Soma (Sanskrit सोम ''sóma''), or Haoma (Avestan), from Proto-Indo-Iranian *''sauma-'', was a ritual drink of importance among the early Indo-Iranians, and the subsequent Vedic and greater Persian cultures. It is frequently mentioned in the Rigveda, whose Soma Mandala contains 114 hymns, many praising its energizing qualities. In the Avesta, Haoma has the entire ''Yašt'' 20 and Yasna 9-11 dedicated to it.

The Rigveda calls the plant the "God for Gods" seemingly giving him precedence above Indra and the other Gods (RV 9.42)

It is described as prepared by extracting juice from the stalks of a certain plant. In both Vedic and Zoroastrian tradition, the name of the drink and the plant are the same, and the three forming a religious or mythological unity.

There has been much speculation concerning what is most likely to have been the identity of the original plant. There is no solid consensus on the question, although most Western experts outside the Vedic and Avestan religious traditions now seem to favour a species of Ephedra, perhaps ''Ephedra sinica''.

Etymology

Both Soma and the Avestan ''Haoma'' are derived from Proto-Indo-Iranian ''*sauma-''. The name of the Scythian tribe ''Hauma-varga'' is related to the word, and probably connected with the ritual. The word is derived from an Indo-Iranian root ''*sav-'' (Sanskrit ''sav-/su'') "to press", i.e. ''*sau-ma-'' is the drink prepared by pressing the stalks of a plant. The root is Proto-Indo-European (''*sew(h)-'')

Vedic Soma

In the Vedas, the drink, and the plant refer to the same entity. Drinking ''Soma'' produces immortality (''Amrita'', Rigveda 8.48.3). Amrita is phonetically and conceptually very similar to the Greek ambrosia; both is what the gods drink, and what made them deities. Indra and Agni are portrayed as consuming Soma in copious quantities. The consumption of Soma by human beings is well attested in Vedic ritual.

The ''Rigveda'' (8.48.3, tr. Griffith) states, :a '''' :c '''' :We have drunk Soma and become immortal; we have attained the light, the Gods discovered. :Now what may foeman's malice do to harm us? What, O Immortal, mortal man's deception?

The Ninth Mandala of the Rigveda is known as the Soma Mandala. It consists entirely of hymns addressed to Soma Pavamana ("purified Soma"). The drink Soma was kept and distributed by the Gandharvas. The Rigveda associates the Sushoma, Arjikiya and other regions with Soma (e.g. 8.7.29; 8.64.10-11). Sharyanavat was possibly the name of a pond or lake on the banks of which Soma could be found. It is described as "green-tinted" and "bright-shining" in the RigVeda. (R.V., 9.42.1 and 9.61.17)

The plant is often described as growing in the mountains (''giristha'', cf. Orestes), notably Mount Mūjavant. It has long stalks, and is of yellow or tawny (''hari'') colour. The drink is prepared by priests pounding the plants with stones. The juice so gathered is filtered through lamb's wool, and mixed with other ingredients (including cow milk) before it is drunk. It is said to "roar". It is said to be the bringer of the gods.

Later, knowledge of the ingredient was lost altogether, and Indian ritual reflects this, in expiatory prayers apologizing to the gods for the use of a substitute plant (somalataa, e.g. the pūtīka) because Soma had become unavailable. In the Vedic ritual Agnistoma (or Somayaga), Soma is to be presented as the main offering. As Soma became increasingly difficult to obtain as the Vedic people continued their migration away from the plant's homeland, there was a need to find substitutes. The substitution of one element in a sacrifice for another was in harmony with an underlying principle of Vedic ritual - the victim is a substitute for the sacrificer. The texts provide an extensive list of plants that can be used as substitutes and end the list by saying that any plant is acceptable, provided it is yellow.

Traditional accounts

The ritual of Somayajna is still held with unbroken continuity in the South India. The ''Somalatha'' (Sanskrit: Soma creeper) which is procured in small quantities from the Himalayan region is used to prepare Soma rasam or Soma juice. It is also used in these areas in Ayurveda and Siddha medicine streams since time immemorial. The herb which is used is ''Sarcostemma acidum''.

Avestan Haoma

The finishing of ''Haoma'' in Zoroastrianism may be glimpsed from the Avesta (particularly in the ''Hōm Yast'', Yasna 9), and Avestan language ''*hauma'' also survived as middle Persian ''hōm''. The plant ''Haoma'' yielded the essential ingredient for the ritual drink, ''parahaoma''. It is to be noted here that the Persians used the phonetic "Ha" instead of "Sa" in their language. For example they called river Sarasvati, Haravati; River Sindhu is called Hindu ( some believe this is the root of the Hindu nomenclature), and here we see them call Soma - Haoma.

In the ''Hōm yašt'' of the Avesta, the ''Yazata'' (divine) Haoma appears to Zoroaster "at the time of pressing" (''havani ratu'') in the form of a beautiful man. Yasna 9.1 and 9.2 exhort him to gather and press Haoma plants. Haoma's epitheta include "the Golden-Green One" (''zairi-'', Sanskrit ''hari-''), "righteous" (''ašavan-''), "furthering righteousness" (''aša-vazah-''), and "of good wisdom" (''hu.xratu-'', Sanskrit ''sukratu-'').

In Yasna 9.22, Haoma grants "speed and strength to warriors, excellent and righteous sons to those giving birth, spiritual power and knowledge to those who apply themselves to the study of the nasks". As the religion's chief cult divinity he came to be perceived as its divine priest. In Yasna 9.26, Ahura Mazda is said to have invested him with the sacred girdle, and in Yasna 10.89, to have installed Haoma as the "swiftly sacrificing ''zaotar''" (Sanskrit ''hotar'') for himself and the Amesha Spenta. Haoma services were celebrated at least until the 1960s and 1970s in a strongly conservative village near Yazd.

But the Avesta also warns of misuse. He distinguishes between the currently used drug-like Haoma, including Opium, and the ''real'' Divine Haoma.

Candidates for the Soma plant

There has been much speculation as to the original Proto-Indo-Iranian ''Sauma'' plant. It was generally assumed to be Entheogenic, based on RV 8.48 cited above (''we have attained the light''). Many descriptions of Soma are associated with excitation. Soma is associated with the warrior-god Indra, and has been drunk by him before his battle with Vṛtra. For these reasons, there are stimulant (amphetamine like) plants as well as entheogenic plants among the candidates that have been suggested. Soma is also often associated with Light and Indra is the "Lord of Light" as shown in the following verses from the RgVeda: RV 8.82.25 ''For thee, O Lord of Light, are shed these Soma-drops, and grass is strewn. Bring Indra to his worshippers. May Indra give thee skill, and lights of heaven, wealth to his votary. And priests who praise him: laud ye him.''

There are several references in the RgVeda, associating Soma with the visionary seeing of Light e.g. RV 9.4, RV 9.5, RV 9.8, RV 9.10, RV 9.42.

Candidates that have been suggested include honey, and fly agaric (''Amanita muscaria''), which was widely used among Siberian shamans for its entheogenic properties. Several texts like the Atharvaveda extol the medicinal properties of Soma and he is regarded as the king of medicinal herbs (and also of the Brahmana class).

From the late 1960s onwards, several studies attempted to establish ''soma'' as a psychoactive substance. A number of proposals were made, including one in 1968 by the American banker R. Gordon Wasson, an amateur ethnomycologist, who asserted that ''soma'' was an inebriant, and suggested fly-agaric mushroom, ''Amanita muscaria'', as the likely candidate. Since its introduction in 1968, this theory has gained both detractors and followers in the anthropological literature.

Wasson and his co-author, Wendy Doniger O'Flaherty, drew parallels between Vedic descriptions and reports of Siberian uses of the fly-agaric in shamanic ritual.

Since the late 18th century, when Abraham Hyacinthe Anquetil-Duperron and others made portions of the Avesta available to western scholars, several scholars have sought a representative botanical equivalent of the ''haoma'' as described in the texts and as used in living Zoroastrian practice. In the late 19th century, the highly conservative Zoroastrians of Yazd (Iran) were found to use Ephedra (''genus'' Ephedra), which was locally known as ''hum'' or ''homa'' and which they exported to the Indian Zoroastrians. There are numerous mountain regions in the northwestern Indian subcontinent which have cool and dry conditions where ephedra plants can grow. Later Vedic texts mention that the best soma plants came from Mount Mūjavant, which may be located as in northern Kashmir and in neighboring western Xinjiang. (Ephedra is not, however, used in any type of sacrificial activity by Hindu priests today, nor is it actively cultivated in the open trade economies of South Asia.)

In 1989 Harry Falk noted that, in the texts, both ''haoma'' and ''soma'' were said to enhance alertness and awareness, did not coincide with the consciousness altering effects of an entheogen, and that "there is nothing shamanistic or visionary either in early Vedic or in Old Iranian texts", (Falk, 1989) Falk made a crucial error is assuming that ephedra reacts like ephedrine; ephedra is less like adrenaline and more a potent bronchodilator. Falk also asserted that the three varieties of ephedra that yield ephedrine (''geradiana'', ''major procera'' and ''intermedia'') also have the properties attributed to ''haoma'' by the texts of the Avesta. (Falk, 1989) At the conclusion of the 1999 Haoma-Soma workshop in Leiden, Jan E. M. Houben writes: ''"despite strong attempts to do away with ephedra by those who are eager to see ''*sauma'' as a hallucinogen, its status as a serious candidate for the Rigvedic Soma and Avestan Haoma still stands"'' (Houben, 2003).

The Graeco-Russian archeologist Viktor Sarianidi claims to have discovered vessels and mortars used to prepare Soma in 'Zoroastrian temples' in Bactria. He claims that the vessels have revealed residues and seed impressions left behind during the preparation of Soma. This has not been sustained by subsequent investigations Besides the residue of ephedra, the archeologists discovered the residues of Poppy seeds and Cannabis. The vessels also had impressions created by Cannabis seeds. Cannabis is well known in India as Bhang and sometimes Poppy seeds are used with Bhang to make the ritual drink ''Bhang Ki Thandai''.

In his book ''Food of the Gods'', 'Ethnobotanist Terence McKenna postulates that the most likely candidate for Soma is the mushroom Psilocybe cubensis, a hallucinogenic mushroom that grows in cow dung in certain climates. In India, Wasson identified ''Psilocybe cubenis'' as "easily identified and gathered, and are effective.", and went so far as to hypothesize, "the possible role of Stropharia cubensis growing in the dung of cattle in the lives of the lower orders remains to this day wholly unexplored. Is S. cubensis responsible for the elevation of the cow to a sacred status?" McKenna cites both Wasson's and his own unsuccessful attempts using ''Amanita muscaria'' to reach a psychedelic state as evidence that it could not have inspired the worship and praise of Soma. McKenna further points out that the 9th mandala of the Rig Veda makes extensive references to the cow as the embodiment of soma. He draws comparison to other cultures who venerate the source of the ecstatic state such as the Chavin in Meso-America who venerate the cactus as the source of peyote.

In his 2005 book ''Amanita Muscaria; Herb of Immortality'' Donald E. Teeter has expanded upon Wasson's work and extends Soma to include other Indo-European ritual foods and drink. These include: Haoma, Ambrosia, Nectar the Wine of Dionysus, the Christian Holy Host, and communion wine, among others.

Teeter also proposes and experimentally tests a mechanism for the reported uses and ceremonies associated with these rituals, as well as accounting for the mechanism of the Holy grail and similar bountiful religious artifacts mentioned in historical references.

Teeter records success with his use of Amanita muscaria and his experiments to duplicate the described occurrences surrounding the production, use and effects described for Soma and the Grail.

Contemporary Hinduism

In Hindu art, the god Soma was depicted as a bull or bird, and sometimes as an embryo, but rarely as an adult human. In Hinduism, the god Soma evolved into a lunar deity. Full moon is the time to collect and press the divine drink. The moon is also the cup from which the gods drink Soma, thus identifying Soma with the moon god Chandra. A waxing moon meant Soma was recreating himself, ready to be drunk again. Alternatively, Soma's twenty-seven wives were the star goddesses, the Nakshatras - daughters of the cosmic progenitor Daksha - who told their father that he paid too much attention to just one of them, Rohini. Daksha subsequently cursed Soma to wither and die, but the wives intervened and the death became periodic and temporary, and is symbolized by the waxing and waning of the moon. Monday is called ''Somavāram'' in Sanskrit and modern Indian languages, such as Hindi, Bengali, Kannada Marathi and Telugu, and alludes to the importance of this god in Hindu spirituality.

The Sushruta Samhita localizes the best Soma in the upper Indus and Kashmir region.

The Maharishi Mahesh Yogi's Transcendental Meditation-Sidhi Program involves a notion of "Soma", allegedly based on the Rigveda.

Western reception

In Western artistic and cultural depictions, Soma often refers to some form of intoxicating drug.

Literature and music

In the 19th century, John Greenleaf Whittier wrote a poem called The Brewing of Soma. The last part speaks of how Christians should draw near to God without such things as soma. This part of the poem has been made into a hymn.

In the books ''Junkie'' and ''Naked Lunch'', author William S. Burroughs refers to soma as a non-addictive, high-quality form of opium said to exist in ancient India.

In Neil Gaiman's novel ''American Gods'', soma is referred to be "concentrated prayer", a drink enjoyed by the gods (who feed on people's worship), even non-Hindu ones such as Odin.

A fictional hallucinogenic drug in Aldous Huxley's 1932 novel, Brave New World and 1962 novel, Island.

A song by The Smashing Pumpkins on their album ''Siamese Dream''

Pharmaceutical drug

"Soma" is a brand name for the muscle relaxant drug carisoprodol, manufactured and marketed in the United States by Meda Pharmaceuticals. It is used to relieve discomfort associated with painful musculoskeletal conditions such as backache. Carisoprodol is a 'centrally acting spasmolytic', which means that it works by altering communication between the central nervous system (brain & spinal cord) and the nerves that control muscles. In contrast to fictional depictions of soma, carisoprodol has significant habit-forming potential and sedative side effects; it is therefore available by prescription only.

See also

Ambrosia

Mead of Poetry

Madhu

Notes

References

Bakels, C.C. 2003. “The contents of ceramic vessels in the Bactria-Margiana Archaeological Complex, Turkmenistan.” in ''Electronic Journal of Vedic Studies'', Vol. 9. Issue 1c (May 2003) [broken link]

Jay, Mike. ''Blue Tide: The Search for Soma''. Autonomedia, 1999.

Lamborn Wilson, Peter. ''Ploughing the clouds:The search for Irish Soma'', City Lights,1999.

McDonald, A. "A botanical perspective on the identity of soma (Nelumbo nucifera Gaertn.) based on scriptural and iconographic records" in ''Economic Botany'' 2004;58

Category:Entheogens Category:Herbal and fungal hallucinogens Category:Materials involved in Hinduism Category:Mythological substances Category:Rigvedic deities Category:Historical beverages Category:Sanskrit words and phrases

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name	Notis SfakianakisΝότης Σφακιανάκης
background	solo_singer
birth name	Panagiotis Sfakianakis
birth date	November 02, 1959
Birth place	Kos, Greece
origin	Athens, Greece
instrument	Vocals
genre	Laïka
occupation	Singer
years active	1985–present
label	Sony Greece, Minos EMI, Universal Greece
website	www.NotisSfakianakis.gr
notable instruments	}}

Panagiotis (Notis) Sfakianakis (Greek: Νότης Σφακιανάκης; born 2 November 1959) is a Greek singer of laika music, who is one of the most commercially successful artists of all time in Greece and Cyprus. Sfakianakis began his career in 1985, opening at nightclubs for other artists. He was discovered by Sony Greece and released his debut album ''Proti Fora'' (1991). For his second album ''Eisai Ena Pistoli'' (1992), he moved to Minos EMI. While his firsτ three releases were commercially successful, beginning in the mid-1990s, Sfakianakis released a series of multi-platinum albums that are among the best selling albums of all time in Greece — including ''Notioanatolitika Tou Kosmou'' (1994) with 120–150 thousand copies sold, ''5o Vima'' (1996) which has been recognized as the best selling album of all time in Greece with 200 thousand copies sold, ''I Notes Einai 7psyhes'' with 132.5 thousand copies (265 thousand units) sold, the EPs ''Pro-Dia-Fimin'' (1997) with 100 thousand copies sold, and ''Around the World'' with 15 thousand copies shipped, ''XXX Enthimion'' (1999), which is the best selling live album of all time in Greece in terms of unit sales with 180 thousand copies (360 thousand units) sold, ''Polihroma Kai Entona'' (2000) that shipped 100 thousand copies and ''As Milisoun Ta Tragoudia'' (2002) which faired similarly. His signature song "O Aetos" is one of the most popular songs in Greek music history. Sfakianakis was the best selling artist of the 1990s and stands as the best selling Greek artist of his generation. However, in the 2000s he faced a significant commercial decline. ''Me Agapi O,ti Kaneis'' (2004) and ''Ana...Genisis'' (2005) shipped 40 thousand copies each. ''Nihtes... Magikes'' (2007) and ''Mnimes'' (2008) sold 30 thousand copies each, while the EP ''Kinonia Ora 07:00'' sold 15 thousand copies. He then embarked on the ''Matomeno Dakry'' album trilogy (2009–2011). He has sold over 5 million records in Greece alone and in addition to these he has sold over 900 thousand copies of his albums as newspaper covermounts. Sfakianakis is also known for his controversial image and outspoken manner and opinions.

Early life and career

Notis Sfakianakis and his family moved to the island of Kos when he was seven. Notis became a disc jockey in his early 20s. He supported himself by working as an electrician, plumber, waiter, and labourer. In 1985 he formed a band and played in clubs in Kos. Due to the lack of success, the band broke apart after less than year of being formed. In 1986 Notis moved back to Crete to start his solo singing career.

Notis began opening for national acts like Poly Panou. He was discovered by Bourmas, the general manager of Sony in Greece. Bourmas signed Sfakianakis to the label, and Notis recorded his debut album ''Proti Fora'' (First Time) which made it into the Greek top ten. He is one of the most successful singers of his era in Greece.

Notis is on top of his game more than ever before. He knows how to change his music style to make his listeners want more. In his new live cd ''Nihtes... Magikes'' (Magical Nights) he once again displays his magical voice and again proves why he is one of the greatest performing talents in Greece. His ability to shift between traditional Greek music, such as the Zeimbekiko and Hasapiko, and more modern variations, is unmatched in the contemporary Greek music scene.

Of his early works, his most notable release was "Opa Opa" which was written by Giorgos Alkaios and later covered by Despina Vandi and Antique. In 1994 he released the album ''Notioanatolika Tou Kosmou'' (Southeast of the World), which included "O Aetos" (The Eagle). It is widely agreed that this album was the catalyst for his achievement of superstardom in the Greek-speaking world. He followed this with high profile tracks such as "Den Se Hreiazome" (I Don't Need You), "Soma Mou" (My Body), "Gyftissa Mera" (Gypsy Day), "Na Hareis" (Cherish) and "Oi Skies" (Shadows).

One of the more popular of his 21st century tracks is "Genethlia" (or "Gennethleia" as it was spelled when it featured on later albums and compilations). This song (the title of which translates as 'Birthday') was originally performed by Cretan lyra player and singer Stelios Mpikakis.

In November 2007 Sfakianakis released a new album, ''Mnimes'' (Memories). The songs which have become hits are "Ta Klemmena" (The Stolen), a grim reflection on the hardships faced by Greeks in Asia Minor, and "Par' Ta" (Take Them). In late 2009 and early 2010, after more than two years break, Sfakianakis released ''Kinonikon'', the first part in a proposed trilogy of 7 song discs called ''Matomeno Dakry''. The most popular songs from ''Kinonikon'' are "Den Ypohoro", "Akou file" and "Mpogias". The second part, ''Erotikon'' was released in early 2010 and includes several successful songs, in particular "Kleinw tis kourtines", "Esti Ine O Erotas" and "Akouse Me Kala". The third part, ''Horeutikon'', focusing on upbeat dance songs which released in December 2010. The most popular songs are "Ellinas" and "Den Yparxeis".

Personal life

Sfakianakis is married and has two children; the family lives in Athens. In 2003, Sfakianakis had an operation on his vocal cords, leading to a two-year gap between his last album, ''As Milisoun Ta Tragoudia'', and his next one, ''Me Agapi O,ti Kaneis''.

The year 2004, in which Sfakianakis released the aforementioned album, was marred by the death of his brother Giorgos due to cancer.

Recent Performances

In November 2009, Sfakianakis had his first North American tour since 1999 when his popularity was soaring. It was on this tour that he performed in Atlantic City, NJ, Chicago, IL, and Canada. Many in the Greek community believe that this 10-year period between Sfakianakis' last US visit was due to politically oriented comments he made during a concert in his prior visit that caused some displeasure among Greek-Americans. However, during his 2009 concert in Atlantic City, Sfakianakis expressed his gratitude to the audience for their devotion and affection over the years and wished to give them a concert that "we will all remember after 10 years." Sfakianakis made good on his word, as the crowd gave him numerous ovations during the concert.

Controversies and opinion

The rare interviews that Sfakianakis gives to the press are always memorable; he has a reputation for being very outspoken and uses the press to air his opinions on various matters. When he has appeared on live television, he has drawn praise and criticism in equal measure - on the one hand, some have praised his disarming honesty and applauded him for addressing hard-hitting issues. On the other hand, he has been heavily criticised for being argumentative and confrontational; some critics claim he lacks the capacity to be diplomatic.

In 2002 he released the song ''Provata'' (Sheep), which was in essence a barely concealed criticism of George W. Bush. Although the then-United States President was not mentioned by name, the lyrics make several implicit references to him - there are mentions of the resident of a white house. In the song he compares the peoples of the world to sheep, that must be wary of the threat of a wolf (implied to be Bush). Despite the implicit nature of the lyrics, Bush's image is used openly in the video accompanying the song. In an interview that was recorded for a special release of the album ''Ana...Genissis'', Sfakianakis was more direct in his criticism of Bush:

:"The word 'bush' in English is apt. A bush does not have the capacity to think - it is not an intelligent plant."

During a live performance in New York in 1999, Sfakianakis caused consternation amongst his audience after airing his critical opinions about America's foreign policies. As a result, certain members of the audience (composed mainly of Greek-Americans) attempted an unsuccessful boycott of Sfakianakis' concerts and productions.

In 2006, Sfakianakis released "To Systima" (The System), which was a scathing attack on the Greek music industry. In the song, Sfakianakis bemoaned the emergence of 'Tragoudistakia' - 'Little singers' - who are loosely defined in the lyrics as 'talentless kids with the same public image'. Since the release of the song Sfakianakis has also been critical of the emergence of TV talent shows such as The X-Factor, claiming that such shows trivialize the entire notion of music production. This stance has drawn criticism, with some claiming that Sfakianakis is afraid of facing competition. Fellow laiko singer Thanos Petrelis, who began his career after finishing third in the 2003 edition of Fame Story, gave his take on Sfakianakis' criticism:

:"Everyone is entitled to their opinion. I have no problem with him doing so. He does make some valid points, and I agree with him to an extent. But [Sfakianakis] should acknowledge that these are exceptions - those who lack talent are in the minority. My mantra is that it is better to be envied than to be pitied."

In the late nineties, Sfakianakis appeared in a television interview, during which he argued that cannabis should be legalised in Greece. When asked if he had ever used the drug, Sfakianakis admitted that he had been habitually smoking cannabis for the last ten years.

He has also used his position to improve awareness of music piracy.

Discography

;Studio albums

''Proti Fora'' (1991) (First time)

''Eisai Ena Pistoli'' (1992) (You are a gun) (Platinum)

''Me To N Kai Me To S'' (1993) (With the N to the S) (Platinum)

''Notioanatolitika Tou Kosmou'' (1994) (Southeast of the world) (2× Platinum) ''5o Vima'' (1996) (Fifth step) (4× Platinum) ''I Notes Einai 7psyhes'' (1998) (The notes are immortal) (5× Platinum) ''Polihroma Kai Entona'' (2000) (Multi-coloured and intense) (2× Platinum) ''As Milisoun Ta Tragoudia'' (2002) (Let the songs speak) (Platinum)

''Me Agapi O,ti Kaneis'' (2004) (With love whatever you do) (Platinum)

''Ana Gennisis'' (2005) (Rebirth) (2× Platinum) ''Mnimes'' (2007) (Memories) (Platinum) ''21+4 Matomena Dakrya'' (2011) (Bloody teardrops) (4× Platinum)

;Live albums ''Empirion Sillektis'' (1997) (Collector of experiences) (2× Platinum) ''XXX Enthimion'' (1999) (XXX Keepsake) (7× Platinum) ''Nihtes... Magikes'' (2007) (Magical nights) (Platinum)

;Extended plays ''Pro-Dia-Fimin'' (1997) (By reputation) (4× Platinum) ''Proangelos'' (1999) (Precursor) (5× Platinum) ''Around the World'' (1999) (Gold) ''Telos... Dihos Telos'' (2001) (An end... Without an end) (4× Platinum) ''Anixis'' (2002) (Springtime) (2× Platinum) ''Kinonia Ora... 07:00'' (2006) (Social hour... 07:00) (Platinum) ''Matomeno Dakry: Kinonikon'' (2009) (Bloody teardrop: of society) (Platinum) ''Matomeno Dakry: Erotikon'' (2010) (Bloody teardrop: of love) (Platinum) ''Matomeno Dakry: Horeftikon'' (2010) (Bloody teardrop: of dance) (Platinum)

;Compilations

''Ta Zeïbekika Tou Noti Stis 9/8'' (2002) (Notis' zeibekika at 9/8)

''32 Megales Epitihies'' (2002) (31 big hits)

''Notis: Deka Me Tono'' (2003) (Notis: ten with an accent) (Gold)

''Evaisthites Notes'' (2004) (Sensitive notes)

''I Oraioteres Balantes'' (2005) (The most beautiful ballads)

''14 Megala Tragoudia'' (2007) (14 big songs)

''The Collection: The EMI Years'' (2007)

''Opa Opa...Ta Horeftika'' (2010) (Opa Opa...the dance songs)

''25 Hronia'' (2010) (25 years)

;Video albums;

'''Hits on DVD: Notis Sfakianakis — 1992–2001'' (2004)

''Ta Horeftika Tou Noti'' (2005) (Notis' dance songs)

Notes

External links

Official Site

Biography at National Geographic

Category:1959 births Category:Living people Category:People from Heraklion (regional unit) Category:People from the Dodecanese Category:Arion Music Awards winners Category:Cannabis activists Category:Greek contemporary laïko singers Category:Greek laïko singers Category:Greek male singers Category:Greek Pop Corn Music Awards winners Category:Minos EMI artists Category:Modern Greek-language singers Category:Universal Music Greece artists Category:Singers from Crete

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