained that he feels the evidence all over the planet clearly shows evolution to be the best way to explain the diversity of life, and that "as far as I'm concerned, if there is a supreme being then he chose organic evolution as a way of bringing into existence the natural world."

In a BBC Four interview with Mark Lawson, Attenborough was asked if he at any time had any religious faith. He replied simply, "No." He has also said "It never really occurred to me to believe in God".

In 2002, Attenborough joined an effort by leading clerics and scientists to oppose the inclusion of creationism in the curriculum of UK state-funded independent schools which receive private sponsorship, such as the Emmanuel Schools Foundation. In 2009, Attenborough stated that the Book of Genesis, by saying that the world was there for people to dominate, had taught generations that they can "dominate" the environment, and that this has resulted in the devastation of vast areas of the environment. Attenborough further explained to the science journal ''Nature'', "That's why Darwinism, and the fact of evolution, is of great importance, because it is that attitude which has led to the devastation of so much, and we are in the situation that we are in."

Also in early 2009, the BBC broadcast an Attenborough one-hour special, ''Charles Darwin and the Tree of Life''. In reference to the programme, Attenborough stated that "People write to me that evolution is only a theory. Well, it is not a theory. Evolution is as solid a historical fact as you could conceive. Evidence from every quarter. What is a theory is whether natural selection is the mechanism and the only mechanism. That is a theory. But the historical reality that dinosaurs led to birds and mammals produced whales, that's not theory." He strongly opposes creationism and its offshoot "intelligent design", saying that a survey that found a quarter of science teachers in state schools believe that creationism should be taught alongside evolution in science lessons was "really terrible".

In March 2009, Attenborough appeared on ''Friday Night with Jonathan Ross''. Attenborough stated that he felt evolution did not rule out the existence of a God and accepted the title of agnostic saying, "My view is: I don't know one way or the other but I don't think that evolution is against a belief in God."

BBC and public service broadcasting

Attenborough is a lifelong supporter of the BBC, public broadcasting and the television licence. He has said:

PSB, to me, is not about selecting individual programme strands here or there, financing them from some outside source and then foisting them upon commercial networks. Public Service Broadcasting, watched by a healthy number of viewers, with programmes financed in proportion to their intrinsic needs and not the size of the audience, can only effectively operate as a network — a network whose aim is to cater for the broadest possible range of interests, popular as well as less popular, a network that measures its success not only by its audience size but by the range of its schedule.

Public service broadcasting is one of the things that distinguishes this country and makes me want to live here. I have spent all my life in it. I would be very distressed if public service broadcasting was weakened. I have been at the BBC since 1952, and know the BBC is constantly being battered. It is today.

If you could demonstrate that the BBC was grossly extravagant there might be a case for saying OK take it away. But in fact the BBC per minute in almost every category is as cheap as you can find anywhere in the world and produces the best quality. If you take the money away, which part of the BBC will you remove? The BBC has gone through swingeing staff cuts. It has been cut to the bone, if you divert licence fee money elsewhere, you cut quality and services. There is always that threat from politicians who will say your licence fee is up for grabs. We will take it. There is a lot of people who want to see the BBC weakened. They talk of this terrible tax of the licence fee. Yet it is the best bargain that is going. Four radio channels and god knows how many TV channels. It is piffling.

There have always been politicians or business people who have wanted to cut the BBC back or stop it saying the sort of things it says. There's always been trouble about the licence and if you dropped your guard you could bet our bottom dollar there'd be plenty of people who'd want to take it away. The licence fee is the basis on which the BBC is based and if you destroy it, broadcasting... becomes a wasteland.

Attenborough expressed regret at some of the changes made to the BBC in the 1990s by Director-General John Birt, who introduced an internal market at the corporation, slimmed and even closed some departments and outsourced much of the corporation’s output to private production companies, in line with the Broadcasting Act 1990. He has said:

There is no question but that Birtism . . . has had some terrible results. On the other hand, the BBC had to change. Now it has to produce programmes no one else can do. Otherwise, forget the licence fee.

The Bristol Unit has suffered along with the rest of the BBC from recent staff cuts. Yet it remains confident in the belief that the BBC will maintain it, in spite of the vagaries of fashion, because the Corporation believes that such programmes deserve a place in the schedules of any broadcaster with pretensions of providing a Public Service. In due course, similar specialist Units were also established in London, in order to produce programmes on archaeology and history, on the arts, on music and on science. They too, at one time, had their successes. But they have not survived as well as the Unit in Bristol. The statutory requirement that a certain percentage of programmes must come from independent producers has reduced in-house production and the Units necessarily shrank proportionately in size. As they dwindled, so the critical mass of their production expertise has diminished. The continuity of their archives has been broken, they have lost the close touch they once had worldwide with their subjects and they are no longer regarded internationally as the centres of innovation and expertise that they once were.

When Birt gets up and says the whole of the BBC was a creative mess and it was wasteful, I never saw any evidence of that. I absolutely know it wasn’t so in my time. Producers now spend all their time worrying about money, and the thing has suffered for it.

In 2008, he criticised the BBC’s television schedules:

I have to say that there are moments when I wonder — moments when its two senior networks, first set up as a partnership, schedule simultaneously programmes of identical character, thereby contradicting the very reason that the BBC was given a second network. Then there are times when both BBC One and BBC Two, intoxicated by the sudden popularity of a programme genre, allow that genre to proliferate and run rampant through the schedules. The result is that other kinds of programmes are not placed, simply because of a lack of space. Do we really require so many gardening programmes, make-over programmes or celebrity chefs? Is it not a scandal in this day and age, that there seems to be no place for continuing series of programmes about science or serious music or thoughtful in-depth interviews with people other than politicians?

In 2009, Attenborough commented on the general state of British television, describing the newly introduced product placement on commercial television as something he considered an "appalling" idea 20 years earlier:

I think it's in great trouble. The whole system on which it was built — a limited number of networks, with adequate funding — is under threat. That funding is no longer there. As stations proliferate, so audiences are reduced. The struggle for audiences becomes ever greater, while money diminishes. I think that's a fair recipe for trouble. Inevitably, this has an impact on the BBC … Fortunately, the BBC doesn't think natural history programmes must compete with ''Strictly Come Dancing'' in terms of audience. The BBC says, 'Make proper, responsible natural history programmes.'

Other causes

In May 2005, Attenborough was appointed as patron of the UK's Blood Pressure Association, which provides information and support to people with hypertension.

Attenborough is also an honorary member of BSES Expeditions, a youth development charity that operates challenging scientific research expeditions to remote wilderness environments.

Parodies and artistic portrayals

Attenborough's accent and hushed, excited delivery have been the subject of frequent parodies by comedians, most notably Spike Milligan, Marty Feldman and ''The Goodies''. Attenborough is portrayed by Michael Palin in the final episode of ''Monty Python's Flying Circus'', where he searches the African jungle for the legendary Walking Tree of Dahomey (''Quercus Nicholas Parsonus''), sweating excessively and accompanied by native guides wearing saxophones. David Attenborough has also been parodied in a series of GEICO insurance commercials, showing a nature show host, clearly patterned on Attenborough.

"Time Flies", a sketch by David Ives, features a pair of anthropomorphic mayflies engaging in a courtship ritual, while watching themselves on television in a documentary narrated by David Attenborough.

The character of Nigel Thornberry, a nature documentarian on Nickelodeon's The Wild Thornberrys is strongly influenced by Attenborough.

He has also been parodied by the Australia 1980s sketch show The Comedy Company where Ian McFadyen portrays a character called David Rabbitborough.

The video game ''Discworld'', based on the series of books by Terry Pratchett, parodies his unique delivery to explain different aspects of the Discworld Universe, such as L-Space.

Mythbusters host Adam Savage often imitates Attenborough when speaking about his co-host Jamie Hyneman, which Jamie verified in the YouTube Special Episode.

Filmography

Attenborough is known foremost for writing and presenting the ten ''Life'' series, which are presented in chronological order below:

''Life on Earth'' (1979)

''The Living Planet'' (1984)

''The Trials of Life'' (1990)

''Life in the Freezer'' (1993)

''The Private Life of Plants'' (1995)

''The Life of Birds'' (1998)

''The Life of Mammals'' (2002)

''Life in the Undergrowth'' (2005)

''Life in Cold Blood'' (2008)

''First Life'' (2010)

His voice is synonymous with wildlife documentaries for British audiences, and the principal series with which his narration is associated include:

''Wildlife on One'' (1977–2005)

''BBC Wildlife Specials'' (1995–2008)

''The Blue Planet'' (2001)

''Planet Earth'' (British version) (2006)

''Nature's Great Events'' (2009)

''Life (2009)

''The Frozen Planet'' (2011) (in production)

Books

Bibliography

''Zoo Quest to Guyana'' (Lutterworth Press, 1956)

''Zoo Quest for a Dragon'' (Lutterworth Press, 1957)

* (book club edition with 85 extra pages, ''Quest for the Paradise Birds'', 1959)

''Zoo Quest in Paraguay'' (Lutterworth Press, 1959)

* paperback (Penguin Books, 1982)

''Quest in Paradise'' (1960)

''People of Paradise'' (Harper & Brothers, 1960)

''Zoo Quest to Madagascar'' (1961)

''Quest Under Capricorn'' (1963)

''Fabulous Animals'' (BBC, 1975) ISBN 0-563-17006-9

''The Tribal Eye'' (1976)

''Life on Earth'' (1979)

''Discovering Life on Earth'' (1981)

''Journeys to the past: Travels in New Guinea, Madagascar, and the northern territory of Australia'' (1983) Penguin Books ISBN 0-14-00.64133

''The Living Planet'' (1984)

''The First Eden: The Mediterranean World and Man'' (1987)(Little Brown & Co (T); 1st American ed edition (March 1990))

''The Atlas of the Living World'' (1989)

''The Trials of Life'' (Collins, 1990) ISBN 0-00-219912-2

''The Private Life of Plants'' (BBC Books, 1994) ISBN 0-563-37023-8

''The Life of Birds'' (BBC Books, 1998) ISBN 0-563-38792-0

''The Life of Mammals'' (BBC Books, 2002) ISBN 0-563-53423-0

''Life on Air: Memoirs of a Broadcaster'' (autobiography; 2002) ISBN 0-563-53461-3

* paperback: ISBN 0-563-48780-1

* updated edition: ISBN 9781846076527

''Life in the Undergrowth'' (BBC Books, 2005) ISBN 0-563-52208-9

''Amazing Rare Things - The Art of Natural History in the Age of Discovery'' with Susan Owens, Martin Clayton and Rea Alexandratos (The Royal Collection, 2007) Hardback - ISBN 978-1-902163-46-8; Softback - ISBN 978-1-902163-99-4

''Life in Cold Blood'' (BBC Books, 2007) ISBN 9780563539223

''Life Stories'', (HarperCollins Publishers, 2009) ISBN 9780007338832

''New Life Stories'', (Collins, 2011) ISBN 9780007425129

Introductions

Attenborough has written the introduction or foreword for a number of books, including:

''African Jigsaw: A Musical Entertainment'', Peter Rose and Anne Conlon (published: 1986, Weinberger)

''Tomorrow Is Too Late'', Various (The Macmillan Press, 1990)

''Life in the Freezer: Natural History of the Antarctic'', Alastair Fothergill (BBC Books, 1993), ISBN 0-563-36431-9

''Birds of Paradise: Paradisaeidae'' (Bird Families of the World series) Clifford B. Frith, Bruce M. Beehler, William T. Cooper (Illustrator) (Oxford University Press, 1998) ISBN 0-19-854853-2

''The Blue Planet'', Andrew Byatt, Alastair Fothergill, Martha Holmes (BBC Books, 2001) ISBN 0-563-38498-0.

''Light on the Earth'' (BBC Books, 2005), two decades of winning images from the Wildlife Photographer of the Year competition, ISBN 0-563-52260-7

''Planet Earth'', Alastair Fothergill (BBC Books, 2006), ISBN 0-563-52212-7

Audio recordings

''Tarka the Otter'' by Henry Williamson (available on audiocassette, 1978)

''Yanomamo'' (musical entertainment, 1983) by Peter Rose and Anne Conlon; on-stage narration and published audio recording

''Ocean World'' (musical entertainment, 1990) by Peter Rose and Anne Conlon; on-stage narration (including at The Royal Festival Hall), for audio recording and video broadcast (both published)

''Peter and the Wolf'' for BBC Music Magazine (free CD with the June 2000 issue).

In addition, Attenborough has recorded some of his own works in audiobook form, including ''Life on Earth'', ''Zoo Quest for a Dragon'' and his autobiography ''Life on Air: Memoirs of a Broadcaster''.

References

External links

BBC Books David Attenborough website

BBC ''Life on Air'' website

BBC biography

Wildfilmhistory.org biography

BBC interviews with Attenborough in 1976 and 1998

PBS interview with Attenborough in 1998

A Life in TV: Sir David Attenborough, BAFTA

BBC Wildlife Finder - David Attenborough's favourite moments

Tribute from the World Land Trust

Category:1926 births Category:Living people Category:Alumni of Clare College, Cambridge Category:Alumni of University College London Category:BBC Two controllers Category:Commanders of the Order of the British Empire Category:Commanders of the Royal Victorian Order Category:English agnostics Category:English conservationists Category:English environmentalists Category:English television personalities Category:Fellows of the American Academy of Arts and Sciences Category:Fellows of the Royal Society Category:Fellows of the Society of Antiquaries of London Category:Fellows of the Zoological Society of London Category:Kalinga Prize recipients Category:Knights Bachelor Category:Members of the Linnean Society of London Category:Members of the Order of the Companions of Honour Category:Members of the Order of Merit Category:People associated with the University of Leicester Category:People from Leicester Category:People from London Category:Presenters of the Royal Institution Christmas Lectures Category:British Book Award winners

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Coordinates	50°15′″N19°0′″N
name	Eric Carle
birth place	Syracuse, New York
birth date	June 25, 1929
occupation	Author, Illustrator
notable works	The Very Hungry Caterpillar
spouse	}}

Eric Carle (born June 25, 1929) is a children's book author and illustrator who is most famous for his book ''The Very Hungry Caterpillar'', which has been translated into over 50 languages. Since ''The Very Hungry Caterpillar'' was published in 1969, Eric Carle has illustrated more than 70 books, many best sellers, most of which he also wrote, and more than 103 million copies of his books have sold around the whole world.

Early life

Born in Syracuse, New York in 1929 to German emigrants Johanna and Erich Carle, Eric moved back to Germany with his parents in the mid 1930s when he was six years old; his mother, homesick for Germany, took the family back to Stuttgart. He was educated there, and graduated from the Akademie der Bildenden Künste Stuttgart. Eric's father was drafted into the German army during World War II and spent eight years as a prisoner of the Russians. "When he came back, he was a broken man." He was, in Eric Carle's own words in a Guardian interview a "sick man, psychologically, physically amazed." Eric had been sent to the small town of Schwenningen to escape the bombings of Stuttgart. When Eric was 15, the German government conscripted him and other boys of his age to dig trenches on the Siegfried line. Although he does not like to think about it too deeply, his wife, he told a reporter, thinks he still suffers from post-traumatic stress from those days, adding: "You know about the Siegfried line? To dig trenches. And the first day three people were killed a few feet away. Not children -- Russian prisoners or something. The nurses came and started crying. And in Stuttgart, our home town, our house was the only one standing. When I say standing, I mean the roof and windows are gone, and the doors. And, well, there you are." Always homesick for America, Eric dreamed of returning one day to the United States, so he moved to New York City in 1952 with only $40 to his name. Once there, he landed a job as a graphic designer in the promotion department of ''The New York Times''. He was drafted into the U.S. Army during the Korean War and stationed in Germany with the Second Armored Division and appointed the position of mail clerk. After returning from the service, Carle returned to his old job with ''The New York Times'' and later became the art director of an advertising agency.

Writing and illustrating career

Educator and author Bill Martin Jr., after noticing an illustration of a red lobster Carle had created for an advertisement, asked him to illustrate a story. ''Brown Bear, Brown Bear, What Do You See?'' was the result of their collaboration, and became a best-seller. This began Carle’s true career; soon he was writing and illustrating his own stories. His first wholly original book was ''1,2,3 to the Zoo'', followed quickly by ''The Very Hungry Caterpillar''.

Style

Eric Carle’s art is distinctive and instantly recognizable. His art work is created in collage technique, using hand-painted papers, which he cuts and layers to form bright and colorful images. Many of his books have an added dimension—die-cut pages, twinkling lights as in ''The Very Lonely Firefly'', even the lifelike sound of a cricket’s song as in ''The Very Quiet Cricket''. Carle's readers often use his work as an example and create collages themselves that they often send to Carle; he receives hundreds of letters each week from his young admirers.

The themes of his stories are usually drawn from his extensive knowledge and love of nature— an interest shared by most small children. Carle attempts to make his books not only entertaining, but also to offer his readers the opportunity to learn something about the world around them. When writing, Carle attempts to recognize children's feelings, inquisitiveness and creativity, as well as stimulate their intellectual growth; it is for these reasons (in addition to his unique artwork) that many feel his books have been such a success.

Quotes

“With many of my books I attempt to bridge the gap between the home and school. To me home represents, or should represent; warmth, security, toys, holding hands, being held. School is a strange and new place for a child. Will it be a happy place? There are new people, a teacher, classmates—will they be friendly?

I believe the passage from home to school is the second biggest trauma of childhood; the first is, of course, being born. Indeed, in both cases we leave a place of warmth and protection for one that is unknown. The unknown often brings fear with it. In my books I try to counteract this fear, to replace it with a positive message. I believe that children are naturally creative and eager to learn. I want to show them that learning is really both fascinating and fun.” -''Eric Carle''

Later life

Eric Carle has a son and a daughter. He currently divides his time between the Florida Keys and the Hills of North Carolina. For over 20 years, Carle and his second wife, Bobbie Morrison, lived in Northampton, Massachusetts.

With his wife, Eric Carle founded The Eric Carle Museum of Picture Book Art, a museum devoted to the art of children's books in Amherst located adjacent to Hampshire College as part of the Hampshire College Cultural Village. The Museum has welcomed over 325,000 visitors since it opened its doors in 2002. Carle received an honorary doctorate from Bates College in 2007.

Google paid tribute to Carle and his book ''The Very Hungry Caterpillar'' by asking him to design their logo "Google doodle", on their home page on March 20, 2009, celebrating the first day of spring. (Carle also designed "Google doodle" for fall theme for the use in Southern Hemisphere.)

His book ''The Very Hungry Caterpillar'' was chosen as the book for Jumpstart's 2009 Read For the Record program on October 8. Read For the Record encourages educators, librarians and parents to try to have as many as possible read the same book and the same day all over the world.

Works

1967, ''Brown Bear, Brown Bear, What Do You See?'' (illustrator) 1968, ''1, 2, 3 to the Zoo'' 1969, ''The Very Hungry Caterpillar'' 1970, ''Pancakes, Pancakes!'' 1970, ''The Tiny Seed'' 1970, ''Tales of the Nimipoo'' (illustrator) 1970, ''The Boastful Fisherman'' (illustrator) 1971, ''Feathered Ones and Furry'' (illustrator) 1971, ''The Scarecrow Clock'' (illustrator) 1971, ''Do You Want to Be My Friend?'' 1972, ''Rooster’s Off to See the World'' 1972, ''The Very Long Tail'' 1972, ''The Secret Birthday Message'' 1972, ''Walter the Baker'' 1973, ''Do Bears Have Mothers Too?'' (illustrator) 1973, ''Have You Seen My Cat?'' 1973, ''I See a Song, 1973''

1974, Split-page book collection: :''My Very First Book of Numbers'' :''My Very First Book of Colors'' :''My Very First Book of Shapes'' :''My Very First Book of Words''

1974, ''Why Noah Chose the Dove'' (illustrator) 1974, ''All About Arthur'' 1975, ''The Hole in the Dike'' (illustrator) 1975, ''The Mixed-Up Chameleon'' 1976, ''Eric Carle’s Storybook, Seven Tales by the Brothers Grimm'' 1977, ''The Grouchy Ladybug'' 1978, ''Watch Out! A Giant!'' 1978, ''Seven Stories by Hans Christian Andersen'' (sequel to ''Seven Tales by the Brothers Grimm'') 1980, ''Twelve Tales from Aesop'' 1981, ''The Honeybee and the Robber'' 1982, ''Otter Nonsense'' (illustrator) 1982, ''Catch the Ball!'' 1982, ''What's for Lunch'' 1983, ''Chip Has Many Brothers'' (illustrator) 1984, ''The Very Busy Spider'' 1985, ''The Foolish Tortoise'' (illustrator) 1985, ''The Greedy Python'' (illustrator, companion to ''The Foolish Tortoise'') 1985, ''The Mountain that Loved a Bird'' (illustrator) 1986, ''All Around Us'' 1986, ''Papa, Please Get the Moon for Me''

1986, Group of small-format books: :''My Very First Book of Sounds'' :''My Very First Book of Food'' :''My Very First Book of Tools'' :''My Very First Book of Touch'' :''My Very First Book of Motion'' :''My Very First Book of Growth'' :''My Very First Book of Homes'' :''My Very First Book of Heads''

1986, ''All in a Day'' (''Mitsumasa Anno'' editor) 1987, ''A House for Hermit Crab'' 1988, ''The Lamb and the Butterfly'' (illustrator)

1988, ''Eric Carle’s Treasury of Classic Stories for Children'' 1989, ''Animals Animals'' (illustrator) 1990, ''The Very Quiet Cricket'' 1991, ''Polar Bear, Polar Bear, What Do You Hear?'' (illustrator) 1991, ''Dragons Dragons'' (illustrator) 1992, ''Draw Me a Star'' 1993, ''Today Is Monday'' 1994, ''My Apron'' 1995, ''The Very Lonely Firefly'' 1996, ''Little Cloud'' 1997, ''From Head to Toe'' 1997, ''Flora and Tiger: 19 very short stories from my life'' 1998, ''Hello, Red Fox'' 1998, ''You Can Make a Collage: A Very Simple How-to Book'' 1999, ''The Very Clumsy Click Beetle'' 2000, ''Does A Kangaroo Have A Mother, Too?'' 2000, ''Dream Snow'' 2002, ''“Slowly, Slowly, Slowly,” said the Sloth'' 2003, ''Where Are You Going? To See My Friend!'' (with ''Kazuo Iwamura'') 2003, ''Panda Bear, Panda Bear, What Do You See?'' (illustrator) 2004, ''Mister Seahorse'' 2005, ''10 Little Rubber Ducks'' 2006, ''My Very First Book of Numbers'' 2007, ''Baby Bear, Baby Bear, What Do You See?'' 2008, ''The Rabbit and the Turtle'' 2009, Google Logo Design (illustrator) 2009, ''The Very Hungry Caterpillar'', Pop-Up Edition (40th Anniversary Tribute Book)

References

External links

Eric Carle's web site

The Eric Carle Museum of Picture book Art web site

Bates College Commencement 2007">Speech by Eric Carle at Bates College Commencement 2007

This one's got legs - interview of Eric Carle by Emma Brockes in The Guardian newspaper 14 March 2009

Guardian website reports Google logo design

Category:1929 births Category:Laura Ingalls Wilder Medal winners Category:American people of German descent Category:Living people Category:American children's writers Category:Officers Crosses of the Order of Merit of the Federal Republic of Germany Category:Children's picture books Category:Illustration Category:Book design Category:Artistic techniques Category:Decorative arts Category:Paper art

ca:Eric Carle de:Eric Carle es:Eric Carle fr:Eric Carle it:Eric Carle he:אריק קרל nl:Eric Carle ja:エリック・カール no:Eric Carle

William Ivan Martin, (March 20, 1916 - August 11, 2004) was an educator, publishing executive, and author of more than 300 children's books including ''Chicka Chicka Boom Boom'', ''Brown Bear, Brown Bear, What Do You See?'', ''Baby Bear, Baby Bear, What Do You See?'', ''Panda Bear, Panda Bear, What Do You See?'', and ''Polar Bear, Polar Bear, What Do You Hear?''.

The Bill Martin Jr. Award, which is the Kansas state award for best children's picture book, was established in his honor in 1996.

Martin was born and raised in Hiawatha, Kansas. His father was a paperhanger and his mother a housewife; he was one of 5 brothers. He had difficulty reading until he went to college, at the Kansas State Teacher's College in Emporia, Kansas. There he memorized poems that a teacher read aloud in class, and was then able to relate the words to what was on the page. Enthusiastic about helping other children learn to read by "[having] language inside of themselves," he went on to earn a doctorate in early childhood education from Northwestern University in 1961.

After graduating with his bachelor's degree, Martin taught journalism, drama, and English at high schools in Newton and St. John, Kansas.

During World War II, he served in the Army Air Force as a newspaper editor and wrote his first book, ''The Little Squeegy Bug'', published in 1945, as William Ivan Martin, with illustrations by his brother Bernard Martin. Eleanor Roosevelt praised the book in her syndicated newspaper column, "My Day," and it eventually sold 1 million copies. He wrote 10 more books with his brother and by the time of his death had published more than 300 children's books, always working with a carefully chosen illustrator. He liked to collaborate and to make many revisions until the words sounded right.

Martin then worked as principal of Crown Island Elementary School in Illinois, and later moved to New York City and joined the publishing company Holt, Rinehart and Winston, where he was editor in chief of the school division during the 1960s and developed innovative reading programs.

In 1972 he became a full-time writer. During the last 15 years of his life, he co-wrote many books with Michael Sampson, whom he met at a reading conference in Tucson, Arizona in 1978. In 1992, Martin moved from New York to Texas to build a house beside Sampson on on the banks of the South Sulphur River. Martin named the land “Woodfrost” as a reflection of his love for Robert Frost and Frost's poetry about the woods. For the next 12 years, Sampson and Martin wrote daily, creating 25 books for children, including award winners: ''I Pledge Allegiance'' (illustrated by Chris Raschka) and ''New York Times'' best sellers ''Panda Bear, Panda Bear, What Do You See?'' (illustrated by Eric Carle) and ''Chicka, Chicka, 1, 2, 3'', (illustrated by Lois Elhert). Their final collaboration, the ''Bill Martin Jr Big Book of Poetry'', was published in November 2008, four years after his death.

Martin was also active as an educational speaker and with Sampson, conducted annual workshops for educators called Pathways to Literacy that eventually trained over 50,000 teachers at 30 sites throughout the US. He was one of the first children's book authors to promote his books by touring schools and bookstores. At these appearances he read aloud to the children, often with music and dancing. He believed in instilling interest in children and helping them remember new words through rhythm and repetition. Sampson said: “Poetry allowed him to become a reader - if he could hear it, he could read it. And as a writer, Bill worked with his ear. How his writing sounded was the most important thing. Poetry was his mentor. It inspired and guided him.” During the 1950s he hosted a regional television program, ''The Storyteller'', and he later produced audiotapes of his books.

In 2000, the Morrill Public Library in Hiawatha, Kansas dedicated the Bill & Bernard Martin Children's Library in honor of Bill and his brother, Bernard, who is best known as a Midwest wildlife painter and print maker.

Martin married Betty Jean Bachmann in 1942 and they divorced in 1978. He had a son (who died in 1963) and a daughter.

Bill Martin, Jr. died in Commerce, Texas in 2004. A library on the campus of Texas A&M; University–Commerce is named in his honor and contains all his books and many artifacts.

References

External links

Official webpage of Bill Martin Jr

Category:1916 births Category:2004 deaths Category:American schoolteachers Category:People from Brown County, Kansas Category:American military personnel of World War II Category:United States Army Air Forces soldiers Category:American children's writers Category:People from Hunt County, Texas