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- Published: 27 Mar 2007
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Name | Dr. No |
---|---|
Caption | American Dr. No film poster designed by Mitchell Hooks with 007 logo designed by Joseph Caroff |
Starring | Sean ConneryJoseph WisemanUrsula AndressJack LordJohn Kitzmiller |
Writer | Ian Fleming |
Screenplay | Richard MaibaumJohanna HarwoodBerkely Mather |
Cinematography | Ted Moore |
Director | Terence Young |
Producer | Harry SaltzmanAlbert R. Broccoli |
Music | Monty Norman |
Editing | Peter R. Hunt |
Studio | EON Productions |
Distributor | United Artists |
Released | |
Runtime | 109 minutes |
Country | |
Followed by | From Russia with Love |
Budget | $1 million |
Gross | $59.6 million |
In the film, James Bond is sent to Jamaica on an investigation into the death of a fellow British agent. The murder trail leads him to the underground base of Dr. Julius No, who is plotting to disrupt an early American manned space launch with a radio beam weapon. Although the first of the Bond books to be made into a film, Dr. No wasn't the first of Fleming's novels, Casino Royale being the debut for the character. However, the film makes a few references to threads from earlier books, such as M mentioning that Bond's current gun gave him problems, before presenting him with his more well known Walther PPK.
Dr. No was produced with a low budget, but was a financial success, leading to a series of films that continues to this day. Dr. No also launched a successful genre of "secret agent" films that flourished in the 1960s. Many of the iconic aspects of a typical James Bond film were established in Dr. No, beginning with what is known as the gun barrel sequence. The film begins with an introduction to the character through the view of a gun barrel, and a highly stylised main title sequence, both created by Maurice Binder. In his work on film, production designer Ken Adam established a unique and expansive visual style that is one of the hallmarks of the Bond film series.
Upon his arrival at Kingston Airport, a female photographer, tries to take Bond's picture and he is shadowed from the airport. He is picked up by a chauffeur, who Bond determines to be an enemy agent. Bond instructs him to leave the main road and, after a brief fight, Bond starts to interrogate the driver, who kills himself with a cyanide-embedded cigarette.
During his investigation Bond sees a picture of a boatman named Quarrel with Strangways. Bond locates Quarrel but finds him to be un-cooperative when he interviews him. Bond also recognises Quarrel to have been the driver of the car that chased him from the airport. Bond follows Quarrel and is about to be beaten up by him and a friend when the fight is interrupted by the man from the airport who has been following Bond: he reveals himself to be CIA agent Felix Leiter and that not only are the two agents on the same mission, but also that Quarrel is helping Leiter. The CIA has traced the mysterious radio jamming of American rockets to the Jamaica vicinity, but aerial photography cannot see the exact location of its origin. Quarrel reveals to have been guiding Strangways around the nearby islands to collect mineral samples. He also tells about the island of Crab Key, owned by the reclusive Dr. No, who operates a bauxite mine which is rigorously protected against trespassers by an armed security force and low-scan radar.
After finding a receipt in Strangways' house about mysterious rocks naming, Professor R.J. Dent, Bond meets with Dent who says he had assayed the samples for Strangways and determined them to be ordinary rocks. This visit makes Dent wary and he takes a boat to Crab Key where Dr. No expresses displeasure at Dent's failure to kill Bond and orders him to try again, this time with a large venomous spider. Bond survives and after a final attempt on his life, sets a trap for Dent, who he captures, interrogates and then kills.
Having detected radioactive traces in Quarrel's boat, where Strangways' mineral samples had been, Bond convinces a reluctant Quarrel to take him to Crab Key. There Bond meets the beautiful Honey Ryder, dressed only in a white bikini, who is collecting shells. At first she is suspicious of Bond but soon decides to help him, leading them all inland to an open swamp. After nightfall they are attacked by the legendary "dragon" of Crab Key which turns out to be a flame-throwing armoured tractor. In the resulting gun battle, Quarrel is incinerated by the flame-thrower whilst Bond and Honey are taken prisoner. Bond and Honey are decontaminated and taken to quarters before being drugged.
Upon waking they are escorted to dine with Dr. No. He reveals that he is a member of SPECTRE (SPecial Executive for Counter-intelligence, Terrorism, Revenge, and Extortion) and plans to disrupt the Project Mercury space launch from Cape Canaveral with his atomic-powered radio beam. After dinner Honey is taken away and Bond is beaten by the guards.
Bond is imprisoned in a holding cell but manages to escape through a vent. Disguised as a worker, Bond finds his way to the control centre, a multi-level room full of high-tech instrumentation with an atomic reactor set into the floor, overseen by Dr No from a command console. Bond overloads the nuclear reactor just as the American rocket is about to take off. Hand-to-hand combat ensues between Bond and Dr. No, with the scientist being pushed into the reactor's cooling vat, in which he boils to death. Bond then finds Honey, releases her and the two escape in a boat just as the entire lair explodes.
Initially Broccoli and Saltzman had wanted to produce Thunderball as the first film, but there was an ongoing legal dispute between screenplay's co-author, Kevin McClory and Ian Fleming. As a result Broccoli and Saltzman chose Dr. No: the timing was apposite, with claims that American rocket testing at Cape Canaveral had problems with rockets going astray.
The producers offered the film to Guy Green, Guy Hamilton, Val Guest and Ken Hughes to direct, but all of them turned it down. They finally signed Terence Young who had a long background with Broccoli's Warwick Films as the director. Broccoli and Saltzman felt that Young would be able make a real impression of James Bond and transfer the essence of the character from book to film. Young imposed many stylistic choices for the character which continued throughout the film series.
The producers asked United Artists for financing, but the studio would only put up $1 million. As a result, only one sound editor was hired (normally there are two, for sound effects and dialogue), and many scenarios were made in cheaper ways, with M's office featuring cardboard paintings and a door covered in a leather-like plastic, and the room where Dent meets Dr. No costing only £745 to build. Also, as art director Syd Cain found out his name was not in the credits, Broccoli gave him a golden pen to compensate, saying that he did not want to spend money making those credits again.
introduces James Bond to the cinematic world with his trademark statement, "Bond, James Bond."]] There are several stories as to whom Ian Fleming personally wanted. Fleming wanted his friend Noel Coward for the role of Dr. Julius No, to which he answered "No! No! No!". Another actor favoured by Fleming was Richard Todd. In his autobiography When The Snow Melts, Cubby Broccoli said Roger Moore had been considered, but had been thought "...too young, perhaps a shade too pretty." In his autobiography, My Word Is My Bond, Moore says he was never approached to play the role of Bond unitl 1973, for Live and Let Die. In the event, Moore appeared as Simon Templar on the television series The Saint, airing in the United Kingdom for the first time on 4 October 1962, only one day before the premiere of Dr. No.
Ultimately, the producers turned to 30-year-old Sean Connery for five films. Most interior shots of Dr. No's base, the ventilation duct and the interior of the British Secret Service headquarters were shot at Pinewood Studios, Buckinghamshire, England with sets designed by Ken Adam. Adam's budget for the entire film was just £14,500. The majority of shooting for later Bond films also took place at Pinewood. Ken Adams had contacted the National Gallery in London to obtain a slide of the picture, painting the copy over the course of the weekend, prior to filming commencing on the Monday.
As title artist Maurice Binder was creating the credits, he had an idea for the introduction that would appear in all subsequent Bond films, the James Bond gun barrel sequence. It was filmed in sepia by putting a pinhole camera inside an actual .38 calibre gun barrel, with Bob Simmons playing Bond. Norman was busy with musicals, and only accepted to do the music for Dr. No after Saltzman allowed him to travel along with the crew to Jamaica. The most famous composition in the soundtrack is the "James Bond Theme", which appears in a calypso medley over the title credits, and was written by Norman based on a previous composition of his. John Barry, who would later go on to compose the music for eleven Bond films, arranged the Bond theme, but was uncredited—except for the credit of his orchestra playing the final piece. It has occasionally been suggested that Barry, not Norman, composed the "James Bond Theme". This argument has been the subject of two court cases, the most recent in 2001.
The music for the opening scene is a calypso version of the nursery rhyme "Three Blind Mice", with new lyrics to reflect the intentions of the three assassins hired by Dr. No.
In the years that followed its release it became more popular. Writing in 1986 Danny Peary described Dr. No as a “cleverly conceived adaption of Ian Fleming’s enjoyable spy thriller… Picture has sex, violence, wit, terrific action sequences, and colorful atmosphere… Connery, Andress and Wiseman all give memorable performances. There’s a slow stretch in the middle and Dr. No could use a decent henchman, but otherwise the film works marvelously." Describing Dr. No as "a different type of film", Peary notes that "Looking back, one can understand why it caused so much excitement.”
The 1963 American advertising campaign first included the 007 logo designed by Joseph Caroff with a pistol as part of the seven.
Following the release of Dr. No, the quote "Bond ... James Bond," became a catch phrase that entered the lexicon of Western popular culture: in 2005, it was honoured as the 22nd greatest quotation in cinema history by the American Film Institute as part of their 100 Years Series. As part of the same series, the character of James Bond himself in the film was recognised as the third greatest movie hero. He was also placed at number eleven on a similar list by Empire Magazine. Premiere Magazine also listed Bond as the fifth greatest movie character of all time.
The film had a budget of $1,000,000, and grossed a total of $16,067,035 in US domestic box office and $59,600,000 worldwide, making it a financial success.
IGN listed it as sixth-best Bond film ever, Entertainment Weekly put the film at seventh among Bond films, and Norman Wilner of MSN as twelfth best. All the rankings considered the film modest, but effective, with Connery's charisma overcoming flaws of the plot and the low budget. The film currently has a 98% rating at Rotten Tomatoes. President John F. Kennedy was a fan of Ian Fleming's novels and requested a private showing of Dr. No in the White House.
In 2003, the scene of Andress emerging from the water in a bikini topped Channel 4's list of one hundred sexiest scenes of film history. The bikini was sold in an auction for US$61,500. Entertainment Weekly and IGN ranked her first in a top ten "Bond babes" list.
Dr. No – and the Bond films in general – also inspired television output, with the NBC series The Man from U.N.C.L.E., which was described as the "first network television imitation" of Bond. The style of the Bond films, largely derived from Production Designer Ken Adam, is one of the hallmarks of the Bond film series, and the effect of his work on Dr No’s lair can be seen in another film he worked on, Dr. Strangelove.
As the first film in the Bond series, a number of the elements of Dr. No were contributors to subsequent films, including Monty Norman’s Bond theme and Maurice Binder’s gun barrel sequence, variants of which all appeared in subsequent Bond films. These conventions were also lampooned in spoof films, such as the Austin Powers series.
During the Dent execution, most TV prints omit Bond's second gunshot into Dent's back. Some foreign prints simply omit the scene entirely, as it was considered controversial at the time (when it was unusual for a movie hero to kill an unarmed man in cold blood).
Category:1962 films Category:British films Category:English-language films Category:James Bond films Category:Pinewood films Category:Films shot in Jamaica Category:Films set in Jamaica Category:Films directed by Terence Young
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