Tony Watson
Pittsburgh Pirates – No. 44
Pitcher
Born: May 30, 1985 Sioux City, Iowa
Bats: Left	Throws: Left
MLB debut
June 8, 2011 for the Pittsburgh Pirates
Career statistics (through May 16, 2012)
Win-Loss	5-2
Earned run average	3.95
Strikeouts	47
Teams
Pittsburgh Pirates (2011–present)

Anthony M. Watson (born May 30, 1985 in Sioux City, Iowa, USA) is a left-handed relief pitcher currently on the Pittsburgh Pirates active roster.

Prior to playing professionally, Watson attended Dallas Center Grimes High School in Grimes, Iowa and then University of Nebraska, where he pitched from 2005 to 2007. In 2005, he went 6-1 with a 2.82 ERA in 23 games (five starts), in 2006 he went 10-2 with a 2.78 ERA in 17 games (15 starts) and in 2007 he went 6-4 with a 4.09 ERA in 15 starts. He was then drafted by the Pirates in the ninth round of the 2007 draft and began his professional career that season.

He split 2007 between the State College Spikes and Hickory Crawdads, going a combined 7-2 with a 2.79 ERA in 13 starts. In 2008, he went 8-12 with a 3.56 ERA in 28 starts for the Lynchburg Hillcats and in 2009 he went 0-3 with an 8.22 ERA in five starst for the Altoona Curve. He went 6-4 with a 2.67 ERA in 34 games (nine starts) with the Curve in 2010.^[1]

On June 7, 2011, Watson was called up to the majors for the first time. José Ascanio was designated for assignment to make room.^[2]

References[link]

External links[link]

Baseball portal

• Career statistics and player information from MLB, or Baseball-Reference

Doc Watson
Doc Watson at Sugar Grove Music Festival in 2009
Background information
Birth name	Arthel Lane Watson
Also known as	Doc Watson
Born	(1923-03-03)March 3, 1923 Deep Gap, North Carolina
Died	May 29, 2012(2012-05-29) (aged 89) Winston-Salem, North Carolina
Genres	Blues, bluegrass, country, folk, gospel
Occupations	Musician, singer-songwriter
Instruments	Vocals, guitar, banjo, harmonica
Labels	Folkways, Vanguard, United Artists, Flying Fish, Sugar Hill

Arthel Lane "Doc" Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter and singer of bluegrass, folk, country, blues and gospel music. Watson won seven Grammy awards as well as a Grammy Lifetime Achievement Award. Watson's flatpicking skills and knowledge of traditional American music are highly regarded. He performed with his son Merle for over 15 years until Merle's death in 1985, in an accident on the family farm.^[1][2][3]

Biography[link]

Early life[link]

Watson was born in Deep Gap, North Carolina. According to Watson on his three-CD biographical recording Legacy, he got the nickname "Doc" during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname. A fan in the crowd shouted "Call him Doc!" presumably in reference to the literary character Sherlock Holmes's sidekick Doctor Watson. The name stuck ever since.^[4]

An eye infection caused Doc Watson to lose his vision before his first birthday. Despite this, he was taught by his parents to work hard and care for himself. He attended North Carolina's school for the visually impaired, The Governor Morehead School, in Raleigh, North Carolina.^[5]

In a 1989 radio interview with host Terry Gross on the Fresh Air show of National Public Radio (NPR), Watson explains how he got his first guitar. His father told him that if he and his brother (David Watson) chopped down all the small, dead, chestnut trees along the edge of their field, he could sell the wood to the tannery and make money. The brothers did the work and Watson bought a $10 Stella guitar from Sears Roebuck while his brother bought a new suit.^[6] Later in that same interview, Watson explained that his first high quality guitar was a Martin Guitar D-18.^[7]

Watson's earliest influences were the roots of country, including the Carter Family and Jimmy Rodgers. The first song he learned to play on the guitar was "When Roses Bloom in Dixieland", first recorded by the Carter Family in 1930. Watson stated in an interview with American Songwriter that, "Jimmy Rodgers was the first man that I started to claim as my favorite."^[8] Watson proved to be a natural musical talent and within months was performing on local street corners playing songs from the Delmore Brothers, Louvin Brothers, and Monroe Brothers alongside his brother Linny. By the time Watson reached adulthood, he had become a proficient acoustic and electric guitar player.^[9]

Career[link]

In 1953, Watson joined the Johnson City, Tennessee-based Jack Williams' country and western swing band on electric guitar. The band seldom had a fiddle player, but was often asked to play at square dances. Following the example of country guitarists Grady Martin and Hank Garland, Watson taught himself to play fiddle tunes on his Les Paul electric guitar. He later transferred the technique to acoustic guitar, and playing fiddle tunes became part of his signature sound.^[1][10] During his time with Jack Williams, Doc also supported his family as a piano tuner.

In 1960, as the American folk music revival grew, Watson took the advice of folk musicologist Ralph Rinzler and began playing acoustic guitar and banjo exclusively.^[5] That move ignited Watson's career when he played on his first recording, Old Time Music at Clarence Ashley's. Also of pivotal importance for his career was his February 11, 1961 appearance at P.S. 41 in Greenwich Village.^[11] He subsequently began to tour as a solo performer and appeared at universities and clubs like the Ash Grove in Los Angeles. Watson would eventually get his big break and rave reviews for his performance at the renowned Newport Folk Festival in Newport, Rhode Island in 1963. Watson recorded his first solo album in 1964 and began performing with his son Merle the same year.

After the folk revival waned during the late 1960s, Watson's career was sustained by his performance of "Tennessee Stud" on the 1972 live album recording Will the Circle Be Unbroken. As popular as ever, Doc and Merle began playing as a trio, with T. Michael Coleman on bass guitar, in 1974. The trio toured the globe during the late seventies and early eighties, recorded nearly fifteen albums between 1973 and 1985, and brought Doc and Merle’s unique blend of acoustic music to millions of new fans. In 1985, Merle died in a tractor accident.^[10]

Doc Watson sculpture on the corner of King and Depot Streets in Boone, North Carolina. The plaque on the bench reads "Just one of the People".

Watson played guitar in both flatpicking and fingerpicking style, but is best known for his flatpick work. His guitar playing skills, combined with his authenticity as a mountain musician, made him a highly influential figure during the folk music revival. Watson pioneered a fast and flashy bluegrass, lead guitar style including fiddle tunes and crosspicking techniques which were adopted and extended by Clarence White, Tony Rice and many others. Watson was also an accomplished banjo player and sometimes accompanied himself on harmonica as well. Known also for his distinctive and rich baritone voice, Watson over the years developed a vast repertoire of mountain ballads, which he learned via the oral tradition of his home area in Deep Gap, North Carolina. His affable manner, humble nature and delightful wit endeared him to his fans nearly as much as his musical talent.

Watson played a Martin model D-18 guitar on his earliest recordings. In 1968, Watson began a relationship with Gallagher Guitars when he started playing their G-50 model. His first Gallagher, which Watson refers to as "Old Hoss", is on display at the Country Music Hall of Fame in Nashville, Tennessee. In 1974, Gallagher created a customized G-50 line to meet Watson's preferred specifications, which bears the Doc Watson name. In 1991, Gallagher customized a personal cutaway guitar for Watson that he played until his death and which he referred to as "Donald" in honor of Gallagher guitar's second generation proprietor and builder, Don Gallagher. ^[12] For the last few years, Doc had been playing a Dana Bourgeois dreadnought given to him by Ricky Skaggs for his 80th birthday.

In 1986, Watson received the North Carolina Award and in 1994 he received a North Carolina Folk Heritage Award. Also in 1994, Watson teamed up with musicians Randy Scruggs and Earl Scruggs to contribute the classic song "Keep on the Sunny Side" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.

Later life[link]

In 2000, Watson was inducted into the International Bluegrass Music Hall of Honor in Owensboro, Kentucky. In 1997, Watson received the National Medal of Arts from U.S. president Bill Clinton.^[13] In 2010, he was awarded an honorary doctor of music degree from Berklee College of Music in Boston, Massachusetts.^[14]

In his later life, Watson scaled back his touring schedule. Watson was generally joined onstage by his grandson (Merle's son) Richard, as well as longtime musical partners David Holt or Jack Lawrence. On one occasion, Watson was accompanied by Australian guitar player Tommy Emmanuel at a concert at the Bass Performance Hall in Fort Worth, Texas. Watson also performed, accompanied by Holt and Richard, at the Hardly Strictly Bluegrass festival in San Francisco, California in 2009, as he had done in several previous years.

Watson hosted the annual MerleFest music festival held every April at Wilkes Community College in Wilkesboro, North Carolina. The festival features a vast array of acoustic style music focusing on the folk, bluegrass, blues and old-time music genres. It was named in honor of Merle Watson and is one of the most popular acoustic music festivals in the world, drawing over 70,000 music fans each year.^[15]

In 2010, Blooming Twig Books published "Blind But Now I See" by Dr. Kent Gustavson, the first comprehensive biography of the seminal flatpicking guitarist.

Personal life[link]

In 1947, Doc married Rosa Lee Carlton, the daughter of popular fiddle player Gaither Carlton. Watson and Rosa Lee had two children — Eddy Merle (named after country music legends Eddy Arnold and Merle Travis) in 1949 and Nancy Ellen in 1951.^[5]

In late May 2012, Watson was listed in critical condition but was responsive at Wake Forest Baptist Medical Center in Winston-Salem, North Carolina, after undergoing colon surgery.^[16] Watson fell at his home earlier in the week, after which he was sent to Watauga Medical Center in nearby Boone, NC. Watson was not seriously injured in the fall, but an underlying medical condition prompted the surgery which required him to be airlifted to Winston-Salem.^[17] Watson died on May 29, 2012 at Wake Forest Baptist at the age of 89.^[18]

Discography[link]

Awards & honors[link]

Grammy awards[link]

• 1973 Best Ethnic Or Traditional Recording (Including Traditional Blues): Doc Watson for Then And Now
• 1974 Best Ethnic Or Traditional Recording: Merle Watson & Doc Watson for Two Days In November
• 1979 Best Country Instrumental Performance: Doc Watson & Merle Watson for Big Sandy/Leather Britches
• 1986 Best Traditional Folk Recording: Doc Watson for Riding The Midnight Train
• 1990 Best Traditional Folk Recording: Doc Watson for On Praying Ground
• 2002 Best Traditional Folk Album: Doc Watson & David Holt for Legacy
• 2004 Lifetime Achievement Award
• 2006 Best Country Instrumental Performance: Bryan Sutton & Doc Watson for Whiskey Before Breakfast track from Not Too Far From The Tree by Bryan Sutton

References[link]

External links[link]

• Doc's Guitar : A site dedicated to the guitar and music of Doc Watson
• Podcast of Doc Watson and Jack Lawrence performing live at the 1996 Florida Folk Festival from the Florida Folklife Collection (made available for public use by the State Archives of Florida)
• Live 1977 recording of "The Cuckoo Bird" by Doc and Merle Watson from the Florida Folklife Collection (made available for public use by the State Archives of Florida)
• Live 1996 recording of "Shady Grove" by Doc and Jack Lawrence from the Florida Folklife Collection (made available for public use by the State Archives of Florida)
• MerleFest
  • MerleFest official website
  • "Doc's orders: No heavy metal at MerleFest" 2007 article in the Hook weekly
• National Public Radio
  • Guitarist Arthel 'Doc' Watson Interview on NPR's Fresh Air
  • Morning Edition's Bob Edwards interview Doc Watson from 1985
  • Morning Edition's Bob Edwards interview Doc Watson from 1989
• Prairie Home Companion
  • Doc Watson & Taj Mahal August 9, 1986 (db.etree.org)
  • October 23, 1999
  • February 14, 2004

Article on Doc Watson and other western NC guitar players [2]

This article is for the guitarist. For the former football player see Tony Rice (American football).

Tony Rice
Background information
Born	(1951-06-08) June 8, 1951 (age 61) in Danville, Virginia
Genres	Americana, Bluegrass, Folk
Occupations	Musician, songwriter
Instruments	Guitar
Years active	1970–present
Labels	Rounder
Website	Official website
Notable instruments
1935 Martin D-28 (previously owned by Clarence White)[1] Santa Cruz Tony Rice Professional

Tony Rice (born David Anthony Rice, June 8, 1951, Danville, Virginia) is an American acoustic guitarist and bluegrass musician. He is considered one of the most influential acoustic guitar players in bluegrass, progressive bluegrass, newgrass and acoustic jazz.^[2][3]

Rice spans the range of acoustic music, from traditional bluegrass to jazz-influenced New Acoustic music, to songwriter-oriented folk. Over the course of his career, he has played alongside J. D. Crowe and the New South, David Grisman (during the formation of “Dawg Music”) and Jerry Garcia, led his own Tony Rice Unit, collaborated with Norman Blake, recorded with his brothers Wyatt, Ron and Larry and co-founded the Bluegrass Album Band. He has recorded with drums, piano, soprano sax, as well as with traditional bluegrass instrumentation. ^[4][5]

Early years[link]

Rice was born in Danville, Virginia but grew up in Los Angeles, California, where he was introduced to bluegrass by his father, a semi-professional musician named Herb Rice. Tony and his brothers learned the fundamentals of bluegrass and country music from hot L.A. pickers like the Kentucky Colonels, led by Roland and Clarence White. Clarence White in particular became a huge influence on Tony Rice. Crossing paths with fellow enthusiasts like Ry Cooder, Herb Pedersen and Chris Hillman reinforced the strength of the music he had learned from his father.^[6]

In 1970, Rice had moved to Louisville, Kentucky where he played with the Bluegrass Alliance, and shortly thereafter, J.D. Crowe's New South. The New South was known as one of the best and most progressive bluegrass groups - eventually adding drums and electric instruments (to Rice's displeasure). But when Ricky Skaggs joined up in 1974, the band recorded "J. D. Crowe & the New South", an acoustic album that became Rounder’s top-seller up to that time. At this point, the group consisted of Rice on guitar and lead vocals, Crowe on banjo and vocals, Jerry Douglas on Dobro, Skaggs on fiddle, mandolin, and tenor vocals, and Bobby Slone on bass and fiddle.

David Grisman Quintet[link]

Around this time, Rice met mandolinist David Grisman, who played with Red Allen during the '60s and was now working on some original material that blended jazz, bluegrass and classical styles. Rice left the New South and moved to California to join Grisman’s all-instrumental group. As part of the David Grisman Quintet, Rice expanded his musical horizons beyond three chord bluegrass, studying chord theory, learning to read charts and expanding the range of his playing. Renowned guitarist John Carlini was brought in to teach Rice music theory, and Carlini helped him learn the intricacies of jazz playing and musical improvisation in general. The David Grisman Quintet's 1977 debut recording is considered a landmark of acoustic string band music.

RockyGrass 2005

Solo career and Bluegrass Album Band[link]

In 1979, Rice left Grisman's group to pursue his own brand of music. He recorded "Acoustics", a jazz-inspired acoustic record, and then Manzanita,^[7] a collection of vocals and instrumentals, mostly in the bluegrass, but also folk style. This album doesn't include the five-string banjo. In 1980, Rice, Crowe, Bobby Hicks, Doyle Lawson and Todd Phillips formed a highly successful coalition, attacking bluegrass standards under the name the Bluegrass Album Band. This group recorded six volumes of music from 1980 to 1996.

Rice’s solo career hit its stride with "Cold on the Shoulder", a collection of bluegrass-inspired vocals. With this album, "Native American" and "Me & My Guitar", Rice arrived at a formula that incorporated his disparate influences, combining bluegrass, the songwriting of folk artists like Ian Tyson, Joni Mitchell, Phil Ochs, Tom Paxton, Bob Dylan and especially Gordon Lightfoot, with nimble, jazz-inflected guitar work. Simultaneously, he pursued his jazz-infused, experimental “spacegrass” with the Tony Rice Unit on the albums "Mar West", "Still Inside", and "Backwaters".

Collaborations[link]

In 1980 he recorded an album of bluegrass duets with Ricky Skaggs, called Skaggs & Rice. Two highly regarded albums with traditional instrumentalist and songwriter Norman Blake garnered a great deal of acclaim, as well as two Rice Brothers albums (1992 and 1994) that featured him teamed with his late elder brother, Larry and younger brothers, Wyatt and Ronnie. In 1993 he joined David Grisman and Jerry Garcia, to record The Pizza Tapes. Year after, Rice and Grisman recorded Tone Poems, an original collection of material, where they used historical vintage mandolins and guitars, different for each track. In 1995, Rice recorded folk album featuring just two guitars with John Carlini, who also worked for David Grisman Quintet. In 1997, Tony, his brother Larry, Chris Hillman (founder of Byrds) and banjoist Herb Pedersen, founded so-called "anti-supergroup" Rice, Rice, Hillman & Pedersen ^[8] and produced three volumes of music between 1997 and 2001.

Tony Rice today[link]

Tony Rice (right) performing with Peter Rowan at the Kent Stage in Kent, Ohio, November 2008

Since the early nineties, Rice's singing voice has silenced due to dysphonia, but he remains one of new acoustic music's top instrumentalists, bringing originality and vitality to everything he plays.^[9] He has often collaborated with Peter Rowan and they have recorded two CDs for Rounder Records: "You Were There For Me," released 2004, and "Quartet," released in 2007. For the second recording, Rice and Rowan were joined by Bryn Bright on vocals/bass and Sharon Gilchrist on vocals/mandolin.^[10] 2007 saw Tony team up with Alison Krauss and Union Station for a string of spring concerts, drawing material from Rice's 35-year career. Krauss always has cited Rice as being her prime musical influence.^[11] Rice resides in Reidsville, North Carolina.

Publications[link]

The authorized biography of Tony Rice, titled "Still Inside: The Tony Rice Story," has been completed by Tim Stafford (a member of award-winning bluegrass ensemble Blue Highway) and Hawai`i journalist Caroline Wright, and was published by Word Of Mouth Press in Kingsport, TN, USA in 2010. The book's official release took place at Merlefest in North Carolina, USA.^[12][13]

Discography[link]

Awards[link]

Grammy Awards[link]

• Best Country Instrumental Performance - The New South, Fireball - 1983

IBMA (International Bluegrass Music Association) Awards[link]

• Instrumental Performer of the Year - Guitar - 1990, 1991, 1994, 1996, 1997, 2007
• Instrumental Group of the Year - The Tony Rice Unit - 1991, 1995
• Instrumental Group of the Year - The Bluegrass Album Band - 1990
• Instrumental Album of the Year - Bluegrass Instrumentals, Volume 6 (Rounder) ; The Bluegrass Album Band - 1997

References[link]

External links[link]

• Official site
• http://www.classicwebs.com/bg_allia.htm
• 1998 Flatpicking Guitar Magazine Article
• Tony Rice on YouTube
  • Manzanita
  • Ten Degrees and Getting Colder
  • Church Street Blues
  • Cold on the Shoulder
  • Shenandonah
  • Freeborn Man
  • Where the Soul of Man Never Dies (duet with Ricky Skaggs)
  • Tipper
  • Blue Railroad Train
  • Old Home Place
  • Nine Pound Hammer
  • Little Sadie

v t e Bluegrass music Typical instruments Acoustic guitar · Banjo · Dobro · Fiddle · Mandolin · Upright bass Stylistic origins Blues · Country music · Folk music · Old-time music Sub- and fusion genres Traditional bluegrass · Progressive bluegrass · Bluegrass gospel · Czech bluegrass Notable festivals Bill Monroe's Bean Blossom Festival · California Bluegrass Association Father's Day Bluegrass Festival · Delfest · Grey Fox Bluegrass Festival · High Sierra Music Festival · Kentucky Festival of the Bluegrass · Merlefest · San Francisco Bluegrass & Old Time Festival · South Carolina State Bluegrass Festival · River City Bluegrass Festival · Rockygrass · Telluride Bluegrass Festival · Wintergrass Other International Bluegrass Music Museum · International Bluegrass Music Association · International Bluegrass Music Hall of Fame · Society for the Preservation of Bluegrass Music in America · Bluegrass Unlimited Category · Portal

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Sean Watkins
Sean Watkins playing with Fiction Family, at the Bowery Ballroom in New York City.
Background information
Birth name	Sean Charles Watkins
Born	(1977-02-18) February 18, 1977 (age 35)
Origin	Vista, California, United States
Genres	Progressive bluegrass, folk, country
Occupations	Musician, songwriter
Instruments	Guitar, piano, mandolin, ukulele, bouzouki
Years active	1989–present
Labels	ATO Records Sugar Hill Records
Associated acts	Nickel Creek, Fiction Family, Works Progress Administration, Mutual Admiration Society, Sara Watkins, Switchfoot
Website	seanwatkins.com

Sean Charles Watkins ^[1] (born February 18, 1977) is a guitarist, vocalist, and songwriter. He is a member of the contemporary folk band Nickel Creek, the duo Fiction Family and the supergroup Works Progress Administration.

Career[link]

Nickel Creek[link]

Sean Watkins began his tenure with Nickel Creek playing mandolin, but later switched to guitar. The band has released three albums and a CD composed of their hits (called Reasons Why: The Very Best) and won a Grammy for This Side -- a coveted trophy that Watkins reportedly put on top of his toilet at home. Explaining the somewhat odd situation, Watkins said that "it seems like a humble place. I didn't want to put it out in plain view of my house. I didn't feel like displaying it right when you walk in. It's a nice crown for the porcelain." ^[2] In addition to playing with Nickel Creek, Watkins has released 3 solo albums and appeared on several others. Of this experience, Watkins has said, "I've learned now to look back to music that has lasted through the years and to appreciate the timeless value that it has."

As a solo musician, his early material was contemporary bluegrass, but he has since incorporated other influences into his music (especially indie rock). Watkins' solo music career seems to reflect Nickel Creek's: turning from traditional bluegrass songs to indie rock with bluegrass instrumentation. He is the oldest member of Nickel Creek. Sean qualified for the National Flatpicking Championship in 1993 at age 16, and "My first instrument was the piano when I was six", Sean recalled. "I took classic instruction for seven years, but three years into that I discovered bluegrass music, through my piano teacher's son, who had a bluegrass band that played every Saturday night at a pizza place in Carlsbad. I really got into it, and when Sara Watkins and I met Chris [Thile], we started playing with him on Saturday nights too."

His sister Sara Watkins, also a member of Nickel Creek, plays violin and sings background vocals on the two latest of his three solo albums. In 2004, Nickel Creek participated in a project dubbed Mutual Admiration Society, a collaboration with former Toad The Wet Sprocket singer Glen Phillips. Sean and Sara are also part of the 2007 soundtrack for the psychological thriller Bug with the track "No Way to Live".

Current projects[link]

In 2006, Sean and Switchfoot member Jon Foreman started a collaborating duo called "The Real SeanJon".^[3][4] In March 2008, the duo announced that they had changed their band name to "Fiction Family". In a spring 2008 interview, Jon Foreman said that the album would have a summer 2008 release and the duo was considering having the album be distributed by Starbucks.^[5] However, a September 2008 press release by Nickel Creek confirmed that the album, Fiction Family, is to be released on January 20, 2009, on ATO Records.^[6]

In January 2008, it was reported by Billboard that a new supergroup octet tentatively named The Scrolls had formed, now known officially as Works Progress Administration (W.P.A.). The octet is composed of Watkins, his sister Sara Watkins (fiddle), Glen Phillips (guitar, vocals), Benmont Tench (piano), Luke Bulla (fiddle), Greg Leisz (various), Pete Thomas (drums), and Davey Faragher (bass). The group released their self-titled debut album on August 28, 2009. As the group continued, the lead singer-songwriters Watkins (Sean), Phillips, and Bulla were considered the core group and were supported by others when their projects made it possible. Bulla is no longer considered part of the group and as of summer 2011, their most recent lineup was Watkins and Phillips supported by Jerry Roe on drums and Sebastian Steinberg on bass guitar.

Sean and sister Sara play regularly at the Largo nightclub in Los Angeles as "The Watkins Family Hour." Keyboard Benmont Tench (of Tom Petty and the Heartbreakers) and bassist Sebastian Steinberg (formerly of Soul Coughing) are regular participants and other guest musicians from the Largo family generally show up as well, including Jon Brion, Fiona Apple, Don Heffington, Greg Leisz, and former Nickel Creek bandmate Chris Thile when he is in town. Sean has also frequently supported his sister Sara on guitar and vocals for her solo dates since the release of her debut album in April 2009.

In addition, Watkins plans to release what he calls "15 minutes of noise" as a digital download on his website. He said that the final product was "very strange",^[4] and that there would "be some cool art to go with it".^[7]

Discography[link]

Solo[link]

Nickel Creek[link]

Fiction Family[link]

References[link]

External links[link]

• Sean's website
• Nickel Creek's website
• The Real SeanJon's website
• LAist Interview with Sean Watkins
• Fiction Family Website
• Works Progress Administration website