Mount Eden
Mount Eden looming high above suburban Epsom
Basic information
Local authority	Auckland City
Date established	1870s
Facilities
Train station(s)	Mount Eden Train Station
Surrounds
North	Eden Terrace
Northeast	Newmarket
East	Epsom
Southeast	Epsom
South	Three Kings
Southwest	Mount Roskill
West	Balmoral
Northwest	Kingsland
v t e

Mount Eden (Maungawhau, the 'Mountain of the Whau tree' in Māori) is the name of a cinder cone and surrounding suburb in Auckland City, New Zealand, situated five kilometres south of the city centre. The mountain is the highest natural point in the whole of Auckland. The English name honours George Eden, 1st Earl of Auckland.

Volcano[link]

Geography[link]

The central focus of the suburb is the dormant eponymous volcano whose summit (196 metres above sea level) is the highest natural point on the Auckland isthmus. The majestic bowl-like crater is 50 metres deep. The volcano erupted from two craters 28,000 years ago, with the last eruptions from the southern crater filling the northern crater.^[1][2] Visitors to Maungawhau can explore the amazing features on foot with a heritage walk. A heritage walk guide has been prepared by the Albert-Eden Local Board and can be viewed online at ACC Heritage walks

Tourism[link]

Terraces on the southern slopes of Mount Eden

Mt Eden sees strong tourism use, as it is the highest non-manmade point in Auckland, and provides good views in all directions over the city. The large numbers of coach buses, which previously could go all the way to a parking lot on the top of the hill has been considered to have degraded the top of the cone. In August 2006, a ban on tour buses was announced. They will have to park halfway up the mountain in the future. However, this has in the meantime been partly qualified, with the vehicle ban only to be enforced when a "sustainable, low-impact transport system" (not further specified) is in place. ^[3]

Other uses[link]

Mount Eden as seen through the city buildings, from Northcote.

In pre-European times Mount Eden was utilised as a fortified hill pa by various Māori tribes.^[4] Its occupation ended in 1700 A.D when the Waiohua defeated the Tamaki people. The earth ramparts and terraces from this period contribute to the distinctive outline of the hill today.

From the 1950s the peak was used by the NZPO for VHF radio communications in two buildings, several hundred metres apart, each with their own antenna farm. One building housed transmitting equipment, while the other housed receiving equipment. In the 1960s the site was staffed during the five-day working week due to the large number of valves that wore out under the stress of high power and needed frequent servicing. Typical use of the facility was for businesses e.g. taxi or delivery firms needing mobile communications to vehicles; taxis, trucks or vans.

Some of the craters have been made the site of water reservoirs from as early as 1877.

Looking into and over the Mount Eden crater.

Every year on 22 February, known as "Thinking Day" Rangers from Mona Burgin's Unit set off before dawn, while it is still dark, and they climb to the top of Mount Eden. There they set up their little campfire and a flag-staff, and as the sun rises over the sea they raise the Guide World Flag, they sing the World Song, and they speak of some of the people and the countries they are Thinking about - and so they start "The Big Think" which then travels all the way round the world.^{[citation needed]}

Suburb[link]

Pre-European[link]

The area directly around the hill consists of very fertile free-draining soil mixed with a great deal of volcanic debris in the form of scoria rocks. When Europeans came to the area, they found a landscape devoid of large trees, as anything of any size had been cut down by the Maori for various uses, such as the timber palisades of the pa. The land was covered with bracken, flax and Manuka trees, with whau shrubs growing on the hill. The Europeans cleared the land of the scoria rocks and made fences with them to define property boundaries. This resulted in a landscape reminiscent of Ireland or the Scottish lowlands. These scoria walls are still a feature of the suburb today.

Later settlement[link]

Initially the land was utilised for farms, but from quite early on the area hosted country residences of professionals and business people from Auckland. Most of the farm land was subdivided into large suburban plots between 1870 and 1875, and the principal roads were formed by the Crown. Mt Eden's first school opened in 1877 on the corner of Mt Eden and Valley roads. In 1879 the mountain was officially protected as a public reserve. The tea kiosk on the slope of Mt Eden was built in 1927.

Mt Eden is now a "leafy suburb" of predominantly large houses from the first half of the 20th century. The gardens are verdant and the trees have grown large. On the eastern slopes of Mt Eden were constructed several large country houses set in palatial grounds. These included "Harewood House" (now the site of the Mater Hospital), Justice Gillies "Rocklands Hall" (now a hostel), Alfred Buckland's "Highwic" (now a museum), the Hellaby family's "Florence Court", and Josiah Clifton Firth's "Clifton House" (both still private residences). Close by the current Government House (residence of the Governor General) is Eden Gardens, a botanical garden set up in a disused quarry.

Mount Eden (to the left of the picture, beyond Alexandra Park) from One Tree Hill

In the 1950s and 1960s the inner suburbs became unfashionable and the old houses of the Mt Eden area were comparatively cheap to buy. Mt Eden developed a slightly bohemian image during this time as a community of artists, writers, teachers and university lecturers made it their home. Mt Eden village is still regarded by many as the "Home Of Arts" in Auckland, due to the large amount of creative activity in and around the suburb and the large number of artists who live nearby.

The Presbyterian Boys' Hostel at 22 View Road is a historic building that became the first home for many young men, who moved to Auckland to train in government and industry at low rates of pay.

Civic institutions[link]

Eden Park has been home to Auckland Cricket since 1910, and also hosts international test and one-day cricket matches. The ground has also been the home of the Auckland Rugby Union since 1925.

There are several prestigious schools located in and around Mt Eden including St Peter's College, Epsom Girls Grammar School and Auckland Grammar School, as well as the Epsom Campus of the University of Auckland (previously the Auckland College of Education).

War memorials[link]

There are three War Memorials in the Mount Eden area;

• The War Memorial Gates at the Mount Eden Normal Primary School in Valley Road (opposite the former Mt Eden Borough Council Chambers)
• The War Memorial Gates at the entrance to the Former College of Education (end of Poronui street, designed in 1932 by the Auckland Education Board architect Alan Miller, built of Portland stone left over from building the Auckland War Memorial Museum)
• The 1958 Mount Eden War Memorial Hall located near the intersection of Dominion and Balmoral Roads

Mount Eden Prison[link]

To many New Zealanders the name Mount Eden is linked with Mount Eden Prison, which was built in a castle style between 1882 and 1917. It is constructed out of the local basalt rock, one of the very few buildings built in this uncompromising material. Built with prison labour it was designed by P.F.M. Burrows and is similar in appearance to Dartmoor Prison in England.

Local government[link]

In 1868 local people met to form a local governing body; this was the Mt Eden Highway Board. The Mt Eden Borough Council came into being in 1906. The Council Office buildings in Valley Road were built in 1911. In 1989 Mt Eden Borough was amalgamated with Auckland City.

See also[link]

• Mt Eden Train Station
• Eden (New Zealand electorate)

References[link]

• The Lively Capital, Auckland 1840-1865. Una Platts. Avon Fine Prints Limited New Zealand 1971.
• Colonial Architecture In New Zealand. John Stacpoole. A.H & A.W Reed 1976.
• The Changing Face Of Mount Eden. Faye M. Angelo. Mount Eden Borough Council 1989.
• Volcanoes of Auckland: The Essential guide - Hayward, B.W., Murdoch, G., Maitland, G.; Auckland University Press, 2011.

External links[link]

• Friends of Maungawhau website

Coordinates: 36°52′37″S 174°45′50″E / 36.877°S 174.764°E / -36.877; 174.764

Sarah McLachlan
Sarah McLachlan after a performance at JFK Airport, July 2010
Background information
Birth name	Sarah Ann McLachlan
Born	(1968-01-28) January 28, 1968 (age 44) Halifax, Nova Scotia, Canada
Genres	Pop, soft rock, adult contemporary
Occupations	Singer-songwriter, multi-instrumentalist, painter, executive producer
Instruments	Vocals, piano, keyboard, guitar, banjo, harp[1]
Years active	1988–present
Labels	RCA Records, Arista, Nettwerk
Website	sarahmclachlan.com

Sarah Ann McLachlan, OC, OBC (born January 28, 1968) is a Canadian musician, singer and songwriter.^[2] Known for her emotional ballads and mezzo-soprano vocal range,^[3] as of 2009, she has sold over 40 million albums worldwide.^[4][5] McLachlan's best-selling album to date is Surfacing, for which she won two Grammy Awards (out of four nominations) and four Juno Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians. The Lilith Fair concert tours took place from 1997 to 1999, and resumed in the summer of 2010. Since 2006 she has also been known as a highly visible supporter of the ASPCA, as well as various other charities.

Biography[link]

Sarah McLachlan was born on January 28, 1968, and adopted in Halifax, Nova Scotia, Canada. As a child, she took voice lessons, along with studies in classical piano and guitar. When she was 17 years old and still a student at Queen Elizabeth High School, she fronted a short-lived rock band called The October Game. One of the band's songs, "Grind", credited as a group composition, can be found on the independent Flamingo Records release Out of the Fog and the CD Out of the Fog Too. It has yet to be released elsewhere. Her high school yearbook predicted that she was "destined to become a famous rock star."

Following The October Game's first concert at Dalhousie University opening for Moev, McLachlan was offered a recording contract with Vancouver-based independent record label Nettwerk by Moev's Mark Jowett. McLachlan's parents insisted she finish high school and complete one year of studies at the Nova Scotia College of Art and Design before moving to Vancouver and embarking on a new life as a recording artist, and McLachlan finally signed to Nettwerk two years later before having written a single song.

In 1994 McLachlan became the target of a lawsuit, when she was sued by Uwe Vandrei, an obsessed fan from Ottawa, who alleged that his letters to her had been the basis of the single "Possession." The lawsuit was also challenging for the Canadian legal system—Vandrei was a self-admitted stalker whose self-acknowledged goal in filing the lawsuit was to be near McLachlan physically. Consequently, special precautions were planned to ensure McLachlan's safety if at any time she had to be in the same location as Vandrei. The lawsuit never came to trial, however, as Vandrei was found dead in an apparent suicide before the trial began. This topic was explored at length in Canadian author Judith Fitzgerald's book, Building a Mystery: The Story of Sarah McLachlan & Lilith Fair.

In 1997, Sarah McLachlan married her drummer, Ashwin Sood, in Jamaica. McLachlan lost her mother to cancer in December 2001, while McLachlan herself was pregnant. McLachlan gave birth to a daughter, named India Ann Sushil Sood, on April 6, 2002, in Vancouver. By this time, McLachlan had already completed three-quarters of the production on her next record, Afterglow. On June 22, 2007, she gave birth to her second daughter, named Taja Summer Sood, in Vancouver. McLachlan announced her separation from Ashwin Sood in September 2008.^[6]

Sarah McLachlan currently resides in Vancouver.

Musical career[link]

[edit] Touch and Solace

The signing with Nettwerk prompted McLachlan to move to Vancouver, British Columbia. There she recorded the first of her albums, Touch, in 1988, which received both critical and commercial success and included the hit song "Vox". During this period she also contributed to an album by Manufacture, and embarked on her first national concert tour as an opening act for The Grapes of Wrath.^[7][8]

Her 1991 album, Solace, was her mainstream breakthrough in Canada, spawning the hit singles "The Path of Thorns (Terms)" and "Into the Fire". Solace also marked the beginning of her partnership with Pierre Marchand. Marchand and McLachlan have been collaborators ever since, with Marchand producing many of McLachlan's albums and occasionally co-writing songs.^[9]

[edit] Fumbling Towards Ecstasy, and Surfacing

McLachlan at a 1993 benefit for Clayoquot Sound

1993's Fumbling Towards Ecstasy was an immediate hit in Canada. From her Nettwerk connection, her piano version of the song "Possession" was included on the first Due South soundtrack in 1996. Over the next two years, Fumbling Towards Ecstasy quietly became McLachlan's international breakthrough as well, scaling the charts in a number of countries.

In 1993, Darryl Neudorf filed a lawsuit against McLachlan and her label, Nettwerk, alleging that he had made a significant and uncredited contribution to the songwriting on Touch, and alleging that he wasn't paid properly for work done on Solace. The judge in this suit eventually ruled in McLachlan's favour on the songs; though Neudorf may have contributed to the songwriting, neither regarded each other as joint authors. The judge ruled in Neudorf's favour on the payment issue.

Following the success from Fumbling Towards Ecstasy, McLachlan returned in 1997 with Surfacing, her best-selling album to date. Earning her two Grammy Awards and four Juno Awards, the album has since sold over 11 million copies worldwide and brought her much international success. Still in the spotlight from the album, McLachlan launched the highly popular Lilith Fair tour. Her song "Angel"—inspired by the fatal overdose of Smashing Pumpkins touring keyboardist Jonathan Melvoin—made sales skyrocket. In Spring 1998, the motion picture City of Angels featured "Angel". It became the No. 1 album on the Billboard chart. More than five months after the movie disappeared from the theatres, City of Angels: Music from the Motion Picture remained firmly entrenched among Billboard's top 40 albums. This soundtrack earned quadruple-platinum status.^[10]

Lilith Fair[link]

In 1996 McLachlan became frustrated with concert promoters and radio stations that refused to feature two female musicians in a row.^[11] Bucking conventional industry wisdom, she booked a successful tour for herself and Paula Cole. At least one of their appearances together – in McLachlan's home town, on September 14, 1996 – went by the name "Lilith Fair" and included performances by McLachlan, Cole, Lisa Loeb and Michelle McAdorey, formerly of Crash Vegas.

The next year, McLachlan founded the Lilith Fair tour, taking Lilith from the medieval Jewish legend that Lilith was Adam's first wife.^[12]

In 1997, Lilith Fair, featuring McLachlan as one of the headlining acts, garnered a $16 million gross, making it the top-grossing of any touring festival.^[11] Among all concert tours for that year, it was the 16th highest grossing.^[11] Lilith Fair tour brought together 2 million people over its three-year history and raised more than $7 million for charities. It was the most successful all-female music festival in history, one of the biggest music festivals of the 1990s, and helped launch the careers of several well-known female artists. Subsequent Lilith Fairs followed in 1998 and 1999 before the tour was discontinued.

Nettwerk CEO and Lilith Fair co-founder Terry McBride announced that the all-female festival would make its return in summer 2010.

Hiatus[link]

McLachlan performing for Good Morning America in 1998

In 1998, in addition to performing her own set, she performed a cover of "Sad Lisa" with rock band Phish at the annual Bridge School Benefit concert in California, hosted by Neil Young, after which McLachlan began an extended period away from recording or touring. Six years elapsed between the release of Surfacing and that of her next studio album, Afterglow.

However, she did release a live album in 1999, entitled Mirrorball. The album's singles included a new live version of her earlier doubles "I Will Remember You", a studio recording of which had previously been released on The Brothers McMullen soundtrack as well as Rarities, B-Sides and Other Stuff.

Also that year, McLachlan (in the singing voice of "Jessie") recorded the Randy Newman song "When She Loved Me" on the Toy Story 2 soundtrack. This song was nominated for the Academy Award for Best Song in 2000, and McLachlan performed it at the awards ceremony, but the award went to "You'll Be in My Heart" from Tarzan, written and recorded by Phil Collins.

In 1997, McLachlan co-wrote and provided guest vocals on the Delerium song "Silence" for their album Karma. This song achieved a massive amount of US top 40 airplay when released as a single in late 2000 and also featured on the soundtrack for the movie Brokedown Palace. In 2001, McLachlan provided background vocals, guitar, and piano on the closing track "Love Is" from Stevie Nicks' eighth solo album, Trouble in Shangri-La, in addition to drawing the dragon used for the "S" in Stevie's name on the album cover. In May 2002, her duet with Bryan Adams was released on the Spirit: Stallion of the Cimarron soundtrack. She sang harmonies and played the piano on the song "Don't Let Go" while Sood did the drum work.

McLachlan also participated in several concerts during her break, such as Sheryl Crow's Live from Central Park in 1999, the Arista Records twenty-fifth anniversary celebration in 2000, as well as the 2002 British Columbia Cancer Foundation Benefit Concert in memory of cancer victim Michele Bourbonnais. She participated along with four other Canadian artists: Bryan Adams, Jann Arden, Barenaked Ladies, and Chantal Kreviazuk.

[edit] Afterglow

McLachlan in Menlo Park, California, USA

McLachlan returned to public life and touring with her 2003 album release, Afterglow, which contained the singles "Fallen", "Stupid", and "World On Fire". Rather than shoot a conventional music video for "World On Fire", McLachlan donated all but $15 of the $150,000 budget to various charitable causes around the world and then used the video to explain how it benefited the communities that received the money.

Another live album, Afterglow Live, was released in late 2004. The CD consisted of several tracks from a full-length concert, which was included in its entirety on a DVD, as well as the three music videos from Afterglow.

In 2004, Darryl "D.M.C." McDaniels, who credits McLachlan and her music for lifting him from a period of depression, invited her to join him on a track from his solo album. Although the album was not released until early 2006, remixes of the song "Just Like Me" were included on a number of compilations in 2005.

In 2007, McLachlan's song "Answer" featured in The Brave One starring Jodie Foster.

[edit] Wintersong

In October 2006, McLachlan released a Christmas album called Wintersong. The album included 11 new recordings, featuring covers of Joni Mitchell's "River", Gordon Lightfoot's "Song for a Winter's Night", and John Lennon's "Happy Xmas (War Is Over)", which she recorded with her outreach children and youth choir, and seasonal favourites: "Christmas Time Is Here", "O Little Town of Bethlehem", "Have Yourself a Merry Little Christmas", "Silent Night", "The First Noel", and "Greensleeves (What Child Is This?)", among others. The title track is an original work of McLachlan's.

Wintersong debuted at No. 42 on the Billboard 200 album chart the week ending 4 November 2006. It peaked at #7. For the week of 5 December 2006, it was the #1 album on iTunes. Worldwide the album has sold over 1.1 million copies to date. It has been certified Platinum in the U.S. and 2x Platinum in Canada.

Wintersong was nominated for both a Grammy Award, in the Best Traditional Pop Vocal Album category, as well as for a Juno Award, for Pop Album of the Year.

Guest appearances[link]

In November 2006, McLachlan performed the song "Ordinary Miracle" for that year's feature film, Charlotte's Web. The song was written by Glen Ballard and David A. Stewart of Eurythmics. McLachlan was the subject of rumours of an Oscar nomination for the song, but in the end was not nominated. She helped to promote the song and movie by performing it on The Oprah Winfrey Show as well as during the Macy's Thanksgiving Day Parade. She also performed the song during the opening ceremony of the 2010 Winter Olympics in her hometown of Vancouver, in front of an estimated 3 billion television viewers worldwide.

In early 2007, she sang on Dave Stewart's Go Green, alongside Nadirah X, Imogen Heap, Natalie Imbruglia, and others.^[13]

McLachlan also appeared on Annie Lennox's album, Songs of Mass Destruction. Together with Madonna, Céline Dion, Pink, Sugababes, Angélique Kidjo, k.d. lang, Faith Hill, Fergie, Melissa Etheridge, Bonnie Raitt, Shakira, Anastacia, Joss Stone, Dido, and KT Tunstall, she performed on the song "Sing".

In 2010, McLachlan appeared as herself on the television series Life Unexpected and performed. On September 8, 2010, McLachlan performed and sang "Forgiveness" from her 2010 album Laws of Illusion on a semi-final show of America's Got Talent; she did so again on the Tonight Show, two days later.

Sarah appeared alongside Aimee Mann on the IFC series Portlandia, as a pinata and a yard maintenance person.

On November 22, 2010, McLachlan again performed and sang "Forgiveness" this time on the Regis and Kelly show.

On September 10, 2011, she performed I Will Remember You and Angel at a ceremony in Stonycreek, Pennsylvania, commemorating the passengers and crew of hijacked United Airlines Flight 93 who fought the hijackers and brought down their airplane on September 11, 2001. The event marked the dedication of the Flight 93 National Memorial and was attended by U.S. President George W. Bush, First Lady Laura Bush, President Bill Clinton, Vice President Joe Biden and Speaker John Boehner.^[14]

[edit] Rereleases, Rarities Vol 2, and Greatest Hits

On October 3, 2006, the live album Mirrorball was re-released as Mirrorball: The Complete Concert. This release contains 2 discs that were compiled from 2 concerts performed on consecutive nights in April 1998 at the Rose Garden arena in Portland, Oregon.

On April 29, 2008, Rarities, B-Sides and Other Stuff Volume 2 was released. The tracklist includes McLachlan's recent covers of Joni Mitchell's "River" and Dave Stewart's "Ordinary Miracle", as well as collaborations throughout her career with The Perishers, Cyndi Lauper and Bryan Adams, among others.

On August 5, 2008, the 15th anniversary 3-disc edition of Fumbling Towards Ecstasy was released. The set includes the original re-mastered album, The Freedom Sessions and a DVD that includes live performances, music videos and more. The album was released by Legacy Recordings.

McLachlan released a greatest hits album, Closer: The Best of Sarah McLachlan, on October 7, 2008. On August 12, 2008, she released a new song from the album, "U want me 2", a mid-tempo contemplative love song, as a digital single on iTunes; also accompanied with a video performance. McLachlan also admitted the song was inspired by the dissolution of her marriage, which she announced in September 2008, during initial promotion. Being quietly released as a single on 3 February 2009 the other new song found on the album, "Don't Give Up on Us", signalled a wrap.

[edit] 2010 Winter Olympics, Laws of Illusion and Lilith Fair 2010

A new single, "One Dream," was released on September 29, 2009 and was the official theme song of the 2010 Winter Olympics in Vancouver.^[15] McLachlan's first studio album of original material in seven years, Laws of Illusion, was released on June 15, 2010. New York Times music critic John Pareles says about Laws of Illusion - "It’s a kindly, enveloping sound that Ms. McLachlan has long used to conjure passion and empathy laced with melancholy. But now it encompasses a new anguish, deeper and sharper than what she hinted at with Afterglow in 2003." It features 10 new songs in addition to the previously released tracks "U Want Me 2" and "Don't Give Up on Us," as well as various bonus tracks. Previews of the tracks and bonus materials were made available on iTunes and Amazon.com for listening and viewing on May 26, 2010. Lilith Fair kicked off in Calgary, AB on June 27, 2010. In anticipation of the album and the summer's tour, McLachlan appeared on the WNYC-produced radio show Soundcheck. During the wide-ranging interview, McLachlan discussed with host John Schaefer the last eleven years of her life and how she has changed, especially as a working mother of two.

Guitars and equipment[link]

For years, Sarah McLachlan's main stage guitar has been a late-'70s Larrivée C-10 with rosewood back and sides, a spruce top, and a Florentine cutaway. The guitar is amplified with a Fishman Rare Earth Blend (which combines a magnetic pickup and an internal mic), running through a Radial JDV Mk3 active DI. She has also performed with Canadian-made Morgan guitars, and at the time of the interview, she was trying out Taylor models with Expression System electronics.

McLachlan strings her guitars with phosphor-bronze or vintage bronze Dean Markleys. She uses medium-lights (.012–.054) for her guitars in E A D G A D and D A D G A D tunings. Sometimes she uses lights (.011–.046) and raises E A D G A D a whole step so her capo positions can be two frets lower. For instance, in the past she played "Building a Mystery" in E A D G A D with a capo at the seventh fret, but now she tunes to F# B E A B E and capoes at the fifth fret. McLachlan's capo of choice is a Dunlop C-Four.^[16]

Awards and achievements[link]

McLachlan has been nominated for twenty-one Juno Awards and awarded eight. In 1992, her video for "Into the Fire" was selected as best music video. In 1998, she won Female Vocalist of the Year, Songwriter of the Year (along with Pierre Marchand), Single of the Year for "Building a Mystery", and Album of the Year for Surfacing. In 2000, she won an International Achievement award and in 2004, won Pop Album of the Year for Afterglow and again shared the Songwriter of the Year award with Pierre Marchand for the singles "Fallen", "World on Fire", and "Stupid."

She has also won three Grammy Awards. She was awarded Best Female Pop Vocal Performance in 1997 for "Building a Mystery" and again in 1999 for the live version of "I Will Remember You." She also scored Best Pop Instrumental Performance in 1997 for "Last Dance." Among these, she is credited for various nominations.

Her song "Building A Mystery" came in at 91 on VH1's 100 Greatest Songs of the 90s.^[17]

McLachlan has been extensively profiled by media including cover stories for Rolling Stone, Time magazine, Entertainment Weekly and Flare, a Canadian fashion magazine.

Through her career, she has also received many awards, primarily in recognition of her efforts in launching Lilith Fair. She was awarded the Elizabeth Cady Stanton Visionary Award in 1998 for advancing the careers of women in music. In 1999, she was appointed as an Officer of the Order of Canada by then-Governor General Adrienne Clarkson in recognition of her successful recording career, her role in Lilith Fair, and the charitable donations she made to women's shelters across Canada. In 2001, she was inducted to the Order of British Columbia.

On February 12, 2010, McLachlan performed her song "Ordinary Miracle" at the opening ceremony of the 2010 Winter Olympics in Vancouver.

On June 15, 2011, she was recognized with an honorary degree from Simon Fraser University.^[18]

Philanthropy[link]

McLachlan contributed the track "Hold On" to the 1993 AIDS-Benefit Album No Alternative produced by the Red Hot Organization. She also performed at the Leonard Peltier Defense Fund Benefit Concert on February 12, 1997 and went on to release a haunting cover version of Unchained Melody created as part of her support for Peltier and later included on the album Rarities, B-Sides and Other Stuff Volume 2.^[19]

In early 2005, McLachlan took part in a star-studded tsunami disaster relief telethon on NBC. On 29 January McLachlan was a headliner for a benefit concert in Vancouver along with other Canadian superstars such as Avril Lavigne and Bryan Adams. The show also featured a performance by the Sarah McLachlan Musical Outreach Choir & Percussion Ensemble, a children's choir and percussion band from the aforementioned Vancouver outreach program. In addition to her own headliner show she also joined Delerium live on stage for their first-ever performance of 'Silence'. The concert was titled One World: The Concert for Tsunami Relief, and raised approximately $3.6 million for several Canadian aid agencies working in south and southeast Asia. The show was the brainchild of McLachlan's manager, Terry McBride, CEO of Nettwerk. It ran for four hours and aired live on CTV across Canada.

She is an avid supporter of the ASPCA and animal welfare. She filmed a two-minute advertisement for the organization which featured her song "Angel".^[20] The advertisement's imagery of shelter animals mixed with the soundtrack and McLachlan's simple appeal for donations has raised $30 million for the ASPCA since it began to air in 2006, which allowed the organization to air appeals in higher profile prime-time cable ad slots; subsequently the organization produced a new ad for the 2008 holiday season featuring McLachlan appealing for the ASPCA over her Wintersong performance of "Silent Night", and a new ad with her was released in January 2009 featuring the song "Answer".^[20] In 2012, McLachlan wrote a letter on behalf of PETA to Canadian Prime Minister Stephen Harper, protesting that country's annual seal hunt.^[21]

In 2008, she donated a song to Aid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the 2004 Tsunami.

On July 2, 2005, McLachlan participated in the Philadelphia installment of the Live 8 concerts, where she performed her hit "Angel" with Josh Groban. These concerts, which were held simultaneously in nine major cities around the world, were intended to coincide with the G8 summit to put pressure on the leaders of the world's richest nations to fight poverty in Africa by cancelling debt.

McLachlan also funds an outreach program in Vancouver that provides music education for inner city children. In 2007, the provincial government announced $500,000 in funding for the outreach program.^[22]

For raising millions of dollars for causes including women's charities, AIDS sufferers and inner-city kids, Simon Fraser University conferred Sarah McLachlan the degree of Doctor of Fine Arts, honoris causa on June 13, 2011.^[23]

Discography[link]

• 1988: Touch
• 1991: Solace
• 1992: Sarah McLachlan Live EP
• 1993: Fumbling Towards Ecstasy
• 1995: The Freedom Sessions
• 1996: Rarities, B-Sides and Other Stuff
• 1997: Surfacing
• 1999: Mirrorball
• 2001: Remixed
• 2003: Afterglow
• 2005: Bloom: Remix Album
• 2006: Wintersong
• 2008: Rarities, B-Sides and Other Stuff Volume 2
• 2008: Closer: The Best of Sarah McLachlan
• 2010: Laws of Illusion

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Sarah McLachlan

Wikimedia Commons has media related to: Sarah McLachlan

• Official website
• Sarah McLachlan at the Internet Movie Database
• Interview with Sarah McLachlan

Ruby Frost (born Jane de Jong) is a pop singer-songwriter from Auckland, New Zealand. After winning the nationwide MTV 42Unheard competition^[1] in 2009, Frost signed with Universal Music NZ and began work on her debut album. Since then, she has been working with a range of producers in Australia and the U.S., and also won the Grand Prize for the Pop category in Section I of the international 2010 John Lennon Songwriting Contest,^[2] with her song 'Hazy'. In 2010, Ruby Frost travelled to the U.S. to perform at The Viper Room and play at two CMJ showcases, and she also travelled to Brisbane to perform at Big Sound 2010. Her parents run the annual Christian Parachute Music Festival in Hamilton, New Zealand.

Releases[link]

In December 2010, Ruby Frost released her debut single 'Moonlight' on bFM, which stayed in the radio station's Top 10 for ten consecutive weeks.^[3] The accompanying video was directed by Veronica Crockford-Pound.^[4] A 'Moonlight EP' was then released which went to #3 on the NZ iTunes Albums Chart.^[5]
Ruby Frost's song 'O That I Had' (off her debut EP) has been remixed by Mt. Eden Dubstep, and her songs 'Moonlight' and 'Pressure' have also been remixed by NZ artist Leno Lovecraft. She is currently working with U.S. producer Chris Zane (Passion Pit, Mumford & Sons) on her forthcoming album.^[6]

Discography[link]

Singles[link]

Records[link]

Awards and nominations[link]

References[link]

Bat for Lashes
Bat for Lashes performing at the PLUG Awards in New York City on 6 March 2008
Background information
Birth name	Natasha Khan
Born	(1979-10-25) 25 October 1979 (age 32) London, England
Genres	Indie pop, folktronica, dream pop, baroque pop, Synthpop
Occupations	Singer-songwriter, musician
Instruments	Vocals, piano, bass, guitar, synthesiser, harpsichord, autoharp, percussion, xylophone[1]
Years active	2006–present
Labels	She Bear, Echo, Parlophone, Manimal Vinyl, Caroline, Astralwerks
Associated acts	New Young Pony Club
Website	www.batforlashes.com

Natasha Khan (born 25 October 1979), better known by her stage name Bat for Lashes, is an English singer-songwriter and musician. She sings and plays the piano, bass, guitar, harpsichord and the autoharp.

Khan's debut album, Fur and Gold, released in 2006, peaked at number forty-eight on the UK Albums Chart and was shortlisted for the 2007 Mercury Prize. In 2008, Khan received two BRIT Award nominations for Best Breakthrough Artist and Best Female Solo Artist.

Khan's second album, Two Suns, released in 2009, reached number five on the UK Album Chart and number seventeen on the Irish Album Chart. It produced her first UK top forty single, "Daniel", and was shortlisted for the 2009 Mercury Prize. Khan was nominated for Best Female Solo Artist at 2010 BRIT Awards.

History[link]

Early life[link]

Khan was born in London on 25 October 1979.^[2] Until the age of five she was raised in Wembley where her parents had met and married several years before. She was born to a Pakistani father, Rehmat Khan (a former professional squash player from Peshawar) and to an English mother. Her father decided to relocate the family to the commuter town of Rickmansworth in Hertfordshire to help with his coaching of future squash world open winner Jahangir Khan, Natasha's cousin.^[3]

As a child Khan, along with her sister Suraya and brother Tariq, attended her uncle's squash matches. In an interview with The Daily Telegraph, Khan reflected that seeing her uncle helped inspire her. "The roar of the crowd is intense; it is ceremonial, ritualistic, I feel like the banner got passed to me but I carried it on in a creative way. It is a similar thing, the need to thrive on heightened communal experience." With her father's abandonment of the family Khan turned to the piano. Deciding to play improvised pieces instead of attending lessons, Khan felt the piano became an outlet for her emotions. "You need to find a channel to express things, to get them out", she said.^[3]

During her teens Khan was also a victim of racism. Speaking about her time in after-school clubs she claimed "the kids there totally ripped me to shreds." This rejection led Khan to rebel, making the decision to "bunk off" school and stay at home listening to music. "My mum would take me to the train station and I pretended to get the train; she'd drive to work and I would go home and play a tape of Nirvana all day".^[3] With the completion of her GCSEs and A-Levels she decided to embark on a road trip through America with her boyfriend at the time, using the money earned from her part time job at a local card-making factory.^[3]

After spending three months touring through the US and Mexico, Khan returned to the UK and settled in Brighton to study a degree in music and visual arts at the University of Brighton.^[3][4][5] While at university her experimental work was influenced by artists such as Steve Reich and Susan Hiller, and she produced multi-media work centred on sound installations, animations and performance.

[edit] 2006–08: Fur and Gold

Following graduation, Khan worked as a nursery school teacher, and it was during this period that she began writing the material for her first album.

Khan playing New York City's Bowery Ballroom in support of Fur and Gold

Khan's debut single, "The Wizard", was released digitally through Drowned in Sound records and on seven-inch vinyl through Khan's own imprint, She Bear Records. She then signed to the record label Echo, alongside Feeder and former Moloko singer Róisín Murphy, and released her debut album, Fur and Gold, in September 2006. In 2007, Bat for Lashes parted company with Echo and signed to Parlophone Records, which re-released Fur and Gold with the addition of bonus material. A limited vinyl version was released by Los Angeles indie label Manimal Vinyl in May 2007. Fur and Gold reached number forty-eight on the UK Albums Chart and has since been certified Silver by the BPI for sales exceeding 60,000 copies. In 2007, Khan appeared at the Glastonbury Festival and toured the United States.^[6]

Critics likened Khan's music to the work of Siouxsie Sioux,^[7] Björk, Kate Bush, Cat Power, PJ Harvey, Annie Lennox, Tori Amos and Fiona Apple.^[8] Both her albums were described by MTV Iggy as "at once haunting and way danceable."^[9] Fur and Gold was one of the albums nominated for the 2007 Mercury Prize, losing out to Klaxons' Myths of the Near Future despite being a favourite of British media to win the award.^[10] Also in 2007, the American Society of Composers, Authors and Publishers (ASCAP) awarded her with the ASCAP Vanguard Award and chose her to perform at their "ASCAP Presents..." showcase at South by Southwest in Austin, Texas. In 2008, Khan was nominated for British Breakthrough Act and British Female Solo Artist at the BRIT Awards.

Radiohead's 2008 tour featured several shows with Bat for Lashes as their opening act. Her version of the The Cure's "A Forest" appeared on a charity album called Perfect as Cats on Manimal Vinyl in late 2008.

[edit] 2009: Two Suns

Khan's second album, Two Suns, was released in April 2009 and produced by Natasha Khan and David Kosten.^[11] In preparation for the album, Khan journeyed to the Joshua Tree Desert in California to gain inspiration, before returning to New York and London to write and record the finished material for release.^[11]

A concept album,^[12] Two Suns focuses on Khan's desert-born alter ego Pearl, whose personality she adopted while staying in New York to gain a better understanding of the character. She revealed to the BBC's Newsbeat, "I really just did it as an experiment of dressing up myself with quite garish extreme feminine make-up. I wanted to photograph myself in that situation and just see what it made me feel.”^[13] Khan believed that living in Brooklyn when bands such as TV on the Radio, MGMT and Gang Gang Dance were emerging on the music scene had an influence on the album's musical style. In an interview with MTV she said, "I experienced that whole thing coming out, in terms of beats and like going out dancing and checking out all this new music it was really inspiring."^[12] During the album's production, she also collaborated with Brooklyn artist Yeasayer for the bass and beat programming.^[11]

Two Suns debuted at number five on the UK Albums Chart,^[14] and has been certified Gold by the BPI for sales of 100,000 copies. The first single from the album, "Daniel", became Khan's first hit, peaking at number thirty-six on the UK Singles Chart;^[15] it later won the Ivor Novello Award for Best Contemporary Song and was nominated for the MTV Video Music Award for Breakthrough Video of the Year. The following singles were "Pearl's Dream" and a double A-side of "Sleep Alone" and "Moon and Moon", the latter of which was featured in a high profile advertising campaign for children's charity Barnardo's in late 2009.^[16]

Bat for Lashes at the Primavera Sound 2009

Critical response to the album was generally favourable, generating a score of 77 on the review aggregator Metacritic.^[17] In their review for Two Suns NME awarded it 8 out of 10 describing the album as "epic in scope and ambition and requires a similarly epic patience to unravel its charms."^[18] Rolling Stone also rated it favourably stating, "Khan proves she's a powerhouse under her billowy sleeves. She could be the next Kate Bush."^[19] However some critics such as Popmatters found problems, reviewing the album they claimed, "While the weaker songs are definitely not throwaways, they miss the mark in more than one way."^[20] Blender magazine also felt the album was average, awarding it 3 out 5 stars, claiming "The contrast between Pearl and Natasha isn't always crisply drawn".^[21] As with Fur and Gold, Khan was nominated for the Mercury Prize for Two Suns.^[22] In 2010, she won Best Alternative Act at the UK Asian Music Awards and received a second BRIT Award nomination for British Female Solo Artist.

As part of the 2009 summer festival season, Khan played at Glastonbury, Somerset House and the iTunes Festival. In September 2009, a special edition of Two Suns was released in the United Kingdom ahead of Khan's October tour. The special edition, which includes a cover version of Kings of Leon's single "Use Somebody", was released simultaneously in the United States. Later in 2009, the cover artwork for Two Suns was nominated for Best Art Vinyl.^[23]

2010–present[link]

In early 2010, Khan toured South America supporting Coldplay^[24] after a one-off gig at The De La Warr Pavilion.^[25] In mid 2010, she collaborated with Beck on the track "Let's Get Lost" for the Twilight Saga: Eclipse soundtrack.^[26] Khan expressed interest in working with Beck on her third album, saying he had "creative ideas."^[27]

In 2010, Bat for Lashes contributed the song "Sleep Alone" from Two Suns to the Enough Project and Downtown Records' Raise Hope for Congo compilation.^[28] Proceeds from the compilation fund efforts to make the protection and empowerment of Congo's women a priority, as well as inspire individuals around the world to raise their voice for peace in Congo. For Record Store Day 2010, Bat for Lashes released an exclusive double A-side 7" single comprising a live performance of "Trophy" single B-side "Howl" recorded at De La Warr Pavilion and a cover of Wild Is the Wind, originally written by Dimitri Tiomkin and Ned Washington.^[29]

In 2011, Khan recorded a cover version of Depeche Mode's song "Strangelove" for a Gucci advertising campaign. The song was released as a free download from Gucci's channel on YouTube and various blogs.^[30] In June 2011, Khan performed two shows at the Sydney Opera House as part of the Vivid LIVE Arts Festival, her only performances of the year.^[31][32]

In May 2010, Khan stated she was in the early stages of writing a third album and "wanted to take more time with this one".^[33]

Touring[link]

The Bat for Lashes live line-up contains an ever-revolving cast of musicians often changing on a per-tour basis. The latest line-up includes Ben Christophers, Charlotte Hatherley and Sarah Jones, who also plays drums with New Young Pony Club. This line-up was announced in March 2009.

In the media[link]

Thom Yorke, Debbie Harry, and M.I.A. have complimented Khan's work, Ringo Starr said she was one of his favourite new artists, and Björk was also spotted at one of her early gigs.^[34][35]

In April 2009 Khan appeared on BBC Radio 1's Live Lounge. She performed an acoustic version of the single, "Daniel", and also covered "Use Somebody" by Kings of Leon. Her first appearance on US broadcast television was on Late Show with David Letterman on 1 May 2009, performing the song "Daniel".^[36] In April 2009 she appeared on the BBC2 live music show Later... with Jools Holland performing two songs from Two Suns: "Daniel" and "Sleep Alone." On 11 August 2009 Bat for Lashes performed on Late Night with Jimmy Kimmel performing the songs "Daniel" and "Sleep Alone." She also performed "Moon and Moon" during the Mercury Award's 2009 event.^[37]

Discography[link]

• Fur and Gold (2006)
• Two Suns (2009)

Awards and nominations[link]

References[link]

External links[link]

Wikinews has related news: Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

• Official website
• Bat for Lashes at Allmusic
• Media related to Bat for Lashes at Wikimedia Commons

Imogen Heap
Background information
Birth name	Imogen Jennifer Jane Heap
Born	(1977-12-09) 9 December 1977 (age 34)
Origin	Havering, Essex, England
Genres	Electronica, alternative, indie, synthpop,[1] folktronica, ambient, dream pop, rock
Occupations	Musician, singer, songwriter, visual artist
Instruments	Vocals, keyboards, array mbira, cello, clarinet, guitar, drums, keytar, nail violin, vocal percussion, synthesizer, sampler, organ, Hang, vocoder
Years active	1997–present
Labels	Almo Sounds (1998–2001) Megaphonic (2005–present) RCA Victor (2006–present)
Associated acts	Frou Frou Urban Species IAMX MIKA
Website	imogenheap.com

Imogen Jennifer Jane Heap ( /ˈɪmədʒɨn ˈhiːp/; born 9 December 1977 in the London Borough of Havering)^[2] is a Grammy Award-winning English singer, composer and songwriter from Havering, Essex. She is known for her work as part of the musical duo Frou Frou and her solo albums, which she writes, produces, and mixes. She has produced three solo albums, the latest of which is 2009's Ellipse, which was a North American chart success and earned Heap two Grammy nominations, winning Best Engineered Album, Non-Classical.^[3]

Musical and songwriting style[link]

For her solo work (as well as her work with Frou Frou and Acacia), Heap plays heavily produced and arranged singer-songwriter pop incorporating elements of rock, dance and electronica. As a guest player and collaborator she has played rock (Jeff Beck), hip-hop (Urban Species) and theatre/film music.

A skilled multi-instrumentalist, Heap extensively uses manipulated electronic sounds as an integral part of her music. She also mixes ambient sound into her music (such as the sound of a frying pan in use cooking food, in the background of her song "My Secret Friend") and has commented that "certain sounds give the music a width and a space, and that's important."^[4]

Heap states that her song lyrics come from personal experience, but are not straightforwardly confessional. She has stated "Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mum or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened."^[4]

Biography[link]

Early life[link]

Heap played music from an early age, becoming classically trained in several instruments including piano, cello and clarinet. She attended Friends School, a private, Quaker-run boarding school in Saffron Walden. Heap's mother (an art therapist) and her father (a construction rock retailer) separated when she was twelve. By the age of thirteen, she had begun writing songs.

Heap did not get along well with the music teacher at her boarding school, so she principally taught herself sequencing, music engineering, sampling and production (on Atari computers). She also taught herself to play the guitar and drums, and subsequently two percussion/idiophone instruments, the array mbira and the Hang.^[5] After school, she went on to study at the BRIT School for Performing Arts & Technology in Croydon, South London.

Early work as musician (including work with Acacia)[link]

After being introduced to Nik Kershaw by his manager Mickey Modern, Heap and Kershaw recorded four demos that Mickey Modern took to Rondor Music. Consequently, a few months later she signed her first record contract at 18 to independent record label Almo Sounds^[6]. Modern and Wood formed Modernwood Management, and managed Heap until 2006, when Modernwood was dissolved. Wood continues to manage the artist via his new company, Radius Music^[7].

During 1996, Heap began working with an experimental pop band called Acacia, which featured her future collaborator Guy Sigsworth and was fronted by the singer Alexander Nilere. While never a full member of the band, Heap was a guest vocalist (as a counterpart to Nilere) and contributed to various Acacia single and album tracks. One Acacia song, "Maddening Shroud", would later be covered by Frou Frou^[8].

Mickey Modern asked Dennis Arnold to place Imogen in the line up in the 1996 Prince's Trust Concert in Hyde Park, London organized by Harvey Goldsmith. Heap performed four songs between sets by The Who and Eric Clapton.

[edit] 1998–2000: iMegaphone

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Heap's debut album, iMegaphone (an anagram of "Imogen Heap") was a mixture of self-penned and self-produced tracks, alongside tracks co-written and produced with established producers such as David Kahne, former Eurythmic Dave Stewart and Guy Sigsworth. The album was released in 1998 internationally via Almo Sounds, to favorable reviews comparing Heap's angst-filled songs to work by PJ Harvey, Kate Bush and Annie Lennox. Promotion for the record included a tour of America and performances around Europe. Three singles were commercially released in the UK: "Getting Scared", "Shine" and "Come Here Boy". "Oh Me, Oh My" was sent to US radio stations in place of "Shine".

Heap's early success was soon replaced by problems. Almo Sounds cut funding for UK promotion and gave Heap a deadline to deliver songs for her second album. Upon delivery of the songs, she was told that they lacked "hit potential". It was announced that the record label would be sold to Universal and its artists moved to other labels or released. Heap was one of the artists who was dropped from the label, leaving her without a record contract. iMegaphone had, however, been licensed from Almo Sounds to Aozora Records in Japan, who eventually re-released and re-promoted the album in January 2002, featuring "Blanket" and "Aeroplane" (a Frou Frou remix/remake of one of her B-sides, "Airplane" of the Shine single released in 1998). The album featured new packaging, all-new artwork, and a previously unavailable hidden track, entitled "Kidding", recorded live during her 1999 tour.

Copies of the original Almo Sounds release remain rare. A Brazilian label, Trama Records, currently claims to hold the license to the record and has started re-printing copies of the album in limited quantities. The album was released digitally on the US iTunes Music Store in early 2006. After achieving commercial success with her work with Guy Sigsworth as the duo Frou Frou and her second solo album, Speak for Yourself, Heap was able to secure the re-release of iMegaphone.

2001: Interim work[link]

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In the gap between the end of promotion for iMegaphone internationally and the re-promotion, Heap had also begun to think about her second solo album, and had started writing songs, both solo, as well as working with Guy Sigsworth; however, as she was without a record deal, the songs were shelved. During the time when she was unsigned, Heap appeared on two UK singles, "Meantime" (a track written by her former Acacia colleagues Guy Sigsworth and Alexander Nilere for the soundtrack to the independent British film, G:MT – Greenwich Mean Time) and "Blanket" (a collaboration with Urban Species). In 2000, Heap sang on the album You Had It Coming by Jeff Beck.

2002–2003: Frou Frou[link]

Heap had kept in contact with Guy Sigsworth (who had co-written and produced "Getting Scared" from iMegaphone) and this led to the pair of them establishing the collaborative project Frou Frou.

The initial concept for Frou Frou was Sigsworth's, and the project was to have been an album written and produced by her with each track featuring a different singer, songwriter, poet or rapper. Heap explains that Sigsworth invited her over to his studio to write lyrics to a four-bar motif he had, with one condition – that she include the word "love" somewhere. The first line she came up with was "lung of love, leaves me breathless", and the Details album track, "Flicks" was born. A week later, Sigsworth phoned Heap up again, and together they wrote and recorded the future single "Breathe In".

Throughout the process, Frou Frou work was an equal partnership, with Heap and Sigsworth making equal contributions to writing, arrangement, production and instrumental performance and Heap handling all of the vocals.

In August 2002, they released the Details album and singles "Breathe In", "It's Good To Be In Love", and "Must Be Dreaming" (although the latter two were not commercially available). The album was critically acclaimed, but did not enjoy the commercial success that they had been hoping for.

In late 2003, after an extensive promotional tour of the UK, Europe and the US, the duo were told that their record label, Island Records would not be picking up the option for a second album.

Heap and Sigsworth remain firm friends, and have worked together since the project, including their temporary re-formation in late 2003, when they covered the Bonnie Tyler classic, "Holding Out for a Hero", which was featured during the credits of the movie Shrek 2 after Jennifer Saunders version in the film. Frou Frou saw a resurgence in popularity in 2004, when their album track "Let Go" was featured in the film Garden State.

In a 2005 interview Heap said of frou frou "(it) was really like a kind of little holiday from my own work. Guy and I, we have always worked together, and then over the years, it became clear that we wanted to do a whole album together. It was very organic and spontaneous - just one of those wonderful things that happens. But there was never a mention of a second record from either of us, and not uncomfortably. We're just both kind of free spirits. I love to work with a lot of different people, but I was also just gagging to see what I could do on my own. But I'm sure in the future, Guy and I will get back together to do another record, or to record a few songs together."^[4]

[edit] 2004–2005: The O.C. and Speak for Yourself

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Performing at Coachella Valley Music and Arts Festival

In December 2003, Heap announced on her Web site that she was going to write and produce her second solo album, using her site as a blog to publicise progress.

Heap set herself a deadline of one year to make the album, booking a session to master the album one year ahead in December 2004. She re-mortgaged her flat to fund production costs, including renting a studio at Atomic Studios, London (previously inhabited by UK grime artist, Dizzee Rascal), and purchasing instruments.

At the end of 2004, with the album completed, Heap premiered two album tracks online, selling them prior to the album's release – "Just for Now" and "Goodnight and Go".

In April 2005, The O.C. featured the vocoded-vocal track, "Hide and Seek" in the closing scenes of their season two finale. The track was released immediately to digital download services, such as iTunes, in the US, where it charted. The track was released to iTunes UK on 5 July 2005 (the same day as the UK airing of the season finale) and entered the official UK download chart.

Heap made a decision to put out the album on her own in the UK, starting her own record company, titled Megaphonic Records. The album was titled Speak for Yourself.

Speak for Yourself was released in the UK on 18 July 2005 on CD and iTunes UK, where it entered the top 10 chart. The initial 10,000 physical copies pressed sold out, distributed through large and independent record stores and Heap's own online shop.

In August 2005, Heap announced that she had licensed Speak for Yourself to Sony BMG imprint RCA Victor for the album release in the United States, Canada, and Mexico. The album was released in November 2005 and debuted at #144 in the Billboard Top 200 album chart. In concert, Heap performed solo, controlling the sound through her Apple PowerBook laptop, as well as singing and playing the piano and array mbira.

She returned from the US, already having sold over 120,000 copies.

2006–2007: The year of the 'White Rabbit'[link]

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Heap also announced, on her return to the UK, that she had signed a deal for the album to be released internationally, as well as re-promoted in the UK, with a new imprint of Sony BMG, White Rabbit, run by former Sony BMG UK A&R vice president Nick Raphael. The deal meant that the album could have the promotional backing provided by a respected major label, whilst Heap retained sole control and the team she established for Megaphonic Records.

Speak for Yourself was re-released on the label on 24 April 2006, ahead of a full promotional push on 15 May, a week after the second single, "Goodnight and Go", was commercially released in the UK.

In August 2006, Heap performed a set at the V Festival, where it was announced that "Headlock" was to be the third single to be lifted from the album, and released on 16 October 2006 in the UK.

In late September and early October, Heap embarked on a tour of the UK, holding a competition on MySpace for different support acts for each venue, before touring throughout Canada and the US in November and December. This was her first tour of North America that included a band, incorporating upright bass, percussion, and support acts Kid Beyond and Levi Weaver on beatbox and guitar, respectively. In December 2006, Heap was featured on the front page of The Green Room magazine.

On 7 December 2006, Heap received two Grammy nominations for the 49th Annual Grammy Awards, one for Best New Artist and the other for Best Song Written For Motion Picture, Television Or Other Visual Media for "Can't Take It In".

[edit] 2007–2009: Ellipse

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Throughout the creation of her album Ellipse, Heap posted vlogs, or VBlogs as she called them, through YouTube.^[9] She used these to comment on the album as well as update on its release. The album's release was pushed back multiple times. These included Heap being asked to perform at the annual event PopTech in October 2008. During the event, she premiered one of her album's songs, "Wait it Out".

Heap announced on her Twitter page that Ellipse's first single would be "First Train Home". On 17 August 2009 Heap made the entire album Ellipse available for live streaming via her webpage.

Ellipse was released in the United Kingdom on 24 August, and in the United States on 25 August.

[edit] 2011–present: Heapsongs

On 14 March 2011 Heap officially started work on a new record as fans sent in nearly 900 "sound seeds", or samples of everyday sounds such as a "dishwasher door", a "bicycle" or a "burning match". Heap has stated that the concept for this record will be to record one track over a two week period every 2 months. Each song and video will be released immediately.^[10] According to her website, the album will be completed in roughly 1.5 years.

The first song, initially entitled #heapsong1 and later retitled "Lifeline", premiered worldwide on 28 March 2011 via Ustream^[11] along with a live remix by Tim Exile. "Lifeline" was released on 30 March 2011 as a digital download from Imogen's website and via iTunes, Amazon and other digital retailers. Released alongside this was a 12 page 3DiCD package (a 3D virtual CD) including crowd sourced (and paid for) images, the instrumental version of the song, the "seeds and solos only" version and "heap speaks seeds and solos" - an-18 minute commentary by Heap on how the sounds and solos were used in "Lifeline".