Kundun

{{Infobox film | name = Kundun | image = Kundun-poster01.jpg | director = Martin Scorsese | producer = Barbara De Fina | writer = Melissa Mathison | cinematography = Roger Deakins | starring = | music = Philip Glass | distributor = Touchstone Pictures (USA) | released = | runtime = 134 minutes | country = | language = English | budget = $28 million | gross = $5,684,789 (U.S.) — has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servants discover a promising candidate: a child born to a farming family in the province of Amdo, near the Chinese border.

These and other lamas administer a test to the child in which he must select from various objects the ones that belonged to the previous Dalai Lama. The child passes the test; he and his family are brought to Potala Palace in Lhasa, where he will be installed as Dalai Lama when he comes of age.

During the journey, the child becomes homesick and frightened, but is comforted by Reting, who tells him the story of the first Dalai Lama — whom the lamas called "Kundun". As the film progresses, the boy matures in both age and learning. After a brief power struggle in which Reting is imprisoned and dies, the Dalai Lama begins taking a more active role in governance and religious leadership.

Meanwhile, the Chinese Communists, recently victorious in their revolution, are proclaiming Tibet a traditional part of Imperial China, and express their desire to reincorporate it with the newly formed People's Republic of China. Eventually, despite Tibet's pleas to the United Nations, the United States, the United Kingdom, and India for intervention, Chinese Communist forces invade Tibet. The Chinese are initially helpful, but when the Tibetans resist Communist reorganization and reeducation of their society, the Chinese become oppressive.

Following a series of atrocities suffered by his people, the Dalai Lama resolves to meet with Chairman Mao Zedong in Beijing. During their face-to-face meeting on the final day of the Dalai Lama's visit, Mao makes clear his view that "religion is poison" and that the Tibetans are "poisoned and inferior" because of it.

Upon his return to Tibet, the Dalai Lama learns of more horrors perpetrated against his people, who have by now repudiated their treaty with China and begun guerrilla action against the Chinese. After the Chinese make clear their intention to kill him, the Dalai Lama is convinced by his family and his Lord Chamberlain to flee to India.

After consulting the oracle about the proper escape route, the Dalai Lama and his staff put on disguises and slip out of Lhasa under cover of darkness. During an arduous journey, throughout which they are pursued by the Chinese, the Dalai Lama becomes very ill and experiences several visions of the past and future. The group eventually makes it to a small mountain pass on the Indian border. As the Dalai Lama walks to the guard post, an Indian guard approaches him, salutes, and inquires: "May I ask, are you the Lord Buddha?" The Dalai Lama replies with the film's final line: "I think that I am a reflection, like the moon on water. When you see me, and I try to be a good man, you see yourself."

Once the Dalai Lama arrives at his new residence, he unpacks his telescope and steps outside. Erecting it and removing his spectacles, he gazes through it toward the Himalayas-and toward Tibet.

The film concludes with two lines printed on screen:

The Dalai Lama has not yet returned to Tibet. He hopes one day to make the journey.

Production

The project began when screenwriter Melissa Mathison, whose best-known work was E.T., met with the Dalai Lama and asked him if she could write about his life. According to Turner Classic Movies, "he gave her his blessing and his time, sitting for interviews that became the basis of her script"; it was Mathison's suggestion that Scorsese be brought in as director.

Most of the film was shot at the Atlas Film Studios in Ouarzazate, Morocco; some scenes were filmed at the Karma Triyana Dharmachakra monastery in Woodstock, New York.

Cast

Tenzin Thuthob Tsarong as Dalai Lama (Adult)

Gyurme Tethong as Dalai Lama (Age 12)

Tulku Jamyang Kunga Tenzin as Dalai Lama (Age 5)

Tenzin Yeshi Paichang as Dalai Lama (Age 2)

Tencho Gyalpo as Dalai Lama's mother

Tenzin Topjar as Lobsang (age 5 to 10)

Tsewang Migyur Khangsar as Dalai Lama's father

Tenzin Lodoe as Takster

Geshi Yeshi Gyatso as Lama of Sera

Losang Gyatso as The Messenger (as Lobsang Gyatso)

Sonam Phuntsok as Reting Rinpoche

Gyatso Lukhang as Lord Chamberlain

Lobsang Samten as Master of the Kitchen

Jigme Tsarong as Taktra Rinpoche (as Tsewang Jigme Tsarong)

Tenzin Trinley as Ling Rinpoche

Robert Lin as Chairman Mao Zedong

Jurme Wangda as Prime Minister Lukhangwa

Jill Hsia as Little Girl

Reception

Even before the film was released, China's leaders hotly objected to Disney's plans to distribute the film, even to the point of threatening Disney's future access to China as a market. Disney's steadfastness stood in stark contrast to Universal Pictures, which had earlier "turned down the chance to distribute Kundun for fear of upsetting the Chinese."

Stephen Holden of The New York Times called the film "emotionally remote" but praises its look and its score: "The movie is a triumph for the cinematographer Roger Deakins, who has given it the look of an illuminated manuscript. As its imagery becomes more surreal and mystically abstract, Mr. Glass's ethereal electronic score, which suggests a Himalyan music of the spheres, gathers force and energy and the music and pictures achieve a sublime synergy."

Inaccuracies

Several minor events in the film do not match the events as described in the Dalai Lama's 1990 autobiography, or as described by Diki Tsering, the Dalai Lama's mother, in her 2000 book Dalai Lama, My Son: a Mother's Story.

Early in the film, a monk is sent in disguise as part of an entourage to look for the reincarnation of the 14th Dalai Lama. The two-year-old Dalai Lama first meets him when the monk enters the house dressed as a servant. There are differing accounts of their first meeting. In the Dalai Lama's memoirs, Freedom in Exile, he says he came outside to greet the disguised lama. His mother says two monks came and set canes (one belonging to the 13th Dalai Lama) against the side of the house, and her son picked the correct cane up and asked the monk (not in disguise) why it was taken from him. Either way, the first encounter was not in the house.

In 1941, the Regent Reting Rinpoche was deposed and second Regent, Taktra Rinpoche, was selected by the Dalai Lama. In his autobiography, the Dalai Lama recalls that he was approached and asked to make a decision about who would replace Reting and chose Taktra, the main candidate. In the movie, the decision is spontaneous and to Taktra's surprise.

In September 1954, the Dalai Lama goes to Beijing and meets Mao Zedong. In the film they meet alone, but according to the Dalai Lama's memoirs, his mother's memoirs, and photographic evidence, the 10th Panchen Lama was also present.

References

External links

Kundun Buddhist viewpoints at dharmaflix.com

Category:1997 films Category:American films Category:English-language films Category:Mandarin-language films Category:Tibetan-language films Category:American drama films Category:Biographical films Category:Buddhist films Category:Epic films Category:Films about Tibet Category:Films directed by Martin Scorsese Category:Films shot in Morocco Category:Tibetan Buddhism Category:Touchstone Pictures films