Coordinates	33°51′35.9″N151°12′40″N
name	Some Like It Hot
director	Billy Wilder
producer	Billy Wilder
story	Robert ThoerenMichael Logan
screenplay	Billy WilderI. A. L. Diamond
starring	Marilyn MonroeTony CurtisJack LemmonGeorge RaftJoe E. BrownPat O'Brien
music	Adolph Deutsch
cinematography	Charles Lang
editing	Arthur P. Schmidt
studio	Mirisch Company
distributor	United Artists
released	''(US)''
runtime	122 minutes
country
language	English
budget	$2,883,848
gross	$25 million }}

''Some Like It Hot'' is an American comedy film, made in 1958 and released in 1959, which was directed by Billy Wilder and starred Marilyn Monroe, Tony Curtis, Jack Lemmon and George Raft. The supporting cast includes Joe E. Brown, Pat O'Brien and Nehemiah Persoff. The film is a remake by Wilder and I. A. L. Diamond of a 1935 French movie, ''Fanfare d'Amour'', from the story by Robert Thoeren and Michael Logan, which was itself remade in 1951 by German director Kurt Hoffmann as ''Fanfaren der Liebe''. Both the French and German films were without the gangsters that are integral to the plot of ''Some Like It Hot'' . Wilder's working title for his film was ''Fanfares of Love'', then ''Not Tonight, Josephine'' before he decided on ''Some Like It Hot'' as its release title.

During 1981, after the worldwide success of the French comedy ''La Cage aux Folles'', United Artists re-released ''Some Like It Hot'' to theatres. In 2000, the American Film Institute listed ''Some Like It Hot'' as the greatest American comedy film of all time.

Plot

Two struggling musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), witness what looks like the Saint Valentine's Day massacre of 1929. When the Chicago gangsters, led by "Spats" Columbo (George Raft), see them, the duo flee for their lives. They escape and decide to leave town, taking a job that requires them to disguise themselves as women, playing in an all-girl musical band headed to Florida. Calling themselves Josephine and Geraldine (later Jerry changes his pseudonym to Daphne), they join the band and board a train. Joe and Jerry both become enamored of "Sugar Kane" (Marilyn Monroe), the band's vocalist and ukulele player, and struggle for her affection while maintaining their disguises.

In Florida, Joe woos Sugar by assuming a second disguise as a millionaire named "Junior", the heir to Shell Oil, while mimicking Cary Grant's voice. An actual millionaire, Osgood Fielding III (Joe E. Brown), becomes enamored of Jerry in his Daphne guise. One night Osgood asks Daphne out to his yacht. Joe convinces Daphne to keep Osgood ashore while he goes on the yacht with Sugar. That night Osgood proposes to Daphne who, in a state of excitement, accepts, believing he can receive a large settlement from Osgood immediately following their wedding ceremony.

When the mobsters arrive at the same hotel for a conference honoring "Friends of Italian Opera", Spats and his gang see Joe and Jerry. After several humorous chases (and witnessing yet another mob murder, this time of Spats himself and his crew), Jerry, Joe, Sugar, and Osgood escape to the millionaire's yacht. Enroute, Joe reveals to Sugar his true identity and Sugar tells Joe that she's in love with him regardless. Joe tells her that he is not good enough for her, that she would be getting the "fuzzy end of the lollipop" yet again, but Sugar loves him anyway. Jerry, for his part, tries to explain to Osgood that he cannot marry him, launching into a range of objections from insisting that he can't get married in his mother's dress ("We are not built the same way,") to the tearful confession that he can "never have children." Osgood dismisses them all and remains determined to go through with the marriage. Finally, exasperated, Jerry removes his wig and shouts, "I'm a man!", only for Osgood to override this final revelation by uttering the film's memorable last line, "Well, nobody's perfect."

Cast

Marilyn Monroe as "Sugar" Kane Kowalczyk

Tony Curtis as Joe/"Josephine"/"Junior"

Jack Lemmon as Jerry/"Geraldine"/"Daphne"

George Raft as "Spats" Colombo

Pat O'Brien as Detective Mulligan

Joe E. Brown as Osgood Fielding III

Nehemiah Persoff as "Little Bonaparte"

Joan Shawlee as Sweet Sue

Billy Gray as Sig Poliakoff

George E. Stone as "Toothpick" Charlie

Dave Barry as Beinstock

Mike Mazurki as Spats's henchman

Harry Wilson as Spats's henchman

Beverly Wills as Dolores

Edward G. Robinson, Jr. as Johnny Paradise

Production

Aside from the title, the film bears no resemblance to a Bob Hope movie of the same name released in 1939.

The film was planned originally to be filmed in color, but after several screen tests, it was changed to black and white because of a very obvious 'green tint' around the heavy make-up required by Curtis and Lemmon when portraying Josephine and Daphne. The Florida segment was filmed at the Hotel Del Coronado in Coronado, California.

''Some Like It Hot'' received a "C" (Condemned) rating from the National Legion of Decency (formerly the Catholic Legion of Decency). The film, along with Alfred Hitchcock's ''Psycho'' (1960) and several other films, contributed to the end of the Production Code in the mid-1960s. It was released by United Artists without the MPAA logo in the credits or title sequence, since the film did not receive Production Code approval.

Tony Curtis is frequently quoted as saying that kissing Marilyn Monroe was like "kissing Hitler". However, during a 2001 interview with Leonard Maltin, Curtis stated that he had never made this claim. In his 2008 autobiography, Curtis notes that he did make the statement to the film crew, but it was meant in a joking manner. During his appearance at the Jules Verne Festival in France (2008), Curtis revealed on the set of Laurent Ruquier's TV show that he and Monroe were lovers in the late 1940s when they were first struggling for recognition in films.

The film's title is a line from the nursery rhyme "Pease Porridge Hot". It also occurs as dialogue in the film when Joe, as "Junior", tells Sugar he prefers classical music over hot jazz. The film's working title was ''Fanfares of Love'', then ''Not Tonight, Josephine'', before the release title was finally decided as ''Some Like It Hot''.

Awards and honors

The film was awarded an Academy Award for Best Costume Design, Black-and-White (Orry-Kelly) and was nominated for Best Actor in a Leading Role (Jack Lemmon), Best Art Direction-Set Decoration, Black-and-White (Ted Haworth, Edward G. Boyle), Best Cinematography, Black-and-White, Academy Award for Best Director and Best Writing, Screenplay Based on Material from Another Medium.

It won the Golden Globe for Best Motion Picture - Comedy. Marilyn Monroe won the Golden Globe for Best Actress in Musical or Comedy, and Jack Lemmon for Best Actor in Musical or Comedy.

The film has been acclaimed worldwide as one of the greatest films ever made. In 1989, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant," going in on the first year of voting.

In 2000, readers of ''Total Film'' magazine voted it the eighth greatest comedy film of all time. In 2002, Channel 4 ranked ''Some Like It Hot'' as the fifth greatest film ever made in their 100 Greatest Films Poll.

American Film Institute Lists

AFI's 100 Years... 100 Movies - #14

AFI's 100 Years... 100 Laughs - #1

AFI's 100 Years... 100 Passions - Nominated

AFI's 100 Years... 100 Songs:

*Runnin' Wild - Nominated

AFI's 100 Years... 100 Movie Quotes:

*"Well, nobody's perfect." - #48

*"Look at that! Look how she moves. That’s just like Jell-O on springs. She must have some sort of built-in motor. I tell you, it's a whole different sex!" - Nominated

AFI's 100 Years... 100 Movies (10th Anniversary Edition) - #22

AFI's 10 Top 10 - Nominated Gangster film

In 2011, ABC aired a primetime special, ''Best in Film: The Greatest Movies of Our Time'', that counted down the best films chosen by fans based on results of a poll conducted by ABC and ''People''. ''Some Like it Hot'' was selected as the #3 Best Comedy.

Soundtrack

"I'm Through With Love", by Gus Kahn, Matty Malneck, Jay Livingston. Performed by Marilyn Monroe.

"I Wanna Be Loved By You", by Bert Kalmar, Herbert Stothart, Harry Ruby. Sung by Monroe.

"Some Like It Hot", by Matty Malneck and I.A.L. Diamond. Performed by Monroe

"Runnin' Wild", by A.H. Gibbs, Joe Grey, Leo Wood. Sung by Monroe.

"Down Among the Sheltering Palms", by Olmar-Brockman.

"Sugar Blues", by Williams-Fletcher.

"By the Beautiful Sea", by Harry Carroll, Harold R. Atteridge.

"Sweet Georgia Brown", by Ben Bernie, Maceo Pinkard, Kenneth Casey.

"La Cumparsita", written by Gerardo Matos Rodríguez.

"Stairway to the Stars", music by Matt Malneck and Frank Signorelli.

"Liebesträume" by Franz Liszt

Adaptations

An unsold television pilot was filmed in by Mirisch Productions in 1961 featuring Vic Damone and Tina Louise. As a favour to the production company, Jack Lemmon and Tony Curtis agreed to film cameo appearances, returning as their original characters, Daphne and Josephine, at the beginning of the pilot. Their appearance sees them in a hospital where Jerry (Lemmon) is being treated for his impacted back tooth and Joe (Curtis) is the same O blood type.

During 1972, a musical play based on the screenplay of the film, entitled ''Sugar'', opened on Broadway, starring Elaine Joyce, Robert Morse, Tony Roberts and Cyril Ritchard, with book by Peter Stone, lyrics by Bob Merrill, and (all-new) music by Jule Styne. A 1991 production of this show in London featured Tommy Steele and retained the original title. In 2002, Tony Curtis performed in a stage production of the film. He portrayed the character originally played by Joe E. Brown.

See also

Cross-dressing in film and television

Bollywood remake ''Rafoo Chakkar''

References

;Notes

;Further reading

Curtis, Tony. ''The Making of Some Like It Hot'', Wiley & Sons, Hoboken NJ, 2009. ISBN 978-0470537213.

Maslon, Laurence. ''Some Like It Hot: The Official 50th Anniversary Companion'', New York, HarperCollins, 2009. ISBN 9780061761232.

External links

Roger Ebert's review of ''Some Like It Hot''

Literature

Category:1959 films Category:1950s comedy films Category:Best Musical or Comedy Picture Golden Globe winners Category:Cross-dressing in film and television Category:English-language films Category:Films set in Chicago, Illinois Category:Films set in Miami, Florida Category:Films set in the 1920s Category:Films directed by Billy Wilder Category:Films featuring a Best Musical or Comedy Actor Golden Globe winning performance Category:Films featuring a Best Musical or Comedy Actress Golden Globe winning performance Category:Mafia comedies Category:American screwball comedy films Category:American sex comedy films Category:United Artists films Category:United States National Film Registry films Category:Black-and-white films Category:Films set in the Roaring Twenties

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Coordinates	33°51′35.9″N151°12′40″N
birth name	Norma Jeane Mortenson
birth date	June 01, 1926
birth place	Los Angeles
death date	August 05, 1962
death place	Brentwood, Los Angeles
death cause	Barbiturate overdose
restingplace	Westwood Village Memorial Park Cemetery, Westwood, Los Angeles
other names	Norma Jeane BakerNorma Jeane DoughertyNorma Jeane DiMaggio
occupation	Actress, model, film producer, singer
years active	1947–1962
religion	Christian (1926-1956),Jewish (1956-1962)
spouse	(divorced) (divorced) (divorced)
signature	Marilyn Monroe Signature.svg }}

Marilyn Monroe (pronounced or , born Norma Jeane Mortenson but baptized and raised as Norma Jeane Baker; June 1, 1926 – August 5, 1962) was an American actress, singer and model. After spending much of her childhood in foster homes, Monroe began a career as a model, which led to a film contract in 1946. Her early film appearances were minor, but her performances in ''The Asphalt Jungle'' and ''All About Eve'' (both 1950) were well received. By 1953, Monroe had progressed to leading roles. Her "dumb blonde" persona was used to comedic effect in such films as ''Gentlemen Prefer Blondes'' (1953), ''How to Marry a Millionaire'' (1953) and ''The Seven Year Itch'' (1955). Limited by typecasting, Monroe studied at the Actors Studio to broaden her range, and her dramatic performance in ''Bus Stop'' (1956) was hailed by critics, and she received a Golden Globe nomination. Her production company, Marilyn Monroe Productions, released ''The Prince and the Showgirl'' (1957), for which she received a BAFTA Award nomination and won a David di Donatello award. She received a Golden Globe Award for her performance in ''Some Like It Hot'' (1959).

The final years of Monroe's life were marked by illness, personal problems, and a reputation for being unreliable and difficult to work with. The circumstances of her death, from an overdose of barbiturates, have been the subject of conjecture. Though officially classified as a "probable suicide", the possibility of an accidental overdose, as well as the possibility of homicide, have not been ruled out. In 1999, Monroe was ranked as the sixth greatest female star of all time by the American Film Institute. In the years and decades following her death, Monroe has often been cited as a pop and cultural icon as well as an eminent American sex symbol.

Family and early life

Marilyn Monroe was born on June 1, 1926 in the Los Angeles County Hospital as Norma Jeane Mortenson (soon after changed to Baker), the third child born to Gladys Pearl Baker (née Monroe) (May 27, 1902 – March 11, 1984). Monroe's birth certificate names the father as Martin Edward Mortensen with his residence stated as "unknown". The name Mortenson is listed as her surname on the birth certificate, although Gladys immediately had it changed to Baker, the surname of her first husband and which she still used. Martin's surname was misspelled on the birth certificate leading to more confusion on who her actual father was. Gladys Baker had married a Martin E. Mortensen in 1924, but they had separated before Gladys' pregnancy. Several of Monroe's biographers suggest that Gladys Baker used his name to avoid the stigma of illegitimacy. Mortensen died at the age of 85, and Monroe's birth certificate, together with her parents' marriage and divorce documents, were discovered. The documents showed that Mortensen filed for divorce from Gladys on March 5, 1927, and it was finalized on October 15, 1928. Throughout her life, Marilyn Monroe denied that Mortensen was her father. She said that, when she was a child, she had been shown a photograph of a man that Gladys identified as her father, Charles Stanley Gifford. She remembered that he had a thin mustache and somewhat resembled Clark Gable, and that she had amused herself by pretending that Gable was her father.

Gladys was mentally unstable and financially unable to care for the young Norma Jeane, so she placed her with foster parents Albert and Ida Bolender of Hawthorne, California, where she lived until she was seven. One day, Gladys visited and demanded that the Bolenders return Norma Jeane to her. Ida refused, she knew Gladys was unstable and the situation would not benefit her young daughter. Gladys pulled Ida into the yard, then quickly ran back to the house and locked herself in. Several minutes later, she walked out with one of Albert Bolender's military duffel bags. To Ida's horror, Gladys had stuffed a screaming Norma Jeane into the bag, zipped it up, and was carrying it right out with her. Ida charged toward her, and their struggle split the bag apart, dumping out Norma Jeane, who wept loudly as Ida grabbed her and pulled her back inside the house, away from Gladys. In 1933, Gladys bought a house and brought Norma Jeane to live with her. A few months later, Gladys began a series of mental episodes that would plague her for the rest of her life. In ''My Story'', Monroe recalls her mother "screaming and laughing" as she was forcibly removed to the State Hospital in Norwalk.

Norma Jeane was declared a ward of the state. Gladys' best friend, Grace McKee, became her guardian. It was Grace who told Monroe that someday she would become a movie star. Grace was captivated by Jean Harlow, and would let Norma Jeane wear makeup and take her out to get her hair curled. They would go to the movies together, forming the basis for Norma Jeane's fascination with the cinema and the stars on screen. When she was 9, McKee married Ervin Silliman "Doc" Goddard in 1935, and subsequently sent Monroe to the Los Angeles Orphans Home (later renamed Hollygrove), followed by a succession of foster homes. While at Hollygrove, several families were interested in adopting her; however, reluctance on Gladys' part to sign adoption papers thwarted those attempts. In 1937, Monroe moved back into Grace and Doc Goddard's house, joining Doc's daughter from a previous marriage. Due to Doc's frequent attempts to sexually assault Norma Jeane, this arrangement did not last long.

Grace sent Monroe to live with her great-aunt, Olive Brunings in Compton, California; this was also a brief stint ended by an assault (some reports say it was sexual)--one of Olive's sons had attacked the now middle-school-aged girl. Biographers and psychologists have questioned whether at least some of Norma Jeane's later behavior (i.e. hypersexuality, sleep disturbances, substance abuse, disturbed interpersonal relationships), was a manifestation of the effects of childhood sexual abuse in the context of her already problematic relationships with her psychiatrically ill mother and subsequent caregivers. In early 1938, Grace sent her to live with yet another one of her aunts, Ana Lower, who lived in Van Nuys, another city in Los Angeles County. Years later, she would reflect fondly about the time that she spent with Lower, whom she affectionately called "Aunt Ana." She would explain that it was one of the only times in her life when she felt truly stable. As she aged, however, Lower developed serious health problems.

In 1942, Monroe moved back to Grace and Doc Goddard's house. While attending Van Nuys High School, she met a neighbor's son, James Dougherty (more commonly referred to as simply "Jim"), and began a relationship with him. Several months later, Grace and Doc Goddard decided to relocate to Virginia, where Doc had received a lucrative job offer. Although it was never explained why, they decided not to take Monroe with them. An offer from a neighborhood family to adopt her was proposed, but Gladys rejected the offer. With few options left, Grace approached Dougherty's mother and suggested that Jim marry her so that she would not have to return to an orphanage or foster care, as she was two years below the California legal age. Jim was initially reluctant, but he finally relented and married her in a ceremony arranged by Ana Lower. During this period, Monroe briefly supported her family as a homemaker. In 1943, during World War II, Dougherty enlisted in the Merchant Marine. He was initially stationed on Santa Catalina Island off California's west coast, and Monroe lived with him there in the town of Avalon for several months before he was shipped out to the Pacific. Frightened that he might not come back alive, Monroe begged him to try and get her pregnant before he left. Dougherty disagreed, feeling that she was too young to have a baby, but he promised that they would revisit the subject when he returned home. Subsequently, Monroe moved in with Dougherty's mother.

Career

Early work: 1945–47

While Dougherty served in the Merchant Marine, Monroe began working in the Radioplane Munitions Factory, mainly spraying airplane parts with fire retardant and inspecting parachutes. During that time, Army photographer David Conover noticed her and snapped a photograph of her for a ''Yank'' magazine article. He encouraged her to apply to The Blue Book Modeling Agency. She signed with the agency and began researching the work of Jean Harlow and Lana Turner. She was told that they were looking for models with lighter hair, so Norma Jeane bleached her brunette hair to a golden blonde.

Monroe became one of Blue Book's most successful models; she appeared on dozens of magazine covers. Her successful modeling career brought her to the attention of Ben Lyon, a 20th Century Fox executive, who arranged a screen test for her. Lyon was impressed and commented, "It's Jean Harlow all over again." She was offered a standard six-month contract with a starting salary of $125 per week. Lyon did not like the name Norma Jeane and chose "Carole Lind" as a stagename, after Carole Lombard and Jenny Lind, but he soon decided it was not an appropriate choice. Monroe was invited to spend the weekend with Lyon and his wife Bebe Daniels at their home. It was there that they decided to find her a new name. Following her idol Jean Harlow, she decided to choose her mother's maiden name of Monroe. Several variations such as Norma Jeane Monroe and Norma Monroe were tried and initially "Jeane Monroe" was chosen. Eventually, Lyon decided Jeane and variants were too common, and he decided on a more alliterative sounding name. He suggested "Marilyn", commenting that she reminded him of Marilyn Miller. Monroe was initially hesitant because Marilyn was the contraction of the name Mary Lynn, a name she did not like. Lyon, however, felt that the name "Marilyn Monroe" was sexy, had a "nice flow", and would be "lucky" due to the double "M" and thus Norma Jeane Baker took the name Marilyn Monroe.

Marilyn Monroe's first movie role was an uncredited role as a telephone operator in ''The Shocking Miss Pilgrim'' in 1947. She won a brief role that same year in ''Dangerous Years'' and extra appearances in ''Green Grass of Wyoming'' and ''You Were Meant for Me'', she also won a three scene role as Betty in ''Scudda Hoo! Scudda Hay!''. Monroe's part in ''Scudda Hoo! Scudda Hay!'' was to be three scenes long, but before the release of the film her part was cut down to a brief one-line scene. ''Green Grass of Wyoming'', ''You Were Meant For Me'', and ''Scudda Hoo! Scudda Hay!'', wouldn't be released until 1948, which was months after Monroe's contract had ended in late 1947. She attempted to find opportunities for film work, and while unemployed, she posed for nude photographs. She was paid $50 and signed the model release form as "Mona Monroe". It would be the only time she would get paid for the nude photos. That year, she was also crowned the first "Miss California Artichoke Queen" at the annual artichoke festival in Castroville.

Breakthrough: 1948–51

In 1948, Monroe signed a six-month contract with Columbia Pictures and was introduced to the studio's head drama coach Natasha Lytess, who became her acting coach for several years. She starred in the low-budget musical ''Ladies of the Chorus'' (1948). Monroe was capitalized as one of the film's bright spots, but the movie didn't bring any success for Monroe nor Columbia. During her short stint at Columbia, studio head Harry Cohn softened her appearance somewhat by correcting a slight overbite she had.

She had a small role in the Marx Brothers film ''Love Happy'' (1949). Monroe impressed the producers, who sent her to New York to feature in the film's promotional campaign. ''Love Happy'' brought Monroe to the attention of the talent agent, Johnny Hyde, who agreed to represent her. He arranged for her to audition for John Huston, who cast her in the drama ''The Asphalt Jungle'' as the young mistress of an aging criminal. Her performance brought strong reviews, and was seen by the writer and director, Joseph Mankiewicz. He accepted Hyde's suggestion of Monroe for a small comedic role in ''All About Eve'' as Miss Caswell, an aspiring actress, described by another character as a student of "The Copacabana School of Dramatic Art". Mankiewicz later commented that he had seen an innocence in her that he found appealing, and that this had confirmed his belief in her suitability for the role. Following Monroe's success in these roles, Hyde negotiated a seven-year contract for her with 20th Century Fox, shortly before his death in December 1950. It was at some time during this 1949–50 period that Hyde arranged for her to have a slight bump of cartilage removed from her somewhat bulbous nose which further softened her appearance and accounts for the slight variation in look she had in films after 1950.

In 1951, Monroe enrolled at University of California, Los Angeles, where she studied literature and art appreciation, and appeared in several minor films playing opposite such long-established performers as Mickey Rooney, Constance Bennett, June Allyson, Dick Powell and Claudette Colbert. In March 1951, she appeared as a presenter at the 23rd Academy Awards ceremony. In 1952, Monroe appeared on the cover of ''Look'' magazine wearing a Georgia Tech sweater as part of an article celebrating female enrollment to the school's main campus. In the early 1950s, Monroe and Gregg Palmer both unsuccessfully auditioned for roles as Daisy Mae and Abner in a proposed ''Li'l Abner'' television series based on the Al Capp comic strip, but the effort never materialized.

Leading films: 1952–55

In March 1952, Monroe faced a possible scandal when one of her nude photos from a 1949 session with photographer Tom Kelley was featured in a calendar. The press speculated about the identity of the anonymous model and commented that she closely resembled Monroe. As the studio discussed how to deal with the problem, Monroe suggested that she should simply admit that she had posed for the photograph but emphasize that she had done so only because she had no money to pay her rent. She gave an interview in which she discussed the circumstances that led to her posing for the photographs, and the resulting publicity elicited a degree of sympathy for her plight as a struggling actress.

She made her first appearance on the cover of ''Life'' magazine in April 1952, where she was described as "The Talk of Hollywood". Stories of her childhood and upbringing portrayed her in a sympathetic light: a cover story for the May 1952 edition of ''True Experiences'' magazine showed a smiling and wholesome Monroe beside a caption that read, "Do I look happy? I should — for I was a child nobody wanted. A lonely girl with a dream — who awakened to find that dream come true. I am Marilyn Monroe. Read my Cinderella story." It was also during this time that she began dating baseball player Joe DiMaggio. A photograph of DiMaggio visiting Monroe at the 20th Century Fox studio was printed in newspapers throughout the United States, and reports of a developing romance between them generated further interest in Monroe.

Four films in which Monroe featured were released beginning in 1952. She had been lent to RKO Studios to appear in a supporting role in ''Clash by Night'', a Barbara Stanwyck drama, directed by Fritz Lang. Released in June 1952, the film was popular with audiences, with much of its success credited to curiosity about Monroe, who received generally favorable reviews from critics.

This was followed by two films released in July, the comedy ''We're Not Married!'', and the drama ''Don't Bother to Knock''. ''We're Not Married!'' featured Monroe as a beauty pageant contestant. ''Variety'' described the film as "lightweight". Its reviewer commented that Monroe was featured to full advantage in a bathing suit, and that some of her scenes suggested a degree of exploitation. In ''Don't Bother to Knock'' she played the starring role of a babysitter who threatens to attack the child in her care. The downbeat melodrama was poorly reviewed, although Monroe commented that it contained some of her strongest dramatic acting. ''Monkey Business'', a successful comedy directed by Howard Hawks starring Cary Grant and Ginger Rogers, was released in September and was the first movie in which Monroe appeared in with platinum blonde hair. In ''O. Henry's Full House'' for 20th Century Fox, released in August 1952, Monroe had a single one-minute scene with Charles Laughton, yet she received top billing alongside him and the film's other stars, including Anne Baxter, Farley Granger, Jean Peters and Richard Widmark.

Darryl F. Zanuck considered that Monroe's film potential was worth developing and cast her in ''Niagara'', as a femme fatale scheming to murder her husband, played by Joseph Cotten. During filming, Monroe's make-up artist Whitey Snyder noticed her stage fright (that would ultimately mark her behavior on film sets throughout her career); the director assigned him to spend hours gently coaxing and comforting Monroe as she prepared to film her scenes. Much of the critical commentary following the release of the film focused on Monroe's overtly sexual performance, and a scene which shows Monroe (from the back) making a long walk toward Niagara Falls received frequent note in reviews. After seeing the film, Constance Bennett reportedly quipped, "There's a broad with her future behind her." Whitey Snyder also commented that it was during preparation for this film, after much experimentation, that Monroe achieved "the look, and we used that look for several pictures in a row ... the look was established." While the film was a success, and Monroe's performance had positive reviews, her conduct at promotional events sometimes drew negative comments. Her appearance at the ''Photoplay'' awards dinner in a skin-tight gold lamé dress was criticized. Louella Parsons' newspaper column quoted Joan Crawford discussing Monroe's "vulgarity" and describing her behavior as "unbecoming an actress and a lady". Monroe had previously received criticism for wearing a dress with a neckline cut almost to her navel when she acted as Grand Marshall at the Miss America Parade in September 1952. A photograph from this event was used on the cover of the first issue of ''Playboy'' in December 1953, with a nude photograph of Monroe, taken in 1949, inside the magazine.

Her next film was ''Gentlemen Prefer Blondes'' (1953) co-starring Jane Russell and directed by Howard Hawks. Her role as Lorelei Lee, a gold-digging showgirl, required her to act, sing, and dance. The two stars became friends, with Russell describing Monroe as "very shy and very sweet and far more intelligent than people gave her credit for". She later recalled that Monroe showed her dedication by rehearsing her dance routines each evening after most of the crew had left, but she arrived habitually late on set for filming. Realizing that Monroe remained in her dressing room due to stage fright, and that Hawks was growing impatient with her tardiness, Russell started escorting her to the set.

At the Los Angeles premiere of the film, Monroe and Russell pressed their hand- and footprints in the cement in the forecourt of Grauman's Chinese Theatre. Monroe received positive reviews and the film grossed more than double its production costs. Her rendition of "Diamonds Are a Girl's Best Friend" became associated with her. ''Gentlemen Prefer Blondes'' also marked one of the earliest films in which William Travilla dressed Monroe. Travilla dressed Monroe in eight of her films including ''Bus Stop'', ''Don't Bother to Knock'', ''How to Marry a Millionaire'', ''River of No Return'', ''There’s No Business Like Show Business'', ''Monkey Business'', and ''The Seven Year Itch''. ''How to Marry a Millionaire'' was a comedy about three models scheming to attract wealthy husbands. The film teamed Monroe with Betty Grable and Lauren Bacall, and was directed by Jean Negulesco. The producer and scriptwriter, Nunnally Johnson, said that it was the first film in which audiences "liked Marilyn for herself [and that] she diagnosed the reason very shrewdly. She said that it was the only picture she'd been in, in which she had a measure of modesty... about her own attractiveness."

Monroe's films of this period established her "dumb blonde" persona and contributed to her popularity. In 1953 and 1954, she was listed in the annual "Quigley Poll of the Top Ten Money Making Stars", which was compiled from the votes of movie exhibitors throughout the United States for the stars that had generated the most revenue in their theaters over the previous year. "I want to grow and develop and play serious dramatic parts. My dramatic coach, Natasha Lytess, tells everybody that I have a great soul, but so far nobody's interested in it." Monroe told the ''New York Times''. She saw a possibility in 20th Century Fox's upcoming film, ''The Egyptian,'' but was rebuffed by Darryl F. Zanuck who refused to screen test her.

Instead, she was assigned to the western ''River of No Return'', opposite Robert Mitchum. Director Otto Preminger resented Monroe's reliance on Natasha Lytess, who coached Monroe and announced her verdict at the end of each scene. Eventually Monroe refused to speak to Preminger, and Mitchum had to mediate. Of the finished product, she commented, "I think I deserve a better deal than a grade Z cowboy movie in which the acting finished second to the scenery and the CinemaScope process." In late 1953 Monroe was scheduled to begin filming ''The Girl in Pink Tights'' with Frank Sinatra. When she failed to appear for work, 20th Century Fox suspended her.

International success: 1954–57

Monroe and Joe DiMaggio were married in San Francisco on January 14, 1954. They traveled to Japan soon after, combining a honeymoon with a business trip previously arranged by DiMaggio. For two weeks she took a secondary role to DiMaggio as he conducted his business, having told a reporter, "Marriage is my main career from now on." Monroe then traveled alone to Korea where she performed for 13,000 American Marines over a three-day period. She later commented that the experience had helped her overcome a fear of performing in front of large crowds. Edward H. Comins (1932–2011) of Las Vegas, Nevada, the winner of a Bronze Star medal in the Korean War, reported having cooked for Monroe during one of her engagements abroad.

Returning to Hollywood in March 1954, Monroe settled her disagreement with 20th Century Fox and appeared in the musical ''There's No Business Like Show Business''. The film failed to recover its production costs and was poorly received. Ed Sullivan described Monroe's performance of the song "Heat Wave" as "one of the most flagrant violations of good taste" he had witnessed. ''Time magazine'' compared her unfavorably to co-star Ethel Merman, while Bosley Crowther for ''The New York Times'' said that Mitzi Gaynor had surpassed Monroe's "embarrassing to behold" performance. The reviews echoed Monroe's opinion of the film. She had made it reluctantly, on the assurance that she would be given the starring role in the film adaptation of the Broadway hit ''The Seven Year Itch.''

One of Monroe's most notable film roles was shot in September 1954, a skirt-blowing key scene for ''The Seven Year Itch'' in New York City. In it, she stands with her co-star, Tom Ewell, while the air from a subway grating blows her skirt up. A large crowd watched as director Billy Wilder ordered the scene to be refilmed many times. Joe DiMaggio was reported to have been present and infuriated by the spectacle. After a quarrel, witnessed by journalist Walter Winchell, the couple returned to California where they avoided the press for two weeks, until Monroe announced that they had separated. Their divorce was granted in November 1954. The filming was completed in early 1955, and after refusing what she considered to be inferior parts in ''The Girl in the Red Velvet Swing'' and ''How to Be Very, Very Popular'', Monroe decided to leave Hollywood on the advice of Milton Greene. The role of Curly Flagg in ''How to Be Very, Very Popular'' went to Sheree North, and ''Girl in the Red Velvet Swing'' went to Joan Collins. ''The Seven Year Itch'' was released and became a success, earning an estimated $8 million. Monroe received positive reviews for her performance and was in a strong position to negotiate with 20th Century Fox. On New Year's Eve 1955, they signed a new contract which required Monroe to make four films over a seven-year period. The newly formed Marilyn Monroe Productions would be paid $100,000 plus a share of profits for each film. In addition to being able to work for other studios, Monroe had the right to reject any script, director or cinematographer she did not approve of. In June 2011, the dress was sold for $4.6 million to an undisclosed buyer.

Milton Greene had first met Monroe in 1953 when he was assigned to photograph her for ''Look'' magazine. While many photographers tried to emphasize her sexy image, Greene presented her in more modest poses, and she was pleased with his work. As a friendship developed between them, she confided in him her frustration with her 20th Century Fox contract and the roles she was offered. Her salary for ''Gentlemen Prefer Blondes'' amounted to $18,000, while freelancer Jane Russell was paid more than $100,000. Greene agreed that she could earn more by breaking away from 20th Century Fox. He gave up his job in 1954, mortgaged his home to finance Monroe, and allowed her to live with his family as they determined the future course of her career.

On April 8, 1955, veteran journalist Edward R. Murrow interviewed Greene and his wife Amy, as well as Monroe, at the Greenes' home in Connecticut on a live telecast of the CBS program ''Person to Person''. The kinescope of the telecast has been released on home video.

Truman Capote introduced Monroe to Constance Collier, who gave her acting lessons. She felt that Monroe was not suited to stage acting, but possessed a "lovely talent" that was "so fragile and subtle, it can only be caught by the camera". After only a few weeks of lessons, Collier died. Monroe had met Paula Strasberg and her daughter Susan on the set of ''There's No Business Like Show Business'', and had previously said that she would like to study with Lee Strasberg at the Actors Studio. In March 1955, Monroe met with Cheryl Crawford, one of the founders of the Actors Studio, and convinced her to introduce her to Lee Strasberg, who interviewed her the following day and agreed to accept her as a student.

In May 1955, Monroe started dating playwright Arthur Miller; they had met in Hollywood in 1950 and when Miller discovered she was in New York, he arranged for a mutual friend to reintroduce them. On June 1, 1955, Monroe's birthday, Joe DiMaggio accompanied Monroe to the premiere of ''The Seven Year Itch'' in New York City. He later hosted a birthday party for her, but the evening ended with a public quarrel, and Monroe left the party without him. A lengthy period of estrangement followed. Throughout that year, Monroe studied with the Actors Studio, and found that one of her biggest obstacles was her severe stage fright. She was befriended by the actors Kevin McCarthy and Eli Wallach who each recalled her as studious and sincere in her approach to her studies, and noted that she tried to avoid attention by sitting quietly in the back of the class. When Strasberg felt Monroe was ready to give a performance in front of her peers, Monroe and Maureen Stapleton chose the opening scene from Eugene O'Neill's ''Anna Christie,'' and although she had faltered during each rehearsal, she was able to complete the performance without forgetting her lines. Kim Stanley later recalled that students were discouraged from applauding, but that Monroe's performance had resulted in spontaneous applause from the audience. While Monroe was a student, Lee Strasberg commented, "I have worked with hundreds and hundreds of actors and actresses, and there are only two that stand out way above the rest. Number one is Marlon Brando, and the second is Marilyn Monroe."

The first film to be made under the contract and production company was ''Bus Stop'' directed by Joshua Logan. Logan had studied under Constantin Stanislavski, approved of method acting, and was supportive of Monroe. Monroe severed contact with her drama coach, Natasha Lytess, replacing her with Paula Strasberg, who became a constant presence during the filming of Monroe's subsequent films. thumb|left|300px|Monroe's dramatic performance as Chérie in ''[[Bus Stop (film)|Bus Stop'' (1956), a saloon singer with little talent, marked a departure from her earlier comedies.]] In ''Bus Stop'', Monroe played Chérie, a saloon singer with little talent who falls in love with a cowboy, Beauregard "Bo" Decker, played by Don Murray. Her costumes, make-up and hair reflected a character who lacked sophistication, and Monroe provided deliberately mediocre singing and dancing. Bosley Crowther of ''The New York Times'' proclaimed: "Hold on to your chairs, everybody, and get set for a rattling surprise. Marilyn Monroe has finally proved herself an actress." In his autobiography, ''Movie Stars, Real People and Me,'' director Logan wrote: "I found Marilyn to be one of the great talents of all time... she struck me as being a much brighter person than I had ever imagined, and I think that was the first time I learned that intelligence and, yes, brilliance have nothing to do with education." Logan championed Monroe for an Academy Award nomination and complimented her professionalism until the end of his life. Though not nominated for an Academy Award, she received a Golden Globe nomination.

''Bus Stop'' was followed by ''The Prince and the Showgirl'' directed by Laurence Olivier, who also co-starred. Prior to filming, Olivier praised Monroe as "a brilliant comedienne, which to me means she is also an extremely skilled actress". During filming in England he resented Monroe's dependence on her drama coach, Paula Strasberg, regarding Strasberg as a fraud whose only talent was the ability to "butter Marilyn up". He recalled his attempts at explaining a scene to Monroe, only to hear Strasberg interject, "Honey — just think of Coca-Cola and Frank Sinatra." Olivier later commented that in the film "Marilyn was quite wonderful, the best of all." Monroe's performance was hailed by critics, especially in Europe, where she won the David di Donatello, the Italian equivalent of the Academy Awards, as well as the French Crystal Star Award. She was also nominated for a BAFTA. It was more than a year before Monroe began her next film. During her hiatus, she summered with Miller in Amagansett, New York. She suffered a miscarriage on August 1, 1957.

Last films: 1958–62

With Miller's encouragement she returned to Hollywood in August 1958 to star in ''Some Like It Hot''. The film was directed by Billy Wilder and co-starred Jack Lemmon and Tony Curtis. Wilder had experienced Monroe's tardiness, stage fright, and inability to remember lines during production of ''The Seven Year Itch''. However her behavior was now more hostile, and was marked by refusals to participate in filming and occasional outbursts of profanity. Monroe consistently refused to take direction from Wilder, or insisted on numerous retakes of simple scenes until she was satisfied. She developed a rapport with Lemmon, but she disliked Curtis after hearing that he had described their love scenes as "like kissing Hitler". Curtis later stated that the comment was intended as a joke. During filming, Monroe discovered that she was pregnant. She suffered another miscarriage in December 1958, as filming was completed.

''Some Like it Hot'' became a resounding success, and was nominated for six Academy Awards. Monroe was acclaimed for her performance and won the Golden Globe Award for Best Actress - Motion Picture Musical or Comedy. Wilder commented that the film was the biggest success he had ever been associated with. He discussed the problems he encountered during filming, saying "Marilyn was so difficult because she was totally unpredictable. I never knew what kind of day we were going to have... would she be cooperative or obstructive?" He had little patience with her method-acting technique and said that instead of going to the Actors Studio "she should have gone to a train-engineer's school ... to learn something about arriving on schedule." Wilder had become ill during filming, and explained, "We were in mid-flight – and there was a nut on the plane." In hindsight, he discussed Monroe's "certain indefinable magic" and "absolute genius as a comic actress."

By this time, Monroe had only completed one film, ''Bus Stop'', under her four-picture contract with 20th Century Fox. She agreed to appear in ''Let's Make Love,'' which was to be directed by George Cukor, but she was not satisfied with the script, and Arthur Miller rewrote it. Gregory Peck was originally cast in the male lead role, but he refused the role after Miller's rewrite; Cary Grant, Charlton Heston, Yul Brynner and Rock Hudson also refused the role before it was offered to Yves Montand. Monroe and Miller befriended Montand and his wife, actress Simone Signoret, and filming progressed well until Miller was required to travel to Europe on business. Monroe began to leave the film set early and on several occasions failed to attend, but her attitude improved after Montand confronted her. Signoret returned to Europe to make a film, and Monroe and Montand began a brief affair that ended when Montand refused to leave Signoret. The film was not a critical or commercial success.

Monroe's health deteriorated during this period, and she began to see a Los Angeles psychiatrist, Dr. Ralph Greenson. He later recalled that during this time she frequently complained of insomnia, and told Greenson that she visited several medical doctors to obtain what Greenson considered an excessive variety of drugs. He concluded that she was progressing to the point of addiction, but also noted that she could give up the drugs for extended periods without suffering any withdrawal symptoms. According to Greenson, the marriage between Miller and Monroe was strained; he said that Miller appeared to genuinely care for Monroe and was willing to help her, but that Monroe rebuffed while also expressing resentment towards him for not doing more to help her. Greenson stated that his main objective at the time was to enforce a drastic reduction in Monroe's drug intake.

In 1956, Arthur Miller had briefly resided in Nevada and wrote a short story about some of the local people he had become acquainted with, a divorced woman and some aging cowboys. By 1960 he had developed the short story into a screenplay, and envisaged it as containing a suitable role for Monroe. It became her last completed film. ''The Misfits'', directed by John Huston and costarring Clark Gable, Montgomery Clift, Eli Wallach and Thelma Ritter. Shooting commenced in July 1960, with most taking place in the hot Northern Nevada desert. Monroe was frequently ill and unable to perform, and away from the influence of Dr. Greenson, she had resumed her consumption of sleeping pills and alcohol. A visitor to the set, Susan Strasberg, later described Monroe as "mortally injured in some way," and in August, Monroe was rushed to Los Angeles where she was hospitalized for ten days. Newspapers reported that she had been near death, although the nature of her illness was not disclosed. Louella Parsons wrote in her newspaper column that Monroe was "a very sick girl, much sicker than at first believed", and disclosed that she was being treated by a psychiatrist. Monroe returned to Nevada and completed the film, but she became hostile towards Arthur Miller, and public arguments were reported by the press. Making the film had proved to be an arduous experience for the actors; in addition to Monroe's distress, Montgomery Clift had frequently been unable to perform due to illness, and by the final day of shooting, Thelma Ritter was in hospital suffering from exhaustion. Gable, commenting that he felt unwell, left the set without attending the wrap party. Monroe and Miller returned to New York on separate flights.

Within ten days Monroe had announced her separation from Miller, and Gable had died from a heart attack. Gable's widow, Kay, commented to Louella Parsons that it had been the "eternal waiting" on the set of ''The Misfits'' that had contributed to his death, though she did not name Monroe. When reporters asked Monroe if she felt guilty about Gable's death, she refused to answer, but the journalist Sidney Skolsky recalled that privately she expressed regret for her poor treatment of Gable during filming and described her as being in "a dark pit of despair". Monroe later attended the christening of the Gables' son, at the invitation of Kay Gable. ''The Misfits'' received mediocre reviews, and was not a commercial success, though some praised the performances of Monroe and Gable. Huston later commented that Monroe's performance was not acting in the true sense, and that she had drawn from her own experiences to show herself, rather than a character. "She had no techniques. It was all the truth. It was only Marilyn."

During the following months, Monroe's dependence on alcohol and prescription medications began to take a toll on her health, and friends such as Susan Strasberg later spoke of her illness. Her divorce from Arthur Miller was finalized in January 1961, with Monroe citing "incompatibility of character", and in February she voluntarily entered the Payne Whitney Psychiatric Clinic. Monroe later described the experience as a "nightmare". She was able to phone Joe DiMaggio from the clinic, and he immediately traveled from Florida to New York to facilitate her transfer to the Columbia Presbyterian Medical Center. She remained there for three weeks. Illness prevented her from working for the remainder of the year; she underwent surgery to correct a blockage in her Fallopian tubes in May, and the following month underwent gallbladder surgery. She returned to California and lived in a rented apartment as she convalesced.

In 1962, Monroe began filming ''Something's Got to Give,'' which was to be the third film of her four-film contract with 20th Century Fox. It was to be directed by George Cukor, and co-starred Dean Martin and Cyd Charisse. She was ill with a virus as filming commenced, and suffered from high temperatures and recurrent sinusitis. On one occasion she refused to perform with Martin as he had a cold, and the producer Henry Weinstein recalled seeing her on several occasions being physically ill as she prepared to film her scenes, and attributed it to her dread of performing. He commented, "Very few people experience terror. We all experience anxiety, unhappiness, heartbreaks, but that was sheer primal terror."

On May 19, 1962, she attended the early birthday celebration of President John F. Kennedy at Madison Square Garden, at the suggestion of Kennedy's brother-in-law, actor Peter Lawford. Monroe performed "Happy Birthday" along with a specially written verse based on Bob Hope's "Thanks for the Memory". Kennedy responded to her performance with the remark, "Thank you. I can now retire from politics after having had 'Happy Birthday' sung to me in such a sweet, wholesome way." (also see entry Happy Birthday, Mr. President)

Monroe returned to the set of ''Something's Got to Give'' and filmed a sequence in which she appeared nude in a swimming pool. Commenting that she wanted to "push Liz Taylor off the magazine covers", she gave permission for several partially nude photographs to be published by ''Life''. Having only reported for work on twelve occasions out of a total of 35 days of production, Monroe was dismissed. The studio 20th Century Fox filed a lawsuit against her for half a million dollars, and the studio's vice president, Peter Levathes, issued a statement saying "The star system has gotten way out of hand. We've let the inmates run the asylum, and they've practically destroyed it." Monroe was replaced by Lee Remick, and when Dean Martin refused to work with any other actress, he was also threatened with a lawsuit. Following her dismissal, Monroe engaged in several high-profile publicity ventures. She gave an interview to ''Cosmopolitan'' and was photographed at Peter Lawford's beach house sipping champagne and walking on the beach. She next posed for Bert Stern for ''Vogue'' in a series of photographs that included several nudes. Published after her death, they became known as 'The Last Sitting'. Richard Meryman interviewed her for ''Life'', in which Monroe reflected upon her relationship with her fans and her uncertainties in identifying herself as a "star" and a "sex symbol". She referred to the events surrounding Arthur Miller's appearance before the House Un-American Activities Committee in 1956, and her studio's warning that she would be "finished" if she showed public support for him, and commented, "You have to start all over again. But I believe you're always as good as your potential. I now live in my work and in a few relationships with the few people I can really count on. Fame will go by, and, so long, I've had you fame. If it goes by, I've always known it was fickle. So at least it's something I experienced, but that's not where I live."

In the final weeks of her life, Monroe engaged in discussions about future film projects, and firm arrangements were made to continue negotiations on Something's Got to Give. Among the projects was a biography of Jean Harlow filmed two years later unsuccessfully with Carroll Baker. Starring roles in Billy Wilder's ''Irma la Douce'' and ''What a Way to Go!'' were also discussed; Shirley MacLaine eventually played the roles in both films. Kim Novak replaced her in ''Kiss Me, Stupid'', a comedy in which she was to star opposite Dean Martin. A film version of the Broadway musical, ''A Tree Grows In Brooklyn'', and an unnamed World War I–themed musical co-starring Gene Kelly were also discussed, but the projects never materialized due to her death. Her dispute with 20th Century Fox was resolved, and her contract renewed into a $1 million two-picture deal, and filming of ''Something's Got to Give'' was scheduled to resume in early fall 1962. Marilyn, having fired her own agent and MCA in 1961 managed her own negoiations as President of Marilyn Monroe Productions. Also on the table was an Italian four film deal worth 10 million giving her script, director, and co-star approval. Allan "Whitey" Snyder who saw her during the last week of her life, said Monroe was pleased by the opportunities available to her, and that she "never looked better [and] was in great spirits".

Death and aftermath

On August 5, 1962, LAPD police sergeant Jack Clemmons received a call at 4:25 am from Dr Ralph Greenson, Monroe's psychiatrist, proclaiming that Monroe was found dead at her home in Brentwood, Los Angeles, California. She was 36 years old. At the subsequent autopsy, eight milligram per cent of Chloral hydrate and 4.5 milligram percent of Nembutal were found in her system, and Dr. Thomas Noguchi of the Los Angeles County Coroners office recorded cause of death as "acute barbiturate poisoning," resulting from a "probable suicide." Many theories, including murder, circulated about the circumstances of her death and the timeline after the body was found. Some conspiracy theories involved John and Robert Kennedy, while other theories suggested CIA or Mafia complicity. It was reported that the last person Monroe called was the President.

On August 8, 1962, Monroe was interred in a crypt at Corridor of Memories #24, at the Westwood Village Memorial Park Cemetery in Los Angeles. Lee Strasberg delivered the eulogy. The crypt space immediately to the left of Monroe's was bought and reserved by Hugh Hefner in 1992. DiMaggio took control of the funeral arrangements which consisted of only 31 close family and friends. Police were also present to keep the press away. Her casket was solid bronze and was lined with champagne colored silk. Allan “Whitey” Snyder did her make-up which was supposedly a promise made in earlier years if she were to die before him. She was wearing her favorite green Emilio Pucci dress. In her hands was a small bouquet of pink teacup roses. For the next 20 years, red roses were placed in a vase attached to the crypt, courtesy of Joe DiMaggio.

In August 2009, the crypt space directly above that of Monroe was placed for auction on eBay. Elsie Poncher plans to exhume her husband and move him to an adjacent plot. She advertised the crypt, hoping "to make enough money to pay off the $1.6 million mortgage" on her Beverly Hills mansion. The winning bid was placed by an anonymous Japanese man for $4.6 million, but the winning bidder later backed out "because of the paying problem". Playboy magazine founder Hugh Hefner, who never met Monroe, bought the crypt next to hers at the Westwood Village Memorial Park Cemetery. He affirmed that the initial success of his magazine directly correlated with Monroe.

Administration of estate

In her will, Monroe stated she would leave Lee Strasberg her personal effects, which amounted to just over half of her residuary estate, expressing her desire that he "distribute [the effects] among my friends, colleagues and those to whom I am devoted". Instead, Strasberg stored them in a warehouse, and willed them to his widow, Anna, who successfully sued Los Angeles-based Odyssey Auctions in 1994 to prevent the sale of items consigned by the nephew of Monroe's business manager, Inez Melson. In October 1999, Christie's auctioned the bulk of Monroe's effects, including those recovered from Melson's nephew, netting an amount of $13,405,785. Subsequently, Strasberg sued the children of four photographers to determine rights of publicity, which permits the licensing of images of deceased personages for commercial purposes. The decision as to whether Monroe was a resident of California, where she died and where her will was probated, or New York, which she considered her primary residence, was worth millions.

On May 4, 2007, a New York judge ruled that Monroe's rights of publicity ended at her death. In October 2007, California Governor Arnold Schwarzenegger signed Senate Bill 771. The legislation was supported by Anna Strasberg and the Screen Actors Guild. Senate Bill 771 established that non-family members may inherit rights of publicity through the residuary clause of the deceased's will, provided that the person was a resident of California at the time of death. In March 2008, the United States District Court in Los Angeles ruled that Monroe was a resident of New York at the time of her death, citing the statement of the executor of her estate to California tax authorities, and a 1966 sworn affidavit by her housekeeper. The decision was reaffirmed by the United States District Court of New York in September 2008.

In July 2010, Monroe's Brentwood home was put up for sale by Prudential California Realty. The house was sold for $3.6 million. Monroe left to Lee Strasberg an archive of her own writing – diaries, poems, and letters, which Anna discovered in October 1999. In October 2010, the documents were published as a book, ''Fragments''.

Personal life

Relationships

Monroe had three marriages, all of which ended in divorce. The first was to James Dougherty, the second to Joe DiMaggio, and lastly to Arthur Miller. Allegedly, she was briefly married to writer Robert "Bob" Slatzer. She is alleged to have had affairs with both John and Robert Kennedy. Marlon Brando, in his autobiography ''Songs My Mother Taught Me'', claimed that he had had a relationship with her, and enduring friendship lasting until her death. She also suffered two miscarriages and an ectopic pregnancy during her three marriages.

Monroe married James Dougherty on June 19, 1942, at the home of Chester Howell in Los Angeles. As a result of her modeling career, he began to lose interest in her and stated that he did not approve of her new job. Monroe then decided to divorce Dougherty. The marriage ended when he returned from overseas in 1946. In ''The Secret Happiness of Marilyn Monroe'' and ''To Norma Jeane with Love, Jimmie'', he claimed they were in love, but dreams of stardom lured her away. In 1953, he wrote a piece called "Marilyn Monroe Was My Wife" for ''Photoplay'', in which he claimed that she threatened to jump off the Santa Monica Pier if he left her. She was reported to have been furious and explained in 1956 interview that she confessed to having attempted suicide during the marriage and stated that she felt trapped and bored by Dougherty, even blaming their marriage on her foster mother. In her autobiography, explaining the sudden dissolution of their marriage, Monroe stated, "My marriage didn't make me sad, but it didn't make me happy either. My husband and I hardly spoke to each other. This wasn't because we were angry. We had nothing to say. I was dying of boredom."

Doc Goddard had plans to publish extra details about the marriage, citing that he hoped to clear up rumors about an arranged marriage, but decided against the publication at the last minute. In the 2004 documentary ''Marilyn's Man'', Dougherty made three new claims: that he invented the "Marilyn Monroe" persona; studio executives forced her to divorce him; and that he was her true love and her "dedicated friend for life".

Monroe eloped with Joe DiMaggio at San Francisco City Hall on January 14, 1954. In 1951, DiMaggio saw a photograph of Monroe alongside Chicago White Sox players Joe Dobson and Gus Zernial, prompting him to request a date with her in 1952. Of their initial meeting, Monroe wrote in ''My Story'' that she did not have a desire to know him, as she had feared a stereotypical jock. During their honeymoon in Japan, she was asked to visit Korea as part of the USO. She performed ten shows in four days for over 100,000 servicemen.

thumb|left|Joe DiMaggio and Marilyn Monroe staying at [[Imperial Hotel, Tokyo|Imperial Hotel in Tokyo on their honeymoon (1954)]] Maury Allen quoted New York Yankees PR man Arthur Richman that Joe told him that the marriage went wrong from then. On September 14, 1954, Monroe filmed the famed skirt-blowing scene for ''The Seven Year Itch'' in front of New York's Trans-Lux Theater. Bill Kobrin, then Fox's east coast correspondent, told the ''Palm Springs Desert Sun'' in 1956 that it was Billy Wilder's idea to turn the shoot into a media circus, and that the couple had a "yelling battle" in the theater lobby. She filed for divorce on grounds of mental cruelty nine months after the wedding. In February 1961, Monroe was admitted to the Payne Whitney Psychiatric Clinic. She contacted DiMaggio, who secured her release. She later joined him in Florida, where he was serving as a batting coach at the New York Yankees' training camp. Bob Hope jokingly dedicated Best Song nominee ''The Second Time Around'' to them at the 1961 Academy Awards. According to Allen, on August 1, 1962, DiMaggio – alarmed by how Monroe had fallen in with people he considered detrimental to her well-being – quit his job with a PX supplier to ask her to remarry him. After Monroe's death, DiMaggio claimed her body and arranged her funeral. For 20 years, he had a half-dozen red roses delivered to her crypt three times a week. In 2006, DiMaggio's adopted granddaughters auctioned the bulk of his estate, which featured two letters Monroe penned to him and a photograph signed "I love you, Joe, Marilyn."

On June 29, 1956, Monroe married playwright Arthur Miller, in a civil ceremony in White Plains, New York. Monroe met Miller in 1950. During this filming of ''Bus Stop'', the relationship between Monroe and Miller had developed, and although the couple were able to maintain their privacy for almost a year, the press began to write about them as a couple, often referred to as "The Egghead and The Hourglass". The reports of their romance were soon overtaken by news that Miller had been called to testify before the House Un-American Activities Committee to explain his supposed communist affiliations. Called upon to identify communists he was acquainted with, Miller refused and was charged with contempt of Congress. He was acquitted on appeal. During the investigation, Monroe was urged by film executives to abandon Miller, rather than risk her career but she refused, later branding them as "born cowards". The press began to discuss an impending marriage, but Monroe and Miller refused to confirm the rumor. In June 1956, a reporter was following them by car, and as they attempted to elude him, the reporter's car crashed, killing a female passenger. Monroe became hysterical upon hearing the news, and their engagement was announced, partly in the expectation that it would reduce the excessive media interest they were being subjected to. City Court Judge Seymour D. Robinowitz presided over the hushed ceremony in the law office of Sam Slavitt (the wedding had been kept secret from both the press and the public). Monroe and Miller wed again two days later in a Jewish ceremony before a small group of guests. Rabbi Robert E. Goldburg, a Reform rabbi at Congregation Mishkan Israel, presided over the ceremony. Their nuptials were celebrated at the home of Miller's literary agent, Kay Brown, in Westchester County, New York. Some 30 friends and relatives attended the hastily arranged party. Less than two weeks after the wedding, the Millers flew to London, where they were greeted at Parkside House by Laurence Olivier and wife Vivien Leigh. Monroe created chaos among the normally staid British press. In reflecting on his courtship of Monroe, Miller wrote, "She was a whirling light to me then, all paradox and enticing mystery, street-tough one moment, then lifted by a lyrical and poetic sensitivity that few retain past early adolescence." Nominally raised as a Christian but before her 1956 conversion (to Judaism), Monroe laughingly rejected Jane Russell's conversion attempts during the 1953 filming of "Gentlemen Prefer Blondes" saying "Jane tried to convert me (to religion) and I tried to introduce her to Freud". She did convert to Judaism before marrying Miller. After she finished shooting ''The Prince and the Showgirl'' with Laurence Olivier, the couple returned to the United States from England and discovered she was pregnant. Tony Curtis, her co-star from ''Some Like It Hot,'' claims he got Monroe pregnant during their on-off affair that was rekindled during the filming of ''Some Like It Hot'' in 1959, while she was still married to Arthur Miller.

Miller's screenplay for ''The Misfits'', a story about a despairing divorcée, was meant to be a Valentine gift for his wife, but by the time filming started in 1960 their marriage was beyond repair. A Mexican divorce was granted on January 24, 1961 in Ciudad Juarez by Francisco José Gómez Fraire. On February 17, 1962, Miller married Inge Morath, one of the Magnum photographers recording the making of ''The Misfits''. In January 1964, Miller's play ''After The Fall'' opened, featuring a beautiful and devouring shrew named Maggie. Simone Signoret noted in her autobiography the morbidity of Miller and Elia Kazan resuming their professional association "over a casket". In interviews and in his autobiography, Miller insisted that Maggie was not based on Monroe. However, he never pretended that his last Broadway-bound work, ''Finishing the Picture'', was not based on the making of ''The Misfits''. He appeared in the documentary ''The Century of the Self'', lamenting the psychological work being done on her before her death.

On May 19, 1962, Monroe made her last significant public appearance, singing "Happy Birthday, Mr. President" at a birthday party for President John F. Kennedy at Madison Square Garden. The dress that she wore to the event, specially designed and made for her by Jean Louis, sold at an auction in 1999 for $1.26 million. Monroe reportedly had an affair with President John F. Kennedy. JFK's reputed mistress Judith Exner, in her 1977 autobiography, also wrote about an affair that she said the president and Monroe had. Journalist Anthony Summers examines the issue of Monroe's relationships with the Kennedy brothers at length in two books: his 1993 biography of FBI Director J. Edgar Hoover, entitled ''Official and Confidential: The Secret Life of J. Edgar Hoover'', and his 1985 biography of Monroe, entitled ''Goddess''. In the Hoover book, Summers concludes that Monroe was in love with President Kennedy and wanted to marry him in the early 1960s; that she called the White House frequently; and that, when the married President had to break off their affair, Monroe became even more depressed, and then turned to Robert Kennedy, who visited Monroe in Los Angeles the day that she died. Patricia Seaton Lawford, the fourth wife of actor Peter Lawford, also deals with the Monroe-Kennedy matters in her 1988 biography of Peter Lawford, entitled ''The Peter Lawford Story''. Lawford's first wife was Patricia Kennedy Lawford, a sister of John and Robert; Lawford was very close to the Kennedy family for over a decade, including the time of Monroe's death. In 1997, documents purporting to prove a coverup of a relationship between JFK and Monroe were discovered to be fraudulent.

Psychoanalysis

Monroe had a long experience with psychoanalysis. She was in analysis with Margaret Herz Hohenberg, Anna Freud, Marianne Rie Kris, Ralph S. Greenson (who found Monroe dead), and Milton Wexler.

Politics

In Monroe's last interview she pleaded with a reporter to end the article with the folllowing quote: "What I really want to say: That what the world really needs is a real feeling of kinship. Everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers. Please don’t make me a joke. End the interview with what I believe."

Monroe was friends with Ella Fitzgerald and helped Ella in her career. Ella Fitzgerald later recounted, "I owe Marilyn Monroe a real debt…it was because of her that I played the Mocambo, a very popular nightclub in the ’50s. She personally called the owner of the club, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it."

Political discussions were recounted with Robert Kennedy as to policy towards Cuba, and President Kennedy. The latter said to have taken place at had luncheon with the Peter Lawfords. She was very pleased, as she had asked the President a lot of socially significant questions concerning the morality of atomic testing. Monroe supported Peace Action, which was created from a merge of Committee for a SANE Nuclear Policy and the Nuclear Weapons Freeze Campaign.

While in Mexico in 1962, she openly associated with Americans who were identified by the FBI as communists, such as Frederick Vanderbilt Field. The daughter of Monroe's last psychiatrist, Joan Greenson, said that Monroe was “passionate about equal rights, rights for blacks, rights for the poor. She identified strongly with the workers."

Portrayals

Monroe has been portrayed by:

Catherine Hicks in ''Marilyn: The Untold Story'' (1980)

Susan Griffiths in a fictionalized biopic ''Marilyn and Me'' (1991)

Melody Anderson in ''Marilyn & Bobby: Her Final Affair'' (1993)

By Ashley Judd as the younger Marilyn (who constantly appears as an illusion to the older Marilyn thorought the film), and by Mira Sorvino as the older Marilyn in ''Norma Jean & Marilyn'' (1996)

Barbara Niven in ''The Rat Pack'' (1998)

Poppy Montgomery in ''Blonde'' (2001)

Holly Beavon in ''James Dean'' (2001) (NOTE: This role was uncredited)

Sophie Monk in ''The Mystery of Natalie Wood'' (2004)

Charlotte Sullivan in ''The Kennedys'' (2011)

Michelle Williams will portray Monroe in ''My Week with Marilyn'' (2011)

Naomi Watts will portray Monroe in another adaptation of Joyce Carol Oates' book in a film also called ''Blonde'' (2012). It is unknown if it will premiere on TV or be released to theaters.

Susan Griffiths is a Marilyn Monroe impersonator who has portrayed Monroe, or an intentional look-alike, in several films and television series, including: the 1994 film ''Pulp Fiction'' (a look-alike waitress), ''Quantum Leap'', ''Dark Skies'', ''Curb Your Enthusiasm'' and ''Timecop''.

Filmography

! Year	! Film title	! Role	! Co-actors	! Director	! Producer	! Notes
	''''	Telephone Operator	Betty Grable and Dick Haymes		20th Century Fox	Uncredited
1947	''Dangerous Years''	Evie	Billy Halop and Ann E. Todd		20th Century Fox
	''Green Grass of Wyoming''	Square Dance extra	Peggy Cummins and Charles Coburn		20th Century Fox	Uncredited
1948		Lady in Waiting	Cary Grant and Jeanne Crain		20th Century Fox	Uncredited
1948	''Scudda Hoo! Scudda Hay!''	Betty	June Haver and Natalie Wood		20th Century Fox	Uncredited
1948	''Ladies of the Chorus''	Peggy Martin	Adele Jergens and Rand Brooks		Columbia Pictures	First major film appearance
	''Love Happy''	Grunion's Client	Harpo Marx, Chico Marx, Groucho Marx		United Artists
	''A Ticket to Tomahawk''	Clara	Dan Dailey, Anne Baxter, Rory Calhoun		20th Century Fox	Uncredited
1950	''Right Cross''	Dusky Ledoux	June Allyson and Dick Powell		Metro-Goldwyn-Mayer	Uncredited
1950	''''	Polly	Mickey Rooney and Pat O'Brien		20th Century Fox	Aka: ''The Challenge''
1950	''''	Angela Phinlay	Sterling Hayden, Louis Calhern, Jean Hagen		Metro-Goldwyn-Mayer
1950	''All About Eve''	Miss Claudia Caswell	Bette Davis, Anne Baxter, George Sanders		20th Century Fox
	''Home Town Story''	Iris Martin	Jeffrey Lynn, Alan Hale, Jr., Donald Crisp	Arthur Pierson	Metro-Goldwyn-Mayer
1951	''As Young as You Feel''	Hariett	Monty Woolley, Thelma Ritter, Jean Peters	Harmen Jones	20th Century Fox
1951	''Love Nest''	Roberta "Bobbie" Stevens	June Haver, William Lundigan, Frank Fay		20th Century Fox
1951	''Let's Make It Legal''	Joyce Mannering	Claudette Colbert, Macdonald Carey, Barbara Bates, Jeanne Crain		20th Century Fox
	''O. Henry's Full House''	Streetwalker	Fred Allen, Anne Baxter, Richard Widmark		20th Century Fox	Cameo appearance
1952		Lois Laurel	Cary Grant, Ginger Rogers, Charles Coburn		20th Century Fox
1952	'' Clash by Night''	Peggy	Barbara Stanwyck, Keith Andes, Paul Douglas		RKO Radio Pictures
1952	''We're Not Married!''	Anabel Norris	Ginger Rogers, Fred Allen, Victor Moore, David Wayne, Zsa Zsa Gabor		20th Century Fox
1952	''Don't Bother to Knock''	Nell Forbes	Richard Widmark and Anne Bancroft		20th Century Fox	First starring role
		Rose Loomis	Joseph Cotten and Jean Peters		20th Century Fox
1953		Lorelei Lee	Jane Russell, Charles Coburn, Elliot Reid		20th Century Fox
1953	''How to Marry a Millionaire''	Pola Debevoise	Betty Grable, Lauren Bacall, William Powell		20th Century Fox
	''River of No Return''	Kay Weston	Robert Mitchum, Tommy Rettig, Rory Calhoun		20th Century Fox
1954		Victoria "Vicky" Hoffman	Ethel Merman, Dan Dailey, Donald O'Connor, Mitzi Gaynor		20th Century Fox
	''''	The Girl	Tom Ewell and Evelyn Keyes		20th Century Fox	Contains the famous scene of Monroe's skirt being blown up by a subway grating.
		Chérie	Don Murray and Arthur O'Connell		20th Century Fox	Aka: ''The Wrong Kind of Girl''
	''	Elsie Marina	Laurence Olivier		Warner Brothers	The only film released under Marilyn Monroe Productions.
	''Some Like It Hot''	Sugar Kane Kowalczyk	Tony Curtis and Jack Lemmon		Metro-Goldwyn-Mayer	Monroe's most successful film. Known as a comedy film classic.
	''Let's Make Love''	Amanda Dell	Yves Montand, Frankie Vaughan, Tony Randall		20th Century Fox
	''''	Roslyn Taber	Clark Gable, Eli Wallach, Montgomery Clift		United Artists	Final film appearance

Uncompleted films

! Year	! Film	! Role	! Co-stars	! Director	! Producer
1962	''Something's Got to Give''	Ellen Wagstaff Arden	Dean Martin and Cyd Charisse	George Cukor	20th Century Fox

Television appearances

''As Herself''

! Year	! TV Program	! Notes
1953	''The Jack Benny Program''	1 episode
1955	''Person to Person''	Television documentary
1959	''Premier Khrushchev in the USA''	Television documentary
1962	''President Kennedy's Birthday Salute''	Television movie
1962	''Lykke og krone''	Television documentary

Songs

! Year	! Film title	! Song title
		"Every Baby Needs a Da-Da-Daddy"
"Anyone Can See I Love You"
"Ladies Of The Chorus"
1950		"Oh, What a Forward Young Man You Are"
1953	align=center	"Kiss"
	rowspan="7" style="text-align:center;"	"Two Little Girls from Little Rock"
"When Love Goes Wrong"
"Bye Bye Baby"
"Diamonds Are a Girl's Best Friend"
"Four French Dances – Sur le balcon, La Tentateur, Sol taire, Parle d'affair"
"Down Boy"'
"When The Wild Wild Women Go Swimmin' Down In the Bimini Bay"
		"She Acts Like A Woman Should"
"You'd Be Surprised"
"A Fine Romance"
"Do It Again"
		"I'm Gonna File My Claim"
"One Silver Dollar"
"Down In The Meadow"
"River Of No Return"
	rowspan="4" style="text-align:center;"	"Heat Wave"
"Lazy"
"After You Get What You Want"
"A Man Chases a Girl"
1956	align=center	"That Old Black Magic"
1957		"I Found a Dream"
		"Runnin' Wild"
"I Wanna Be Loved By You"
"I'm Through With Love"
"Some Like It Hot"
		"My Heart Belongs to Daddy"
"Specialization"
"Let's Make Love"
"Incurably Romantic"
1962		"Happy Birthday, Mr. President"

Awards and nominations

1951 Henrietta Award: The Best Young Box Office Personality

1952 Photoplay Award: Fastest Rising Star of 1952

1952 Photoplay Award: Special Award

1952 Look American Magazine Achievement Award: Most Promising Female Newcomer of 1952

1953 Golden Globe Henrietta Award: World Film Favorite Female.

1953 Sweetheart of The Month (Playboy)

1953 Photoplay Award: Most Popular Female Star

1954 Photoplay Award for Best Actress: for ''Gentlemen Prefer Blondes'' and ''How to Marry a Millionaire''

1956 BAFTA Film Award nomination: Best Foreign Actress for ''The Seven Year Itch''

1956 Golden Globe nomination: Best Motion Picture Actress in Comedy or Musical for ''Bus Stop''

1958 BAFTA Film Award nomination: Best Foreign Actress for ''The Prince and the Showgirl''

1958 David di Donatello Award (Italian): Best Foreign Actress for ''The Prince and the Showgirl''

1959 Crystal Star Award (French): Best Foreign Actress for ''The Prince and the Showgirl''

1960 Golden Globe, Best Motion Picture Actress in Comedy or Musical for ''Some Like It Hot''

1962 Golden Globe, World Film Favorite: Female

Star on the Hollywood Walk of Fame 6104 Hollywood Blvd.

1999 she was ranked as the sixth greatest female star of all time by the American Film Institute in their list AFI's 100 Years...100 Stars.

See also

Marilyn Monroe in popular culture

Berniece Baker Miracle, Monroe's half-sister

Notes

References

Jacke, Andreas: Marilyn Monroe und die Psychoanalyse. Psychosozial Verlag, Gießen 2005, ISBN 978-3-89806-398-2, ISBN 3-89806-398-4

Meaker, M. J. ''Sudden Endings: 13 Profiles in Depth of Famous Suicides'' Doubleday & Company, Inc., Garden City, NY: 1964 p. 26–45: "Marilyn and Norma Jean: Marilyn Monroe"

External links

Gallery: Marilyn Monroe: Life and Times – ''Life Magazine''

''What Really Killed Marilyn'', article by Clare Boothe Luce for ''Life Magazine'', 7 August 1964.

"Marilyn!", essay by Dan Callahan for ''Alt Screen'' on the occasion of a retrospective at BAMcinématek

Category:1926 births Category:1962 deaths Category:20th-century actors Category:Actors Studio alumni Category:Actors who committed suicide Category:University High School (Los Angeles, California) alumni Category:American female singers Category:American film actors Category:Best Musical or Comedy Actress Golden Globe (film) winners Category:Burials at Westwood Village Memorial Park Cemetery Category:Converts to Judaism from Christianity Category:American Jews Category:Drug-related suicides in California Category:Female suicides Category:Former Christian Scientists Category:Models who committed suicide Category:People from Los Angeles, California Category:Playboy Playmates (1953–1959) Category:RCA Victor artists Category:Torch singers

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Coordinates	33°51′35.9″N151°12′40″N
Name	Snoop Dogg
Birth name	Calvin Cordozar Broadus, Jr.
Birth date	October 20, 1971
Origin	Long Beach, California, U.S.
Occupation	Rapper
Religion	Islam
Genre	Hip hop
Years active	1991–present
Label	Death Row (1992-1997)No Limit (1998-2001)Priority (1998-present), Star Trak (2004-2005) Geffen (2004-2008), Doggystyle (1999-present)
Associated acts	Tha Dogg Pound, Tha Eastsidaz, 213, Dr. Dre, Warren G, Nate Dogg, 2Pac, Ice Cube, Akon, 50 Cent, Eminem, Wiz Khalifa
Website
Background	solo_singer }}

Calvin Cordozar Broadus, Jr. (born October 20, 1971), better known by his stage name Snoop Dogg (formerly known as Snoop Doggy Dogg), is an American rapper, singer, record producer, and actor. Snoop is best known as a rapper in the West Coast hip hop scene, and for being one of Dr. Dre's most notable protégés. Snoop Dogg was a Crip gang member while in high school. Shortly after graduation, he was arrested for cocaine possession and spent six months in Wayside County Jail. His music career began in 1992 after his release when he was discovered by Dr. Dre. He collaborated on several tracks on Dre's solo debut, ''The Chronic'' and on the titular theme song to the film ''Deep Cover''.

Snoop's debut album ''Doggystyle'', was released in 1993 under Death Row Records making a debut at No.1 on both the Billboard 200 and R&B; charts. Selling almost a million copies in the first week of its release, ''Doggystyle'' quickly became certified 4x platinum in 1994 and spawned several hit singles, including "What's My Name" and "Gin & Juice". In 1994, Snoop released a soundtrack on Death Row Records for the short film ''Murder Was The Case'', starring himself. In early 1996, Snoop Dogg was cleared of charges over his bodyguard's 1993 murder of Philip Woldemariam. His second album, late 1996's ''Tha Doggfather'', also debuted at No.1 on both charts with "Snoop's Upside Ya Head" as the lead single. The album sold only half as well, being certified double platinum in 1997.

''Tha Doggfather'' was his last release for Death Row before he signed with No Limit Records, where he recorded his next three albums. ''Da Game Is to Be Sold, Not to Be Told'' in 1998, ''No Limit Top Dogg'' in 1999 (making it his last album of the 90s), and ''Tha Last Meal'' in 2000, which was his last No Limit Records album. Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released his album ''Paid tha Cost to Be da Boss''. Then he signed with Geffen Records in 2004 for his next three albums ''R&G; (Rhythm & Gangsta): The Masterpiece'', ''Tha Blue Carpet Treatment'', and ''Ego Trippin'''. ''Malice 'n Wonderland'' (2009) and ''Doggumentary'' (2011), his most recent release, were on Priority.

In addition to music, Snoop Dogg has starred in motion pictures and hosted several television shows: ''Doggy Fizzle Televizzle'', ''Snoop Dogg's Father Hood'' and ''Dogg After Dark''. He also coaches a youth football league and high school football team. He has run into many legal troubles, some of which caused him to be legally banned from the UK and Australia, although the UK ban was later reversed after a long legal battle. He is the cousin of Nate Dogg, Daz Dillinger, RBX and Lil' ½ Dead and the cousin of R&B; singers Brandy and Ray J. Starting September 2009, Snoop was hired by EMI as the chairman of a reactivated Priority Records.

Life and career

Early life

Named after his stepfather, Calvin Cordozar Broadus, Sr. (December 10, 1948 – November 9, 1985, Los Angeles), Calvin Broadus was born October 20, 1971 at the Los Altos Hospital in Long Beach, California, the second of three sons of Beverly Broadus (née Tate; born April 27, 1951, McComb, Mississippi). His father, Vernall Varnado (born December 13, 1949, Magnolia, Mississippi), was a Vietnam veteran, singer, and mail carrier who was said to be frequently absent from his life. Broadus' parents nicknamed him "Snoopy" as a child because of his appearance, but usually addressed him as Calvin at home. His mother and stepfather divorced in 1975. At an early age, Broadus began singing in Golgotha Trinity Baptist Church and playing piano; when he was in sixth grade, he began rapping. He attended Long Beach Polytechnic High School, and was convicted for cocaine possession, serving six months at the Wayside County Jail.

As a teenager, Snoop Dogg frequently ran into trouble with the law. Snoop Dogg was a member of the Rollin' 20 Crips gang in the Eastside of Long Beach, although he stated in 1993 that he never joined a gang. Shortly after graduating from high school, he was arrested for possession of cocaine. Snoop Dogg's conviction caused him to be frequently in and out of prison for the first three years after he graduated from high school. Snoop, along with his cousins Nate Dogg and Lil' ½ Dead and friend Warren G, recorded home made tapes as a group called 213, named after the Long Beach area code at the time. One of his early solo freestyles over En Vogue's "Hold On" had made it to a mixtape which was heard by influential producer Dr. Dre, who phoned to invite him to an audition. Former N.W.A member The D.O.C. taught him how to structure his lyrics and separate the thematics into verses, hooks and chorus.

1992–93: ''Doggystyle''

When he began recording, Broadus took the stage name Snoop Doggy Dogg. Dr. Dre began working with Snoop Dogg, first on the theme song of the 1992 film ''Deep Cover'', and then on Dr. Dre's debut solo album ''The Chronic'' with the other members of his former starting group, Tha Dogg Pound. The huge success of Snoop Dogg's debut ''Doggystyle'' was partially because of this intense exposure.

To fuel the ascendance of West Coast G-funk hip hop, the singles "Who Am I (What's My Name)?" and "Gin and Juice" reached the top ten most-played songs in the United States, and the album stayed on the Billboard charts for several months. Gangsta rap became the center of arguments for censorship and labeling, with Snoop Dogg often used as an example of violent and misogynistic musicians. ''Doggystyle'', much like ''The Chronic'', featured a host of rappers signed to or affiliated with the Death Row label including Daz Dillinger, Kurupt, Nate Dogg and others. ''Rolling Stone'' music critic Touré asserted that Snoop had a relatively soft vocal delivery compared to other rappers: "Snoop's vocal style is part of what distinguishes him: where many rappers scream, figuratively and literally, he speaks softly."

A short film about Snoop Dogg's murder trial called ''Murder Was The Case'', was released in 1994, along with an accompanying soundtrack. On July 6, 1995, Doggy Style Records, Inc., a record label founded by Snoop Dogg, was registered with the California Secretary of State as business entity number C1923139.

1996–97: ''Tha Doggfather''

After Snoop Dogg was acquitted of murder charges on February 20, 1996, he and the mother of his son and their kennel of 20 pit bulls moved into a home in the hills of Claremont, California and by August 1996 Doggy Style Records, a subsidiary of Death Row Records, signed The Gap Band's Charlie Wilson as one of the record label's first artists.

However, by the time Snoop Dogg's second album, ''Tha Doggfather'', was released in November 1996, the price of living (or sometimes just imitating) the gangsta life had become very evident. Among the many notable hip hop industry deaths and convictions were the death of Snoop Dogg's friend and labelmate 2Pac and the racketeering indictment of Death Row co-founder Suge Knight. Dr. Dre had left Death Row earlier in 1996 because of a contract dispute, so Snoop Dogg co-produced ''Tha Doggfather'' with Daz Dillinger and DJ Pooh.

This album featured a distinct change of style as compared to ''Doggystyle'', and the leadoff single, "Snoop's Upside Ya Head", featured a collaboration with Gap Band frontman Charlie Wilson. While the album sold reasonably well, it was not as successful as its predecessor. However, ''Tha Doggfather'' had a somewhat softer approach to the G-funk style. The immediate aftermath of Dr. Dre's withdrawal from Death Row Records, realizing that he was subject to an iron-clad time-based contract (i.e., that Death Row practically owned anything he produced for a number of years), Snoop Dogg refused to produce any more tracks for Suge Knight, other than the insulting "Fuck Death Row", until his contract expired. In an interview with Neil Strauss in 1998, Snoop Dogg stated that though he had been given lavish gifts by his former label they had withheld royalty payments to the artist.

Stephen Thomas Erlewine of Allmusic said that after ''Tha Doggfather'', Snoop Dogg began "moving away from his gangsta roots toward a calmer lyrical aesthetic": for instance, Snoop participated in the 1997 Lollapalooza concert tour, which featured mainly alternative rock music. Troy J. Augusto of ''Variety'' noticed that Snoop's set at Lollapalooza attracted "much dancing, and, strangely, even a small mosh pit" in the audience.

1998–2000: ''No Limit'', ''Top Dogg'' and ''Tha Last Meal''

Snoop signed with Master P's No Limit Records (distributed by Priority/EMI Records) in 1998 and debuted on the label with ''Da Game Is to Be Sold, Not to Be Told'' that year. His other albums from No Limit were ''No Limit Top Dogg'' in 1999 (selling over 1,503,865 copies) and ''Tha Last Meal'' in 2000 (selling over 1,000,000). In 2001, his autobiography, ''Tha Doggfather'', was published.

2002: ''Paid tha Cost to Be da Bo$$''

In 2002 he released the album ''Paid tha Cost to Be da Bo$$'', on Priority/Capitol/EMI Records, selling over 1,300,000 copies. The album featured the hit singles "From tha Chuuuch to da Palace" and "Beautiful", featuring guest vocals by Pharrell. By this stage in his career, Snoop Dogg had left behind his "gangster" image and embraced a "pimp" image.

2004–05: ''R&G; (Rhythm & Gangsta): The Masterpiece''

In 2004, Snoop signed to Geffen Records/Star Trak Entertainment both of which are distributed through Interscope Records; Star Trak is headed by producer duo The Neptunes, which produced several tracks for Snoop's 2004 release ''R&G; (Rhythm & Gangsta): The Masterpiece''. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became Snoop Dogg's first single to reach number one. His third release was "Signs", featuring Justin Timberlake and Charlie Wilson, which entered the UK chart at #2. This was his highest entry ever in the UK chart. The album sold 1,724,000 copies in the U.S. alone, and most of its singles were heavily played on radio and television. Snoop Dogg joined Warren G and Nate Dogg to form the group 213 and released album ''The Hard Way'' in 2004. Debuting at No.4 on the ''Billboard'' 200 and No.1 on the Top R&B;/Hip-Hop Albums, it included single "Groupie Luv". Together with fellow rappers Lil' Jon, Xzibit and David Banner, Snoop Dogg appeared in the music video for Korn's "Twisted Transistor".

2006: ''Tha Blue Carpet Treatment''

Snoop Dogg's appeared on two tracks from Ice Cube's 2006 album ''Laugh Now, Cry Later'', including the single "Go to Church", and on several tracks on Tha Dogg Pound's ''Cali Iz Active'' the same year. Also, his latest song, "Real Talk", was leaked over the Internet in the summer of 2006 and a video was later released on the Internet. "Real Talk" was a dedication to former Crips leader Stanley "Tookie" Williams and a diss to Arnold Schwarzenegger, the Governor of California. Two other singles on which Snoop made a guest performance were "Keep Bouncing" by Too $hort (also with will.i.am of The Black Eyed Peas) and "Gangsta Walk" by Coolio.

Snoop's 2006 album, ''Tha Blue Carpet Treatment'', debuted on the Billboard 200 at No.5 and has sold over 850,000 copies. The album and the second single "That's That Shit" featuring R. Kelly were well received by critics. In the album, he collaborated in a video with E-40 and other West Coast rappers for his single "Candy (Drippin' Like Water)".

2007–08: ''Ego Trippin'''

In July 2007, Snoop Dogg also made history by becoming the first artist to release a track as a ringtone prior to its release as a single, which was "It's the D.O.G." On July 7, 2007, Snoop Dogg performed at the Live Earth concert, Hamburg. Snoop Dogg has ventured into singing for Bollywood with his first ever rap for an Indian movie ''Singh Is Kinng''; the title of the song is also "Singh is Kinng". He also appears in the movie as himself. The album featuring the song was released on June 8, 2008 on Junglee Music Records. He released his ninth studio album, ''Ego Trippin''' (selling 400,000 copies in the U.S.), along with the first single, "Sexual Eruption". The single peaked at No.7 on the Billboard 100, featuring Snoop using autotune. The album featured production from QDT (Quik-Dogg-Teddy).

2009–10: ''Malice n Wonderland'' and ''More Malice''

Snoop was appointed an executive position at Priority Records. His tenth studio album, ''Malice n Wonderland'', was released on December 8, 2009. The first single from the album, "Gangsta Luv", featuring The-Dream, peaked at No.35 on the Billboard Hot 100. The album debuted at No.23 on the Billboard 200, selling 61,000 copies its first week, making it his lowest charting album. His third single, "I Wanna Rock", peaked at No.41 on the Billboard Hot 100. Snoop features on the latest Gorillaz album, ''Plastic Beach''. The fourth single from ''Malice n Wonderland'', titled "Pronto", featuring Soulja Boy Tell 'Em, was released on iTunes on December 1, 2009. Snoop re-released the album under the name ''More Malice''.

2011–2012: ''Doggumentary''

Snoop collaborated with Katy Perry on the first single from her second mainstream album, "California Gurls", which was released on May 11, 2010. Snoop can also be heard on the track "Flashing" by Dr. Dre and on Curren$y's song "Seat Change". He was also featured on a new single from Australian singer Jessica Mauboy, titled "Get 'em Girls" (released September 2010). Snoop's latest effort was backing American recording artist, Emii, on her second single entitled "Mr. Romeo" (released October 26, 2010 as a follow-up to "Magic"). Snoop also collaborated with American comedy troupe The Lonely Island in their song "Turtleneck & Chain", in their 2011 album ''Turtleneck & Chain''.

Snoop Dogg's newest studio album is ''Doggumentary'', The album was renamed to ''Doggumentary'' and was released during March 2011. Snoop was featured on Gorillaz' latest album ''Plastic Beach'' on a track called: "Welcome to the World of the Plastic Beach" with the The Hypnotic Brass, he also completed another track with them entitled "Sumthing Like This Night" which does not appear on ''Plastic Beach'', yet does appear on ''Doggumentary''. He also appears on the latest Tech N9ne album ''All 6's and 7's'' (released June 7, 2011) on a track called "Pornographic" which also features E-40 and Krizz Kaliko.

2012–present: ''Reincarnated''

On February 4, 2012, Snoop Dogg announced a new documentary alongside his new upcoming studio album entitled ''Reincarnated''. Snoop Dogg is set to headline the Osheaga Festival in Montreal, Canada this summer.

Other ventures

Media appearances

Snoop Dogg has appeared on television and in films throughout his career. In 1998, Snoop had a cameo appearance in the film ''Half Baked'' as the "Scavenger Smoker". In 2000, Snoop (as "Michael J. Corleone") directed ''Snoop Dogg's Doggystyle'', a pornographic film produced by Hustler. The film, combining hip hop with x-rated material, was a huge success and won "Top Selling Release of the Year" at the 2002 AVN Awards. Snoop then directed ''Snoop Dogg's Hustlaz: Diary of a Pimp'' in 2002 (using the nickname "Snoop Scorsese").

In 2001, Snoop lent his voice to the animated show ''King of the Hill'', in which he played a white pimp named Alabaster Jones. He played a lead character in the movie ''The Wash'' with Dr. Dre. He portrayed a drug dealer in a wheelchair in the film ''Training Day'', featuring Denzel Washington. In 2001, Snoop starred in the horror film ''Bones'', with him playing a murdered mobster who returns from the dead to exact his revenge against those who murdered him.

In 2002, Snoop hosted, starred in, and produced his own MTV sketch comedy show entitled Doggy Fizzle Televizzle. Snoop was filmed for a brief cameo appearance in the television movie ''It's a Very Merry Muppet Christmas Movie'' (2002), but his performance was omitted from the final cut of the movie. On November 8, 2004, Snoop Dogg was starred in the episode "Two of a Kind" of NBC's series ''Las Vegas''.

In 2004, Snoop appeared on the Showtime series ''The L Word'' as the character "Slim Daddy". He also notably played the drug dealer-turned-informant character of Huggy Bear, in the 2004 remake film of the 1970s TV-series of the same name, ''Starsky & Hutch''. He appeared as himself in the episode "MILF Money" of ''Weeds'', and made an appearance on the TV shows ''Entourage'' and ''Monk'', for which he recorded a version of the theme, in July 2007.

Snoop founded his own production company, Snoopadelic Films, in 2005. Their debut film was ''Boss'n Up'', a film inspired by Snoop Dogg's album ''R&G;'', starring Lil Jon and Trina.

In December 2007, his reality show ''Snoop Dogg's Father Hood'' premiered on the E! channel. Snoop Dogg joined the NBA's Entertainment League. On March 30, 2008 he appeared at WrestleMania XXIV as a ''Master of Ceremonies'' for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina.

On May 8 and May 9, 2008, Snoop appeared as himself on the ABC soap opera ''One Life to Live'', with a new opening theme recorded by the artist presented for both episodes. In the episodes, Snoop performs at the bachelorette party for character Adriana Cramer, and credits Bo Buchanan with helping him get his start in show business. On February 24, 2010, Snoop Dogg reprised his role, performing his song "I Wanna Rock" from his new album, ''Malice n Wonderland'', as well as once again performing a special remixed, vocal rendition of the show's opening theme. In recent interviews he has explained that, as a child, ''One Life to Live'' was one of his favorite shows, and he still regards the show fondly. He has also stated that he has always been a particular fan of Robert S. Woods, who has portrayed the character of Bo Buchanan since 1979.

In 2009, Snoop Dogg appeared in Sacha Baron Cohen's film ''Brüno'' as himself performing a rap addition to the song "Dove Of Peace". On October 19, 2009, Snoop Dogg was the guest host of ''WWE Raw''.

In July 2009, Snoop revealed his desire to appear in the popular soap opera Coronation Street while touring in the UK. However ITV bosses were said to be less keen.

In 2010, Snoop Dogg appeared in an episode of I Get That a Lot on CBS as a parking-lot attendant.

In June 2010, Snoop created a music video for True Blood accompanying a song he wrote for one of the main characters of the show entitled "Oh Sookie."

In March 2011, Snoop participated in Comedy Central's Roast of Donald Trump with other comedians and media personalities.

January 2, 2012, appeared on the The Price Is Right and raised $72,000 for his charity, Snoop Youth Football League.

Endorsements

St. Ides

Snoop Dogg 40 Oz Malt liquor

Adidas Originals

Boost Mobile cell phone

Chrysler 300

Colt 45 Blast

Metro PCS Samsung Galaxy 4G

Orbit Gum

Cal Worthington's Ford dealership in Long Beach, California

"Snoop Doggs" – foot-long hot dogs manufactured in Massachusetts, a joint venture with Platinum One Media

"Snoop Dogg Board Company (SDBC)" – skateboards and Luggage fabrication company (with Pentagon Distribution)

"Snooperbowl" and "Snoop Youth Football league"

"Chronic Candy" – candy that tastes like marijuana (from Switzerland and is currently banned in some cities of US)

''Love Don't Live Here No More, Doggy Tales Vol.1'' – love novel (co-written by David E. Talbert, published by Atria and Snoopadelic Films) ISBN 0-7432-7363-X ''Tha Doggfather : The Times, Trials, And Hardcore Truths Of Snoop Dogg'' – autobiography (published by William Morrow) Hardcover ISBN 0-688-17158-3, Paperback ISBN 0-06-107607-4

''Fear & Respect'' (project cancelled as of March 1, 2006) – PlayStation 2 video game (developed by Midway Games)

"Doggy Biscuitz" – shoe brand (in partnership with Pony International)

"Snoop Dogg Clothing" – streetwear (distributed at Macy's)

"WRFF" – unique design scooters (in cooperation with Salton, Inc.) "Hip Hop Gaming League" – a celebrity online gaming competition (hosted by Global Gaming League) "Snoop Dogg figures" (Vital Toys, SOTA Toys)

"Snoop Dogg Boxing" – mobile phone game (Sony Pictures Mobile)

"Snoop Dogg Pet Accessory Line" (in conjunction with Jakks Pacific) Snoop Dogg is a celebrity voice of a TomTom GPS navigation system. He stated on George Lopez's talk show Lopez Tonight that he is tired of hearing directions from the same woman. In August 2008, Snoop Dogg announced the launch of a new streetwear line called Rich & Infamous, via a partnership with Robert Thorne Co. The line was unveiled during the Magic Tradeshow in Las Vegas. "Hack is Wack" – Promoting Norton AntiVirus. "Coffee Cup With A Cause" with 7 Eleven. "Serious Pimp" clothing line. "iFizzle" iPhone Application. "Vybe Mobile" "Pepsi Max" – Zero Calories

Style and rap skills

Kool Moe Dee ranks Snoop at No.33 in his book ''There's a God on the Mic'', and says he has "an ultra-smooth, laidback delivery", and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and Allmusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".

Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book ''How to Rap'', Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."

Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.

Snoop re-popularized the use of ''-izzle speak'', particularly in the pop and hip-hop music industry.

Personal life

Broadus's father left the family when Broadus was three months old. Snoop married his high school sweetheart, Shante Taylor, on June 12, 1997. On May 21, 2004, he filed for divorce from Shante, citing irreconcilable differences. The couple renewed their wedding vows on January 12, 2008. R&B; singers Brandy and Ray J are his first cousins. In 2002, the rapper announced he was giving up marijuana, one of his image trademarks, for good. According to his IMDb biography, Snoop is a fan of the thrash metal band Metallica and performed their song "Sad But True" on the band's 2003 MTV Icon Special which is available on YouTube. A DNA test read by George Lopez on ''Lopez Tonight'' revealed Snoop Dogg to be of 0% East Asian, 23% Native American, 6% European, and 71% African descent.

Snoop is an avid fan of hometown teams Los Angeles Dodgers and the Los Angeles Lakers. Snoop is also an avid Pittsburgh Steelers fan. and is often seen wearing Pittsburgh Steelers apparel. Snoop has mentioned that his love for the Steelers began in the 1970s during the team's dynasty years while watching the team with his grandfather growing up in L.A. In the 2005 offseason, Snoop mentioned that he wanted to be an NFL head coach, "probably for the Steelers". The following year, he was in attendance for the Steelers' victory in Super Bowl XL and later in Super Bowl XLIII. He is also a fan of the Oakland Raiders and Dallas Cowboys, often wearing a No.5 jersey, and has been seen at Raiders training camps. He did his own free style rap based on his similarities with Tony Romo. He is also a fan of the USC Trojans Football team. He has also shown affection for the New England Patriots, as he has been seen performing at the Gillette Stadium and picked the Patriots as the favorite to win Super Bowl XXXIX against the Eagles. On August 6, 2009, Snoop visited the training camp of the Baltimore Ravens at McDaniel College in Westminster, Maryland. He was invited by Ray Lewis the day after his concert at the Merriweather Post Pavilion in Columbia, Maryland.

A certified football coach, Snoop Dogg has been head coach for his son's youth football teams and the John A. Rowland High School team.

Snoop Dogg is an avid hockey fan; he sported a Pittsburgh Penguins jersey (with the name and number 'GIN AND JUICE' 94 on the back) and a jersey of the now-defunct Springfield (MA) Indians of the American Hockey League in his 1994 music video, "Gin And Juice". On the E! show, ''Snoop Dogg’s Father Hood'', Snoop Dogg and his family received lessons on playing hockey from the Anaheim Ducks, then returning to the Honda Center to cheer on the Ducks against the Vancouver Canucks in the episode ''Snow in da Hood''.

In 2009, it was revealed that Snoop Dogg was a member of the Nation of Islam. On March 1, 2009, he made an appearance at the Nation of Islam's annual Saviours' Day holiday, where he praised minister Louis Farrakhan. Snoop claimed to be a member of the Nation of Islam, but he declined to give the date on which he joined. He also donated $1,000 to the organization.

Snoop claimed in a 2006 interview with ''Rolling Stone'' magazine that unlike other hip hop artists who've superficially adopted the pimp persona, he was an actual professional pimp in 2003 and 2004, saying "That shit was my natural calling and once I got involved with it, it became fun. It was like shootin' layups for me. I was makin' 'em every time." He goes on to say that upon the advice of some of the other pimps he knew, he eventually gave up pimping to spend more time with his family.

Legal issues

Shortly after graduating from high school, he was arrested for possession of cocaine.

While recording ''Doggystyle'' in August 1993, Snoop Dogg was arrested in connection with the death of Phillip Woldermarian, a member of a rival gang who was shot and killed by Snoop's bodyguard, McKinley Lee; Snoop was charged with murder along with Lee as he was driving the vehicle from which the shooting had commenced. Snoop and Lee were defended by Johnnie Cochran. Both Snoop and Lee were acquitted; Lee was acquitted on grounds of self-defense, but Snoop Dogg remained entangled in the legal battles around the case for three years.

In July 1993, Snoop was stopped for a traffic violation and a firearm was found by police while conducting a search of his car. In February 1997, he pleaded guilty to possession of a handgun and was ordered to record three public service announcements, pay a $1,000 fine, and serve three years' probation.

In May 1998, Snoop Dogg was fined and arrested for a misdemeanor of marijuana possession.

In October 2001, Snoop Dogg was arrested again for a misdemeanor of marijuana possession. In 2002 he pleaded no contest and was fined a total of $398.30 and received a suspended 30-day jail sentence.

Snoop Dogg, Tha Dogg Pound, and The Game were sued for assaulting a fan on stage at a May 2005 concert at the White River Amphitheatre in Auburn, Washington. The accuser, Richard Monroe, Jr., claimed he was beaten by the artists' entourage while mounting the stage. He alleged that he reacted to an "open invite" to come on stage. Before he could, Snoop’s bodyguards grabbed him and he was beaten unconscious by crewmembers, including the rapper and producer Soopafly; Snoop and The Game were included in the suit for not intervening. The lawsuit focuses on a pecuniary claim of $22 million in punitive and compensatory damages, battery, negligence, and intentional infliction of emotional distress. The concerned parties appeared in court in April 2009.

On April 26, 2006, Snoop Dogg and members of his entourage were arrested after being turned away from British Airways' first class lounge at Heathrow Airport. Snoop and his party were not allowed to enter the lounge because some of the entourage were flying first class, other members in economy class. After the group was escorted outside, they vandalized a duty-free shop by throwing whiskey bottles. Seven police officers were injured in the midst of the disturbance. After a night in jail, Snoop and the other men were released on bail on April 27, but he was unable to perform at the Premier Foods People's Concert in Johannesburg on the same day. As part of his bail conditions, he had to return to the police station in May. The group has been banned by British Airways for "the foreseeable future." When Snoop Dogg appeared at a London police station on May 11, he was cautioned for affray under Section 4 of the Public Order Act for use of threatening words or behavior. On May 15, the Home Office decided that Snoop Dogg should be denied entry to the United Kingdom for the foreseeable future due to the incident at Heathrow as well as his previous convictions in the United States for drugs and firearms offenses. Snoop Dogg's visa card was rejected by local authorities on March 24, 2007 because of the Heathrow incident. A concert at London's Wembley Arena on March 27 went ahead with Diddy (with whom he toured Europe) and the rest of the show. However the decision affected four more British performances in Cardiff, Manchester and Glasgow and Budapest (due to rescheduling). As of March 2010, Snoop Dogg has been allowed back into the UK.

On September 27, 2006, Snoop Dogg was detained at John Wayne Airport in Orange County, California by airport security, after airport screeners found a collapsible police baton in Snoop's carry-on bag. The baton was confiscated but Snoop was allowed to board the flight. He has been charged with various weapons violations stemming from this incident. Donald Etra, Snoop's lawyer, told deputies the baton was a prop for a musical sketch. Snoop was sentenced to three years' probation and 160 hours of community service starting on September 20, 2007.

Snoop Dogg was arrested again on October 26, 2006 at Bob Hope Airport in Burbank, California while parked in a passenger loading zone. Approached by airport security for a traffic infraction, he was found in possession of marijuana and a firearm, according to a police statement. He was transported to Burbank Police Department Jail, booked, and released on $35,000 bond. He faced firearm and drug possession charges on December 12 at Burbank Superior Court.

He was again arrested on November 29, 2006, after performing on ''The Tonight Show'', for possession of marijuana and a firearm.

Snoop was arrested again on March 12, 2007 in Stockholm, Sweden after performing in a concert with P. Diddy in Stockholm's Globe Arena after he and a female companion reportedly "reeked" of marijuana. They were released four hours later after providing a urine sample. The results on urine determined whether charges would be pressed. However the rapper denied all charges.

On April 26, 2007, the Australian Department of Immigration and Citizenship banned him from entering the country on character grounds, citing his prior criminal convictions. He had been scheduled to appear at the MTV Australia Video Music Awards on April 29, 2007. Australian Department of Immigration and Citizenship lifted the ban in September 2008 and had granted him visa to tour Australia. DIAC said "In making this decision, the department weighed his criminal convictions against his previous behaviour while in Australia, recent conduct – including charity work – and any likely risk to the Australian community ... We took into account all relevant factors and, on balance, the department decided to grant the visa."

Snoop Dogg's many legal issues forced San Francisco mayor Gavin Newsom to withdraw his plan to issue a proclamation to the rapper.

Snoop Dogg was banned from Parkpop, a festival in the Netherlands on June 27, 2010, where he was scheduled to perform. The mayor and law enforcement officials asked organizers of the festival to find an artist more “open and friendly” to play the event.

Snoop Dogg was arrested again on January 7, 2012 for possession of Marijuana charge after Border control agents discovered a small amount of marijuana on his tour bus. Snoop Dogg was stopped at the same Sierra Blanca, Texas, checkpoint on Saturday where country singer Willie Nelson was arrested for marijuana possession in 2010. The agents conducted a routine inspection of his tour bus at the U.S.- Mexico border checkpoint, east of El Paso, Texas and thought they smelled marijuana. Snoop Dogg was issued a citation for possession of drug paraphernalia, released and given a court date of Friday, January 20, 2012.

Discography

''Doggystyle'' (1993)

''Tha Doggfather'' (1996)

''Da Game Is to Be Sold, Not to Be Told'' (1998)

''No Limit Top Dogg'' (1999)

''Tha Last Meal'' (2000)

''Paid tha Cost to Be da Boss'' (2002)

''R&G; (Rhythm & Gangsta): The Masterpiece'' (2004)

''Tha Blue Carpet Treatment'' (2006)

''Ego Trippin''' (2008)

''Malice n Wonderland'' (2009)

''Doggumentary'' (2011)

''Reincarnated'' (2012)

Filmography

1994: ''Murder Was the Case'' (Platinum)

1998: ''Caught Up''

1998: ''Half Baked'' (cameo appearance)

1998: ''Da Game of Life''

1998: ''Hot Boyz''

1998: ''Ride''

1999: ''Whiteboyz''

1999: ''Urban Menace''

2000: ''Tha Eastsidaz''

2000: ''Up in Smoke Tour''

2001: ''Baby Boy''

2001: ''Training Day''

2001: ''King of the Hill'' (voice)

2001: ''Bones''

2001: ''The Wash''

2003: ''Malibu's Most Wanted''

2003: ''Old School''

2004: ''Starsky & Hutch''

2004: ''Soul Plane''

2004: ''Volcano High''

2005: ''Boss'n Up''

2005: ''Racing Stripes'' (voice)

2006: ''The Tenants''

2006: ''''Weeds'''': Himself

2006: ''Hood of Horror''

2007: ''Arthur and the Invisibles'' (voice)

2007: ''Monk''

* During the opening credits, he covered the title song by Randy Newman "It's a Jungle out There".

2007: ''The Boondocks''

2008: ''Singh Is Kinng'' (as Himself)

2008: ''Snoop Dogg's Father Hood'' (as Himself)

2009: ''Futurama: Into the Wild Green Yonder'' (voice)

2009: ''Dogg After Dark'': Himself

2009: ''Xavier: Renegade Angel'' (voice)

2009: ''Brüno'' (cameo appearance)

2009: ''Falling Up''

2010: ''Down for Life''

2010: ''One Life to Live'' as Calvin Broadus

2010: ''Straight Outta L.A.'' (as Himself)

2010: ''Freaknik: The Musical''

2010: ''Malice n Wonderland'' as Malice

2010: ''Big Time Christmas'' as Himself

2011: ''90210 (TV series)'' as Himself

2011: ''Roast of Donald Trump''

Awards

Snoop Dogg was also a judge for the 7th annual Independent Music Awards to support independent artists' careers.

Further reading

References

External links

Snoop Dogg at Geffen Records

Category:1971 births Category:Living people Category:African American film actors Category:American rappers Category:American people of Native American descent Category:African American rappers Category:American cannabis activists Category:American film actors Category:American film producers Category:American hip hop record producers Category:American music industry executives Category:American music video directors Category:American pop musicians Category:American record producers Category:American television actors Category:American voice actors Category:Crips Category:Death Row Records artists Category:G-funk Category:Hip hop activists Category:Hip hop singers Category:Hip hop record producers Category:Members of the Nation of Islam Category:No Limit Records artists Category:Participants in American reality television series Category:People acquitted of murder Category:People convicted of drug offenses Category:People from Long Beach, California Category:People self-identifying as substance abusers Category:Priority Records artists Category:Pseudonymous rappers Category:Rappers from Los Angeles, California Category:West Coast hip hop musicians

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Coordinates	33°51′35.9″N151°12′40″N
name	Enrique Iglesias
background	solo_singer
birth name	Enrique Miguel Iglesias Preysler
born	May 08, 1975Madrid, Spain
origin	Madrid, Spain
instrument	Vocals, guitar
genre	Pop, Latin pop, R&B;, Dance-pop, soft rock, alternative rock
occupation	Singer-songwriter, actor, Producer, Model
associated acts	Wisin y Yandel, Pitbull, Ludacris
years active	1995-present| label Fonovisa, Interscope, Universal Music Latino, Universal Republic, Polydor
website	}}

Enrique Iglesias (born Enrique Miguel Iglesias Preysler; May 8, 1975) is a Spanish pop music singer. Iglesias started his musical career on Mexican label Fonovisa. This helped turn him into one of the most popular artists in Latin America and in the Hispanic American market in the United States, and the biggest seller of Spanish language albums of the 1990s. Before the turn of the millennium, he made a crossover into the mainstream English language market, signing a unique multi-album deal with Universal Music Group for an unprecedented US$48,000,000, with Universal Music Latino to release his Spanish albums and Interscope to release English albums. In 2010, he parted with Interscope and signed with another Universal Music Group label, Universal Republic.

Iglesias has sold over 100 million records worldwide, making him one of the best selling Latin artists of all time.

Iglesias has had five ''Billboard'' Hot 100 top five singles, including two #1s, and holds the record for producing 22 number 1 Spanish-language singles on the ''Billboard''s Hot Latin Tracks. He has also had nine #1 songs on Billboard's Dance charts, more than any other single male artist. Altogether, Iglesias has amassed 53 #1 hits on the various Billboard charts. He has honorably been named as ''The King of Latin Pop'' and ''The King of Dance'' according to Billboard.

Early life

Iglesias was born in Madrid, Spain, and is the third and youngest child of singer Julio Iglesias and socialite and magazine journalist Isabel Preysler. His mother is a Filipina (of mainly Spanish ancestry) and his father is of Spanish ancestry from Galicia. His parents' marriage was annulled in 1979.

In 1985, Iglesias' grandfather, Dr. Julio Iglesias Puga, was kidnapped by the terrorist group ETA. For their safety, Enrique and his brother, Julio Iglesias, Jr., were sent to live with their father in Miami. He also lived in Belgrade, Serbia, for one year with his mother. As his father's career kept him on the road, the young Iglesias was raised by the family nanny. He attended Gulliver Preparatory School and went on to study business at the University of Miami.

Iglesias did not want his father to know about his plans for a musical career and did not want his famous surname to help advance his career. He borrowed money from his family nanny and he recorded a demo cassette tape which consisted of a Spanish song and two English songs. Approaching his father's former publicist, Fernan Martinez, the two promoted the songs under the stage name 'Enrique Martinez' with the backstory of being an unknown singer from Guatemala. Iglesias was signed by a record label called Fonovisa. After dropping out of college, he went to Toronto to record his first album.

Music career

1995–96: ''Enrique Iglesias''

On July 12,1995 , Iglesias released his first album titled ''Enrique Iglesias'', a collection of light rock ballads, including such mega-hits as "Si Tú Te Vas", "Experiencia Religiosa", and others. The record sold half a million copies in its first week, a rare accomplishment then for an album recorded in a language other than English.

His song " Por Amarte" was included in Televisa's telenovela ''Marisol'', but with a twist: instead of ''Por amarte daría mi vida'' (To love you, I'd give my life), the words were ''Por amarte Marisol, moriría'' (To love you, Marisol, I'd die). The CD also yielded Italian and Portuguese editions of the album, with most of the songs translated into those languages.

Five singles released from this album, such as "Por Amarte", "No Llores Por Mí", and "Trapecista" topped the Latin charts. The album went on to win Iglesias a Grammy Award for Best Latin Pop Performance.

1997–99: ''Vivir'' and ''Cosas Del Amor''

In 1997, Iglesias' star continued to rise with the release of ''Vivir'' (''To Live''), which put him up with other English language music superstars in sales for that year. The album also included a cover version of the Yazoo song "Only You", translated into Spanish as "Solo en Tí".

Insisting on stadiums, that summer, Enrique, backed by sidemen for Elton John, Bruce Springsteen and Billy Joel, played to sold-out audiences in sixteen countries. Beginning the tour in Odessa, Texas the tour went on to three consecutive nights in Mexico's Plaza de Toros, two consecutive nights at Monterrey's Auditorio Coca Cola and two at the Estadio River Plate in Buenos Aires, Argentina to over 130,000 people as well as 19 arenas in the U.S.

Three singles released from ''Vivir'' ("Enamorado Por Primera Vez", "Sólo en Ti" and "Miente") topped the Latin singles chart as well as those in several Spanish-speaking countries. Along with his father and Luis Miguel, Iglesias was nominated for an American Music Award in the first-ever awarded category of Favorite Latin Artist. It was said beforehand that the elder Iglesias would walk out if he did not win the award. Iglesias lost out to his father, but did perform the song "Lluvia Cae" at the event.

In 1998, Iglesias released his third album, ''Cosas del Amor'' (''Things of Love''). Taking a more mature musical direction, the album, aided by the popular singles "Esperanza" and "Nunca Te Olvidaré", both of which topped the Latin singles chart, helped cement his status in the Latin music scene.

Iglesias did a short tour of smaller venues to accompany the release of the album, with one show being televised from Acapulco, Mexico. This was followed by a larger world tour of over eighty shows in even bigger venues. The ''Cosas del Amor'' Tour was the first ever concert tour sponsored by McDonald's.

He won an American Music Award in the category of Favorite Latin Artist against Ricky Martin and Los Tigres del Norte. The song "Nunca te Olvidaré" was also used as the theme music for a Spanish soap opera of the same name and he sang the song himself on the last episode of the series.

1999–2000: ''Enrique''

By 1999, Iglesias had begun a successful crossover career into the English language music market. Thanks to other successful crossover acts, most notably that of Ricky Martin and Selena, Latino artists and music had a great surge in popularity in mainstream music. Iglesias' contribution to the soundtrack of Will Smith's movie ''Wild Wild West'', "Bailamos" became a number one hit in the US.

After the success of "Bailamos", several mainstream record labels were eager to sign Enrique. Signing a multi-album deal after weeks of negotiations with Interscope, Iglesias recorded and released his first full CD in English, ''Enrique''. The pop album, with some Latin influences, took two months to complete and contained a duet with Whitney Houston called "Could I Have This Kiss Forever" and a cover of the Bruce Springsteen song "Sad Eyes". The album's third single, "Be With You", became his second number one.

The final single from the album was the song "You're My #1", re-recorded and released in selected territories as a duet with local acts – Alsou in Russia, Sandy & Junior in Brazil and Valen Hsu in Asia.

2001–02: ''Escape''

In 2001 Iglesias released the album ''Escape''. Where most of the Latin crossover acts of the previous year experienced some difficulty matching the record sales of their first English language albums, Iglesias actually went on to sell even more. The album's first single, "Hero", became a number one hit in the United Kingdom, and in many other countries. The entire album was co-written by Iglesias.

''Escape'' is his biggest commercial success to date. The singles "Escape" and "Don't Turn Off The Lights" became radio staples, fairing well and placing highly or topping various charts both in North America and elsewhere. A second edition of the album was released internationally and contained a new version of one of Enrique's favorite tracks, "Maybe", as well as a duet with Lionel Richie called "To Love a Woman".

Iglesias capitalized on the album's success with his "One-Night Stand World Tour" consisting of 50 sold-out shows in 16 countries. Including Radio City Music Hall and three consecutive nights in London's Royal Albert Hall, the tour ended with a big show at Stadium National Lia Manoliu in Bucharest, Romania. The concert launched MTV Romania, with the video for "Love to See You Cry" being the first to be shown on the channel.

The second leg of the tour, "Don't Turn Off The Lights", was completed in the summer of 2002, with two sold-out nights in Madison Square Garden and another two in Mexico's National Auditorium. The tour finished with a single show in the Roberto Clemente Coliseum in San Juan, Puerto Rico.

2002–04: ''Quizás'' & ''7''

In 2002, Iglesias chose to release a fourth Spanish-language album titled ''Quizás'' (''Perhaps''). A more polished musical production than his previous Spanish albums and containing more introspective songs, the album's title track is a song about the strained relationship Iglesias has with his famous father.

The album debuted at number 12 on the ''Billboard'' 200 albums chart, the highest placement of a Spanish language album on the chart at the time. ''Quizás'' sold a million copies in a week, making it the fastest-selling album in Spanish in 5 years. The three singles released from the album all ended up topping the Latin chart, giving Iglesias a total of 16 number ones on the chart. He currently holds the record for the most number one singles on ''Billboard'''s Latin Chart. His last single from the album, "Para Que la Vida", reached a million spins on U.S. radio, the only Spanish language song to do so.

The video to the song "Quizás" was the first Spanish language music video to be added to the selection on MTV's popular show ''Total Request Live''. Iglesias performed the song on ''The Tonight Show with Jay Leno'', becoming the first to sing a Spanish song on the show, and opening doors for other artists such as Ricky Martin, Juanes and Jorge Drexler to perform their Spanish material. Iglesias included songs from ''Quizás'' in his "Don't Turn Off the Lights Tour", and the album went on to win a Latin Grammy Award for Best Pop Vocal Album.

By 2003 Iglesias released his seventh album, which he called ''7'', the second to be co-written by Iglesias. Among its more 1980s-inspired material, it features the song "Roamer", which he wrote with his friend and longtime guitarist, Tony Bruno. The CD also contained the song "Be Yourself", a song about independence (the chorus talks about how Iglesias' own parents did not believe he'd ever succeed in his singing career). The first single was the song "Addicted", and was followed closely by a remix of the song "Not in Love", featuring Kelis.

With this album, Iglesias went on his biggest world tour to date. The highly publicised tour started with twelve shows in the United States ending with Iglesias playing at Houston Rodeo and continued on to several countries, most of which he'd never previously visited playing to sold-out arenas and stadiums in Australia, India, Egypt and Singapore before ending his tour in South Africa.

2007–08: ''Insomniac''

Iglesias released his new album ''Insomniac'' on June 12, 2007. The album was so named due to it being recorded mainly at night. The album contained a more contemporary pop style than that of previous albums. The album's highlights include "Push", with rapper Lil' Wayne, as well as "Ring My Bells", and a cover of Ringside's "Tired of Being Sorry".

The first single "Do You Know? (The Ping Pong Song)" was released on April 10, 2007. It was the Iglesias's highest charting song on the Hot 100 since "Escape" it was also a hit throughout Europe peaking in the top 10 in many countries and the Spanish version entitled "Dímelo" was #1 on Hot Latin Tracks for 12 weeks becoming his second best performing song on that chart.

Iglesias followed up with the ballad "Somebody's Me", which was released as a single in the American continent. The song was played extensively on AC radio and peaked high on Billboard's Hot AC, where the Spanish version also performed well. In Europe, the second single was "Tired of Being Sorry", which performed well in many countries; he recorded a version of the song with French singer Nâdiya which was #1 in France for eleven weeks.

On July 4, Enrique Iglesias became the first Western artist to play a concert in Syria in three decades when he performed for a sold-out crowd of 10,000 in the capital city of Damascus and in the same week performed on Live Earth.

The Insomniac World Tour was launched at the Dome in Johannesburg, South Africa, the same venue he ended his last world Tour and took him to sold out arenas throughout Europe. It was his first arena tour of the UK with him playing venues such as Manchester's MEN Arena and Wembley Arena. The tour ended with Iglesias performing at newly opened L.A. Live. A second leg of the tour has taken him throughout Latin America from Mexico to Argentina.

A solo version of "Push" was added to the soundtrack of the movie ''Step Up 2 the Streets''. The song was regarded as the third single from the album. A music video was shot which features the film's lead actors. Despite never being officially added to radio the song has charted in several countries and is one of his most highly rated songs amongst fans.

Enrique's song "Can You Hear Me" has been chosen as the official song of the UEFA Euro 2008 football tournament. He performed the song live at the June 29, 2008 final in Vienna, Austria. The song featured on a re-issue of the Insomniac album being released in certain countries.

2008–09: ''Greatest Hits Albums''

Enrique released a Spanish Greatest Hits album on March 25, 2008 which included his seventeen #1 songs on Hot Latin Tracks chart, plus two new songs. The first single was the song "Dónde Están Corazón", which is written by Argentine star Coti and became Iglesias's 18th #1 single on Billboard's Hot Latin Songs. The album debuted at #1 on Billboard's Latin Album Charts and #18 on Billboards top 200 Album chart. It was Enrique's second Spanish Album to debut in the top 20 Billboards Top 200 Albums (''Quizás'' debuted at 12 in 2002). The album has been recently certified double platinum in the U.S.and in some Latin American countries.

The album's second single Lloro Por Ti had an official remix featuring Wisin y Yandel which also reached #1. Iglesias did a tour of the US. Beginning in Laredo, Texas and ending at the Izod Center in New Jersey he was accompanied though most of the tour with Bachata band Aventura who also performed "Lloro Por Ti" with him at the Premios Juventud.

Iglesias was a surprise performer at the Lo Nuestro Awards, opening the show with a medley of "Dónde Están Corazón" and "Dimelo". He also performed at the Billboard Latin Music Awards, where he received a special award.

After the success of his Spanish Greatest Hits compilation, Iglesias released a compilation of his English language hits on November 11. The album includes "Can You Hear Me" as well two new songs. The first single is entitled "Away" ft Sean Garrett and was followed by "Takin' Back My Love" ft Ciara.

The compilation includes English hit songs such as "Bailamos", "Hero", "Be With You", "Not In Love" and "Escape" which have topped the various Billboard Charts (two of which on Hot 100) as well as songs such as Rhythm Divine, Tired Of Being Sorry and Do You Know (The ping pong song) which have also topped charts in Europe.

After the successful collaboration with Nadiya Iglesias has recorded a second duet with her called "Miss You" which featured on a delux edition of the album.

The album debuted at #3 on The Official Uk Album Chart and sold over 80,000 copies in its first 2 weeks alone.

Enrique was the winner for two World Music Awards in the categories of "World's Best Selling Latin Performer" and "World's Best Selling Spanish Artist", in the ceremony held in Monaco on November 9, 2008.

2010–present: ''Euphoria''

On July 5, 2010, Iglesias released his ninth studio album, ''Euphoria'', his first work to be released under his new label, Universal Republic. The album is Iglesias's first bilingual album with seven original English songs and six original Spanish songs.

Iglesias worked with three producers whom he has worked with before; RedOne, Mark Taylor and Carlos Paucer. The album features collaborations with Akon, Usher, Nicole Scherzinger, Ludacris, Pitbull, Juan Luis Guerra and his third duet with Wisin y Yandel. In a joint venture with Universal Latino Iglesias will release different singles in both languages simultaneously to different formats.

The first English single from the album, "I Like It", which features the rapper Pitbull, was released on May 3, 2010 in the U.S. and became a success, reaching number 4 on the Billboard Hot 100. After weeks on the chart, it reached to #1 on the Billboard Hot/Dance Club Play, making it Enrique's 7th number one song on that chart and also making him the male singer with most number-ones tying with Prince & Michael Jackson.

"Cuando Me Enamoro" was released as the lead Spanish single from the album. The song debuted at number 8 and number 25 on U.S Latin Pop Songs and U.S. Hot Latin Songs, respectively. The song became his 25th top 10 single on the U.S. ''Billboard'' Hot Latin Songs & after 4 weeks of its release date it became his 21st No.1 song on this chart. The song won and nominated for many Latin Song Of The Year category.

As of January 2011 "Tonight (I'm Lovin' You)" broke into the top 10 on the Billboard charts becoming no 4. The song was released only for digital download in the U.S., at first it was included on the French Limited Edition of ''Euphoria'' in late 2010, then was included on the New Edition of "Euphoria" in Europe and some Asian areas in 2011. The song peaked to #1 on the Billboard Hot/Dance Club Play chart, which became his 8th number one song on the chart, making him the only male single artist to have 8 number one songs on the chart, passing Prince and Michael Jackson. As of March 3, 2011 the song has peaked to #1 on the US Pop Songs Chart, marking it his first score on the chart. The song has also peaked to number one on the US Billboard Hot 100 Airplay (Radio Songs). A remix version of "Dirty Dancer" was released as the sixth single, and "Ayer" serves as the seventh single.

On May 24, 2011, Iglesias revealed on Australian radio show The Kyle & Jackie O Show that he would be touring Australia as part of his “Euphoria” tour alongside Pitbull.

Songwriting, producing, and acting

Iglesias has collaborated with songwriter Guy Chambers to write "Un Nuovo Giorno", the lead single from Andrea Bocelli's first pop album. The song was later translated into English as "First Day of My Life" and recorded by Spice Girl Melanie C. The song has since gone to become a huge hit throughout Europe, and peaked in the number one spot in numerous countries. Iglesias also wrote the single "The Way" for American Idol runner up Clay Aiken. Four songs co-written by Iglesias appear on the UK band The Hollies' current album. Many times Iglesias has said that should he ever retire, he wants to write and produce songs for other artists. In 2010 Idol Allstars 2010 (Swedish Idol Series) released a song "All I Need Is You" co-written by Iglesias with Andreas Carlsson, Kalle Engström and Kristian Lundin. It went straight to I-Tunes #1.

In 2000, Iglesias co-produced an off Broadway musical called ''Four Guys Named Jose and Una Mujer Named Maria''. In the musical, four Americans of Latin heritage possess a common interest in music and meet and decide to put on a show. The show contained many references and allusions to many classic and contemporary Latin and pop songs by the likes of Carmen Miranda, Selena, Richie Valens, Santana, Ricky Martin and Iglesias himself.

Iglesias also developed an interest in acting, starring alongside Antonio Banderas, Salma Hayek and Johnny Depp in the Robert Rodriguez film ''Once Upon a Time in Mexico'', in which he played the foul-mouthed gun-wielding Lorenzo. In 2007, he had guest starred in the TV comedy ''Two and a Half Men'' as a carpenter/handyman. He says that he would act again if given small roles that he could fit in between his musical commitments.

He also guest starred as Gael, an Argentinean guitar playing/surfer/massage therapist love interest on the CBS hit TV show ''How I Met Your Mother''.

Iglesias also played the part of an evil Roman emperor in an ambitious TV commercial for Pepsi, which sponsored his last world tour. He starred alongside Britney Spears, Beyoncé and Pink, who turn the tables on him in the commercial. He's also starred in commercials for Doritos and for Viceroy watches.

Personal life

Iglesias started dating Russian tennis star Anna Kournikova in late 2001 (she appeared in his video, "Escape"), and rumors that the couple had secretly married circulated in 2003 and again in 2005. Kournikova herself has consistently refused to directly confirm or deny the status of her personal relationships. But in May 2007, Iglesias was (mistakenly, as he would clarify later) quoted in the ''New York Sun'' that he had no intention of marrying Kournikova and settling down because they had split up. The singer would later deny these rumors of "divorce" or simply separation. In June 2008, Iglesias told the ''Daily Star'' that he had married Kournikova the previous year and that they are currently separated. In an interview with Graham Norton in 2010, Kournikova confirmed that she and Iglesias have been together for over eight years but have no plans to marry in the near future.

Discography

Studio albums

''Enrique Iglesias'' (1995)

''Vivir'' (1997)

''Cosas del Amor'' (1998)

''Enrique'' (1999)

''Escape'' (2001)

''Quizás'' (2002)

''7'' (2003)

''Insomniac'' (2007)

''Euphoria'' (2010)

Filmography

! Year	Film	Role	! Notes
1997		"Si Tu Te Vas"	soundtrack
1999	''Wild Wild West''	"Bailamos"	soundtrackNominated - Blockbuster Entertainment Award for Favorite Song from a Movie.
	''I Love the New Millennium''		soundtrack
	"Hero"	soundtrack
	''Once Upon a Time in Mexico''	Lorenzo
	"Hero"	soundtrack
2005		Himself	Host
2006		"Hero"	soundtrack
	''America's Next Top Model, Cycle 9''	Himself	Special Guest
''Two and a Half Men''	Carpenter/Handyman	TV Guest
	Himself	Co-host
	Himself	Musical Guest
	''Step Up 2: The Streets''		soundtrack
		soundtrack
''Beverly Hills Chihuahua''	"Hero"	soundtrack
''Lady Godiva''	"Hero"	soundtrack
2009	''How I Met Your Mother''	"Gael"	TV Guest
2010	''Hot Tub Time Machine''	"Hero"	soundtrack

Awards and nominations

Enrique Iglesias is one of the most celebrated Latin Artists Of all time. He has won 16 Billboard Music Awards and 23 Billboard Latin Music Awards .He has won 5 American Music Awards ,1 Grammy and 1 Latin Grammy and 7 World Music Awards. He has also won an award for Best International Pop Act in MTV India Awards. He was also name "King Of Latin Pop". He has won 12 Premios Lo Nuestro Awards. In 2001, He was also awarded as Most Fashionable Artist in VH1/Vogue Fashion Awards. He has also won an award for Most Successful Spanish Artist Of The Decade (Spanish Artist Of The Decade) at Premios Ondas in 2002.

Enrique and Blackouts Evan Fitzpatrick will be performing in Toronto September,29th. 2011 at the Air Canada Centre.

See also

list of Best Selling Latin Artist

List of best-selling music artists

List of best-selling singles worldwide

References

External links

Enrique Iglesias Official website

Interscope Records Official Site

Enrique Iglesias profile at NNDB

Category:1975 births Category:English-language singers * Category:Expatriates in Serbia Category:Grammy Award winners Category:Living people Category:People from Madrid Category:People from Miami, Florida Category:Spanish expatriates Category:Spanish emigrants to the United States Category:Spanish-language singers Category:Spanish male singers Category:Spanish people of Filipino descent Category:University of Miami alumni Category:Children of Entertainers

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Coordinates	33°51′35.9″N151°12′40″N
name	Marvin Gaye | image Marvin Gaye in 1973.jpg
landscape	yes
background	solo_singer
birth name	Marvin Pentz Gay, Jr.
birth date	April 02, 1939
birth place	Washington, D.C., U.S.A.
alias	Prince of Soul
death date	April 01, 1984
death place	Los Angeles, California, U.S.A.
instrument	Vocals, keyboards, drums, percussion, clavinet, synthesizers, piano
genre	R&B;, soul, doo-wop, funk, quiet storm
occupation	Singer-songwriter, composer, musician, record producer
years active	1958–1984
label	Motown (Tamla-Motown), Columbia
associated acts	The Moonglows, Martha and the Vandellas, Tammi Terrell, The Originals, Mary Wells, Kim Weston, Diana Ross, Harvey Fuqua, Stevie Wonder, Smokey Robinson, Berry Gordy, Don Hussein }}

Marvin Pentz Gay, Jr. (April 2, 1939 April 1, 1984), better known by his stage name Marvin Gaye, was an American singer-songwriter and musician with a four-octave vocal range. Starting as a member of the doo-wop group The Moonglows in the late fifties, he ventured into a solo career after the group disbanded in 1960 signing with the Tamla Records subsidiary of Motown Records. After starting off as a session drummer, Gaye ranked as the label's top-selling solo artist during the sixties.

Because of solo hits such as "How Sweet It Is (To Be Loved by You)", "Ain't That Peculiar", "I Heard It Through the Grapevine" and his duet singles with singers such as Mary Wells and Tammi Terrell, he was crowned "The Prince of Motown" and "The Prince of Soul".

His work in the early and mid-1970s, including the albums ''What's Going On'', ''Let's Get It On'', and ''I Want You'', helped influence the quiet storm, urban adult contemporary, and slow jam genres. After a self-imposed European exile in the early eighties, Gaye returned on the 1982 Grammy-Award winning hit, "Sexual Healing" and the ''Midnight Love'' album before his death. Gaye was shot dead by his father on April 1, 1984. He was posthumously inducted to the Rock and Roll Hall of Fame in 1987.

In 2008, the American music magazine ''Rolling Stone'' ranked Gaye at number 6 on its list of the Greatest Singers of All Time, and ranked at number 18 on 100 Greatest Artists of All Time. He was also ranked at number 20 on VH1's list of 100 Greatest Artists of All Time.

Biography

Early life (1939–1957)

Marvin Pentz Gaye, Jr. was born on April 2, 1939 at Freedman's Hospital in Washington, D.C.. His father, Marvin Gay, Sr., was a minister at the House of God (the House of God headquarters is located in Lexington, Kentucky), which advocated strict conduct and taught and believed in both the old and new Testament. His mother, Alberta Gay (née Alberta Cooper), was a domestic and schoolteacher. Gaye was the second eldest of four children. His younger brother, Frankie (1941–2001), would be one of the main sources of Gaye's musical development and later served as a soldier in the Vietnam War and embarked on a singing career upon his return to civilian life to follow in his elder brother's footsteps. His youngest sister, Zeola "Sweetsie" Gay (b. 1945), would later become the main choreographer of her brother's live shows. As a child, Gaye was raised in the Benning Terrace projects in southeast D.C.

Gaye's father was minister of a local Seventh-day Adventist Church for a time. By the time his eldest son was five, Marvin Sr. was bringing Gaye with him to church revivals to sing for church congregations. Gaye's father was assured all four of his children would follow him into the ministry and would later use his strict domineering to get his children to avoid secular activities including sports and secular music. Gaye's early home life consisted of violence as his father would often strike him for any shortcoming. Gaye and his three siblings were bed-wetters as children. Gaye would later call his father a "tyrannical and powerful king" and said he was depressed as a child, convinced that he would eventually "become one of those child statistics that you read in the papers" had he not been encouraged to pursue his dreams by his mother. By age fourteen, Gaye's parents moved to the Deanwood neighborhood of northeast D.C. The following year, Gaye's father quit the ministry after a disappointment over not being promoted as the Chief Apostle (head overseer) of the House of God Inc. Gaye said his father later developed alcoholism, which furthered tension between father and son.

Developing a love for music at an early age, Gaye was already playing instruments including piano and drums. Upon arriving to Cardozo High School, Gaye discovered doo-wop and harder-edged rhythm and blues and began running away from home to attend R&B; concerts and dance halls defying his father's rules. Gaye joined several groups in the D.C. area including the Dippers with his best friend, Johnny Stewart, brother of R&B; singer Billy Stewart. He then joined the D.C. Tones, whose members included another close friend, Reese Palmer, and Sondra Lattisaw, mother of R&B; singer Stacy Lattisaw. Gaye's relationship with his father led him to run away from home and join the United States Air Force in hopes of becoming an aviator. However, discovering his growing hatred for authority, he began defying orders and skipped practices. Faking mental illness, he was discharged. His sergeant stated that Gaye refused to follow orders. Upon returning to his hometown, Gaye worked as a dishwasher to make ends meet. Gaye still dreamed of a show-business career, and rejoining Reese Palmer, the duo formed a four-member group calling themselves the Marquees.

Early career (1958–1962)

In 1958, the Marquees were discovered singing at a D.C. club by Bo Diddley, who signed them to Okeh Records, where they recorded "Wyatt Earp", with "Hey Little Schoolgirl" as its B-side. It received moderate success, but not the success Gaye and his band mates had hoped for. Later that year Harvey Fuqua, founder and co-lead singer of the landmark doo-wop group The Moonglows, recruited them, after the breakup of the original members, to be "The New Moonglows" which moved the formerly-named Marquees from Okeh to Chess Records. While there, the "new Moonglows" recorded background vocals for Chess recording stars Chuck Berry and Etta James. After "The Twelve Months of the Year", which featured a spoken monologue by Gaye, became a regional hit, the group issued "Mama Loochie", which was the first time Gaye sang lead on a record. The record was issued in late 1959 and became a hit in Detroit. Following a concert performance there, Gaye and other band members were arrested for small possession of marijuana. Afterwards, Fuqua decided to disband the group, keeping Gaye with him, as he favored him over the other members. In 1960, Harvey Fuqua had met Gwen Gordy and the couple embarked on both a personal and professional relationship. That year, the couple formed two record labels, the self-named Harvey Records, and Tri-Phi Records. Gaye was signed to the former label, whose other members including a young David Ruffin and Junior Walker. Gaye provided drums for The Spinners' first hit, "That's What Girls Are Made For", which was released on Tri-Phi. Stories on how Gaye eventually met Berry Gordy and how he signed to Motown Records vary. One early story stated Gordy discovered Gaye singing at a local bar in Detroit and that he had offered to sign him on the spot. Gaye's recollection, and also a story Gordy later reiterated, was that Gaye invited himself to Motown's annual Christmas party inside the label's Hitsville USA studios and played on the piano singing "Mr. Sandman". Gordy saw Gaye from afar and upon noting that Gaye was connected with Fuqua began to make arrangements to absorb Fuqua's labels to Motown bringing all of the labels' acts to Motown. Gordy said he immediately wanted to bring Gaye to Motown after seeing him perform, impressed by his vocals and piano playing. While working out negotiations, Fuqua would sell fifty percentage interest in Gaye to Gordy, which Gaye would find out later. After Gordy absorbed Anna and Harvey in March 1961, Gaye was assigned to Motown's Tamla division.

Gaye and Motown immediately clashed over material. While Motown was yet a musical force, Gaye set on singing standards and jazz rather than the usual rhythm and blues that fellow label mates were recording. Struggling to come to terms with what to do with his career, Gaye worked mainly behind the scenes, becoming a janitor, and also settled for session work playing drums on several recordings, which continued for several years. One of Gaye's first professional gigs for Motown was as a road drummer for The Miracles. Gaye developed a close friendship with the label's lead singer Smokey Robinson and they'd later work together. Though already a seasoned veteran of the road and almost exempt from Gordy's Artist Development, which began operating in 1961, Gaye was still required to attend schooling, which he refused. He eventually took advice from grooming director Maxine Powell to keep his eyes open while performing because "it looks like you're sleeping when you're performing". Gaye would later regret skipping the school saying he could've benefited more from it. Before releasing his first single in May 1961, he altered his last name to "Gaye", later stating that he added the 'e' because "it sounded more professional" and to emulate what Sam Cooke had done before releasing his first secular record following his split from the Soul Stirrers. A famous story about the name change came from author David Ritz, Gaye's confidant in later years, who said Gaye had said that he wanted to "quiet the gossip" of his last name and to distance himself from his father.

In May 1961, Tamla released Gaye's first single, "Let Your Conscience Be Your Guide". The single flopped as a national release but was a regional hit in the Midwest, as was a follow-up single, the cover of "Mr. Sandman" (titled as just "Sandman" in Gaye's release in early 1962). In June 1961, Motown issued Gaye's first album, ''The Soulful Moods of Marvin Gaye'' compromising Gaye's jazz interests with a couple of R&B; songs. The album tanked and no hit single came of it. A third regional hit, "Soldier's Plea", an answer to The Supremes' "Your Heart Belongs to Me", was the next release in the spring of 1962. Gaye had more success behind the scenes than in front. Gaye applied drumming on several Motown records for artists such as the Miracles, Mary Wells, The Contours and The Marvelettes. Gaye was also a drummer for early recordings by The Supremes, Martha and the Vandellas and Little Stevie Wonder. Gaye drummed on the Marvelettes hits, "Please Mr. Postman", "Playboy" and "Beechwood 4-5789" (a song he co-wrote). Later on, Gaye would be noted as the drummer in both the studio and live recordings of Wonder's "Fingertips" and as one of two drummers behind Martha and the Vandellas' landmark hit, "Dancing in the Street", which was another composition by Gaye, originally intended for Kim Weston. Gaye said he continued to play drums for Motown acts even after gaining fame on his own merit. For Gaye's fourth single, the singer was inspired to write lyrics to a song after an argument with his wife, Anna Gordy Gaye (née Anna Gordy). While working out the song, Gaye mentioned he had his first "major" power struggle with Motown head Berry Gordy over its composition. Gordy insisted on a chord change though Gaye was comfortable with how he wrote it, eventually Gaye changed the chord and the song was issued as "Stubborn Kind of Fellow" in September 1962. The song became a hit on the Hot Rhythm and Blues Sides chart reaching number eight and eventually peaked at number 46 on the ''Billboard'' Hot 100 in early 1963. A parent album, ''That Stubborn Kinda Fellow'', was released in December 1962, the same month that Gaye's fifth single, "Hitch Hike", was released. That song reached number 30 on the Billboard Hot 100, bringing Gaye his first top forty single. Gaye's early success confirmed his arrival as a hit maker, and he landed on his first major tour as a performer on Motown's Motortown Revue.

Early success (1963–1966)

Gaye's career following his performances with the Motortown Revue assured him success. Gaye's next single, "Pride & Joy", became a major hit in the spring of 1963, reaching number-ten on the Billboard Hot 100, selling nearly one million copies. Later that year, Gaye repeated the success with the top thirty hit, "Can I Get a Witness", which found some leverage in the United Kingdom upon its release on Motown's UK label Stateside Records. Many of Gaye's early hits would later be heavily covered by acts such as The Rolling Stones, Dusty Springfield and The Who, performers who admired Gaye and American R&B; music in general. Gaye's hits also was a big influence on the UK's mod scene with several mod groups including the future Elton John's Bluesology and Rod Stewart's Steampacket covering Gaye's hits there. Gaye's early hits were also a big influence on American producers, including Phil Spector, who nearly had a car accident while pulling over upon hearing "Stubborn Kind of Fellow" for the first time.

Gaye's hits continued throughout 1964. Several top twenty pop hits from this period included "You Are a Wonderful One", "Try It Baby" and "Baby Don't You Do It" kept Gaye's momentum building. Gaye made his first public TV performance on ''American Bandstand'' in 1964 and later became a fixture on the show and on other programs such as ''Shindig!'' and ''Hullaballoo''. Gaye's popularity further increased after Motown released his first duet project, an album with Mary Wells titled ''Together''. The duo had two hit singles, "Once Upon a Time" and "What's the Matter with You Baby". In late 1964, Gaye also appeared in the concert film, ''The T.A.M.I. Show'' where he performed his hits to an enthusiastic audience (with backing vocals by The Blossoms). Gaye reached the top ten in early 1965 with "How Sweet It Is (To Be Loved By You)", which sold close to a million copies. Gaye eventually scored his first immediate million-sellers in 1965 with the Smokey Robinson compositions, "Ain't That Peculiar" and "I'll Be Doggone". These songs and other singles released during the 1965–1966 period would be the result of Gaye's next release, ''Moods of Marvin Gaye''.

Gaye struggled with his success. While deemed a "smooth song-and-dance ladies' man", he still aspired to perform more jazz work in his catalog. Because of his success, Motown allowed him to work on such recordings including ''When I'm Alone I Cry'', ''Hello Broadway'' and a Nat King Cole tribute album, ''A Tribute to the Great Nat "King" Cole''. All three albums flopped. Gaye tried performing the songs onstage but soon stopped once he discovered that the crowds weren't too appreciative of the material. One proposed standards project, which took over two years to record, was shelved due to session problems. Gaye's performances at the Copacabana in 1966 also led to conflict between Gaye and Gordy as Motown had recorded the album for purposes of releasing it in early 1967. However due to a struggle, Motown eventually shelved it until it was later released three decades later. In early 1967, Gaye scored his first international hit with the duet, "It Takes Two", with Kim Weston, who ironically had already left the label when it became a hit. Only one televised performance of the song showed Gaye singing the song to a puppet. That year, Motown hooked Gaye up with veteran Philadelphia-based singer Tammi Terrell, who had an early stint with James Brown. Gaye would later say of Terrell that she was his "perfect partner" musically.

Tammi Terrell and ''I Heard It Through the Grapevine'' (1967–1969)

Terrell and Gaye's first major hit was the Nick Ashford and Valerie Simpson composition, "Ain't No Mountain High Enough". The duo quickly followed up with the top five hit ballad, "Your Precious Love". Despite rumors of a romantic relationship – Gaye was married to Anna Gordy and Terrell was dating Temptations lead vocalist David Ruffin – both singers denied such a relationship with Gaye saying later that they had a brother-and-sister relationship, a statement reiterated by Ashford & Simpson. Other hit singles the duo scored within an eighteen-month period included "If I Could Build My Whole World Around You", "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". Other hits such as "You Ain't Livin' till You're Lovin'" and "The Onion Song" found success in Europe. The duo's recording of "If This World Were Mine", the b-side of "If I Could Build My Whole World Around You", found modest success on the charts, the first sole Gaye composition to do so. The song later found major R&B; success when Luther Vandross covered it with Cheryl Lynn over a decade later.

The duo was also a success together onstage with Terrell's easy-going nature with the audience contrasting from Gaye's laid-back approach. However, that success was short-lived. On October 14, 1967, while performing at Virginia's Hampden-Sydney College, Terrell collapsed in Marvin's arms. Terrell had been complaining of headaches in the weeks leading up to the concert, but had insisted she was okay. However, after being rushed to Southside Community Hospital, doctors found that Terrell had a malignant brain tumor.

The diagnosis ended her performing career, though she still occasionally recorded, often with guidance and assistance. Terrell ceased recordings in 1969 and Motown struggled with recording of a planned third Gaye and Terrell album. Gaye initially had refused to go along with it saying that he felt Motown was taking unnecessary advantage of Terrell's illness. Gaye only reluctantly agreed because Motown assured him recordings would go to insure Terrell's health as she continued to have operations to remove the tumor, all of which were unsuccessful. In September 1969, the third Gaye and Terrell duet album, ''Easy'' was released, with many of the songs subbed by Valerie Simpson, while solo songs recorded years earlier by Terrell, had overdubbed vocals by Gaye.

Terrell's illness put Gaye in a depression; at one point he attempted suicide but was stopped by Berry Gordy's father. He refused to acknowledge the success of his song "I Heard It Through the Grapevine", released in 1967 by Gladys Knight & The Pips (his was recorded before, but released after theirs), his first number-one hit and the biggest selling single in Motown history to that point, with four million copies sold. His work with producer Norman Whitfield, who produced "Grapevine", resulted in similar success with the singles "Too Busy Thinking About My Baby" and "That's the Way Love Is". Meanwhile, Gaye's marriage was crumbling and he was bored with his music. Wanting creative control, he sought to produce singles for Motown session band The Originals, whose Gaye-produced hits, "Baby I'm For Real" and "The Bells", brought success.

''What's Going On'' (1970–1972)

Tammi Terrell died of a brain tumor on March 16, 1970. Gaye was so emotional at her funeral that he talked to her lying in state as if she was going to respond. Gaye insisted, following Terrell's death, that he would no longer record duets with any other female performer nor was he ever going to perform on stage again since Terrell's collapse and subsequent death had spooked him. He already had apprehensions of performing, suffering bouts of stage fright throughout his performing career. Prior to Terrell's death, he had withdrawn from a scheduled performance citing an illness and was later sued for failure to appear. After Terrell's death he stopped doing any more live gigs and never really recovered completely from her passing. He had an inspiration, going back to 1968, to try out for the Detroit Lions football team. After a tryout in early 1970, he wasn't allowed to join the team though he gained friendships with two of its teammates, Mel Farr and Lem Barney. After helping to collaborate what became "What's Going On", he returned to Hitsville on June 1, 1970 to record the song, which was inspired by Gaye's brother's accounts of his experience at the Vietnam War and co-writer Renaldo "Obie" Benson of the Four Tops' disgust of police brutality after seeing anti-war protesters attacked in San Francisco.

Despite releases of several anti-war songs by The Temptations and Edwin Starr, Motown CEO Berry Gordy prevented Gaye from releasing the song, fearing a backlash against the singer's image as a sex symbol and openly telling him and others that the song "was the worst record I ever heard". Gaye, however, refused to record anything that was Motown's or Gordy's version of him. He later said that recording the song and its parent album "led to semi-violent disagreements between Berry and myself, politically speaking." Eventually the song was released with little promotion on January 17, 1971. The song soon shot up the charts topping the R&B; chart for five weeks. Eventually selling more than two million copies, an album was requested, and Gaye again defied Gordy by producing an album featuring lengthy singles that talked of other issues such as poverty, taxes, drug abuse and pollution. Released on May 21, 1971, the ''What's Going On'' album instantly became a million-seller crossing him over to young white rock audiences while also maintaining his strong R&B; fan base. Because of its lyrical content and its mixture of funk, jazz, classical and Latin soul arrangements which departed from the then renowned "Motown Sound", it became one of Motown's first autonomous works, without help of Motown's staff producers. Based upon its themes and a segue flow into each of the songs sans the title track, the concept album became the new template for soul music.

Other hit singles that came out of the album included "Mercy Mercy Me (The Ecology)" and "Inner City Blues (Make Me Wanna Holler)", making Gaye the first male solo artist to have three top ten singles off one album on the ''Billboard Hot 100''. All three singles sold over a million copies and were all number-one on the R&B; chart. International recognition of the album was slow to come at first though eventually the album would be revered overseas as a "landmark pop record". It has been called "the most important and passionate record to come out of soul music, delivered by one of its finest voices". The success of the title track influenced Stevie Wonder to release an album with similar themes, ''Where I'm Coming From'', in April of that year. Following the release of the album and its subsequent success, Wonder rejected a renewing offer with Motown unless he was allowed creative control on his recordings, which was granted a year later. Gaye's independent success not only related to Motown recording artists, other R&B; artists of the era also began to rebel against labels to produce their own conceptual albums. The Jackson 5, one of Motown's final acts to benefit from the label's "glory years" (1959–1972), tried unsuccessfully to get creative control for their own recordings and as a result left in 1975 for CBS Records.

Gaye's success was nationally recognized: Billboard magazine awarded him the ''Trendsetter of the Year'' award, while he won several NAACP Image Awards including Favorite Male Singer. ''Rolling Stone'' named it Album of the Year, and was nominated for a couple of Grammy Awards though inexplicably wasn't nominated for Album of the Year. In 1972, Gaye reluctantly stepped out of his stage retirement to perform selected concerts, including one at his hometown of Washington, D.C. performing at the famed Kennedy Center, a recording of the performance was issued on a deluxe edition re-release of the ''What's Going On'' album. Also in 1972, Gaye performed for Jesse Jackson's PUSH organization and also for a Chicago-based benefit concert titled Save the Children aimed at removing the plight of urban violence in Chicago's inner city. The latter performance was issued as part of a concert film released in early 1973, also titled ''Save the Children''. Following its success, Gaye signed a new contract with Motown Records for a then record-setting $1 million, then the most lucrative deal by a black recording artist. With creative control, Gaye attempted to produce several albums throughout 1972 and early 1973 including an instrumental album, a jazz album, another conceptually-produced album of social affairs (the canceled ''You're the Man'' project) and an album with Willie Hutch co-producing. In late 1972, Gaye produced the score for the ''Trouble Man'' film and later produced the soundtrack of the same name. The title track was the only full vocal work of the album and was released as a single in the fall of 1972 eventually reaching number seven on the pop chart in the spring of 1973.

''Let's Get It On'' and continued success in music (1973–1977)

In late 1972, Gaye left Detroit and moved to Los Angeles but relocated to an area where he was far away from Motown, purchasing a house at the so-called "bohemian hippie" Topanga Canyon Boulevard district, which was a hotbed for musicians looking to get away from the trappings of the music industry and Hollywood itself. He continued to record music at Los Angeles' Motown studios (Hitsville West) and on March 18, 1973, recorded "Let's Get It On", reputedly inspired by Gaye's new-found independence, after separating from Anna Gordy the previous year. The single was released as a single in June of the year and became Gaye's second number-one single on the Billboard Hot 100. It also was a modest success internationally reaching number thirty-one in the United Kingdom. With the success of its recording, Gaye decided to switch completely from the social topics that were on ''What's Going On'' to songs with sensual appeal.

Released in August 1973, ''Let's Get It On'' consisted of material Gaye had initially recorded during the sessions of ''What's Going On''. It was hailed as "a record unparalleled in its sheer sensuality and carnal energy." Other singles from the album included "Come Get to This", which recalled Gaye's early Motown soul sound of the previous decade, while the then-controversial "You Sure Love to Ball" reached modest success but was kept from being promoted by Motown due to its sexually explicit nature. With the success of ''What's Going On'' and ''Let's Get It On'', Motown demanded a tour. Gaye only reluctantly agreed when demand from fans reached a fever pitch. After a delay, Gaye made his official return to touring on January 4, 1974 at the Oakland Coliseum in Oakland, California. The recording of the performance, held by several music executives as "an event", was later issued as the live album, ''Marvin Gaye Live!''. Due to Gaye's growing popularity with his increasing crossover audience and the reaction of the performance of "Distant Lover", which Motown later released as a single in late 1974, the album sold over a million copies. Gaye's subsequent 10-city tour, which took off that August, was sold-out and demand for more dates continued into 1975 while Gaye had struggled with subsequent recordings. A renewed contract with Motown in 1975 gave Gaye his own custom-made recording studio.

To keep up with demand and hype, Motown released Gaye's final duet project, ''Diana & Marvin'', an album with Diana Ross, which helped to increase Gaye's audience overseas with the duo's recording of "You Are Everything" reaching number-five in the UK, number-thirteen on the Dutch chart, and number-twenty in Ireland, while the album itself sold over a million copies overseas with major success in the UK. The recording of ''Diana & Marvin'' had started in late 1971 and overdubbed sessions took place in 1972 but was shelved from a release until late 1973 following the release of ''Let's Get It On''. Gaye toured throughout 1975 without new releases and collaborated in the studio producing songs for the likes of The Miracles (now without Smokey Robinson) and Yvonne Fair, helping to produce her version of Norman Whitfield's "Funky Music Sho Nuff Turns Me On", featured on Fair's ''The Bitch is Black'', while also assisting her in the background with his vocals. Later in 1975, Gaye shaved his head bald in protest to Rubin Carter's prison sentence. Gaye initially insisted to keep it bald until Carter's release though Gaye's hair and beard returned within a few months.

In 1976, Gaye released his first solo album in three years with ''I Want You''. The title track became a number-one R&B; hit while also reaching the top twenty of the national pop chart. The first of his albums to embrace the then popular disco sound of the time, Motown released a double-A 12' of "I Want You" alongside another smooth dancer, "After the Dance". The songs found success as a unit on the Billboard Hot Disco chart, reaching number-ten. By itself "After the Dance", which wasn't intended as a second single, eventually reached number fourteen on the R&B; chart with minor pop traction, eventually reaching number seventy-four. That year, Gaye faced several lawsuits with former musicians and also faced prison time for falling behind on alimony payments ordered by law following his first wife Anna Gordy filing legal separation after a 15-year marriage. Gaye avoided imprisonment after agreeing to do a tour of Europe, his first tour of such in little over a decade. His first stop was at London's Royal Albert Hall and then at the city's London Palladium, where a recording was later released in early 1977 as ''Live at the London Palladium''. Gaye performed in France, Holland, Switzerland and Italy to packed audiences and then returned for several U.S. tour dates though he often suffered from exhaustion from some of the U.S. dates. Between 1975 and 1976, Gaye was recognized by major corporations including the United Nations for charitable work dedicated to children and to affairs related to black culture.

In the spring of 1977, Gaye released "Got to Give It Up, Pt. 1", which gave him his third number-one US pop hit, the final one Gaye released in his lifetime. The song also topped the R&B; and dance singles chart and also found some international success reaching the top ten in England. Released as the only studio track from the ''Palladium'' album, its success kept ''Palladium'' on the charts for a year eventually selling over two million copies. It was recognized by Billboard as one of the top-ten selling albums of all time that year.

''Here, My Dear'' and his final days at Motown (1978–1981)

In March 1977, his long, drawn-out court battle with former wife Anna Gordy ended. As a compromise to settle matters between the ex-couple over issues of alimony payments for their adopted son, Gaye's attorney until his death, Curtis Shaw, advised Gaye to remit a portion of the revenue that he was to get for his next studio album. Gaye entered the recording studio intending to produce a "lazy" album, but ended up with the sprawling double-album set, ''Here, My Dear'', which was held up from release for over a year. Finally released after Motown's demand for new product in late 1978, the album was initially a flop, tanking after only a couple months on the charts. Its only single, "A Funky Space Reincarnation", peaked at number twenty-three on the R&B; chart, in early 1979, becoming Gaye's first single since "Soldier's Plea" 17 years earlier to not hit the Billboard Hot 100.

Gaye became a figure on talk show circuits for most of 1979, mostly appearing on Dinah Shore's ''Dinah & Friends''. He also toured in 1979, first in the United States, then in England and in Japan, the latter being the first time (and, as it turned out, the only time) he ever toured that country. As the year continued, Gaye found himself in trouble financially, and at home with second wife, Janis Hunter. The couple split up in 1979, nearly eighteen months after marrying, and by that fall, following a performance in Hawaii, Gaye decided to remain in the state, fearing he might be imprisoned for failing to pay the IRS millions in back taxes; in court, his attorney claimed that several items within the singer's luggage, including tax returns, were stolen from him while at an airport. Meanwhile, Gaye, now heavily in the throes of drug addiction, struggled to record. Reports stated that while in Hawaii, Gaye lived inside a bread truck. He initially had planned to release a standards album titled ''The Ballads'' but discarded it, fearing fans would be disappointed by no recognizable hits on it. The singer then intended to release an album of love songs aimed for the disco audience titled ''Love Man'', but within a year, however, Gaye thought of expressing his feelings about a possible Armageddon, as well as his battles of the heart. Gaye changed the titles of all the songs, rewrote lyrics, and retitled the album, ''In Our Lifetime?'', recording the album tracks while living in London in the middle of his exile.

A 1980 European tour followed, after Gaye made a deal with British promoter Jeffrey Kruger, who had looked after Gaye's 1976–1977 European tour and his Japanese engagement in 1979. Almost immediately, controversy arose, after Gaye failed to make the stage for Princess Margaret at the Royal Gala Charity Show. While Kruger recalls that Gaye showed up just as audiences were leaving, Gaye's musicians recalled that Gaye performed to the few that stayed for the performance though Princess Margaret had already left. Though Princess Margaret denied it, the international press printed the news as an "embarrassing snub", claiming that Gaye had deliberately arrived late. This led to a lawsuit between Gaye and Kruger that eventually settled out of court. While still in London, Gaye ran into problems when recordings of ''In Our Lifetime?'' were sent to Motown's offices back in Los Angeles, initially as rough mixes, to get Motown's response rather than intending to release it. However, desperate to release Marvin Gaye product, the label rushed the album out on January 15, 1981. Gaye was upset at the news, and accused the label of editing and remixing the album without his consent, putting out an unfinished song ("Far Cry"), altering the album art he requested, and removing the question mark from the title, muting its irony. Gaye vowed to never record another record for Motown. That summer, negotiations began to be made to release Gaye from the label. After several offers landed, Gaye accepted a deal for CBS Records, a deal that was finalized in March 1982.

Comeback and sudden death (1982–1984)

On the advice of Belgian concert promoter Freddy Cousaert, Gaye moved to Ostend, Belgium, in February 1981 where for a time he cut down on drugs and began to get back in shape both physically and emotionally. While in Belgium, Gaye began to make plans to renew his declining fortunes in his professional career, starting with a tour he titled "The Heavy Love Affair Tour" in England where he was greeted more warmly by the same London press that had criticized him of the Princess Margaret snub the previous year. The tour ended with two concert dates in Ostend. A documentary leading up to his Belgian concert performances titled ''Transit Ostend'' was initially released to just Belgian fans, and was later issued on VHS in bootleg copies following Gaye's death.

After signing with CBS' Columbia Records division in 1982, Gaye worked on what became the ''Midnight Love'' album. Gaye reconnected with Harvey Fuqua while recording the album and Fuqua served as a production adviser on the album, which was released in October 1982. The parent single, "Sexual Healing", was released to receptive audiences globally, reaching number-one in Canada, New Zealand and the US R&B; singles chart, while becoming a top ten U.S. pop hit and hitting the top ten in three other selected countries including the UK. The single became the fastest-selling and fastest-rising single in five years on the R&B; chart staying at number-one for a record-setting ten weeks. Gaye wrote "Sexual Healing" while at the village Moere, near Ostend. Curtis Shaw later said that Gaye's Moere period was "the best thing that ever happened to Marvin." The now-famous video of "Sexual Healing" was shot at the Casino-Kursaal in Ostend. "Sexual Healing" won Gaye his first two Grammy Awards including Best Male Vocal Performance, in February 1983, and also won Gaye an American Music Award for Favorite Soul Single. It was called by ''People'' magazine "America's hottest musical turn-on since Olivia Newton John demanded we get "Physical".

''NME'' – December 1982

The following year, he was nominated for Best Male R&B; Vocal Performance again, this time for the ''Midnight Love'' album. In February 1983, Gaye performed "The Star-Spangled Banner" at the NBA All-Star Game, held at The Forum in Inglewood, California, accompanied by Gordon Banks who played the studio tape from stands. In March 1983, he gave his final performance in front of his old mentor Berry Gordy and the Motown label for ''Motown 25'', performing "What's Going On". He then embarked on a U.S. tour to support his album. The tour, ending in August 1983, was plagued by Gaye's returning drug addictions and bouts with depression.

When the tour ended, he attempted to isolate himself by moving into his parents' house in Los Angeles. As documented in the PBS "American Masters" 2008 exposé, several witnesses claimed Marvin's mental and physical condition spiraled out of control. Groupies and drug dealers hounded Marvin night and day. He threatened to commit suicide several times after bitter arguments with his father. On April 1, 1984, Gaye's father fatally shot him when Gaye intervened in an argument between his parents over misplaced business documents. The gun had been given to his father by Marvin Jr. four months previously. Marvin Gaye would have celebrated his 45th birthday the next day. Doctors discovered Marvin Sr. had a brain tumor but he was deemed fit for trial and was sentenced to five years of probation after pleading guilty to voluntary manslaughter. Charges of first-degree murder were dropped when it was revealed that Gaye had beaten Marvin Sr. before the killing. Spending his final years in a retirement home, he died of pneumonia in 1998.

In 1987, Marvin Gaye Jr. was posthumously inducted into the Rock and Roll Hall of Fame. He was also honored by Hollywood's Rock Walk in 1989 and was given a star on the Hollywood Walk of Fame in 1990. In 2005, Marvin Gaye Jr. was admitted into the Michigan Rock and Roll Legends Hall of Fame. In 2007, two of Gaye's most important recordings, "I Heard It Through The Grapevine" and "What's Going On", were voted Legendary Michigan Songs.

Personal life

Gaye married twice. His first marriage was to Berry Gordy Jr.'s sister, Anna Gordy, who was 18 years his senior. Marvin and Anna were married on January 8, 1964 when Gaye was 24 and Gordy was 42. The marriage imploded after Marvin began courting Janis Hunter, the daughter of Slim Gaillard, in 1973. Anna filed for divorce in 1975; the divorce was finalized in March 1977. Gaye's erotic and disco-tinged studio album ''I Want You'' was based on his relationship with Hunter. In his book ''Mercy, Mercy Me: The Art, Loves, and Demons of Marvin Gaye'', author and music writer Michael Eric Dyson elaborated on the relationship between ''I Want You'' and the relationship Gaye had with Hunter, which influenced his music:

"I Want You" is unmistakably a work of romantic and erotic tribute to the woman he deeply loved and would marry shortly, Janis Hunter (Janis Gaye). Gaye's obsession with the woman in her late teens is nearly palpable in the sensual textures that are the album's aural and lyrical signature. Their relationship was relentlessly passionate and emotionally rough-hewn; they played up each other's strengths, and played off each other's weaknesses.

In October 1976, he married Janis, who was 17 years old when they met. However, the marriage dissolved within a year. After attempts at reconciliation, Janis filed for divorce in 1979. The divorce was finalized in February 1981. During this time, Marvin began dating a model from the Netherlands named Eugenie Vis. In 1982 Gaye became involved with Lady Edith Foxwell, former wife of the British movie director Ivan Foxwell, and spent time with her at Sherston, her Wiltshire estate. Foxwell ran the fashionable Embassy Club and was referred to in the media as "the queen of London cafe society." The story of their affair was told by Stan Hey in the April 2004 issue of ''GQ''. The report quoted writer/composer Bernard J. Taylor as saying he was told by Foxwell that she and Gaye had discussed marriage.

Gaye had three children. Marvin Pentz Gaye, III (b. 1965), by Denise Gordy, the niece of his first wife Anna Gordy. Marvin III was also adopted by his first wife Anna. The singer disclosed this in David Ritz's biography on Gaye, ''Divided Soul: The Life of Marvin Gaye'', saying he was afraid of being criticized for not producing a child. Later, Gaye had two children with Janis Hunter, Nona Marvisa, nicknamed "Pie" by her dad (born September 4, 1974) and Frankie "Bubby" Christian Gaye (born November 16, 1975). Gaye introduced his daughter to a national audience during a show in 1975. Nona would do the same eight years later when her father was given a tribute by ''Soul Train''. Nona has gone on to find success as a singer and actress. Gaye's eldest son was a music producer. Frankie is said to have taken work as an artist. Gaye also has two grandchildren: Marvin Pentz Gaye IV (b. 1995), born on the anniversary of his grandfather's death; and Nolan Pentz Gaye (b. 1997).

Musicianship

Marvin Gaye's musical style changed in various ways throughout his 26-year career. Upon his early recordings as member of The Marquees and Harvey & the New Moonglows in the late 1950s, Marvin recorded in a doo-wop vocal style. After signing his first solo recording contract with Motown, Marvin persuaded Motown executives to allow him to record an adult album of standards and jazz covers. His first album, ''The Soulful Moods of Marvin Gaye'', conveyed those genres including several doo-wop and blues songs.

The Motown Sound and psychedelic soul

Starting with his first charted hit, 1962's "Stubborn Kind of Fellow" through 1967's "Your Unchanging Love", Marvin's music featured a blend of black rhythm and blues and white pop music that came to be later identified as the "Motown Sound". Marvin's 1962–1964 hits reflected a dance-pop/rock 'n' roll approach while his 1965–1969 recordings reflected a pop-soul style. Backed by Motown's in-house band The Funk Brothers, pre-1970 Marvin Gaye recordings were built around songs with simple, direct lyrics supported by an R&B; rhythm section with orchestral strings and horns added for pop appeal. Marvin's early hits were conceived by Berry Gordy, Smokey Robinson, Mickey Stevenson and Holland-Dozier-Holland.

Marvin's sound started to change slightly in 1967 after he began working with producers Norman Whitfield, Ashford & Simpson and Frank Wilson. Whereas Marvin's early sound reflected a youthful exterior, later songs during that period including "You", "Chained", "I Heard It Through the Grapevine", "Too Busy Thinking About My Baby" and "That's the Way Love Is" were all recorded under the psychedelic soul sound of the late sixties and early seventies. "Psychedelic soul" mixed guitar-driven rock with soul-based grooves. Marvin's vocal style also changed during that period where he began singing in a gospel texture that had been only hinted at in previous recordings.

Social commentary and conceptual albums

In 1971, Marvin issued his landmark album, ''What's Going On''. The album and its tracks were responsible in the changing landscape of rhythm and blues music as the album presented a full view of social ills in America, including war, police brutality, racism, drug addiction, environmentalism, and urban decay. Beforehand, recordings of social unrest had been recorded by the likes of (Curtis Mayfield &) The Impressions, The Temptations, Sam Cooke, Sly & the Family Stone and James Brown, but this was the first album fully devoted to those issues. The album was produced under what is called a song cycle and because of its theme of "what's going on" was considered one of the first concept albums to be released in soul music. Marvin's 1972 soundtrack ''Trouble Man'', based on the blaxploitation film of the same name, mainly featured instrumentals with a few vocal runs, including songs with social commentary. Marvin's 1972 recordings outside that album – including "Where Are We Going", "Piece of Clay", "You're the Man" and "The World Is Rated X" – also raised social issues and was personal in nature. The songs were to be included in the unreleased 1972 album, ''You're the Man'', which was canceled after the modest reception of the title single. Marvin issued his next "concept album" with 1973's ''Let's Get It On'', based on the spiritual and erotic side of love and sex. Marvin released a similarly themed funk album in 1976, ''I Want You'', before switching to personal issues with the albums ''Here, My Dear'' (1978) and ''In Our Lifetime'' (1981). The former album focused on Marvin's problems in his first marriage, while the latter focused on his own life struggles. Marvin's albums between 1971 and 1981 reflected a period where, as an Allmusic writer said, his music "not only redefined soul music as a creative force but also expanded its impact as an agent for social change".

From funk to disco to contemporary R&B;

Starting in the early-seventies, Marvin's sound began to reflect the emerging sounds of funk and the later disco movement of the late 1970s. Marvin's double-sided 1976 single, "I Want You/After the Dance" and his 1977 hit, "Got to Give It Up" were his only successful attempts at recording disco-styled dance music whereas the 1978 single "A Funky Space Reincarnation", 1979's "Ego Tripping Out" and the 1981 singles "Praise" and "Heavy Love Affair" aimed at the funk-based urban audience. By itself, "I Want You", mixed funk with disco, soul and lite rock elements. With the release of 1982's triple-platinum ''Midnight Love'' and the massive platinum selling smash hit, "Sexual Healing", Marvin mixed the styles of funk and post disco with Caribbean and European-flavored pop music creating a mix that influenced the modern R&B; sound. "Sexual Healing" was the biggest R&B; hit of the 1980s – No.1 for 10 consecutive weeks. Some of Marvin's posthumous releases have been varied in nature: 1985's ''Dream of a Lifetime'' was produced mostly in an electro funk sound mostly in the first half of the album, while his posthumous "featuring" on rapper Erick Sermon's 2001 hit, "Music" brought him to a younger hip-hop audience.

Legacy and influence

According to several historians, Marvin Gaye's career "spanned the entire history of rhythm and blues from fifties doo-wop to eighties contemporary soul." Critics stated that Gaye's music "signified the development of black music from raw rhythm and blues, through sophisticated soul to the political awareness of the 1970s and increased concentration on personal and sexual politics thereafter." Marvin's usage of multi-tracked vocalizing, recording songs of social, political and sexual issues, and producing albums of autobiographical nature have influenced a generation of recording artists of various genres. As an artist who broke away from the controlled atmosphere of Motown Records in the 1970s, he influenced the careers of label mates such as Stevie Wonder, The Isley Brothers and, later in Epic Records, Michael Jackson to gain creative control and produce/co-produce their own albums. The careers of later R&B; stars such as Rick James, Prince, R. Kelly, D'Angelo, Raheem DeVaughn, Maxwell, Janet Jackson, George Michael, Justin Timberlake, Usher, Bobby V and J. Holiday also were influenced by the music of Marvin Gaye. Marvin's erotically concept albums such as ''Let's Get It On'' and ''I Want You'' inspired similar albums released by Smokey Robinson, Barry White and his co-producer on ''I Want You'', Leon Ware. Modern-day artists such as Teena Marie and Mary J. Blige have also referenced Marvin in their own songs. In 2004, ''Rolling Stone'' ranked him No.18 on their list of the "100 Greatest Artists of All Time".

Tributes and covers

In 1983, Spandau Ballet recorded the single "True" as a tribute to Marvin and the Motown sound he helped established. That same year, electro-funk group R. J.'s Latest Arrival mentioned him with their dance hit, "Shackles on My Feet". DeBarge's 1983 hit, "All This Love" was musically influenced by Marvin's sound and was rumored that they had wanted Marvin to record the song himself. However, Marvin had left the label before they could approach him.

On April 2, 1984, the day after Marvin's death, Duran Duran dedicated their live performance of "Save a Prayer" while on their Sing Blue Silver tour and appearing on their ''Arena'' album to him. Tribute songs to the singer included Diana Ross' "Missing You" and The Commodores' "Nightshift" became hits with each song reaching number-one on the Billboard Hot R&B; Singles chart. Other artists who have either paid tribute to Marvin in a song or referenced him have included close friend and former Motown label-mate Edwin Starr, who released "Marvin" the month after his death, Teena Marie's "My Dear Mr. Gaye", Todd Rundgren's "Lost Horizon", the Violent Femmes' 1988 single "See My Ships", Maze featuring Frankie Beverly's 1989 R&B; hit, "Silky Soul", ABC's 1987 single "When Smokey Sings" (Gaye's "What's Going On (song)" is sampled for the Miami Mix) and George Michael's "John and Elvis Are Dead" where Marvin is mentioned in one the final lines from the repeated chorus. Stevie Wonder wrote the song "Lighting Up the Candles" as a tribute to Gaye following his death and performed the song originally at Gaye's funeral service. Wonder later recorded the song for the ''Jungle Fever'' soundtrack.

In 1992, Israeli artist Izhar Ashdot dedicated his song "Eesh Hashokolad" to Gaye. Two tribute albums, 1995's ''Inner City Blues: The Music of Marvin Gaye'' (which featured Nona's version of "Inner City Blues") and 1999's ''Marvin Is 60'' featured covers of Marvin's most famous material. Since the 1960s, Marvin's songs have been covered by a variety of artists. The Rolling Stones recorded "Baby Don't You Do It" early in their career. The Band also recorded "Baby Don't You Do It" numerous times under the Order of the Black title "Don't Do It"; the different versions, both studio and live, appear on several of their albums and box sets (the only one to be released as a single came from Rock of Ages), as well as in their 1976 concert film The Last Waltz. Rod Stewart during his early tenure with Steampacket covered "Can I Get a Witness". His 1965 hit, "How Sweet It Is (To Be Loved By You)" was covered three times by Junior Walker in 1966, again in 1975 by James Taylor, and again in 2002 by gospel singer Helen Baylor. In Baylor's version she substituted the word "baby" for Jesus.

Gaye's 1968 hit "I Heard It Through the Grapevine" has been frequently covered with versions recorded by Creedence Clearwater Revival, Roger Troutman, Edwin Starr and The California Raisins. Donny Hathaway performed a live version of "What's Going On" for his 1972 ''Live'' album while Cyndi Lauper recorded a top forty version of "What's Going On" in 1987, the song was re-recorded by a variety of contemporary pop, R&B; and rap artists in 2001(again, including Nona) for AIDS benefit and was later dedicated to the events of the September 11, 2001 attacks. A few years after that, rock band A Perfect Circle covered the song in their own hard rock version. The singer's "Mercy Mercy Me (The Ecology)" was covered by rock band The Strokes which featured Eddie Vedder on lead vocals. R&B; singer Angela Winbush covered "Inner City Blues" in 1994 and was recorded in a slightly different version by Gil-Scott Heron in the 1970s. Aaliyah covered "Got to Give It Up" on her album ''One in a Million''.

Gospel–soul legends Mavis Staples and Aretha Franklin have each covered "Wholy Holy" from the ''What's Going On'' album while "Let's Get It On" was famously sampled by Shaggy on his breakthrough single, 1994's "Boombastic". Versions of "Sexual Healing" have been recorded by Soul Asylum, Ben Harper, Max-A-Million, Kate Bush, Neil Finn, Sarah Connor and Ne-Yo. Michael McDonald, Diana Ross and Amy Winehouse have all covered or redone their own versions of "Ain't No Mountain High Enough", Marvin's 1967 hit with Tammi Terrell while Luther Vandross and Cheryl Lynn reinterpreted the Marvin/Tammi single, "If This World Were Mine" in 1982. Mary J. Blige and Method Man, with permission, sampled an interpolation of "You're All I Need to Get By" for their 1995 hit, "You're All I Need/I'll Be There for You". In June 2008, D'Angelo alongside Erykah Badu recorded Gaye's hit duo with Terrell, "Your Precious Love" for his "The Best So Far"...compilation album.

On April 2, 2006, on what would have been the singer's 67th birthday, a park near the neighborhood where Marvin grew up at in Washington, D.C. was renamed after him after a discussion with the City Council. "Inner City Blues (Make Me Wanna Holler)" was covered by John Mayer in his Album ''As/Is'', released in 2004. The cover also featured DJ Logic. Elton John's song "Club at the End of the Street" also mentions Marvin Gaye. On the 25th anniversary of Marvin Gaye's death, the singer's hometown of Washington, D.C. again honored the singer by renaming a street he grew up on called "Marvin Gaye Way".

Musical achievements and posthumous releases

Gaye scored 41 Top 40 hit singles on ''Billboard'''s Pop Singles chart between 1963 and 2001, 60 Top 40 R&B; singles chart hits from 1962 to 2001, 18 Top Ten pop singles on the pop chart, 38 Top 10 singles on the R&B; chart, three number-one pop hits and thirteen number-one R&B; hits and tied with Michael Jackson in total as well as the fourth biggest artist of all-time to spend the most weeks at the number-one spot on the R&B; singles chart (52 weeks). In all, Gaye produced a total of 67 singles on the Billboard charts in total, spanning five decades, including five posthumous releases.

The year a remix of "Let's Get It On" was released to urban adult contemporary radio, "Let's Get It On" was certified gold by the RIAA for sales in excess of 500,000, making it the best-selling single on Motown in the United States. Gaye's "I Heard It Through the Grapevine" is the best-selling international Motown single, explained by a re-release in Europe following a Levi 501 Jeans commercial in 1986.

On June 19, 2007, Hip-O Records reissued Gaye's final Motown album, ''In Our Lifetime'' as an expanded two-disc edition titled ''In Our Lifetime?: The Love Man Sessions'', bringing back the original title with the question mark and included a different mix of the album, which was recorded in London and also including the original songs from the ''Love Man'' album, which were songs later edited lyrically for the songs that made the ''In Our Lifetime'' album. The same label released a deluxe edition of Gaye's ''Here, My Dear'' album, which included a re-sequencing of tracks from the album from producers such as Salaam Remi and Bootsy Collins.

His 1983 NBA All-Star performance of the national anthem was used in a Nike commercial featuring the 2008 U.S. Olympic basketball team. Also, on CBS Sports' final NBA telecast to date (before the contract moved to NBC) at the conclusion of Game 5 of the 1990 Finals, they used Gaye's 1983 All-Star Game performance over the closing credits. Most recently, it was used in the intro to Ken Burn's "Tenth Inning" documentary on the game of baseball.

In 2008, Gaye earned $3.5 million, and took 13th place in 'Top-Earning Dead Celebrities' in ''Forbes Magazine''.

"I Heard It Through the Grapevine" one of his most famous songs, voted No.1 and greatest Motown song and his "What's Going On" is on the top five.

Documentaries and movies

A documentary about Gaye – ''What's Going On: The Marvin Gaye Story'' – was a UK/PBS USA co-production, directed by Jeremy Marre and was first broadcast in 2006; two years later, the special re-aired with a different production and newer interviews after it was re-broadcast as an ''American Masters'' special. Gaye is referenced as one of the supernatural acts to appear in the short story and later television version of ''Stephen King's Nightmares and Dreamscapes'' in "You Know They Got a Hell of a Band".

A play by Caryl Phillips called ''A Long Way from Home'', focusing on Gaye's relationship with his father and his last years in Ostend, was broadcast by BBC Radio 3 in March 2008. It featured O. T. Fagbenle as Gaye and Kerry Shale as Marvin Gay Sr., with Rhea Bailey, Rachel Atkins, Damian Lynch, Alibe Parsons, Ben Onwukwe and Major Wiley. It was directed by Ned Chaillet and produced by Chris Wallis.

So far, three movies are currently being planned on Marvin's life. One movie, ''Sexual Healing'', is based on the post-Motown career of Marvin Gaye's later years with Jesse L. Martin playing Marvin and James Gandolfini playing Marvin's Belgium-based mentor, concert promoter Freddy Cousaert. Another film, simply titled, ''Marvin'', is also in plans for production with F. Gary Gray in helm to direct the film. This film, unlike ''Sexual Healing'', will focus on Marvin's entire life story because unlike ''Sexual Healing'', the second film was allowed rights to Marvin's Motown catalog. Musicians Common and Usher and actor Will Smith have either been rumored to or have aspired to play the singer possibly in the second film. A third film on Gaye is reportedly being produced by Motown with director Cameron Crowe.

Discography

Studio albums

1961: ''The Soulful Moods of Marvin Gaye''

1962: ''That Stubborn Kinda Fellow''

1964: ''When I'm Alone I Cry''

1964: ''Hello Broadway''

1965: ''How Sweet It Is to Be Loved by You''

1965: ''A Tribute to the Great Nat "King" Cole''

1966: ''Moods of Marvin Gaye''

1968: ''I Heard It Through the Grapevine''

1969: ''M.P.G.''

1970: ''That's the Way Love Is''

1971: ''What's Going On'' (#6 U.S.)

1972: ''Trouble Man''

1973: ''Let's Get It On'' (#2 U.S.)

1976: ''I Want You'' (#4 U.S.)

1978: ''Here, My Dear

1981: ''In Our Lifetime''

1982: ''Midnight Love'' (#7 U.S.; No.10 UK)

1985: ''Dream of a Lifetime'' (posthumous)

1985: ''Romantically Yours'' (posthumous)

Duet albums

1964: ''Together'' (with Mary Wells)

1966: ''Take Two'' (with Kim Weston)

1967: ''United'' (with Tammi Terrell)

1968: ''You're All I Need'' (with Tammi Terrell)

1969: ''Easy'' (with Tammi Terrell)

1973: ''Diana & Marvin'' (with Diana Ross)

U.S. and UK Top Ten singles

1963: "Pride and Joy" (US #10)

1964: "How Sweet It Is (To Be Loved By You)" (US #6)

1965: "I'll Be Doggone" (US #8)

1965: "Ain't That Peculiar" (US #8)

1967: "Your Precious Love" (US #5)

1967: "If I Could Build My Whole World Around You" (US #10)

1968: "Ain't Nothing Like the Real Thing" (US #8)

1968: "You're All I Need to Get By" (US #7)

1968: "I Heard It Through the Grapevine" (US #1; UK #1)

1969: "Too Busy Thinking About My Baby" (US #4; UK #5)

1969: "The Onion Song" (UK #9)

1969: "That's The Way Love Is" (US #7)

1970: "Abraham, Martin & John" (UK #9)

1971: "What's Going On" (US #2)

1971: "Mercy Mercy Me (The Ecology)" (US #4)

1971: "Inner City Blues (Make Me Wanna Holler)" (US #9)

1972: "Trouble Man" (US #7)

1973: "Let's Get It On" (US #1)

1974: "You Are Everything" (UK #5)

1977: "Got to Give It Up" (US #1; UK #7)

1982: "Sexual Healing" (US #3; UK #4)

1985: "Sanctified Lady" (US #2; US R&B;)

1986: "I Heard It Through the Grapevine (UK re-release)" (UK #8)

Filmography

1965: ''The T.A.M.I. Show'' (documentary)

1969: ''The Ballad of Andy Crocker'' (television movie)

1971: ''Chrome & Hot Leather'' (television movie)

1972: ''Trouble Man'' (cameo; soundtrack)

1973: ''Save the Children'' (documentary)

Videos and DVDs

''The Real Thing: In Performance (1964-1981)'' Motown/Universal 2006

"Marvin Gaye Live in Montreux 1980"

Marvin Gaye in popular culture

In advertising

During the 2008 Summer Olympics, Nike ran ads focused on the United States' Men's Basketball Team featuring Marvin Gaye's 1983 performance of "The Star-Spangled Banner" during the NBA All-Star Game. The message is: the team found inspiration in the way Marvin Gaye performed the song.

In music

Singer Teena Marie pays tribute to Marvin Gaye with her song titled "My Dear Mr. Gaye."

In 1997, R&B; singer Aaliyah did a cover to Marvin Gaye's "Got To Give It Up" which featured Slick Rick.

In the song "Hörst Du mich?" by German Hip Hop band Fettes Brot, the first verse is dedicated to Marvin Gaye.

The Commodores paid tribute to Marvin Gaye and Jackie Wilson on their hit "Nightshift" in 1985.

The Prefab Sprout song "When the angels", from their 1985 album ''Steve McQueen'', is a tribute to Marvin Gaye.

Rapper Big Sean recorded a song used on his ''Finally Famous'' album titled "Marvin Gaye & Chardonnay" featuring Kanye West.

Rapper Drake recorded "Marvin's Room" in reference to producing the song in Marvin Gaye's studio.

Onscreen

;Film

He played "Jim" in the 1971 biker film ''Chrome and Hot Leather'', which also featured Larry Bishop.

;Television

In ''The Sopranos'' season 6, episode 1 ("Members Only"), Uncle Junior shoots Tony Soprano and Vito Spatafore later remarks: "He Marvin Gaye'd his own nephew”.

On ''The Tavis Smiley Show'' episode that aired November 15, 2004, Rapper Nas says, "So it's like Marvin Gaye".

In poetry

On multi-genre performer B. Dolan's 2010 album, ''Fallen House Sunken City'' (Strange Famous Records), "Marvin" is a poem about the last days of Marvin Gaye.

References

Further reading

Davis, Sharon (1991). ''Marvin Gaye: I Heard It Through The Grapevine''. Great Britain: Bookmarque Ltd, Croydon, Surrey. ISBN 1-84018-320-9

Dyson, Michael Eric (2004). ''Mercy, Mercy Me: The Art, Loves, and Demons of Marvin Gaye''. New York/Philadelphia: Basic Civitas. ISBN 0-465-01769-X.

Gambaccini, Paul (1987). ''The Top 100 Rock 'n' Roll Albums of All Time''. New York: Harmony Books.

Gaye, Frankie with Basten, Fred E. (2003). ''Marvin Gaye: My Brother''. Backbeat Books, ISBN 0-87930-742-0

Heron, W. Kim (April 8, 1984). ''Marvin Gaye: A Life Marked by Complexity''. Detroit Free Press.

Posner, Gerald (2002). ''Motown : Music, Money, Sex, and Power''. New York: Random House. ISBN 0-375-50062-6.

Ritz, David (1986). ''Divided Soul: The Life of Marvin Gaye''. Cambridge, Mass: Da Capo Press. ISBN 0-306-81191-X

Turner, Steve (1998). ''Trouble Man: The Life and Death of Marvin Gaye''. London: Michael Joseph. ISBN 0-7181-4112-1

White, Adam (1985). ''The Motown Story''. London: Orbis. ISBN 0-85613-626-3

External links

Marvin Gaye Biography

Marvin Gaye Life & Legacy

Additional archives

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