Chinese jade ornament with dragon and phoenix design, late Spring and Autumn Period (722 BC-482 BC).

History of China
ANCIENT
3 Sovereigns and 5 Emperors
Xia Dynasty 2100–1600 BCE
Shang Dynasty 1600–1046 BCE
Zhou Dynasty 1045–256 BCE
Western Zhou
Eastern Zhou
Spring and Autumn Period
Warring States Period
IMPERIAL
Qin Dynasty 221 BCE–206 BCE
Han Dynasty 206 BCE–220 CE
Western Han
Xin Dynasty
Eastern Han
Three Kingdoms 220–280
Wei, Shu and Wu
Jin Dynasty 265–420
Western Jin	16 Kingdoms 304–439
Eastern Jin
Southern and Northern Dynasties 420–589
Sui Dynasty 581–618
Tang Dynasty 618–907
(Second Zhou 690–705)
5 Dynasties and 10 Kingdoms 907–960	Liao Dynasty 907–1125
Song Dynasty 960–1279
Northern Song		W. Xia
Southern Song	Jin
Yuan Dynasty 1271–1368
Ming Dynasty 1368–1644
Qing Dynasty 1644–1911
MODERN
Republic of China 1912–1949
People's Republic of China 1949–present	Republic of China (Taiwan) 1949–present
Related articles  Chinese historiography Timeline of Chinese history Dynasties in Chinese history Linguistic history Art history Economic history Education history Science and technology history Legal history Media history Military history Naval history
This box: view talk edit

Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists or performers. Early so-called "stone age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. This early period was followed by a series of art dynasties, most of which lasted several hundred years. The Chinese art in the Republic of China (Taiwan) and that of overseas Chinese can also be considered part of Chinese art where it is based in or draws on Chinese heritage and Chinese culture.

Historical development to 221 BC[link]

Neolithic pottery[link]

Early forms of art in China are found in the Neolithic Yangshao culture (Chinese: 仰韶文化; pinyin: Yǎngsháo Wénhuà), which dates back to the 6th millennium BCE. Archeological findings such as those at the Banpo have revealed that the Yangshao made pottery; early ceramics were unpainted and most often cord-marked. The first decorations were fish and human faces, but these eventually evolved into symmetrical-geometric abstract designs, some painted.

The most distinctive feature of Yangshao culture was the extensive use of painted pottery, especially human facial, animal, and geometric designs. Unlike the later Longshan culture, the Yangshao culture did not use pottery wheels in pottery making. Excavations have found that children were buried in painted pottery jars.

Jade culture[link]

The Liangzhu culture was the last Neolithic Jade culture in the Yangtze River delta and was spaced over a period of about 1,300 years. The Jade from this culture is characterized by finely worked, large ritual jades such as Cong cylinders, Bi discs, Yue axes and also pendants and decorations in the form of chiseled open-work plaques, plates and representations of small birds, turtles and fish. The Liangzhu Jade has a white, milky bone-like aspect due to its Tremolite rock origin and influence of water-based fluids at the burial sites. Jade is a green stone that cannot be carved so it has to be ground.

Bronze casting[link]

The Bronze Age in China began with the Xia Dynasty. Examples from this period have been recovered from ruins of the Erlitou culture, in Shanxi, and include complex but unadorned utilitarian objects. In the following Shang Dynasty more elaborate objects, including many ritual vessels, were crafted. The Shang are remembered for their bronze casting, noted for its clarity of detail. Shang bronzesmiths usually worked in foundries outside the cities to make ritual vessels, and sometimes weapons and chariot fittings as well. The bronze vessels were receptacles for storing or serving various solids and liquids used in the performance of sacred ceremonies. Some forms such as the ku and jue can be very graceful, but the most powerful pieces are the ding, sometimes described as having the an "air of ferocious majesty."

It is typical of the developed Shang style that all available space is decorated, most often with stylized forms of real and imaginary animals. The most common motif is the taotie, which shows a mythological being presented frontally as though squashed onto a horizontal plane to form a symmetrical design. The early significance of taotie is not clear, but myths about it existed around the late Zhou Dynasty. It was considered to be variously a covetous man banished to guard a corner of heaven against evil monsters; or a monster equipped with only a head which tries to devour men but hurts only itself.

The function and appearance of bronzes changed gradually from the Shang to the Zhou. They shifted from been used in religious rites to more practical purposes. By the Warring States Period, bronze vessels had become objects of aesthetic enjoyment. Some were decorated with social scenes, such as from a banquet or hunt; whilst others displayed abstract patterns inlaid with gold, silver, or precious and semiprecious stones.

Shang bronzes became appreciated as works of art from the Song Dynasty, when they were collected and prized not only for their shape and design but also for the various green, blue green, and even reddish patinas created by chemical action as they lay buried in the ground. The study of early Chinese bronze casting is a specialized field of art history.

• 

  Black eggshell pottery of the Longshan culture (c. 3000–2000 BC)

• 

  A Zhou Dynasty bronze musical bell

Chu and Southern culture[link]

A rich source of art in early China was the state of Chu, which developed in the Yangtze River valley. Excavations of Chu tombs have found painted wooden sculptures, jade disks, glass beads, musical instruments, and an assortment of lacquerware. Many of the lacquer objects are finely painted, red on black or black on red. A site in Changsha, Hunan province, has revealed some of the oldest paintings on silk discovered to date.

Early Imperial China (221 BC–AD 220)[link]

Qin sculpture[link]

Crossbow men from the Terracotta Army, interred by 210 BC, Qin Dynasty

The Terracotta Army, inside the Mausoleum of the First Qin Emperor, consists of more than 7,000 life-size tomb terra-cotta figures of warriors and horses buried with the self-proclaimed first Emperor of Qin (Qin Shi Huang) in 210–209 BC. The figures were painted before being placed into the vault. The original colors were visible when the pieces were first unearthed. However, exposure to air caused the pigments to fade, so today the unearthed figures appear terracotta in color. The figures are in several poses including standing infantry and kneeling archers, as well as charioteers with horses. Each figure's head appears to be unique, showing a variety of facial features and expressions as well as hair styles.

Pottery[link]

Porcelain is made from a hard paste made of the clay kaolin and a feldspar called petuntse, which cements the vessel and seals any pores. China has become synonymous with high-quality porcelain. Most china pots comes from the city of Jingdezhen in China's Jiangxi province. Jingdezhen, under a variety of names, has been central to porcelain production in China since at least the early Han Dynasty.

The most noticeable difference between porcelain and the other pottery clays is that it "wets" very quickly (that is, added water has a noticeably greater effect on the plasticity for porcelain than other clays), and that it tends to continue to "move" longer than other clays, requiring experience in handling to attain optimum results. During medieval times in Europe, porcelain was very expensive and in high demand for its beauty. TLV mirrors also date from the Han dynasty.

Han art[link]

The Han Dynasty was known for jade burial suits. One of the earliest known depictions of a landscape in Chinese art comes from a pair of hollow-tile door panels from a Western Han Dynasty tomb near Zhengzhou, dated 60 BCE.^[1] A scene of continuous depth recession is conveyed by the zigzag of lines representing roads and garden walls, giving the impression that one is looking down from the top of a hill.^[1] This artistic landscape scene was made by the repeated impression of standard stamps on the clay while it was still soft and not yet fired.^[1] However, the oldest known landscape art scene tradition in the classical sense of painting is a work by Zhan Ziqian of the Sui Dynasty (581–618).

• 

  A gilt bronze lamp with a shutter, in the shape of a maidservant, from the Western Han Dynasty, 2nd century BC

• 

  Two gentlemen engrossed in conversation while two others look on, a painting on a ceramic tile from a tomb near Luoyang, Henan province, dated to the Eastern Han Dynasty (25–220 AD)

Period of division (220–581)[link]

Part of the scroll for Admonitions of the Instructress to the Palace Ladies, probably a Tang Dynasty copy of the original by Gu Kaizhi

Influence of Buddhism[link]

Buddhism arrived in China around the 1st century AD (although there are some traditions about a monk visiting China during Asoka's reign), and through to the 8th century it became very active and creative in the development of Buddhist art, particularly in the area of statuary. Receiving this distant religion, China soon incorporated strong Chinese traits in its artistic expression.

In the fifth to sixth century the Northern Dynasties, rather removed from the original sources of inspiration, tended to develop rather symbolic and abstract modes of representation, with schematic lines. Their style is also said to be solemn and majestic. The lack of corporeality of this art, and its distance from the original Buddhist objective of expressing the pure ideal of enlightenment in an accessible, realistic manner, progressively led to a research towards more naturalism and realism, leading to the expression of Tang Buddhist art.

Calligraphy[link]

In ancient China, painting and calligraphy were the most highly appreciated arts in court circles and were produced almost exclusively by amateurs, aristocrats and scholar-officials who alone had the leisure to perfect the technique and sensibility necessary for great brushwork. Calligraphy was thought to be the highest and purest form of painting. The implements were the brush pen, made of animal hair, and black inks, made from pine soot and animal glue. Writing as well as painting was done on silk. But after the invention of paper in the 1st century, silk was gradually replaced by the new and cheaper material. Original writings by famous calligraphers have been greatly valued throughout China's history and are mounted on scrolls and hung on walls in the same way that paintings are.

Wang Xizhi was a famous Chinese calligrapher who lived in the 4th century AD. His most famous work is the Lanting Xu, the preface of a collection of poems written by a number of poets when gathering at Lan Ting near the town of Shaoxing in Zhejiang province and engaging in a game called "qu shui liu shang".

Wei Shuo was a well-known calligrapher of Eastern Jin Dynasty who established consequential rules about the Regular Script. Her well-known works include Famous Concubine Inscription (名姬帖 Ming Ji Tie) and The Inscription of Wei-shi He'nan (衛氏和南帖 Wei-shi He'nan Tie).

Painting[link]

Gu Kaizhi is a celebrated painter of ancient China born in Wuxi. He wrote three books about painting theory: On Painting (画论), Introduction of Famous Paintings of Wei and Jin Dynasties (魏晋胜流画赞) and Painting Yuntai Mountain (画云台山记). He wrote, "In figure paintings the clothes and the appearances were not very important. The eyes were the spirit and the decisive factor."

Three of Gu's paintings still survive today. They are "Admonitions of the Instructress to the Court Ladies", "Nymph of the Luo River" (洛神赋), and "Wise and Benevolent Women".

There are other examples of Jin Dynasty painting from tombs. This includes the Seven Sages of the Bamboo Grove, painted on a brick wall of a tomb located near modern Nanjing and now found in the Shaanxi Provincial Museum. Each of the figures are labeled and shown either drinking, writing, or playing a musical instrument. Other tomb paintings also depict scenes of daily life, such as men plowing fields with teams of oxen.

• 

  Seven Sages of the Bamboo Grove, an Eastern Jin tomb painting from Nanjing, now located in the Shaanxi Provincial Museum.

• 

  Northern Wei wall murals and painted figurines from the Yungang Grottoes, dated 5th to 6th centuries.

• 

  A scene of two horseback riders from a wall painting in the tomb of Lou Rui at Taiyuan, Shanxi, Northern Qi Dynasty (550–577)

The Sui and Tang dynasties (581–960)[link]

Strolling About in Spring, by Zhan Ziqian, artist of the Sui Dynasty (581–618).

A Chinese Tang Dynasty tri-color glazed porcelain horse (ca. 700 CE), using yellow, green and white colors.

Buddhist architecture and sculpture[link]

Following a transition under the Sui Dynasty, Buddhist sculpture of the Tang evolved towards a markedly lifelike expression. As a consequence of the Dynasty's openness to foreign trade and influences through the Silk Road, Tang dynasty Buddhist sculpture assumed a rather classical form, inspired by the Greco-Buddhist art of Central Asia.

However, foreign influences came to be negatively perceived towards the end of the Tang dynasty. In the year 845, the Tang emperor Wu-Tsung outlawed all "foreign" religions (including Christian Nestorianism, Zoroastrianism and Buddhism) in order to support the indigenous Taoism. He confiscated Buddhist possessions and forced the faith to go underground, therefore affecting the ulterior development of the religion and its arts in China.

Most wooden Tang sculptures have not survived, though representations of the Tang international style can still be seen in Nara, Japan. The longevity of stone sculpture has proved much greater. Some of the finest examples can be seen at Longmen, near Luoyang, Yungang near Datong, and Bingling Temple, in Gansu.

One of the most famous Buddhist Chinese pagodas is the Giant Wild Goose Pagoda, built in 652 AD.

• 

  A Man Herding Horses, by Han Gan (706–783 AD), Tang Dynasty original.

• 

  Tang Dynasty painting from Dunhuang.

Painting[link]

Painting by Dong Yuan (c. 934–962).

Beginning in the Tang dynasty (618–907), the primary subject matter of painting was the landscape, known as shanshui (mountain water) painting. In these landscapes, usually monochromatic and sparse, the purpose was not to reproduce exactly the appearance of nature but rather to grasp an emotion or atmosphere so as to catch the "rhythm" of nature.

Painting in the traditional style involved essentially the same techniques as calligraphy and was done with a brush dipped in black or colored ink; oils were not used. As with calligraphy, the most popular materials on which paintings were made were paper and silk. The finished works were then mounted on scrolls, which could be hung or rolled up. Traditional painting was also done in albums, on walls, lacquer work, and in other media.

Dong Yuan was an active painter in the Southern Tang Kingdom. He was known for both figure and landscape paintings, and exemplified the elegant style which would become the standard for brush painting in China over the next 900 years. As with many artists in China, his profession was as an official where he studied the existing styles of Li Sixun and Wang Wei. However, he added to the number of techniques, including more sophisticated perspective, use of pointillism and crosshatching to build up vivid effect.

Zhan Ziqian was a painter during the Sui Dynasty. His only painting in existence is Strolling About In Spring arranged mountains perspectively. Because the first pure scenery paintings of Europe emerged after the 17th century, Strolling About In Spring may well be the first scenery painting of the world.

The Song and Yuan dynasties (960–1368)[link]

A wooden Bodhisattva from the Song Dynasty (960–1279 AD)

The Sakyamuni Buddha, by Zhang Shengwen, 1173–1176 AD, Song Dynasty period.

Song painting[link]

During the Song dynasty (960–1279), landscapes of more subtle expression appeared; immeasurable distances were conveyed through the use of blurred outlines, mountain contours disappearing into the mist, and impressionistic treatment of natural phenomena. Emphasis was placed on the spiritual qualities of the painting and on the ability of the artist to reveal the inner harmony of man and nature, as perceived according to Taoist and Buddhist concepts.

Liang Kai was a Chinese painter who lived in the 13th century (Song Dynasty). He called himself "Madman Liang," and he spent his life drinking and painting. Eventually, he retired and became a Zen monk. Liang is credited with inventing the Zen school of Chinese art. Wen Tong was a painter who lived in the 11th century. He was famous for ink paintings of bamboo. He could hold two brushes in one hand and paint two different distanced bamboos simultaneously. He did not need to see the bamboo while he painted them because he had seen a lot of them.

Zhang Zeduan was a notable painter for his horizontal Along the River During Qingming Festival landscape and cityscape painting. It has been quoted as "China's Mona Lisa" and has had many well-known remakes throughout Chinese history.^[2] Other famous paintings include The Night Revels of Han Xizai, originally painted by the Southern Tang artist Gu Hongzhong in the 10th century, while the well-known version of his painting is a 12th century remake of the Song Dynasty. This is a large horizontal handscroll of a domestic scene showing men of the gentry class being entertained by musicians and dancers while enjoying food, beverage, and wash basins provided by maidservants. In 2000, the modern artist Wang Qingsong created a parody of this painting with a long, horizontal photograph of people in modern clothing making similar facial expressions, poses, and hand gestures as the original painting.

• 

  Song Dynasty ding-ware porcelain bottle with iron pigment under a transparent colorless glaze, 11th century.

• 

  Playing Children, by Song artist Su Hanchen, c. 1150 AD.

Yuan painting[link]

With the fall of the Song dynasty in 1279, and the subsequent dislocation caused by the establishment of the Yuan dynasty by the Mongol conquerors, many court and literary artists retreated from social life, and returned to nature, through landscape paintings, and by renewing the "blue and green" style of the Tang era.^[3]

Wang Meng was one such painter, and one of his most famous works is the Forest Grotto. Zhao Mengfu was a Chinese scholar, painter and calligrapher during the Yuan Dynasty. His rejection of the refined, gentle brushwork of his era in favor of the cruder style of the 8th century is considered to have brought about a revolution that created the modern Chinese landscape painting. There was also the vivid and detailed works of art by Qian Xuan (1235–1305), who had served the Song court, and out of patriotism refused to serve the Mongols, instead turning to painting. He was also famous for reviving and reproducing a more Tang Dynasty style of painting.

The later Yuan dynasty is characterized by the work of the so-called "Four Great Masters". The most notable of these was Huang Gongwang (1269–1354) whose cool and restrained landscapes were admired by contemporaries, and by the Chinese literati painters of later centuries. Another of great influence was Ni Zan (1301–1374), who frequently arranged his compositions with a strong and distinct foreground and background, but left the middle-ground as an empty expanse. This scheme was frequently to be adopted by later Ming and Qing dynasty painters.^[3]

Late imperial China (1368–1911)[link]

Detail of Dragon Throne used by the Qianlong Emperor of China, Forbidden City, Qing Dynasty. Artifact circulating in U.S. museums on loan from Beijing.

Ming painting[link]

Peach Festival of the Queen Mother of the West, early 17th century, Ming Dynasty.

Chinese painting from 1664 by the Qing Dynasty painter, Kun Can

Under the Ming dynasty, Chinese culture bloomed. Narrative painting, with a wider color range and a much busier composition than the Song paintings, was immensely popular during the time.

Wen Zhengming (1470–1559) developed the style of the Wu school in Suzhou, which dominated Chinese painting during the 16th century.^[4]

European culture began to make an impact on Chinese art during this period. The Jesuit priest Matteo Ricci visited Nanjing with many Western artworks, which were influential in showing different techniques of perspective and shading.^[5]

Early Qing painting[link]

The Yongzheng Emperor Enjoying Himself During the 8th Lunar Month, by anonymous court artists, 1723–1735 AD, Palace Museum, Beijing, showing the use of linear perspective.

The early Qing dynasty developed in two main strands: the Orthodox school, and the Individualist painters, both of which followed the theories of Dong Qichang, but emphasizing very different aspects.^[6]

The "Four Wangs", including Wang Jian (1598–1677) and Wang Shimin (1592–1680), were particularly renowned in the Orthodox school, and sought inspiration in recreating the past styles, especially the technical skills in brushstrokes and calligraphy of ancient masters. The younger Wang Yuanqi (1642–1715) ritualized the approach of engaging with and drawing inspiration from a work of an ancient master. His own works were often annotated with his theories of how his painting relates to the master's model.^[7]

The Individualist painters included Bada Shanren (1626–1705) and Shitao (1641–1707). They drew more from the revolutionary ideas of transcending the tradition to achieve an original individualistic styles; in this way they were more faithfully following the way of Dong Qichang than the Orthodox school (who were his official direct followers.)^[8]

As the techniques of color printing were perfected, illustrated manuals on the art of painting began to be published. Jieziyuan Huazhuan (Manual of the Mustard Seed Garden), a five-volume work first published in 1679, has been in use as a technical textbook for artists and students ever since.

Late Qing Art[link]

Nianhua were a form of colored woodlblock prints in China, depicting images for decoration during the Chinese New Year. In the 19th century Nianhua were used as news mediums.

Shanghai School[link]

The Shanghai School (海上画派 Haishang Huapai or 海派 Haipai) is a very important Chinese school of traditional arts during the Qing Dynasty and the whole of the 20th century. Under efforts of masters from this school, traditional Chinese art reached another climax and continued to the present in forms of "Chinese painting" (中国画), or guohua (国画) for short. The Shanghai School challenged and broke the literati tradition of Chinese art, while also paying technical homage to the ancient masters and improving on existing traditional techniques. Members of this school were themselves educated literati who had come to question their very status and the purpose of art, and had anticipated the impending modernization of Chinese society. In an era of rapid social change, works from the Shanghai School were widely innovative and diverse, and often contained thoughtful yet subtle social commentary. The most well-known figures from this school are Ren Xiong (任熊), Ren Yi (任伯年, also known as Ren Bonian), Zhao Zhiqian (赵之谦), Wu Changshuo (吴昌硕), Sha Menghai (沙孟海, calligraphist), Pan Tianshou (潘天寿), Fu Baoshi (傅抱石). Other well-known painters are: Wang Zhen, XuGu, Zhang Xiong, Hu Yuan, and Yang Borun.

New China art (1912–1949)[link]

Transformation[link]

With the end of the last dynasty in China, the New Culture Movement began and defied all facets of traditionalism. A new breed of 20th century cultural philosophers like Xiao Youmei, Cai Yuanpei, Feng Zikai and Wang Guangqi wanted Chinese culture to modernize and reflect the New China. The Chinese Civil War would cause a drastic split between the Kuomintang and the Communist Party of China. Following was the Second Sino-Japanese War in particular the Battle of Shanghai would leave the major cultural art center borderline to a humanitarian crisis.

Painting[link]

Ong Schan Tchow (1900–1945), artist and friend of Cai Yuanpei accomplished the subtle integration of Western art techniques and perspectives into traditional Chinese painting. Ong was one of the first few batches of Chinese scholars and artists who studied in France in the early 20th Century.

Western style oil painting was introduced to China by painters such as Xiao Tao Sheng.

Communist and socialist art (1950-1980s)[link]

Selective art decline[link]

The Communist Party of China would have full control of the government with Mao Zedong heading the People's Republic of China. If the art was presented in a manner that favored the government, the artists were heavily promoted. Vice versa, any clash with communist party beliefs would force the artists to become farmers via "re-education" processes under the regime. The peak era of governmental control came under the Cultural Revolution. The most notable event was the Destruction of the Four Olds, which had major consequences for pottery, paintings, literary art, architecture and countless others.

Painting[link]

Artists were encouraged to employ socialist realism. Some Soviet Union socialist realism was imported without modification, and painters were assigned subjects and expected to mass-produce paintings. This regimen was considerably relaxed in 1953, and after the Hundred Flowers Campaign of 1956–57, traditional Chinese painting experienced a significant revival. Along with these developments in professional art circles, there was a proliferation of peasant art depicting everyday life in the rural areas on wall murals and in open-air painting exhibitions. Notable modern Chinese painters include Huang Binhong, Qi Baishi, Xu Beihong, Chang Ta Chien, Pan Tianshou, Wu Changshi, Fu Baoshi, Wang Kangle and Zhang Chongren.

Redevelopment (Mid-1980s – 1990s)[link]

Contemporary Art[link]

Contemporary Chinese art (中国当代艺术, Zhongguo Dangdai Yishu) often referred to as Chinese avant-garde art, continued to develop since the 1980s as an outgrowth of modern art developments post-Cultural Revolution. Contemporary Chinese art fully incorporates painting, film, video, photography, and performance. Until recently, art exhibitions deemed controversial have been routinely shut down by police, and performance artists in particular faced the threat of arrest in the early 1990s. More recently there has been greater tolerance by the Chinese government, though many internationally acclaimed artists are still restricted from media exposure at home or have exhibitions ordered closed. Leading contemporary visual artists include Ai Weiwei, Cai Guoqiang, Cai Xin, Fang Lijun, Huang Yan, Huang Yong Ping, Kong Bai Ji, Lu Shengzhong, Ma Liuming, Ma Qingyun, Qiu Shihua, Song Dong, Li Wei, Christine Wang, Wang Guangyi, Wang Qingsong, Wenda Gu, Xu Bing, Yang Zhichao, Zhan Wang, Zheng Lianjie, Zhang Dali, Zhang Xiaogang, Zhang Huan, Zhu Yu, Yan Lei, Ma Kelu, Ding Fang, Shang Yang, Wei, Ligang (modern calligraphist), Yue Min Jun, Zheng Fan Zhi, Liu Fengzhi, and Zhang Yue.

Visual art[link]

Beginning in the late 1980s there was unprecedented exposure for younger Chinese visual artists in the west to some degree through the agency of curators based outside the country such as Hou Hanru. Local curators within the country such as Gao Minglu and critics such as Li Xianting (栗宪庭) reinforced this promotion of particular brands of painting that had recently emerged, while also spreading the idea of art as a strong social force within Chinese culture. There was some controversy as critics identified these imprecise representations of contemporary Chinese art as having been constructed out of personal preferences, a kind of programmatized artist-curator relationship that only further alienated the majority of the avant-garde from Chinese officialdom and western art market patronage.

Art market[link]

Today, the market for Chinese art, both antique and contemporary, is widely reported to be among the hottest and fastest-growing in the world, attracting buyers all over the world.^[9][10][11] The Voice of America reported in 2006 that modern Chinese art is raking in record prices both internationally and in domestic markets, some experts even fearing the market might be overheating.^[12] The Economist reported that Chinese art has become the latest darling in the world market according to the record sales from Sotheby's and Christie's, the biggest fine-art auction houses.^[13] The International Herald Tribune reported that Chinese porcelains were fought over in the art market as "if there was no tomorrow".^[14] Contemporary Chinese art also saw record sales throughout the 2000s. In 2007, it was estimated that 5 of the world's 10 best selling living artists at art auction were from China, with artists such as Zhang Xiaogang whose works were sold for a total of $56.8 million at auction in 2007.^[15] In terms of buying-market, China overtook France in late 2000s as the world's third-largest art market, after the United States and the United Kingdom, due to the growing middle-class in the country.^[16][17] Sotheby's noted that contemporary Chinese art has rapidly changed the contemporary Asian art world into one of the most dynamic sectors on the international art market.^[18] During the global economic crisis, the contemporary Asian art market and the contemporary Chinese art market experienced a slow down in late 2008.^[19][20] The market for Contemporary Chinese and Asian art saw a major revival in late 2009 with record level sales at Christie's.^[21] For centuries largely made-up of European and American buyers, the international buying market for Chinese art has also began to be dominated by Chinese dealers and collectors in recent years.^[22] In was reported in 2011, China has became the world's second biggest market for art and antiques, accounting for 23 percent of the world's total art market, behind the United States (which accounts for 34 percent of the world's art market).^[23]

One of the areas that has revived art concentration and also commercialized the industry is the 798 Art District in Dashanzi of Beijing. The artist Zhang Xiaogang sold a 1993 painting for US$ 2.3 million in 2006, which included blank faced Chinese families from the Cultural Revolution era,^[24] while Yue Minjun's work Execution in 2007 was sold for a then record of nearly $6 million at Sotheby's.^[25] Collectors including Stanley Ho, the owner of the Macau Casinos, hedge fund manager Christopher Tsai, and casino developer Stephen Wynn, would capitalize on the art trends. Items such as Ming Dynasty vases and assorted Imperial pieces were auctioned off.

Other art works produced in China or Hong Kong were sold in places such as Christie's including a Chinese porcelain piece with the mark of Emperor Qianlong sold for HKD $ $151.3 million. A 1964 painting "All the Mountains Blanketed in Red" was sold for HKD $35 million. Auctions were also held at Sotheby's where Xu Beihong's 1939 masterpiece "Put Down Your Whip" sold for HKD $72 million.^[26] The industry is not limited to fine arts, as many other types of contemporary pieces were also sold. In 2000, a number of Chinese artists were included in Documenta and the Venice Biennale of 2003. China now has its own major contemporary art showcase with the Venice Biennale. Fuck Off was a notorious art exhibition which ran alongside the Shanghai Biennial Festival in 2000 and was curated by independent curator Feng Boyi and contemporary artist Ai Weiwei.

Museums[link]

• Palace Museum (Forbidden City, Beijing)
• National Palace Museum (Taipei, Taiwan)

See also[link]

• Four Olds
• Eastern art history
• History of China
• Chinese painting
• Along the River During Qingming Festival
• 798 Art Zone
• Chinese ceramics

Notes[link]

References[link]

• Edmund Capon and Mae Anna Pang, Chinese Paintings of the Ming and Qing Dynasties, Catalogue, 1981, International Cultural Corporation of Australia Ltd.
• Chinese Paintings
• MSN Encarta (Archived 2009-10-31)
• The Columbia Electronic Encyclopedia
• SHiNE Art Space Gallery

Further reading[link]

Wikimedia Commons has media related to: Art of China

• Barnhart, Richard M., et al. Three Thousand Years of Chinese Painting. Wadsworth Atheneum Museum of Art: 2002. ISBN 0-300-09447-7.
• Chi, Lillian, et al. A Dictionary of Chinese Ceramics. Sun Tree Publishing: 2003. ISBN 981-04-6023-6.
• Clunas, Craig. Art in China. Oxford University Press: 1997. ISBN 0-19-284207-2.
• Gowers, David, et al. Chinese Jade from the Neolithic to the Qing. Art Media Resources: 2002. ISBN 1-58886-033-7.
• Ebrey, Patricia, et al. Taoism and the Arts of China. University of California Press: 2000. ISBN 0-520-22784-0.
• Harper, Prudence Oliver. China: Dawn Of A Golden Age (200–750 AD). Yale University Press: 2004. ISBN 0-300-10487-1.
• Mascarelli, Gloria, and Robert Mascarelli. The Ceramics of China: 5000 BC to 1900 AD. Schiffer Publishing: 2003. ISBN 0-7643-1843-8.
• Sturman, Peter Charles. Mi Fu: Style and the Art of Calligraphy in Northern Song China. Yale University Press: 2004. ISBN 0-300-10487-1.
• Sullivan, Michael. The Arts of China. Fourth edition. University of California Press: 2000. ISBN 0-520-21877-9.
• Tregear, Mary. Chinese Art. Thames & Hudson: 1997. ISBN 0-500-20299-0.
• Watson, William. The Arts of China to AD 900. Yale University Press: 1995. ISBN 0-300-05989-2.
• S. Diglio, Urban Development and Historic Heritage Protection in Shanghai, in Fabio Maniscalco ed., "Web Journal on Cultural Patrimony", 1, 2006

External links[link]

• Galleries of Chinese artworks at China Online Museum
• Art History of Chinese calligraphy, painting, and seal making
• China the Beautiful – Chinese Art and Literature Introductions & art classics texts
• Gallery of China – Traditional Chinese Art Essay on Chinese art from neolithic to communist times
• Fine Chinese Art And Chinese Painting The Chinese Ancient Paintings

Fu Baoshi (Chinese: 傅抱石), or Fu Pao-Shih, (1904-1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.

He was the Director of the Jiangsu Province Chinese Painting School and a Vice-Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China and has won favourable comments.

Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.

Art historian[link]

Fu baoshi in the 1960s

Fu wrote numerous fine arts theses, the earliest of which, "On the Evolution of Chinese Paintings", was written at the age of 25. He also carried out in-depth research into the history of landscape painting at the end of the 4th century BC, including the works of Gu Kaizhi of the Eastern Jin Dynasty (317-420), Zhan Ziqian of the Sui Dynasty (581-618) and Jing Hao of the Five Dynasties Period (907-960), as well as Wu Daozi, Li Sixun, Li Zhaodao and Zhang Yanyuan of the Tang Dynasty (618-907). He worked very hard to imitate paintings by Gao Kegong and Ni Zan of the Yuan Dynasty (1271-1368) Chen Hongshou of the Ming Dynasty (1368-1644), and Cheng Sui, Kun Can, Zha Shibiao, Gong Xian, Mei Qing, Wui Li, Yun Shouping and Shi Tao of the Qing Dynasty (1644-1911), finally becoming one of the master painters of his age. In this capacity he succeeded Huang Binhong, who had created a new style of landscape painting called "Baoshi wrinkle" basing on the cattle-hair wrinkle of Wang Meng of the Yuan Dynasty.

Painter[link]

As well as painting landscapes, Fu Baoshi was also an accomplished painter of figures. His paintings of ancient Chinese figures from the 3rd and 4th centuries BC are particularly acclaimed.

As a leader of the so-called New Chinese Painting Movement, which reformed traditional Chinese painting after 1949, Fu stood out from most of his contemporaries with his great passion for art, and his innovative brushwork and unique picture composition.

Fu's reforms were followed by a group of artists in Nanjing where he then lived. He was recognized as the founder of the Nanjing-based New Jinling School of Fine Arts. The school included such important artists as Chen Zhifo (1896-1962), Qian Songyan (1898-1985), Song Wenzhi (1919-1999), Wei Zixi (1915-2003) and Ya Ming (1924-2002).

Fu Baoshi was a great admirer of Shi Tao and, at the age of 18, changed his name to "Bao Shi" - meaning embracing "Shi Tao". He even wrote a chronicle of Shi Tao, recording his life experiences and social activities as well as his art creations. Fu Baoshi admitted that he was obsessed with the study of Shi Tao's painting.

Family lineage[link]

Father: Fu De-Tai 傅德泰 Wife: Luo Shi-Hui 羅時慧

Eldest Son: Fu Xiao-Shi 傅小石 Second Son: Fu Er-Shi 傅二石

Eldest Daughter: Fu Yi-Shan 傅益珊 Second Daughter: Fu Yi-Xuan (Fu Yick Suen) 傅益璇 Third Daughter: Fu Yi-Yao 傅益瑤 Youngest Daughter: Fu Yi-Yu 傅益玉

Granddaughter: Fu Shan-shan 傅珊珊 Jenny Pat 傅蕾蕾

Bibliography[link]

Fu Baoshi. Zhongguo Shuhua Lilun (Theories of Chinese Paintings). The Commercial Press, 1935.

Fu Baoshi. Shitao Shangren Nianpu (Chronological Biography of Shitao). Beijing and Shanghai Weekly P., 1948.

Fu Boashi. Zhongguo de Renwu Hua He Shanshui Hua (Chinese Figural and Landscape Paintings). Shanghai Cultural Publishing House, 1955.

Fu Baoshi. Zhongguo de Huihua (Chinese Paintings). China Classical Art Publishing House, 1958.

Fu Baoshi. Xiandai Zhongguo Hua (Modern Chinese Paintings). Beijing: People's Fine Art Publishing House, 1961.

Fu Baoshi and Guan Shanyuan et al. Meishu Yiwgadai Jinyantan (Speaking from Experience of Art Creation). Shanghai People's Fine Art Publishing House, 1961.

Fu Baoshi. Shan He Xin Mao (New Appearances of Mountains and Rivers). Nanjing: Jiangsu People's Publishing House, 1962.

Fu Baoshi. Guohua Shanshui Jiexi (Explanations of Chinese Landscape Paintings). Taipei: Taiwan Tiantong Publishing House, 1973.

Zhao Puchu. Paintings and Calligraphy of Jinling. Nanjing: Jinling Shuhuashe, 1981.

Fu Baoshi Shuxie Ji (Fu Baoshi's Sketches Collection). Nanjing: Jiangsu Fine Art Publishing House, 1985.

Hui Laiping ed.. Complete Collection of Han Mo Magazine. Hong Kong: Han Mo Xuan Publishing Co. Ltd., 1990 - 2006.

Jiangxi Provincial Historical Records Research Committee, Xinyu Municipal Historical Records Research Committee ed.. Fu Baoshi - Jiangxi Historical Records Vol. 44. Xinyu: Jiangxi People's Publishing House, 1992.

Gao Yuzhen ed.. Paintings by Fu Pao-Shih. Taipei: National Museum of History, 1994.

Chen Chuanxi. China Famous Painters Collection—Fu Baoshi. Shijiazhuang: Hebei Educational Publishing House, 2000.

Chen Chuanxi. Chinese Famous Paintiners - Fu Baoshi. Hebei Educational Publishing House, 2000.

Ye Zonghao. Collection of Fu Baoshi Art Essays. Shanghai Rarebooks Publishing House, 2003.

Ye Zonghao. Chronological Biography of Fu Baoshi. Shanghai Rarebooks Publishing House, 2004.

Fu Baoshi Memorial. Qi Ming Wei Xin - Collection of Fu Baoshi Centennial Memorial Essays. Zhengzhou: Henan Fine Art Publishign House, 2004.

Qi Ming Wei Xin - Fu Baoshi Centennial Memorial. Exhibition of Private Collection of Fu Baoshi's Works, 2004.

Ye Zonghao. The World of Fu Baoshi. Taipei: Shi Zh Tang Publishing Co. Ltd., 2004.

See also[link]

• Fu Baoshi Memorial Food Court

External links[link]

• Fu Baoshi and his Painting Gallery at China Online Museum
• China Culture Introduction on Fu Baoshi
• Fu Baoshi Article at Artcyclopedia
• Fu Baoshi on Artnet

Coordinates: 22°16′42″N 114°09′32″E / 22.27833°N 114.15889°E / 22.27833; 114.15889

Hong Kong Special Administrative Region of the People's Republic of China[note 1] 中華人民共和國香港特別行政區
Flag Emblem
Anthem: March of the Volunteers 《義勇軍進行曲》
View at night from Victoria Peak
Official language(s)		Chinese, English[note 2]
Spoken languages		Cantonese, English
Writing systems		Traditional Chinese, English alphabet
Demonym		Hong Konger
Government		Special Administrative Region of the People's Republic of China
-	Chief Executive	Donald Tsang
-	Chief Executive-elect	CY Leung
-	Chief Justice	Geoffrey Ma
-	President of the Legislative Council	Jasper Tsang
Legislature		Legislative Council
Establishment
-	Treaty of Nanking	29 August 1842
-	Japanese occupation	25 December 1941 – 15 August 1945
-	Conveyance from British sovereignty to Chinese sovereignty	1 July 1997
Area
-	Total	1,104 km2 (179th) 426 sq mi
-	Water (%)	4.58 (50 km²; 19 mi²)[3]
Population
-	2010 census	7,061,200[4]
-	Density	6,480[5]/km2 (4th) 16,576/sq mi
GDP (PPP)		2011 estimate
-	Total	$351.119 billion[6]
-	Per capita	$49,137[6]
GDP (nominal)		2011 estimate
-	Total	$243.302 billion[6]
-	Per capita	$34,049[6]
Gini (2007)		43.4[7]
HDI (2011)		0.898[8] (very high) (13th)
Currency		Hong Kong dollar (HKD)
Time zone		HKT (UTC+8)
Date formats		yyyy年m月d日 (Chinese) dd-mm-yyyy (English)
Drives on the		left
ISO 3166 code		HK
Internet TLD		.hk and .香港
Calling code		+852

Hong Kong
Chinese	香港
Cantonese Jyutping	Hoeng1gong2
Cantonese Yale	Hēunggóng
Hanyu Pinyin	Xiānggǎng
Literal meaning	Fragrant harbour
Transcriptions Hakka - Romanization Hiông-kóng Mandarin - Hanyu Pinyin Xiānggǎng - Wade–Giles Hsiang1-kang3 - IPA [ɕjáŋkàŋ] Min - Hokkien POJ Hiong-kang Wu - Romanization shian平kaon上 Cantonese (Yue) - Jyutping Hoeng1gong2 - IPA [hœ̂ːŋkɔ̌ːŋ] - Yale Romanization Hēunggóng
Hong Kong Special Administrative Region
Traditional Chinese	香港特別行政區 (or 香港特區)
Simplified Chinese	香港特别行政区 (or 香港特区)
Transcriptions Hakka - Romanization Hiông-kóng Thi̍t-phe̍t Hàng-tsṳn-khî Mandarin - Hanyu Pinyin Xiānggǎng Tèbié Xíngzhèngqū Min - Hokkien POJ Hiong-kang Te̍k-pia̍t Hêng-chèng-khu Wu - Romanization shian平kaon上 deh入bih入 ghan平tsen去chiu平 Cantonese (Yue) - Jyutping Hoeng1gong2 Dak6bit6 Hang4zing3 Keoi1

This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

Full view of Kowloon and Hong Kong. The old Kai Tak Airport can be seen on the left.

The Lei Cheng Uk Han Tomb Museum located in northwest Kowloon was built in 1969 after the tomb's discovery in 1955.

Hong Kong^{[note 3]} (Chinese: 香港) is one of two special administrative regions (SARs) of the People's Republic of China (PRC), the other being Macau. A city-state^[9] situated on China's south coast and enclosed by the Pearl River Delta and South China Sea,^[10] it is known for its expansive skyline and deep natural harbour. With a land mass of 1,104 km² (426 sq mi) and a population of seven million people, Hong Kong is one of the most densely populated areas in the world.^[11] Hong Kong's population is 95 percent ethnic Chinese and 5 percent from other groups.^[12] Hong Kong's Han Chinese majority originate mainly from the cities of Guangzhou and Taishan in the neighbouring Guangdong province.^[13]

Hong Kong became a colony of the British Empire after the First Opium War (1839–42). Originally confined to Hong Kong Island, the colony's boundaries were extended in stages to the Kowloon Peninsula in 1860 and then the New Territories in 1898. It was occupied by Japan during the Pacific War, after which the British resumed control until 1997, when China resumed sovereignty.^[14][15] The region espoused minimum government intervention under the ethos of positive non-interventionism during the colonial era.^[16] The time period greatly influenced the current culture of Hong Kong, often described as "East meets West",^[17] and the educational system, which used to loosely follow the system in England^[18] until reforms implemented in 2009.^[19]

Under the principle of "one country, two systems", Hong Kong has a different political system from mainland China.^[20] Hong Kong's independent judiciary functions under the common law framework.^[21][22] Hong Kong Basic Law, its constitutional document, stipulates that Hong Kong shall have a "high degree of autonomy" in all matters except foreign relations and military defence, governs its political system.^[23][24] Although it has a burgeoning multi-party system, a small-circle electorate^{[clarification needed]} controls half of its legislature. The Chief Executive of Hong Kong, the head of government, is selected by a Selection Committee / Election Committee with 400 to 1200 members, during the first 20 years.^{[25] [26][27] [28]}

As one of the world's leading international financial centres, Hong Kong has a major capitalist service economy characterised by low taxation and free trade, and the currency, Hong Kong dollar, is the eighth most traded currency in the world.^[29] The lack of space caused demand for denser constructions, which developed the city to a centre for modern architecture and the world's most vertical city.^[30][31] Hong Kong has one of the highest per capita income in the world.^[6] The dense space also led to a highly developed transportation network with public transport travelling rate exceeding 90 percent,^[32] the highest in the world.^[33] Hong Kong has numerous high international rankings in various aspects. For instance, its economic freedom, financial and economic competitiveness, quality of life, corruption perception, Human Development Index, etc., are all ranked highly.^{[34][35][36][37][38][39][40]} According to both UN and WHO estimates, Hong Kong has the second longest life expectancy of any country in the world. ^[41][42]

Etymology[link]

The name "Hong Kong" is an approximate phonetic rendering of the pronunciation of the spoken Cantonese or Hakka name "香港", meaning "fragrant harbour".^[43] Before 1842, the name referred to a small inlet – now Aberdeen Harbour or 香港仔 hoeng¹ gong² zai² "Little Hong Kong" – between the Aberdeen Island and the south side of Hong Kong Island, which was one of the first points of contact between British sailors and local fishermen.^[44]

The reference to fragrance may refer to the harbour waters sweetened by the fresh water estuarine influx of the Pearl River, or to the incense from factories lining the coast to the north of Kowloon, which was stored around Aberdeen Harbour for export before the development of Victoria Harbour.^[43] In 1842, the Treaty of Nanking was signed, and the name Hong Kong was first recorded on official documents to encompass the entirety of the island.^[45]

History[link]

Pre-colonial[link]

Archaeological studies support a human presence in the Chek Lap Kok area from 35,000 to 39,000 years ago, and in Sai Kung Peninsula from 6,000 years ago.^[46][47][48] Wong Tei Tung and Three Fathoms Cove are the two earliest sites of human habitation in the Paleolithic period. It is believed the Three Fathom Cove was a river valley settlement and Wong Tei Tung was a lithic manufacturing site. Excavated Neolithic artefacts suggest cultural differences from the Longshan culture in northern China and settlement by the Che people prior to the migration of the Baiyue.^[49][50] Eight petroglyphs were discovered on surrounding islands, which dated to the Shang Dynasty in China.^[51]

In 214 BC, Qin Shi Huang, the first emperor of China, conquered the Baiyue tribes in Jiaozhi (modern Liangguang region) and incorporated the territory into imperial China for the first time. Modern Hong Kong is located in Nanhai commandery (modern Nanhai District) and near the ancient capital city Pun Yue.^[52][53][54] The area was consolidated under the kingdom of Nanyue, founded by general Zhao Tuo in 204 BC after the Qin Dynasty collapsed.^[55] When the kingdom was conquered by Emperor Wu of Han in 111 BC, the land was assigned to the Jiaozhi commandery under the Han Dynasty. Archaeological evidence indicates the population increased and early salt production flourished in this time period. Lei Cheng Uk Han Tomb in the Kowloon Peninsula is believed to have been built during the Han Dynasty.^[56]

During the Tang Dynasty period, the Guangdong region flourished as a regional trading center. In 736, Emperor Xuanzong of Tang established a military town in Tuen Mun to defend the coastal area in the region.^[57] The first village school, Li Ying College, was established around 1075 in the New Territories under the Northern Song Dynasty.^[58] During the Mongol invasion in 1276, the Southern Song Dynasty court moved to Fujian, then to Lantau Island and later to Sung Wong Toi (modern Kowloon City), but the child Emperor Bing of Song committed suicide by drowning with his officials after being defeated in the Battle of Yamen. Hau Wong, an official of the emperor is still worshipped in Hong Kong today.^[59]

The earliest recorded European visitor was Jorge Álvares, a Portuguese explorer who arrived in 1513.^[60][61] After establishing settlements in the region, Portuguese merchants began trading in southern China. At the same time, they invaded and built up military fortifications in Tuen Mun. Military clashes between China and Portugal led to the expulsion of the Portuguese. In the mid-16th century, the Haijin order banned maritime activities and prevented contact with foreigners; it also restricted local sea activity.^[59] In 1661–69, the territory was affected by the Great Clearance ordered by Kangxi Emperor, which required the evacuation of the coastal areas of Guangdong. It is recorded that about 16,000 persons from Xin'an County were driven inland, and 1,648 of those who left are said to have returned when the evacuation was rescinded in 1669.^[62] What is now the territory of Hong Kong became largely wasteland during the ban.^[63] In 1685, Kangxi became the first emperor to open limited trading with foreigners, which started with the Canton territory. He also imposed strict terms for trades such as requiring foreign traders to live in restricted areas, staying only for the trading seasons, banning firearms, and trading with silver only.^[64] The East India Company made the first sea venture to China in 1699, and the region's trade with British merchants developed rapidly soon after. In 1711, the company established its first trading post in Canton. By 1773, the British reached a landmark 1,000 chests of opium in Canton with China consuming 2,000 chests annually by 1799.^[64]

British colonial era[link]

• 

  Flag of the British colony of Hong Kong(used in between 1870-1876)

• 

  Flag of the British colony of Hong Kong(used in between 1876-1910)

• 

  Flag of the British colony of Hong Kong(used in between 1910-1959)

• 

  Flag of the British colony of Hong Kong (Unofficial Red ensign for Hong Kong used in between 1959 to prior the Handover of Hong Kong to the PRC in 1997)

General Post Office in Central,City of Victoria, 1911

The Queen's Pier in front of City Hall in Edinburgh Place.

Victoria City in the 1890s.

View of Hong Kong Island from Kowloon (published 1843)

In 1839, the refusal by Qing Dynasty authorities to import opium resulted in the First Opium War between China and Britain. Hong Kong Island was occupied by British forces on 20 January 1841 and was initially ceded under the Convention of Chuenpee as part of a ceasefire agreement between Captain Charles Elliot and Governor Qishan, but the agreement was never ratified due to a dispute between high ranking officials in both governments.^[65] It was not until 29 August 1842 that the island was formally ceded in perpetuity to the United Kingdom under the Treaty of Nanking. The British established a crown colony with the founding of Victoria City the following year.^[66]

Under British rule, the population of Hong Kong island had increased from 7,450 Chinese residents, mostly fishermen, in 1841 to over 115,000 Chinese and 8,754 Europeans in Hong Kong (including Kowloon) in 1870.^[67]

In 1860, after China's defeat in the Second Opium War, the Kowloon Peninsula and Stonecutter's Island were ceded in perpetuity to Britain under the Convention of Peking.

In 1894, the deadly Third Pandemic of bubonic plague spread from China to Hong Kong, causing 50,000–100,000 deaths.^[68]

In 1898, under the terms of the Convention for the Extension of Hong Kong Territory, Britain obtained a 99-year lease of Lantau Island and the adjacent northern lands, which became known as the New Territories.^[69] Hong Kong's territory has remained unchanged to the present.^[70][71]

During the first half of the 20th century, Hong Kong was a free port, serving as an entrepôt of the British Empire. The British introduced an education system based on their own model, while the local Chinese population had little contact with the European community of wealthy tai-pans settled near Victoria Peak.^[69]

Japanese invasion[link]

In conjunction with its military campaign, the Empire of Japan invaded Hong Kong on 8 December 1941.^[72] The Battle of Hong Kong ended with British and Canadian defenders surrendering control of the colony to Japan on 25 December.^[73] During the Japanese occupation of Hong Kong, civilians suffered widespread food shortages, rationing, and hyper-inflation due to forced exchange of currency for military notes. Through a policy of enforced repatriation of the unemployed to the mainland throughout the period, because of the scarcity of food, the population of Hong Kong had dwindled from 1.6 million in 1941 to 600,000 in 1945, when the United Kingdom resumed control of the colony.^[74]

Cold war era[link]

Granted by the College of Arms on 21 January 1959, the Blue Ensign colonial flag and coat of arms of Hong Kong were used by British Hong Kong during 1959–1997.

Hong Kong's population recovered quickly as a wave of migrants from China arrived for refuge from the ongoing Chinese Civil War. When the PRC was proclaimed in 1949, more migrants fled to Hong Kong for fear of persecution by the Communist Party.^[69] Many corporations in Shanghai and Guangzhou shifted their operations to Hong Kong.^[69]

In the 1950s, Hong Kong's rapid industrialization was driven by textile exports and other expanded manufacturing industries. As the population grew and labour costs remained low, living standards rose steadily. ^[75] The construction of Shek Kip Mei Estate in 1953 followed a massive slum fire, and marked the beginning of the public housing estate programme designed to cope with the huge influx of immigrants. Trade in Hong Kong accelerated even further when Shenzhen, immediately north of Hong Kong, became a special economic zone of the PRC, and Hong Kong was established as the main source of foreign investment in China.^[76] The manufacturing competitiveness gradually declined in Hong Kong due to the development of the manufacturing industry in southern China beginning in the early 1980s. By contrast, the service industry in Hong Kong experienced high rates of growth in the 1980s and 1990s after absorbing workers released from the manufacturing industry.^[77]

Development of Hong Kong Island in 1986

Throughout the British colonial era, Hong Kong was industrialized and improved in all aspects from its economy to its health care system. Many health facilities were built for its citizens, for example the Queen Elizabeth Hospital, Hong Kong, the Queen Mary Hospital, Hong Kong, the Princess Margaret Hospital, Hong Kong and the Prince of Wales Hospital. Many changes happened during this era shaped the future of Hong Kong. In the year 1983, when the United Kingdom reclassified Hong Kong from a British crown colony to a dependent territory, the governments of the United Kingdom and China were already discussing the issue of Hong Kong's sovereignty due to the impending expiry (within two decades) of the lease of the New Territories. In 1984, the Sino-British Joint Declaration – an agreement to transfer sovereignty to the People's Republic of China in 1997 – was signed.^[69] It stipulated that Hong Kong would be governed as a special administrative region, retaining its laws and a high degree of autonomy for at least 50 years after the transfer. The Hong Kong Basic Law, which is based on the English law would serve as the constitutional document after the transfer, was ratified in 1990.^[69]

Since 1997[link]

File:British new style passport.jpg

Left:Old British passports issued to Hong Kong citizens. Right:The British National (Overseas) passport issued to residents of Hong Kong prior 1997, holders are British nationals and Commonwealth citizens, but not British Citizens.

On 1 July 1997, the transfer of sovereignty from United Kingdom to the PRC occurred, officially ending 156 years of British colonial rule. Hong Kong became China's first special administrative region, and Tung Chee Hwa took office as the first Chief Executive of Hong Kong. That same year, Hong Kong suffered an economic double blow from the Asian financial crisis and the H5N1 avian influenza.^[69] In 2003, Hong Kong was gravely affected by the outbreak of severe acute respiratory syndrome (SARS).^[78][79] The World Health Organization reported 1,755 infected and 299 deaths in Hong Kong.^[80] An estimated 380 million Hong Kong dollars (US$48.9 million) in contracts were lost as a result of the epidemic.^[81]

On 10 March 2005, Tung Chee Hwa announced his resignation as Chief Executive due to "health problems".^[82] Donald Tsang, the Chief Secretary for Administration at the time, entered the 2005 election unopposed and became the second Chief Executive of Hong Kong on 21 June 2005.^[83] In 2007, Tsang won the Chief Executive election and continued his second term in office.^[84]

In 2009, Hong Kong hosted the fifth East Asian Games, in which nine national teams competed. It was the first and largest international multi-sport event ever held in the territory.^[85] Today, Hong Kong continues to serve as an important global financial centre, but faces uncertainty over its future due to the growing mainland China economy, and its relationship with the PRC government in areas such as democratic reform and universal suffrage.^[86]

Governance[link]

The Legislative Council Building in Central became the home to Legislative Council of Hong Kong in 1985.

In accordance with the Sino-British Joint Declaration, and the underlying principle of one country, two systems, Hong Kong has a "high degree of autonomy as a special administrative region in all areas except defence and foreign affairs."^{[note 4]} The declaration stipulates that the region maintain its capitalist economic system and guarantees the rights and freedoms of its people for at least 50 years beyond the 1997 handover.^{[note 5]} The guarantees over the territory's autonomy and the individual rights and freedoms are enshrined in a constitution, the Hong Kong Basic Law(formed based on the Common law of England), which outlines the system of governance of the Hong Kong Special Administrative Region, but which is subject to the interpretation of the Standing Committee of the National People's Congress (NPCSC).^[87][88]

The primary pillars of government are the Executive Council, the civil service, the Legislative Council, and the Judiciary. The Executive Council is headed by the Chief Executive who is elected by the Election Committee and then appointed by the Central People's Government.^[89][90] The civil service is a politically neutral body that implements policies and provides government services, where public servants are appointed based on meritocracy.^[26][91] The Legislative Council has 60 members, half of whom are directly elected by universal suffrage by permanent residents of Hong Kong according to five geographical constituencies. The other half, known as functional constituencies, are directly elected by a smaller electorate, which consists of corporate bodies and persons from various stipulated functional sectors. The entire council is headed by the President of the Legislative Council who serves as the speaker.^[92][93] Judges are appointed by the Chief Executive on the recommendation of an independent commission.^[21][94]

Government House is the official residence of the Chief Executive.

The implementation of the Basic Law, including how and when the universal suffrage promised therein is to be achieved, has been a major issue of political debate since the transfer of sovereignty. In 2002, the government's proposed anti-subversion bill pursuant to Article 23 of the Basic Law, which required the enactment of laws prohibiting acts of treason and subversion against the Chinese government, was met with fierce opposition, and eventually shelved.^[23][95][96] Debate between pro-Beijing groups, which tend to support the Executive branch, and the Pan-democracy camp characterises Hong Kong's political scene, with the latter supporting a faster pace of democratisation, and the principle of one man, one vote.^[97]

In 2004, the government failed to gain pan-democrat support to pass its so-called "district council model" for political reform.^[98] In 2009, the government reissued the proposals as the "Consultation Document on the Methods for Selecting the Chief Executive and for Forming the LegCo in 2012". The document proposed the enlargement of the Election Committee, Hong Kong's electoral college, from 800 members to 1,200 in 2012 and expansion of the legislature from 60 to 70 seats. The 10 new legislative seats would consist of five geographical constituency seats and five functional constituency seats, to be voted in by elected district council members from among themselves.^[99] The proposals were destined for rejection by pan-democrats once again, but a significant breakthrough occurred after the Central People's Government accepted a counter-proposal by the Democratic Party. In particular, the Pan-democracy camp was split when the proposal to directly elect five newly created functional seats was not acceptable to two constituent parties. The Democratic Party sided with the government for the first time since the handover and passed the proposals with a vote of 46–12.^[100]

Legal system and judiciary[link]

• 

  Statue of Themis on the Legislative Council Building.

• 

  The Court of Final Appeal in Central is the supreme court of Hong Kong.

Hong Kong's legal system is completely independent from the legal system of Mainland China. In contrast to mainland China's civil law system, Hong Kong continues to follow the English Common Law tradition established under British rule.^[101] Hong Kong's courts may refer to decisions rendered by courts of other common law jurisdictions as precedents,^[21][102] and judges from other common law jurisdictions are allowed to sit as non-permanent judges of the Court of Final Appeal.^[21][102]

Structurally, the court system consists of the Court of Final Appeal, the High Court, which is made up of the Court of Appeal and the Court of First Instance, and the District Court, which includes the Family Court.^[103] Other adjudicative bodies include the Lands Tribunal, the Magistrates' Courts, the Juvenile Court, the Coroner's Court, the Labour Tribunal, the Small Claims Tribunal, and the Obscene Articles Tribunal.^[103] Justices of the Court of Final Appeal are appointed by Hong Kong's Chief Executive.^[21][102]

The Department of Justice is responsible for handling legal matters for the government. Its responsibilities include providing legal advice, criminal prosecution, civil representation, legal and policy drafting and reform, and international legal cooperation between different jurisdictions.^[101] Apart from prosecuting criminal cases, lawyers of the Department of Justice act on behalf of the government in all civil and administrative lawsuits against the government.^[101] As protector of the public interest, the department may apply for judicial reviews and may intervene in any cases involving the greater public interest.^[104] The Basic Law protects the Department of Justice from any interference by the government when exercising its control over criminal prosecution.^[105][106]

Human rights[link]

Hong Kong 1 July march with British Hong Kong flag.

Hong Kong's Basic law is based on the English law and so in general, Hong Kong is perceived to enjoy a high level of civil liberties.^[107] The Hong Kong government generally respect the human rights of the citizens, although core issues remain.^[108] There are concerns over the freedom of assembly which is restricted by the Public Order Ordinance. The police has been occasionally accused of using heavy-handed tactics towards protestors^[109] and questions are asked towards the extensive powers of the police.^[110] As to the right of privacy, covert surveillance remains the major concern.^[111] There is a lack of protection for gay men and lesbians due to the absence of a sexual orientation discrimination law, though there are currently no laws that criminalize homosexuality per se.^[112] There are also comments regarding a lack of protection for labour rights.^[108]

Internet censorship in Hong Kong operates under different principles and regulations than under the rest of China.^[113]

Administrative districts[link]

 Statistics

New Territories
No.	District	Population[114]	Area[115]
1.	Islands	138,900	175.03 km2 (67.58 sq mi)
2.	Kwai Tsing	510,300	21.82 km2 (8.42 sq mi)
3.	North	287,700	137.31 km2 (53.02 sq mi)
4.	Sai Kung	407,300	136.39 km2 (52.66 sq mi)
5.	Sha Tin	606,700	69.46 km2 (26.82 sq mi)
6.	Tai Po	292,700	147.42 km2 (56.92 sq mi)
7.	Tsuen Wan	292,300	60.7 km2 (23.44 sq mi)
8.	Tuen Mun	493,800	84.45 km2 (32.61 sq mi)
9.	Yuen Long	533,300	138.43 km2 (53.45 sq mi)
Kowloon
No.	District	Population	Area
10.	Kowloon City	359,400	9.97 km2 (3.85 sq mi)
11.	Kwun Tong	579,400	11.05 km2 (4.27 sq mi)
12.	Sham Shui Po	365,600	9.48 km2 (3.66 sq mi)
13.	Wong Tai Sin	421,900	9.36 km2 (3.61 sq mi)
14.	Yau Tsim Mong	285,300	6.85 km2 (2.64 sq mi)
Hong Kong Island
No.	District	Population	Area
15.	Central and Western	253,100	12.52 km2 (4.83 sq mi)
16.	Eastern	588,700	18.81 km2 (7.26 sq mi)
17.	Southern	275,700	38.95 km2 (15.04 sq mi)
18.	Wan Chai	155,700	10.02 km2 (3.87 sq mi)

Hong Kong has a unitary system of government; no local government has existed since the two municipal councils were abolished in 2000. As such there is no formal definition for its cities and towns. Administratively, Hong Kong is subdivided into 18 geographic districts, each represented by a district council which advises the government on local matters such as public facilities, community programmes, cultural activities, and environmental improvements.^[116]

There are a total of 534 district council seats, 405 of which are elected; the rest are appointed by the Chief Executive and 27 ex officio chairmen of rural committees.^[116] The Home Affairs Department communicates government policies and plans to the public through the district offices.^[117]

Military[link]

• 

  Coat of Arms of the Royal Hong Kong Regiment(UK)

• Badge of the Royal Hong Kong Auxiliary Air Force.gif

  Royal Hong Kong Auxiliary Air Force(UK)

• HKMSC.jpg

  Hong Kong Military Service Corps(UK)

• 

  The Cenotaph of Hong Kong.Constructed in 1923 and located between Statue Square and the City Hall in Central, Hong Kong,[1] commemorates the dead in the First and Second World War[2] that served in Hong Kong in the Royal Navy, British Army and Royal Air Force.

When Hong Kong was a British colony and later, a dependent territory, defence was provided by the British military under the command of the Governor of Hong Kong who was ex officio Commander-in-chief.^[118] Most of the members of the British Forces in Hong Kong were from Britain but there were locally enlisted personnel (LEP) who served as regular British Forces members in the Hong Kong Squadron of the Royal Navy as well as the Hong Kong Military Service Corps. The Royal Hong Kong Regiment a military unit part of the Hong Kong Government, trained and organised along timelines of British Territorial Army and supported by British Army personnel holding key positions. These British Army personnel, for their duration of service to the Royal Hong Kong Regiment, are seconded to the Hong Kong Government. In the post-WWII era, the majority of the regiment's members have been local citizens of Chinese descent. The Hong Kong Military Service Corps maintained its reputation for loyalty and military skill at the highest level, often outshining British and Gurkha troops based in Hong Kong. The HKMSC Shooting Team won the Team and Individual champion pistol shot a number of times at RASAAM (the Regular Army Skill at Arms Meeting) at Bisley, in the UK, and in 1992 a Training Company team representing the HQ and Depot HKMSC won the Dragon Cup for military skills (outperforming the Queen's Gurkha Signals in signalling and the British Military Hospital team in first aid); the competition was not held again.

The HKMSC reached a peak strength of 1,200 men, providing the British garrison in Hong Kong with supporting personnel. All HKMSC soldiers were basically trained in Hong Kong and from time to time attended upgrading and trade courses in the United Kingdom. HKMSC soldiers who were posted to and served with other non-HKMSC units, wore the other units' cap badge. Unit personnel were enlisted as officers and drivers in 29 Squadron, Royal Corps of Transport (RCT) based in Gun Club Hill Barracks. It provided crews for 415 Maritime Troop based on Stonecutters' Island, dog handlers in the Defence Animal Support Unit (DASU) of the Royal Army Veterinary Corps (RAVC) based in Sek Kong, officer instructors in the Royal Army Educational Corps (RAEC), officers and clerks in the Royal Army Pay Corps (RAPC), technicians in the Royal Signals (R Sigs) of the Queen's Gurkha Signals (QGS) and engineers and armourers in the Royal Electrical and Mechanical Engineers (REME). The HKMC trained physical training instructors (PTI) in the Army Physical Training Corps (APTC), medics in the Royal Army Medical Corps (RAMC) based in the British Military Hospital (BMH), military police in the Royal Military Police (RMP), helicopter support crews in 660 Squadron Army Air Corps (AAC) based at Sek Kong Airfield, cooks in the Army Catering Corps (ACC), Weapons and Supplies Storekeepers in the Royal Army Ordnance Corps (RAOC) and intelligence staff in the Intelligence Corps. They also provided interpreters, clerks, Regimental Police and light-infantry personnel in Dragon Company of the General Service Corps (GSC) headquartered in Osborn Baracks, Kowloon Tong. The HKMSC offered Hong Kong Chinese soldiers the opportunity to pursue a full career in the British Regular Army up to and including a Queen's Commissioned officer rank of the General List (HKMSC). As all members of the HKMSC were British Regular Army soldiers, they received a Regular Army Service Record Book when they left the army. Many of them had also been awarded the Long Service and Good Conduct Medal (LS&GC) after 15 years of good and loyal service. British gallantry awards, Orders, Decorations and Medal Ribbons had also been presented to some HKMSC soldiers; such as the Queen's Gallantry Medal (QGM), the British Empire Medal (BEM), Members of the Order of the British Empire (MBE) and the Officers of the Order of the British Empire (OBE).

When the PRC assumed sovereignty in 1997, the British barracks were replaced by a garrison of the People's Liberation Army, comprising ground, naval, and air forces, and under the command of the Chinese Central Military Commission.

The Hong Kong Basic Law is formed based on the Common law of England and it protects local civil affairs against interference by the garrison, and members of the garrison are subject to Hong Kong laws. The Hong Kong Government remains responsible for the maintenance of public order; however, it may ask the PRC government for help from the garrison in maintaining public order and in disaster relief. The PRC government is responsible for the costs of maintaining the garrison.^[23][119]

Geography and climate[link]

Areas of urban development and vegetation are visible in this false-colour satellite image.

Hong Kong is located on China's south coast, 60 km (37 mi) east of Macau on the opposite side of the Pearl River Delta. It is surrounded by the South China Sea on the east, south, and west, and borders the Guangdong city of Shenzhen to the north over the Shenzhen River. The territory's 1,104 km² (426 sq mi) area consists of Hong Kong Island, the Kowloon Peninsula, the New Territories, and over 200 offshore islands, of which the largest is Lantau Island. Of the total area, 1,054 km² (407 sq mi) is land and 50 km² (19 sq mi) is inland water. Hong Kong claims territorial waters to a distance of 3 nautical miles (5.6 km). Its land area makes Hong Kong the 179th largest inhabited territory in the world.^[3][10]

As much of Hong Kong's terrain is hilly to mountainous with steep slopes, less than 25% of the territory's landmass is developed, and about 40% of the remaining land area is reserved as country parks and nature reserves.^[120] Most of the territory's urban development exists on Kowloon peninsula, along the northern edge of Hong Kong Island, and in scattered settlements throughout the New Territories.^[121] The highest elevation in the territory is at Tai Mo Shan, 957 metres (3,140 ft) above sea level.^[122] Hong Kong's long and irregular coast provides it with many bays, rivers and beaches.^[123] On September 18, 2011, UNESCO listed the Hong Kong National Geopark as part of its Global Geoparks Network. Hong Kong Geopark is made up of eight Geo-Areas distributed across the Sai Kung Volcanic Rock Region and Northeast New Territories Sedimentary Rock Region.^[124]

Despite Hong Kong's reputation of being intensely urbanised, the territory has tried to promote a green environment,^[125] and recent growing public concern has prompted the severe restriction of further land reclamation from Victoria Harbour.^[126] Awareness of the environment is growing as Hong Kong suffers from increasing pollution compounded by its geography and tall buildings. Approximately 80% of the city's smog originates from other parts of the Pearl River Delta.^[127]

Though it is situated just south of the Tropic of Cancer, Hong Kong has a humid subtropical climate (Köppen Cwa). Summer is hot and humid with occasional showers and thunderstorms, and warm air coming from the southwest. Summer is when typhoons are most likely, sometimes resulting in flooding or landslides. Winters are mild and usually start sunny, becoming cloudier towards February; the occasional cold front brings strong, cooling winds from the north. The most temperate seasons are spring, which can be changeable, and autumn, which is generally sunny and dry.^[128] Hong Kong averages 1,948 hours of sunshine per year,^[129] while the highest and lowest ever recorded temperatures at the Hong Kong Observatory are 36.1 °C (97.0 °F) and 0.0 °C (32.0 °F), respectively.^[130]

Economy[link]

The International Finance Centre in Central

As one of the world's leading international financial centres, Hong Kong has a major capitalist service economy characterised by low taxation and free trade. The currency, Hong Kong dollar, is the eighth most traded currency in the world as of 2010.^[29] Hong Kong was once described by Milton Friedman as the world’s greatest experiment in laissez-faire capitalism.^[132] It maintains a highly developed capitalist economy, ranked the freest in the world by the Index of Economic Freedom every year since 1995.^{[133][134][135]} It is an important centre for international finance and trade, with one of the greatest concentrations of corporate headquarters in the Asia-Pacific region,^[136] and is known as one of the Four Asian Tigers for its high growth rates and rapid development from the 1960s to the 1990s. Between 1961 and 1997 Hong Kong's gross domestic product grew 180 times while per-capita GDP increased 87 times over.^{[137][138][139]}

The Hong Kong Stock Exchange is the seventh largest in the world, with a market capitalisation of US$2.3 trillion as of December 2009.^[140] In that year, Hong Kong raised 22 percent of worldwide initial public offering (IPO) capital, making it the largest centre of IPOs in the world ^[141] and the easiest place to raise capital.^[142] Hong Kong's currency is the Hong Kong dollar, which has been pegged to the U.S. dollar since 1983.^[143]

The Hong Kong Government has traditionally played a mostly passive role in the economy, with little by way of industrial policy and almost no import or export controls. Market forces and the private sector were allowed to determine practical development. Under the official policy of "positive non-interventionism", Hong Kong is often cited as an example of laissez-faire capitalism. Following the Second World War, Hong Kong industrialised rapidly as a manufacturing centre driven by exports, and then underwent a rapid transition to a service-based economy in the 1980s.^[144] Since then, it has grown to become a leading center for management, financial, IT, business consultation and professional services.^[142]

Hong Kong matured to become a financial centre in the 1990s, but was greatly affected by the Asian financial crisis in 1998, and again in 2003 by the SARS outbreak. A revival of external and domestic demand has led to a strong recovery, as cost decreases strengthened the competitiveness of Hong Kong exports and a long deflationary period ended.^[145][146] Government intervention, initiated by the later colonial governments and continued since 1997, has steadily increased, with the introduction of export credit guarantees, a compulsory pension scheme, a minimum wage, anti-discrimination laws, and a state mortgage backer.^[132]

The territory has little arable land and few natural resources, so it imports most of its food and raw materials. Agricultural activity—relatively unimportant to Hong Kong’s economy and contributing just 0.1% of its GDP—primarily consists of growing premium food and flower varieties.^[142] Hong Kong is the world's eleventh largest trading entity,^[147] with the total value of imports and exports exceeding its gross domestic product. It is the world's largest re-export centre.^[148] Much of Hong Kong's exports consist of re-exports,^[149] which are products made outside of the territory, especially in mainland China, and distributed via Hong Kong. Its physical location has allowed the city to establish a transportation and logistics infrastructure that includes the world’s second busiest container port and the world’s busiest airport for international cargo.^[142] Even before the transfer of sovereignty, Hong Kong had established extensive trade and investment ties with the mainland, which now enable it to serve as a point of entry for investment flowing into the mainland. At the end of 2007, there were 3.46 million people employed full-time, with the unemployment rate averaging 4.1% for the fourth straight year of decline.^[150] Hong Kong's economy is dominated by the service sector, which accounts for over 90% of its GDP, while industry constitutes 9%. Inflation was at 2.5% in 2007.^[151] Hong Kong's largest export markets are mainland China, the United States, and Japan.^[3]

As of 2010, Hong Kong is the eighth most expensive city for expatriates, falling from fifth position in the previous year.^[152] Hong Kong is ranked fourth in terms of the highest percentage of millionaire households, behind Switzerland, Qatar, and Singapore with 8.5 percent of all households owning at least one million US dollars.^[153] In 2011, Hong Kong was ranked second in the Ease of Doing Business Index, behind Singapore.^[154] General principle No. 5 of the Basic Law of the SAR suggests that the CPC expects that it shall have brought the economic system of the Mainland and Hong Kong into harmony by 2047, by which time the Chinese economy is predicted by Businessweek to have been the largest by any measure of GDP for decades.^[155]

Demographics[link]

The territory's population is 7.03 million. In 2009, Hong Kong had a birth rate of 11.7 per 1,000 population and a fertility rate of 1,032 children per 1,000 women.^[156] Residents from mainland China do not have the right of abode in Hong Kong, nor are they allowed to enter the territory freely.^[95] However, the influx of immigrants from mainland China, approximating 45,000 per year, is a significant contributor to its population growth – a daily quota of 150 Mainland Chinese with family ties in Hong Kong are granted a "one way permit".^[157] Life expectancy in Hong Kong is 79.16 years for males and 84.79 years for females as of 2009, making it one of the highest life expectancies in the world.^[3]

About 95% of the people of Hong Kong are of Chinese descent,^[12] the majority of whom are Taishanese, Chiu Chow, other Cantonese people, and Hakka. Hong Kong's Han majority originate mainly from the Guangzhou and Taishan regions in Guangdong province.^[13] The remaining 5% of the population is composed of non-ethnic Chinese.^[12] There is a South Asian population of Indians, Pakistanis and Nepalese; some Vietnamese refugees have become permanent residents of Hong Kong. There are also Europeans (mostly British), Americans, Canadians, Japanese, and Koreans working in the city's commercial and financial sector.^{[note 6]} In 2008, there were an estimate of 252,500 foreign domestic helpers from Indonesia and the Philippines working in Hong Kong.^[159]

Hong Kong's de facto official language is Cantonese, a Chinese language originating from Guangdong province to the north of Hong Kong.^[160] English is also an official language, and according to a 1996 by-census is spoken by 3.1 percent of the population as an everyday language and by 34.9 percent of the population as a second language.^[161] Signs displaying both Chinese and English are common throughout the territory. Since the 1997 handover, an increase in immigrants from mainland China and greater integration with the mainland economy have brought an increasing number of Mandarin speakers to Hong Kong.^[162]

The Roman Catholic Cathedral on Hong Kong Island

A majority of residents of Hong Kong would claim no religious affiliation, professing a form of agnosticism or atheism.^[163] According to the U.S Department of State only 43 percent of the population practices some form of religion.^[164] Some figures put it higher, according to a Gallup poll, 64% of Hong Kong residents do not believe in any religion,^[165][166] and possibly 80% of Hong Kong claim no religion.^[167] In Hong Kong teaching evolution won out in curriculum dispute about whether to teach other explanations, and that creationism and intelligent design will form no part of the senior secondary biology curriculum^{[168] [169]}

Hong Kong enjoys a high degree of religious freedom, guaranteed by the Basic Law. Hong Kong's main religions are Buddhism, Taoism, and Confucianism; a local religious scholar in contact with major denominations estimates there are approximately 1.5 million Buddhists and Taoists.^[164] A Christian community of around 600,000 forms about 8% of the total population;^[170][171] it is nearly equally divided between Catholics and Protestants, although smaller Christian communities exist, including the Latter-Day Saints^[172] and Jehovah's Witnesses.^[173] The Anglican and Roman Catholic churches each freely appoint their own bishops, unlike in mainland China. There are also Sikh, Muslim, Jewish, Hindu and Bahá'í communities.^[170] The practice of Falun Gong is tolerated.^[174]

Statistically Hong Kong's income gap is the greatest in Asia Pacific. According to a report by the United Nations Human Settlements Programme in 2008, Hong Kong's Gini coefficient, at 0.53, was the highest in Asia and "relatively high by international standards".^[175][176] However, the government has stressed that income disparity does not equate to worsening of the poverty situation, and that the Gini coefficient is not strictly comparable between regions. The government has named economic restructuring, changes in household sizes, and the increase of high-income jobs as factors that have skewed the Gini coefficient.^{[177][178][179]}

Education[link]

A view over the University of Hong Kong

Hong Kong's education system used to roughly follow the system in England,^[18] although international systems exist. The government maintains a policy of "mother tongue instruction" (Chinese: 母語教學) in which the medium of instruction is Cantonese,^[180] with written Chinese and English. In secondary schools, 'biliterate and trilingual' proficiency is emphasised, and Mandarin-language education has been increasing.^[181] The Programme for International Student Assessment ranked Hong Kong's education system as the second best in the world.^[182] Hong Kong's public schools are operated by the Education Bureau. The system features a non-compulsory three-year kindergarten, followed by a compulsory six-year primary education, a compulsory three-year junior secondary education, a non-compulsory two-year senior secondary education leading to the Hong Kong Certificate of Education Examinations and a two-year matriculation course leading to the Hong Kong Advanced Level Examinations.^[183] The New Senior Secondary academic structure and curriculum was implemented in September 2009, which provides for all students to receive three years of compulsory junior and three years of compulsory senior secondary education.^[19][184] Under the new curriculum, there is only one public examination, namely the Hong Kong Diploma of Secondary Education.^[185]

Most comprehensive schools in Hong Kong fall under three categories: the rarer public schools; the more common subsidised schools, including government aids-and-grant schools; and private schools, often run by Christian organisations and having admissions based on academic merit rather than on financial resources. Outside this system are the schools under the Direct Subsidy Scheme and private international schools.^[184]

There are nine public universities in Hong Kong, and a number of private higher institutions, offering various bachelor's, master's, and doctoral degrees, other higher diplomas, and associate degree courses.The University of Hong Kong, the oldest institution of tertiary education in the territory, was described by Quacquarelli Symonds as a "world-class comprehensive research university"^[186] and was ranked 24th on the 2009 THES - QS World University Rankings,^[187] making it first in Asia.^[188] The Hong Kong University of Science & Technology was ranked 35th in the world in 2009 and ranked second in Asia for 2010. The Chinese University of Hong Kong was ranked 46th in the world in 2009 and ranked fourth in Asia for 2010.^[188] Based on the 2011 rankings published by career and education network QS, three of the top five Asian universities are in Hong Kong. They are the Hong Kong University of Science and Technology, the University of Hong Kong and Chinese University of Hong kong as first, second and fifth rank, respectively.^[189]

Healthcare[link]

This unreferenced section requires citations to ensure verifiability.

There are 13 private hospitals and more than 50 public hospitals in Hong Kong. Among the widest range of healthcare services throughout the globe are on offer, and some of the SAR's private hospitals are rightly considered to be among the very best of their type in the world.

There are two medical schools in the SAR, one based at the Chinese University of Hong Kong and the other at Hong Kong University. Both have strong links with public sector hospitals.

With respect to postgraduate education, traditionally many doctors in Hong Kong have looked overseas for further training, and many took British Royal College exams such as the MRCP(UK) and the MRCS(UK). However, Hong Kong has been developing its own postgraduate medical institutions, in particular the Hong Kong Academy of Medicine, and this is gradually taking over the responsibility for all postgraduate medical training in the SAR.

There are also strong public health systems in Hong Kong, and the Centre for Health Protection, founded after the SARS outbreak of 2003, is particularly worthy of mention.

By 2011, however, there have been growing concerns that mothers-to-be from Mainland China, in a bid to obtain the right of abode in Hong Kong and the benefits that come with it, have saturated the neonatal wards of the city's hospitals, both public and private sectors, which has led to outcries and protests from local pregnant women for the government to remedy the issue, as they have found difficulty securing a bed space for giving birth and arrange routine check-ups. Other concerns in the decade of 2001-2010 relate to the workload medical staff experience; and medical errors and mishaps, which are frequently highlighted in local news.

Culture[link]

City lights of Kowloon

Hong Kong is frequently described as a place where "East meets West", reflecting the culture's mix of the territory's Chinese roots with influences from its time as a British colony.^[17] Hong Kong balances a modernised way of life with traditional Chinese practices. Concepts like feng shui are taken very seriously, with expensive construction projects often hiring expert consultants, and are often believed to make or break a business.^[190] Other objects like Ba gua mirrors are still regularly used to deflect evil spirits,^[191] and buildings often lack any floor number that has a 4 in it,^[192] due to its similarity to the word for "die" in Cantonese.^[193] The fusion of east and west also characterises Hong Kong's cuisine, where dim sum, hot pot, and fast food restaurants coexist with haute cuisine.^[194]

Hong Kong is a recognised global centre of trade, and calls itself an "entertainment hub".^[195] Its martial arts film genre gained a high level of popularity in the late 1960s and 1970s. Several Hollywood performers, notable actors and martial artists have originated from Hong Kong cinema, notably Bruce Lee, Jackie Chan, Chow Yun-fat, Michelle Yeoh, Maggie Cheung and Jet Li. A number of Hong Kong film-makers have achieved widespread fame in Hollywood, such as John Woo, Wong Kar-wai, and Stephen Chow.^[195] Homegrown films such as Chungking Express, Infernal Affairs, Shaolin Soccer, Rumble in the Bronx, In the Mood for Love and Echoes of the Rainbow have gained international recognition. Hong Kong is the centre for Cantopop music, which draws its influence from other forms of Chinese music and Western genres, and has a multinational fanbase.^[196]

A statue of Bruce Lee on the Avenue of Stars, a tribute to the city's martial arts

The Hong Kong government supports cultural institutions such as the Hong Kong Heritage Museum, the Hong Kong Museum of Art, the Hong Kong Academy for Performing Arts, and the Hong Kong Philharmonic Orchestra. The government's Leisure and Cultural Services Department subsidises and sponsors international performers brought to Hong Kong. Many international cultural activities are organised by the government, consulates, and privately.^[197][198]

Hong Kong has two licensed terrestrial broadcasters – ATV and TVB. There are three local and a number of foreign suppliers of cable and satellite services.^[199] The production of Hong Kong's soap dramas, comedy series, and variety shows reach audiences throughout the Chinese-speaking world. Magazine and newspaper publishers in Hong Kong distribute and print in both Chinese and English, with a focus on sensationalism and celebrity gossip.^[200] The media in Hong Kong is relatively free from official interference compared to mainland China, although the Far Eastern Economic Review points to signs of self-censorship by journals whose owners have close ties to or business interests in the People's Republic of China and states that even Western media outlets are not immune to growing Chinese economic power.^[201]

Hong Kong offers wide recreational and competitive sport opportunities despite its limited land area. It sends delegates to international competitions such as the Olympic Games and Asian Games, and played host to the equestrian events during the 2008 Summer Olympics.^[202] There are major multipurpose venues like Hong Kong Coliseum and MacPherson Stadium. Hong Kong's steep terrain and extensive trail network with expansive views attracts hikers, and its rugged coastline provides many beaches for swimming.^[203]

Cityscape[link]

A view from Victoria Peak, looking north over Central, Victoria Harbour and Kowloon (2011).

A view from Victoria Peak, looking north over Central, Victoria Harbour and Kowloon at night (2011).

Architecture[link]

According to Emporis, there are 7,650 skyscrapers in Hong Kong, which puts the city at the top of world rankings.^[204] It has more buildings higher than 500ft (or 150m) than any other city. The high density and tall skyline of Hong Kong's urban area is due to a lack of available sprawl space, with the average distance from the harbour front to the steep hills of Hong Kong Island at 1.3 km (0.81 mi),^[205] much of it reclaimed land. This lack of space causes demand for dense, high-rise offices and housing. Thirty-six of the world's 100 tallest residential buildings are in Hong Kong.^[206] More people in Hong Kong live or work above the 14th floor than anywhere else on Earth, making it the world's most vertical city.^[30][31]

As a result of the lack of space and demand for construction, few older buildings remain, and the city is becoming a centre for modern architecture. The International Commerce Centre (ICC), at 484 m (1,588 ft) high, is the tallest building in Hong Kong and the third tallest in the world, by height to roof measurement.^[207] The tallest building prior to the ICC is Two International Finance Centre, at 415 m (1,362 ft) high.^[208] Other recognisable skyline features include the HSBC Headquarters Building, the triangular-topped Central Plaza with its pyramid-shaped spire, The Center with its night-time multi-coloured neon light show; A Symphony of Lights and I. M. Pei's Bank of China Tower with its sharp, angular façade. According to the Emporis website, the city skyline has the biggest visual impact of all world cities.^[209] Also, Hong Kong's skyline is often regarded to be the best in the world,^[210] with the surrounding mountains and Victoria Harbour complementing the skyscrapers.^[211][212] Most of the oldest remaining historic structures, including the Tsim Sha Tsui Clock Tower, the Central Police Station, and the remains of Kowloon Walled City were constructed during the 19th and early 20th centuries.^{[213][214][215]}

There are many development plans in place, including the construction of new government buildings,^[216] waterfront redevelopment in Central,^[217] and a series of projects in West Kowloon.^[218] More high-rise development is set to take place on the other side of Victoria Harbour in Kowloon, as the 1998 closure of the nearby Kai Tak Airport lifted strict height restrictions.^[219]

A panoramic view of the Hong Kong Island skyline at night

Transport[link]

Hong Kong's transportation network is highly developed. Over 90% of daily travels (11 million) are on public transport,^[32] the highest such percentage in the world.^[33] Payment can be made using the Octopus card, a stored value system introduced by the Mass Transit Railway (MTR), which is widely accepted on railways, buses and ferries, and accepted like cash at other outlets.^[220][221]

The city's main railway company (KCRC) was merged with the urban mass transit operator (MTR) in 2007, creating a comprehensive rail network for the whole territory (also called MTR).^[222] This MTR rapid transit system has 152 stations, which serve 3.4 million people a day.^[223] Hong Kong Tramways, which has served the territory since 1904, covers the northern parts of Hong Kong Island.^[224]

A train at Tai Wai Station of the Mass Transit Railway (MTR) East Rail Line.

The Mass Transit Railway has more than 150 stations in its network.

A double-decker Kowloon Motor Bus in Hong Kong

Ship-Star-Cruises-Star-Pisces-Hong-Kong

Hong Kong's bus service is franchised and run by private operators. Five privately owned companies provide franchised bus service across the territory, together operating more than 700 routes. The two largest, Kowloon Motor Bus provides 402 routes in Kowloon and New Territories; Citybus operates 154 routes on Hong Kong Island; both run cross-harbour services. Double-decker buses were introduced to Hong Kong in 1949, and are now almost exclusively used; single-decker buses remain in use for routes with lower demand or roads with lower load capacity. Public light buses serve most parts of Hong Kong, particularly areas where standard bus lines cannot reach or do not reach as frequently, quickly, or directly.^[225]

The Hong Kong-Kowloon Ferry

The Star Ferry service, founded in 1888, operates four lines across Victoria Harbour and provides scenic views of Hong Kong's skyline for its 53,000 daily passengers.^[226] It acquired iconic status following its use as a setting on The World of Suzie Wong. Travel writer Ryan Levitt considered the main Tsim Sha Tsui to Central crossing one of the most picturesque in the world.^[227] Other ferry services are provided by operators serving outlying islands, new towns, Macau, and cities in mainland China. Hong Kong is famous for its junks traversing the harbour, and small kai-to ferries that serve remote coastal settlements.^[228][229] The Port of Hong Kong is a busy deepwater port, specialising in container shipping.^[230]

The Peak Tram of Hong Kong

Hong Kong Island's steep, hilly terrain was initially served by sedan chairs.^[231] The Peak Tram, the first public transport system in Hong Kong, has provided vertical rail transport between Central and Victoria Peak since 1888.^[232] In Central and Western district, there is an extensive system of escalators and moving pavements, including the longest outdoor covered escalator system in the world, the Mid-Levels escalator.^[233]

Hong Kong International Airport is a leading air passenger gateway and logistics hub in Asia and one of the world's busiest airports in terms of international passenger and cargo movement, serving more than 47 million passengers and handling 3.74 million tonnes (4.12 million tons) of cargo in 2007.^[234] It replaced the overcrowded Kai Tak Airport in Kowloon in 1998, and has been rated as the world's best airport in a number of surveys.^[235] Over 85 airlines operate at the two-terminal airport and it is the primary hub of Cathay Pacific, Dragonair, Air Hong Kong, Hong Kong Airlines, and Hong Kong Express.^[234][236]

See also[link]