Clive Staples Lewis (29 November 1898 22 November 1963), commonly referred to as C. S. Lewis and known to his friends and family as "Jack", was a British novelist, academic, medievalist, literary critic, essayist, lay theologian and Christian apologist from Ireland. He is well known for his fictional work, especially ''The Screwtape Letters'', ''The Chronicles of Narnia'' and ''The Space Trilogy''.
Lewis was a close friend of J. R. R. Tolkien, and both authors were leading figures in the English faculty at Oxford University and in the informal Oxford literary group known as the "Inklings". According to his memoir ''Surprised by Joy'', Lewis had been baptised in the Church of Ireland (part of the Anglican Communion) at birth, but fell away from his faith during his adolescence. Owing to the influence of Tolkien and other friends, at the age of 32 Lewis returned to the Anglican Communion, becoming "a very ordinary layman of the Church of England". His faith had a profound effect on his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim.
In 1956 he married the American writer Joy Gresham, 17 years his junior, who died four years later of cancer at the age of 45. Lewis died three years after his wife, as the result of renal failure. His death came one week before his 65th birthday. Media coverage of his death was minimal, as he died on 22 November 1963 – the same day that U.S. President John F. Kennedy was assassinated, and the same day another famous author, Aldous Huxley, died. Lewis's works have been translated into more than 30 languages and have sold millions of copies. The books that make up ''The Chronicles of Narnia'' have sold the most and have been popularised on stage, TV, radio and cinema.
Biography
Childhood
Clive Staples Lewis was born in
Belfast,
Ireland, on 29 November 1898. His father was Albert James Lewis (1863–1929), a solicitor whose father, Richard, had come to Ireland from Wales during the mid 19th century. His mother was Florence Augusta Lewis, née Hamilton (1862–1908), known as Flora, the daughter of a
Church of Ireland (Anglican) priest. He had an elder brother,
Warren Hamilton Lewis. At the age of four, shortly after his dog Jacksie was killed by a car, he announced that his name was now Jacksie. At first he would answer to no other name, but later accepted Jack, the name by which he was known to friends and family for the rest of his life. When he was seven, his family moved into "Little Lea", the family home of his childhood, in the
Strandtown area of
East Belfast.
As a boy, Lewis had a fascination with anthropomorphic animals, falling in love with Beatrix Potter's stories and often writing and illustrating his own animal stories. He and his brother Warnie together created the world of Boxen, inhabited and run by animals. Lewis loved to read, and as his father's house was filled with books, he felt that finding a book to read was as easy as walking into a field and "finding a new blade of grass."
Lewis was schooled by private tutors before being sent to the Wynyard School in Watford, Hertfordshire, in 1908, just after his mother's death from cancer. Lewis' brother had enrolled there three years previously. The school was closed not long afterwards due to a lack of pupils; the headmaster Robert "Oldie" Capron was soon after committed to a psychiatric hospital. Lewis then attended Campbell College in the east of Belfast about a mile from his home, but he left after a few months due to respiratory problems. He was then sent to the health-resort town of Malvern, Worcestershire, where he attended the preparatory school Cherbourg House, which Lewis calls "Chartres" in his autobiography. It was during this time that Lewis abandoned his childhood Christian faith and became an atheist, becoming interested in mythology and the occult. In September 1913, Lewis enrolled at Malvern College, where he remained until the following June. He found the school socially competitive. After leaving Malvern he studied privately with William T. Kirkpatrick, his father's old tutor and former headmaster of Lurgan College.
As a teenager, he was wonderstruck by the songs and legends of what he called ''Northernness'', the ancient literature of Scandinavia preserved in the Icelandic sagas. These legends intensified an inner longing he later called "joy". He also grew to love nature; its beauty reminded him of the stories of the North, and the stories of the North reminded him of the beauties of nature. His teenage writings moved away from the tales of Boxen, and he began using different art forms (epic poetry and opera) to try to capture his new-found interest in Norse mythology and the natural world. Studying with Kirkpatrick ("The Great Knock", as Lewis afterwards called him) instilled in him a love of Greek literature and mythology and sharpened his skills in debate and sound reasoning. In 1916, Lewis was awarded a scholarship at University College, Oxford.
"My Irish life"
Lewis experienced a certain cultural shock on first arriving in England: "No Englishman will be able to understand my first impressions of England", Lewis wrote in ''
Surprised by Joy'', continuing, "The strange
English accents with which I was surrounded seemed like the voices of demons. But what was worst was the English landscape ... I have made up the quarrel since; but at that moment I conceived a hatred for England which took many years to heal."
From boyhood Lewis immersed himself firstly in Norse and Greek and then in Irish mythology and literature and expressed an interest in the Irish language, though there is not much evidence that he laboured to learn it. He developed a particular fondness for W. B. Yeats, in part because of Yeats's use of Ireland's Celtic heritage in poetry. In a letter to a friend Lewis wrote, "I have here discovered an author exactly after my own heart, whom I am sure you would delight in, W. B. Yeats. He writes plays and poems of rare spirit and beauty about our old Irish mythology."
In 1921, Lewis met Yeats twice, since Yeats had moved to Oxford. Surprised to find his English peers indifferent to Yeats and the Celtic Revival movement, Lewis wrote: "I am often surprised to find how utterly ignored Yeats is among the men I have met: perhaps his appeal is purely Irish – if so, then thank the gods that I am Irish." Early in his career, Lewis considered sending his work to the major Dublin publishers, writing: "If I do ever send my stuff to a publisher, I think I shall try Maunsel, those Dublin people, and so tack myself definitely onto the Irish school."
Lewis occasionally expressed a somewhat tongue-in-cheek chauvinism toward the English. Describing an encounter with a fellow Irishman he wrote: "Like all Irish people who meet in England we ended by criticisms on the invincible flippancy and dulness of the Anglo-Saxon race. After all, there is no doubt, ami, that the Irish are the only people: with all their faults I would not gladly live or die among another folk." Throughout his life, he sought out the company of other Irish living in England and visited Northern Ireland regularly, even spending his honeymoon there in 1958 at the Old Inn, Crawfordsburn. He called this "my Irish life."
Various critics have suggested that it was Lewis's dismay over sectarian conflict in his native Belfast that led him to eventually adopt such an ecumenical brand of Christianity. As one critic has said, Lewis "repeatedly extolled the virtues of all branches of the Christian faith, emphasising a need for unity among Christians around what the Catholic writer G.K. Chesterton called ‘Mere Christianity’, the core doctrinal beliefs that all denominations share." On the other hand, Paul Stevens of the University of Toronto has written that "Lewis's ''Mere Christianity'' masked many of the political prejudices of an old-fashioned Ulster Protestant, a native of middle-class Belfast for whom British withdrawal from Northern Ireland even in the 1950s and 1960s was unthinkable"
World War I
In 1917, Lewis left his studies to volunteer in the British Army. During World War I he was commissioned an officer in the Third Battalion,
Somerset Light Infantry. Lewis arrived at the front line in the
Somme Valley in France on his nineteenth birthday, and experienced trench warfare.
On 15 April 1918, Lewis was wounded and two of his colleagues were killed by an English shell falling short of its target. Lewis suffered from depression and homesickness during his convalescence. Upon his recovery in October, he was assigned to duty in Andover, England. He was discharged in December 1918, and soon returned to his studies. Lewis received a First in Honour Moderations (Greek and Latin Literature) in 1920, a First in Greats (Philosophy and Ancient History) in 1922, and a First in English in 1923.
Jane Moore
While being trained for the army Lewis shared a room with another cadet, Edward Courtnay Francis "Paddy" Moore (1898–1918). Maureen Moore, Paddy's sister, said that the two made a mutual pact that if either died during the war, the survivor would take care of both their families. Paddy was killed in action in 1918 and Lewis kept his promise. Paddy had earlier introduced Lewis to his mother, Jane King Moore, and a friendship quickly sprang up between Lewis, who was eighteen when they met, and Jane, who was forty-five. The friendship with Mrs. Moore was particularly important to Lewis while he was recovering from his wounds in hospital, as his father did not visit Lewis.
Lewis lived with and cared for Mrs. Moore until she was hospitalised in the late 1940s. He routinely introduced her as his "mother", and referred to her as such in letters. Lewis, whose own mother had died when he was a child and whose father was distant, demanding and eccentric, developed a deeply affectionate friendship with Mrs. Moore.
Speculation regarding their relationship re-surfaced with the publication of A. N. Wilson's biography of Lewis. Wilson (who had never met Lewis) attempted to make a case for their having been lovers for a time. Wilson's biography was not the first to address the question of Lewis's relationship with Mrs. Moore. George Sayer, who knew Lewis for 29 years, sought to shed light on the relationship during the period of 14 years prior to Lewis's conversion to Christianity, in his biography ''Jack: A Life of C. S. Lewis'', in which he wrote:
Were they lovers? Owen Barfield, who knew Jack well in the 1920s, once said that he thought the likelihood was "fifty-fifty." Although she was twenty-six years older than Jack, she was still a handsome woman, and he was certainly infatuated with her. But it seems very odd, if they were lovers, that he would call her "mother." We know, too, that they did not share the same bedroom. It seems most likely that he was bound to her by the promise he had given to Paddy and that his promise was reinforced by his love for her as his second mother.
Later Sayer changed his mind. In the introduction to the 1997 edition of his biography of Lewis he wrote:
I have had to alter my opinion of Lewis's relationship with Mrs. Moore. In chapter eight of this book I wrote that I was uncertain about whether they were lovers. Now after conversations with Mrs. Moore's daughter, Maureen, and a consideration of the way in which their bedrooms were arranged at The Kilns, I am quite certain that they were.
Lewis spoke well of Mrs. Moore throughout his life, saying to his friend George Sayer, "She was generous and taught me to be generous, too."
In December 1917 Lewis wrote in a letter to his childhood friend Arthur Greeves that Jane and Greeves were "the two people who matter most to me in the world."
In 1930, Lewis and his brother Warnie moved, with Mrs. Moore and her daughter Maureen, into "The Kilns", a house in the district of Headington Quarry on the outskirts of Oxford (now part of the suburb of Risinghurst). They all contributed financially to the purchase of the house, which passed to Maureen, then Dame Maureen Dunbar, Btss., when Warren died in 1973.
Mrs. Moore suffered from dementia in her later years and was eventually moved into a nursing home, where she died in 1951. Lewis visited her every day in this home until her death.
Conversion to Christianity
Lewis was raised in a church-going family in the
Church of Ireland. He became an atheist at 15, though he later described his young self as being paradoxically "very angry with God for not existing".
His early separation from Christianity began when he started to view his religion as a chore and as a duty; around this time, he also gained an interest in the occult, as his studies expanded to include such topics. Lewis quoted Lucretius (''De rerum natura'', 5.198–9) as having one of the strongest arguments for atheism:
:''Nequaquam nobis divinitus esse paratam''
:''Naturam rerum; tanta stat praedita culpa''
:"Had God designed the world, it would not be
:A world so frail and faulty as we see."
Lewis's interest in the works of George MacDonald was part of what turned him from atheism. This can be seen particularly well through this passage in Lewis's ''The Great Divorce'', chapter nine, when the semi-autobiographical main character meets MacDonald in Heaven:
...I tried, trembling, to tell this man all that his writings had done for me. I tried to tell how a certain frosty afternoon at Leatherhead Station when I had first bought a copy of ''Phantastes'' (being then about sixteen years old) had been to me what the first sight of Beatrice had been to Dante: ''Here begins the new life''. I started to confess how long that Life had delayed in the region of imagination merely: how slowly and reluctantly I had come to admit that his Christendom had more than an accidental connexion with it, how hard I had tried not to see the true name of the quality which first met me in his books is Holiness.
He slowly re-embraced Christianity, influenced by arguments with his Oxford colleague and friend
J. R. R. Tolkien, whom he seems to have met for the first time on 11 May 1926, and by the book ''
The Everlasting Man'' by
G. K. Chesterton. He fought greatly up to the moment of his conversion, noting that he was brought into Christianity like a prodigal, "kicking, struggling, resentful, and darting his eyes in every direction for a chance to escape." He described his last struggle in ''
Surprised by Joy'':
You must picture me alone in that room in Magdalen, night after night, feeling, whenever my mind lifted even for a second from my work, the steady, unrelenting approach of Him whom I so earnestly desired not to meet. That which I greatly feared had at last come upon me. In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.
After his conversion to
theism in 1929, Lewis converted to Christianity in 1931, following a long discussion and late-night walk with his close friends Tolkien and
Hugo Dyson. He records making a specific commitment to Christian belief while on his way to the zoo with his brother. He became a member of the Church of England – somewhat to the disappointment of Tolkien, who had hoped that he would convert to Roman Catholicism.
Lewis was a committed Anglican who upheld a largely orthodox Anglican theology, though in his apologetic writings, he made an effort to avoid espousing any one denomination. In his later writings, some believe that he proposed ideas such as purification of venial sins after death in purgatory (''The Great Divorce'' and ''Letters to Malcolm'') and mortal sin (''The Screwtape Letters''), which are generally considered to be Roman Catholic teachings, although they are also widely held in Anglicanism (particularly in high church Anglo-Catholic circles). Regardless, Lewis considered himself an entirely orthodox Anglican to the end of his life, reflecting that he had initially attended church only to receive communion and had been repelled by the hymns and the poor quality of the sermons. He later came to consider himself honoured by worshipping with men of faith who came in shabby clothes and work boots and who sang all the verses to all the hymns.
Joy Gresham
In Lewis's later life, he corresponded with and later met
Joy Davidman Gresham, an American writer of Jewish background, a former Communist, and a convert from atheism to Christianity. She was separated from her alcoholic and abusive husband, the novelist
William L. Gresham, and came to England with her two sons, David and
Douglas. Lewis at first regarded her as an agreeable intellectual companion and personal friend, and it was at least overtly on this level that he agreed to enter into a
civil marriage contract with her so that she could continue to live in the UK. Lewis's brother Warnie wrote: "For Jack the attraction was at first undoubtedly intellectual. Joy was the only woman whom he had met... who had a brain which matched his own in suppleness, in width of interest, and in analytical grasp, and above all in humour and a sense of fun" . However, after complaining of a painful hip, she was diagnosed with terminal
bone cancer, and the relationship developed to the point that they sought a Christian marriage. Since she was divorced, this was not straightforward in the Church of England at the time, but a friend, the Rev. Peter Bide, performed the ceremony at her hospital bed in March 1957.
Gresham's cancer soon went into a brief remission, and the couple lived as a family (together with Warren Lewis) until her eventual relapse and death in 1960. The year she died, the couple took a brief holiday in Greece and the Aegean in 1960; Lewis was fond of walking but not of travel, and this marked his only crossing of the English Channel after 1918. Lewis's book ''A Grief Observed'' describes his experience of bereavement in such a raw and personal fashion that Lewis originally released it under the pseudonym N.W. Clerk to keep readers from associating the book with him. Ironically, many friends recommended the book to Lewis as a method for dealing with his own grief. His authorship was made public after his death by Faber's, with the permission of the executors.
Lewis continued to raise Gresham's two sons after her death. While Douglas Gresham is, like Lewis and his mother, a Christian, David Gresham turned to the faith into which his mother had been born and became Orthodox Jewish in his beliefs. His mother's writings had featured the Jews, particularly one "shohet" (ritual slaughterer), in an unsympathetic manner. David informed Lewis that he was going to become a ritual slaughterer in order to present this type of Jewish religious functionary to the world in a more favourable light. In a 2005 interview, Douglas Gresham acknowledged he and his brother were not close, but he did say they are in email contact.
Douglas remains involved in the affairs of the Lewis estate.
Illness and death
In early June 1961, Lewis began experiencing medical problems and was diagnosed with
inflammation of the kidneys which resulted in blood poisoning. His illness caused him to miss the autumn term at Cambridge, though his health gradually began improving in 1962 and he returned that April. Lewis's health continued to improve, and according to his friend George Sayer, Lewis was fully himself by the spring of 1963. However, on 15 July 1963 he fell ill and was admitted to hospital. The next day at 5:00 pm, Lewis suffered a heart attack and lapsed into a coma, unexpectedly awaking the following day at 2:00 pm. After he was discharged from the hospital, Lewis returned to the Kilns, though he was too ill to return to work. As a result, he resigned from his post at Cambridge in August. Lewis's condition continued to decline, and in mid-November he was diagnosed with end-stage
renal failure. On 22 November 1963 Lewis collapsed in his bedroom at 5:30 pm and died a few minutes later, exactly one week before his 65th birthday. He is buried in the churchyard of Holy Trinity Church,
Headington, Oxford . Almost 10 years later, his brother
Warren Hamilton "Warnie" Lewis, who died on 9 April 1973, was buried next to him.
Media coverage of his death was almost completely overshadowed by news of the assassination of President John F. Kennedy, which occurred on the same day, as did the death of Aldous Huxley, author of ''Brave New World''. This coincidence was the inspiration for Peter Kreeft's book ''Between Heaven and Hell: A Dialog Somewhere Beyond Death with John F. Kennedy, C. S. Lewis, & Aldous Huxley'' .
C. S. Lewis is commemorated on 22 November in the church calendar of the Episcopal Church.
Career
Scholar
thumb|right|Magdalen College, Oxford Lewis began his academic career as an undergraduate student at Oxford, where he won a triple first, the highest honours in three areas of study. Lewis then taught as a fellow of
Magdalen College, Oxford, for nearly thirty years, from 1925 to 1954, and later was the first
Professor of Medieval and Renaissance English at the University of Cambridge and a fellow of
Magdalene College, Cambridge. Using this position, he argued that there was no such thing as an
English Renaissance. Much of his scholarly work concentrated on the
later Middle Ages, especially its use of allegory. His ''
The Allegory of Love'' (1936) helped reinvigorate the serious study of late medieval narratives like the ''
Roman de la Rose''. Lewis wrote several prefaces to old works of literature and poetry, like Layamon's ''Brut''. His book "A Preface to ''Paradise Lost''" is still one of the most valuable criticisms of that work. His last
academic work, ''
The Discarded Image: An Introduction to Medieval and Renaissance Literature'' (1964), is a summary of the medieval world view, the "discarded image" of the cosmos in his title.
thumb|left|upright|The Eagle and Child pub in Oxford where the Inklings met on Tuesday mornings in 1939Lewis was a prolific writer, and his circle of literary friends became an informal discussion society known as the "Inklings", including J. R. R. Tolkien, Nevill Coghill, Lord David Cecil, Charles Williams, Owen Barfield, and his brother Warren Lewis. At least one scholar points to December 1929 as the Inklings' beginning date. Lewis's friendship with Coghill and Tolkien grew during their time as members of the Kolbítar, an Old Norse reading group Tolkien founded and which ended around the time of the inception of the Inklings. At Oxford he was the tutor of, among many other undergraduates, poet John Betjeman, critic Kenneth Tynan, mystic Bede Griffiths, and Sufi scholar Martin Lings. Curiously, the religious and conservative Betjeman detested Lewis, whereas the anti-Establishment Tynan retained a life-long admiration for him .
Of Tolkien, Lewis writes in ''Surprised by Joy'':
When I began teaching for the English Faculty, I made two other friends, both Christians (these queer people seemed now to pop up on every side) who were later to give me much help in getting over the last stile. They were H.V.V. Dyson ... and J.R.R. Tolkien. Friendship with the latter marked the breakdown of two old prejudices. At my first coming into the world I had been (implicitly) warned never to trust a Papist, and at my first coming into the English Faculty (explicitly) never to trust a philologist. Tolkien was both.
Novelist
In addition to his scholarly work, Lewis wrote a number of popular novels, including his science fiction
The Space Trilogy and his fantasy fiction
Narnian books, most dealing implicitly with Christian themes such as sin, humanity's
fall from grace, and redemption.
''The Pilgrim's Regress''
His first novel after becoming a Christian was ''The Pilgrim's Regress,'' which depicted his experience with Christianity in the style of
John Bunyan's ''
The Pilgrim's Progress''. The book was poorly received by critics at the time, although D. Martyn Lloyd-Jones, one of Lewis's contemporaries at Oxford, gave him much-valued encouragement. Asked by Lloyd-Jones when he would write another book, Lewis replied, "When I understand the meaning of prayer."
"Space Trilogy" novels
His "Space Trilogy" or "Ransom Trilogy" novels (also called the "Cosmic Trilogy") dealt with what Lewis saw as the de-humanising trends in contemporary science fiction. The first book, ''
Out of the Silent Planet'', was apparently written following a conversation with his friend
J. R. R. Tolkien about these trends; Lewis agreed to write a "space travel" story and Tolkien a "time travel" one. Tolkien's story, "
The Lost Road", a tale connecting his
Middle-earth mythology and the modern world, was never completed. Lewis's main character of
Ransom is based in part on Tolkien, a fact that Tolkien himself alludes to in his ''Letters of J. R. R. Tolkien''. The second novel, ''
Perelandra'', depicts a new
Garden of Eden on the planet Venus, a new
Adam and Eve, and a new "serpent figure" to tempt them. The story can be seen as a hypothesis of what could have happened if the terrestrial Eve had resisted the serpent's temptation and avoided the Fall of Man. The last novel in the Trilogy, ''
That Hideous Strength'', further develops the theme of nihilistic science threatening traditional human values embodied in Arthurian legend (and making reference to Tolkien's fictional universe of Middle-earth).
Many of the ideas in the Trilogy, particularly the opposition to de-humanization in the third volume, are presented more formally in Lewis’ ''The Abolition of Man'', based on his series of lectures at Durham University in 1943. Lewis stayed in Durham, where he was overwhelmed by the cathedral. ''That Hideous Strength'' is in fact set in the environs of 'Edgestow' university, a small English university like Durham, though Lewis disclaims any other resemblance between the two.
Walter Hooper, Lewis's literary executor, discovered a fragment of another science-fiction novel by Lewis, ''The Dark Tower'', but it is unfinished; it is not clear whether the book was intended as part of the same series of novels. The manuscript was eventually published in 1977, though Lewis scholar Kathryn Lindskoog doubts its authenticity.
''The Chronicles of Narnia''
''The Chronicles of Narnia'' is a series of seven fantasy novels for children and is considered a classic of children's literature. Written between 1949 and 1954 and illustrated by
Pauline Baynes, the series is Lewis's most popular work, having sold over 100 million copies in 41 languages . It has been adapted several times, complete or in part, for radio, television, stage and
cinema.
The books contain Christian ideas intended to be easily accessible to young readers. In addition to Christian themes, Lewis also borrows characters from Greek and Roman mythology as well as traditional British and Irish fairy tales.
Other works
Lewis wrote a number of works on Heaven and Hell. One of these, ''
The Great Divorce'', is a short novella in which a few residents of Hell take a bus ride to Heaven, where they are met by people who dwell there. The proposition is that they can stay (in which case they can call the place where they had come from "
Purgatory", instead of "Hell"); but many find it not to their taste. The title is a reference to
William Blake's ''
The Marriage of Heaven and Hell'', a concept that Lewis found a "disastrous error" . This work deliberately echoes two other more famous works with a similar theme: the ''
Divine Comedy'' of
Dante Alighieri, and Bunyan's ''
The Pilgrim's Progress''. Another short work, ''
The Screwtape Letters'', consists of suave letters of advice from a senior
demon, Screwtape, to his nephew Wormwood, on the best ways to tempt a particular human and secure his
damnation. Lewis's last novel was ''
Till We Have Faces'', which he thought of as his most mature and masterly work of fiction but which was never a popular success. It is a retelling of the myth of
Cupid and Psyche from the unusual perspective of Psyche's sister. It is deeply concerned with religious ideas, but the setting is entirely
pagan, and the connections with specific Christian beliefs are left implicit.
Before Lewis's conversion to Christianity, he published two books: ''Spirits in Bondage'', a collection of poems, and ''Dymer'', a single narrative poem. Both were published under the pen name Clive Hamilton. Other narrative poems have since been published posthumously, including: ''Launcelot'', ''The Nameless Isle'', and ''The Queen of Drum''.
He also wrote The Four Loves, which rhetorically explains four loves including friendship, eros, affection, and charity or caritas.
In 2009, a partial draft of Language and Human Nature, which Lewis had begun co-writing with J.R.R. Tolkien, but which was never completed, was discovered.
Christian apologist
In addition to his career as an English professor and an author of fiction, Lewis is regarded by many as one of the most influential
Christian apologists of his time; ''
Mere Christianity'' was voted best book of the twentieth century by ''
Christianity Today'' in 2000. Due to Lewis's approach to religious belief as a sceptic, and his following conversion, he has been called "The Apostle to the Skeptics."
Lewis was very interested in presenting a reasonable case for Christianity. ''Mere Christianity'', ''The Problem of Pain'', and ''Miracles'' were all concerned, to one degree or another, with refuting popular objections to Christianity, such as "How could a good God allow pain to exist in the world?". He also became known as a popular lecturer and broadcaster, and some of his writing (including much of ''Mere Christianity'') originated as scripts for radio talks or lectures.
According to George Sayer, a loss in a 1948 debate with Elizabeth Anscombe, also a Christian, led Lewis to reevaluate his role as an apologist, and his future works concentrated on devotional literature and children's books. Anscombe, however, had a completely different recollection of the debate's outcome and its emotional effect on Lewis. Victor Reppert also disputes Sayer, listing some of Lewis's post-1948 apologetic publications, including the second and revised edition of his ''Miracles'' in 1960, in which Lewis addressed Anscombe's criticism. Noteworthy too is Roger Teichman's suggestion in ''The Philosophy of Elizabeth Anscombe'' that the intellectual impact of Anscombe's paper on Lewis's philosophical self-confidence should not be overrated: "... it seems unlikely that he felt as irretrievably crushed as some of his acquaintances have made out; the episode is probably an inflated legend, in the same category as the affair of Wittgenstein's poker. Certainly Anscombe herself believed that Lewis' argument, though flawed, was getting at something very important; she thought that this came out more in the improved version of it that Lewis presented in a subsequent edition of ''Miracles'' – though that version also had 'much to criticise in it'."
Lewis also wrote an autobiography titled ''Surprised by Joy'', which places special emphasis on his own conversion. (It was written before he met his wife, Joy Gresham; the title of the book came from the first line of a poem by William Wordsworth.) His essays and public speeches on Christian belief, many of which were collected in ''God in the Dock'' and ''The Weight of Glory and Other Addresses'', remain popular today.
His most famous works, the ''Chronicles of Narnia'', contain many strong Christian messages and are often considered allegory. Lewis, an expert on the subject of allegory, maintained that the books were not allegory, and preferred to call the Christian aspects of them "suppositional". As Lewis wrote in a letter to a Mrs. Hook in December 1958:
If Aslan represented the immaterial Deity in the same way in which Giant Despair [a character in ''The Pilgrim's Progress''] represents despair, he would be an allegorical figure. In reality however he is an invention giving an imaginary answer to the question, 'What might Christ become like, if there really were a world like Narnia and He chose to be incarnate and die and rise again in that world as He actually has done in ours?' This is not allegory at all.
"Trilemma"
In a much-cited passage from ''Mere Christianity'', Lewis challenged the view that Jesus, although a great moral teacher, was not God. He argued that Jesus made several implicit claims to divinity, which would logically exclude this:
I am trying here to prevent anyone saying the really foolish thing that people often say about Him: 'I’m ready to accept Jesus as a great moral teacher, but I don’t accept his claim to be God.' That is the one thing we must not say. A man who was merely a man and said the sort of things Jesus said would not be a great moral teacher. He would either be a lunatic – on the level with the man who says he is a poached egg – or else he would be the Devil of Hell. You must make your choice. Either this man was, and is, the Son of God, or else a madman or something worse. You can shut him up for a fool, you can spit at him and kill him as a demon or you can fall at his feet and call him Lord and God, but let us not come with any patronising nonsense about his being a great human teacher. He has not left that open to us. He did not intend to.
This argument, which Lewis did not invent but developed and popularised, is sometimes referred to as "Lewis's trilemma". It has been used by the Christian apologist Josh McDowell in his book ''More Than a Carpenter'' . Although widely repeated in Christian apologetic literature, it has been largely ignored by professional theologians and biblical scholars and is regarded by some as logically unsound and an example of false dilemma.
Lewis's Christian apologetics, and this argument in particular, have been criticised. Philosopher John Beversluis described Lewis's arguments as "textually careless and theologically unreliable". Pluralist theologian, John Hick argues that New Testament scholarship today does not support the view that Jesus claimed to be God. The Anglican bishop, N. T. Wright, who, unlike Hicks, does believe in Jesus' divinity, comments that Lewis' approach to Jesus' identity, by ignoring his Jewish background, "doesn't work as history, and it backfires dangerously when historical critics question his reading of the gospels."
Lewis used a similar argument in ''The Lion, the Witch and the Wardrobe'', when Digory Kirke advises the young heroes that their sister's claims of a magical world must logically be taken as either lies, madness, or truth. and "On the Pains of Animals."
Legacy
Lewis continues to attract a wide readership. In 2008, ''The Times'' ranked him eleventh on their list of "the 50 greatest British writers since 1945". Readers of his fiction are often unaware of what Lewis considered the Christian themes of his works. His Christian apologetics are read and quoted by members of many Christian denominations .
Lewis has been the subject of several biographies, a few of which were written by some of his close friends, such as Roger Lancelyn Green and George Sayer. In 1985 the screenplay ''Shadowlands'' by William Nicholson, dramatising Lewis's life and relationship with Joy Davidman Gresham, was aired on British TV (starring Joss Ackland as Lewis and Claire Bloom as Joy). In 1989 this was staged as a theatre play (starring Nigel Hawthorne) and in 1993 ''Shadowlands'' became a feature film, starring Anthony Hopkins as Lewis and Debra Winger as Joy. In 2005, a one hour made for TV movie entitled ''C. S. Lewis: Beyond Narnia'' (starring Anton Rodgers) provided a general synopsis of Lewis's life.
Many books have been inspired by Lewis, including ''A Severe Mercy'' by his correspondent and friend Sheldon Vanauken. ''The Chronicles of Narnia'' have been particularly influential. Modern children's literature such as Daniel Handler's ''A Series of Unfortunate Events'', Eoin Colfer's ''Artemis Fowl'', Philip Pullman's ''His Dark Materials'', and J. K. Rowling's ''Harry Potter'' have been more or less influenced by Lewis's series . Pullman, an atheist and so fierce a critic of Lewis's work as to be dubbed "the anti-Lewis", considers him a negative influence and has accused Lewis of featuring religious propaganda, misogyny, racism and emotional sadism in his books. Authors of adult fantasy literature such as Tim Powers have also testified to being influenced by Lewis's work.
Most of Lewis’ posthumous work has been edited by his literary executor, Walter Hooper. An independent Lewis scholar, the late Kathryn Lindskoog, argued that Hooper's scholarship is not reliable and that he has made false statements and attributed forged works to Lewis . C. S. Lewis's stepson, Douglas Gresham, denies the forgery claims, saying that "The whole controversy thing was engineered for very personal reasons... Her fanciful theories have been pretty thoroughly discredited." .
A bronze statue of Lewis's character Digory, from ''The Magician's Nephew'', stands in Belfast's Holywood Arches in front of the Holywood Road Library .
Lewis was strongly opposed to the creation of live-action versions of his works. His major concern was that the anthropomorphic animal characters "when taken out of narrative into actual visibility, always turn into buffoonery or nightmare".
Several C. S. Lewis Societies exist around the world, including one which was founded in Oxford in 1982 to discuss papers on the life and works of Lewis and the other Inklings, and generally appreciate all things Lewisian. His name is also used by a variety of Christian organisations, often with a concern for maintaining conservative Christian values in education or literary studies.
The 2005 film adaptation of ''The Lion, the Witch, and the Wardrobe'' was based on the first instalment of the Narnia series. Film adaptations have been made of two other books he wrote: ''Prince Caspian'' (released on 16 May 2008) and ''The Voyage of the Dawn Treader'' (released on 2 December 2010). A film adaptation of ''The Great Divorce'' is slated for release in 2011.
Lewis is featured as a main character in the Chronicles of the Imaginarium Geographica series by James A. Owen.
See also
Marion E. Wade Center at Wheaton College (Illinois) – has the world's largest collection of Lewis's works and works about him.
Bibliography
Secondary works
John Beversluis, ''C. S. Lewis and the Search for Rational Religion''. Eerdmans, 1985. ISBN 0-8028-0046-7
Ronald W. Bresland, ''The Backward Glance: C.S. Lewis and Ireland''. Institute of Irish Studies at Queen's University of Belfast, 1999.
Humphrey Carpenter, ''The Inklings: C. S. Lewis, J. R. R. Tolkien, Charles Williams and their friends''. George Allen & Unwin, 1978. ISBN 0-04-809011-5
Joe R. Christopher & Joan K. Ostling, ''C. S. Lewis: An Annotated Checklist of Writings about him and his Works''. Kent State University Press, n.d. (1972). ISBN 0-87338-138-6
David Clare, "C.S. Lewis: An Irish Writer". ''Irish Studies Review'', Volume 18, Issue 1, February 2010, pages 17 – 38.
James Como, ''Branches to Heaven: The Geniuses of C. S. Lewis''. Spence, 1998.
James Como, ''Remembering C. S. Lewis'' (3rd ed. of ''C. S. Lewis at the Breakfast Table''). Ignatius, 2006
Sean Connolly, ''Inklings of Heaven: C. S. Lewis and Eschatology''. Gracewing, 2007. ISBN 978-0-85244-659-1
Michael Coren, ''The Man Who Created Narnia: The Story of C. S. Lewis''. Eerdmans, reprint edition 1996. ISBN 0-8028-3822-7
Christopher Derrick, ''C. S. Lewis and the Church of Rome: A Study in Proto-Ecumenism''. Ignatius Press, 1981. ISBN 978-9991718507
David C. Downing, ''Into the Region of Awe: Mysticism in C. S. Lewis''. InterVarsity, 2005. ISBN 0-8308-3284-X
David C. Downing, ''Into the Wardrobe: C. S. Lewis and the Narnia Chronicles''. Jossey-Bass, 2005. ISBN 0-7879-7890-6
David C. Downing, ''The Most Reluctant Convert: C. S. Lewis's Journey to Faith''. InterVarsity, 2002. ISBN 0-8308-3271-8
David C. Downing, ''Planets in Peril: A Critical Study of C. S. Lewis's Ransom Trilogy''. University of Massachusetts Press, 1992. ISBN 0-87023-997-X
Colin Duriez and David Porter, ''The Inklings Handbook: The Lives, Thought and Writings of C. S. Lewis, J. R. R. Tolkien, Charles Williams, Owen Barfield, and Their Friends''. 2001. ISBN 1-902694-13-9
Colin Duriez, ''Tolkien and C. S. Lewis: The Gift of Friendship''. Paulist Press, 2003. ISBN 1-58768-026-2
Bruce L. Edwards, ''Not a Tame Lion: The Spiritual World of Narnia''. Tyndale, 2005. ISBN 1414303815
Bruce L. Edwards, ''Further Up and Further In: Understanding C. S. Lewis's The Lion, the Witch, and the Wardrobe''. Broadman and Holman, 2005. ISBN 0805440704
Bruce L. Edwards (ed.), ''C. S. Lewis: Life, Works, and Legacy''. 4 Vol. Praeger Perspectives, 2007. ISBN 0275991164
Bruce L. Edwards (ed.), ''The Taste of the Pineapple: Essays on C. S. Lewis as Reader, Critic, and Imaginative Writer''. The Popular Press, 1988. ISBN 0879724072
Bruce L. Edwards, ''A Rhetoric of Reading: C. S. Lewis's Defense of Western Literacy''. Center for the Study of Christian Values in Literature, 1986. ISBN 0939555018
Alastair Fowler, "C. S. Lewis: Supervisor", ''Yale Review'', Vol. 91, No. 4 (October 2003).
Helen Gardner, "† Clive Staples Lewis, 1898–1963". Biographical memoir, in ''Proceedings of the British Academy'' 51 (1966), 417-428.
Jocelyn Gibb (ed.), ''Light on C. S. Lewis''. Geoffrey Bles, 1965 & Harcourt Brace Jovanovich, 1976. ISBN 0-15-652000-1
Douglas Gilbert & Clyde Kilby, ''C. S. Lewis: Images of His World''. Eerdmans, 1973 & 2005. ISBN 0-8028-2800-0
Diana Glyer ''The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community''. Kent State University Press. Kent Ohio. 2007. ISBN 9780873388900
David Graham (ed.), ''We Remember C. S. Lewis''. Broadman & Holman Publishers, 2001. ISBN 0805422994
Roger Lancelyn Green & Walter Hooper, ''C. S. Lewis: A Biography''. Fully revised & expanded edition. HarperCollins, 2002. ISBN 0-00-628164-8
Douglas Gresham, ''Jack's Life: A Memory of C. S. Lewis''. Broadman & Holman Publishers, 2005. ISBN 0-8054-3246-9
Douglas Gresham, ''Lenten Lands: My Childhood with Joy Davidman and C. S. Lewis''. HarperSanFrancisco, 1994. ISBN 0-06-063447-2
William Griffin, ''C. S. Lewis: The Authentic Voice'' (formerly ''C. S. Lewis: A Dramatic Life''). Lion, 2005. ISBN 0-7459-5208-9
Dabney Adams Hart, ''Through the Open Door: A New Look at C. S. Lewis''. University of Alabama Press, 1984. ISBN 0-8173-0187-9
Joel D. Heck, ''Irrigating Deserts: C. S. Lewis on Education''. Concordia Publishing House, 2006. ISBN 0-7586-0044-5
David Hein, "A Note on C. S. Lewis's ''The Screwtape Letters''", ''The Anglican Digest'' 49.2 (Easter 2007), 55–58. Argues that Lewis's portrayal of the activity of the Devil was influenced by contemporary events — in particular, by the threat of a Nazi invasion of Britain in 1940.
David Hein and Edward Henderson (ed.), ''C. S. Lewis and Friends: Faith and the Power of Imagination''. London: SPCK, 2011. Discusses Lewis, Austin Farrer, Rose Macaulay, Charles Williams, J. R. R. Tolkien, and Dorothy L. Sayers. Contributors include Peter Schakel, Ann Loades, Ralph Wood, Charles Hefling, and the editors. Foreword by David Brown.
David Hein and Edward Hugh Henderson (ed.), ''Captured by the Crucified: The Practical Theology of Austin Farrer''. New York and London: T&T; Clark / Continuum, 2004. A study of Lewis's close friend the theologian Austin Farrer, this book also contains material on Farrer's circle, "the Oxford Christians", including C. S. Lewis.
Walter Hooper, ''C. S. Lewis: A Companion and Guide''. HarperCollins, 1996. ISBN 0006278000
Walter Hooper, ''Through Joy and Beyond: A Pictorial Biography of C. S. Lewis''. Macmillan, 1982. ISBN 0025536702
Alan Jacobs, ''The Narnian: The Life and Imagination of C. S. Lewis''. HarperSanFrancisco, 2005. ISBN 0060766905
Carolyn Keefe, ''C. S. Lewis: Speaker & Teacher''. Zondervan, 1979. ISBN 0-310-26781-1
Jon Kennedy, ''The Everything Guide to C.S. Lewis and Narnia''. Adams Media, 2008. ISBN 0-1-59869-427-8
Clyde S. Kilby, ''The Christian World of C. S. Lewis''. Eerdmans, 1964, 1995. ISBN 0-8028-0871-9
Don W. King, ''C. S. Lewis, Poet: The Legacy of His Poetic Impulse''. Kent State University Press, 2001. ISBN 0-87338-681-7
W.H. Lewis (ed.), ''Letters of C. S. Lewis''. Geoffrey Bles, 1966. ISBN 0-00-242457-6. (Followed in 1988 by an expanded version edited by Walter Hooper, Fount Paperbacks, ISBN 0006273297.)
Kathryn Lindskoog, ''Light in the Shadowlands: Protecting the Real C. S. Lewis''. Multnomah Pub., 1994. ISBN 0-88070-695-3
Susan Lowenberg, ''C. S. Lewis: A Reference Guide 1972–1988''. Hall & Co., 1993. ISBN 0-8161-1846-9
Wayne Mardindale & Jerry Root, ''The Quotable Lewis''. Tyndale House Publishers, 1990. ISBN 0-8423-5115-9
David Mills (editor) (ed), ''The Pilgrim's Guide: C. S. Lewis and the Art of Witness''. Eerdmans, 1998 ISBN 0-8208-3777-8
Thomas L. Martin (ed.), ''Reading the Classics with C. S. Lewis''. Baker Academic, 2000. ISBN 1-84227-0737
Markus Mühling, ''A Theological Journey into Narnia: An Analysis of the Message beneath the Text'', Vandenhoeck & Ruprecht, Göttingen 2005, ISBN 3525604238
Joseph Pearce, ''C. S. Lewis and the Catholic Church''. HarperCollins, 1999; then Ignatius Press, 2003. ISBN 0-89870-979-2
Thomas C. Peters, ''Simply C. S. Lewis. A Beginner's Guide to His Life and Works''. Kingsway Publications, 1998. ISBN 0-85476-762-2
Justin Phillips, ''C. S. Lewis at the BBC: Messages of Hope in the Darkness of War''. Marshall Pickering, 2003. ISBN 0-00-710437-5
Harry Lee Poe & Rebecca Whitten Poe (ed.), ''C. S. Lewis Remembered: Collected Reflections of Students, Friends & Colleagues''. Zondervan, 2006. ISBN 978-0-310-26509-2
Victor Reppert, ''C. S. Lewis's Dangerous Idea: In Defense of the Argument from Reason''. InterVarsity Press, 2003. ISBN 0-8308-2732-3
George Sayer, ''Jack: C. S. Lewis and His Times''. Macmillan, 1988. ISBN 0-333-43362-9
Peter J. Schakel, ''Imagination and the Arts in C. S. Lewis: Journeying to Narnia and Other Worlds.'' University of Missouri Press, 2002. ISBN 082621407X
Peter J. Schakel. ''Reason and Imagination in C. S. Lewis: A Study of "Till We Have Faces."'' Available online. Eerdmans, 1984. ISBN 0802819982
Peter J. Schakel (ed.), ''The Longing for a Form: Essays on the Fiction of C. S. Lewis''. Kent State University Press, 1977. ISBN 0873382048
Peter J. Schakel and Charles A. Huttar (ed.), ''Word and Story in C. S. Lewis'.' University of Missouri Press, 1991. ISBN 082620760X
Stephen Schofield. ''In Search of C. S. Lewis''. Bridge Logos Pub. 1983. ISBN 0-88270-544-X
Jeffrey D. Schultz and John G. West, Jr. (eds.), ''The C. S. Lewis Readers' Encyclopedia''. Zondervan Publishing House, 1998. ISBN 0310215382
Sanford Schwartz, ''C. S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy''. Oxford University Press, 2009. ISBN 9780195374728.
G. B. Tennyson (ed.), ''Owen Barfield on C. S. Lewis''. Wesleyan University Press, 1989. ISBN 0-8195-5233-X.
Richard J. Wagner. ''C. S. Lewis and Narnia for Dummies''. For Dummies, 2005. ISBN 0-7645-8381-6
Andrew Walker, Patrick James (ed.), ''Rumours of Heaven: Essays in Celebration of C. S. Lewis'', Guildford: Eagle, 1998, ISBN 0863472508
Chad Walsh, ''C. S. Lewis: Apostle to the Skeptics''. Macmillan, 1949.
Chad Walsh, ''The Literary Legacy of C. S. Lewis''. Harcourt Brace Jovanovich, 1979. ISBN 0-15-652785-5.
Michael Ward, ''Planet Narnia''. Oxford University Press, 2008. ISBN 978-0-19-531387-1.
George Watson (ed.), ''Critical Essays on C. S. Lewis''. Scolar Press, 1992. ISBN 0-85967-853-9
Michael White, ''C. S. Lewis: The Boy Who Chronicled Narnia''. Abacus, 2005. ISBN 0-349-11625-3
Erik J. Wielenberg, ''God and the Reach of Reason''. Cambridge University Press, 2007. ISBN 978-0-521-70710-7
A. N. Wilson, ''C. S. Lewis: A Biography''. W. W. Norton, 1990. ISBN 0-393-32340-4
Notes
References
Fiddes, Paul (1990), 'C.S. Lewis the myth-maker', in Andrew Walker and James Patrick, ''A Christian for all Christians: essays in honour of C.S. Lewis'' (London: Hodder & Stoughton), pp. 132–55 [reprinted as ''Rumours of Heaven: essays in celebration of C.S. Lewis'' (Guildford: Eagle, 1998)]
External links
Journal of Inklings Studies – British academic journal on C. S. Lewis and his circle
C. S. Lewis Society of California
C. S. Lewis Review
Rare photos of the youthful C.S. Lewis, with his family
Works and archive
The Center for the Study of C.S. Lewis & Friends at Taylor University, Upland, Indiana, Lewis archive.
C.S. Lewis Reading Room, with extensive links to online primary and secondary literature (Tyndale Seminary)
De Descriptione Temporum – Lewis' inaugural Lecture as Chair of Mediaeval and Renaissance Literature at Cambridge University
Open Directory entry for C. S. Lewis
Audio
Lewis on The George MacDonald Informational Web Has an excerpt of Lewis talking about friend and fellow author: Charles Williams, bottom of page
Lewis's Surviving Broadcast Talks on the BBC BBC page on Lewis with original audio recordings.
Complete text and audio of C. S. Lewis's BBC Radio Broadcast 'Beyond Personality – Mere Men'
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