A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. Although the origins of music videos date back much further, they came into prominence in the 1980s, when MTV based their format around the medium. Prior to the 80s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip" or "film clip".

Music videos use a wide range of styles of film making techniques, including animation, live action filming, documentaries, and non-narrative approaches such as abstract film. Some music videos blend different styles, such as animation and live action. Many music videos do not interpret images from the song's lyrics, making it less literal than expected.

History and development

In 1894, sheet music publishers Edward B. Marks and Joe Stern hired electrician George Thomas and various performers to promote sales of their song "The Little Lost Child". Using a magic lantern, Thomas projected a series of still images on a screen simultaneous to live performances. This would become a popular form of entertainment known as the illustrated song, the first step toward music video.

Another early form of music video were one-song films called "promotional clips" made in the 1940s for the Panoram visual jukebox. These were short films of musical selections, usually just a band on a movie-set bandstand, made for playing. Thousands of "soundies" were made, mostly of jazz musicians, but also of torch singers, comedians, and dancers. Before the soundie, even dramatic movies typically had a musical interval, but the soundie put the music in the forefront; virtually all known jazz performers appeared in soundie shorts. The Panoram jukebox with eight three-minute soundies were popular in taverns and night spots, but the fad faded during World War II.

Musical films were another important precursor to music video, and several well-known music videos have imitated the style of classic Hollywood musicals from the 1930s to the 1950s. One of the best-known examples is Madonna's 1985 video for "Material Girl" (directed by Mary Lambert) which was closely modelled on Jack Cole's staging of "Diamonds Are A Girl's Best Friend" from the film ''Gentlemen Prefer Blondes''. Several of Michael Jackson's videos show the unmistakable influence of the dance sequences in classic Hollywood musicals, including the landmark "Thriller" and the Martin Scorsese-directed "Bad" which was influenced by the stylised dance "fights" in the film version of ''West Side Story''.

In 1956, Petrushka, directed by John David Wilson for Fine Arts Films aired as a segment of the Sol Hurok Music Hour on NBC. Igor Stravinsky conducted a live orchestra for the recording of the event. In 1957, Tony Bennett was filmed walking along The Serpentine in Hyde Park, London as his recording of "Stranger in Paradise" played; this film was distributed to and played by UK and US television stations. According to the Internet Accuracy Project, disk jockey-singer J. P. "The Big Bopper" Richardson was the first to coin the phrase "music video", in 1959. It is no coincidence that the rise of popular music was tied with the rise of television, as the format allowed for many new stars to be exposed that previously would have been passed over by Hollywood, which normally required proven acts in order to attract an audience to the box office.

1960–1967: Visual innovation

In the late 1950s the Scopitone, a visual jukebox, was invented in France and short films were produced by many French artists, such as Serge Gainsbourg, Françoise Hardy, Jacques Brel, and Jacques Dutronc to accompany their songs. Its use spread to other countries and similar machines such as the Cinebox in Italy and Color-Sonic in the USA were patented. In 1961 Ozzie Nelson directed and edited the video of "Travelin' Man" by his son Ricky Nelson. It featured images of various parts of the world mentioned in the Jerry Fuller song along with Nelson's vocals. In 1964, Kenneth Anger's experimental short film, ''Scorpio Rising'' used popular songs instead of dialog.

In 1961, for Canadian show Singalong Jubilee, Manny Pittson began pre-recording the music audio, went on-location and taped various visuals with the musicians lip-syncing, then edited the audio and video together. Most music numbers were taped in-studio on stage, and the location shoot "videos" were to add variety. In 1963, singer Kyu Sakamoto is featured on the Japanese television program ''Shall We Meet At Seven?'' singing eight of his best-known songs, including his international hit ''Sukiyaki''. Sakamoto is shown singing the latter as he walks through an alley past barrels.

One of the earliest Videos of a Top 40 hit, was Jan & Dean's "Surf City", produced in Summer 1963, contemporaneous with the single release reaching Number One nationally in July 1963 (ref: Wikipedia). Filmed on location on Pacific Coast Highway in Malibu, it's a period-piece, capturing much of the atmosphere and vibe of the Southern California early 60's beach scene. This video is readily available for download and viewing on YouTube.com.

Another early performance clip was The Animals's 1964 hit "House Of The Rising Sun". This high-quality color clip was filmed in a studio on a specially-built set; with the group lip-synching.

The Beatles

In 1964, The Beatles starred in their first feature film ''A Hard Day's Night'', directed by Richard Lester. Shot in black-and-white and presented as a mock documentary, it was a loosely structured musical fantasia interspersing comedic and dialogue sequences with musical ones. The musical sequences furnished basic templates on which countless subsequent music videos were modeled. It was the direct model for the successful US TV series ''The Monkees'' (1966–1968) which similarly consisted of film segments that were created to accompany various Monkees songs.

Film critic Roger Ebert credits Lester with constructing "a new grammar":

:" ... he influenced many other films. Today when we watch TV and see quick cutting, hand-held cameras, interviews conducted on the run with moving targets, quickly intercut snatches of dialogue, music under documentary action and all the other trademarks of the modern style, we are looking at the children of ''A Hard Day's Night''".

The Beatles' second feature ''Help!'' (1965) was a much more lavish affair, filmed in colour in London and on international locations. It fitted the all-important musical sequences into a contrived fantasy adventure in which the group is pursued through a series of locales (including Switzerland and The Bahamas) by a band of Indian thuggee assassins bent on recovering a sacred ring which has come into Ringo's possession. The title track sequence, filmed in black-and-white, is arguably one of the prime archetypes of the modern performance-style music video, employing rhythmic cross-cutting, contrasting long shots and close-ups, and unusual shots and camera angles, such as the shot near the end of the song, in which George Harrison's left hand and the neck of his guitar are seen in sharp focus in the foreground while the completely out-of-focus figure of John Lennon sings in the background.

In 1965, The Beatles began making promotional clips (then known as "filmed inserts") for distribution and broadcast in other countries—primarily the USA—so they could promote their record releases without having to make in-person appearances. On November 23, 1965: At Twickenham Film Studios, The Beatles videotaped 10 black & white promo films, all produced by a British production company Intertel. They were "We Can Work It Out" (3 Versions), "Day Tripper" (3 Versions), "Help!" (1 Version), "Ticket To Ride" (1 Version), and "I Feel Fine" (2 Versions, neither of which were ever aired). One version each of the first two songs were aired on "Hullaballo" in the US on Jan 3 1966. Many clips were aired on "Top of the Pops" in the UK, and two were aired on "Thank Your Lucky Stars." Recent reports indicate the entire reel is circulating among collectors. "Help" and "Ticket To Ride" were re-released to accompany the CD release of the "1962–1966" or "Red" album in 1993. Composite edits of "We Can Work It Out", "Day Tripper", and "Ticket To Ride" are seen in "The Beatles Anthology," DVD set.

At the same time, The Byrds began using the same strategy to promote their singles in the United Kingdom, starting with the 1965 single "Set You Free This Time". By the time The Beatles stopped touring in late 1966, their promotional films, like their recordings, had become highly sophisticated. In May 1966 they filmed two sets of colour promotional clips for their current single "Rain"/"Paperback Writer" all directed by Michael Lindsay-Hogg, who went on to direct ''The Rolling Stones Rock and Roll Circus'' and The Beatles final film ''Let It Be''. The studio clips were straightforward performance films shot at Abbey Road Studios on 19 May, especially for broadcast on ''The Ed Sullivan Show'' and prefaced by a spoken introduction from Ringo.

The location clips are considerably more elaborate and use vibrant colour footage shot on location in the grounds of Chiswick House, London. Both clips are notable for their use of hand-held camera work, rhythmic editing, slow motion shots and reversed film. The "Paperback Writer" clip is more conventional, with Lennon, McCartney and Harrison lip-synching and miming playing their instruments (although Ringo is notably not 'playing'). The "Rain" clip marked a major advance in stylistic terms; it uses some colour shots common to both clips but is also intercut with monochrome reductions of the Abbey Road studio footage, making it one of the first examples of this device in music video. Most notably, apart from a few brief shots (a close-up of Lennon lip-synching and a shot of the group under a tree miming playing their instruments) the "Rain" clip virtually abandons any pretense of performance and has no obvious narrative structure.

The colour promotional clips for "Strawberry Fields Forever" and "Penny Lane", made in early 1967 and directed by Peter Goldman took the promotional film format to a new level. They used techniques borrowed from underground and avant garde film, including reversed film and slow motion, dramatic lighting, unusual camera angles and color filtering added in post-production. Reflecting the fact that these studio masterpieces were impossible for the group to perform live, their psychedelic mini-films illustrated the songs in an artful, impressionistic manner rather than trying to simulate an idealised performance or depict a narrative or plot.

At the end of 1967 the group released their third film, the one hour, made-for-television project ''Magical Mystery Tour''; it was written and directed by the group and first broadcast on the BBC on Boxing Day 1967. Although poorly received at the time for lacking a narrative structure, it showed the group to be accomplished music video makers in their own right. It included elaborate edited sequences for the new songs featured in the film and the clips for "I Am The Walrus" and "Your Mother Should Know" have been screened many times on music TV shows in later years.

1967–1973: Promotional clips grow in importance

The monochrome 1966 clip for Bob Dylan's "Subterranean Homesick Blues" filmed by D. A. Pennebaker was featured in Pennebaker's Dylan film documentary ''Dont Look Back''. Eschewing any attempt to simulate performance or present a narrative, the clip shows Dylan standing in a city back alley, silently shuffling a series of large cue cards (bearing key words from the song's lyrics). Many "song films"—often referred to as "filmed inserts" at that time—were produced by UK artists so they could be screened on TV when the bands were not available to appear live. Pink Floyd were pioneers in producing promotional films for their songs including "San Francisco: Film", directed by Anthony Stern, "Scarecrow", "Arnold Layne" and "Interstellar Overdrive", the latter directed by Peter Whitehead, who also made several pioneering clips for The Rolling Stones between 1966 and 1968. In the UK The Kinks made one of the first "plot" promo clips for a song. For their single "Dead End Street" (1966) a miniature comic movie was made. The BBC reportedly refused to air the clip because it was considered to be in "poor taste".

The Who featured in several promotional clips in this period, beginning with their 1965 clip for ''I Can't Explain''. Their plot clip for ''Happy Jack'' (1966) shows the band acting like a gang of thieves. The promo film to ''Call Me Lightning'' (1968) tells a story of how drummer Keith Moon came to join the group: One fine day, the other three band members are having tea inside what looks like an abandoned hangar when suddenly a "bleeding box" arrives, out of which jumps a fast-running, timelapse, utterly out-of-control Moon that Pete Townshend, Roger Daltrey, and John Entwistle subsequently try to get a hold of in a sped-up slapstick chasing sequence to wind him down.

The Moody Blues made a promo video for their 1967 single "Nights in White Satin". Procol Harum made two promos for their 1967 hit "A Whiter Shade of Pale". One version shows band members walking among the ruins of Witley Court, footage of them performing the song onstage and documentary footage of the Vietnam war. The second version shows the band running towards camera (a device pioneered in ''A Hard Day's Night''), followed by surrealistic sequences. The first (earlier) video included four of the five musicians on the hit single: Gary Brooker, Matthew Fisher, David Knights and Ray Royer; only the drummer was different, Bobby Harrison miming to Bill Eyden's drumming on the single. The second video included three of the five musicians on the single: substitutes were guitarist Robin Trower instead of Royer and B.J. Wilson instead of Eyden.

The Small Faces made several promotional clips in 1966–67. The B&W; promo for their 1966 single "Hey Girl" shows the band performing and clowning around aboard a tram with a group of female fans. A colour clip for their 1967 single "Get Yourself Together" has band members dressed as police. The Troggs feature in a monochrome promo clip for their 1967/68 hit "Love Is All Around", showing singer Reg Presley's love affair with a girl intercut with concert footage and psychedelic elements.

The Doors had a background in film-making and both lead singer Jim Morrison and keyboard player Ray Manzarek were studying film at UCLA when they met. The clip for their debut single "Break on Through (To the Other Side)" is a filmed performance that uses atmospheric lighting, camera work and editing. It was directed by Elektra Records producer Mark Abramson. Their 1968 anti-war single "The Unknown Soldier", combines specially filmed footage of the group—including the depiction of a mock execution by firing squad—with extensive intercutting of stock footage, including graphic footage of the carnage of the Vietnam War. It was also directed by Mark Abramson based on input from Morrison and the Doors.

Although it made little impression internationally, there was a thriving local pop scene in Australia and New Zealand in the 1960s and bands there were quick to pick up on British and American trends. By 1967 a number of bands were creating early music videos for their songs. One of the first was the pioneering clip made by The Masters Apprentices for their 1967 single "Buried And Dead", which used candid stage and studio footage of the band combined with specially filmed fantasy sequences. Another notable Australian clip from this period is the promotional clip for "The Loved One" by The Loved Ones, directed by Peter L. Lamb as part of his 1967 short film ''Approximately Panther''.

The Rolling Stones appeared in many promotional clips for their songs in the 1960s. One of the earliest, dating from 1964, showed the band on a beach, miming to their single "Not Fade Away", but this has apparently since been lost. In 1966, Peter Whitehead directed two promo clips for their single "Have You Seen Your Mother, Baby, Standing In The Shadow?"

In 1967, Whitehead directed a plot clip colour promo clip for the Stones single "We Love You", which first aired in August 1967. This clip featured sped-up footage of the group recording in the studio (including several shots of an extremely stoned-looking Brian Jones), intercut with a mock trial that clearly alludes to the drug prosecutions of Mick Jagger and Keith Richards underway at that time. Jagger's girlfriend Marianne Faithfull appears in the trial scenes and presents the "judge" (Richards) with what may be the infamous fur rug that had featured so prominently in the press reports of the drug bust at Richards' house in early 1967. When it is pulled back, it reveals an apparently naked Jagger with chains around his ankles. The clip concludes with scenes of the Stones in the studio intercut with footage that had previously been used in the "concert version" promo clip for "Have You Seen Your Mother, Baby". The group also filmed a colour promo clip for the song "2000 Light Years From Home" (from their album ''Their Satanic Majesties Request'') directed by Michael Lindsay-Hogg.

In 1968, Michael Lindsay-Hogg directed three clips for their single "Jumping Jack Flash" / "Child Of The Moon"—a colour clip for "Child Of The Moon" and two different clips for "Jumpin' Jack Flash". One was a [monochrome clip] with what appears to be a live performance of the song; the other is the better-known colour clip, featuring the band in heavy makeup, miming to the same live recording used in the B&W; clip. In 1968, they collaborated with Jean-Luc Godard on the film ''Sympathy for the Devil'', which mixed Godard's political tracts with documentary footage of the song's evolution during the recording sessions at Olympic Studios in London. At the end of the year Lindsay-Hogg again collaborated with the Stones on their most ambitious project to date, the feature-length performance film ''The Rolling Stones Rock and Roll Circus'', which also featured John Lennon, Yoko Ono, Eric Clapton and rising UK band Jethro Tull, but unfortunately the film was not released until 1996 because the group at the time felt that their own performances had been below par.

So are two videos of Lou Christie for "I'm Gonna Make You Mine" in 1969. The Carpenters made a promo clip of their cover of the Beatles hit "Ticket to Ride". After 1969, the independent music movie clips came out of fashion with psychedelic music and style. In the late 1960s and early 1970s, bands preferred performing in TV shows which themselves became visually more attractive. Some artists were featured in straightforward documentaries such as The Beatles in "Let It Be" and the Rolling Stones in "Gimme Shelter".

On ''The Sonny & Cher Comedy Hour'', which ran from 1971 to 1974, director Chris Bearde enlisted animator John David Wilson to direct animated segments of current hits of the day reinterpreted by the duo. Songs included Coven's "One Tin Soldier", Three Dog Night's "Black and White" and Melanie's "Brand New Key". Wilson later went on to self-produce many more animated videos for artists such as Joni Mitchell, Bob Dylan and Jim Croce. The promotional clip continued to grow in importance, with television programs such as ''The Midnight Special'' and ''Don Kirshner's Rock Concert'' mixing concert footage with clips incorporating camera tricks, special effects, and dramatizations of song lyrics. The film of the Woodstock Festival, and the various concert films that were made during the early 1970s, such as Joe Cocker's ''Mad Dogs and Englishmen'' and Pink Floyd's ''Live at Pompeii'' concert film used rhythmic cross-cutting.

In 1971, avant-garde group The Residents began filming what was supposed to be the first feature length music video "Vileness Fats". Due to time constrains and technical problems, the group abandoned the project in 1976. The group would, however, create videos for "The Third Reich 'n Roll" (which used props from Vileness Fats), "One Minute Movies", "Hello Skinny", and their cover of "It's A Man's Man's Man's World". Nicolas Roeg's 1970 cult film ''Performance'' contains a sequence in which star of the film Mick Jagger did a rendition of "Memo From Turner" combined with a psychedelic collage.

Many countries with local pop music industries soon copied the trend towards promo film clips. In Australia, promotional films by Australian pop performers were being made on a regular basis by 1966; in 1968 singer Lynne Randell featured in one of the first promotional clips for an Australian act that was filmed in colour, but most Australian clips from this period were in black and white, because Australia did not convert to colour TV until early 1975. 1970–71, Australian musician and filmmaker Chris Lofven made (monochrome) promotional films for two of the biggest Australian hits of the period—Daddy Cool's "Eagle Rock" and Spectrum's "I'll Be Gone". These were widely screened on Australian TV at the time and played a significant role in the success of the songs, which both became national #1 hits.

The genre-defining surf films of Bruce Brown, George Greenough and Alby Falzon and others are also notable for their innovative combinations of image and music featuring sequences of specially-filmed surfing footage, carefully edited against long music tracks, with no accompanying dialogue. Greenough's landmark 1972 film ''Crystal Voyager'' concluded with an extended sequence (filmed and edited by Greenough) that was constructed around the 23-minute Pink Floyd track "Echoes". The band was impressed with Greenough's effort and agreed to allow Greenough to use their music in his film in exchange for the right to use his film footage when performing "Echoes" at their concerts.

During late 1972–73 David Bowie featured in a series of promotional films directed by pop photographer Mick Rock, who worked extensively with Bowie in this period. These clips are important landmarks in the development of the music video genre in the 1970s, and they are also notable because they were made by a professional photographer rather than an established film or TV director, and because Rock was given total creative control over the clips. Mick Rock directed and edited four clips, all originally shot on 16 mm colour film, to promote four consecutive David Bowie singles—"John, I'm Only Dancing" (May 1972), "The Jean Genie" (Nov. 1972), the December 1972 US re-release of "Space Oddity" and the 1973 release of the single "Life On Mars" (lifted from Bowie's earlier album ''Hunky Dory''). Mick Rock cites the "Life On Mars" clip as his favorite of the four.

The clip for "John, I'm Only Dancing" was made with a budget of just US$200 and filmed at the afternoon rehearsal for Bowie's Rainbow Theatre concert on 19 August 1972. It shows Bowie and band miming to the record intercut with footage of Bowie's dancers The Astronettes dancing on stage and behind a back-lit screen. The clip was turned down by the BBC, who reportedly found the homosexual overtones of the film distasteful, although ''Top of the Pops'' replaced it with footage of bikers and a dancer. The "Jean Genie" clip, produced for just US$350, was shot in one day and edited in less than two days. It intercuts footage of Bowie and band in concert with contrasting footage of the group in a photographic studio, wearing black stage outfits and standing against a white background. It also includes location footage with Bowie and Cyrinda Foxe (a MainMan employee and a friend of David and Angie Bowie) shot in San Francisco outside the famous Mars Hotel, with Fox posing provocatively in the street while Bowie lounges against the wall, smoking.

In 1978 Canadian filmmaker Denis Koufoudakis created EXIT, a Super 8 student film that depicted a youth’s struggles with choices in an information overload era and his nagging thoughts of suicide. EXIT featured Boston’s Foreplay/Long Time for its soundtrack and was one of the first films of its kind to be recognized at an international film festival as it received an Honorable Mention. The rock video style short, having been shot on Super 8 film stock was damaged and is slated to undergo a digitized restoration for its 35th year anniversary.

1974–1980 – Beginnings of music television

Australia

The Australian TV shows ''Countdown'' and ''Sounds'', both of which premiered in 1974, were significant in developing and popularizing the music video genre in Australia and other countries, and in establishing the importance of music video clips as a means of promoting both emerging acts and new releases by established acts. In early 1974, former radio DJ Graham Webb launched a weekly teen-oriented TV music show which screened on Sydney's ATN-7 on Saturday mornings; this was renamed ''Sounds Unlimited'' in 1975 and later shortened simply to ''Sounds''. In need of material for the show, Webb approached Seven newsroom staffer Russell Mulcahy and asked him to shoot film footage to accompany popular songs for which there were no purpose-made clips (e.g. Harry Nilsson's "Everybody's Talking"). Using this method, Webb and Mulcahy assembled a collection of about 25 clips for the show. The success of his early efforts encouraged Mulcahy to quit his TV job and become a full-time director, and he made clips for several popular Australian acts including Stylus, Marcia Hines, Hush and AC/DC.

After relocating to the UK in the mid-1970s, Mulcahy made successful music videos for several noted British pop acts—his early UK credits included XTC's "Making Plans For Nigel" (1979) and his landmark video for The Buggles' "Video Killed The Radio Star" (1979) which became the first music video played on MTV in 1981. ''Countdown'' was partly based on the 1960s Australian pop show ''Kommotion'' and on the BBC's ''Top of the Pops'' but unlike its British counterpart, ''Countdown'' was not restricted in its use of music videos. The program was launched in late 1974, a few months after ''Sounds'', and initially screened in a late Saturday afternoon timeslot, but in January 1975, only a few weeks before color TV was officially launched in Australia, it moved to the prime 6 pm Sunday timeslot; thanks to the ABC's nationwide reach, it rapidly became one of the highest-rating shows on Australian TV.

As it gained popularity, ''Countdown'' talent coordinator Ian "Molly" Meldrum and producer Michael Shrimpton quickly realized that "film clips" were becoming an important new commodity in music marketing. Despite the show's minuscule budget, ''Countdown'''s original director Paul Drane was able to create several memorable music videos especially for the show, including the classic film-clips for the AC/DC hits "It's A Long Way To The Top" and "Jailbreak". ''Countdown'' became successful in Australia and other countries picked up on the format. At its highpoint during most of the 1980s it was to be aired in 22 countries including TV Europe. In 1978, the Dutch TV-broadcasting company Veronica started its own version of ''Countdown'', which during the 1980s featured Adam Curry as its best known presenter. Although the ABC's facilities and expertise enabled ''Countdown'' to present regular studio 'performances' by local and visiting acts, rival shows like ''Sounds'' lacked the resources to present such segments, so they at first used music videos almost exclusively.

New Zealand

Like Australia, New Zealand was an early adopter of the music video format, with the seminal music TV show ''Radio With Pictures'' premièring on TV2 in 1976. ''Ready to Roll'' also premièred the same year.

United Kingdom

The long-running British TV show ''Top of the Pops'' began playing music videos in the late 1970s, although the BBC placed strict limits on the number of 'outsourced' videos TOTP could use. Therefore a good video would increase a song's sales as viewers hoped to see it again the following week. In 1980, David Bowie scored his first UK number one in nearly a decade thanks to director David Mallet's eye catching promo for "Ashes to Ashes". Another act to succeed with this tactic was Madness, who shot on 16 mm and 35 mm, constructing their clips as "micro-comedic" short films.

In 1974 the band Sparks filmed a promo video for their single "This Town Ain't Big Enough for Both of Us" from the album ''Kimono My House''

In 1975, The Who released their all-music feature film ''Tommy'', directed by Ken Russell, based upon their 1969 rock opera of the same name. Also in 1975, the band Queen ordered Bruce Gowers to make a promo video for their new single "Bohemian Rhapsody" to show it in Top Of The Pops; this is also notable for being entirely shot and edited on videotape.

The Alan Parker film adaptation of ''Pink Floyd The Wall'' transformed the group's 1979 concept double-LP of the same title into a confrontational and apocalyptic audio-visual labyrinth of stylized, expressionistic images, sounds, melodies and lyrics.

The long-running British Rock music show "The Old Grey Whistle Test" produced a number of pioneering videos made especially for the program throughout the 70s and early 80s. These included a video of Frank Zappa's "City of Tiny Lights" made using claymation and videos made for performers such as Television, Led Zeppelin, Genesis, Pink Floyd and Mike Oldfield. The executive producer of The Old Grey Whistle Test was Mike Appleton. Derek Burbidge and Kate Humphreys directed and videoed many of the artists. The audio was always of prime importance. Gregg Baily was the recordist for the show on location. Although many assumed the bands were playing live, due to technical issues and the need to ensure performances were controlled, the bands often recorded the performance on the day of shooting prior to taping, and then mimed to this "live" track. Other directors and camera operators were Martin Pitts in the USA, and for England, John Metcalfe and Tim Pope and many others. Location shoots all over the world were an essential part of the program. Martin Pitts Directed clips for the Bee Gees that aired on the show.

United States

American alternative punk rock group Devo created many self-produced music videos, which were included in the pioneering compilation "The Truth About Devolution", directed by Chuck Statler. Devo's video cassette releases were arguably among the first true long-form video productions. Also, one of their music videos "The Day My Baby Gave Me a Surprise" was the first to use computer and traditional animation. Shock-rocker Alice Cooper took a video of his ''Welcome to My Nightmare'' concert showcasing the intense visual performance it gave. Alice Cooper himself makes reference to making one of the first music videos on the promotional videos for his album ''Along Came A Spider''.

''Video Concert Hall'', created by Jerry Crowe and Charles Henderson, was the first nationwide video music programming on American television, predating MTV by almost three years. The USA Cable Network program ''Night Flight'' was one of the first American programs to showcase these videos as an artform. Premiering in June 1981, ''Night Flight'' predated MTV's launch by two months.

Two feature-length films released on the cusp of MTV's first appearance on the dial contributed enormously to the development of the form. The first was 1981's ''Shock Treatment'', a pseudo-sequel/spinoff of ''The Rocky Horror Picture Show'' principally written and scored by RHPS creator Richard O'Brien. Although it was a commercial flop, the film broke stylistic ground by being more focused and less visually ambitious – and thus easier to emulate on a tight budget – than either RHPS or Ken Russell's 1975 adaptation of The Who's music and storyline from the album ''Tommy'', or even a lower-budget affair like The Ramones' ''Rock 'n' Roll High School'' (1979).

In 1980, New Zealand group Split Enz had major success with the single "I Got You" and the album ''True Colours'', and later that year they joined Blondie in becoming one of the first bands in the world to produce a complete set of promo clips for each song on the album (directed by their percussionist, Noel Crombie) and to market these on video cassette. This was followed a year later by the first American video album, ''The Completion Backward Principle'' by The Tubes, directed by the group's keyboard player Michael Cotten, which included two videos directed by Russell Mulcahy ("Talk To Ya Later" and "Don't Want To Wait Anymore").

Among the first music videos were clips produced by ex-Monkee Michael Nesmith who started making short musical films for ''Saturday Night Live''. In 1981, he released ''Elephant Parts'', the first winner of a Grammy for music video, directed by William Dear. A further experiment on NBC television called ''Television Parts'' was not successful, due to network meddling (notably an intrusive laugh track and corny gags).'' Billboard'' credits the independently-produced Video Concert Hall as being the first with nationwide video music programming on American television.

1981–1991: Music videos go mainstream

In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" and beginning an era of 24-hour-a-day music on television. With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing. Many important acts of this period, most notably Adam and the Ants, Duran Duran and Madonna, owed a great deal of their success to the skillful construction and seductive appeal of their videos.

Two key innovations in the development of the modern music video were the development of relatively inexpensive and easy-to-use video recording and editing equipment, and the development of visual effects created with techniques such as image compositing. The advent of high-quality color videotape recorders and portable video cameras coincided with the DIY ethos of the New Wave era, enabling many pop acts to produce promotional videos quickly and cheaply, in comparison to the relatively high costs of using film. However, as the genre developed, music video directors increasingly turned to 35 mm film as the preferred medium, while others mixed film and video. During the 1980s, music videos had become ''de rigueur'' for most recording artists. The phenomenon that was famously parodied by BBC television comedy program ''Not The Nine O'Clock News'' who produced a spoof music video "Nice Video, Shame About The Song". The genre was also parodied by Frank Zappa in his satirical 1984 song "Be In My Video". Its increasing dominance had earlier been critiqued by Joe Jackson in his 1980 song "Pretty Boys" (which still referred to videos as "promos").

In this period, directors and the acts they worked with began to explore and expand the form and style of the genre, using more sophisticated effects in their videos, mixing film and video, and adding a storyline or plot to the music video. Occasionally videos were made in a ''non-representational'' form, in which the musical artist was not shown. Because music videos are mainly intended to promote the artist, such videos are comparatively rare; three early 1980s examples are Bruce Springsteen's "Atlantic City", directed by Arnold Levine, David Mallet's video for David Bowie and Queen's "Under Pressure", and Ian Emes' video for Duran Duran's "The Chauffeur". Other notable later examples of the non-representational style include Bill Konersman's innovative 1987 video for Prince's "Sign o' the Times" – influenced by Dylan's "Subterranean Homesick Blues" clip, it featured only the text of the song's lyrics—the video for George Michael's "Freedom 90" (1990), in which Michael himself refused to appear, forcing director David Fincher to substitute top fashion models in his place.

In 1983, the most successful and influential music video of all time was released — the nearly 14-minute-long video for Michael Jackson's song "Thriller". The video set new standards for production, having cost US$500,000 to film. That video, along with earlier videos by Jackson for his songs "Billie Jean" and "Beat It", also was instrumental in getting music videos by African American artists played on MTV. Earlier, such videos had been rare: according to MTV, this was because it initially conceived itself as a rock-music-oriented channel, although musician Rick James was outspoken in his criticism of the cable channel, claiming in 1983 that MTV's refusal to air the music video for his song "Super Freak" and clips by other African-American performers was "blatant racism".

The Canadian music channel MuchMusic was launched in 1984. In 1984, MTV also launched the MTV Video Music Awards (later to be known as the VMA's), an annual awards event that would come to underscore MTV's importance in the music industry.

In 1985, MTV launched the channel VH1 (then known as "VH-1: Video Hits One"), featuring softer music, and meant to cater to an older demographic than MTV. MTV Europe was launched in 1987, and MTV Asia in 1991. Another important development in music videos was the launch of ''The Chart Show'' on the UK's Channel 4 in 1986. This was a program which consisted entirely of music videos (the only outlet many videos had on British TV at the time), without presenters. Instead, the videos were linked by then state of the art computer graphics. The show moved to ITV in 1989.

The video for the 1985 Dire Straits song "Money for Nothing" made pioneering use of computer animation, and helped make the song an international hit. Ironically, the song itself was a wry comment on the music-video phenomenon, sung from the point of view of an appliance deliveryman both drawn to and repelled by the outlandish images and personalities that appeared on MTV. In 1986, Peter Gabriel's song "Sledgehammer" used special effects and animation techniques developed by British studio Aardman Animation. The video for "Sledgehammer" would go on to be a phenomenal success and win nine MTV Video Music Awards.

In 1988, the MTV show ''Yo! MTV Raps'' debuted; the show helped to bring hip hop music to a mass audience for the first time.

1992–2004: Rise of the directors

In December 1992, MTV began listing directors with the artist and song credits, reflecting the fact that music videos had increasingly become an auteur's medium. Directors such as Michel Gondry, Spike Jonze, Stéphane Sednaoui, Mark Romanek and Hype Williams all got their start around this time; all brought a unique vision and style to the videos they directed. Some of these directors, including, Gondry, Jonze and F. Gary Gray, went on to direct feature films. This continued a trend that had begun earlier with directors such as Lasse Hallström and David Fincher.

Two of the videos directed by Romanek in 1995 are notable for being two of the three most expensive music videos of all time: Michael and Janet Jackson's "Scream", which cost $7 million to produce, and Madonna's "Bedtime Story", which cost $5 million. "Scream" remains the most expensive video of all time. During this period, MTV launched channels around the world to show music videos produced in each local market: MTV Latin America in 1993, MTV India in 1996, and MTV Mandarin in 1997, among others. MTV2, originally called "M2" and meant to show more alternative and older music videos, debuted in 1996.

2005–present: The Internet becomes video-friendly

The earliest purveyors of music videos on the internet were members of IRC-based groups, who recorded them as they appeared on television, then digitised them, exchanging the .mpg files via IRC channels. The website iFilm, which hosted short videos, including music videos, launched in 1997. Napster, a peer-to-peer file sharing service which ran between 1999 and 2001, enabled users to share video files, including those for music videos. By the mid-2000s, MTV and many of its sister channels had largely abandoned showing music videos in favor of reality television shows, which were more popular with its audiences, and which MTV had itself helped to pioneer with the show ''The Real World'', which premiered in 1992.

2005 saw the launch of the website YouTube, which made the viewing of online video faster and easier; Google Videos, Yahoo! Video, Facebook and MySpace's video functionality, which uses similar technology. Such websites had a profound effect on the viewing of music videos; some artists began to see success as a result of videos seen mostly or entirely online. The band OK Go may exemplify this trend, having achieved fame through the videos for two of their songs, "A Million Ways" in 2005 and "Here It Goes Again" in 2006, both of which first became well-known online. (OK Go repeated the trick with another high-concept video in 2010, for their song "This Too Shall Pass".) Artists like Soulja Boy Tell 'Em and Marié Digby also achieved some level of fame initially through videos released only online.

The 2008 video for Weezer's "Pork and Beans" also captured this trend, by including at least 20 YouTube celebrities; the single became the most successful of Weezer's career, in chart performance. In 2007, the RIAA issued cease-and-desist letters to YouTube users to prevent single users from sharing videos, which are the property of the music labels. After its merger with Google, YouTube assured the RIAA that they would find a way to pay royalties through a bulk agreement with the major record labels. This was complicated by the fact that not all labels share the same policy toward music videos: some welcome the development and upload music videos to various online outlets themselves, viewing music videos as free advertising for their artists, while other labels view music videos not as an advertisement, but as the product itself.

In 2010, Lady Gaga's music video "Bad Romance" made headlines by becoming the most-viewed video on YouTube, music-related or otherwise, with 130 million views; it had over 350 million views by the early 2011. It in turn was beaten later in the year by the video for Justin Bieber's song "Baby", which had over 500 million views by the early 2011.

MTV itself now provides streams of artists' music videos, while AOL's recently launched AOL Music features a vast collection of advertising supported streaming videos. The Internet has become the primary growth income market for record company-produced music videos. At its launch, Apple's iTunes Store provided a section of free music videos in high quality compression to be watched via the iTunes application. More recently the iTunes Store has begun selling music videos for use on Apple's iPod with video playback capability.

To further signify the change in direction towards Music Video airplay, MTV officially dropped the Music Television tagline on February 8, 2010 from their logo in response to their increased commitment to non-scripted reality programming and other youth-oriented entertainment rising in prominence on their live broadcast.

VEVO is a music video website launched by several major music publishers in December 2009. The videos on VEVO are syndicated to YouTube, with Google and VEVO sharing the advertising revenue.

Official Lo-fi Internet music clips

Following the shift toward internet broadcasting and the rising popularity of user-generated video sites such as YouTube around 2006, some independent filmmakers began recording live sessions to present on the Web. Examples of this new way of creating and presenting a music video include Vincent Moon's work with The Take-Away Shows; In the Van sessions, a similar platform; and the Dutch VPRO 3VOOR12, which puts out music videos recorded in elevators and other small, guerrilla filmmaking type locations in a similar tradition called (Behind) closed doors. All of these swiftly recorded clips are made with minimal budgets and share similar aesthetics with the lo-fi music movement of the early nineties. Offering freedom from the increasingly burdensome financial requirements of high-production movie-like clips, it began as the only method for little-known indie music artists to present themselves to a wider audience, but increasingly this approach has been taken up by such major mainstream artists as R.E.M. and Tom Jones.

Other music genres

Country music

When the first country music videos were made is disputed. Sam Lovullo, the producer of the television series ''Hee Haw'', said his show presented "what were, in reality, the first musical videos," while JMI Records made the same claim with Don Williams' 1973 song, "The Shelter of Your Eyes. In addition, a film of "Galveston", a crossover hit for country-pop performer Glen Campbell in 1969, has appeared on the video sharing service YouTube.

Country music historian Bob Millard wrote that JMI had pioneered the country music video concept by "producing a 3-minute film" to go along with Williams' song. Lovullo said his videos were conceptualized by having the show's staff go to nearby rural areas and film animals and farmers, before editing the footage to fit the storyline of a particular song. "The video material was a very workable production item for the show," he wrote. "It provided picture stories for songs. However, some of our guests felt the videos took attention away from their live performances, which they hoped would promote record sales. If they had a hit song, they didn't want to play it under comic barnyard footage." The concept's mixed reaction eventually spelled an end to the "video" concept on ''Hee Haw''.

Promotional videos of country music songs, however, continued to be produced. On March 5, 1983, Country Music Television, or CMT, was launched, created and founded by Glenn D. Daniels and uplinked from the Video World Productions facility in Hendersonville, Tennessee. CMT's chief competitor, The Nashville Network (TNN), premiered two days later. CMT was positioned to play country music videos 24 hours a day, seven days a week, while TNN was geared toward programming lending itself to a "country lifestyle".

A competitor network to CMT, Great American Country, or GAC, went on the air in December 1995.

Censorship

As the concept and medium of a music video is a form of artistic expression, artists have been on many occasions censored if their content is deemed offensive. What may be considered offensive will differ in countries due to censorship laws and local customs and ethics. In most cases, the record label will provide and distribute videos edited or provide both censored and uncensored videos for an artist. In some cases, it has been known for music videos to be banned in their entirety as they have been deemed far too offensive to be broadcast.

1980s

In the late 1970s and into the early 80s Jon Small Was touring with Billy Joel in Australia where they saw with in their hotel rooms rudimentary videos of local musical talent on the Australian TV Channels. ''Argumentively the first television version of a Musical Video was conceived in Australia.'' They got back to their native town of New York City and went to Home Box Office in Manhattan N.Y. to propose the idea of having a musical filler in-between the HBO movies; this filler was to provide a low cost entertainment for the dead air time between movies aired on the visionary pay TV network. The first video to be banned by MTV was Queen's 1982 hit "Body Language". Due to thinly veiled homoerotic undertones plus lots of skin and lots of sweat (but apparently not enough clothing, save that worn by the fully clothed members of Queen themselves), it was deemed unsuitable for a television audience at the time. However, the channel did air Olivia Newton-John's 1981 video for the hit song "Physical", which lavished camera time on male models working out in string bikinis who spurn her advances, ultimately pairing off to walk to the men's locker rooms holding hands, though the network ended the clip before the overt homosexual "reveal" ending in some airings. The video for "Girls on Film" by Duran Duran, which featured topless women mud wrestling and other depictions of sexual fetishes, was banned by the BBC.

MTV did air the video, albeit in a heavily edited form. Laura Branigan initially protested an MTV request to edit her "Self Control" video in 1984, but relented when the network refused to air the William Friedkin-directed clip, featuring the singer lured through an increasingly debauched, if increasingly stylized, series of nightclubs by a masked man who ultimately takes her to bed. In 1989, Cher's "If I Could Turn Back Time" video (where the singer performs the song in an extremely revealing body suit surrounded by a ship full of cheering sailors) was restricted to late-night broadcasts on MTV. The Sex Pistols' video for "God Save the Queen" was banned by the BBC for calling the United Kingdom a fascist regime. Mötley Crüe's video for "Girls, Girls, Girls" was banned by MTV for having completely nude women dancing around the members of the band in a strip club. Mötley Crüe did make another version of the video that was accepted by MTV.

In 1983, ''Entertainment Tonight'' ran a segment on censorship and "Rock Video Violence." The episode explored the impact of MTV rock video violence on the youth of the early 1980s. Excerpts from the music videos of Michael Jackson, Duran Duran, Kiss, Kansas, Billy Idol, Def Leppard, Pat Benatar and The Rolling Stones were shown. Dr. Thomas Radecki of the National Coalition on TV Violence was interviewed accusing the fledgling rock video business of excessive violence. ''Night Tracks''' producer Tom Lynch weighed in on the effects of the video violence controversy. Recording artists John Cougar Mellencamp, Gene Simmons and Paul Stanley of Kiss, along with directors Dominic Orlando and Julien Temple, provided a defense of their work. The episode's conclusion was that the controversy will continue to grow. Some artists have used censorship as a publicity tool. In the 1980s, the show ''Top of the Pops'' was censorious in its approach to video content, so some acts made videos that they knew would be censored, using the resulting public controversy to promote their release. Examples of this tactic were Duran Duran's aforementioned "Girls on Film" and Frankie Goes to Hollywood with "Relax", directed by Bernard Rose.

1990s

In 1991, the dance segment of Michael Jackson's "Black or White" was cut because it showed Michael Jackson "inappropriately" touching himself in it. Michael Jackson's most controversial video, "They Don't Care About Us" was banned from MTV, VH1, and BBC because of the alleged anti-Semitic message in the song and the visuals in the background of the "Prison Version" of the video. Also in 1991, emerging country music superstar Garth Brooks found himself at the center of controversy when his video for "The Thunder Rolls" was banned by both The Nashville Network (TNN) and Country Music Television (CMT). The video dealt with the issue of domestic violence in stark visual terms, and featured a heavily-costumed Brooks portraying an abusive husband. Although both Brooks and director Bud Schaetzle publicly denied that the video was crafted specifically to foster debate, its banning shed light on Nashville's conservative programming practices and brought attention to Brooks' developing sense of showmanship. In the wake of the video's critical acclamation, and with public support generated by nationwide "viewing parties" organized by supportive radio stations, TNN and CMT reluctantly began airing it. "The Thunder Rolls" went on to win the Video of the Year Award from the Country Music Association, and was named by both MTV and CMT as one of the "100 Greatest Music Videos Ever Made."

Madonna is the artist most associated with music video censorship. The controversy surrounding her marketing of sexuality began with the video for "Lucky Star", and amplified over time due to clips such as "Like a Virgin". Outcry occurred over the subject matter discussed in "Papa Don't Preach". "Like a Prayer" courted heavy criticism due to its religious, sexual, and racially-oriented imagery. In 1990, Madonna's music video for the song "Justify My Love" was banned by MTV due to its depiction of sadomasochism, homosexuality, cross-dressing, and group sex which generated a media firestorm. The debate over the banning of "Justify My Love" by the Canadian music video network MuchMusic led to the launching in 1991 of ''Too Much 4 Much'', a series of occasional, late-night specials (still being aired in the early 2000s) in which videos officially banned by MuchMusic were broadcast, followed by panel discussion regarding why they were removed.

In 1992, The Shamen's video for the song "Ebeneezer Goode" was banned by the BBC due to its perceived subliminal endorsement of the recreational drug Ecstasy. Prodigy's 1997 video for "Smack My Bitch Up" was banned in some countries due to depictions of drug use and nudity. The Prodigy's video for "Firestarter" was banned by the BBC because of its references to arson.

2000s

In 2000, the music video for "Rock DJ" by Robbie Williams caused controversy due to the graphic nature of the video which featured Robbie Williams appearing naked and peeling off his skin to reveal flesh. The video was censored in the UK during the day, and was broadcast unedited after 10pm. The video was banned in Dominican Republic due to allegations of satanism. Björk's 2001 song, "Pagan Poetry", was banned from MTV for depictions of sexual intercourse, fellatio, and body piercings. Her next single, "Cocoon", was also banned by MTV as it featured a nude Björk. Madonna's video for "Erotica" was aired only three times (each time after midnight) due to its sexual depictions of sadomasochism. More recently, Madonna's "What It Feels Like for a Girl" was banned in 2001 due to its graphic depiction of violence. She also pulled her "American Life" video because of its controversial military imagery that seemed inappropriate once the War in Iraq began; subsequently, a new video was made for the song.

In 2002, the video for "All The Things She Said" by Russian duo t.A.T.u. caused controversy as it featured the young girls, Lena Katina and Yulia Volkova, embracing and eventually kissing. UK TV presenters Richard and Judy campaigned to have the video banned claiming it pandered to pedophiles with the use of school uniforms and young girls kissing, although the campaign failed. Capitalizing on the controversy, the kiss was choreographed into their live performances. ''Top of the Pops'' aired the girls' performance with the kiss replaced by audience footage. NBC's ''The Tonight Show with Jay Leno'' cut away from the girls' kiss to shots of the band. Throughout their promotional tour, t.A.T.u. protested by appearing in shirts reading "censored".

As of 2005, the Egyptian state censorship committee has banned at least 20 music videos which featured sexual connotations due to Muslim moral viewpoints. In 2004, many family groups and politicians lobbied for the banning of the Eric Prydz video "Call on Me" for containing women dancing in an sexually suggestive way, however, the video was not banned. At some point in the past, the video for "(s)AINT" by Marilyn Manson was banned by that artist's label due to its violence and sexual content. In 2008, Justice's video for their song "Stress" was boycotted by several major music television channels due to allegations of racism and violence; the video depicts several youths committing various crimes throughout the streets of Paris, with the youths mainly being of North African descent.

In 2006, Australian rock band Eskimo Joe's Black Fingernails Red Wine's original video was not shown on music video channels during the day, given an MA15+ classification and restricted to night-time airplay due to its criminal themes. As a result, a completely new video was substituted. The original video shows the band members kidnapping people at night and in the end, the kidnapped people are Eskimo Joe themselves. The edited video shows the band playing in an old building.

2010s

In 2010, a rumour circulated that Lady Gaga's video "Telephone" was banned by MTV, a rumour which reached some press outlets. The rumour claimed that MTV had banned the video because the content could not be shown within their programming. MTV denied the ban and showed the video frequently on European MTV programming. Lady Gaga's previous videos have also attracted criticism for their sexually suggestive content; the video for "LoveGame" was refused play on the Australian video music program ''Video Hits'', however, other Australian programs aired the video uncensored.

Ciara's video for "Ride" was banned by BET, with the network citing that the video was too sexually charged. The video was also subsequently banned by all UK television channels.

Rihanna's video "S&M;", which features the singer whipping a tied-up man, taking hostages and indulging in a lesbian kiss, was banned in 11 countries and was flagged as inappropriate for viewers that are under 18 on YouTube.

Unofficial music videos

Unofficial, fan-made music videos ("bootleg" tapes) are typically made by synchronizing existing footage from other sources, such as television series or movies, with the song. The first known fan video, or songvid, was created by Kandy Fong in 1975 using still images from ''Star Trek'' loaded into a slide carousel and played in conjunction with a song. Fan videos made using videocassette recorders soon followed. With the advent of easy distribution over the internet and cheap video-editing software, fan-created videos began to gain wider notice in the late 1990s.

Such videos are sometimes known as OPV, Original Promotional Videos (or sometimes Other People's Videos). In the case of anime music videos, the source material is drawn from Japanese anime or from American animation series. Since neither the music nor the film footage is typically licensed, distributing these videos is usually copyright infringement on both counts. A well-known example of an unofficial video include one made for Danger Mouse's illegal mash-up of the Jay-Z track "Encore" with music sampled from The Beatles' White Album, in which concert footage of The Beatles is remixed with footage of Jay-Z and rap dancers. In 2007, a new form of lip sync-based music video called lip dub became popular in which a group of people are filmed lip singing in a seemingly random spot then dubbing over it in post editing with the original audio of the song. These videos have the feeling of being spontaneous and authentic and are spread virally through mass participatory video sites like YouTube.

Music video stations

Here are some music video stations from around the world:

4 Music

40 TV

Alt TV

Audiotube

AUX.tv

BET

bpm:tv

C4

Channel O

Channel [V]

Channel [U]

CMC-TV

CMC

CMT

CMT Pure Country

Fly Music

Fuse TV

Gospel Music Channel

GAC

IMF

Indy's Music Channel

Juice TV

Kerrang! TV (rock)

Scuzz

MAD (Music All Day)

MCM

MTV

MTV2

MTV Jams

MTV Hits

MTV Tr3́s

mtvU

MuchMore

MuchMusic

Musimax

MusiquePlus

Music 24

Myx

NME TV

Palladia

PMC

Q TV

Spirit

TMF

Tempo TV

The Box

The Tube

theCoolTV

TVU

Vevo

VH1

VH1 Classic

VH1 Soul

VIVA

Worship

Music video shows

''ABC Rocks'' (ABC)

''106 & Park'' (BET)

''CD:UK Hotshots'' (ITV1 1998–2007)

''Top Of The Pops'' (BBC 1964–2006)

''The Click List: Top 10 Videos'' (Logo)

''Countdown'' (Australian ABC)

''Friday Night Videos'' (NBC)

''Good Rockin' Tonite'' (CBC Television)

''Headbanger's Ball'' (MTV2)

''Kidsongs

''Loaded'' (Fuse)

''Los 10+ Pedidos'' (MTV Latin America)

''Night Tracks'' (TBS)

''Pop 4'' (TG4)

''Rage'' (Australian ABC)

''Schoolhouse Rock'' (ABC)

''Sidewalks: Video Nite'' (syndication)

''Soundwaves'' (Syndicated)

''Video Hits Australia'' (Network Ten)

''Video Hits Canada'' (CBC Television)

''TRL'' (MTV)

''Power Fuse'' (Fuse)

''MuchOnDemand'' (MuchMusic)

''MusiquePlus''

''Music Station'' (TV Asahi)

''New York Hot Tracks'' (syndicated)

''UVTV – Underground Video Television'' (UVTV – Underground Video Television)

''Worlds Best Videos'' (IMF – International Music Feed)

''VH1 Top 20 Video Countdown'' (VH1)

See also

List of most expensive music videos

Music video director

MTV Video Music Awards

Concert video design

One shot (music video)

Hitz Music

Video art

Video clip

Footnotes

References

Banks, Jack (1996) ''Monopoly Television: Mtv's Quest to Control the Music'' Westview Press ISBN 0-8133-1820-3

Clarke, Donald (1995) ''The Rise and Fall of Popular Music'' St. Martin's Pressy ISBN 0-312-11573-3

Denisoff, R. Serge (1991) ''Inside MTV'' New Brunswick: Transaction publishers ISBN 0-88738-864-7

Durant, Alan (1984). Cited in Middleton, Richard (1990/2002). ''Studying Popular Music''. Philadelphia: Open University Press. ISBN 0-335-15275-9.

Frith, Simon, Andrew Goodwin & Lawrence Grossberg (1993) ''Sound & Vision. The music video reader'' London: Routledge ISBN 0-415-09431-3

Goodwin, Andrew (1992) ''Dancing in the Distraction Factory : Music Television and Popular Culture'' University of Minnesota Press ISBN 0-8166-2063-6

Kaplan, E. Ann (1987) ''Rocking Around the Clock. Music Television, Postmodernism, and Consumer Culture'' London & New York: Routledge ISBN 0-415-03005-6

Kleiler, David (1997) ''You Stand There: Making Music Video'' Three Rivers Press ISBN 0-609-80036-1

Middleton, Richard (1990/2002). ''Studying Popular Music''. Philadelphia: Open University Press. ISBN 0-335-15275-9.

Shore, Michael (1984) ''The Rolling Stone book of rock video'' New York: Quill ISBN 0-688-03916-2

G.Turner, ''Video Clips and Popular Music'', in Australian Journal of Cultural Studies 1/1,1983, 107–110

Vernallis, Carol (2004) ''Experiencing Music Video: Aesthetics and Cultural Context'' Columbia University Press ISBN 0-231-11798-1

Altrogge, Michael: Tönende Bilder: interdisziplinäre Studie zu Musik und Bildern in Videoclips und ihrer Bedeutung für Jugendliche. Band 1: Das Feld und die Theorie. Berlin: Vistas 2001

Altrogge, Michael: Tönende Bilder. Das Material: Die Musikvideos. Bd 2. Berlin: Vistas 2001

Altrogge, Michael: Tönende Bilder: interdisziplinäre Studie zu Musik und Bildern in Videoclips und ihrer Bedeutung für Jugendliche. Band 3: Die Rezeption: Strukturen der Wahrnehmung. Berlin: Vistas 2001

Bühler, Gerhard (2002): Postmoderne auf dem Bildschirm – auf der Leinwand. Musikvideos, Werbespots und David Lynchs ''Wild at Heart''.

C.Hausheer/A.Schönholzer (Hrsg.), ''Visueller Sound. Musikvideos zwischen Avantgarde und Populärkultur'', Luzern 1994

Helms, Dietrich; Thomas Phleps (Hrsg.): Clipped Differences. Geschlechterrepräsentation im Musikvideo. Bielefeld: Transcript 2003

Keazor, Henry / Wübbena, Thorsten (2007): Video Thrills The Radio Star. Musikvideos: Geschichte, Themen, Analysen. Bielefeld (Revised Edition), ISBN 3-89942-728-9

Keazor, Henry; Wübbena, Thorsten (2010): ''Rewind, Play, Fast Forward. The Past, Present and Future of the Music Video''. Bielefeld; ISBN 978-3-8376-1185-4

Henry Keazor/Thomas Mania/Thorsten Wübbena (2011): ''Imageb(u)ilder: Vergangenheit, Gegenwart und Zukunft des Videoclips''. Münster, ISBN 3933060362/ISBN 978-3933060365

Kirsch, Arlett: Musik im Fernsehen. Eine auditive Darstellungsform in einem audiovisuellen Medium. Berlin: Wiku 2002

Kurp, Matthias / Huschild, Claudia & Wiese, Klemens (2002): Musikfernsehen in Deutschland. Politische, soziologische und medienökonomische Aspekte

Neumann-Braun, Klaus / Schmidt, Axel / Mai, Manfred (2003): Popvisionen. Links in die Zukunft

Neumann-Braun, Klaus / Mikos, Lothar: Videoclips und Musikfernsehen. Eine problemorientierte Kommentierung der aktuellen Forschungsliteratur; Berlin: Vistas 2006

Quandt, Thorsten (1997). Musikvideos im Alltag Jugendlicher. Umfeldanalyse und qualitative Rezeptionsstudie. Deutscher Universitätsverlag

External links

Music Videos

Category:Experimental film Category:Home video supplements Category:Single types Category:Advertising by medium Category:Self-censorship Category:Visual music Category:Popular music

ar:أغنية مصورة ca:Videoclip cs:Videoklip da:Musikvideo de:Musikvideo es:Video musical fa:نماهنگ fr:Clip ko:뮤직 비디오 id:Video musik ia:Video musical is:Tónlistarmyndband it:Videoclip he:וידאו קליפ ka:მუსიკალური ვიდეო sw:Muziki wa video hu:Videoklip mk:Музичко видео nl:Videoclip ja:ミュージック・ビデオ no:Musikkvideo pl:Teledysk pt:Videoclipe ru:Музыкальный видеоклип sq:Video copa simple:Music video sk:Videoklip sr:Muzički spot fi:Musiikkivideo sv:Musikvideo th:มิวสิกวิดีโอ tr:Video klip yi:ווידעא קליפ zh:音樂影片

#REDIRECTBruno Mars

Coordinates	8°3′″N34°54′″N
Name	Soulja Boy
Background	solo_singer
Birth name	DeAndre Cortez Way
Alias	Soulja Boy Tell 'Em
Born	July 28, 1990 Chicago, Illinois
Origin	Atlanta, Georgia, United States
Occupation	Rapper
Genre	Hip hop
Years active	2007–present
Label	Stacks on Deck/Interscope
Associated acts	Arab, Mr. Collipark
Website	}}

DeAndre Cortez Way (born July 28, 1990), better known by his stage name Soulja Boy Tell 'Em, or simply Soulja Boy, is an American rapper, record producer, actor, entrepreneur, and internet personality.

In September 2007, his single "Crank That (Soulja Boy)" reached number one on the Billboard Hot 100. The single was initially self-published on the internet, and it later became a number-one hit in the United States for seven non-consecutive weeks starting in September 2007.On August 17 Way was listed at #18 on the Forbes list of Hip-Hop Cash Kings of 2010 earning $7 million for that year.

Way has currently released three studio albums and one independent album: his debut studio album ''Souljaboytellem.com'' (2007) was certified platinum by the RIAA. However, his next two albums, ''iSouljaBoyTellem'' (2008) and ''The DeAndre Way'' (2010) did not match the commercial success of his debut, the latter only selling 80,000 copies, despite the success of several singles across both albums, such as "Kiss Me Thru the Phone" and "Turn My Swag On" (''iSouljaBoyTellem'') and "Pretty Boy Swag" (''The DeAndre Way''), the latter later being certified gold by the RIAA.

Early life

DeAndre Way was born in Chicago and moved to Atlanta at age six, where he became interested in rap music.

Career beginnings

At age 14, he moved to Batesville, Mississippi, with his father, who provided a recording studio for Way to explore his musical ambitions. Way founded his record label "Stacks on Deck Entertainment" in 2004. While Way was signed under Interscope and Collipark Music, he claimed that his label had distribution deals with Interscope, Universal Records, and Koch. In November 2005, Way posted his songs on the website SoundClick. Following positive reviews on the site, he then established his own web pages on YouTube and MySpace. In March 2007, he recorded "Crank That" and released his first independent album ''Unsigned & Still Major: Da Album Before da Album'', followed by a low-budget video filmed demonstrating the "Crank That" dance. By the end of May 2007, "Crank That (Soulja Boy)" received its first airplay and Way met with Mr. Collipark to sign a deal with Interscope Records.

Music career

2007-08: souljaboytellem.com

On August 12, 2007, the song appeared on the Emmy-award winning HBO series ''Entourage'', and by September 1, it topped the Billboard Hot 100 and Hot RingMasters charts. Way's major label debut album ''Souljaboytellem.com'', which was reportedly recorded using just the demo version of FL Studio, was released in the United States on October 2, peaking at #4 on both the Billboard 200 and Top R&B;/Hip-Hop Albums charts.

For the 50th Grammy Awards, Way was nominated for a Grammy Award for Best Rap Song with "Crank That (Soulja Boy)". He lost to Kanye West's and T-Pain's "Good Life".

''Souljaboytellem.com'' received a favorable review from Allmusic, but received mainly negative reviews from other sources such as ''Entertainment Weekly''. Several reviewers credited Soulja Boy with spearheading a new trend in hip-hop, while speculating he will likely be a one-hit wonder.

2008-09: iSouljaBoyTellem

The follow-up to ''souljaboytellem.com'', ''iSouljaBoyTellem'', was released on December 16, 2008, to negative critical reception. The first single from the album, "Bird Walk", peaked at number 40 on the ''Billboard'' Hot R&B;/Hip-Hop Songs chart and the top 20 on the Hot Rap Tracks chart it was performed on the first ''YouTube Live'' on November 22, 2008, with an introduction from MC Hammer. "Kiss Me Thru the Phone", with Sammie, followed, peaking at #3 on the Hot 100 and #1 on the Hot Rap Tracks charts. Chris Brown was originally Way's first choice to sing the hook, but respectfully turned down the offer. Way then tried to do it on his own with Auto-Tune but he found it unacceptable. It sold over 2,000,000 digital copies in the United States, becoming his second song to reach the two million mark in downloads.

On January 26, 2009 Way released his third single "Turn My Swag On". it topped the US Rap Charts and peaked at #19 on the Hot 100. it has so far sold over 1,000,000 digital downloads in the US. It became Soulja Boy's third song to sell 1 million or more downloads.

2009-2010: The DeAndre Way

''The DeAndre Way'' is Way's third studio album, Way has stated that the album is intended to be his most personal and successful album thus far. When speaking on possible collaborations, he stated he wished to work with artists such as Jay-Z, Lil Wayne, and Kanye West, Eminem, among others. The lead single from the album, "POW", was released in January 2009 but failed to garner success and was dubbed a promo single. On October 30, 2009 Way released three mixtapes ''Paranormal Activity'', ''Dat Piff'' & ''Cortez''. Then it was announced on February 18, 2010 that the first single from the album was gone be "All Black Everything" but it was cancelled & was just put on his promotional mixtape ''Legendary''. The album was titled "The DeAndre Way" but was changed in early 2010 to ''Dre'' with a commercial video snippet for "Do It Big" as the first single but it was cancelled as well. However it was reverted back to ''The DeAndre Way'' in July 2010.

But on June 8, 2010, the official lead single from the album was "Pretty Boy Swag". The single has reached number thirty-four on the Billboard Hot 100, number six on the Billboard Hot R&B;/Hip-Hop Songs chart and number five on the Billboard Rap Songs chart. The album's second single was due to be "Digital" but it was just used on his promotional mixtape ''Best Rapper''. Then it was announced that "Speakers Going Hammer" was gone be the second single, but "Blowing Me Kisses" was released on August 31, 2010 as the second single instead. On October 13 Soulja Boy performed "Pretty Boy Swag" & a snippet of his third single "Speakers Going Hammer". On October 19, 2010 Way finally released "Speakers Going Hammer" on iTunes the single peaked at #48 on the ''Hot R&B; & Hip Hop tracks'' Billboard. ''The DeAndre Way'' was released on November 30, 2010 it has so far has only sold 70,000 copies making this Way's lowest selling album. Soulja Boy was to be part of the Summerbeatz tour held in Australia alongside Flo Rida, Jay Sean and Travie McCoy in November 2010, but in lieu of his current album release date Soulja Boy had declined the offer & just embarked on his Who They Want tour.

2011-present: Mixtapes and Respect My Hustle

On January 22, Way released his first mixtape of 2011 ''Smooky'' which cover featured a cartoon version of Way on a bicycle doing a 360. Then On March 17, 2011 Way released the mixtape ''1up'' which cover was based on the Naruto anime Way stated "If I was in a video game, this mixtape would advance me to the next level with an extra life. Power up with the new offering". On April 20, 2011 Way released his mixtape ''Juice'' which cover was based on the ''Juice'' the movie Way stated he would also released a mini movie of his own to go along with the mixtape Way stated that he was headed to greatness with the mixtape. In September 2011, Way confirmed he is working on a new album, called ''Respect My Hustle'', which will be released in October.

Personal life

Legal issues

On December 9, 2007, Way was sued by William Lyons (a.k.a. Souljah Boy of Mo Thugs Family) who created the stage name "Souljah Boy" in 1996.

On October 7, 2009, Way was arrested on one count of obstruction, a misdemeanor, for running from police when he'd been ordered to stop. The rapper was released on $550 bond.

In May 2011, Way and his labels were sued by a local Pennsylvania promoter for failing to make promised payments in connection with a rescheduled concert.

Victim of robbery and assault

On December 30, 2008, Way was robbed and assaulted in his home. Initial reports indicated that the robbers were six masked men with AK-47s and pistols but on December 31, 2008, video clips surfaced on the Internet of two masked men claiming sole credit for the crime. Soulja Boy described the incident to MTV News a month later: He had come home very late at night after attending an album release party and was recording songs with friends when the robbers came in pointing their guns.

Family tragedies

On March 22, 2011, Way's little brother Deion Jenkins was killed in a car crash on Sunday night. Then on March 24, 2011 Way's older brother threatened to committ suicide.

Controversies

Way's music has been banned from some school dances for sexual and violent content or innuendo. However, he has denied these claims. In the original YouTube video for "Shootout", Soulja Boy demonstrates his dance while holding a handgun in each hand and pretending to shoot into the audience.

Nas

On February 25, 2008, Way said in an interview that "Nas killed hip hop and his own career". Way later apologized for his comments.

Ice-T

In June 2008, on DJ Cisco's ''Urban Legend'' mixtape, Ice-T told Way to "eat a dick" and criticized Way for "killing hip-hop" and his song "Crank That" for being "garbage" compared to the works of other hip-hop artists such as Rakim, Das EFX, Big Daddy Kane and Ice Cube. The two then traded videos back and forth over the Internet. Rapper Kanye West defended Way by arguing that the younger artist created a new, original work for hip-hop, thus keeping the authentic meaning of the music. The feud was parodied in a 2010 episode of The Boondocks.

Charles Hamilton

On December 9, 2008, Charles Hamilton commented in a interview by saying that Way was making it harder for new artists to be signed. Way responded by saying "X out the Sonic and fuck with Mario, you might want to got damn eat a mushroom." Charles Hamilton responded with the diss song "Im You Last Year With Talent". Then the diss song "Word Aight".

Bow Wow

On February 2, 2009, Way challenged Bow Wow to a race in their Lamborghinis and claimed Bow Wow's Lamborghini was a rental. On February 4, 2009 Bow Wow proved that he owned his Lamborghini and said "its halloween in Bankhead for you everyday nigga..you scared..you all nervous and shit". Way responded on twitter by saying "HE FUCKED UP!!!! IM BOUT TO SHITTTT ON THIS NIGGA!! LOL!!!!!". On February 7, 2009 both artist sent diss songs to each other such as Way's "Fuck Bow Wow" & Bow Wow's "What I Think About You". Later that day during a phone conversation both rappers settled their differences.

Fabolous

On December 28, 2010, Fabolous during a radio interview commented on the claim that Way does cocaine, saying "pretty boy swag but never coke my nose though", a reference to Way's song "Pretty Boy Swag. "Soulja Boy went on a tirade on Twitter in response, saying "I ignore dis foo like 5x before this. fuck that. If you send some niggaz to spray me @myfabolouslife at least I die I real nigga fuck you boy." 50 Cent also took to Twitter to say, "leave him the f*** alone before somebody get hurt." Way and Fabolous ended their beef on a radio interview.

"Let's Be Real"

In September 2011, Soulja Boy released the song "Let's Be Real". One of the lines of the song went: ''"Fuck the FBI and the army troops ... fighting for what? Be your own man ... I'll be flying through the clouds with green like I'm Peter Pan."'' After the song was released, Soulja Boy was highly criticized by the military members and their families, especially in regards to the timing relative to the 10th anniversary of the September 11 Attacks. Soulja Boy apologized, "When I expressed my frustration with the US Army, not only did my words come out wrong, I was wrong to even speak them." He adds, "So, I write this to give my sincerest apology to all members of the United States military services, as well as their families that were offended by my most recent lyrics." Representatives for Soulja Boy have indicated that the song has been pulled from his upcoming album, ''Respect My Hustle,'' and will not be available for sale. They are also attempting to remove the video from the internet.

Discography

;Studio albums

''Souljaboytellem.com'' (2007)

''iSouljaBoyTellem'' (2008)

''The DeAndre Way'' (2010)

''Respect My Hustle'' (2011)

Tours

''Americas Most Wanted'' (2009)

''Who They Want'' (2011)

Filmography

Film
! Year	! Film	! Role	! Notes
2007	''YouTube Live''	Himself	Small Role
2008	''What's at Stake?'''	Himself	Small Role
2009	''School Gyrls''	Himself	Cameo
2010	''Malice N Wonderland''	Soulja	Small Role
2011	''TBA''	''TBA''
Television
! Year	! Title	! Role	! Notes
	''The Ellen DeGeneres Show''	Himself
''Last Call with Carson Daly''	Himself
	''Live with Regis''	Himself	Minor appearance
''Access Granted''	Himself	For his music video for "Bird Walk"
	''When I Was 17''	Himself
''The Mo'Nique Show''	Himself
''Late Night with Jimmy Fallon''	Himself
''Lopez Tonight''	Himself
''The Tonight Show with Jay Leno''	Himself

Awards and nominations

BET Awards

*2007: Best New Artist (Nominated)

*2008: Viewer's Choice Award: "Crank That (Soulja Boy)" (Nominated)

*2009: Viewer's Choice Award: "Kiss Me Thru the Phone" (Nominated)

BET Hip-Hop Awards

*'2007: Best Hip-Hop Dance (Won)'

Grammy Awards

*2008: Best Rap Song: "Crank That (Soulja Boy)" (Nominated)

Ozone Awards

*'2007: Patiently Waiting: Mississippi (Won)'

*2008: Best Breakthrough Artist (Nominated)

*2008: TJ's DJ's Tastemaker Award (Nominated)

Nickelodeon Kids' Choice Awards

*2007: Favorite Male Singer (Nominated)

Teen Choice Awards

*2009: Choice Music: Rap Artist (Nominated)

*2009: Choice Music: R&B; Track for "Kiss Me Thru the Phone" (Nominated)

*2009: Choice Music: Hook Up for "Kiss Me Thru the Phone"

*2009: Choice Music: Artist (Nominated)

See also

List of artists who reached number one in the United States

References

External links

Official website

Category:1990 births Category:Living people Category:Actors from Mississippi Category:African American actors Category:African American rappers Category:African-American businesspeople Category:African American film actors Category:American film actors Category:American film producers Category:American hip hop record producers Category:American Internet personalities Category:American music industry executives Category:American music video directors Category:American pop musicians Category:American record producers Category:Businesspeople from Mississippi Category:Hip hop musicians Category:Hip hop singers Category:Interscope Records artists Category:People from Panola County, Mississippi Category:Rappers from Atlanta, Georgia Category:Rappers from Chicago, Illinois Category:Rappers from Mississippi

ar:سولجا بوي تل إم da:Soulja Boy de:Soulja Boy es:Soulja Boy fr:Soulja Boy Tell 'Em ko:솔자 보이 hr:Soulja Boy is:Soulja Boy it:Soulja Boy nl:Soulja Boy ja:ソウルジャ・ボーイ・テレム no:Soulja Boy pl:Soulja Boy Tell 'Em pt:Soulja Boy ro:Soulja Boy Tell 'Em ru:Soulja Boy simple:Soulja Boy Tell 'Em fi:Soulja Boy sv:Soulja Boy Tell 'Em th:โซลจา บอย เทลล์'เอ็ม tr:Soulja Boy

''Kimberly Cole'' (b. Orange County, California) is an American pop singer. Cole's album ''Bad Girls Club'' was released on iTunes in 2010, promoting Oxygen Network's ''The Bad Girls Club'' with her single "Smack You." The official music video features Natalie Nunn. Cole earned a degree for theater at UCLA. Cole's performances had led her to soundtrack albums on Sony Pictures, ''Brothers in Arms'' and Maverick Records ''Country General''. Cole has appeared in Pepsi, Mountain Dew, Rubbermaid, Sony, and Sketchers commercials, as well as performing with Lenny Kravitz, Jessica Simpson, Will Smith, Mya, and Sugar Ray. She is signed with The William Morris Agency interviewing celebrities, bands, and other recording artists for the X Music Network.

Cole's Twitter account reached one million followers on March 25, 2009..

Discography

''Arrow Through My Heart (Feat. Eddie Amador & Garza)'' (2011)

''Bad Girls Club'' (2010)

#Smack You (featuring Dr. Hollywood) (3:26)

#Psycho (3:20)

#You Got Balls (3:28)

#Bad Word (2:54)

#Cherry Pop (3:56)

#Pocket Rocket (3:24)

#Get Stupid (3:25)

#Walk of Shame (3:10)

#A Thousand Times (3:22)

#Three Way (3:22)

#Smack You (Radio Edit) (3:26)

References

Category:Date of birth missing (living people) Category:Living people Category:American female singers Category:American actors Category:American musicians Category:American television personalities Category:People from Orange County, California Category:Singers from California

Coordinates	8°3′″N34°54′″N
name	Katy Perry
background	solo_singer
birth name	Katheryn Elizabeth Hudson
alias	Katy Hudson
birth date	October 25, 1984
birth place	Santa Barbara, California, U.S.
genre	Pop, rock, gospel
occupation	Singer-songwriter, actress
instrument	Vocals, guitar, piano
years active	2001–present
label	Red Hill, Island, Columbia, Capitol
website	}}

Katy Perry (born Katheryn Elizabeth Hudson; October 25, 1984) is an American singer-songwriter and actress. Born in Santa Barbara, California, and raised by Christian pastor parents. Perry grew up listening to only gospel music and sang in her local church as a child. After earning a GED during her first year of high school, she began to pursue a career in music. As Katy Hudson, she released a self-titled gospel album in 2001, which was unsuccessful. She later recorded an album with production team The Matrix and completed the majority of a solo album from 2004–05, the later of which was never released. Perry is the first female artist to get five hits on the Billboard Hot 100 in one year.

After signing with Capitol Music Group in 2007, her fourth record label in seven years, she adopted the stage name Katy Perry and released her first Internet single "Ur So Gay" that November, which garnered public attention but failed to chart. She rose to fame with the release of her second single "I Kissed a Girl" in 2008, which went on to top international charts. Perry's first mainstream studio album ''One of the Boys'' followed later that year and subsequently became the 33rd-best selling album worldwide of 2008. It was accredited platinum certification by the Recording Industry Association of America, while "I Kissed a Girl" and her second single "Hot n Cold" both received multi-platinum certifications.

Her second studio album ''Teenage Dream'' was released in August 2010 and debuted at number one on the Billboard 200. The album included the Billboard chart-toppers "California Gurls", "Teenage Dream", "Firework", and "E.T." and most recently "Last Friday Night (T.G.I.F.)". The album produced five Hot 100 toppers, making ''Teenage Dream'' only the second album—after Michael Jackson's ''Bad''—to do so. With "E.T." at number one on the chart of May 12, 2011, Perry became the first artist in history to spend 52 consecutive weeks in the top 10 of the Billboard Hot 100.

Perry was a guest judge on the seventh series of British television show ''The X Factor'', has released a fragrance called "Purr", and voices Smurfette in the 2011 film ''The Smurfs''. Perry had a long relationship with Travie McCoy; she married Russell Brand on October 23, 2010.

Early life and career

1984–2006: Early life and career beginnings

Perry was born Katheryn Elizabeth Hudson in Santa Barbara, California to Keith, a West Coast scenester in the 1960s, and Mary Hudson (née Perry), an evangelist who grew up in Southern California and had "a tempestuous first marriage in Zimbabwe". Perry has German, Portuguese, Irish, and English ancestry. She is the second child of two pastors. She has an older sister and younger brother. Perry's mother's aunt and uncle were screenwriter Eleanor Perry and director Frank Perry.

Perry was incorporated into her parents' ministry and sang in their church between the ages of nine and seventeen. She grew up listening to gospel music, was not allowed to listen to what her mother called "secular music", and attended Christian schools and camps. As a child, Perry learned how to dance in a recreation building in Santa Barbara. She was taught by seasoned dancers and began with swing, Lindy Hop, and jitterbug. She took her GED after her freshman year at Dos Pueblos High School and decided to leave school in the pursuit of a career in music. Perry initially started singing "because [she] was at that point in [her] childhood where [she] was copycatting [her] sister and everything she [would do]." Her sister practiced with cassette tapes, while Perry took the tapes herself when her sister was not around. She rehearsed the songs and performed them in front of her parents, who suggested she take vocal coaching. She grabbed the opportunity and began taking lessons at the age of nine and continued until she was sixteen. She later enrolled in at the Music Academy of the West in Santa Barbara, and studied Italian opera for a short period of time.

At the age of 15, Perry's singing in church attracted the attention of rock veterans from Nashville, Tennessee, who brought her there to polish her writing skills. In Nashville, Perry started recording demos and was taught by country music veterans on how to craft songs and play guitar. Perry signed to the Christian music label Red Hill, under which she recorded her first album at the age of 15. Performing as Katy Hudson, she released the self-titled Gospel-rock album in 2001. The album was unsuccessful, however, after the label ceased operations at the end of 2001. She later changed her surname to Perry, her mother's maiden name, because "Katy Hudson" was too close to film actress Kate Hudson.

At the age of 17, Perry left her home for Los Angeles, where she worked with Glen Ballard on an album for record label Island. Growing up listening to mostly gospel music, Perry had few references when she began recording songs. Asked by the producer with whom she would like to collaborate, Perry had no idea. That night, she went with her mother to a hotel. Inside, she turned on VH1 and saw producer Glen Ballard talking about Alanis Morissette; Ballard produced Morissette's ''Jagged Little Pill'', which had had a "huge influence" on Perry. She expressed interest in working with Ballard to her initial collaborator, who arranged a meeting for her with Ballard in Los Angeles. Perry presented one her songs to Ballard, and received a call back a day later. Ballard then helped Perry develop her songwriting over the next few years. The album was due for release in 2005, but ''Billboard'' reported it also went nowhere. Perry was dropped by The Island Def Jam Music Group. Some of Perry and Ballard's collaborations included "Box", "Diamonds" and "Long Shot", were posted on her official MySpace page. "Simple", one of the songs she recorded with Ballard, was released on the soundtrack to the 2005 film ''The Sisterhood of the Traveling Pants''.

Perry signed to Columbia Records in 2004. However, the label was not amenable with her vision, not putting her in the "driver's seat". Instead, one of Columbia's ideas was to pair Perry with the record production team The Matrix, who was working on an album, to serve as its female vocalist. Although the album was later shelved, she caught the attention of the music press: Her burgeoning music career led to her being named "The Next Big Thing" in October 2004 by ''Blender'' magazine. With no album project ongoing, Perry began recording her own. Eighty percent completed, however, Columbia decided not to finish it and dropped her off the label. While waiting to find another label, she worked in an independent A&R; company called Taxi Music. In 2006, Perry was featured in the tail-end of the video to P.O.D.'s single "Goodbye for Now". She made a cameo appearance in Carbon Leaf's video, "Learn to Fly". She also appeared in other videos like Timbaland's "If We Ever Meet Again" and more. There were other videos she was included in too.

2007–09: ''One of the Boys'' and ''MTV Unplugged''

While in the process of being dropped by Columbia in 2006, the company's publicity executive Angelica Cob-Baehler enthusiastically recommended Perry to Virgin Records chairman Jason Flom. At the time Flom was leading a complete revival in fortunes at the label and looking to crown recent achievements by breaking a global pop act. Despite mixed reactions from fellow Virgin executives, Flom became convinced that Perry could be that breakthrough star, and at the start of 2007 extended discussions with Columbia resulted in Katy Perry signing to the newly created Capitol Music Group, a merger between Virgin and Capitol. As part of the deal, the label secured the masters to the unfinished album, recorded while at Columbia, that would go on form a significant part of her official mainstream debut album, ''One of the Boys''. The Columbia recordings were seen by Flom as being "very strong but lacking an undeniable smash or two that would work both at U.S. pop radio and internationally" and so one of the executive's first actions after completing the signing was to set up a collaboration between Perry and the writer-producer Dr. Luke. The results were the songs "I Kissed a Girl" and "Hot n Cold". Establishing her image was one of the immediate concerns of her management. A campaign was started in November 2007 with the release of the video to "Ur So Gay", aimed at introducing her to the music market. A digital EP led by "Ur So Gay" was later released to create online buzz and press story. This was a successful move that resulted in bringing Perry to the attention of Madonna, who mentioned her on KISS FM and KRQ's ''JohnJay & Rich'' morning show in Arizona. On March 10, 2008, she appeared as herself on the ABC Family television series, ''Wildfire'', on the episode "Life's Too Short".

She went on the next step of promoting the album, undertaking a two-month tour of radio stations. The album's official lead single, "I Kissed a Girl", was released on May 6, 2008. Perry's A&R;, Chris Anokute, told HitQuarters the song and its controversial theme met with strong resistance at the label, "People said, 'This is never going to get played on the radio. How do we sell this? How’s this going to be played in the bible belt?'" Anokute said that they needed the support of one of the label's radio promoters to convince people to believe in the record otherwise Perry would have likely been dropped again. Capitol's SVP of Promotions Dennis Reese saw the vision and helped push the single on national radio. The first station to pick it up and take a chance was The River in Nashville. After playing it for three days they were innundated with enthusiastic calls. With the song climbing atop the charts, Perry embarked on the annual Warped Tour music festival, which her management used to "establish her as a credible performer and make sure she wasn't seen as just a one-hit wonder." The single was a commercial success, peaking at number one for seven weeks on the ''Billboard'' Hot 100. It has since become a major worldwide hit, topping charts in 30 countries, including Australia, Canada, and the United Kingdom. On June 12, 2008, Perry appeared as herself on the daytime soap opera ''The Young and the Restless'', posing for the cover to the June 2008 issue of the fictional magazine ''Restless Style''. Perry also performed backing vocals on the song, "Another Night in the Hills" from Gavin Rossdale's 2008 solo album ''Wanderlust''.

''One of the Boys'' was released on June 17, 2008 to mixed critical reviews. The album has reached number nine on the ''Billboard'' 200, and has been certified platinum by the Recording Industry Association of America. Perry released her second single, "Hot n Cold", which became her second top three single in dozens of countries around the world, including the United States where it reached number three on the ''Billboard'' Hot 100, as well as topping the charts in Germany, Canada, and Denmark. After Perry wrapped up her appearance at the Warped Tour, she went on tours in Europe. She later launched her first headlining tour, the Hello Katy Tour, in January 2009. "I Kissed a Girl" earned Perry a nomination for Best Female Pop Vocal Performance at the 2009 Grammy Awards. Perry was nominated in five categories at the 2008 MTV Video Music Awards, including Best New Artist and Best Female Video, but lost to Britney Spears. She won Best New Act at the 2008 MTV Europe Music Awards, which she co-hosted, and Best International Female Artist at the 2009 BRIT Awards. On February 9, 2009, both "I Kissed a Girl" and "Hot n Cold" were certified three-time platinum by Recording Industry Association of America for individual digital sales of over three million. The Guinness Book of World Records recognized Perry in its 2010 version as the "Best Start on the US Digital Chart by a Female Artist," for having her first two singles sell over two million digital copies.

The Matrix's self-titled debut album, which features Perry, was later released via the team's label, Let's Hear It, during Perry's solo tour. When the release date was scheduled, "I Kissed a Girl" had been charting well. Matrix member Lauren Christy spoke to Perry about the decision, but she wanted to hold the release until the fourth single of ''One of the Boys'' had been dispatched. Despite their communication, ''The Matrix'' was released on January 27, 2009, via iTunes Store. thumb|left|upright|Perry performing in June 2009 In December 2008, Perry apologized to British singer Lily Allen for remarks in which she called herself a "skinnier version" of her, saying she meant it as a joke. Allen retaliated and told a British radio station that she "happen[ed] to know for a fact that she [Perry] was an American version" of her because their record company needed "to find something controversial and 'kooky'" like her.

On May 16, 2009, Perry performed at the opening ceremony of the annual Life Ball in Vienna, Austria. In June 2009, lawyers acting for Katy Perry opposed the recent trademark of Australian fashion designer Katie Perry who uses her own name to market loungewear. Some media outlets reported this as a lawsuit, which Katy Perry has denied on her blog. Katie Perry the designer reports on her blog that at a hearing with IP Australia on July 10, 2009, the singer's lawyers withdrew their opposition to the trademark. During the summer of 2009 Perry filmed a cameo appearance for ''Get Him to the Greek''; her scene, in which she kisses her future fiancé Russell Brand was cut, and does not appear in the final film. Discussing the issue with MTV, Perry hypothesized there may have been some fear that seeing the two make out would have taken viewers out of the experience. In 2009, Perry was featured on two singles: a remix of Colorado-based band 3OH!3's song "Starstrukk" in August (the idea for the collaboration came after Perry's tour that featured 3OH!3 as the supporting act). The song was released over iTunes on September 8, 2009; and "If We Ever Meet Again", the fourth single off Timbaland's album ''Shock Value II'' in December. In October 2009, ''MTV Unplugged'' revealed that Perry was one of the artists to perform for them, and that she would be releasing a live album of the performance, including two new tracks, "Brick by Brick" and Fountains of Wayne cover "Hackensack". The album was released on November 17, and includes both a CD and a DVD.

2010–present: ''Teenage Dream'' and Film debut

Perry appeared as a guest judge alongside Simon Cowell, Cheryl Cole and Louis Walsh during the Dublin audition stage of the seventh series of the British television show ''The X Factor'' on June 28, 2010 (later televised on August 28). She was one of the many celebrities chosen to fulfil the role of judge whilst Dannii Minogue was on maternity leave. She later returned to the show on October 17 to perform "Firework". Perry's second mainstream studio album was titled ''Teenage Dream'' and was released in August 2010. The first single from the album was titled "California Gurls". The single peaked at number one on the ''Billboard'' Hot 100 and was the fastest rising single from a Capitol Records artist since Bobbie Gentry's "Ode to Billie Joe" in 1967. The cover art for ''Teenage Dream'' is a painting by Will Cotton in which depicts Perry lying naked on clouds of cotton candy; resembling the shots of Perry in the video for "California Gurls". The booklet of the physical edition of the album, in keeping with the theme of cotton candy, has a cotton candy scent. The album's second single "Teenage Dream" was released in July 2010. "Firework" is the album's third single.

Perry appeared at the 2010 MTV Video Music Awards on September 12, 2010. She was nominated for two awards, including the Best Female Video and Best Pop Video for "California Gurls", and presented the award of "Best Male Video" with Nicki Minaj to Eminem. On September 14, she returned to her old high school, Dos Pueblos High School, where she performed a short set for the school's students. Perry performed "Hot n Cold" with Elmo from ''Sesame Street'', which was originally to appear on the forty-first-season premiere of the educational children's program on September 27, 2010. However, four days before the scheduled airing, Sesame Workshop announced, "In light of the feedback we've received on the Katy Perry music video ... we have decided we will not air the segment on the television broadcast of ''Sesame Street'', which is aimed at preschoolers. Katy Perry fans will still be able to view the video on YouTube." The main reason was that parents complained about what appeared to be a great amount of cleavage shown by her dress. Perry shot the video for ''Firework'' in Budapest in September 2010. An open casting call drew an unprecedented 38,000 applicants. She proceeded to perform at a concert in Budapest on October 1, her first concert in Central and Eastern Europe. Perry released a perfume named "Purr" in November. It comes in a cat-shaped bottle, and is available through Nordstrom stores. ''Teenage Dream'' led Perry to nominations four awards at the 2011 Grammy Awards: Album of the Year, Best Pop Vocal Album, Best Female Pop Vocal Performance for "Teenage Dream", and Best Pop Collaboration with Vocals for "California Gurls". Following the Grammys, Perry released "E.T." as the fourth single from the album. The single was a remixed version featuring Kanye West. The music video for "E.T." was directed by Floria Sigismondi and features Shaun Ross as the main love interest. In June 2011, Perry released the fifth single, "Last Friday Night (T.G.I.F.)". A remixed version featuring American rapper Missy Elliot was released in early August. The single has topped U.S. download and radio charts. The song topped the Billboard Hot 100 on August 17, 2011, making Perry the first female artist ever to have five #1 singles from one album. Katy Perry appeared at the 2011 MTV Video Music Awards on August 28, 2011. She was nominated for ten awards, received the most nominations of the ceremony and was the only singer in history to have four different music videos shown on various categories, eventually winning three of those, including Video of the Year for "Firework", Best Collaboration and Best Special Effects for "E.T.".

On September 17, 2011, Perry hits the 69th consecutive weeks in the Top 10.

On September 23 she attended the opening day of the 2011 Rock in Rio festival, which was extended to October 2. During the show, produced one of the most striking scenes of the event, when he called to the scene ''Júlio César de Salvo'', a fan who was an anonymous until then. The man, who became known as "''Júlio de Sorocaba''", became an instant celebrity when he was "harassed" by the singer with a kiss, getting the opportunity to give back also one another. The fact made ​​headlines in most Brazilian television news programs, including the Fantástico and the Jornal Nacional, including therefore becoming a trend topic, not just in Twitter, but at Internet in general.

Artistry

Musical style and themes

Perry has a contralto vocal range. Perry's first album is of the gospel music genre. She related that her perspective in music was "a bit enclosed and very strict", and everything she did was church-related. Her second album, ''One of the Boys'', is described as "secular" and "rock," and reflects a departure from her religious musical roots. Her next album ''Teenage Dream'' featured more pop songs in the vein of ''Boys''. Among Perry's musical influences are Alanis Morissette, pop rockers Cyndi Lauper, Pat Benatar, Joan Jett, Shirley Manson, and Freddie Mercury, the late frontman of the British band Queen. In her tribute to Mercury on what would have been his 65th birthday, Perry stated; "Without you I wouldn't be making music or doing what I do because your lyrics inspired me as a 15 year old girl." She was especially inspired by the Queen song, "Killer Queen" to pursue a career in pop music after her first album. She also described Morissette's album, ''Jagged Little Pill'' as having influenced her music profoundly; even going on to work with Morissette's collaborator on the album, Glen Ballard because of that.

Perry is artistically involved in her projects, especially in the writing process. Since she could play guitar, she would start writing songs at home and present it to her producers. Perry is mostly inspired by specific moments of her life. She said it is easy for her to write songs about heartbreak. Most of the themes in ''One of the Boys'' deal with heartbreak, teen adventure, and "puking into toilets". Perry's mother reportedly told British tabloid ''Daily Mail'' that she dislikes her daughter's music, calling it "shameful and disgusting". Perry said her mother was misquoted and told MTV that it was false information. Her songs "Ur So Gay" and "I Kissed a Girl" have received negative reactions from both religious and gay sectors. The songs have been respectively labeled as being homophobic and promoting homosexuality, as well as "lez ploitational". MTV mentioned criticism suggesting that Perry is using "bi-curiosity" as a way to sell records. Perry responded to the controversy surrounding "Ur So Gay": "It's not a negative connotation. It's not, 'you're so gay,' like, 'you're so lame,' but the fact of the matter is that this boy should've been gay. I totally understand how it could be misconstrued or whatever ... It wasn't stereotyping anyone in particular, I was talking about ex-boyfriends."

Public image

Perry is known for her unconventional style of dress. It is often humorous, bright in color, and reminiscent of different decades, and she frequently used fruit-shaped accessories, mainly watermelon, as part of her outfits. Since the Teenage Dream era, Perry has included more glamorous and food-related outfits in her wardrobe. Having learned dancing at an early age, she fantasized about having her own style. Perry's transformation into an artist began with fashion, inspired by American film actress Dominique Swain's portrayal in 1997 film adaptation of the novel ''Lolita''. She defines her fashion style as "a bit of a concoction of different things". Johnny Wujek, Perry's stylist, described her style, upon meeting her for the first time, as "very colorful and vintage". Her fashion has caught the attention of designers. In June 2008, a publicity photo that showed Perry posing with a switchblade was criticized. The picture was defended as only an effort to give Perry a "sexy, harder edge". The criticism leveled at her was mocked by Perry who subsequently posed with a spoon instead. She has appeared in FHM Magazine's 100 Sexiest Women poll twice, ranking at No.23 in 2009 and No.37 in 2010.

She was ranked 7th in ''Rolling Stone'''s global Queen of Pop poll in July 2011.

Personal life

Perry has been generally associated with three men: Matt Thiessen, Travie McCoy, and Russell Brand. She dated Relient K frontman Matt Thiessen for a few years. Thiessen has worked on Teenage Dream. Perry dated Gym Class Heroes frontman Travie McCoy, whom she met in a recording studio in New York. They broke up in December 2008.

Perry first met British comedian Russell Brand in the summer of 2009 when Perry filmed a cameo appearance for Brand's film ''Get Him to the Greek''. Perry and Brand began dating after meeting again in September 2009 at the MTV Video Music Awards, where Brand, as host, remarked, "Katy Perry didn't win an award and she's staying at the same hotel as me, so she's gonna need a shoulder to cry on. So in a way, I'm the real winner tonight." The couple became engaged in December 2009 while vacationing in India. Perry stated that she plans to take dual British citizenship. "One of the first things I'll do is apply for dual citizenship. I'm not too sure if I have to take a test as I've not had time to look into it. But England is like my second home". Perry and Brand married on October 23, 2010 in a traditional Hindu ceremony near the Ranthambhore tiger sanctuary in Rajasthan, India, where Brand had proposed.

In an interview with ''Rolling Stone'' she said, "I am sensitive to Russell taking the Lord's name in vain and to Lady Gaga putting a rosary in her mouth. I think when you put sex and spirituality in the same bottle and shake it up, bad things happen."

Discography

''Katy Hudson'' (2001)

''One of the Boys'' (2008)

''Teenage Dream'' (2010)

Tours

Warped Tour 2008 (2008)

Hello Katy Tour (2009)

California Dreams Tour (2011)

Filmography

Television

!Year	!Title	!Role	Notes
	''''	Herself	Episode 8914
	Herself
	''American Idol''	Guest judge
	Guest judge
''Sesame Street''	Herself	Online special (deleted from televised episode due to viewer controversy)
''The Simpsons''	Herself	1 episode, "The Fight Before Christmas"
2011	''How I Met Your Mother''	Honey	1 episode, "Oh Honey"
2011	''America's Got Talent''	Guest Judge	July 27 (Season 6, Qtr Finals 3 results)

Films

!Year	!Title	!Role	class="unsortable"	Notes
	''Get Him to the Greek''	Herself	Deleted sceneUncredited
''Out in the Desert''	Herself	Post-production
	2011		Smurfette	Voice

Awards and nominations

References

External links

Official website

Category:1984 births Category:Living people Category:21st-century actors Category:Actors from California Category:American bloggers Category:American Christians Category:American contraltos Category:American dance musicians Category:American female guitarists Category:American female pop singers Category:American film actors Category:American musicians of German descent Category:American people of English descent Category:American people of German descent Category:American people of Irish descent Category:American people of Portuguese descent Category:American pop rock singers Category:American pop singer-songwriters Category:American singer-songwriters Category:American television actors Category:American voice actors Category:Brit Award winners Category:Capitol Records artists Category:English-language singers Category:Female rock singers Category:Musicians from California Category:People from Santa Barbara, California Category:Singers from California Category:The X Factor judges

af:Katy Perry ar:كايتي بيري frp:Katy Perry az:Keti Perri bn:ক্যাটি পেরি bs:Katy Perry br:Katy Perry bg:Кейти Пери ca:Katy Perry cs:Katy Perry co:Katy Perry da:Katy Perry de:Katy Perry et:Katy Perry es:Katy Perry eo:Katy Perry eu:Katy Perry fa:کیتی پری fo:Katy Perry fr:Katy Perry gl:Katy Perry ko:케이티 페리 hy:Քեյթի Փերրի hi:कैटी पेरी hr:Katy Perry ilo:Kathy Perry id:Katy Perry is:Katy Perry it:Katy Perry he:קייטי פרי jv:Katy Perry kn:ಕೇಟಿ ಪೆರಿ la:Catia Perri lv:Keitija Perija lt:Katy Perry hu:Katy Perry mk:Кети Пери mn:Кэти Перри nl:Katy Perry ja:ケイティ・ペリー no:Katy Perry pl:Katy Perry pt:Katy Perry ro:Katy Perry ru:Перри, Кэти sq:Katy Perry simple:Katy Perry sk:Katy Perry sl:Katy Perry sr:Кејти Пери sh:Katy Perry fi:Katy Perry sv:Katy Perry tl:Katy Perry ta:கேட்டி பெர்ரி te:కాటి పెర్రీ th:เคที่ เพอร์รี tr:Katy Perry uk:Кеті Перрі vi:Katy Perry yi:קעטי פערי zh:姬蒂·佩芮