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Physically, “Fingerstyle” refers to using each of the right hand fingers independently in order to play the multiple parts of a musical arrangement that would normally be played by several band members. Bass, harmonic accompaniment, melody, and percussion can all be played simultaneously when playing Fingerstyle.
Some specialized techniques include:
The style originated in the late 19th and early 20th centuries, as southern African-American blues guitarists tried to imitate the popular ragtime piano music of the day, with the guitarist's thumb functioning as the pianist's left hand, and the other fingers functioning as the right hand. The first recorded examples were by players such as Blind Blake, Big Bill Broonzy, Memphis Minnie and Mississippi John Hurt. Some early blues players such as Blind Willie Johnson and Tampa Red added slide guitar techniques. Fingerpicking was soon taken up by country and Western artists such as Sam McGee, Ike Everly (father of The Everly Brothers), Merle Travis and "Thumbs" Carllile. Later Chet Atkins further developed the style.
Most fingerpickers use acoustic guitars, but some, including Merle Travis often played on hollow-body electrics.
The most common pattern, sometimes broadly referred to as Travis picking after Merle Travis, and popularized by Chet Atkins, Marcel Dadi and Tommy Emmanuel, is as follows: Middle | X X | X X Index | X X | X X Thumb | X X X X | X X X X
The thumb (T) alternates between bass notes, often on two different strings, while the index (I) and middle (M) fingers alternate between two treble notes, usually on two different strings, most often the second and first. Using this pattern on a C major chord is as follows in notation and tablature:
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Travis' own playing was much more complicated and not limited to simple patterns. He referred to his style of playing as "thumb picking", possibly because the only pick he used when playing was a banjo thumb pick.
In the 1960s, a new generation of guitarists returned to these roots and began to transcribe piano tunes for solo guitar. One of the best known and most talented of these players was Dave Van Ronk who arranged St. Louis Tickle for solo guitar. In 1971, guitarists David Laibman and Eric Schoenberg arranged and recorded Scott Joplin rags and other complex piano arrangements for the LP The New Ragtime Guitar on Folkways Records. This was followed by a Stefan Grossman method book with the same title. A year later Grossman and ED Denson founded Kicking Mule Records a company that recorded scores of LPs of solo ragtime guitar by artists including Grossman, Ton van Bergeyk, Leo Wijnkamp, Duck Baker, Peter Finger, Lasse Johansson, Tom Ball and Dale Miller. One of today's top ragtime stylists is Craig Ventresco, who is best known for playing on the soundtracks of various Terry Zwigoff movies.
In the early 1970s the next generation of British artists added new tunings and techniques, reflected in the work of artists like Nick Drake, Tim Buckley and particularly John Martyn, whose Solid Air (1972) set the bar for subsequent British acoustic guitarists. Perhaps the most prominent exponent of recent years has been Martin Simpson, whose complex mix of traditional English and American material, together with innovative arrangements and techniques like the use of guitar slides, represents a deliberate attempt to create a unique and personal style. Martin Carthy passed on his guitar style to French guitarist Pierre Bensusan. It was taken up by in Scotland by Dick Gaughan, and by Irish musicians like Paul Brady, Dónal Lunny and Mick Moloney. Carthy also influenced Paul Simon, particularly evident on ‘Scarborough Fair’, which he probably taught to Simon, and a recording of Davy’s 'Anji' that appears on Sounds of Silence, and as a result was copied by many subsequent folk guitarists. The style also had an impact within electric folk, where, particularly Richard Thompson, used the D-A-D-G-A-D tuning, though with a hybrid picking style to produce a similar, but distinctive effect.
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Title | Korean name |
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Hangul | 정성하 |
Hanja | |
Rr | Seongha Jeong |
Mr | Sŏngha Jŏng}} |
Name | Seongha Jeong |
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Caption | jwcfree |
Birth name | 정성하 |
Birth date | September 02, 1996 |
Birth place | Seoul, Korea |
Nationality | South Korean |
Other names | colloquially: Sungha Jung, jwcfree, jungsungha, blueseaJSH |
Years active | September 8, 2006–present |
Known for | Guitar music |
Website | SunghaJung.com |
Seongha Jeong (정성하) (colloquially: Sungha Jung) (born September 2, 1996) is a South Korean prodigy guitarist who has risen to fame on YouTube and other sites, mainly through the South Korean audience.
Seongha typically takes three days to learn and practice a new song, and video-record it for upload onto YouTube. His genre selection is rather broad, as he learns and plays many songs that are playable on guitar, therefore consequently spread across numerous genres.
Seongha has won 13 awards on YouTube, including 6 "#1" awards. Also on YouTube, Seongha has 38 videos with over one million views. Seongha's video with the most views is the "Pirates Of The Caribbean", at 13,018,898 views as of January 8, 2010.
Seongha has composed 16 songs as of December 2010, two of which are featured in his debut album, Perfect Blue.
Lately, Seongha has been performing together with Mr. Big. He is currently on tour with Trace Bundy.
Category:South Korean guitarists Category:Fingerstyle guitarists Category:People from Seoul Category:1996 births Category:YouTube video producers Category:Living people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Francis "Rocco" Prestia |
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Background | non_vocal_instrumentalist |
Birth name | Francis Prestia |
Born | March 07, 1951 |
Origin | Sonora, California, USA |
Instrument | Electric bass |
Genre | smooth jazz, jazz-funk, funk, rhythm and blues |
Occupation | Bassist |
Associated acts | Tower Of Power, James Jamerson, Jaco Pastorius |
Francis «Rocco» Prestia (born March 7, 1951) is an American musician, the bassist of the legendary funk band Tower of Power and one of the most important figures in electric bass' history.
Prestia remembers an "immediate and incendiary" connection with the band's drummer, David Garibaldi, with whom he would establish one of the most original and influential rhythm sections of all time. The drummer's fast, nervous style blended perfectly with the bassist's dry, percussive approach. The resultant combination, along with the band's powerful horn section, defined the band's distinctive sound.
Prestia worked with the band for the next three decades, then he became seriously ill in 2001. His fans and friends created a foundation in order to help pay the artist's medical costs. In 2002 Prestia underwent successful liver transplant surgery and since then he has gradually resumed his professional activity.
With James Jamerson, Stanley Clarke, Anthony Jackson and Alphonso Johnson, "Rocco" Prestia belongs to the generation of bassists that, a few years before, made possible the great revolution on the electric bass that Jaco Pastorius entailed with his innovations on mid-1970s. The influence of Prestia over the great bassist, that Jaco recognized openly, is clear on classic Tower of Power tracks as the 1973 hit "What is Hip". On the other hand, Rocco cites James Jamerson and the different musicians who worked for James Brown (particularly Bootsy Collins) as his main influences.
The figure of Francis "Rocco" Prestia has been largely identified with his Fender Precision basses (a purple transparent American Deluxe and a natural ash-bodied short-lived signature model with a reverse split pickup and a 2-band EQ). In recent years he has maintained an association with the Conklin company, that built for him one of the few four-string instruments in its catalog.
Category:1951 births Category:Living people Category:American funk bass guitarists Category:American jazz bass guitarists Category:Tower of Power members Category:American people of Italian descent
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Billy McLaughlin |
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Background | non_vocal_instrumentalist |
Instrument | Guitar, vocals |
Genre | Fingerstyle guitar, Tapping, New Age |
Occupation | Musician, composer |
Years active | 1988–present |
Label | Proton Discs, Narada |
Associated acts | The Billy McLaughlin Group |
Url |
Billy McLaughlin is a new age acoustic guitarist, composer and producer from Minnesota, United States.
McLaughlin is a five-time Minnesota Music Award winner with 11 CD releases and Billboard Top-Ten Chart history. He has recorded on the Narada label.
The National Association for Campus Activities has awarded McLaughlin with three National Campus Entertainer of the Year Awards (Jazz) and a Hall of Fame Achievement Award.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.