The Crusades were a series of religiously sanctioned military campaigns, called by the Pope and with the main goal of restoring Christian control of the Holy Land. The crusaders came from all over western Europe. The main series of Crusades occurred between 1095 and 1291; historians have given them numbers, later unnumbered crusades were also taken up for a variety of reasons.

The Crusades were fought mainly by Roman Catholics against Muslims, though some campaigns were diverted to fight Greek Orthodox Christians in Byzantium. Later campaigns were waged against pagan Slavs, pagan Balts, Mongols, and Christian heretics. Orthodox Christians also took part in fighting against Islamic forces in some Crusades. Crusaders took vows and were granted a plenary indulgence by the pope.

The Crusades originally had the goal of recapturing Jerusalem and the Holy Land from Muslim rule and their campaigns were launched in response to a call from the leaders of the Byzantine Empire for help to fight the expansion of the Muslim Seljuk Turks into Anatolia. The term is also used to describe contemporaneous and subsequent campaigns conducted through to the 16th century in territories outside the Levant usually against pagans, heretics, and peoples under the ban of excommunication for a mixture of religious, economic, and political reasons. Rivalries among both Christian and Muslim powers led also to alliances between religious factions against their opponents, such as the Christian alliance with the Sultanate of Rûm during the Fifth Crusade.

The Crusades had some temporary successes, but the Crusaders were eventually forced out of the Holy Land. Nevertheless the Crusades had major far-reaching political, economic, and social impacts on Europe. Because of internal conflicts among Christian kingdoms and political powers, some of the crusade expeditions were diverted from their original aim, such as the Fourth Crusade, which resulted in the sack of Christian Constantinople and the partition of the Byzantine Empire between Venice and the Crusaders. The Sixth Crusade was the first crusade to set sail without the official blessing of the Pope. The Seventh, Eighth and Ninth Crusades resulted in Mamluk and Hafsid victories, as the Ninth Crusade marked the end of the Crusades in the Middle East.

The Reconquista, a long period of wars in Iberia where Christian forces reconquered the peninsula from Muslims, is closely tied to the Crusades.

Historical context

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Middle Eastern situation

The Holy Land is significant in Christianity because of the land's association as the place of nativity, ministry, crucifixion and resurrection of Jesus, whom Christians regard as the Saviour or Messiah. By the end of the 4th century, following the Roman Emperor Constantine's conversion to Christianity (313) and later the founding of the Byzantine Empire after the partition of the Roman Empire, the Holy Land had become a predominantly Christian region. Churches commemorating various events in the life of Jesus had been erected at key sites.

Jerusalem in particular holds a significance in Islam as it holds it to be the site of the ascension into heaven of the prophet Muhammad whom Muslims believe to be the foremost prophet of Allah and Jerusalem is often regarded as the third most sacred site in Islam. The Muslim presence in the Holy Land began with the initial Muslim conquest of Syria in the 7th century under the Rashidun Caliphs. The Muslim armies' successes put increasing pressure on the Eastern Orthodox Byzantine Empire which had originally claimed the region (part of the Eastern Roman Empire which the Byzantines inherited) as their territory – this included eventual incursions by the Seljuk Turks. Jerusalem also holds historical and religious importance for Jews as it is the site of the Western Wall, the last remaining piece of the Second Temple. Jews consider Jerusalem as their ancestral homeland, and had been visiting the city since its destruction in 70 CE and its occupation in AD 136. Another factor that contributed to the change in Western attitudes towards the East came in the year 1009, when the Fatimid Caliph al-Hakim bi-Amr Allah ordered the destruction of the Church of the Holy Sepulchre. In 1039 his successor, after requiring large sums be paid for the right, permitted the Byzantine Empire to rebuild it. Pilgrimages were allowed to the Holy Lands before and after the Sepulchre was rebuilt. The Muslims eventually realized that much of the wealth of Jerusalem came from the pilgrims; for this reason and others, the persecution of pilgrims eventually stopped. However, the damage was already done, and the violence of the Seljuk Turks became part of the concern that spread support for the Crusades across the Christian world.

Western European situation

The origins of the Crusades lie in developments in Western Europe earlier in the Middle Ages, as well as the deteriorating situation of the Byzantine Empire in the east caused by a new wave of Turkish Muslim attacks. In 1063, Pope Alexander II had given his blessing to Iberian Christians in their wars against the Muslims, granting both a papal standard (the ''vexillum sancti Petri'') and an indulgence to those who were killed in battle. Pleas from the Byzantine Emperors, now threatened by the Seljuks, thus fell on ready ears. These occurred in 1074, from Emperor Michael VII to Pope Gregory VII and in 1095, from Emperor Alexios I Komnenos to Pope Urban II.

The Crusades were, in part, an outlet for an intense religious piety which rose up in the late 11th century among the lay public. A crusader would, after pronouncing a solemn vow, receive a cross from the hands of the pope or his legates, and was thenceforth considered a "soldier of the Church". This was partly because of the Investiture Controversy, which had started around 1075 and was still on-going during the First Crusade. As both sides of the Investiture Controversy tried to marshal public opinion in their favor, people became personally engaged in a dramatic religious controversy. The result was an awakening of intense Christian piety and public interest in religious affairs, and was further strengthened by religious propaganda, which advocated Just War in order to retake the Holy Land from the Muslims. The Holy Land included Jerusalem (where the death, and resurrection of Jesus had taken place according to Christian theology) and Antioch (the first Christian city). Further, the remission of sin was a driving factor and provided any God-fearing man who had committed sins with an irresistible way out of eternal damnation in hell. It was a hotly debated issue throughout the Crusades as what exactly "remission of sin" meant. Most believed that by retaking Jerusalem they would go straight to heaven after death. However, much controversy surrounds exactly what was promised by the popes of the time. One theory was that one had to die fighting for Jerusalem for the remission to apply, which would hew more closely to what Pope Urban II said in his speeches. This meant that if the crusaders were successful, and retook Jerusalem, the survivors would not be given remission.

Reconquista in the Iberian Peninsula

When the First Crusade was preached in 1095, the Christian princes of northern Iberia had been fighting their way out of the mountains of Galicia and Asturias, the Basque Country and Navarre, with increasing success, for about a hundred years. The fall of Moorish Toledo to the Kingdom of León in 1085 was a major victory, but the turning points of the ''Reconquista'' still lay in the future. The disunity of Muslim emirs was an essential factor.

While the ''Reconquista'' was the most prominent example of European reactions against Muslim conquests, it is not the only such example. The Norman adventurer Robert Guiscard had conquered Calabria in 1057 and was holding what had traditionally been Byzantine territory against the Muslims of Sicily. The maritime states of Pisa, Genoa and Catalonia were all actively fighting Islamic strongholds in Majorca, freeing the coasts of Italy and Catalonia from Muslim raids. Much earlier, the Christian homelands of Syria, Lebanon, Palestine, Egypt, and so on had been conquered by Muslim armies. This long history of losing territories to a religious enemy created a powerful motive to respond to Byzantine Emperor Alexius I's call for holy war to defend Christendom, and to recapture the lost lands starting with Jerusalem.

Just war doctrine

The papacy of Pope Gregory VII had struggled with reservations about the doctrinal validity of a holy war and the shedding of blood for the Lord and had, with difficulty, resolved the question in favour of justified violence. More importantly to the Pope, the Christians who made pilgrimages to the Holy Land were being persecuted. Saint Augustine of Hippo, Gregory's intellectual model, had justified the use of force in the service of Christ in ''The City of God'', and a Christian "Just War" might enhance the wider standing of an aggressively ambitious leader of Europe, as Gregory saw himself. The northerners would be cemented to Rome, and their troublesome knights could see the only kind of action that suited them. Previous attempts by the church to stem such violence, such as the concept of the "Peace of God", were not as successful as hoped. To the south of Rome, Normans were showing how such energies might be unleashed against both Arabs (in Sicily) and Byzantines (on the mainland). A Latin hegemony in the Levant would provide leverage in resolving the Papacy's claims of supremacy over the Patriarch of Constantinople, which had resulted in the Great Schism of 1054, a rift that might yet be resolved through the force of Frankish arms.

Byzantine weakness

In the Byzantine homelands, the Eastern Emperor's weakness was revealed by the disastrous defeat at the Battle of Manzikert in 1071, which reduced the Empire's Asian territory to a region in western Anatolia and around Constantinople. A sure sign of Byzantine desperation was the appeal of Alexios I to his enemy, the Pope, for aid. But Gregory was occupied with the Investiture Controversy and could not call on the German emperor, so a crusade never took shape.

For Gregory's more moderate successor, Pope Urban II, a crusade would serve to reunite Christendom, bolster the Papacy, and perhaps bring the East under his control. The disaffected Germans and the Normans were not to be counted on, but the heart and backbone of a crusade could be found in Urban's own homeland among the northern French.

Pope Urban II

The immediate cause of the First Crusade was the Byzantine emperor Alexios I's appeal to Pope Urban II for mercenaries to help him resist Muslim advances into territory of the Byzantine Empire. In 1071, at the Battle of Manzikert, the Byzantine Empire was defeated, which led to the loss of all of Asia Minor (modern Turkey) save the coastlands. Although attempts at reconciliation after the East–West Schism between the Catholic Church in western Europe and the Eastern Orthodox Church had failed, Alexius I hoped for a positive response from Urban II.

Pope Urban II defined and launched the crusades at the Council of Clermont in 1095. He was a reformer worried about the evils which had hindered the spiritual success of the church and its clergy and the need for a revival of religiosity. He was moved by the urgent appeal for help from Byzantine Emperor Alexius I. Urban's solution was announced on the last day of the council when the pope suddenly proclaimed the Crusade against the infidel Muslims. He called for Christian princes across Europe to launch a holy war in the Holy Land. He contrasted the sanctity of Jerusalem and the holy places with the plunder and desecration by the infidel Turks. He exited outrage by vividly describing attacks upon the Christian pilgrims. He also noted the military threat to the fellow Christians of Byzantium. He charged Christians to take up the holy cause, promising to all those who went remission of sins and to all who died in the expedition immediate entry into heaven.

Then Urban raised secular motives, talking of the feudal love of tournaments and warfare. He urged the barons to give up their fratricidal and unrighteous wars in the West for the holy war in the East. He also suggested material rewards, regarding feudal fiefdoms, land ownership, wealth, power, and prestige, all at the expense of the Arabs and Turks. He said they could be defeated very easily by the Christian forces. When he finished, his listeners shouted "Deus volt" (God wills it). This became the battle cry of the crusaders. Urban put the bishop of Le Puy in charge of encouraging prelates and priests to join the cause. Word spread rapidly that war against unbelief would be fused with the practice of pilgrimage to holy sites, and the pilgrims' reward would be great on earth, as in heaven. Immediately thousands pledged themselves to go on the first crusade.Pope Urban's speech ranks as one of the most influential speeches ever made: it launched the holy wars which occupied the minds and forces of western Europe for two hundred years.

After the First Crusade

On a popular level, the first crusades unleashed a wave of impassioned, personally felt pious Christian fury that was expressed in the massacres of Jews that accompanied the movement of the Crusader mobs through Europe, as well as the violent treatment of "schismatic" Orthodox Christians of the east.

In the 13th century, Crusades never expressed such a popular fever, and after Acre fell for the last time in 1291 and the Occitan Cathars were exterminated during the Albigensian Crusade, the crusading ideal became devalued by Papal justifications of political and territorial aggressions within Catholic Europe.

The last crusading order of knights to hold territory were the Knights Hospitaller. After the final fall of Acre, they took control of the island of Rhodes, and in the 16th century, were driven to Malta, before being finally unseated by Napoleon Bonaparte in 1798.

List

A traditional numbering scheme for the crusades totals nine during the 11th to 13th centuries. This division is arbitrary and excludes many important expeditions, among them those of the 14th, 15th, and 16th centuries. In reality, the crusades continued until the end of the 17th century, the Battle of Lepanto occurring in 1571, that of Hungary in 1664, and the crusade to Candia in 1669. The Knights Hospitaller continued to crusade in the Mediterranean Sea around Malta until their defeat by Napoleon in 1798. There were frequent "minor" Crusades throughout this period, not only in the area the crusaders called Outremer but also in the Iberian Peninsula and central Europe, against Muslims and also Christian heretics and personal enemies of the Papacy or other powerful monarchs.

First Crusade 1095–1099

In March 1095 at the Council of Piacenza, ambassadors sent by Byzantine Emperor Alexius I called for help with defending his empire against the Seljuk Turks. Later that year, at the Council of Clermont, Pope Urban II called upon all Christians to join a war against the Turks, promising those who died in the endeavour would receive immediate remission of their sins.

The official crusader armies set off from France and Italy on the papally ordained date of 15 August 1096. The armies journeyed eastward by land toward Constantinople, where they received a wary welcome from the Byzantine Emperor. Pledging to restore lost territories to the empire, the main army, mostly French and Norman knights under baronial leadership--Godfrey of Bouillon (1060-1100), Baldwin of Flanders, Raymond of Toulouse, Robert of Normandy, Bohemond of Taranto, marched south through Anatolia. They captured Antioch (June 3, 1098) and finally Jerusalem (July 15, 1099) in savage battles. They created four crusader states along the Syrian and Palestinian coast.

Campaigns

The Crusader armies fought the Turks. The lengthy Siege of Antioch began in October 1097 and endured until June of 1098. Once inside the city, as was standard military practice when an enemy had refused to surrender, the Crusaders massacred the Muslim inhabitants, destroyed mosques and pillaged the city. However, a large Muslim relief army under Kerbogha immediately besieged the victorious Crusaders within Antioch. Bohemund of Taranto led a successful break-out and defeat of Kerbogha's army on 28 June. The starving crusader army marched south, moving from town to town along the coast, finally reaching the walls of Jerusalem on 7 June 1099 with only a fraction of their original forces.

Siege of Jerusalem

The Jews and Muslims fought together to defend Jerusalem against the invading Franks. They were unsuccessful though and on 15 July 1099 the crusaders entered the city. They proceeded to massacre the remaining Jewish and Muslim civilians and pillaged or destroyed mosques and the city itself. One historian has written that the "isolation, alienation and fear" felt by the Franks so far from home helps to explain the atrocities they committed, including the cannibalism which was recorded after the Siege of Ma'arra in 1098. As a result of the First Crusade, several small Crusader states were created, notably the Kingdom of Jerusalem. In the Kingdom of Jerusalem at most 120,000 Franks (predominantly French-speaking Western Christians) ruled over 350,000 Muslims, Jews, and native Eastern Christians who had remained since the Arab occupation began in 638 AD.

The Crusaders also tried to gain control of the city of Tyre, but were defeated by the Muslims. The people of Tyre asked Zahir al-Din Atabek, the leader of Damascus, for help defending their city from the Franks with the promise to surrender Tyre to him. When the Franks were defeated the people of Tyre did not surrender the city, but Zahir al-Din simply said “What I have done I have done only for the sake of God and the Muslims, nor out of desire for wealth and kingdom.”

After gaining control of Jerusalem the Crusaders created four Crusader states: the Kingdom of Jerusalem, the County of Edessa, the Principality of Antioch and the County of Tripoli. Eventually, the Muslims began to reunite under the leadership of Imad ad-Din Zengi. He began by re-taking Edessa in 1144. It was the first city to fall to the Crusaders, and became the first to be recaptured by the Muslims. This led the Pope to call for a second Crusade.

Crusaders' perspectives

The story of the first crusade from the crusaders' perspective recounts the struggles of the first wave of crusaders to reach the hinterlands of Byzantium, of Islamic Syria, and then of Jerusalem; of the terrible slaughters of Jewish populations committed by a second wave as it marched through the Rhineland ; of finding food and facing starvation; of the "miracles" associated with the alleged finding of the Holy Lance in Antioch; of the competition between European princes for leadership; and of the eventual taking of Jerusalem itself. It was an achievement to coordinate crusaders with sharply different languages, styles of leadership, and modes of fighting. That such a band even made it to Jerusalem is remarkable, and was possible, first, because of divisions within the realm of Islam, and second, because Muslims in the various provinces misinterpreted the presence of the crusading army. They seem to have regarded the Christian forces as renegades, escapees from the poverty and oppression of the "territory of war." This interpretation led to a low estimate of the threat posed to Muslim security by an army that, despite weaknesses, was motivated by a profound religious fervor.

Scholarly debates

According to the interpretation of historian Steven Runciman (1951), the First Crusade was like a barbarian invasion of the civilized and sophisticated Byzantine empire and ultimately brought about the ruin of Byzantine civilization. The crusade was unwittingly triggered by the Byzantine emperor, Alexius I Comnenus, when he had sent ambassadors to the pope in 1095 to ask for mercenary soldiers to enroll in his armies. The emotive appeal made in response by Pope Urban II, however, had the effect of sending thousands of Frankish knights to Constantinople under their own leaders, quite a different outcome from what Alexius had expected. There had been long-distance intellectual disputes between Byzantium and the West in the past, but since contact between the two societies was sporadic, there was little open hostility. Now that the westerners arrived in the center of the empire in large numbers, those differences became a serious matter. Especially important, Runciman argues, was tension between the Byzantine patriarch and the pope, and the more tolerant attitude of the Byzantines towards Muslim powers. Although Runciman lays some of the blame at the door of the Byzantine emperors who reigned after 1143, the sack of Constantinople by the Fourth Crusade in April 1204 was the culmination of the mounting dislike and suspicion that all western Christendom now felt towards the Byzantines.

Ever since Runciman published his interpretation in 1951, it has been under challenge by scholars. They say he was too uncritical in accepting the main Byzantine source, the narrative by Anna Comnena (the daughter of Emperor Alexius I), which presents Alexius I’s actions as motivated solely by superhuman charity and places the blame entirely on the crusaders, particularly on the Norman, Bohemond of Taranto. Critics say Runciman takes at face value Anna Comnena’s descriptions of some of the crusaders as uncouth louts and this is largely the basis for belief that the two peoples were mutually estranged from the start. Scholars argue that the classicising literary genre in which Comnena wrote dictated that foreign peoples be presented as ‘barbarians’ and that this did not necessarily mean that the entire populations of the two halves of Christendom were in a constantly increasing state of mutual antipathy.

Among recent scholars, Paul Magdalino’s and Ralph-Johannes Lilie’s close studies of Byzantine policies towards the crusader states of Syria show not steadily mounting tension, but periods of animosity interspersed with co-operation and alliance. Jonathan Shepard re-examines the whole question of Byzantine involvement with the genesis of the First Crusade in two influential articles. Adopting a more critical stance towards Anna Comnena, Shepard argues that there was far more to the episode than an innocent Byzantine emperor taken aback by the turn of events and that Alexius was cleverly exploiting the situation for his own ends. While Runciman denounces Bohemond, the Norman leader, as a "villain" whose greed soured relations with the Byzantines, Shepard argues that this picture depends on an uncritical reading of Anna Comnena, who glorified her own family and vilified Bohemond mercilessly. In reality in 1096-7, Alexius viewed Bohemond as a potential tool, ally and recruit, a kind of imperial agent to oversee the re-conquest of Asia Minor.

Harris (2003) rejects the "clash of civilizations" model. He argues that trouble arose because the West misunderstood Byzantine foreign policy. That policy was narrowly focused on three goals which the West did not accept: acceptance of the theory that the Roman inheritance had shifted from Rome to Constantinople (called ''translatio imperii''), that the suzerainty of Byzantine emperors ought to be recognized by the West, and commitment to the security of the ''Oikumene'' (that is, the civilized, Christian world centered around Constantinople). Although the Byzantines employed many high-ranking Latins in their government, Harris finds repeated instances of Byzantine hostility toward Latins, based on deep-rooted and long-standing antipathy that was rooted in a conviction of Byzantine cultural and religious superiority, and perhaps heightened by a growing fear of Byzantium's military inferiority and political weakness.

Crusade of 1101

Following this crusade there was a second, less successful wave of crusaders, in which Turks led by Kilij Arslan defeated the Crusaders in three separate battles in a well-managed response to the First Crusade. This is known as the Crusade of 1101 and may be considered an adjunct of the First Crusade.

Norwegian Crusade 1107–1110

Sigurd I of Norway was the first European king who went on a crusade and his crusader armies defeated Muslims in Al-Andalus, the Baleares, and in The Holy Land where they joined the king of Jerusalem in the Siege of Sidon.

Second Crusade 1147–1149

After a period of relative peace in which Christians and Muslims co-existed in the Holy Land, Muslims conquered the town of Edessa. A new crusade was called for by various preachers, most notably by Bernard of Clairvaux. French and South German armies, under the Kings Louis VII and Conrad III respectively, marched to Jerusalem in 1147 but failed to win any major victories, launching a failed pre-emptive siege of Damascus, an independent city that would soon fall into the hands of Nur ad-Din Zangi, the main enemy of the Crusaders. On the other side of the Mediterranean, however, the Second Crusade met with great success as a group of Northern European Crusaders stopped in Portugal, allied with the Portuguese King, Afonso I of Portugal, and retook Lisbon from the Muslims in 1147. A detachment from this group of crusaders helped Count Raymond Berenguer IV of Barcelona conquer the city of Tortosa the following year. In the Holy Land by 1150, both the kings of France and Germany had returned to their countries without any result. St. Bernard of Clairvaux, who in his preachings had encouraged the Second Crusade, was upset with the amount of misdirected violence and slaughter of the Jewish population of the Rhineland. North Germans and Danes attacked the Wends during the 1147 Wendish Crusade, which was unsuccessful as well.

Third Crusade 1187–1192

The Muslims had long fought among themselves, but they were finally united by Saladin, who created a single powerful state. Following his victory at the Battle of Hattin he easily overwhelmed the disunited crusaders in 1187 and all of the crusader holdings except a few coastal cities. The Byzantines, fearful of the crusaders, made an alliance with Saladin.

Saladin's victories shocked Europe. To reverse this disaster Emperor Frederick I Barbarossa (r. 1152-1190) of Germany, King Philip II Augustus of France, (r. 1180-1223), and King Richard the Lion-Hearted (r. 1189-1199) of England established a crusade; the pope's role was minor. Frederick died en route and few of his men reached the Holy Land. The other two armies arrived but were beset by political quarrels. King Philip feigned illness and returned to France, there scheming to win back the duchy of Normandy from Richard's control. Richard captured the island of Cyprus from the Byzantines in 1191. Cyprus served as a Crusader base for centuries to come, and remained European hands until 1571. After a long siege, Richard the Lionheart recaptured the city of Acre and placed the entire Muslim garrison under captivity (they were executed after a series of failed negotiations). The Crusader army headed south along the Mediterranean coast. They defeated the Muslims near Arsuf, recaptured the port city of Jaffa, and were in sight of Jerusalem. However, Richard did not believe he would be able to hold Jerusalem once it was captured, as the majority of Crusaders would then return to Europe, and the crusade ended without the taking of Jerusalem. Richard left the following year after negotiating a treaty with Saladin. The treaty allowed trade for merchants and unarmed Christian pilgrims to make pilgrimages to the Holy Land (Jerusalem), while it remained under Muslim control.

Richard the Lion-Hearted exploits gave rise to the legends of the Lion-Hearted, and, through them, Richard acquired a greatly exaggerated posthumous prestige. More showman than statesman, a brave knight but a bad king, his stature was measured by Winston Churchill" "His life was one magnificent parade which, when ended, left only an empty plain." Richard did regain Acre and Jaffa for the Christians, but that was all. The agreement he finally reached with Saladin gave pilgrims free access to Jerusalem and little else. The city itself and the adjoining kingdom, except for some coastal cities, were still subject to the same law--that of the Koran, not the Holy Bible.

Fourth Crusade 1202–1204

The Fourth Crusade was initiated in 1202 by Pope Innocent III, with the intention of invading the Holy Land through Egypt. Because the Crusaders lacked the funds to pay for the fleet and provisions that they had contracted from the Venetians, Doge Enrico Dandolo enlisted the crusaders to restore the Christian city of Zara (Zadar) to obedience. Because they subsequently lacked provisions and time on their vessel lease, the leaders decided to go to Constantinople, where they attempted to place a Byzantine exile on the throne. After a series of misunderstandings and outbreaks of violence, the Crusaders sacked the city in 1204, and established the so-called Latin Empire and a series of other Crusader states throughout the territories of the Greek Byzantine Empire. This is often seen as the final breaking point of the Great Schism between the Eastern Orthodox Church and (Western) Roman Catholic Church.

Albigensian Crusade

The Albigensian Crusade was launched in 1209 to eliminate the heretical Cathars of Occitania (the south of modern-day France). It was a decade-long struggle that had as much to do with the concerns of northern France to extend its control southwards as it did with heresy. In the end, both the Cathars and the independence of southern France were exterminated.

Children's Crusade

A spontaneous youth movement in France and Germany in 1212 attracted large numbers of peasant teenagers and young people (few were under age 15). They were convinced they could succeed where older and more sinful crusaders had failed: the miraculous power of their faith would triumph where the force of arms had not. Many parish priests and parents encouraged such religious fervor and urged them on. The pope and bishops opposed the attempt but failed to stop it entirely. A band of several thousand youth and young men led by a German named Nicholas set out for Italy. About a third survived the march over the Alps and got as far as Genoa; another group came to Marseilles. The luckier ones eventually managed to get safely home, but many others were sold as lifetime slaves on the auction blocks of Marseilles slave dealers. The sources are scattered and unclear and historians are still not sure exactly what happened.

Fifth Crusade 1217–1221

By processions, prayers, and preaching, the Church attempted to set another crusade afoot, and the Fourth Council of the Lateran (1215) formulated a plan for the recovery of the Holy Land. In the first phase, a crusading force from Austria and Hungary joined the forces of the king of Jerusalem and the prince of Antioch to take back Jerusalem. In the second phase, crusader forces achieved a remarkable feat in the capture of Damietta in Egypt in 1219, but under the urgent insistence of the papal legate, Pelagius, they then launched a foolhardy attack on Cairo in July of 1221. The crusaders were turned back after their dwindling supplies led to a forced retreat. A night-time attack by the ruler of Egypt, the powerful Ayyubid Sultan Al-Kamil, resulted in a great number of crusader losses and eventually in the surrender of the army. Al-Kamil agreed to an eight-year peace agreement with Europe.

Al-Kamil had put a bounty of a Byzantine gold piece for every Christian head brought to him during the war. During 1219, St. Francis of Assisi crossed the battle lines at Damietta in order to speak with Al-Kamil. He and his companion Illuminatus were captured and beaten and brought before the Sultan. St. Bonaventure, in his Major Life of St. Francis, says that the Sultan was impressed by Francis and spent some time with him. Francis was given safe passage and although he was offered many gifts, all he accepted was a horn for calling the faithful to prayer. This act eventually led to the establishment of the Franciscan Custody of the Holy Land.

Sixth Crusade 1228–1229

Emperor Frederick II had repeatedly vowed a crusade but failed to live up to his words, for which he was excommunicated by Pope Gregory IX in 1228. He nonetheless set sail from Brindisi, landed in Saint-Jean d'Acre. There were no battles as Frederick made a peace treaty with Al-Kamil, the ruler of Egypt. This treaty allowed Christians to rule over most of Jerusalem and a strip of territory from Acre to Jerusalem, while the Muslims were given control of the Dome of the Rock and the Al-Aqsa Mosque. Thus he achieved unexpected success. In 1225 he married Yolanda, the young heiress to the kingdom of Jerusalem; upon her death in 1228, Frederick crowned himself king of Jerusalem. The peace lasted for about ten years. Many of the Muslims though were not happy with Al-Kamil for giving up control of Jerusalem. In 1244, following the siege of Jerusalem, the Muslims regained control of the city.

Seventh Crusade 1248–1254

The papal interests represented by the Templars brought on a conflict with Egypt in 1243, and in the following year a Khwarezmian force summoned by the latter stormed Jerusalem. The crusaders were drawn into battle at La Forbie in Gaza. The crusader army and its Bedouin mercenaries were completely defeated within forty-eight hours by Baibars' force of Khwarezmian tribesmen. This battle is considered by many historians to have been the death knell to the Kingdom of Outremer.

Louis IX of France organized a crusade against Egypt from 1248 to 1254, leaving from the newly constructed port of Aigues-Mortes in southern France. The crusaders were decisively defeated en-route to Cairo and King Louis was captured; the Arabs demanded and received a huge ransom for the release of the hapless king.

Eighth Crusade 1270

Ignoring his advisers, in 1270 King Louis IX again attacked the Arabs in Tunis in North Africa. He picked the hottest season of the year for campaigning and his army was devastated by disease. The king himself died, ending the last major attempt to free the Holy Land. The numbering of crusades is problematical. The Eighth Crusade is sometimes counted as the Seventh, if the Fifth and Sixth Crusades are counted as a single crusade. The Ninth Crusade is sometimes also counted as part of the Eighth.

Ninth Crusade 1271–1272

The future Edward I of England undertook another expedition against Baibars in 1271, after having accompanied Louis on the Eighth Crusade. Louis died in Tunisia. The Ninth Crusade was deemed a failure and ended the Crusades in the Middle East.

In their later years, faced with the threat of the Egyptian Mamluks, the Crusaders' hopes rested with a Franco-Mongol alliance. The Ilkhanate's Mongols were thought to be sympathetic to Christianity, and the Frankish princes were most effective in gathering their help, engineering their invasions of the Middle East on several occasions. Although the Mongols successfully attacked as far south as Damascus on these campaigns, the ability to effectively coordinate with Crusades from the west was repeatedly frustrated most notably at the Battle of Ain Jalut in 1260. The Mamluks, led by Baibars, eventually made good their pledge to cleanse the entire Middle East of the Franks. With the fall of Antioch (1268), Tripoli (1289), and Acre (1291), those Christians unable to leave the cities were massacred or enslaved and the last traces of Christian rule in the Levant disappeared.

Aftermath

The island of Ruad, three kilometers from the Syrian shore, was occupied for several years by the Knights Templar but was ultimately lost to the Mamluks in the Siege of Ruad on September 26, 1302. The Armenian Kingdom of Cilicia, which was not itself a crusader state, and was not Latin Christian, but was closely associated with the crusader states and was ruled by the Latin Christian Lusignan dynasty for its last 34 years, survived until 1375. Other echoes of the crusader states survived for longer, but well away from the Holy Land itself. The Knights of St John carved out a new territory based on the Aegean island of Rhodes, which they ruled until 1522. Cyprus remained under the rule of the House of Lusignan until 1474/89 (the precise date depends on how Venice's highly unusual takeover is interpreted – see Caterina Cornaro) and subsequently that of Venice until 1570. By this time the Knights of St John had moved to Malta – even further from the Holy Land – which they ruled until 1798.

Northern Crusades

Crusades of the Teutonic Order

A German religious and military order originally founded during the siege of Acre in the Third Crusade and modeled after the Knights Templar and Hospitalers, the Teutonic Knights moved to eastern Europe early in the 13th century. There, under their grand master, Hermann von Salza, they became powerful and prominent. In 1198, the Teutonic Order started the Livonian Crusade. Despite numerous setbacks and rebellions, by 1290, Livonians, Latgalians, Selonians, Estonians (including Oeselians), Curonians and Semigallians had been all gradually subjugated. Denmark and Sweden also participated in fight against Estonians.

In 1229, responding to an appeal from the Duke of Poland, they began a crusade against the pagan Slavs of Prussia. They became sovereigns over lands they conquered over the next century. In a series of campaigns, the Teutonic Knights gained control over the whole Baltic coast, founding numerous towns and fortresses and establishing Christianity.

The Teutonic Order's attempts to conquer Orthodox Russia (particularly the Republics of Pskov and Novgorod), an enterprise endorsed by Pope Gregory IX, can also be considered as a part of the Northern Crusades. One of the major blows for the idea of the conquest of Russia was the Battle of the Ice in 1242. With or without the Pope's blessing, Sweden also undertook several crusades against Orthodox Novgorod.

Swedish Crusades

The Swedish conquest of Finland in the Middle Ages has traditionally been divided into three "crusades": the First Swedish Crusade around 1155 AD, the Second Swedish Crusade about 1249 AD and the Third Swedish Crusade in 1293 AD.

The First Swedish Crusade is considered legendary by some historians. No historical record has also survived describing the second one, but it probably did take place and ended up in the concrete conquest of southwestern Finland. The third one was against Novgorod, and is properly documented by both parties of the conflict.

According to archaeological finds, Finland was largely Christian already before the said crusades. Thus the "crusades" can rather be seen as ordinary expeditions of conquest whose main target was territorial gain. The expeditions were dubbed as actual crusades only in the 19th century by the national-romanticist Swedish and Finnish historians.

Other

Wendish Crusade

Contemporaneous with the Second Crusade, Saxons and Danes fought against Polabian Slavs in the 1147 Wendish Crusade.

Stedinger Crusade

Between 1232 and 1234, there was a crusade against the Stedingers. This crusade was special, because the Stedingers were not heathens or heretics, but fellow Roman Catholics. They were free Frisian farmers who resented attempts of the count of Oldenburg and the archbishop Bremen-Hamburg to make an end to their freedoms. The archbishop excommunicated them, and Pope Gregory IX declared a crusade in 1232. The Stedingers were defeated in 1234.

Aragonese Crusade

The Aragonese Crusade, or Crusade of Aragón, was declared by Pope Martin IV against the King of Aragón, Peter III the Great, in 1284 and 1285.

Alexandrian Crusade

The Alexandrian Crusade of October 1365 was a minor seaborne crusade against Muslim Alexandria led by Peter I of Cyprus. His motivation was at least as commercial as religious.

Norwich Crusade

See Norwich Crusade.

Mahdian Crusade

The Mahdian Crusade of Summer 1390 was a French-Genoese enterprise against Muslim pirates in North Africa and their main base at Mahdia led by Louis II, Duke of Bourbon.

Crusades in the Balkans

To counter the expanding Ottoman Empire, several crusades were launched in the 15th century. The most notable are:

the Crusade of Nicopolis (1396) organized by Sigismund of Luxemburg, king of Hungary, culminated in the Battle of Nicopolis

the Crusade of Varna (1444) led by the Polish-Hungarian king, Władysław Warneńczyk, ended in the Battle of Varna

and the Crusade of 1456 organized to lift the Siege of Belgrade led by John Hunyadi and Giovanni da Capistrano

Crusade against the Tatars

In 1259, Mongols led by Burundai and Nogai Khan ravaged the principality of Halych-Volynia, Lithuania and Poland. After that Pope Alexander IV tried without success to create a crusade against the Blue Horde (see Mongol invasion of Poland).

In the 14th century, Khan Tokhtamysh combined the Blue and White Hordes forming the Golden Horde. It seemed that the power of the Golden Horde had begun to rise, but in 1389, Tokhtamysh made the disastrous decision of waging war on his former master, the great Tamerlane. Tamerlane's hordes rampaged through southern Russia, crippling the Golden Horde's economy and practically wiping out its defenses in those lands.

After losing the war, Tokhtamysh was then dethroned by the party of Khan Temur Kutlugh and Emir Edigu, supported by Tamerlane. When Tokhtamysh asked Vytautas the Great for assistance in retaking the Horde, the latter readily gathered a huge army which included Lithuanians, Ruthenians, Russians, Mongols, Moldavians, Poles, Romanians and Teutonic Knights.

In 1398, the huge army moved from Moldavia and conquered the southern steppe all the way to the Dnieper River and northern Crimea. Inspired by their great successes, Vytautas declared a 'Crusade against the Tatars' with Papal backing. Thus, in 1399, the army of Vytautas once again moved on the Horde. His army met the Horde's at the Vorskla River, slightly inside Lithuanian territory.

Although the Lithuanian army was well equipped with cannon, it could not resist a rear attack from Edigu's reserve units. Vytautas hardly escaped alive. Many princes of his kin—possibly as many as 20—were killed (for example, Stefan Musat, Prince of Moldavia and two of his brothers, while a fourth was badly injured ), and the victorious Tatars besieged Kiev. "And the Christian blood flowed like water, up to the Kievan walls," as one chronicler put it. Meanwhile, Temur Kutlugh died from the wounds received in the battle, and Tokhtamysh was killed by one of his own men.

Hussite Crusade

The Hussite Crusade(s), also known as the "Hussite Wars," or the "Bohemian Wars," involved the military actions against and amongst the followers of Jan Hus in Bohemia in the period 1420 to circa 1434. The Hussite Wars were arguably the first European war in which hand-held gunpowder weapons such as muskets made a decisive contribution. The Taborite faction of the Hussite warriors were basically infantry, and their many defeats of larger armies with heavily armoured knights helped affect the infantry revolution. In the end, it was an inconclusive war.

Role of women

Most writings stress the crusades as a masculine movement symbolic of honour and male courage. But women were also involved behind the scenes, and as direct victims.

Women at home were intricately connected whether aware of it or not in the recruitment of crusading men. Their encouragement and familial ties would present men friendly connections which made the prospect of taking the cross more appealing for those risking their lives. Arguably the most significant role that women played in the West during the crusades was their preservation of the home. The best known example is of Adela of Blois, wife of Stephen of Blois whose correspondence with her husband while he was on Crusade and she was at home managing his fief has survived in part. It appears she was rather more keen on his crusading than he was. Men could journey to The Holy Land without having to worry about their home because their wives were in charge of their estates and families.

Even though most women showed their support for the crusades at home, some women took the cross themselves to go on the crusade. Aristocratic women who joined the movement often found that they had new positions of authority they did not have in the West. Eleanor of Aquitaine, the wealthy queen of France and the wife of king Louis VII, took the cross from St. Bernard of Clairvaux on Easter Sunday 1145 to join her husband. Another woman who had ultimate political power in the East was Melisende of Jerusalem, who under law gained hereditary rights to the crown upon her husband’s death. Like Eleanor, Melisende never led troops into battle, but she did participate in acts of political diplomacy. Less successful was her granddaughter Sibylla of Jerusalem, whose choice of husband had been a crucial political issue since her childhood. Her second marriage to Guy of Lusignan made him the king-consort on the death of Baldwin IV, with disastrous results. While most women were there to help and care for the crusading men by bringing them water or raising their spirits by offering emotional support, there were women who had specific tasks which defined their feminine characteristics like the washerwoman.

The permanent residents of the Crusader kingdoms, if born in Europe, had usually come unmarried. Very many married women from Apulia in Southern Italy, where living conditions were often harsh, encouraged young women to take ship for Palestine in the knowledge that many men there were looking for wives.

The most controversial role that women had in the crusades was of course the role which threatened their femininity, actual militancy. When analyzing the primary documentation of female militancy, one must be cautious. The accounts of women fighting come mostly from Muslim historians whose aim was to portray Christian women as barbaric and ungodly because of their acts of killing. The contrasting view from Christian accounts portray women fighting only in emergency situations for the preservation of the camps and their own lives. In these cases women are seen as more feminine while behaving like ‘proper women’. Virtually all crusade writings came from men, and women would have been interpreted subjectively no matter what roles they played.

Criticism

Elements of the Crusades were criticized by some from the time of their inception in 1095. For example, Roger Bacon felt the Crusades were not effective because, "those who survive, together with their children, are more and more embittered against the Christian faith." In spite of such criticism, the movement was widely supported in Europe long after the fall of Acre in 1291.

Historians agree that St. Francis of Assisi crossed enemy lines to meet the Sultan of Egypt. Hoeberichts cast doubt on the intentions most Christian historians assign to Francis.

From the fall of Acre forward, the Crusades to recover Jerusalem and the Christian East were largely lost. Later, 18th century Enlightenment thinkers judged the Crusaders harshly. Likewise, some modern historians in the West expressed moral outrage. In the 1950s, Sir Steven Runciman wrote a resounding condemnation:

:"High ideals were besmirched by cruelty and greed ... the Holy War was nothing more than a long act of intolerance in the name of God".

Ibn Jubayr's described the Muslims living under the Christian crusaders' Kingdom of Jerusalem:

Historical perspective

Western and Eastern historiography present variously different views on the crusades, in large part because "crusade" invokes dramatically opposed sets of associations—"crusade" as a valiant struggle for a supreme cause, and "crusade" as a byword for barbarism and aggression.

Legacy

Politics and culture

The Crusades had an enormous influence on the European Middle Ages. At times, much of the continent was united under a powerful Papacy, but by the 14th century, the development of centralized bureaucracies (the foundation of the modern nation state) was well on its way in France, England, Spain, Burgundy, and Portugal, and partly because of the dominance of the church at the beginning of the crusading era.

Although Europe had been exposed to Islamic culture for centuries through contacts in Iberian Peninsula and Sicily, much knowledge in areas such as science, medicine, and architecture was transferred from the Islamic to the western world during the crusade era.

The military experiences of the crusades also had a limited degree of influence on European castle design; for example, Caernarfon Castle, in Wales, begun in 1283, directly reflects the style of fortresses Edward I had observed while fighting in the Crusades.

Crusader society in the Kingdom of Jerusalem was also characterized by a culture of innovation, including in economic and social structures, governance and taxation, social mobility, and agricultural technology.

In addition, the Crusades are seen as having opened up European culture for the world, especially Asia:

Along with trade, new scientific discoveries and inventions made their way east or west. Arab and classical Greek advances (including the development of algebra, optics, and refinement of engineering) made their way west and sped the course of advancement in European universities that led to the Renaissance in later centuries

The invasions of German crusaders prevented formation of the large Lithuanian state incorporating all Baltic nations and tribes. Lithuania was destined to become a small country and forced to expand to the East looking for resources to combat the crusaders. The Northern Crusades caused great loss of life among the pagan Polabian Slavs, and they consequently offered little opposition to German colonization (known as Ostsiedlung) of the Elbe-Oder region and were gradually assimilated by the Germans, with the exception of Sorbs.

The First Crusade ignited a long tradition of organized violence against Jews in European culture.

The Albigensian Crusade was initiated by the Catholic Church to eliminate the Cathar heresy in Languedoc. The violence led to France's acquisition of lands with closer cultural and linguistic ties to Catalonia. The Albigensian Crusade also had a role in the creation and institutionalization of both the Dominican Order and the Medieval Inquisition.

Trade

The need to raise, transport and supply large armies led to a flourishing of trade throughout Europe. Roads largely unused since the days of Rome saw significant increases in traffic as local merchants began to expand their horizons. This was not only because the Crusades ''prepared'' Europe for travel, but also because many ''wanted'' to travel after being reacquainted with the products of the Middle East. This also aided in the beginning of the Renaissance in Italy, as various Italian city-states from the very beginning had important and profitable trading colonies in the crusader states, both in the Holy Land and later in captured Byzantine territory.

Increased trade brought many things to Europeans that were once unknown or extremely rare and costly. These goods included a variety of spices, ivory, jade, diamonds, improved glass-manufacturing techniques, early forms of gun powder, oranges, apples, and other Asian crops, and many other products.

From a larger perspective, and certainly from that of noted naval/maritime historian Archibald Lewis, the Crusades must be viewed as part of a massive macrohistorical event during which Western Europe, primarily by its ability in naval warfare, amphibious siege, and maritime trade, was able to advance in all spheres of civilization. Recovering from the Dark Ages of AD 700–1000, throughout the 11th century Western Europe began to push the boundaries of its civilization. Prior to the First Crusade the Italian city-state of Venice, along with the Byzantine Empire, had cleared the Adriatic Sea of Islamic pirates, and loosened the Islamic hold on the Mediterranean Sea (Byzantine-Muslim War of 1030–1035). The Normans, with the assistance of the Italian city-states of Genoa and Pisa, had retaken Sicily from the Muslims from 1061–1091. These conflicts prior to the First Crusade had both retaken Western European territory and weakened the Islamic hold on the Mediterranean, allowing for the rise of Western European Mediterranean trading and naval powers such as the Sicilian Normans and the Italian city-states of Venice, Genoa, and Pisa.

During the Middle Ages, the key trading region of Western Europe was the Black Sea-Mediterranean Sea-Red Sea. It was the aforementioned pre-First Crusade actions, along with the Crusades themselves, which allowed Western Europe to contest the trade of the Mediterranean Sea and Black Sea, for a period which began in the 11th century and would only be ended by the Turkish Ottoman Empire beginning in the mid-to-late 15th century. This Western European contestation of vital sea lanes allowed the economy of Western Europe to advance to previously unknown degrees, most obviously as regards the Maritime Republics of Venice, Genoa, and Pisa. Indeed, it is no coincidence that the Renaissance began in Italy, as the Maritime Republics, through their control of the Eastern Mediterranean and Black Seas, were able to return to Italy the ancient knowledge of the Greeks and Romans, as well as the products of distant East Asia.

Combined with the Mongol Empire, Western Europe traded extensively with East Asia, the security of the Mongol Empire allowing the products of Asia to be brought to such Western European controlled ports as Acre, Antioch, Kaffa (on the Black Sea) and even, for a time, Constantinople itself. The Fifth Crusade of 1217–1221 and the Seventh Crusade of 1248–1254 were largely attempts to secure Western European control of the Red Sea trade region, as both Crusades were directed against Egypt, the power base of the Ayyubid, and then Mameluke, Sultanates. It was only in the 14th century, as the stability of trade with Asia collapsed with the Mongol Empire, the Mamelukes destroyed the Middle Eastern Crusader States, and the rising Ottoman Empire impeded further Western European trade with Asia, that Western Europeans sought alternate trade routes to Asia, ultimately leading to Columbus's voyage of 1492.

Caucasus

In the Caucasus Mountains of Georgia, in the remote highland region of Khevsureti, a tribe called the Khevsurs are thought to possibly be direct descendants of a party of crusaders who got separated from a larger army and have remained in isolation with some of the crusader culture intact. Into the 20th century, relics of armor, weaponry and chain mail were still being used and passed down in such communities. Russian serviceman and ethnographer Arnold Zisserman who spent 25 years (1842–1867) in the Caucasus, believed the exotic group of Georgian highlanders were descendants of the last Crusaders based on their customs, language, art and other evidence. American traveler Richard Halliburton saw and recorded the customs of the tribe in 1935.

Etymology and usage

The crusades were never referred to as such by their participants. The original crusaders were known by various terms, including ''fideles Sancti Petri'' (the faithful of Saint Peter) or '''' (knights of Christ). They saw themselves as undertaking an ''iter'', a journey, or a ''peregrinatio'', a pilgrimage, though pilgrims were usually forbidden from carrying arms.

Like pilgrims, each crusader swore a vow (a ''votus''), to be fulfilled on successfully reaching Jerusalem, and they were granted a cloth cross (''crux'') to be sewn into their clothes. This "taking of the cross", the ''crux'', eventually became associated with the entire journey; the word "crusade" (coming into English from the Medieval French ''croisade'' and Spanish ''cruzada'') developed from this.

See also

Bull of the Crusade

Persecution of Jews in the First Crusade

History of the Jews and the Crusades

Religious war

Medieval demography

Islamic Golden Age

Mongol conquests

Byzantine–Ottoman Wars

Ottoman wars in Europe

Siege of Antioch (1268)

;Some results of the crusades

Crusader states

List of Crusader castles

Letter of the Karaite elders of Ascalon

;Background to crusades

Byzantine–Arab Wars

Byzantine–Seljuk Wars

Muslim conquests

Islamic conquest of southern Italy

Umayyad conquest of Hispania

Great German Pilgrimage of 1064–1065

War of Barbastro

;Events named "crusade" but not included in historical crusades

Shepherds' Crusade

Hussite Wars

Tenth Crusade

;Media and culture

Art of the Crusades

Assassin's Creed

Crusade cycle

Kingdom of Heaven (film)

List of operas set in the Crusades

;Knightly Orders:

Military orders

Knights of Malta

Knights Templar

Teutonic Knights

;Participants

List of principal Crusaders

Hashshashin

Frisian participation in the Crusades

;Famous Opponents:

* Saladin

* Nur ad-Din Zangi

* Baibars

* Kilij Arslan

* al-Ashraf Khalil

* Zengi

Footnotes

Further reading

Introductions

Andrea, Alfred J. ''Encyclopedia of the Crusades''. (2003).

Asbridge, Thomas. ''The First Crusade: A New History: The Roots of Conflict between Christianity and Islam'' (2005) excerpt and text search

Asbridge, Thomas. ''The Crusades: The Authoritative History of the War for the Holy Land'' (2011) excerpt and text search

France, John. ''Western Warfare in the Age of the Crusades, 1000-1300'' (1999) online edition

Hillenbrand, Carole. ''The Crusades, Islamic Perspectives''. (2000). excerpt and text search

Holt, P.M. ''The Age of the Crusades: The Near East from the Eleventh Century to 1517''. (1986).

Madden, Thomas F. ''The New Concise History of the Crusades''. (2005).

Phillips, Jonathan. ''Holy Warriors: A Modern History of the Crusades'' (2010)

Riley-Smith, Jonathan. ''The Crusades: A History'' (2005) excerpt and text search

Riley-Smith, Jonathan, ed. ''The Oxford History of the Crusades''. (1995). online edition; excerpt and text search

Riley-Smith, Jonathan, ed. ''The Atlas of the Crusades'' (1991)

Runciman, Steven. ''A History of the Crusades, Volume I: The First Crusade and the Foundations of the Kingdom of Jerusalem.''; ''Volume II: The Kingdom of Jerusalem and the Frankish East 1100-1187.'' and ''Volume III: The Kingdom of Acre and the Later Crusades'' (1951-53), the classic narrative history; hostile toward the crusaders

Tyerman, Christopher. ''God's War: A New History of the Crusades'' (2006)

Specialized studies

Abulafia, David. ''Frederick II: A Medieval Emperor'' (1988)

Baldin, M. W., ed. ''The first hundred years'' (A History of the Crusades, volume, I) 1969 online

Boas, Adrian J. ''Jerusalem in the Time of the Crusades: Society, Landscape, and Art in the Holy City under Frankish Rule'' (2001) online edition

Bréhier, Louis. "Crusades," ''Catholic Encyclopedia'' (1908) vol 4. online

Bréhier, Louis. "Latin Kingdom of Jerusalem (1099-1291)," ''Catholic Encyclopedia'' (1910) vol 8. online

Bull, Marcus, and Norman Housley, eds. ''The Experience of Crusading Volume 1, Western Approaches.'' (2003) 323pp)

Butler, R. Urban. "Urban II," ''Catholic Encyclopedia'' (1911) online

Constable, Giles. "The Historiography of the Crusades" in Angeliki E. Laiou, ed. ''The Crusades from the Perspective of Byzantium and the Muslim World'' (2001); major overview of scholarship online

Edbury, Peter, and Jonathan Phillips, eds. ''The Experience of Crusading Volume 2, Defining the Crusader Kingdom.'' (2003) 326pp; specialized articles by scholars

Edgington, Susan B., and Sarah Lambert, eds. ''Gendering the Crusades.'' (2002) 232pp essays by scholars.

Florean, Dana. "East Meets West: Cultural Confrontation and Exchange after the First Crusade." ''Language & Intercultural Communication,'' 2007, Vol. 7 Issue 2, pp144-151 in EBSCO

Folda, Jaroslav. ''Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre'' (2005) excerpt and text search

France, John. ''Victory in the East: A Military History of the First Crusade'' (1996)

Harris, Jonathan. ''Byzantium and the Crusades.'' (2003). Pp. 276pp

Hillenbrand, Car. ''The Crusades: Islamic Perspectives'' (1999) excerpt and text search

Housley, Norman. ''The Later Crusades, 1274-1580: From Lyons to Alcazar'' (1992) online edition

James, Douglas. "Christians and the First Crusade." ''History Review'' (Dec 2005), Issue 53; online at EBSCO

Kagay, Donald J., and L. J. Andrew Villalon, eds. ''Crusaders, Condottieri, and Cannon: Medieval Warfare in Societies around the Mediterranean.'' (2003) online edition

Lane-Poole, Stanley. ''Saladin and the Fall of the Kingdom of Jerusalem'' (1898) full text online

Maalouf, Amin. ''Crusades Through Arab Eyes'' (1989) excerpt and text search

Madden, Thomas F. ed. ''The Crusades: The Essential Readings'' (2002) ISBN 0-631-23023-8 284pp, articles by scholars

Madden, Thomas F. et al, eds. ''Crusades Medieval Worlds in Conflict'' (2010), essays by specialists

Munro, Dana Carleton. "War and History,' ''American Historical Review'' 32:2 (January 1927): 219–31. On medieval histories of the crusades. online edition

Munro, Dana Carleton. ''The Kingdom of the Crusaders'' (1936) online edition

Peters, Edward. ''Christian Society and the Crusades, 1198-1229'' (1971) online edition

Powell, James M. ''Anatomy of a Crusade, 1213-1221,'' (1986) online edition

Queller, Donald E., and Thomas F. Madden. ''The Fourth Crusade: The Conquest of Constantinople'' (2nd ed. 1999) excerpt and text search

Richard, Jean. ''Saint Louis: Crusader King of France'' (1992)

Riley-Smith, Jonathan.''The First Crusade and the Idea of Crusading''. (1986).

Runciman, Steven. ''A History of the Crusades, Volume I: The First Crusade and the Foundations of the Kingdom of Jerusalem.''; ''Volume II: The Kingdom of Jerusalem and the Frankish East 1100-1187.'' and ''Volume III: The Kingdom of Acre and the Later Crusades'' (1951-53), the classic history; very hostile toward the crusaders

Setton, Kenneth ed., ''A History of the Crusades''. (1969-1989), the standard scholarly history in six volumes, published by the University of Wisconsin Press complete text online.

Smail, R. C. "Crusaders' Castles of the Twelfth Century" ''Cambridge Historical Journal'' Vol. 10, No. 2. (1951), pp. 133-149. in JSTOR

Stark, Rodney. ''God's Battalions: The Case for the Crusades'' (2010) excerpt and text search

Tyerman, Christopher. ''England and the Crusades, 1095-1588.'' (1988). 492 pp.

Primary sources

Barber, Malcolm, Bate, Keith (2010). ''Letters from the East: Crusaders, Pilgrims and Settlers in the 12th-13th Centuries'' (Crusade Texts in Translation Volume 18, Ashgate Publishing Ltd). ISBN 9780754663560

Housley, Norman, ed. ''Documents on the Later Crusades, 1274-1580'' (1996)

Krey, August C. ''The First Crusade: The Accounts of Eye-Witnesses and Participants'' (1958).

Shaw, M. R. B. ed.''Chronicles of the Crusades'' (1963) online edition

Villehardouin, Geoffrey, and Jean de Joinville. ''Chronicles of the Crusades'' ed. by Sir Frank Marzials (2007) excerpt and text search

:Villehardouin's ''Conquest of Constantinople'' is a standard reference work on the Fourth Crusade; it is the first work in medieval French prose. Joinville's life of St. Louis is a classic description of the life and times of King Louis IX; it is written in Old French and is considered perhaps the best biography written in the Middle Ages.

External links

The Crusades Wiki

The Crusades, a virtual college course through Boise State University ed. by E. L. Knox.

links to resources on crusades

"All About All Crusades" by Hans Doeleman; with timeline, maps, bibliography

Crusades: A Guide to Online Resources, Paul Crawford, 1999.

The Society for the Study of the Crusades and the Latin East—an international organization of professional Crusade scholars

De Re Militari: The Society for Medieval Military History—contains articles and primary sources related to the Crusades

Resources > Medieval Jewish History > The Crusades The Jewish History Resource Center – Project of the Dinur Center for Research in Jewish History, The Hebrew University of Jerusalem

The Crusades Encyclopedia – articles, primary and secondary sources, and bibliographies

An Islamic View of the Battlefield an article that provides indepth analysis of the theological basis of human wars

''A History of the Crusades''

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name	Billy Idol
background	solo_singer
birth name	William Michael Albert Broad
alias	B.I.
born	November 30, 1955Stanmore, Middlesex, England, UK
instrument	Vocals, guitar, bass guitar
genre	Punk rock, New Wave,
occupation	Musician, actor, songwriter, performer
years active	1972–present
label	Chrysalis, EMI, Sanctuary
associated acts	Generation X, Digital Underground, Mister Pusha
website	BillyIdol.net }}

William Michael Albert Broad (born 30 November 1955), better known by his stage name Billy Idol, is an English rock musician. He first achieved fame in the punk rock era as a member of the band Generation X. He then embarked on a successful solo career, aided by a series of stylish music videos, making him one of the first MTV stars. Idol continues to tour with guitarist Steve Stevens and has a worldwide fan base.

Life and career

Early life and Generation X

Idol was born in Stanmore, Middlesex, the son of a salesman. He attended Tideway School in Newhaven, East Sussex. The name ''Billy Idol'' was inspired by a schoolteacher's description of Broad as "idle".

In 1958, when Idol was two years old, his parents moved to Patchogue, New York, on Long Island. The family returned to England four years later with Idol and a younger child Jane (who had been born in the US), settling in Dorking, Surrey. In 1971 the family moved to Bromley, where Idol attended Ravensbourne School for Boys. Idol (rather William Broad) also attended Worthing High School for Boys (later becoming Worthing College). In October 1975, Idol went to Sussex University to pursue an English degree and lived on campus (East Slope) but left after year one (1976). He then went on to join the Bromley Contingent of Sex Pistols fans. Idol first joined the punk rock band Siouxsie and the Banshees (before the band had decided on that name) in 1976, but soon quit and joined Chelsea in 1977 as a guitarist. However, he and Chelsea bandmate Tony James soon quit that group and co-founded Generation X, with Idol switching from guitarist to lead singer. Generation X signed to Chrysalis Records and released three albums and performed in the 1980 film, ''D.O.A.'', before disbanding. Idol moved to New York in 1981 and began working as a solo artist working with Steve Stevens, Phil Feit and Steve Missal, for Idol's debut solo album, "Billy Idol", which was released in July 1982.

Early solo success

Idol's solo career began with the EP titled ''Don't Stop'', which included the Generation X song "Dancing with Myself", originally recorded for their last album ''Kiss Me Deadly'', and a cover of Tommy James & The Shondells' song "Mony Mony". Both songs became his first singles and remain part of his classic live setlists as of 2010. In 1982 Idol instantly became an MTV staple with "White Wedding" and "Dancing with Myself". In 1983, in an effort to introduce Idol to American audiences not yet as familiar with him as those in England, Idol's label released "Dancing with Myself" in the US in conjunction with a music video (directed by Tobe Hooper, produced by Jeffrey Abelson, and conceptualised by Keith Williams) that played in heavy rotation on MTV for six months. That video sparked a new era of feature film directors trying their hand at music videos. Along with "White Wedding", the "Dancing with Myself" and "Eyes Without a Face" videos helped make Idol a household name in America.

''Rebel Yell'' and superstar years

Idol's second LP, ''Rebel Yell'' (1983) was a major success and established Idol's superstar status in the United States with hits like "Eyes Without a Face," "Flesh For Fantasy", and the title cut. Idol also became very popular in Europe thanks to this album and its singles, particularly in Germany, Italy, Switzerland and later in the UK. Tracks from the album featured in the 1988 Hollywood comedy film ''Big'', which starred Tom Hanks.

Idol released ''Whiplash Smile'' in 1986, which sold very well. The album included the hits "To Be a Lover," "Don't Need a Gun" and the country-flavoured "Sweet Sixteen". Idol filmed a video featuring "Sweet Sixteen" (which he also wrote) in Florida's Coral Castle. The song was inspired by the story of Edward Leedskalnin's former love, Agnes Scuffs, who was the main reason Leedskalnin built the structure over a period of decades, starting years after she jilted him the day before their scheduled wedding in their native Latvia. Stevens parted ways with Idol after ''Whiplash Smile''. In 1986, Stevens appeared with Harold Faltermeyer on the ''Top Gun'' soundtrack. Their contribution was the Grammy winning instrumental, "Top Gun Anthem." Stevens decided to go solo, creating his own band, Steve Stevens and the Atomic Playboys. A remix album was released in 1987 called, ''Vital Idol''. The album featured a live rendition of his cover of Tommy James' "Mony Mony" ; as a single it topped the US charts in 1987.

In 1989, Idol appeared on stage with The Who as Cousin Kevin as part of the live version of ''Tommy'', which would be aired as an HBO special and released on home video and later as a DVD. In later years, Idol also stood in as a guest performer with The Who on Bell Boy, a hit from their rock opera album ''Quadrophenia'', and provided the lead vocals that were originally sung by the band's late drummer Keith Moon. On these brief appearances, Idol would dress in a full bell boy's uniform to reflect upon Moon's eccentricity on stage.

Idol was involved in a serious motorcycle accident which nearly cost him a leg in February 1990 in Hollywood. He was hit by a car while driving home from the studio one night when he ran a stop sign, requiring a steel rod to be placed in his leg. Shortly prior to this, film director James Cameron had chosen Idol to play the T-1000 character in ''Terminator 2: Judgment Day'' and had drawn storyboards to resemble him, but the accident prevented Idol from accepting.

The new release, ''Charmed Life'', was due for release and a video for the single, "Cradle of Love" had to be shot. The song had been featured in the Andrew Dice Clay film, ''The Adventures of Ford Fairlane''. Since Idol was unable to walk, he was shot from the waist up. The video would feature video footage of him singing in large frames throughout an apartment while Betsy Lynn George was trying to seduce a businessman. The video was a hit and was placed in heavy rotation on MTV. Idol and Betsy Lynn George recreated the opening of the video for the 1991 American Music Awards. Against his doctors' advice, he also managed to make appearances to promote ''Charmed Life''.

Idol made a cameo appearance in the 1998 film "The Wedding Singer" with Adam Sandler, in which Idol ultimately saved the relationship between characters Robbie Hart (Sandler) and Julia Sullivan (played by Drew Barrymore). Idol also had a small part in the movie ''The Doors'', directed by Oliver Stone. Idol played Jim Morrison's drinking buddy, Cat. Idol also performed at Roger Waters' live concert The Wall Live in Berlin in 1990.

Crisis and resurgence

In 1993, Idol released ''Cyberpunk'', which was largely ignored. Music had changed and many of the bands that were popular in the '80s were being pushed aside. Regarded as experimental, it was recorded in a home studio using a Macintosh computer, which was a fairly new concept at the time. Idol recorded the album with Younger-Smith and producer Robin Hancock. Special editions of the album were issued with a floppy disc which contained a screensaver. It was the first album which listed the e-mail address of the artist (idol@well.sf.ca.us, which is now inactive) in its booklet. The album has become something of a cult favourite today. In 1996, Idol appeared in a live version of The Who's ''Quadrophenia''. He returned to the public eye in 1998, when he played himself in ''The Wedding Singer'', in which "White Wedding" was also the title track. The film was a smash hit worldwide. He was also considered for the role of the villain, Jacob Kell in Highlander: Endgame. Ultimately Bruce Payne was cast. Idol also released three new tracks on Internet - a move which elicited much concern from the RIAA.. He also shared the stage with the band Third Eye Blind.

VH1 aired ''Billy Idol - Behind the Music'' on 16 April 2001. The ''Behind the Music'' series was very popular at the time, and each band or artist that was featured on that program usually gained a resurgence of interest after the show had aired. Idol and Stevens were no exceptions, taking part in a ''VH1 Storytellers'' show three days later. The reunited duo set out to play a series of acoustic/storytellers shows before recording the VH1 special. The acoustic tour was a big success, and Idol eventually started adding new material into the show. Another ''Greatest Hits'' CD was issued in 2001, with Keith Forsey's "Don't You (Forget About Me)" appearing on the compilation. Forsey had originally written it with Idol in mind, but the singer turned it down and eventually the song was given to Simple Minds, who made it a worldwide hit in 1985. The album also includes a live acoustic version of "Rebel Yell" taken from a performance at Los Angeles station KROQ's 1993 Acoustic Christmas concert. The compilation sold about 4,000,000 copies worldwide.

In 2000, Idol was invited to be a guest vocalist on Tony Iommi's album. His contribution was on the song "Into The Night", which he also co-wrote. That year he voice acted the role of Odin, a mysterious alien character, in the animated fantasy film ''Heavy Metal 2000''. In the 2002 NRL Grand Final in Sydney, Idol entered the playing field for the post-match entertainment on a hovercraft-type stage to the intro of White Wedding, when he managed to sing only two words before a power failure ended the performance. "White Wedding" appeared on popular video game ''Grand Theft Auto: San Andreas'', playing on fictional Classic rock radio station, K-DST.

''Devil's Playground'' and beyond

''Devil's Playground'', which came out in March 2005, was Idol's first new studio album in nearly 12 years. It reached #46 on the Billboard 200. The album included a cover of "Plastic Jesus". Idol played a handful of dates on the 2005 Vans Warped Tour and also appeared at the UK's Download Festival at Donington Park and the Voodoo Music Experience in New Orleans. In 2006, as his only UK live date, he appeared headlining the Sunday night of GuilFest. That same year he made an appearance on ''Viva La Bam'' where he helped Bam Margera succeed in "creating" a sunroof for his $250,000 Lamborghini Gallardo and performed live for April Margera for her birthday. In 2006, Idol guested on his keyboardist Derek Sherinian's solo album ''Blood of the Snake'', covering the 1970 Mungo Jerry hit "In the Summertime". A video was made featuring Idol and guitarist Slash. In November 2006, Idol released a Christmas album called ''Happy Holidays''.

In 2008, "Rebel Yell" appeared as a playable track on the video game ''Guitar Hero World Tour'' and "White Wedding" on ''Rock Band 2'', the Rock Band 2 platform later gaining "Mony Mony" and "Rebel Yell" as downloadable tracks. On 24 June 2008 Idol released a new greatest hits album, ''The Very Best of Billy Idol: Idolize Yourself''. The compilation featured two previously unreleased tracks, "John Wayne" and "New Future Weapon". A third track, "Fractured", was available for download on iTunes. He embarked on a successful tour across the world, co-headlining with Def Leppard. In May 2009 Idol donated his time for Music Education in schools by playing along Steve Stevens & Stephen McGrath and the band Venice as backup band and vocals. They were accompanied by a large String & Brass section and chorale group of Santa Monica High School students. The whole event was hosted by AFTA, Artists for the Arts foundation, (aftafoundation.org). The entire event was shot by Touring Video and Post by On the WAVE Productions. Harry Rabin from "On the WAVE" produced the video, which can be seen on billyidol.net and the audio was mixed and Mastered by Steve Miles and Harry Rabin.

In July 2009, Idol performed at the Congress Theater, Chicago for the US TV series ''Soundstage''. This performance was recorded and was released on DVD as ''In Super Overdrive Live'', on 17 November 2009.

Recent events

On 16 February 2010, Idol was announced as one of the acts to play the Download Festival in Donington Park. He was quoted: ''"With all of these great heavyweight and cool bands playing Download this year, I'm going to have to come armed with my punk rock attitude, Steve Stevens, and all of my classic songs plus a couple of way out covers. Should be fun!"'' In March 2010, Idol added Camp Freddy guitarist Billy Morrison and drummer Jeremy Colson to his touring line-up.

In 2010 Billy was working on a new album entitled, "Keep Out of Reach of Children." Billy started debuting new songs like "Kings and Queen of the Underground" "Love Is Strange" "Don't Shoot The Messager" "Cry" and "Scarred For Life" in concert.

Live band

''Billy Idol's current band consists of:''

Steve Stevens - lead guitar(1981–1986, 2001–present)

Stephen McGrath - bass guitar(2001–present)

Derek Sherinian - keyboards(2002–present)

Billy Morrison - rhythm guitar(2010–present)

Jeremy Colson - drums, percussion(2010–present)

Former members

Gregg Gerson - Drums, Percussion(1981–1983)

Steve Missal - Drums, Percussion(1981)

Phil Feit - Bass Guitar(1981–1983)

Thommy Price - Drums, Percussion(1983–1988)

Steve Webster - Bass Guitar(1983–1985)

Judi Dozier - Keyboards(1982–1985)

Kenny Aaronson - Bass Guitar(1986–1988)

Mark Younger-Smith - Lead Guitar(1990–1996)

Mark Schulman - Drums, Percussion(1993–2001)

Brian Tichy - Drums, Percussion(2001–2009)

Tal Bergman - Drums, Percussion(1990–1993)

Danny Sadownik - Drums, Percussion(1993)

Zane Fix - Bass Guitar(1980s)

Jennifer Blakeman - Keyboards(1993)

Julie Greaux - Keyboards(1993)

Discography

''Don't Stop (EP)'' (1981)

''Billy Idol'' (1982)

''Rebel Yell'' (1983)

''Vital Idol'' (1985)

''Whiplash Smile'' (1986)

''Idol Songs: 11 of the Best'' (1988)

''Charmed Life'' (1990)

''Cyberpunk'' (1993)

''Greatest Hits'' (2001)

''VH1 Storytellers'' (2002)

''Devil's Playground'' (2005)

''Happy Holidays'' (2006)

''The Very Best of Billy Idol: Idolize Yourself'' (2008)

List of Billy Idol awards and nominations

Grammys

|- | align="center"| ||"Rebel Yell"|| Best Male Rock Vocal Performance|| |- | align="center"| ||"To Be A Lover" || Best Male Rock Vocal Performance || |- | align="center"| ||"Cradle of Love" || Best Male Rock Vocal Performance ||

MTV Video Music Awards

The MTV Video Music Awards is an annual awards ceremony established in 1984 by MTV.

|- | align="center"| ||"Dancing With Myself" || Best Art Direction || |- | align="center"| ||"Dancing With Myself" || Best Special Effects || |- | align="center"| ||"Eyes Without a Face" || Best Cinematography || |- | align="center"| ||"Eyes Without a Face" || Best Editing || |- | align="center"| || "Cradle of Love" || Best Video from a Film || |- | align="center"| ||"Cradle of Love" || Best Male Video || |- | align="center"| ||"Cradle of Love" || Best Special Effects || |- | align="center"| ||"Shock To The System" || Best Special Effects || |- | align="center"| ||"Shock To The System" || Best Editing || |-

BRIT Awards

The BRIT Awards are the British Phonographic Industry's annual pop music awards. |- | || Billy Idol || Best British Video || |-

See also

Coral Castle, a stone structure where Idol got his inspiration for his song "Sweet Sixteen".

Bromley Contingent

References

External links

Official Site

Billy Idol MySpace page

Interview @ Legends

Billy Idol at ''Rolling Stone''

Category:1955 births Category:Alumni of the University of Sussex Category:English expatriates in the United States Category:English film actors Category:English male singers Category:English New Wave musicians Category:English punk rock singers Category:English vegetarians Category:Living people Category:Chrysalis Records artists Category:People from Stanmore Category:People from Dorking Category:People from Bromley

bg:Били Айдъл cs:Billy Idol cy:Billy Idol da:Billy Idol de:Billy Idol eml:Billy Idol es:Billy Idol fa:بیلی آیدل fr:Billy Idol hr:Billy Idol id:Billy Idol it:Billy Idol lv:Billijs Aidols hu:Billy Idol nl:Billy Idol ja:ビリー・アイドル no:Billy Idol pl:Billy Idol pt:Billy Idol ro:Billy Idol ru:Билли Айдол sk:Billy Idol sl:Billy Idol sr:Bili Ajdol fi:Billy Idol sv:Billy Idol uk:Біллі Айдол zh:比利·爱多尔

name	Terry Jones
birth date	February 01, 1942
birth place	Colwyn Bay, North Wales, United Kingdom
spouse	Alison Telfer
known for	Monty Python and history documentaries.
occupation	Actor,comedian, film director, presenter, poet, writer, historian,
website	terry-jones.net
children	}}

Terence Graham Parry Jones (born 1 February 1942) is a Welsh comedian, screenwriter, actor, film director, children's author, popular historian, political commentator, and TV documentary host. He is best known as a member of the Monty Python comedy team.

Early life

Jones was born in Colwyn Bay, Wales. The family home was named "Bodchwil". Jones' father was stationed with the RAF in India and Jones met him for the first time, on Colwyn Bay railway station, when he returned. When Jones was four and a half the family moved to Surrey.

Jones was educated at the Royal Grammar School in Guildford (now an independent school), where he was head boy in the academic year 1960–1; he read English at St Edmund Hall, Oxford, but "strayed into History". He graduated with a 2:1. While there, he performed comedy with Michael Palin, among others, in The Oxford Revue.

Career history

Before Python

The first recorded instance of Terry Jones and Michael Palin working together professionally occurred when Jones was on a writing course. Sarah Miles pulled out, so Terry employed Michael. He also wrote for Roy Hudd about this time. Jones appeared in ''Twice a Fortnight'' with Palin, Graeme Garden, Bill Oddie and Jonathan Lynn, as well as a television series ''The Complete and Utter History of Britain'' (1969). He also appeared in ''Do Not Adjust Your Set'' (1967–69) with Palin, Eric Idle and David Jason (Jones speaks about this series during an interview which appears on both the DVDs for ''Do Not Adjust Your Set'' and the ''At Last the 1948 Show''). He wrote for ''The Frost Report'' and several other of David Frost's programmes on British television. Along with Palin, he also wrote lyrics for Barry Booth's 1968 album Diversions.

One of Jones's early concerns was devising a fresh format for the Python TV shows, and it was largely Jones who developed the stream-of-consciousness style which abandoned punchlines and encouraged the fluid movement of one sketch into another – allowing the team's conceptual humour the space to “breathe”. Jones also objected to TV directors’ use of sped-up film, over-emphatic music and static camera style, and he took a keen interest in the direction of the shows. He later directed the Python films ''Monty Python and the Holy Grail'' (with Terry Gilliam), ''The Life of Brian'', and ''Monty Python's The Meaning of Life''. As director he gained fuller control of the projects, devising a visual style that allowed the performers 'space'; for instance, the use of wide shots for long exchanges of dialogue, and more economical use of music. As demonstrated in many of his sketches with Palin, Jones was also interested in making comedy that was visually impressive, feeling that interesting settings augmented, rather than detracted from, the humour. His methods encouraged many future television comedians to break away from conventional studio-bound shooting styles, as demonstrated into the 21st century by shows such as ''Green Wing'', ''Little Britain'' and ''The League of Gentlemen''.

Of Jones's contributions as a performer, his parodic, screechy-voiced depictions of "pepperpots" (middle-aged women, such as the waitress in the "Spam" sketch) are among the most memorable. His humour, in collaboration with Palin, tends to be conceptual in nature; a typical Palin/Jones sketch draws its humour from the absurdity of the scenario. For example, in the “Summarise Proust Competition”, Jones plays a cheesy game show host who gives contestants 15 seconds to condense Marcel Proust's lengthy work ''À la recherche du temps perdu''; in the "Mouse Organ" sketch, he uses mallets to bash mice that have been trained to squeak at a select pitch, to play the tune "Bells of St. Mary". In both cases, the laughs originate in the madness of the idea itself. Jones was also notable for his gifts as a Chaplinesque physical comedian: For instance, his performance in the "Undressing in Public" sketch is totally silent, except for an organ rendition of the Colonel Bogey March, which segues into an unplanned striptease. He was often cast as the straight man, or as a nerdy or put-upon character, often with ambitions or dreams beyond his abilities, in contrast to the authority figures often played by John Cleese or Graham Chapman.

Directorial work

Jones co-directed ''Monty Python and the Holy Grail'' with Terry Gilliam, and was sole director on two further Monty Python movies, ''Life of Brian'' and ''Monty Python's The Meaning of Life''. (The latter featured one of his most famous characters, the grotesquely obese Mr. Creosote.) As a film director, Jones finally gained fuller control of the projects and devised a visual style that complemented the humour. His later films include ''Erik the Viking'' (1989) and ''The Wind in the Willows'' (1996). In 2008, Jones wrote and directed an opera titled ''Evil Machines''. In 2011, he was commissioned to direct and write the libretto for another opera, entitled ''The Doctor's Tale''.

On the commentary track of the 2004 "2 Disc Special Edition" DVD for the film ''Monty Python's The Meaning of Life'', Terry Jones stated that to his knowledge Ireland had banned only four movies, three of which he had directed: ''The Meaning of Life'', ''Monty Python's Life of Brian'' and ''Personal Services''.

Animation

He was the creator and co-producer of the animated television program ''Blazing Dragons'', which ran for two seasons. Set in a fantasy medieval setting, the series' protagonists are dragons who are beset by evil humans, reversing a common story convention. When the series was broadcast on US television, several episodes were censored due to minor cursing and the implied sexuality of an overtly effeminate character named "Sir Blaze". It was turned into a game for the Sega Saturn in 1994, which starred Jones's voice.

As an author

He co-wrote ''Ripping Yarns'' with Palin, and wrote the screenplay for ''Labyrinth'' (1986), although his draft went through several rewrites and several other writers before being filmed; much of the finished film wasn't written by Jones at all. He has also written numerous works for children, including ''Fantastic Stories'', ''The Beast with a Thousand Teeth'', and a collection of Comic Verse called ''The Curse of the Vampire's Socks''.

He has written books and presented television documentaries on medieval and ancient history and the history of numeral systems. His series often challenge popular views of history: for example, ''Terry Jones' Medieval Lives'' (2004) (for which he received a 2004 Emmy nomination for "Outstanding Writing for Nonfiction Programming") argues that the Middle Ages was a more sophisticated period than is popularly thought, and ''Terry Jones' Barbarians'' (2006) presents the cultural achievements of peoples conquered by the Roman Empire in a more positive light than Roman historians typically have, while criticizing the Romans as the true "barbarians" who exploited and destroyed higher civilizations.

He has written numerous editorials for ''The Guardian, The Daily Telegraph'' and ''The Observer'' condemning the Iraq war. Many of these editorials were published in a paperback collection titled ''Terry Jones's War on the War on Terror''.

''Chaucer's Knight: The Portrait of a Medieval Mercenary'' (1980) offers an alternative take on the historical view of Geoffrey Chaucer's ''The Knight's Tale'' as being a paragon of Christian virtue. Jones asserts that, after closer examination of historical rather than literary context, the Knight is actually a typical mercenary and a potentially cold-blooded killer.

He is also a member of the UK Poetry Society and his poems have appeared in ''Poetry Review''.

Working with musicians

Jones has performed with The Carnival Band and appears on their 2007 CD ''Ringing the changes'' (Park Records PRKCD98).

In January 2008, the Teatro São Luiz, in Lisbon, Portugal, premiered ''Evil Machines'' – a musical play, written by Jones (based on his book) and with original music by Portuguese composer Luis Tinoco. Jones was invited by the Teatro São Luiz to write and direct the play, after a very successful run of ''Contos Fantásticos'', a short play based on Jones' ''Fantastic Stories'', also with music by Luis Tinoco.

As performer

Apart from a cameo in Terry Gilliam's ''Jabberwocky'' and a memorable minor role as a drunken vicar in BBC sitcom ''The Young Ones'', Jones has rarely appeared in work outside of his own projects. Since January 2009, however, he has provided narration for ''The Legend of Dick and Dom'', a CBBC fantasy series set in the Middle Ages.

Personal life

Jones married Alison Telfer in 1970, and they have two children together, Sally (born in 1974) who worked alongside receptionist Lee Jackson at the Royal Academy of Art, and Bill (born in 1976). The marriage broke down after he admitted to falling in love with 26-year-old student Anna Söderström.

On 21 October 2006, it was reported in ''The Daily Mirror'' that Jones had been diagnosed with bowel cancer. Another article dated three days later, also by ''The Mirror'', indicated that the exploratory surgery performed on Jones had good results. It was reported in the British media on 27 April 2009 that Jones was due to become a father for the third time in the autumn of 2009, by way of Söderström. But he remained married to Telfer. Jones's daughter Siri was born in early September 2009.

Selected bibliography

Fiction

''Douglas Adams's Starship Titanic'' (1997), ISBN 0-330-35446-9 – a novel based on the computer game of the same name by Douglas Adams. (Jones claims to have written the entire book while in the nude.)

;Illustrated by Michael Foreman

''Fairy Tales'' (1981), ISBN 0-907516-03-3

''The Saga of Erik the Viking'' (1983), ISBN 0-907516-23-8 – Children's Book Award 1984

''Nicobobinus'' (1985), ISBN 1-85145-000-9

''The Curse of the Vampire's Socks and Other Doggerel'' (1988), ISBN 1-85145-233-8 – poetry

''Fantastic Stories'' (1992), ISBN 1-85145-957-X

''The Beast with a Thousand Teeth'' (1993), ISBN 1-85793-070-3

''A Fish of the World'' (1993), ISBN 1-85793-075-4

''The Sea Tiger'' (1994), ISBN 1-85793-085-1

''The Fly-by-Night'' (1994), ISBN 1-85793-090-8

''The Knight and the Squire'' (1997), ISBN 1-86205-044-9

''The Lady and the Squire'' (2000), ISBN 1-86205-417-7 – nominated for a Whitbread Award

''Bedtime Stories'' (2002), ISBN 1-86205-276-X – with Nanette Newman

;Illustrated by Brian Froud

''Goblins of the Labyrinth'' (1986), ISBN 1-85145-058-0

*''The Goblin Companion: A Field Guide to Goblins'' (1996), ISBN 1-85793-795-3 – an abridged re-release, in a smaller format, with the colour plates missing

''Lady Cottington's Pressed Fairy Book'' (1994), ISBN 1-85793-336-2

''Strange Stains and Mysterious Smells: Quentin Cottington's Journal of Faery Research'' (1996), ISBN 0-684-83206-2

''Lady Cottington's Pressed Fairy Journal'' (1998), ISBN 1-86205-024-4

''Lady Cottington's Fairy Album'' (2002), ISBN 1-86205-559-9

;Illustrated by Martin Honeysett & Lolly Honeysett

''Bert Fegg's Nasty Book for Boys and Girls'' with Michael Palin (1974) ISBN 0-413-32740-X

Non-fiction

''Chaucer's Knight: The Portrait of a Medieval Mercenary'' (1980), ISBN 0-297-77566-9; rev. ed. (1994), ISBN 0-413-69140-3

''Who Murdered Chaucer?: A Medieval Mystery'' (2003), ISBN 0-413-75910-5 – with Robert Yeager, Terry Dolan, Alan Fletcher and Juliette Dor

''Terry Jones's War on the War on Terror'' (2005), ISBN 1-56025-653-2

;With Alan Ereira

''Crusades'' (1994), ISBN 0-563-37007-6

''Terry Jones' Medieval Lives'' (2004), ISBN 0-563-48793-3

''Terry Jones' Barbarians'' (2006), ISBN 0-563-49318-6

Screenplays

''And Now for Something Completely Different'' (1972) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle & Michael Palin

''Secrets'' (1973) – for TV, with Michael Palin

''Monty Python and the Holy Grail'' (1975) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle & Michael Palin

''Monty Python's Life of Brian'' (1979) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle & Michael Palin

''Monty Python's The Meaning of Life'' (1983) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle & Michael Palin

''Labyrinth'' (1986)

''Erik the Viking'' (1989) – includes a notice in the credits specifically disclaiming any link with Jones's earlier novel ("although he hopes it will help the sales")

''The Wind in the Willows'' (1996)

Documentary series

''Crusades'' (1995)

''Ancient Inventions'' – directed by Phil Grabsky & Daniel Percival (1998)

''The Surprising History of Egypt'' (USA, 2002) a.k.a. ''The Hidden History of Egypt'' (UK, 2003) – directed by Phil Grabsky

''The Surprising History of Rome'' (USA, 2002) a.k.a. ''The Hidden History of Rome'' (UK, 2003) – directed by Phil Grabsky

''The Surprising History of Sex and Love'' (2002) – directed by Alan Ereira & Phil Grabsky

''Terry Jones' Medieval Lives'' (2004)

''The Story of 1'' (2005)

''Terry Jones' Barbarians'' (2006)

''Terry Jones' Great Map Mystery'' (2008)

Political articles

Jones has published a number of articles on political and social commentary, principally in newspapers ''The Daily Telegraph'', ''The Guardian'', ''The Independent'', and ''The Observer''. Many of these articles criticized the war on terror, belittling it as "declaring war on an abstract noun" and comparing it to attempting to "annihilate mockery".

Collaborations

!	Monty Python and the Holy Grail>Monty Python andthe Holy Grail''	Monty Python's Life of Brian>Monty Python'sLife of Brian''	Monty Python's The Meaning of Life>Monty Python's TheMeaning of Life''	Erik the Viking>Erik theViking''	The Wind in the Willows (1996 film)>The Wind inthe Willows''
Graham Chapman
John Cleese
Carol Cleveland
Terry Gilliam
Eric Idle
Neil Innes
Terry Jones
Charles McKeown
Michael Palin

Miscellany

An asteroid, 9622 Terryjones, is named in his honour. When asked during a webchat if this were the greatest honour he has received, Jones replied, "I didn't realise it was an honour to have a barren lump of rock named after one."

References

;Notes

;Further reading

External links

Terry Jones.net – Semi-official fan site

Totally Terry

Terry Jones on twitter

10 July 2006 webchat transcript at Douglas Adams Continuum

Terry Jones at the BBC Guide to Comedy

Terry Jones at the Comedy Zone

MP3 audio interview with Jones from The Sound of Young America public radio program and podcast

Interview with Terry Jones by Jeff Fleischer in ''Mother Jones.'' He talks about his politics columns.

Text interview with Jones from Wisconsin Public Television. Jones talks about Monty Python's legacy and his more current work.

Category:1942 births Category:British comedy writers Category:British television writers Category:Alumni of St Edmund Hall, Oxford Category:Living people Category:Monty Python members Category:Old Guildfordians Category:People from Colwyn Bay Category:Welsh actors Category:Welsh comedians Category:Welsh film actors Category:Welsh film directors Category:Welsh screenwriters Category:Welsh television actors

an:Terry Jones bg:Тери Джоунс cs:Terry Jones cy:Terry Jones da:Terry Jones de:Terry Jones (Komiker) es:Terry Jones eu:Terry Jones fr:Terry Jones hr:Terry Jones it:Terry Jones he:טרי ג'ונס hu:Terry Jones mk:Тери Џонс nl:Terry Jones ja:テリー・ジョーンズ no:Terry Jones pl:Terry Jones pt:Terry Jones ro:Terry Jones ru:Джонс, Терри simple:Terry Jones sh:Terry Jones fi:Terry Jones sv:Terry Jones

Name	Chris de Burgh
Background	solo_singer
Birth name	Christopher John Davison
Born	October 15, 1948, Venado Tuerto, Santa Fe Province, Argentina
Origin	Argentinian, Irish and British
Religion	Church of Ireland
Instrument	Vocals, Guitar, Piano
Genre	Soft rock, pop rock, rock
Occupation	Musician, singer-songwriter
Years active	1974–present
Label	A&M; Records, Ferryman Productions, Edel Records
Website	http://www.cdeb.com
Height	}}

Chris de Burgh (born Christopher John Davison, 15 October 1948) is a British/Irish singer-songwriter. He is most famous for his 1986 love song "The Lady in Red".

Early life

De Burgh was born in Venado Tuerto, Argentina, to Colonel Charles Davison, a British diplomat, and Maeve Emily de Burgh, an Irish secretary. His father had substantial farming interests, and he spent much of his early years in Malta, Nigeria and Zaire, as he, his mother and brother accompanied Colonel Davison on his diplomatic and engineering work.

The Davisons finally settled in Bargy Castle, County Wexford, a twelfth-century castle in Ireland bought by his maternal grandfather, General Sir Eric de Burgh, a former Chief of the General Staff, British Indian Army, and from a distinguished Hiberno-Norman family. The castle was converted into a hotel where Chris gained much early experience performing to the guests and he later assumed de Burgh as his stage name.

After attending Marlborough College in Wiltshire, England, de Burgh went on to graduate from Trinity College, Dublin with a Master of Arts degree in French, English and History. He took his mother's maiden name as his professional stage name.

Performing career

Chris de Burgh signed his first contract with A&M; Records in 1974, and supported Supertramp on their Crime of the Century tour, building himself a small fan base. His début album, ''Far Beyond These Castle Walls'', was a folk-tinged stab at fantasy in the tradition of the Moody Blues that failed to chart upon its release in February 1975. That July, he released a single called "Turning Round" from the album, released outside the UK and Ireland as "Flying". It failed to make an impression in the UK, but it stayed on top of the Brazilian charts for 17 weeks. This became a familiar pattern for the singer/songwriter, as every one of his '70s albums failed to chart in the UK or U.S. while they racked up big sales in European and South American countries. In 1981, he had his first UK chart entry with ''Best Moves'', a collection culled from his early albums. It set the stage for 1982's Rupert Hine produced ''The Getaway'', which reached number 30 in the UK charts and number 43 in the U.S., thanks to the eerie single "Don't Pay the Ferryman". Chris de Burgh's follow-up album, ''Man on the Line'', also performed well, charting at 69 in the U.S. and 11 in the UK.

Chris de Burgh had an across-the-board success with the ballad "The Lady in Red" in late 1986; the single became a number one hit in the UK (number three in America) and its accompanying album, ''Into the Light'', reached number two in the UK. (number 25 in the U.S.). That Christmas season, a re-release of de Burgh's 1976 Christmas song "A Spaceman Came Travelling" became a Top 40 hit in the UK. ''Flying Colours'', his follow-up to ''Into the Light'', entered the British charts at number one upon its 1988 release, yet it failed to make the American charts. De Burgh never hit the U.S. charts again and his commercial fortunes began to slide slightly in Britain in the early '90s, yet he retained a following around the world. This is mainly due to inactivity of his previous recording label A&M; Records UK division in U.S.

In the mid 1980s he actually brought on a stripper on the stage for the song "Patricia the Stripper" Even though de Burgh is based in Ireland the Irish press are less than generous in their praise for him. In a rare moment of public anger de Burgh wrote a letter of reply to The Irish Times after a scathing review: ''"I wonder what they have in mind for you in your dotage"? Searing critiques of Primary School Christmas plays perhaps, or judging knife sharpening competitions in Sligo?."''

In December 2007, Iranian authorities allowed de Burgh to play with Iranian group, Arian Band, in a concert which made de Burgh the first western act to perform in Iran after the Iranian Revolution. Chris de Burgh said in a press conference in Tehran: "This has been a dream of mine since I was a little boy (to visit Iran)....I am not here for any political reasons."

Famous songs

Chris de Burgh's most famous song is "The Lady in Red" from the 1986 album ''Into the Light''. That album also included the song "For Rosanna", written to celebrate the 1984 birth of his daughter Rosanna Davison, who would later go on to win the 'Miss World' title in 2003.

In a recent interview, de Burgh revealed how the late Diana, Princess of Wales came to see him perform at a private concert; and how after the performance, Diana approached him backstage to thank him for writing the song "The Lady in Red". Apparently, Diana was under the impression that the song was written for (or dedicated to) her, since she was known for loving to wear the colour red. De Burgh was honoured for the compliment and admiration, but he revealed to her the real story behind the song. Speaking on the BBC series ''This Is Your Life'' in the 1990s, de Burgh said that the song was inspired by the memory of meeting his wife Diane, and how men so often cannot even remember what their wives were wearing when they first met. His own website's FAQ puts it this way:

Q. Is the song "The Lady In Red" written about Diane, Chris' wife? A. There are a lot of different answers to this that Chris has apparently been heard to say. However, the real answer is that this song was inspired by a moment when Chris saw Diane across a crowded nightclub, without at first realising it was her. As a result he realised that often people never quite appreciate that the most important person in their lives is taken for granted, and how after a while you fail to notice the things that brought you together. This was the basis of the song but it wasn't written either for or about Diane.

Other notable songs include the funny-spirited "Patricia the Stripper", the mythological "Spanish Train", the medievally evocative The Tower, and "A Spaceman Came Travelling". Some of his songs deal with death "Don't Pay the Ferryman" (with its background quote from ''The Tempest''), whereas others like "Missing You" plainly deal with romance; "Borderline" and "Say Goodbye To It All" deal with themes of war, and its futility. The latter is based loosely on Hemingway's novel ''A Farewell To Arms''. In 2001, he travelled to Germany and recorded "Separate Tables" in a new duet version with Vicky Leandros. His songs have appeared in films as diverse as ''Arthur 2'', ''American Psycho'' and ''Dodgeball'' and his records have reported sales of more than forty million units internationally. For the album ''Timing is Everything'', he teamed up with Lebanese singer Elissa for the recording of his single "Lebanese Night", which became a big hit in Lebanon. His CD release ''The Storyman'' contains the title track "The Storyman" which — in its lyrics — lists 30 of his most famous tracks.

He has been a guest performer several times on the Lebanese Star Academy finals. He is most famous in Lebanon and the Arab world for his collaboration with Lebanese diva Elissa entitled 'Lebanese Nights'. "My Father's Eyes", from ''The Storyman'', was another hit that featured an Egyptian, Hani Hussein.

He has recently released the song 'Live for the day' a duet with Lebanese Star Academy 4 contestant Tina Yamout.

Chris de Burgh’s album "Footsteps" was released in Germany, Switzerland and Austria in November 2008 and later in the UK, featuring a bonus track unavailable anywhere else.(Rhythm of the rain/Crying in the rain).

Chris de Burgh’s latest album "Moonfleet & Other Stories" was released in 2010.

Band line-up

''1977–1978 – Jeff Philips, Glenn Morrow, Ken Allardyce, Colin Vallance (joined in 1978)

''1979–1982 – Tim Wynveen, Jeff Philips, Glenn Morrow, Al Marnie, Ian Kojima

''1983–1994 – Danny McBride (not to be confused with Daniel "Dirty Dan" Hatton McBride), Jeff Philips, Glenn Morrow, Al Marnie, Ian Kojima

''1997–2001 ("Love Songs" and "Quiet Revolution" Tour) – Neil Taylor, Peter Oxendale, Tony Kiley, Dave Levy, Al Vosper ''2002–2004 ("Timing Is Everything" Tour) – Gary Sanctuary, Tim Cansfield, Dave Levy, Tony Kiley, Al Vosper ''2006–Present ("The Storyman" Tour) – Ebbe Ravn, Al Vosper, Dave Levy, Tony Kiley, Nigel Hopkins

Personal life

Chris de Burgh has been married to his wife Diane since 1977 and lives in Enniskerry, County Wicklow in Ireland. They have two sons, Hubie and Michael, and a daughter, Rosanna, who won the Miss World competition in 2003 for Ireland. He is an avid Liverpool F.C. supporter as is Rosanna and they often attend matches at Anfield.

In 1994, he was found to have had an affair with his children's 19 year old Irish nanny, Maresa Morgan, who was assisting the family while de Burgh's wife, Diane was recuperating in the hospital from a broken neck during a horse-riding accident. His daughter Rosanna, a model, indicated during an interview with ''The Irish Independent'' that she held little sympathy for Morgan, regarding the latter's portrayal of herself as a victim as "pathetic" and hoped "she pays" for her mistake". She forgave her father for his affair. Ms. Morgan was so traumatised, she moved to France following Davison's comments.

De Burgh has pursued and won 16 defamation actions.The Irish Independent said he has always been a bit prickly about criticism. Peter Crawley, a theatre reviewer at The Irish Times, found this out the hard way when he wrote a less than sympathetic review of de Burgh's show in Dublin's Gaiety Theatre in September 2009. Crawley noted: "He departs the stage for 'Lady in Red', invading boxes and draping himself over audience members . . . Certain toes will never uncurl after this experience, but it is almost admirable how unaltered de Burgh has remained by the flow of time." In a lengthy, much-publicised reply to the critic, de Burgh made his feelings known, particularly in the postscript:-

"We were wondering by way of explanation and, as you seem to portray yourself as a bitter and unfulfilled man, were you much teased by your school chums in the schoolyard and called 'Creepy Crawley'?" De Burgh wrote.

Discography

Albums and compilations

Chris de Burgh was signed to A&M; Records for many years (1974–2004), but he now has his own label, ''Ferryman Productions''. His recent albums are released by German label, Edel Records.

Studio albums

''Far Beyond These Castle Walls'', 1975 (#1 Brazil)

''Spanish Train and Other Stories'', 1975 (#78 in 1985)

''At the End of a Perfect Day'', 1977

''Crusader'', 1979 (#72 in 1986)

''Eastern Wind'', 1980 #1 Norway

''The Getaway'', 1982 (#30 UK, #1 Germany, #43 US)

''Man on the Line'', 1984 (#11 UK, #1 Germany, #69 US, #1 Switzerland)

''Into the Light'', 1986 (#2 UK, #2 Germany, #1 Ireland, #25 US)

''Flying Colours'', 1988 (#1 UK, #1 Ireland, #1Germany)

''Power of Ten'', 1992 (#3 UK, #1 Germany, #3 Switzerland)

''This Way Up'', 1994 (#5 UK, #4 Germany)

''Beautiful Dreams'', 1995 (#33 UK, #29 Germany, #24 Switzerland)

''Quiet Revolution'', 1999 (#23 UK, #6 Germany, #10 Switzerland)

''Timing Is Everything'', 2002 (#41 UK, #12 Germany, #18 Switzerland)

''The Road To Freedom'', 2004 (#75 UK, #5 Germany, #22 Switzerland, #18 Netherlands, #39 Austria, #42 Belgium)

''The Storyman'', 2006 #38 UK, #8 Germany, #28 Switzerland, #18 Netherlands)

''Footsteps'', 2008 (#4 UK, #9 Germany (Platinum ), #22 Switzerland, #12 Denmark, #22 Ireland, #38 Austria, #40 Poland, #55 Sweden) ''Moonfleet & Other Stories'', 2010 (#25 UK, #33 Ireland, #3 Germany (Gold ), #31 Switzerland, #42 Austria, #100 Canada)

''Footsteps 2'', to be released on 14 October 2011

Compilation albums

''Best Moves'', 1981 (#65 UK, #5 Germany, #4 Norway)

''The Very Best of Chris de Burgh'', 1984, (#6)

''Spark to a Flame: The Very Best of Chris de Burgh'', 1989 (#4 UK, #2 Germany)

''The Love Songs'', 1997 (#8 UK, #51 Germany)

''The Ultimate Collection'', 2000

''Notes from Planet Earth - The Ultimate Collection'', 2001 (#19 UK)

''Gold'', 2007

''Much More Than This (Box Set) 2007

''Now and Then'', 2008 (#12 UK)

Live albums

''High on Emotion: Live from Dublin'', 1990 (#15)

''Live in South Africa'', 1997

''The River Sessions'', 2004

''Live In Dortmund'', 2005 #39 Germany

''Live In Moscow'', 2007

Videos and DVDs

''Chris de Burgh - The Video, 1983 (Video)

''The Munich Concert, 1985 (Video)

''High on Emotion: Live from Dublin, 1990 (Video)

''Beautiful Dreams, 1995 (Video and DVD)

''Benefit for Volendam, 2001 (Video and DVD)

''The Road To Freedom - Live in Concert (DVD)

''The Words I Love You – Feat Arian Band (HD Quality DVD)

Footsteps – Live In Concert – With Band. (2010 DVD), features unreleased songs such as "The Diary of Mary Rose"

UK and world top 200 singles

Hold on (1974 -#)

Flying/Turning Around (1975 – #1 in Brazil 17 weeks)

A Spaceman Came Travelling (1976 – #1 in Ireland, #3 France)

Just Another Poor Boy (1977 – #8 in South Africa)

The Devils' Eye (1979) – #)

The Traveller (1980)- #106 US)

Sailor (1981 – #16 in Ireland)

Waiting for the Hurricane (1981 – #)

Don't Pay the Ferryman (1982 – #48 UK, #5 Australia, #9 Ireland, #24 Germany, #34 US, #29 US Rock, #7 Canada, #6 France, #19 Poland)

The Getaway (1982 – #8 Norway, #24 Ireland)

Ship to Shore, (1983 – #71 US, #69 Germany, #4 France)

Where peaceful Waters Flow (1983 – #17 Ireland, #52 Germany)

Borderline (1983 – #12 Ireland)

High On Emotion (1984 – #44 UK, #1 France, #12 Germany, #44 US, #3 US ROCK #5 Ireland, #5 Switzerland, Austria # 12, Canada #11, )

Ecstasy Of Flight (I Love The Night) (1984 – #80 UK, #20 Ireland, #49 Germany, #29 Switzerland, France #1, Poland #17)

Sight and Touch (1985 – #)

Fire On The Water (1986 – #88 UK, #19 Ireland, #46 Germany, #16 Switzerland)

The Lady in Red #1 in 15 Countries (1986 – #1 UK, #3 US, #1 Ireland, #5 Germany, #18 Switzerland)

Fatal Hesitation (1986 – #44 UK, #7 Ireland, #20 US Adult Contemporary)

A Spaceman Came Travelling/The Ballroom Of Romance (1986 – #40 UK, #15 Ireland)

One Word (Straight from the Heart),( 1987 -#60 Germany, #4 France)

The Simple Truth (A Child Is Born) (1987 – #55 UK, #10 Ireland, #31 Germany )

Love is my decision ( 1988 – #36 US(Adult Contemporary)

Missing You (1988 – #3 UK, #38 US (Adult Contemporary), #1 Ireland, #3 Germany, #20 Switzerland, #17 Poland)

Tender Hands (1989 – #43 UK, #18 Ireland, #10 France, #40 Poland, #70 Japan)

Sailing Away (1989 – #78 UK, #9 Germany, #56 Switzerland, #8 France)

This Waiting Heart (1989 – #59 UK, #13 Germany, #15 Ireland, #27 Switzerland)

Diamond In The Dark (1989 – #95 UK)

Don't Pay The Ferryman (live) (1990 – #84 UK)

The Simple Truth (1991) (1991 – #36 UK re-issue)

Separate Tables (1992 – #30 UK, #14 Ireland, #39 Germany, #25 Switzerland, #9 France, #46 Poland)

By My Side (1992 – #15 Germany)

Making the Perfect Man (1992 – #30 UK, #4 France)

Shine on ( 1992 – #)

Blonde Hair Blue Jeans (1994 – #51 UK )

This Silent World (1994 #)

Here is Your Paradise (1994 #)

The Snows Of New York (1995 – #60 UK)

I'm not crying over you (1996- #78 UK)

Riding on a rainbow ( 1996- #49 Poland)

So Beautiful (1997 – #29 UK, #43 Poland, #64 Brazil)

Forevermore (1998 – #17 Latvia)

When I Think Of You (1999 – # UK 59)

A Woman's Heart (2000 – #50 Poland)

The Same Sun, (2000 – #)

Two Sides to Every Story (2001 #172 UK)

Lebanese Night (2002 – #1 Lebanon)

Guilty Secret (2002 – #121 UK, #48 Poland)

Five Past Dreams (2004 – #)

Patricia the Stripper (2005– #3 Ireland)

One World (2006 – #99 Germany)

A Spaceman came travelling (2007- #UK 151)

A Spaceman came travelling (2009- #UK 167)

The Bells of Christmas/You'll Never Walk Alone (2009 – #UK)

Everywhere I Go (2010 – #34 UK airplay chart)

A Spaceman came travelling ( 2010- new recording #187 UK)

Lonely Sky – Ben & Jamie Hazelby feat Chris De Burgh (2010 – #36 Uk Singles Chart 26/12/2010, #4 UK itunes chart)

Filmography

''How to Cheat in the Leaving Certificate'' (Petrol Pumper)

References

External links

CdeB.com, official Web site

CdeB.net, official record store and merchandise site

Chrisdeburgh.net, Multi-Language Chris de Burgh Website

Audio interview at BBC Wiltshire

Interview with Akira The Don

Category:1948 births Category:Alumni of Trinity College, Dublin Category:Living people Category:Irish male singers Category:Irish pop singers Category:Irish singer-songwriters Category:Irish songwriters Category:British male singers Category:British pop singers Category:British singer-songwriters Category:British songwriters Category:Old Marlburians Category:People from Santa Fe Province Category:Argentine people of Irish descent

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name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker, Matt Groening
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of ''Flying Circus''

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ''ComedyWorld'', a summer replacement series for ''The Dean Martin Show''. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the ''Flying Circus''

Filmography

''And Now for Something Completely Different'' (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media

Television

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

''Monty Python: Almost the truth''(2012)

:Six 1 hour shows about the monty python team and their unwanted celebrity status

Films

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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