The Real News

News is the communication of selected information on current events which is presented by print, broadcast, Internet, or word of mouth to a third party or mass audience.

Etymology

One theory claims that the English word "news" developed in the 14th century as a special use of the plural form of "new". In Middle English, the equivalent word was ''newes'', like the French ''nouvelles'' and the German ''neues''. Similar developments are found in the Slavic languages – the Czech and Slovak ''noviny'' (from ''nový'', "new"), the cognate Polish ''nowiny'' and Russian ''novosti'' – and in the Celtic languages: the Welsh ''newyddion'' (from ''newydd'') and the Cornish ''nowodhow'' (from ''nowydh'').

History

Before the invention of newspapers in the early 17th century, official government bulletins and edicts were circulated at times in some centralized empires.

The first documented use of an organized courier service for the diffusion of written documents is in Egypt, where Pharaohs used couriers for the diffusion of their decrees in the territory of the State (2400 BC). This practice almost certainly has roots in the much older practice of oral messaging and may have been built on a pre-existing infrastructure.

In Ancient Rome, ''Acta Diurna'', or government announcement bulletins, were made public by Julius Caesar. They were carved in metal or stone and posted in public places.

In China, early government-produced news sheets, called tipao, circulated among court officials during the late Han dynasty (second and third centuries AD). Between 713 and 734, the ''Kaiyuan Za Bao'' ("Bulletin of the Court") of the Chinese Tang Dynasty published government news; it was handwritten on silk and read by government officials. In 1582 there was the first reference to privately published newssheets in Beijing, during the late Ming Dynasty;

In Early modern Europe, increased cross-border interaction created a rising need for information which was met by concise handwritten newssheets. In 1556, the government of Venice first published the monthly ''Notizie scritte'', which cost one gazetta. These avvisi were handwritten newsletters and used to convey political, military, and economic news quickly and efficiently to Italian cities (1500–1700) — sharing some characteristics of newspapers though usually not considered true newspapers. Due to low literacy rates, news was at times disseminated by town criers.

Relation aller Fürnemmen und gedenckwürdigen Historien, from 1605, is recognized as the world's first newspaper.

The oldest news agency is the Agence France-Presse (AFP). It was founded in 1835 by a Parisian translator and advertising agent, Charles-Louis Havas as Agence Havas.

In modern times, printed news had to be phoned in to a newsroom or brought there by a reporter, where it was typed and either transmitted over wire services or edited and manually set in type along with other news stories for a specific edition. Today, the term "breaking news" has become trite as commercial broadcasting United States cable news services that are available 24-hours a day use live satellite technology to bring current events into consumers' homes as the event occurs. Events that used to take hours or days to become common knowledge in towns or in nations are fed instantaneously to consumers via radio, television, mobile phone, and the Internet.

Newspapers

Most large cities in the United States historically had morning and afternoon newspapers. As the media evolved and news outlets increased to the point of near over-saturation, most afternoon newspapers were shut down. Morning newspapers have been gradually losing circulation, according to reports advanced by the papers themselves. Commonly, news content should contain the "Five Ws" (who, what, when, where, why, and also how) of an event. There should be no questions remaining. Newspapers normally place hard news stories on the first pages, so the most important information is at the beginning. Busy readers can read as little or as much as they desire. Local stations and networks with a set format must take news stories and break them down into the most important aspects due to time constraints. Cable news channels such as BBC News, Fox News, MSNBC, and CNN, are able to take advantage of a story, sacrificing other, decidedly less important stories, and giving as much detail about breaking news as possible.

News organizations are often expected to aim for objectivity; reporters claim to try to cover all sides of an issue without bias, as compared to commentators or analysts, who provide opinion or personal point-of-view. Several governments impose certain constraints or police news organizations against bias. In the United Kingdom, for example, limits are set by the government agency Ofcom, the Office of Communications. Both newspapers and broadcast news programs in the United States are generally expected to remain neutral and avoid bias except for clearly indicated editorial articles or segments. Many single-party governments have operated state-run news organizations, which may present the government's views.

Even in those situations where objectivity is expected, it is difficult to achieve, and individual journalists may fall foul of their own personal bias, or succumb to commercial or political pressure. Similarly, the objectivity of news organizations owned by conglomerated corporations fairly may be questioned, in light of the natural incentive for such groups to report news in a manner intended to advance the conglomerate's financial interests. Individuals and organizations who are the subject of news reports may use news management techniques to try to make a favourable impression. Because each individual has a particular point of view, it is recognized that there can be no absolute objectivity in news reporting.

Newsworthiness

Newsworthiness is defined as a subject having sufficient relevance to the public or a special audience to warrant press attention or coverage.

In some countries and at some points in history, what news media and the public have considered "newsworthy" has met different definitions, such as the notion of news values. For example, mid-twentieth-century news reporting in the United States focused on political and local issues with important socio-economic impacts, such as the landing of a living person on the moon or the cold war. More recently, the focus similarly remains on political and local issues; however, the news mass media now comes under criticism for over-emphasis on "non-news" and "gossip" such as celebrities' personal social issues, local issues of little merit, as well as biased sensationalism of political topics such as terrorism and the economy. The dominance of celebrity and social news, the blurring of the boundary between news and reality shows and other popular culture, and the advent of citizen journalism may suggest that the nature of ‘news’ and news values are evolving and that traditional models of the news process are now only partially relevant. Newsworthiness does not only depend on the topic, but also the presentation of the topic and the selection of information from that topic. Daily trends update

New ecology of news

“Everything we thought we once knew about journalism needs to be rethought in the Digital Age”, professor of Sociology and Communication Michael Schudson points out. Today the work of journalism can be done from anywhere and done well. It requires no more than a reporter and a laptop. In that way, journalistic authority seems to have become more individual- and less institution-based. But does the individual reporter always have to be an actual journalist? Or can journalistic work be done from anywhere and by anyone? These are questions that refers to the core of journalistic practice and the definition of “news” itself. As Schudson has given emphasis to, the answer is not easily found; “the ground journalists walk upon is shaking, and the experience for both those who work in the field and those on the outside studying it is dizzying”.

Schudson has identified the following six specific areas where the ecology of news in his opinion has changed: 1. The line between the reader and writer has blurred 2. The distinction among tweet, blog post, newspaper story, magazine article, and book as blurred 3. The line between professionals and amateurs has blurred, and a variety of “pro-am” relationships has emerged 4. The boundaries delineating for-profit, public, and non-profit media have blurred, and the cooperation across these models of financing has developed 5. Within commercial news organizations, the line between the news room and the business office has blurred 6. The line between old media and new media has blurred, practically beyond recognition

These alterations inevitably has fundamental ramifications for the contemporary ecology of news. “The boundaries of journalism, which just a few years ago seemed relatively clear, and permanent, have become less distinct, and this blurring, while potentially the foundation of progress even as it is the source of risk, has given rise to a new set of journalistic principles and practices”, Schudson puts it. It is indeed complex, but it seems to be the future.

References

Further reading

Stephens, Mitchell. "The History of News - 3rd Ed" Oxford University Press, New York, 2007.

External links

Category:Television terminology

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name	Gore Vidal
pseudonym	Edgar BoxCameron KayKatherine Everard
birth name	Eugene Luther Gore Vidal
birth date	October 03, 1925
birth place	West Point, New York, U.S.
occupation	Novelist, essayist, journalist, playwright
nationality	United States
Parents	Eugene Luther Vidal
genre	Drama, fictional prose, essay, literary criticism
period	1944–present
movement	Postmodernism
ideology	Fascism
influences	Petronius, Apuleius, Thomas Mann, Henry James, Mark Twain, Montaigne, Carson McCullers
influenced	William Kennedy, Clive James, Christopher Hitchens, Truman Capote, Bill Maher}}

Gore Vidal (; born October 3, 1925) is an American author, playwright, essayist, screenwriter, and political activist. Early in his career he wrote ''The City and the Pillar'' (1948), which outraged mainstream critics as one of the first major American novels to feature unambiguous homosexuality. He also ran for political office twice and has been a longtime political critic.

Early years

Vidal was born Eugene Luther Gore Vidal in West Point, New York, the only child of 1st Lieutenant Eugene Luther Vidal (1895–1969) and Nina Gore (1903–1978). He was born in the Cadet Hospital of the United States Military Academy, where his father was the first aeronautics instructor, and was christened by the headmaster of St. Albans preparatory school, his future alma mater. According to "West Point and the Third Loyalty", an article Vidal wrote for ''The New York Review of Books'' (October 18, 1973), he later decided to be called Gore in honor of his maternal grandfather, Thomas Gore, Democratic senator from Oklahoma.

Vidal's father, a West Point football quarterback and captain, and an all-American basketball player, was director of the Commerce Department's Bureau of Air Commerce (1933–1937) in the Roosevelt administration, was one of the first Army Air Corps pilots and, according to biographer Susan Butler, was the great love of Amelia Earhart's life. In the 1920s and 1930s, he was a co-founder of three American airlines: the Ludington Line, which merged with others and became Eastern Airlines, Transcontinental Air Transport (TAT, which became TWA), and Northeast Airlines, which he founded with Earhart, as well as the Boston and Maine Railroad. The elder Vidal was also an athlete in the 1920 and 1924 Summer Olympics (seventh in the decathlon; U.S. pentathlon team coach).

Gore Vidal's mother was an actress and socialite who made her Broadway debut in ''Sign of the Leopard'' in 1928. She married Eugene Luther Vidal, Sr. in 1922 and divorced him in 1935. She later married twice more; one husband, Hugh D. Auchincloss, was later the stepfather of Jacqueline Kennedy Onassis, and, according to Gore Vidal, she had "a long off-and-on affair" with actor Clark Gable. She was an alternate delegate to the 1940 Democratic National Convention.

Vidal had four half-siblings from his parents' later marriages (the Rev. Vance Vidal, Valerie Vidal Hewitt, Thomas Gore Auchincloss, and Nina Gore Auchincloss Steers Straight) and four stepbrothers from his mother's third marriage to Army Air Forces Major General Robert Olds, who died in 1943, ten months after marrying Vidal's mother. Vidal's nephews include the brothers Burr Steers, writer and film director, and painter Hugh Auchincloss Steers (1963–1995).

Vidal was raised in Washington, D.C., where he attended Sidwell Friends School and then St. Albans School. Since Senator Gore was blind, his grandson read aloud to him and was his guide. The senator's isolationism contributed a major principle of his grandson's political philosophy, which is critical of foreign and domestic policies shaped by American imperialism. Gore attended High school in Exeter, New Hampshire at Phillips Exeter Academy, and after graduating in 1943 he joined the U.S. Army Reserve. He was deployed to the Aleutian Islands during World War II, where he served in the Transportation Corps as a Warrant Officer on an Army search and rescue boat and later on a supply vessel.

Personal life

Vidal has had affairs with both men and women. The novelist Anaïs Nin claimed an involvement with Vidal in her memoir ''The Diary of Anaïs Nin'' but Vidal denied it in his memoir ''Palimpsest''. Vidal has also discussed having dalliances with people such as actress Diana Lynn, and has alluded to the possibility that he may have a daughter. He was briefly engaged to Joanne Woodward, before she married Paul Newman; after eloping, the couple shared a house with Vidal in Los Angeles for a short time. In 1950, he met his long-term partner Howard Austen.

During the latter part of the twentieth century Vidal divided his time between Italy and California. In 2003, he sold his 5,000-square-foot (460 m²) Italian Villa, ''La Rondinaia'' (The Swallow's Nest), and moved to Los Angeles. Austen died in November 2003 and, in February 2005, was buried in a plot for himself and Vidal at Rock Creek Cemetery in Washington, D.C.

Writing career

Fiction

Vidal, whom a ''Newsweek'' critic called "the best all-around American man of letters since Edmund Wilson," began his writing career at nineteen, with the publication of the military novel ''Williwaw'', based upon his Alaskan Harbor Detachment duty. The novel was successful and the first novel about World War II. A few years later, ''The City and the Pillar'' caused a furor for its dispassionate presentation of homosexuality. The novel was dedicated to "J.T." Decades later, after a magazine published rumors about J.T.'s identity, Vidal confirmed they were the initials of his St. Albans-era love, James "Jimmy" Trimble III, killed in the Battle of Iwo Jima on February 29, 1945; Vidal later said that Trimble was the only person he had ever loved.

Orville Prescott, the book critic for the ''New York Times'', found ''The City and the Pillar'' so objectionable that he refused to review or allow the ''Times'' to review Vidal's next five books. In response, Vidal wrote several mystery novels the early 1950s under the pseudonym "Edgar Box". Featuring public relations man Peter Cutler Sargeant II, their success financed Vidal for more than a decade.

He wrote plays, films, and television series. Two plays, ''The Best Man'' (1960) and ''Visit to a Small Planet (1955),'' were both Broadway and film successes.

In 1956, Vidal was hired as a contract screenwriter for Metro Goldwyn Mayer. In 1959, director William Wyler needed script doctors to re-write the script for ''Ben-Hur'', originally written by Karl Tunberg. Vidal collaborated with Christopher Fry, reworking the screenplay on condition that MGM release him from the last two years of his contract. Producer Sam Zimbalist's death complicated the screenwriting credit. The Screen Writers Guild resolved the matter by listing Tunberg as sole screenwriter, denying credit to both Vidal and Fry. This decision was based on the WGA screenwriting credit system which favors original authors. Vidal later claimed in the documentary film ''The Celluloid Closet'' that in order to explain the animosity between Ben-Hur and Messala, he had inserted a gay subtext suggesting that the two had had a prior relationship, but that actor Charlton Heston was oblivious. Heston denied that Vidal contributed significantly to the script.

In the 1960s, Vidal wrote three novels. The first, ''Julian'' (1964) dealt with the apostate Roman emperor, while the second, ''Washington, D.C.'' (1967) focused on a political family during the Franklin D. Roosevelt era. The third was the satirical transsexual comedy ''Myra Breckinridge'' (1968), a variation on Vidal's familiar themes of sex, gender, and popular culture. In the novel, Vidal showcased his love of the American films of the 30s and 40s, and he resurrected interest in the careers of the forgotten players of the time including, for example, that of the late Richard Cromwell, who, he wrote, "was so satisfyingly tortured in ''The Lives of a Bengal Lancer''."

After the staging of the plays ''Weekend'' (1968) and ''An Evening With Richard Nixon'' (1972), and the publication of the novel ''Two Sisters: A Novel in the Form of a Memoir'' (1970), Vidal focused on essays and two distinct themes in his fiction. The first strain comprises novels dealing with American history, specifically with the nature of national politics. Critic Harold Bloom wrote, "Vidal's imagination of American politics...is so powerful as to compel awe." Titles in this series, the Narratives of Empire, include ''Burr'' (1973), ''1876'' (1976), ''Lincoln'' (1984), ''Empire'' (1987), ''Hollywood'' (1990), ''The Golden Age'' (2000). Another title devoted to the ancient world, ''Creation'', appeared in 1981 and then in expanded form in 2002.

The second strain consists of the comedic "satirical inventions": ''Myron'' (1974, a sequel to ''Myra Breckinridge''), ''Kalki'' (1978), ''Duluth'' (1983), ''Live from Golgotha: The Gospel according to Gore Vidal'' (1992), and ''The Smithsonian Institution'' (1998).

Vidal occasionally returned to writing for film and television, including the television movie ''Gore Vidal's Billy the Kid'' with Val Kilmer and the mini-series ''Lincoln''. He also wrote the original draft for the controversial film ''Caligula'', but later had his name removed when director Tinto Brass and actor Malcolm McDowell rewrote the script, changing the tone and themes significantly. The producers later made an attempt to salvage some of Vidal's vision in the film's post-production.

Essays and memoirs

Vidal is—at least in the U.S.—even more respected as an essayist than as a novelist. The critic John Keats praised him as "[the twentieth] century's finest essayist." Even an occasionally hostile critic like Martin Amis admits, "Essays are what he is good at ... [h]e is learned, funny and exceptionally clear-sighted. Even his blind spots are illuminating."

For six decades, Gore Vidal has applied himself to a wide variety of sociopolitical, sexual, historical, and literary themes. In 1987, Vidal wrote the essays titled ''Armageddon?'', exploring the intricacies of power in contemporary America. He pilloried the incumbent president Ronald Reagan as a "triumph of the embalmer's art." In 1993, he won the National Book Award for his collection of essays, ''United States (1952–1992)'', the citation noting: "Whatever his subject, he addresses it with an artist's resonant appreciation, a scholar's conscience, and the persuasive powers of a great essayist." A subsequent collection of essays, published in 2000, is ''The Last Empire''. Since then, he has published such self-described "pamphlets" as ''Perpetual War for Perpetual Peace'', ''Dreaming War: Blood for Oil and the Cheney-Bush Junta'', and ''Imperial America'', critiques of American expansionism, the military-industrial complex, the national security state, and the George W. Bush administration. Vidal also wrote an historical essay about the U.S.'s founding fathers, ''Inventing a Nation''. In 1995, he published a memoir ''Palimpsest'', and in 2006 its follow-up volume, ''Point to Point Navigation''. Earlier that year, Vidal also published ''Clouds and Eclipses: The Collected Short Stories.''

Because of his matter-of-fact treatment of same-sex relations in such books as ''The City and The Pillar'', Vidal is often seen as an early champion of sexual liberation. ''Sexually Speaking: Collected Sex Writings'', a representative sampling of his views, contains literary and cultural essays. Focusing on, in his view, the anti-sexual heritage of Judeo-Christianity, irrational and destructive sex laws, feminism, heterosexism, homophobia, gay liberation and pornography, the essays frequently return to a favorite Vidal motif: the fluidity of sexual identity. Vidal argues that "there are no homosexual people, only homosexual acts." Given the diversity of human desire, Vidal resists any effort to categorize him as exclusively "homosexual"—either as writer or human being.

In 2005, Jay Parini was appointed as Vidal's literary executor.

Acting and popular culture

In the 1960s, Vidal moved to Italy; he gave a cameo appearance in Federico Fellini's film ''Roma''. In 1992, Vidal appeared in the film ''Bob Roberts'' (starring Tim Robbins) and has appeared in other films, notably ''Gattaca'', ''With Honors'', and ''Igby Goes Down''. Vidal has voiced himself on both ''The Simpsons'' and ''Family Guy'' and appeared on the ''Da Ali G Show'', where Ali G (intentionally) mistakes him for Vidal Sassoon. He provided the narrative for the Royal National Theatre's production of Brecht's Mother Courage in the autumn of 2009.

Vidal was portrayed in ''Amelia'' (2009), as a child, by Canadian actor William Cuddy, and in ''Infamous'' (2006), the story of Truman Capote, as a young adult, by American actor Michael Panes.

Political views and activities

Besides his politician grandfather, Vidal has other connections with the Democratic Party: his mother, Nina, married Hugh D. Auchincloss, Jr., who later was stepfather of Jacqueline Bouvier Kennedy. Gore Vidal is a fifth cousin of Jimmy Carter. Vidal may be a distant cousin of Al Gore.

As a political activist, in 1960, Gore Vidal was an unsuccessful Democratic candidate for Congress, losing an election in New York's 29th congressional district, a traditionally Republican district on the Hudson River, encompassing all of Columbia, Dutchess, Greene, Schoharie, and Ulster Counties to J. Ernest Wharton, by a margin of 57% to 43%. Campaigning with a slogan of "You'll get more with Gore", he received the most votes any Democrat in 50 years received in that district. Among his supporters were Eleanor Roosevelt, Paul Newman, and Joanne Woodward; the latter two, longtime friends of Vidal's, campaigned for him and spoke on his behalf.

On the December 15, 1971 taping of ''The Dick Cavett Show'', with Janet Flanner, Norman Mailer allegedly head-butted Vidal during an altercation prior to their appearance on the show.

From 1970 to 1972, Vidal was one of the chairmen of the People's Party. In 1971, he wrote an article in ''Esquire'' advocating consumer advocate Ralph Nader for president in the 1972 election.

In 1982 he campaigned against incumbent Governor Jerry Brown for the Democratic primary election to the United States Senate from California and this was documented in the film, ''Gore Vidal: The Man Who Said No'' directed by Gary Conklin. Vidal lost to Brown in the primary election.

Frequently identified with Democratic causes and personalities, Vidal wrote in the 1970s: }} Despite this, Vidal has said "I think of myself as a conservative." Vidal has a protective, almost proprietary attitude toward his native land and its politics: "My family helped start [this country]", he has written, "and we've been in political life... since the 1690s, and I have a very possessive sense about this country." At a 1999 lecture in Dublin, Vidal said:

He has suggested that President Roosevelt deliberately provoked the Japanese to attack the U.S. at Pearl Harbor to facilitate American entry to the war, and believes FDR had advance knowledge of the attack. During an interview in the 2005 documentary ''Why We Fight'', Vidal asserts that during the final months of World War II, the Japanese had tried to surrender to the United States, to no avail. He said, "They were trying to surrender all that summer, but Truman wouldn't listen, because Truman wanted to drop the bombs." When the interviewer asked why, Vidal replied, "To show off. To frighten Stalin. To change the balance of power in the world. To declare war on communism. Perhaps we were starting a pre-emptive world war."

During domestic terrorist Timothy McVeigh's imprisonment, Vidal corresponded with McVeigh and concluded that he bombed the federal building as retribution for the FBI's role in the 1993 Branch Davidian Compound massacre in Waco, Texas.

Vidal was a member of the advisory board of the World Can't Wait organization, a left-wing organization seeking to repudiate the Bush administration's program, and advocating the impeachment of George W. Bush for war crimes.

In 1997, Vidal was one of 34 celebrities to sign an open letter to then-German Chancellor Helmut Kohl, published as a newspaper advertisement in the ''International Herald Tribune'', which protested the treatment of Scientologists in Germany.

Vidal contributed an article to ''The Nation'' in which he expressed support for Democratic Presidential candidate Dennis Kucinich, citing him as "the most eloquent of the lot" and that Kucinich "is very much a favorite out there in the amber fields of grain".

In May 2008, Vidal proclaimed to Esquire magazine: "Everything’s wrong on Wikipedia."

In April 2009, Vidal accepted appointment to the position of honorary president of the American Humanist Association, succeeding Kurt Vonnegut.

On September 30, 2009, ''The Times'' of London published a lengthy interview with him headlined "We’ll have a dictatorship soon in the US - The grand old man of letters Gore Vidal claims America is ‘rotting away’ — and don’t expect Barack Obama to save it", which brings up-to-date his views on his own life, and a variety of political subjects.

Vidal versus Buckley

In 1968, ABC News invited Vidal and William F. Buckley, Jr. to be political analysts of the Republican and Democratic presidential conventions. Verbal and nearly physical combat ensued. After days of mutual bickering, their debates devolved to vitriolic, ad hominem attacks. During discussions of the 1968 Democratic National Convention protests, the men were arguing about freedom of speech in regards to American protesters displaying a Viet Cong flag when Vidal told Buckley to "shut up a minute" and, in response to Buckley's reference to "pro-Nazi" protesters, went on to say "As far as I'm concerned, the only sort of pro-crypto-Nazi I can think of is yourself." The visibly livid Buckley replied, "Now listen, you queer. Stop calling me a crypto-Nazi, or I'll sock you in the goddamn face and you'll stay plastered." After an interruption by anchor and facilitator Howard K. Smith, the men continued to discuss the topic in a less hostile manner. Buckley later expressed regret for having called Vidal a "queer," but nonetheless described Vidal as an "evangelist for bisexuality."

Later, in 1969, the feud was continued as Buckley further attacked Vidal in the lengthy essay, "On Experiencing Gore Vidal", published in the August 1969 issue of ''Esquire''. The essay is collected in ''The Governor Listeth'', an anthology of Buckley's writings of the time. In a key passage attacking Vidal as an apologist for homosexuality, Buckley wrote, "The man who in his essays proclaims the normalcy of his affliction [i.e., homosexuality], and in his art the desirability of it, is not to be confused with the man who bears his sorrow quietly. The addict is to be pitied and even respected, not the pusher."

Vidal responded in the September 1969 issue of ''Esquire'', variously characterizing Buckley as "anti-black", "anti-semitic", and a "warmonger". The presiding judge in Buckley's subsequent libel suit against Vidal initially concluded that "[t]he court must conclude that Vidal's comments in these paragraphs meet the minimal standard of fair comment. The inferences made by Vidal from Buckley's [earlier editorial] statements cannot be said to be completely unreasonable." However, Vidal also strongly implied that, in 1944, Buckley and unnamed siblings had vandalized a Protestant church in their Sharon, Connecticut, hometown after the pastor's wife had sold a house to a Jewish family. Buckley sued Vidal and ''Esquire'' for libel. Vidal counter-claimed for libel against Buckley, citing Buckley's characterization of Vidal's novel ''Myra Breckinridge'' as pornography.

The court dismissed Vidal's counter-claim; Buckley settled for $115,000 in attorney's fees and an editorial statement from ''Esquire'' magazine that they were "utterly convinced" of the untruthfulness of Vidal's assertion. However, in a letter to ''Newsweek'', the ''Esquire'' publisher stated that "the settlement of Buckley's suit against us" was not "a 'disavowal' of Vidal's article. On the contrary, it clearly states that we published that article because we believed that Vidal had a right to assert his opinions, even though we did not share them."

As Vidal's biographer, Fred Kaplan, later commented, "The court had 'not' sustained Buckley's case against ''Esquire''... [t]he court had 'not' ruled that Vidal's article was 'defamatory.' It had ruled that the case would have to go to trial ''in order to determine as a matter of fact whether or not it was defamatory.'' [italics original.] The cash value of the settlement with ''Esquire'' represented 'only' Buckley's legal expenses [not damages based on libel]... " Ultimately, Vidal bore the cost of his own attorney's fees, estimated at $75,000.

In 2003, this affair re-surfaced when ''Esquire'' published ''Esquire's Big Book of Great Writing'', an anthology that included Vidal's essay. Buckley again sued for libel, and ''Esquire'' again settled for $55,000 in attorney's fees and $10,000 in personal damages to Buckley.

After Buckley's death on February 27, 2008, Vidal summed up his impressions of his rival with the following obituary on March 20, 2008: "RIP WFB—in hell." In a June 15, 2008, interview with the ''New York Times'', Vidal was asked by Deborah Solomon, "How did you feel when you heard that Buckley died this year?" Vidal responded:

Criticism of the George W. Bush administration

Vidal was strongly critical of the George W. Bush administration, listing it among administrations he considered to have either an explicit or implicit expansionist agenda. He has described George W. Bush as "the stupidest man in the United States".

He is of the view that for several years the Bush administration and their associates aimed to control the petroleum of Central Asia (after gaining effective control of the petroleum of the Persian Gulf in 1991). In October 2006, Vidal derided NORAD for what he claimed was a conspiracy against the US public, perpetrated by an alliance of the US Air Force and the government of Canada at the time.

In May 2007, Vidal clarified his views, saying: }}

Bibliography

Essays and non-fiction

''Rocking the Boat'' (1963)

''Reflections Upon a Sinking Ship'' (1969)

''Sex, Death and Money'' (1969) (paperback compilation)

''Homage to Daniel Shays'' (1972)

''Matters of Fact and of Fiction'' (1977)

''Views from a Window'' Co-Editor (1981)

''The Second American Revolution'' (1982)

''Vidal In Venice'' (1985) ISBN 0-671-60691-3

''Armageddon?'' (1987) (UK only)

''At Home'' (1988)

''A View From The Diner's Club'' (1991) (UK only)

''Screening History'' (1992) ISBN 0-233-98803-3

''Decline and Fall of the American Empire'' (1992) ISBN 1-878825-00-3

''United States: essays 1952–1992'' (1993) ISBN 0-7679-0806-6

''Palimpsest: a memoir'' (1995) ISBN 0-679-44038-0

''Virgin Islands'' (1997) (UK only)

''The American Presidency'' (1998) ISBN 1-878825-15-1

''Sexually Speaking: Collected Sex Writings'' (1999)

''The Last Empire: essays 1992–2000'' (2001) ISBN 0-375-72639-X (there is also a much shorter UK edition)

''Perpetual War for Perpetual Peace or How We Came To Be So Hated'', Thunder's Mouth Press, 2002, (2002) ISBN 1-56025-405-X

''Dreaming War: Blood for Oil and the Cheney-Bush Junta'', Thunder's Mouth Press, (2002) ISBN 1-56025-502-1

''Inventing a Nation: Washington, Adams, Jefferson'' (2003) ISBN 0-300-10171-6

''Imperial America: Reflections on the United States of Amnesia'' (2004) ISBN 1-56025-744-X

''Point to Point Navigation: A Memoir'' (2006) ISBN 0-385-51721-1

''The Selected Essays of Gore Vidal'' (2008) ISBN 0-385-52484-6

''Gore Vidal: Snapshots in History's Glare'' (2009) ISBN 0-810-95049-9

Plays

''Visit to a Small Planet'' (1957) ISBN 0-8222-1211-0

''The Best Man'' (1960)

''On the March to the Sea'' (1960–1961, 2004)

''Romulus'' (adapted from Friedrich Dürrenmatt's 1950 play ''Romulus der Große'') (1962)

''Weekend'' (1968)

''Drawing Room Comedy'' (1970)

''An Evening with Richard Nixon'' (1970) ISBN 0-394-71869-0

''On the March to the Sea'' (2005)

Novels

''Williwaw'' (1946) ISBN 0-226-85585-6

''In a Yellow Wood'' (1947)

''The City and the Pillar'' (1948) ISBN 1-4000-3037-4

''The Season of Comfort'' (1949) ISBN 0-233-98971-4

''A Search for the King'' (1950) ISBN 0-345-25455-4

''Dark Green, Bright Red'' (1950) ISBN 0-233-98913-7 (prophecy of the Guatemala coup d'état of 1954, see "In the Lair of the Octopus" ''Dreaming War'')

''The Judgment of Paris'' (1952) ISBN 0-345-33458-2

''Messiah'' (1954) ISBN 0-14-118039-0

''A Thirsty Evil'' (1956) (short stories)

''Julian'' (1964) ISBN 0-375-72706-X

''Washington, D.C.'' (1967) ISBN 0-316-90257-8

''Myra Breckinridge'' (1968) ISBN 1125979488

''Two Sisters'' (1970) ISBN 0-434-82958-7

''Burr'' (1973) ISBN 0-375-70873-1

''Myron'' (1974) ISBN 0-586-04300-4

''1876'' (1976) ISBN 0-375-70872-3

''Kalki'' (1978) ISBN 0-14-118037-4

''Creation'' (1981) ISBN 0-349-10475-1

''Duluth'' (1983) ISBN 0-394-52738-0

''Lincoln'' (1984) ISBN 0-375-70876-6

''Empire'' (1987) ISBN 0-375-70874-X

''Hollywood'' (1990) ISBN 0-375-70875-8

''Live from Golgotha: The Gospel according to Gore Vidal'' (1992) ISBN 0-14-023119-6

''The Smithsonian Institution'' (1998) ISBN 0-375-50121-5

''The Golden Age'' (2000) ISBN 0-375-72481-8

''Clouds and Eclipses: The Collected Short Stories'' (2006) (short stories, this is the same collection as ''A Thirsty Evil'' (1956), with one previously unpublished short story – ''Clouds and Eclipses'' – added)

Screenplays

''Climax!: Dr. Jekyll & Mr. Hyde'' (1954) (TV adaptation)

''The Catered Affair'' (1956)

''I Accuse!'' (1958)

''The Scapegoat'' (1959)

''Ben Hur'' (1959) (uncredited)

''Suddenly, Last Summer'' (1959)

''The Best Man'' (1964)

''Is Paris Burning?'' (1966)

''Last of the Mobile Hot Shots'' (1970)

''Caligula'' (1979)

''Dress Gray'' (1986)

''The Sicilian'' (1987) (uncredited)

''Billy the Kid'' (1989)

''Dimenticare Palermo'' (1989)

Works under pseudonyms

''A Star's Progress'' (aka ''Cry Shame!'') (1950) as Katherine Everard

''Thieves Fall Out'' (1953) as Cameron Kay

''Death Before Bedtime'' (1953) as Edgar Box

''Death in the Fifth Position'' (1952) as Edgar Box

''Death Likes It Hot'' (1954) as Edgar Box

Film & TV appearances

''Profile of a Writer: Gore Vidal'' – RM Productions (1979 documentary film)

''Gore Vidal: The Man Who Said No'' (1983 documentary film)

''Weekend In Wallop'' (1984)

''Vidal in Venice'' – Antelope Films for Channel Four Television (1987 documentary film)

''Bob Roberts'' – as Senator Brickley Paiste (1992 film)

''With Honors'' – Plays the pessimistic and right-wing Prof. Pitkannan (1994 film)

''The Celluloid Closet'' – (1995 documentary film)

''Gattaca'' – Plays Director Josef in science-fiction film (1997)

''The Education of Gore Vidal'' (2003) Documentary by ''Deborah Dickson'', aired in the US on ''PBS''

''Thinking XXX'' (2004 documentary)

''Da Ali G Show'' (2004 TV)

''Why We Fight'' (2005 film)

''Inside Deep Throat'' (2005 film)

''One Bright Shining Moment'' (2005 film)

''Trailer for a Remake of Gore Vidal's Caligula'' (2005 spoof trailer)

''Foreign Correspondent'' – with former NSW premier Bob Carr

''The U.S. Versus John Lennon'' (2006 film)

Hollywood Bowl, Los Angeles Philharmonic Orchestra concert, August 2, 2007 – Narrated Aaron Copland's Lincoln Portrait (conducted by Michael Tilson Thomas) from a wheelchair.

''The Henry Rollins Show'' (2007 TV)

"The Simpsons" episode: "Moe'N'a Lisa"

"Family Guy" episode: "Mother Tucker"

Alex Jones radio show (2006)

''Terrorstorm: Final Cut Special Edition'' (2007)

''Lateline – ABC Television Australia Interview'' (May 2, 2008)

''Democracy Now'' – interview: on the Bush Presidency, History and the "United States of Amnesia" (May 14, 2008)

''The South Bank Show'' (May 18, 2008)

''Hardtalk – BBC News'' (May 22, 2008)

''The Andrew Marr Show (May 25, 2008)

''The US is not a republic anymore'' (June, 2008)

''Zero: An Investigation Into 9/11'' (June, 2008)

''Interview on the BBC's US Presidential Election Coverage with David Dimbleby (04/11/08)

"Writer Against the Grain": Gore Vidal in conversation with Jay Parini at the 2009 Key West Literary Seminar (audio, 59:09)

''Real Time with Bill Maher'' (April 10, 2009)

''Shrink'' (2009 film)

''"Gore Vidal's America"'' on The Real News Network (December 24, 2010)

See also

Politics in fiction

References

External links

The Gore Vidal Index, by Harry Kloman

The Gore Vidal Pages

Gore Vidal New York Review of Books author profile including a list of his reviews and essays from over 40 years, along with a bibliography

Audio recording: Gore Vidal at the Key West Literary Seminar, 2009: "Writer Against the Grain"

Gore Vidal's America - Seven part interview with Gore Vidal on The Real News - (video) July 5, 2009

Gore Vidal Interview with Melvyn Bragg in ''New Statesman'' Magazine - 11 October 2010

Category:1925 births Category:Living people Category:People from Orange County, New York Category:American dramatists and playwrights Category:American essayists Category:American expatriates in Italy Category:American historical novelists Category:American humanists Category:American memoirists Category:American novelists Category:American political writers Category:American screenwriters Category:American tax resisters Category:Edgar Award winners Category:Bisexual actors Category:Bisexual writers Category:Conspiracy theorists Category:LGBT memoirists Category:American LGBT military personnel Category:LGBT screenwriters Category:LGBT writers from the United States Category:Military brats Category:People from Los Angeles, California Category:Phillips Exeter Academy alumni Category:American military personnel of World War II Category:United States Army soldiers Category:National Book Award winners Category:Postmodern writers

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