Plot
Ten years ago some of the worst atrocities in the history of mankind took place in the country of Rwanda--and in an era of high-speed communication and round the clock news, the events went almost unnoticed by the rest of the world. In only three months, one million people were brutally murdered. In the face of these unspeakable actions, inspired by his love for his family, an ordinary man summons extraordinary courage to save the lives of over a thousand helpless refugees, by granting them shelter in the hotel he manages.
Keywords: refugee, hotel, love, atrocity, tutsi, rwanda, militia, hutu, hotel-manager, fire
A true story of a man who fought impossible odds to save everyone he could and created a place where hope survived.
When a country descended into madness and the world turned its back, one man had to make a choice
When the world closed its eyes, he opened his arms.
[first lines]::George Rutaganda: [voiceover] When people ask me, good listeners, why do I hate all the Tutsi, I say, "Read our history." The Tutsi were collaborators for the Belgian colonists, they stole our Hutu land, they whipped us. Now they have come back, these Tutsi rebels. They are cockroaches. They are murderers. Rwanda is our Hutu land. We are the majority. They are a minority of traitors and invaders. We will squash the infestation. We will wipe out the RPF rebels. This is RTLM, Hutu power radio. Stay alert. Watch your neighbours.
Dube: Aah, that is a fine cigar, sir!::Paul Rusesabagina: This is a Cohiba cigar. Each one is worth 10,000 francs.::Dube: 10,000 francs?::Paul Rusesabagina: Yes, yes. But it is worth more to me than 10,000 francs.::Dube: What do you mean, sir?::Paul Rusesabagina: If I give a businessman 10,000 francs, what does that matter to him? He is rich. But, if I give him a Cohiba cigar straight from Havana, Cuba. Hey, that is style, Dube.::Dube: [smiles] Style!
Colonel Oliver: We're here as peace keepers, not peace makers.
Jack: [after Paul thanks him for shooting footage of the genocide] I think if people see this footage, they'll say Oh, my God, that's horrible. And then they'll go on eating their dinners.
Paul Rusesabagina: I am glad that you have shot this footage and that the world will see it. It is the only way we have a chance that people might intervene.::Jack: Yeah and if no one intervenes, is it still a good thing to show?::Paul Rusesabagina: How can they not intervene when they witness such atrocities?::Jack: I think if people see this footage they'll say, "oh my God that's horrible," and then go on eating their dinners. [pause] What the hell do I know?
Colonel Oliver: [explaining why the world will not intervene] You're black. You're not even a nigger. You're an African.
Paul Rusesabagina: There will be no rescue, no intervention for us. We can only save ourselves. Many of you know influential people abroad, you must call these people. You must tell them what will happen to us... say goodbye. But when you say goodbye, say it as if you are reaching through the phone and holding their hand. Let them know that if they let go of that hand, you will die. We must shame them into sending help.
Pat Archer: [relating the last words of the orphan slain by the Hutus] Please don't let them kill me. I... I promise I won't be Tutsi anymore.
[last lines]::Pat Archer: [walking with family towards bus] They said that there wasn't any room.::Paul Rusesabagina: There's always room.
Colonel Oliver: [after telling Paul the West thinks his people are dirt] They're not going to stay, Paul. They're not going to stop the slaughter.
name | Hotel Rwanda |
---|---|
director | Terry George |
producer | Terry George |
writer | Keir PearsonTerry George |
starring | Don CheadleSophie OkonedoJoaquin PhoenixNick NolteJean Reno |
music | Afro Celt Sound SystemRupert Gregson-WilliamsAndrea Guerra |
cinematography | Robert Fraisse |
editing | Naomi Geraghty |
studio | Lions Gate EntertainmentUnited Artists |
distributor | United ArtistsMGM Home Entertainment |
released | |
runtime | 121 minutes |
country | United States |
language | EnglishFrench |
budget | $17,500,000 |
gross | $33,882,243 }} |
Hotel Rwanda is a 2004 American drama film directed by Terry George. It was adapted from a screenplay written by both George and Keir Pearson. Based on real life events in 1994 Rwanda, the film stars Don Cheadle as hotelier Paul Rusesabagina, who attempts to save his fellow citizens from the ravages of the Rwandan Genocide. Veteran actors Joaquin Phoenix, Nick Nolte and Jean Reno also star in principal roles. The film, which has been called an African Schindler's List, documents Rusesabagina's acts to save the lives of his family and more than a thousand other refugees, by granting them shelter in the besieged Hôtel des Mille Collines. Hotel Rwanda explores genocide, political corruption, and the repercussions of violence.
The film was a co-production between the motion picture studios of United Artists and Lions Gate Films. It was commercially distributed by United Artists theatrically, and by MGM Home Entertainment for home media. As an independent film, it had an initial limited release in theaters, but was nominated for multiple awards, including Academy Award nominations for Best Actor, Best Supporting Actress, and Best Original Screenplay. The film also won a number of awards including those from the Berlin and Toronto International Film Festivals. On January 11, 2005, the Original Motion Picture Soundtrack was released by the Commotion label. It features songs written by several recording artists including Wyclef Jean and Deborah Cox. The film score was composed by Rupert Gregson-Williams, Andrea Guerra and the Afro Celt Sound System.
Hotel Rwanda premiered in theaters in limited release in the United States on December 22, 2004 and in wide release on February 4, 2005 grossing $23,530,892 in domestic ticket sales. It earned an additional $10,351,351 in business through international release to top out at a combined $33,882,243 in gross revenue. The film was technically considered a moderate financial success after its theatrical run, and was generally met with positive critical reviews before its initial screening in cinemas. The widescreen DVD edition of the film featuring the director's audio commentary among others, was released in the United States on April 12, 2005.
As the political situation in the country worsens, Paul and his family observe neighbors being killed in ethnic violence. Paul curries favor with people of influence, bribing them with money and alcohol, seeking to maintain sufficient influence to keep his family safe. When civil war erupts and a Rwandan Army officer threatens Paul and his neighbors, Paul barely negotiates their safety, and brings everyone to the hotel. More refugees come to the hotel from the overburdened United Nations camp, the Red Cross, and orphanages. Paul must divert the Hutu soldiers, care for the refugees, be a source of strength to his family, and maintain the appearance of a functioning high-class hotel, as the situation becomes more violent.
The UN Peacekeeping forces, led by Canadian Colonel Oliver (Nick Nolte), are unable to take assertive action against the Interahamwe since they are forbidden to intervene in the genocide. The foreign nationals are evacuated, but the Rwandans are left behind. When the UN forces attempt to evacuate a group of refugees, including Paul's family, they are ambushed and must turn back. In a last-ditch effort to save the refugees, Paul pleads with the Rwandan Army General, Augustin Bizimungu (Fana Mokoena) for assistance. However, when Paul's bribes no longer work, he blackmails the General with threats of being tried as a war criminal. Soon after, the family and the hotel refugees are finally able to leave the besieged hotel in a UN convoy. They travel through retreating masses of refugees and militia to reach safety behind Tutsi rebel lines.
The film's epilogue displays a series of graphics stating that Rusesabagina saved 1,268 Rwandan refugees at the Hôtel des Mille Collines, and now lives in Belgium with his family. It also notes that Rutaganda and General Bizimungu were tried and convicted by the UN for war crimes in 2002, as almost a million people died by the time the genocide ended in July 1994.
On April 6, 1994, a plane carrying President Habyarimana, a Hutu, was shot down. Following that incident, the genocide began. Hutu extremists belonging to the Interahamwe militia, launched plans to destroy the entire Tutsi civilian population. Tutsi and people suspected of being Tutsi were killed in their homes and as they tried to flee the country. It is estimated that some 200,000 people participated in the perpetration of the Rwandan genocide.
Hotelier Paul Rusesabagina of the Belgian owned luxury Hôtel des Mille Collines, used his power and influence to personally save both Tutsi and moderate Hutu refugees. Rusesabagina regularly bribed Rwandan Hutu soldiers and kept militias outside the hotel's property during the hundred days of killing. Following the carnage, Rusesabagina survived along with his wife and three children, as well as most of the refugees he sheltered. Sharing his thoughts about the lack of international intervention during the crisis, director George commented, "It's simple, ... African lives are not seen as valuable as the lives of Europeans or Americans." Attempting to share the horrors of the genocide, George sought to bring the story of Rusesabagina portrayed as a humanitarian during the relentless acts of violence.
The producers of the film partnered with the United Nations Foundation to create the International Fund for Rwanda, which supported United Nations Development Programme initiatives assisting Rwandan survivors. “The goal of the film is not only to engage audiences in this story of genocide but also to inspire them to help redress the terrible devastation,” said director Terry George.
name | Hotel Rwanda: Music From The Film |
---|---|
type | Film score |
artist | Afro Celt Sound System and Rupert Gregson-Williams |
cover | Hotel Rwanda Soundtrack.jpg |
released | 1/11/2005 |
length | 49:25 |
label | Commotion |
reviews | }} |
{|class="toccolours" style="float: right; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#FFFFE0; color:black; width:40em; max-width: 35%;" cellspacing="5" |style="text-align: left;"|"With a PG-13 rating designed to get more viewers in the door, 'Hotel Rwanda' is surprisingly unbloody — we see more bodies than killings — and that robs the movie of an impact it could use. George makes his points with blunt force nevertheless." |- |style="text-align: left;"|—Ty Burr, writing in The Boston Globe |} Michael Rechtshaffen, writing in The Hollywood Reporter, said actor "Cheadle impressively carries the entire picture, delivering the kind of note-perfect performance that's absolutely deserving of Oscar consideration." Roger Ebert in the Chicago Sun-Times called it a "riveting drama" while exclaiming, "The film works not because the screen is filled with meaningless special effects, formless action and vast digital armies, but because Cheadle, Nolte and the filmmakers are interested in how two men choose to function in an impossible situation. Because we sympathize with these men, we are moved by the film." In the San Francisco Chronicle, Mick LaSalle wrote that the film was a "harrowing experience", and that "it documents for a mass audience what it was like. It's useful, in that it shows how it can happen. It's even hopeful, in that it shows that it's possible — not guaranteed, but possible — for people to maintain their humanity in the face of unhinged barbarism." Claudia Puig of USA Today, said the film was "one of the year's most moving and powerful films, anchored by a magnificent performance by Don Cheadle." She declared: "Hotel Rwanda emerges as an African version of Schindler's List." The film however, was not without its detractors. Dave Sterrit of The Christian Science Monitor, felt that although the subject matter was crucially important, he commented that "the movie dilutes its impact with by-the-numbers filmmaking, and Cheadle's one-note performance displays few of his acting gifts." Left equally unimpressed was Lisa Schwarzbaum of Entertainment Weekly. Commenting on the character significance of the U.N. personnel, she said it was "a bad day for narrative, if not for diplomacy, when there is only one 3-D character among the entire U.N. lot, clad in their blue helmets, and that role is rasped by Nick Nolte with moral remorse rather than his more usual hint of dissolution." In her overall summation, she wrote "Hotel Rwanda is a strange history lesson that leaves us more overlectured than properly overwhelmed." Michael Atkinson of The Village Voice, added to the negativity by saying the film was "told to us secondhand, or glimpsed in distant scuffles" and "Like the majority of movies about the last century of holocausts, Hotel Rwanda is as earnest and tasteful as its creators. To capture the white-hot terror of social calamity, someone a little more lawless and fierce might be called for."
Writing for The New York Times, Stephen Holden said the film was "a political thriller based on fact that hammers every button on the emotional console." He commended how the film "offers a devastating picture of media-driven mass murder left unchecked" while also praising "Mr. Cheadle's magnificent, understated portrayal". James Berardinelli writing for ReelViews, called the film "powerful" and noted that it didn't "pull as many punches as its detractors would have us believe." Berardinelli also said the film was "brutal and shocking when it needs to be, but it also has great emotional scope and power. We find ourselves enmeshed in Paul's struggle, sharing his despair at the warfare tearing apart his country, his frustration and anger at the U.N.'s inability to act, and, eventually, his hope for a better tomorrow." Describing some pitfalls, Jeff Vice of the Deseret News said the "decision by the filmmakers to show things from that limited viewpoint — to show how isolated and fearful the characters were of the chaos going on around them — the film feels a little dishonest and diminished. It's never quite as effective as "The Killing Fields" or "Schindler's List" in that the film's overall impact is not as great and it doesn't linger in the memory." Vice however was quick to admit "Hotel Rwanda does have its share of powerful moments; in particular, a scene in which Paul and another hotel employee unknowingly — due to fog — drive into a mass grave." He also expressed satisfaction with the acting saying, "Cheadle brings a needed intensity to the film; his character's fear and compassion are quite vivid. Nolte is also good in his limited screen time, as is Joaquin Phoenix, who plays a news cameraman."
Eleanor R. Gillespie of The Atlanta Journal-Constitution, stated that Hotel Rwanda was an "unforgettable film" as well as being "a doubly unforgettable performance by Don Cheadle." Although mentioning "The parallels with Steven Spielberg's Schindler's List are obvious", she praised individual cinematic elements that made the film unique, such as "the revelation of a dark, bumpy road paved with thousands of corpses. Or in a little girl's heartwrenching plea, 'Please don't let them kill me. I promise I won't be Tutsi anymore'." She concluded her review with Cheadle's noteworthy performance, saying he gave "one of the best performances (if not the best) of last year — an Oscar-worthy portrait of a man who kept his head clear and his humanity intact in the midst of a man-made hell." Similarly, David Ansen wrote in Newsweek that "two performances carry the film. Cheadle, in his richest role since "Devil in a Blue Dress", burrows deep inside this complex man, who discovers in himself a strength he never knew he possessed, as he faces the disillusionment of all the "civilized" notions he believes in. As his strong, committed wife, Tatiana, Sophie Okonedo, barely resembling the saucy hooker she played in "Dirty Pretty Things", is a revelation." However, in the Arizona Daily Star, Phil Villarreal was not moved by the lead acting of Cheadle or Nolte. He thought the characters were "cardboardish" and went further saying the "uplifting moments of rescue seem antiseptic and set up." Critic Leonard Maltin though, wrote that Hotel Rwanda was a "Powerful film" which he thought avoided being "overly didactic by focusing on one compelling character, believably brought to life by Cheadle."
{|class="wikitable" border="1" |- ! Award ! Category ! Nominee ! Result |- |rowspan=3|77th Academy Awards |Best Actor |Don Cheadle | |- |Best Supporting Actress |Sophie Okonedo | |- |Best Original Screenplay |Keir Pearson, Terry George | |- |2005 Berlin International Film Festival |In Competition |align="center" |———— | |- |rowspan=2|Black Reel Awards of 2005 |Best Actor in a Drama |Don Cheadle | |- |Best Actress in a Drama |Sophie Okonedo | |- ||59th British Academy Film Awards |Best Original Screenplay |Keir Pearson, Terry George | |- |rowspan=2|Broadcast Film Critics Association Awards 2004 |Best Picture |align="center" |———— | |- |Best Actor |Don Cheadle | |- |rowspan=3|62nd Golden Globe Awards |Best Picture - Drama |align="center" |———— | |- |Best Actor - Drama |Don Cheadle | |- |Best Original Song |Jerry Duplessis, Andrea Guerra, Wyclef Jean | |- |rowspan=3|London Film Critics Circle Awards 2005 |Best British Director |Terry George | |- |Best Actor |Don Cheadle | |- |Best British Supporting Actress |Sophie Okonedo | |- |2004 National Board of Review of Motion Pictures Awards |Best Picture |align="center" |———— | |- |Online Film Critics Society Awards 2004 |Best Actor |Don Cheadle | |- |Producers Guild of America Awards 2004 |Stanley Kramer Award |align="center" |———— | |- |Golden Satellite Awards 2004 |Best Actor – Motion Picture Drama |Don Cheadle | |- |rowspan=3|11th Screen Actors Guild Awards |Best Ensemble Acting |align="center" |———— | |- |Best Actor |Don Cheadle | |- |Best Supporting Actress |Sophie Okonedo | |- |2004 Toronto International Film Festival |People's Choice Award |align="center" |———— | |- |Writers Guild of America Awards 2004 |Best Original Screenplay |Keir Pearson, Terry George | |- |}
Six years after its release in theaters, the film continues to see popularity in the video rental market. According to Netflix, the film still ranks in its top 100 video release chart.
;Further reading
Category:2004 films Category:Epic films Category:American films Category:English-language films Category:American drama films Category:2000s drama films Category:Films based on actual events Category:Films set in Rwanda Category:French-language films Category:Lions Gate Entertainment films Category:Rwandan Genocide media Category:United Artists films Category:Films directed by Terry George Category:Films set in 1994
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