Title | Rolling Stone |
---|---|
Image file | Rolling Stone January 22 1981 cover.png |
Editor | Jann WennerWill Dana (managing editor) |
Frequency | Bi-weekly |
Circulation | 1.4 million |
Company | Wenner Media LLC |
Publisher | Jann Wenner |
Firstdate | |
Country | United States |
Based | New York City |
Language | English |
Website | rollingstone.com |
Issn | }} |
''Rolling Stone'' is a US-based magazine devoted to music, liberal politics, and popular culture that is published every two weeks. ''Rolling Stone'' was founded in San Francisco in 1967 by Jann Wenner (who is still editor and publisher) and music critic Ralph J. Gleason.
The magazine was known for its political coverage beginning in the 1970s, with the enigmatic and controversial gonzo journalist Hunter S. Thompson. ''Rolling Stone'' magazine changed its format in the 1990s to appeal to younger readers, often focusing on young television or film actors and pop music. This led to criticism that the magazine was emphasizing style over substance. In recent years, the magazine has resumed its traditional mix of content, including in-depth political stories, and has seen its circulation increase.
In the 1970s, ''Rolling Stone'' began to make a mark for its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazine's political section. Thompson would first publish his most famous work ''Fear and Loathing in Las Vegas'' within the pages of ''Rolling Stone'', where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of many prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith and P. J. O'Rourke. It was at this point that the magazine ran some of its most famous stories, including that of the Patty Hearst abduction odyssey. One interviewer, speaking for large numbers of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus, which he described as a "rite of passage".
During the 1980s the magazine began to shift focus towards being a general "entertainment" magazine. Music was still a dominant topic but there was increasing coverage of celebrities in television, movies and the pop culture of the day. The magazine also initiated its annual "Hot Issue" during this time.
The printed format has gone through several changes. The first publications 1967-72, were folded tabloid newspaper format, no staples with black ink text, and a single color highlight that changed each edition. From 1973 on, editions were done on a 4 color press with a different newsprint paper size. In 1979 the bar code appeared. In 1980 it became a gloss paper large format 10 x 12 magazine. As of the October 30th, 2008 edition, Rolling Stone is a smaller, standard-format magazine size. (''USA Today'', Associated Press Anick Jesdanun)
Hunter S. Thompson, in an article that can be found in his book ''Generation of Swine'', criticized the magazine for turning on marijuana even though the magazine embraced it in the 60s and 70s when Thompson was a frequent contributor.
''Rolling Stone'' magazine has been criticized for reconsidering many classic albums that it had previously dismissed. Examples of artists for whom this is the case include, among others, The Beatles, Led Zeppelin, Black Sabbath, AC/DC, The Beach Boys, Nirvana, Weezer, Radiohead, Outkast and also Queen. For example, Led Zeppelin was largely written off by ''Rolling Stone'' magazine critics during the band's most active years in the 1970s. However by 2006, a cover story on Led Zeppelin honored them as "the Heaviest Band of All Time". A critic for ''Slate'' magazine described a conference at which 1984's ''The Rolling Stone Record Guide'' was scrutinized. As he described it, "The guide virtually ignored hip-hop and ruthlessly panned heavy metal, the two genres that within a few years would dominate the pop charts. In an auditorium packed with music journalists, you could detect more than a few anxious titters: How many of us will want our record reviews read back to us 20 years hence?" Another example of this bias was that the album ''Nevermind'', by grunge band Nirvana, was given three stars in its original review, despite being placed at #17 in "The 500 Greatest Albums of All Time" list in 2003. Also, when The Beatles' ''Let It Be'' was released in 1970, the magazine originally gave the album a poor review, yet in 2003, ''Rolling Stone'' ranked it number 86 in the magazine's list of the 500 Greatest Albums of All Time.
At the end of June 2010 ''Rolling Stone'' caused a controversy in the White House by publishing in the July issue an article by journalist Michael Hastings, titled "The Runaway General", quoting criticism of General Stanley A. McChrystal, commander of the International Security Assistance Force and U.S. Forces-Afghanistan commander, about Vice President Joe Biden and other Administration members of the White House. McChrystal resigned from his position shortly after his statements went public.
The hire of former ''FHM'' editor Ed Needham further enraged critics who alleged that ''Rolling Stone'' had lost its credibility.
The 2003 ''Rolling Stone's 100 Greatest Guitarists of all Time'' article's inclusion of only two female musicians resulted in ''Venus Zine'' answering with their own list titled "The Greatest Female Guitarists of All Time".
Some artists have graced the cover many times, some of these pictures going on to become iconic. The Beatles, for example, have appeared on the cover over thirty times, either individually or as a band. The first ten issues featured the following:
Category:American monthly magazines Category:American music magazines Category:Indian magazines Category:Italian magazines Category:PRISA Category:Publications established in 1967 Category:Russian magazines Category:Turkish magazines Category:Monthly magazines Category:American political magazines
ace:Rolling Stone af:Rolling Stone ar:رولينغ ستون az:Rolling Stone ca:Rolling Stone cs:Rolling Stone cy:Rolling Stone (cylchgrawn) da:Rolling Stone de:Rolling Stone et:Rolling Stone es:Rolling Stone eo:Rolling Stone eu:Rolling Stone fa:رولینگ استون fr:Rolling Stone gd:Rolling Stone gl:Rolling Stone ko:롤링 스톤 hr:Rolling Stone id:Rolling Stone is:Rolling Stone it:Rolling Stone he:רולינג סטון ka:როლინგ სტოუნი sw:Rolling Stone lv:Rolling Stone lt:Rolling Stone hu:Rolling Stone mk:Роулинг Стоун nl:Rolling Stone ja:ローリング・ストーン no:Rolling Stone nn:Rolling Stone pl:Rolling Stone pt:Rolling Stone ro:Rolling Stone ru:Rolling Stone simple:Rolling Stone sk:Rolling Stone sr:Ролинг стоун fi:Rolling Stone sv:Rolling Stone (tidskrift) th:โรลลิงสโตน tr:Rolling Stone uk:Rolling Stone (журнал) vi:Rolling Stone zh:滾石 (雜誌)This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Abel Tesfaye |
---|---|
birth date | April 14, 1990 |
birth place | Scarborough, Ontario, Canada |
background | solo_singer |
origin | Toronto, Ontario, Canada |
genre | Contemporary R&B;, downtempo, post-dubstep, progressive soul |
instruments | Vocals, keyboards |
years active | 2008–present |
label | XO |
associated acts | Drake, Doc McKinney, Illangelo |
website | the-weeknd.com |
current members | }} |
Abel Tesfaye (born April 14, 1990), better known by his stage name The Weeknd [The Weak·en·d] is a Canadian Toronto-based R&B; singer. Songs recorded under The Weeknd name first leaked in late 2010, though the identity of the individual behind the project was initially unknown. The Weeknd released a nine-song mixtape, ''House of Balloons'', on 21 March 2011. The mixtape is a part of a trilogy which includes '' Thursday'', released on 18 August 2011, and ''Echoes of Silence'', to be released in the autumn. The song "High for This" is currently featured in the promo for the final season of the HBO show "Entourage." On June 16, 2011, ''House of Balloons'' was named as a longlisted nominee for the 2011 Polaris Music Prize. On July 6, the album was named as one of ten shortlisted nominees.
In a review of the ''House of Balloons'' album, Pitchfork Media's Joe Colly wrote that "all the thematic and sonic pieces fit together - these weird, morning-after tales of lust, hurt, and over-indulgence ... are matched by this incredibly lush, downcast music. It's hard to think of a record since probably The xx's debut ... that so fully embodies such a specific nocturnal quality." Frontier Psychiatrist's L.V. Lopez claimed the album was "brilliant, disturbing, and not safe for work," calling the song "Loft Music" a song that is "so unsafe it should come with a child-proof cap, so dirty that you’ll feel guilty the next time you see your wife." Tom Ewing of ''The Guardian'' said that although the singing and songwriting on ''House of Balloons'' "aren't especially strong by R&B; standards," the Weeknd is receiving "so much attention" as a result of its "command of mood." Sean Fennessey of ''The Village Voice'' called the album "impressive" and added, "It's patient, often gorgeous, and consistently louche ... with the sort of blown-out underbelly and echo-laden crooning that has already made Drake's less-than-a-year-old ''Thank Me Later'' such an influential guidepost." Maegan McGregor of Exclaim! praised the album: "Packed full of sex, drugs and some downright killer production, this easily stands as one of the year's best debuts so far, hipster, Top 40 or otherwise." Sputnik Music's Tyler Fisher said that "despite being a free mixtape, ''House of Balloons'' feels like a true album, a true labor of love." The title track samples Siouxsie and the Banshees' 1980 single "Happy House." On June 16, the album was named as a longlisted nominee for the 2011 Polaris Music Prize. On July 6, the album was named as a short listed (one of ten) nominee for the 2011 award.
The Weeknd performed his first ever concert at The Mod Club in Toronto on July 24, 2011 and his second concert seven days later, on July 31, 2011, at Drake's second annual OVO Festival.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Muddy Waters| image Muddy_Waters_(blues_musician).jpg |
---|---|
landscape | yes |
background | solo_singer |
birth name | McKinley Morganfield |
born | April 04, 1913Issaquena County, Mississippi, United States |
died | April 30, 1983Westmont, Illinois, United States |
instrument | Vocals, guitar, harmonica. |
genre | Blues, Chicago blues, country blues, electric blues |
occupation | Singer, songwriter, guitarist, bandleader |
years active | 1941 – 1982 |
label | Aristocrat, Chess, Testament |
website | www.muddywaters.com |
notable instruments | Gibson Les PaulFender Telecaster }} |
His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". The actual shack where Muddy Waters lived in his youth on Stovall Plantation is now located at the Delta Blues Museum at 1 Blues Alley in Clarksdale, Mississippi. He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. "His thick heavy voice, the dark coloration of his tone and his firm, almost solid, personality were all clearly derived from House," wrote music critic Peter Guralnick in ''Feel Like Going Home'', "but the embellishments which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson."
On November 20, 1932 Muddy married Mabel Berry; Robert Nighthawk played guitar at the wedding, and the party reportedly got so wild the floor fell in. Mabel left Muddy three years later when Muddy's first child was born; the child's mother was Leola Spain, sixteen years old, (Leola later used her maiden name Brown), "married to a man named Steven" and "going with a guy named Tucker". Leola was the only one of his girlfriends with whom Muddy would stay in touch throughout his life; they never married. By the time he finally cut out for Chicago in 1943, there was another Mrs. Morganfield left behind, a girl called Sallie Ann.
In 1943, Muddy headed back to Chicago with the hope of becoming a full-time professional musician. He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night. Big Bill Broonzy, one of the leading bluesmen in Chicago at the time, helped Muddy break into the very competitive market by allowing him to open for his shows in the rowdy clubs. In 1945, Muddy's uncle Joe Grant gave him his first electric guitar which enabled him to be heard above the noisy crowds.
In 1946, he recorded some tunes for Mayo Williams at Columbia but they were not released at the time. Later that year he began recording for Aristocrat Records, a newly-formed label run by two brothers, Leonard and Phil Chess. In 1947, he played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae." These were also shelved, but in 1948 "I Can't Be Satisfied" and "I Feel Like Going Home" became big hits and his popularity in clubs began to take off. Soon after, Aristocrat changed their label name to Chess Records and Muddy's signature tune "Rollin' Stone" also became a smash hit.
Muddy, along with his former harmonica player Little Walter Jacobs and recent southern transplant Howlin' Wolf, reigned over the early 1950s Chicago blues scene, his band becoming a proving ground for some of the city's best blues talent. While Little Walter continued a collaborative relationship long after he left Muddy's band in 1952, appearing on most of Muddy's classic recordings throughout the 1950s, Muddy developed a long-running, generally good-natured rivalry with Wolf. The success of Muddy's ensemble paved the way for others in his group to break away and enjoy their own solo careers. In 1952 Little Walter left when his single "Juke" became a hit, and in 1955 Rogers quit to work exclusively with his own band, which had been a sideline until that time. Although he continued working with Muddy's band, Otis Spann enjoyed a solo career and many releases under his own name beginning in the mid-1950s.
However, for the better part of twenty years (since his last big hit in 1956, "I'm Ready") Muddy was put on the back shelf by the Chess label and recorded albums with various "popular" themes: ''Brass And The Blues'', ''Electric Mud'', etc. In 1967, he joined forces with Bo Diddley, Little Walter and Howlin' Wolf to record the ''Super Blues'' and ''The Super Super Blues Band'' pair of albums of Chess blues standards. In 1972 he went back to England to record ''The London Muddy Waters Sessions'' with Rory Gallagher, Steve Winwood, Rick Grech and Mitch Mitchell — but their playing was not up to his standards. "These boys are top musicians, they can play with me, put the book before 'em and play it, you know," he told Guralnick. "But that ain't what I need to sell my people, it ain't the Muddy Waters sound. An' if you change my sound, then you gonna change the whole man."
Muddy's sound was basically Delta blues electrified, but his use of microtones, in both his vocals and slide playing, made it extremely difficult to duplicate and follow correctly. "When I play on the stage with my band, I have to get in there with my guitar and try to bring the sound down to me. But no sooner than I quit playing, it goes back to another, different sound. My blues look so simple, so easy to do, but it's not. They say my blues is the hardest blues in the world to play."
Muddy's long-time wife Geneva died of cancer on March 15, 1973. A devastated Muddy was taken to a doctor and told to quit smoking, which he did. Gaining custody of some of his "outside kids", he moved them into his home, eventually buying a new house in Westmont, Illinois. Another teenage daughter turned up while on tour in New Orleans; Big Bill Morganfield was introduced to his Dad after a gig in Florida. Florida was also where Muddy met his future wife, the 19-year-old Marva Jean Brooks whom he nicknamed "Sunshine".
On November 25, 1976, Muddy Waters performed at The Band's farewell concert at Winterland in San Francisco. The concert was released as both a record and a film, ''The Last Waltz'', featuring a performance of "Mannish Boy" with Paul Butterfield on harmonica.
In 1977 Johnny Winter convinced his label, Blue Sky, to sign Muddy, the beginning of a fruitful partnership. His "comeback" LP, ''Hard Again'', was recorded in just two days and was a return to the original Chicago sound he had created 25 years earlier, thanks to Winter's production. Former sideman James Cotton contributed harmonica on the Grammy Award-winning album and a brief but well-received tour followed.
The Muddy Waters Blues Band at the time included guitarists Sammy Lawhorn, Bob Margolin and Luther Johnson, pianist Pinetop Perkins, harmonica player Jerry Portnoy, bassist Calvin "Fuzz" Jones and drummer Willie "Big Eyes" Smith. On "Hard Again", Winter played guitar in addition to producing; Muddy asked James Cotton to play harp on the session, and Cotton brought his own bassist Charles Calmese. According to Margolin's liner notes, Muddy did not play guitar during these sessions. The album covers a broad spectrum of styles, from the opening of "Mannish Boy", with shouts and hollers throughout, to the old-style Delta blues of "I Can't Be Satisfied", with a National Steel solo by Winter, to Cotton's screeching intro to "The Blues Had a Baby", to the moaning closer "Little Girl". Its live feel harks back to the Chess Records days, and it evokes a feeling of intimacy and cooperative musicianship. The expanded reissue includes one bonus track, a remake of the 1950s single "Walking Through the Park". The other outtakes from the album sessions appear on ''King Bee''. Margolin's notes state that the reissued album was remastered but that remixing was not considered to be necessary. ''Hard Again'' was the first studio collaboration between Muddy and Winter, who produced his final four albums, the others being ''I'm Ready'', ''King Bee'', and ''Muddy "Mississippi" Waters - Live'', for Blue Sky, a Columbia Records subsidiary.
In 1978 Winter recruited two of Muddy's cohorts from the early '50s, Big Walter Horton and Jimmy Rogers, and brought in the rest of his touring band at the time (harmonica player Jerry Portnoy, guitarist Luther "Guitar Junior" Johnson, and bassist Calvin Jones) to record ''I'm Ready'' which came close to the critical and commercial success of ''Hard Again''.
The comeback continued in 1979 with the lauded LP ''Muddy "Mississippi" Waters Live''. "Muddy was loose for this one," wrote Jas Obrecht in ''Guitar Player'', "and the result is the next best thing to being ringside at one of his foot-thumping, head-nodding, downhome blues shows." On the album, Muddy is accompanied by his touring band, augmented by Johnny Winter on guitar. The set list contains most of his biggest hits, and the album has an energetic feel. ''King Bee'' the following year concluded Waters' reign at Blue Sky, and these last four LPs turned out to be his biggest-selling albums ever. ''King Bee'' was the last album Muddy Waters recorded. Coming last in a trio of studio outings produced by Johnny Winter, it is also a mixed bag. During the sessions for ''King Bee'', Muddy, his manager and his band were involved in a dispute over money. According to the liner notes by Bob Margolin, the conflict arose from Muddy's health being on the wane and consequently playing fewer engagements. The bandmembers wanted more money for each of the fewer gigs they did play in order to make ends meet. Ultimately a split occurred and the entire band quit. Because of the tensions in the studio preceding the split, Winter felt the sessions had not produced enough solid material to yield an entire album. He subsequently filled out ''King Bee'' with outtakes from earlier Blue Sky sessions and the cover photograph was by David Michael Kennedy. For the listener, ''King Bee'' is a leaner and meaner record. Less of the good-time exuberance present on the previous two outings is present here. The title track, "Mean Old Frisco", "Sad Sad Day", and "I Feel Like Going Home", are all blues with ensemble work. The Sony Legacy issue features completely remastered sound and Margolin's notes, and also hosts two bonus tracks from the ''King Bee'' sessions that Winter did not see fit to release the first time.
In 1981, Muddy Waters was invited to perform at ChicagoFest, the city's top outdoor music festival. He was joined onstage by Johnny Winter — who had successfully produced his most recent albums — and played classics like “Mannish Boy,” “Trouble No More” and “Mojo Working” to a new generation of fans. This historic performance was made available on DVD in 2009 by Shout! Factory.
In 1982, declining health dramatically curtailed Muddy's performance schedule. Muddy Waters' last public performance took place when he sat in with Eric Clapton's band at a Clapton concert in Florida in autumn of 1982.
His influence is tremendous, over a variety of music genres: blues, rhythm and blues, rock 'n' roll, hard rock, folk, jazz, and country. He also helped Chuck Berry get his first record contract.
His 1958 tour of England marked possibly the first time amplified, modern urban blues was heard there, although on his first tour he was the only one amplified. His backing was provided by Englishman Chris Barber's trad jazz group. (One critic retreated to the toilets to write his review because he found the band so loud).
The Rolling Stones named themselves after his 1950 song "Rollin' Stone", (also known as "Catfish Blues", which Jimi Hendrix covered as well). Hendrix recalled "the first guitar player I was aware of was Muddy Waters. I first heard him as a little boy and it scared me to death". Cream covered "Rollin' and Tumblin'" on their 1966 debut album ''Fresh Cream'', as Eric Clapton was a big fan of Muddy Waters when he was growing up, and his music influenced Clapton's music career. The song was also covered by Canned Heat at the legendary Monterey Pop Festival and later adapted by Bob Dylan on the album ''Modern Times''. One of Led Zeppelin's biggest hits, "Whole Lotta Love", is lyrically based upon the Muddy Waters hit "You Need Love", written by Willie Dixon. Dixon wrote some of Muddy Waters' most famous songs, including "I Just Want to Make Love to You" (a big radio hit for Etta James, as well as the 1970s rock band Foghat), "Hoochie Coochie Man", which The Allman Brothers Band famously covered, and "I'm Ready", which was covered by Humble Pie. In 1993, Paul Rodgers released the album ''Muddy Water Blues: A Tribute to Muddy Waters'', on which he covered a number of Muddy Waters songs, including "Louisiana Blues", "Rollin' Stone", "Hoochie Coochie Man" and "I'm Ready" (among others) in collaboration with a number of famous guitarists such as Brian May and Jeff Beck.
Angus Young of the rock group AC/DC has cited Muddy Waters as one of his influences. The song title "You Shook Me All Night Long" came from lyrics of the Muddy Waters song "You Shook Me", written by Willie Dixon and J. B. Lenoir. Earl Hooker first recorded it as an instrumental which was then overdubbed with vocals by Muddy Waters in 1962. Led Zeppelin also covered this song on their debut album ''Led Zeppelin''.
Muddy Waters' songs have been featured in long-time fan's Martin Scorsese's movies, including ''The Color of Money'', '' Goodfellas'' and ''Casino''. Muddy Waters' 1970s recording of his mid-'50s hit "Mannish Boy" (a.k.a. "I'm A Man") was used in ''Goodfellas'' and the hit film ''Risky Business'', and also features in the rockumentary The Last Waltz.
The song Come Together by The Beatles references Muddy Waters. "He roller coaster/he got Muddy Waters."
Screenwriter David Simon has written an unproduced teleplay about Muddy Waters' life.
The 2006 Family Guy episode "Saving Private Brian" includes a parody of Muddy Waters trying to pass a kidney stone; his screams of pain form a call and response with the Chicago blues band in his bathroom.
In 2008, Jeffrey Wright portrayed Muddy in the biopic ''Cadillac Records'', a film about the rise and fall of Chess Records and the lives of its recording artists. A second 2008 film about Leonard Chess and Chess Records, ''Who Do You Love'', also covers Muddy's time at Chess Records.
In the 2009 film The Boat that Rocked about pirate radio in the UK, the cryptic message that late night DJ Bob gives to Carl to give to Carl's mother is "Muddy Waters Rocks."
In 1990, the television show Doogie Howser, M.D. showed an episode called "Doogie Sings the Blues" with the main character, Blind Otis Lemon based on Muddy Waters, with references of his influence on the Rolling Stones and Led Zeppelin, along with the performance of "Got My Mojo Working" by Blind Otis Lemon. He is also referred to as the original "Hoochie Coochie Man".
! Year | ! Category | ! Title | ! Genre | ! Label | ! Result |
''They Call Me Muddy Waters'' | MCA Records | winner | |||
Best Ethnic or Traditional Folk Recording | ''The London Muddy Waters Session'' | folk | MCA/Chess | winner | |
Best Ethnic or Traditional Folk Recording | ''The Muddy Waters Woodstock Album'' | folk | MCA/Chess | winner | |
Best Ethnic or Traditional Folk Recording | ''[[Hard Again'' | folk | Blue Sky | winner | |
Best Ethnic or Traditional Folk Recording | ''I'm Ready'' | folk | Blue Sky | winner | |
Best Ethnic or Traditional Folk Recording | ''Muddy "Mississippi" Waters Live'' | folk | Blue Sky | winner |
! Year Recorded | ! Title |
1950 | Rollin' Stone |
1954 | Hoochie Coochie Man |
1955 | Mannish Boy |
1957 | Got My Mojo Working |
! Year | ! Category | ! Title | ! Result |
1994 | Reissue Album of the Year | ''The Complete Plantation Recordings'' | Winner |
1995 | Reissue Album of the Year | ''One More Mile '' | Winner |
2000 | Traditional Blues Album of the Year | ''The Lost Tapes of Muddy Waters'' | Winner |
2002 | Historical Blues Album of the Year | ''Fathers and Sons'' | Winner |
2006 | Historical Album of the Year | ''Hoochie Coochie Man: Complete Chess Recordings, Volume 2, 1952–1958'' | Winner |
! Year Inducted | ! Title |
1980 | |
1987 | Rock and Roll Hall of Fame |
1992 | Grammy Lifetime Achievement Award |
U.S. Postage Stamp
! Year | ! Stamp | ! USA | ! Note |
1994 | 29 cents Commemorative stamp | Photo |
Category:1913 births Category:1983 deaths Category:Chicago blues musicians Category:Electric blues musicians Category:Delta blues musicians Category:Blues revival musicians Category:African American guitarists Category:African American singer-songwriters Category:American blues musicians Category:American blues singer-songwriters Category:American blues guitarists Category:American male singers Category:Blues Hall of Fame inductees Category:Blues musicians from Mississippi Category:American buskers Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:People from Clarksdale, Mississippi Category:People from Issaquena County, Mississippi Category:People from St. Louis, Missouri Category:Rock and Roll Hall of Fame inductees Category:Slide guitarists Category:Lead guitarists Category:Sun Records artists Category:Chess Records artists Category:Mississippi Blues Trail Category:Blues rock musicians
be-x-old:Мадзьдзі Ўотэрс bg:Мъди Уотърс ca:Muddy Waters cs:Muddy Waters da:Muddy Waters de:Muddy Waters es:Muddy Waters eu:Muddy Waters fa:مادی واترز fr:Muddy Waters fy:Muddy Waters hr:Muddy Waters io:Muddy Waters it:Muddy Waters he:מאדי ווטרס hu:Muddy Waters nl:Muddy Waters ja:マディ・ウォーターズ no:Muddy Waters oc:Muddy Waters pl:Muddy Waters pt:Muddy Waters ru:Мадди Уотерс sc:Muddy Waters simple:Muddy Waters sr:Мади Вотерс fi:Muddy Waters sv:Muddy Waters tr:Muddy Waters uk:Мадді ВотерсThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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