6:42

Sir John Mills 'Hobson's Choice'
I only discovered this delightful film recently. It charts the rise of Will Mossop, played...
published: 17 Mar 2008
Sir John Mills 'Hobson's Choice'
I only discovered this delightful film recently. It charts the rise of Will Mossop, played by Sir John Mills, from boot hand in Henry Hobson's shop to co-owner of the business. Ably assisted by Brenda de Banzie as Maggie Hobson, the eldest daughter. A very young Prunella Scales (Sybil Fawlty) also appears as the youngest sister Vicky. Starring Charles Laughton as Hobson, directed by Sir David Lean (Lawrence of Arabia) with music by Sir Malcolm Arnold. The scene shows the arranged meeting in the park, Maggie discovers there is 'another woman' and sets off to sort it out!
published: 17 Mar 2008
2:45

John Mills winning Best Supporting Actor
Maggie Smith presenting John Mills with the Oscar® for Best Supporting Actor for his p...
published: 29 Jul 2011
John Mills winning Best Supporting Actor
Maggie Smith presenting John Mills with the Oscar® for Best Supporting Actor for his performance in "Ryan's Daughter" at the 43rd Academy Awards® in 1971.
published: 29 Jul 2011
author: Oscars
5:56

Eric & Ernie introduce John Mills
Eric & Ernie are joined by John Mills to discuss his part in Ernie's WW2 play....
published: 08 Aug 2009
Eric & Ernie introduce John Mills
Eric & Ernie are joined by John Mills to discuss his part in Ernie's WW2 play.
published: 08 Aug 2009
author: CannedCarrott
68:49

1935 Car Of Dreams (John Mills, Grete Mosheim, Norah Howard)
A pretty young factory worker is window-shopping at a Rolls-Royce dealership, and dreamily...
published: 01 Aug 2012
1935 Car Of Dreams (John Mills, Grete Mosheim, Norah Howard)
A pretty young factory worker is window-shopping at a Rolls-Royce dealership, and dreamily mentions that she would love to have a car like that... Cast Grete Mosheim ... Vera Hart John Mills ... Robert Miller Norah Howard ... Anne Fisher Robertson Hare ... Henry Butterworth Mark Lester ... Miller Senr. Margaret Withers ... Mrs. Hart Paul Graetz ... Mr. Hart Glennis Lorimer ... Molly Jack Hobbs ... Peters Hay Plumb ... Chauffeur Arthur Denton ... Butler (uncredited) Directed By Graham Cutts, Austin Melford Screenplay Written By Austin Melford Play Written By Laszlo Vadnay, Miklos Vitez Adaptation Written By Richard Benson, Stafford Dickens Produced By Michael Balcon Cinematography By Mutz Greenbaum Film Editing By Charles Frend Details Country: UK Release Date: 1935 (UK) Production Co: Gaumont British Picture Corporation Filming Locations: Shepherd's Bush Studios, Shepherd's Bush, London --------------------------------------------------------------------------------
published: 01 Aug 2012
author: OldMoviesRadioAndTV
2:18

Casting Cats: Sir John Mills as Gus
www.catsthemusical.com Cats Executive Producer Gary Lucchesi discusses the importance of c...
published: 29 Jun 2011
Casting Cats: Sir John Mills as Gus
www.catsthemusical.com Cats Executive Producer Gary Lucchesi discusses the importance of casting the film correctly, while Michael Gruber (Munkustrap) talks about working with Sir John Mills (Gus The Theatre Cat) - who we also see in rehearsal with choreographer Gillian Lynne. For more CATS find us on Facebook www.facebook.com Or follow us on Twitter: www.twitter.com
published: 29 Jun 2011
author: catsmusical
5:02

Laurence Olivier, Vivien Leigh, John Mills -- Top Hat, White Tie & Tails
Laurence Olivier, Vivien Leigh and John Mills perform Irving Berlin's "Top Hat, W...
published: 25 Dec 2011
Laurence Olivier, Vivien Leigh, John Mills -- Top Hat, White Tie & Tails
Laurence Olivier, Vivien Leigh and John Mills perform Irving Berlin's "Top Hat, White Tie and Tails" for the charity show Night of A Hundred Stars at the London palladium, 1956. Introduction by Bob Hope, send off by Olivier. For more on Laurence Olivier and Vivien Leigh, check out www.vivandlarry.com
published: 25 Dec 2011
author: vivandlarrydotcom
1:42

Glory Film Co SIR JOHN MILLS MOVING MEMORIES taster
www.glory.co.uk Sir John Mills asked Marcus to make the film of his life based around Sir ...
published: 29 Aug 2007
Glory Film Co SIR JOHN MILLS MOVING MEMORIES taster
www.glory.co.uk Sir John Mills asked Marcus to make the film of his life based around Sir John's own 16mm home movies. This unique film was screened by the BBC in its Christmas schedule.
published: 29 Aug 2007
author: GloryFilmCo
1:29

John Mills discusses tone colour on the classical guitar.
NOW IN STOCK! watch full trailer here www.youtube.com A short extract from "Evoluci&o...;
published: 08 Aug 2012
John Mills discusses tone colour on the classical guitar.
NOW IN STOCK! watch full trailer here www.youtube.com A short extract from "Evolución", a documentary marking the 65th birthday of celebrated English guitarist John Mills, regarded as a leading exponent of the Segovia repertoire. There are many examples of technical and stylistic analysis from 1860 onwards. The film includes complete performances of pieces by Tansman and Torroba along with numerous extracts and examples. This unique documentary offers a rare insight into John's vast knowledge, skills and talent, creating an invaluable resource for both students and professionals alike. Available from September 2012. www.davidjaggs.com
published: 08 Aug 2012
author: DPJFILMS
2:47

John Mills Elementary - Elmwood Park, IL. Kickoff
John Mills Elementary - Elmwood Park, IL. Kickoff celebrates their Project Fit America gra...
published: 07 Jan 2012
John Mills Elementary - Elmwood Park, IL. Kickoff
John Mills Elementary - Elmwood Park, IL. Kickoff celebrates their Project Fit America grant with their sponsor Gottleib Memorial Hospital
published: 07 Jan 2012
author: projectfitamerica
118:24

Great Expectations John Mills Valerie Hobson 1946.avi
Great Expectations (1946) A humble orphan suddenly becomes a gentleman with the help of an...
published: 21 May 2012
Great Expectations John Mills Valerie Hobson 1946.avi
Great Expectations (1946) A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor. Director: David Lean Writers: Charles Dickens (by), David Lean (adapted for the screen by) Stars: John Mills, Valerie Hobson and Tony Wager www.archive.org www.imdb.com
published: 21 May 2012
author: ManesandTailsOrg
2:42

SHE MOVED THROUGH THE FAIR- John Mills
John Mills plays She Moved Through The Fair, his own arrangement of the haunting Irish son...
published: 18 Jul 2010
SHE MOVED THROUGH THE FAIR- John Mills
John Mills plays She Moved Through The Fair, his own arrangement of the haunting Irish song in which a girl is searching in a fairground for her lost lover. Recorded on the 27th February 2010 in the Chapel of St Lawrence, Ashburton, Devon. John is playing a 2005 guitar by Simon Ambridge kindly loaned for the recital by Will Browne.
published: 18 Jul 2010
author: brezassi
6:33

SIR JOHN and LADY MILLS
Sir John and Lady Mills, in Colchester for An Evening with Sir John Mills at the Mercury T...
published: 19 Jan 2011
SIR JOHN and LADY MILLS
Sir John and Lady Mills, in Colchester for An Evening with Sir John Mills at the Mercury Theatre, So nice to see him back behind the wheel of a k2 ambulance thirty six years after making Ice Cold In Alex, He had previously ridden in this Ambulance, and asked if it could be put outside the theatre for the evening,this is a clip of the press photo call,
published: 19 Jan 2011
author: k2lofty
Vimeo results:
1:47

Holi
The world is fascinating. People and cultures inspire us. Sadly, the fast paced lifestyles...
published: 10 Apr 2012
Author: Variable
Holi
The world is fascinating. People and cultures inspire us. Sadly, the fast paced lifestyles of our generation result in many not taking the necessary step back to soak in the existing world around us. Our goal with this film is to help viewers further appreciate and take notice of the beauty in life & culture that lies within our world...
...so the next time you notice something that strikes you as interesting, stop for a second, start powering on your camera, think about why it's unique, and snap the shot before you miss it. Life is extraordinary. Embrace it.
--
Production Company: Variable - www.WeAreVariable.com
Creative: Variable
Post Production/Editorial: The Mill - www.TheMill.com
Directors/Cinematographers: Jonathan Bregel & Khalid Mohtaseb @ Variable
Executive Producers: John Rule & Mike Sutton (@MNS1974)
Producer: Tyler Ginter @ Variable
Line Producer: Viraj Velinker
Phantom Tech: Nick Midwig
The Mill: New York City
Post Production Producers: Dee Allen & Alex Maxwell
Editor: Ryan McKenna
Colourist: Sal Malfitano
Original Score/Sound Design: Salomon Ligthelm - www.ligthelm.tv
Special thanks to the risk takers who helped make this job possible:
Rule Boston Camera - for trusting us with their Phantom Flex - www.Rule.com
Angenieux - for trusting us with their prototype glass - www.Angenieux.com
--
www.WeAreVariable.com
twitter.com/WeAreVariable
hello@WeAreVariable.com
6:22

Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
9:27

The Division Of Gravity
"How many things we held yesterday as articles of faith which today we tell as fables."
C...
published: 14 Feb 2012
Author: Rob Chiu
The Division Of Gravity
"How many things we held yesterday as articles of faith which today we tell as fables."
Cast: Rebecca Calder + Max Wrottesley
Director: Rob Chiu. Producer: Dan Turner. Executive Producers: Daniel Bergmann + Robert Herman. Written by Ben Fogg from a story by Rob Chiu. “After A While” by Veronica A. Shoffstall. Creative Advisor: Stephen Whelan. Script Development: Marina Brackenbury. Director of Photography: Paul O’Callaghan. Editor: Rob Chiu. Music / Sound Design: Ben Lukas Boysen. Cello: Lucio Amanti. Drums / Percussion: Achim Farber. Styling: Beth Deakin. Wardrobe supplied by John Varvatos + Preen.
Casting by Rose Wicksteed. 1st Assistant Director: Tristan McIlwham Hefele. Art Director: Guy Thompson. Asst. Art Dir: Oliver Hogan. Focus Puller: Julius Beltrame. Gaffer: Steve Reed. Best Boy: Rob Stewart. Electrician: Daniel Smith. Sound Recordist: Robin Gerrard. Boom Operator: Ben Hawkins. Hair & Make-up Design: Emma Dennis. Wardrobe Assistant: Celia Lusted. Production Assistant (UK): Freya Silk. Production Assistants (Paris): Annabelle Mella + Anna Chahuneau. Production Transport: Craig Kerrigan. Post-Production Facilities: The Mill. Post Production Producers: Sophie Hogg + Semley Wilkinson. Colourist: Aubrey Woodiwiss. Smoke Artists: James Pratt + Georgie White. Final Cut Artist: Daniel Budin. Camera & Grip Equipment: Fava Rental Ltd. Lighting Equipment: Panalux.
3:32

Metamorphosis
A short film retelling Titian's Metamorphosis for The National Gallery, London.
http://te...
published: 11 Jul 2012
Author: Tell No One
Metamorphosis
A short film retelling Titian's Metamorphosis for The National Gallery, London.
http://tellnoone.co.uk
Starring Anna Friel and Ed Speleers
Dir: Tell No One
Prod: Chris Massey
Prod Co. Skin Flicks
DOP: Ben Todd & Ed Rutherford
2nd Unit Cam: Dan Magee & John Fisher
Art Dept: Samuel Waters & Ben Lack
Stylist: Justine Josephs
Hair & Make Up: Candy Alderson
Casting Dir: Emily Tilelli
Composer: Saul Richards
Offline Editor: Ross Hallard @ Trim
Post: Absolute
TK: Luke Morrison @ The Mill
Agency: Euros RSCG
Agency Prod: Jodie Potts
Creative Director: Gerry Moira
Youtube results:
7:49

JS BACH- SUITE BWV 1007 PART ONE- John Mills
John Mills plays his own arrangement of Suite BWV 1007. The first and perhaps lightest of ...
published: 24 Jul 2010
JS BACH- SUITE BWV 1007 PART ONE- John Mills
John Mills plays his own arrangement of Suite BWV 1007. The first and perhaps lightest of Bach's magnificent six suites for unaccompanied 'cello, this work is nevertheless a superb example of the composer's skills. On the guitar, much of Bach's implied voicing can be realised by means of holding notes, and the use of sparse and carefully- considered additional bass lines. After the opening free-ranging Prelude, there are a series of five dances; Allemande, Courante, Sarabande, Minuets 1 & 2, and finally a rather lively Gigue. Recorded on the 27th February 2010 in the Chapel of St Lawrence, Ashburton, Devon. John is playing a 2005 Simon Ambridge guitar kindly loaned for the recital by Will Browne.
published: 24 Jul 2010
author: brezassi
10:54

A BLACK VEIL FOR LISA (1968) John Mills Luciana Paluzzi Robert Hoffman - Giallo
Hello, I've been collecting rare films and television programmes for nearly twenty yea...
published: 02 Sep 2012
A BLACK VEIL FOR LISA (1968) John Mills Luciana Paluzzi Robert Hoffman - Giallo
Hello, I've been collecting rare films and television programmes for nearly twenty years now and I thought it was high time I shared some clips from a few of the titles in my archive with you nice people out there. If you've a similar passion and would like to exchange material or just want to say hello, thanks etc. get in touch with me here or at statesedgefilms@virginmedia.com I look forward to hearing from (at least) a few of you and hope that you enjoy my humble offerings.
published: 02 Sep 2012
author: StatesEdgeFilms
3:57

John Mills, chairman of the People's Pledge on the EU
John Mills, chairman of the People's Pledge in London told RT the collapse of the euro...
published: 22 Oct 2011
John Mills, chairman of the People's Pledge on the EU
John Mills, chairman of the People's Pledge in London told RT the collapse of the euro and the problems that that would generate in Europe would have a very significant impact on the UK.
published: 22 Oct 2011
author: BritishPatriotsSoc