| name | Rudolph Valentino |
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| birth name | Rodolfo Alfonso Raffaello Piero Filiberto Guglielmi di Valentina d'Antonguolla |
|---|
| birth date | May 06, 1895 |
|---|
| birth place | Castellaneta, Italy |
|---|
| death date | August 23, 1926 |
|---|
| death place | New York City, New York, U.S. |
|---|
| years active | 1914–1926 |
|---|
| occupation | Actor |
|---|
| spouse |
}} |
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Rudolph Valentino (May 6, 1895 – August 23, 1926) was an Italian actor, and early pop icon. A sex symbol of the 1920s, Valentino was known as the "Latin Lover". He starred in several well known silent films including ''The Four Horsemen of the Apocalypse'', ''The Sheik'', ''Blood and Sand'', ''The Eagle'' and ''Son of the Sheik''.
His sudden death at age 31 caused mass hysteria among his female fans, propelling him into icon status. Though his films are not as well known today, his name is still widely known.
Early life
Childhood
Valentino was born
Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina D'Antonguolla in
Castellaneta,
Puglia,
Kingdom of Italy, to a
French mother, Marie Berthe Gabrielle Barbin (1856–1919), and Giovanni Antonio Giuseppe Fedele Guglielmi, a veterinarian who died of
malaria when Valentino was 11. He had an older brother, Alberto (1892–1981), a younger sister, Maria, and an older sister Beatrice who died in infancy.
As a child, Valentino was reportedly spoiled and troublesome. His mother coddled him while his father disapproved of his behavior. He did poorly in school, and was eventually enrolled in agricultural school where he received a degree.
After living in Paris in 1912, he soon returned to Italy. Unable to secure employment, he departed for the United States in 1913. He was processed at Ellis Island at age 18 on December 23, 1913.
New York
Arriving in
New York City, Valentino soon ran out of money and spent a period of time on the streets. He eventually supported himself with odd jobs such as busing tables in restaurants and gardening. Eventually, he found work as a
taxi dancer at Maxim's. Among the other dancers at Maxim's were several displaced members of European nobility and there was a premium in demand for them.
Valentino eventually befriended Chilean heiress Blanca de Saulles who was unhappily married to prominent businessman John de Saulles, with whom she had a son. Whether Blanca and Valentino actually had a romantic relationship is unknown, but when the de Saulles couple divorced, Valentino took the stand to support Blanca de Saulles' claims of infidelity on her husband's part. Following the divorce, John de Saulles reportedly used his political connections to have Valentino arrested, along with a Mrs. Thyme, a known madam, on some unspecified vice charges. The evidence was flimsy at best and after a few days in jail, Valentino's bail was lowered from $10,000 to $1,500.
The trial and subsequent scandal was well publicized, following which Valentino could not find employment. Shortly after the trial, Blanca de Saulles fatally shot her ex-husband during a custody dispute over their son. Fearful of being called in as a witness in another sensational trial, Valentino left town, joining a traveling musical that led him to the West Coast.
Film career
Early bit parts
In 1917, Rudolph Valentino joined an
operetta company that traveled to
Utah where it disbanded. He then joined an
Al Jolson production of ''Robinson Crusoe Jr.'', travelling to
Los Angeles. By fall, he was in
San Francisco with a bit part in a theatrical production of ''Nobody Home''. While in town, Valentino met actor
Norman Kerry, who convinced him to try a career in cinema, still in the
silent film era.
Valentino, with Kerry as a roommate, moved back to Los Angeles and took up residence at the Alexandria Hotel. He continued dancing, teaching dance and building up a following which included older female clientele who would let him borrow their luxury cars.
With his dancing success, Valentino found a room of his own on Sunset Boulevard and began actively seeking screen roles. His first part was as an extra in the film ''Alimony'', moving on to small parts in several films. Despite his best efforts he was typically cast as a "heavy" (villain) or gangster. At the time, the major male star was Wallace Reid, with a fair complexion, light eyes, and an All American look, with Valentino the opposite, eventually supplanting Sessue Hayakawa as Hollywood's most popular "exotic" male lead.
By 1919, he had carved out a career in bit parts. It was a bit part as a "cabaret parasite" in the drama ''Eyes of Youth'' that caught the attention of screenwriter June Mathis, who thought he would be perfect for her next movie. He also appeared as second lead in ''The Delicious Little Devil'' (1919) with star Mae Murray.
Acting
Displeased with playing "heavies", Valentino briefly entertained the idea of returning to New York permanently. He returned for a visit in 1917, staying with friends in
Greenwich Village, eventually settling in
Bayside, Queens. It was here he met Paul Ivano, who would help his career greatly.
While traveling to Palm Springs, Florida to film ''Stolen Moments'', Valentino read the novel ''The Four Horsemen of the Apocalypse'' by Vicente Blasco Ibáñez. Seeking out a trade paper, he discovered that Metro had bought the film rights to the story. In New York, he sought out Metro's Office, only to find June Mathis had been trying to find him. She cast him in the role of Julio Desnoyers. For director, Mathis had chosen Rex Ingram, with whom Valentino did not get along, leading Mathis to play the role of peacekeeper between the two.
''The Four Horsemen of the Apocalypse'' was released in 1921, becoming a commercial and critical success. It was one of the first films to make $1,000,000 at the box office, as well as the sixth highest grossing silent film ever.
Metro Pictures seemed unwilling to acknowledge it had made a star. Most likely due to Rex Ingram's lack of faith in him, the studio refused to give him a raise beyond the $350 a week he had made for ''Four Horsemen''. For his follow up film, they forced him into a bit part in a B film called ''Uncharted Seas''. It was on this film that Valentino met his second wife, Natacha Rambova.
Rambova, Mathis, Ivano, and Valentino began work on the Alla Nazimova film ''Camille''. Valentino was cast in the role of Armand, Nazimova's love interest. The film, mostly under the control of Rambova and Nazimova, was considered too avant garde by critics and the public.
Valentino's final film for Metro was the Mathis-penned ''The Conquering Power''. The film received critical acclaim and did well at the box office. After the film's release, Valentino made a trip to New York where he met with several French producers. Yearning for Europe, better pay, and more respect, Valentino returned and promptly quit Metro.
''The Sheik''
After quitting Metro, Valentino took up with
Famous Players-Lasky, a studio known for films that were more commercially focused. Mathis soon joined him, angering both Ivano and Rambova.
Jesse Lasky intended to capitalize on the star power of Valentino, and cast him in a role that would solidify his reputation as the "Latin Lover". In ''The Sheik'', Valentino played the starring role as Sheik Ahmed Ben Hassan. The film was a major success and would go on to define not only his career but his image and legacy. Valentino tried to distance the character from a stereotypical portrayal of an Arab man. Asked if Lady Diana (his love interest) would have fallen for a 'savage' in real life Valentino replied, "People are not savages because they have dark skins. The Arabian civilization is one of the oldest in the world...the Arabs are dignified and keen brained."
Famous Players produced four more feature length films over the next 15 months. His leading role in ''Moran of the Lady Letty'' was of a typical Douglas Fairbanks nature, however to capitalize on Valentino's bankability, his character was given a Spanish name and ancestry. The film received mixed reviews but was still a hit with audiences.
In November 1921, Valentino starred alongside Gloria Swanson in ''Beyond the Rocks''. The film contained lavish sets and extravagant costumes, though ''Photoplay'' magazine said the film was "a little unreal and hectic". Released in 1922, the film was a critical disappointment. Years after its release, ''Beyond the Rocks'' was thought to be lost, save for a one minute portion. In 2002, the film was discovered by the Netherlands Film Museum. The restored version was released on DVD in 2006.
In 1922, Valentino began work on another Mathis-penned film, ''Blood and Sand''. Co-starring Lila Lee and Nita Naldi, Valentino played the lead, bullfighter Juan Gallardo. Initially believing the film would be shot in Spain, Valentino was upset to learn that the studio planned on shooting on a Hollywood back lot. He was further irritated by changes in production, including a director of whom he did not approve.
After finishing the film, Valentino married Rambova, which led to a bigamy trial. The trial was a sensation and the pair was forced to have their marriage annulled and separated for a year. Despite the trial, the film was still a success, with critics calling it a masterpiece on par with ''Broken Blossoms'' and ''Four Horsemen''. ''Blood and Sand'' went on to become one of the top four grossing movies of 1922, breaking attendance records, and grossing $37,400 at the Rivoli Theatre alone. Valentino would consider this one of his best films.
During his forced break from Rambova, the pair began working (separately) on the Mathis-penned ''The Young Rajah''. Only fragments of this film, recovered in 2005, still remain. The film did not live up to expectations and underperformed at the box office. Valentino felt he had underperformed in the film, being upset over his separation with Rambova. Missing Rambova, Valentino returned to New York after the release of ''The Young Rajah''. They were spotted and followed by reporters constantly. During this time Valentino began to contemplate not returning to Famous Players, although Jesse Lasky already had his next picture, ''The Spanish Cavalier'', in preparation. After speaking with Rambova and his lawyer Arthur Butler Graham, Valentino declared a 'One man Strike' against Famous Players.
Strike against Famous Players
Valentino's reasons for striking were financially based. At the time of his lawsuit against the studio, Valentino was earning $1,250 per week, with an increase to $3,000 after three years. This was $7,000 per week less than what Mary Pickford made in 1916. He was also upset over the broken promise of filming ''Blood and Sand'' in Spain, and the failure to shoot the next proposed film in either Spain or at least New York. Valentino had hoped while filming in Europe he could see his family, whom he hadn’t seen in ten years.
In September 1922, he refused to accept paychecks from Famous Players until the dispute was solved, although he owed them money he had spent to pay off Jean Acker. Angered, Famous Players in turn filed suit against him.
Valentino did not back down, and Famous Players realized how much they stood to lose. In trouble after shelving Fatty Arbuckle pictures, the studio tried to settle by upping his salary from $1,250 to $7,000 a week. Variety, erroneously, announced the salary increase as a 'new contract' before news of the lawsuit was released. Valentino refused the offer.
Valentino went on to claim that artistic control was more of an issue than the money. He wrote an open letter to Photoplay magazine, entitled "Open Letter to the American Public", where he argued his case, although the average American had trouble sympathizing, as most made $2,000 a year. Famous Players made their own public statements deeming him more trouble than he was worth (the divorce, bigamy trials, debts) and that he was temperamental, almost diva-like. They claimed to have done all they could and that they had made him a real star.
Other studios began courting him. Joseph Schenck was interested in casting his wife, Norma Talmadge, opposite Valentino in a version of ''Romeo and Juliet''. June Mathis had moved to Goldwyn Pictures where she was in charge of the ''Ben-Hur'' project, and interested in casting Valentino in the film. However, Famous Players exercised their option to extend his contract, preventing him from accepting any employment other than with the studio. By this point Valentino was around $80,000 in debt. Valentino filed an appeal, a portion of which was granted. Although he was still not allowed to work as an actor, he could accept other types of employment.
Mineralava Dance Tour
In late 1922, Valentino met
George Ullman, who would soon become Valentino's manager. Ullman previously had worked with Mineralava Beauty Clay Company, and convinced them that Valentino would be perfect as a spokesman with his legions of female fans.
The tour was a tremendous success with Valentino and Rambova performing in 88 cities in the United States and Canada. In addition to the tour, Valentino also sponsored Mineralava beauty products and judged Mineralava sponsored beauty contests. One beauty contest was filmed by a young David O. Selznick entitled ''Rudolph Valentino and His 88 Beauties''.
Return to films
When Valentino returned to the United States, it was to an offer from Ritz-Carlton Pictures (working through Famous Players), which included $7,500 a week, creative control, and filming in New York. Rambova negotiated a two picture deal with Famous Players and four pictures for Ritz Carlton. He accepted, turning down an offer to film an Italian production of ''Quo Vadis'' in Italy.
The first film under the new contract was ''Monsieur Beaucaire'', wherein Valentino played the lead, Duke of Chartres. The film did poorly and American audiences found it 'effeminate'. The failure of the film, under Rambova's control, is often seen as proof of her controlling nature and would later cause her to be barred from Valentino sets. Valentino made one final movie for Famous Players. In 1924 he starred in ''The Sainted Devil'', now one of his lost films. It had lavish costumes but apparently a weak story. It opened to strong sales but soon dropped off in attendance and ended up as another disappointment.
With his contract fulfilled, Valentino was released from Famous Players but still obligated to Ritz-Carlton for four films. Valentino's next film was a pet project entitled ''The Hooded Falcon''. The production was beset with problems from the start, beginning with the script written by June Mathis. The Valentinos were dissatisfied with Mathis' version and requested that it be rewritten. Mathis took it as a great insult and did not speak to Valentino for almost two years. While Rambova worked designing costumes and rewriting the script for ''Falcon'', Valentino was persuaded to film ''Cobra'' with Nita Naldi. Valentino agreed only on condition that it not be released until after ''The Hooded Falcon'' debuted.
After filming ''Cobra'', the cast of ''The Hooded Falcon'' sailed for France to be fitted for costumes. After three months, they headed back to the United States, where Valentino's new beard, which he had grown for the film, caused a sensation. The crew and cast headed for Hollywood to begin preparations for the film, but much of the budget was taken up during pre-production. Due to the Valentinos' lavish spending on costumes and sets, Ritz-Carlton terminated the deal with the couple, effectively ending Valentino's contract with Ritz-Carlton.
United Artists
During the filming of ''Monsieur Beaucaire'', both
Charlie Chaplin and Douglas Fairbanks approached Valentino privately, due to his contract with Ritz Carlton, about joining with
United Artists. Valentino's contract with United Artists provided $10,000 a week for only three pictures a year, plus a percentage of his films. The contract excluded Rambova from production of his films and the film set. Valentino's acceptance of the terms caused a major rift in his marriage to Rambova. George Ullman, who had negotiated the contract with United Artists, offered Rambova $30,000 to finance a film of her own. It became her one and only film, titled ''What Price Beauty?'' and starred
Myrna Loy.
Valentino chose his first UA project, ''The Eagle''. With the marriage under strain, Valentino began shooting and Rambova announced that she needed a "marital vacation". During the filming of ''The Eagle'', rumors of an affair with co-star Vilma Bánky were reported and ultimately denied by both Bánky and Valentino. The film opened to positive reviews, but a moderate box office.
For the film's release, Valentino travelled to London, staying there and in France, spending money with abandon while his divorce took place. It would be some time before he made another film, ''The Son of the Sheik'', despite his hatred of the sheik image. The film began shooting in February 1926, with Valentino given his choice of director, and pairing him again with Vilma Banky. The film used the authentic costumes he bought abroad and allowed him to play a dual role. Valentino was ill during production, but needed the money to pay his many debts. The film opened on July 8, 1926 to great fanfare. During the premiere, Valentino was reconciled with Mathis; the two had not spoken in almost two years.
Image
Dating back to the de Saulle trial in New York, during which his masculinity had been questioned in print, Valentino had been very sensitive with his public perception. Women loved him and thought him the epitome of romance. However,
American men were less impressed, walking out of his movies in disgust. With the Fairbanks type being the epitome of manhood, Valentino was seen as a threat to the
All American man. One man asked in a street interview what he thought of Valentino in 1922 replied, "Many men desire to be another Douglas Fairbanks. But Valentino? I wonder..." Women in the same interview found Valentino, "triumphantly seductive. Puts the love-making of the average husband or sweetheart into discard as tame, flat, and unimpassioned." Men may have wanted to act like Fairbanks, but they copied Valentino's look. A man with perfectly greased-back hair was called a "Vaselino".
Some journalists were still calling his masculinity into question, going on at length about his pomaded hair, his dandyish clothing, his treatment of women, his views on women, and whether he was effeminate or not. Valentino hated these stories and was known to carry the clippings of the newspaper articles around with him and criticize them.
In July 1926, The ''Chicago Tribune'' reported that a vending machine dispensing pink talcum powder had appeared in an upscale hotel washroom. An editorial that followed used the story to protest the feminization of American men, and blamed the talcum powder on Valentino and his films. The piece infuriated Valentino and he challenged the writer to a duel and then a boxing match. Neither challenge was answered. Shortly afterward, Valentino met with journalist H.L. Mencken for advice on how best to deal with the incident. Mencken advised Valentino to "let the dreadful farce roll along to exhaustion", but Valentino insisted the editorial was "infamous." Mencken found Valentino to be likable and gentlemanly and wrote sympathetically of him in an article published in the ''Baltimore Sun'' a week after Valentino's death:
After Valentino challenged the ''Tribune'''s anonymous writer to a boxing match, the ''New York Evening Journal'' boxing writer, Frank O'Neill, volunteered to fight in his place. Valentino won the bout which took place on the roof of New York's Ambassador Hotel.
Boxing heavyweight champion Jack Dempsey, who trained Valentino and other Hollywood notables of the era in the art of boxing, said of him "He was the most virile and masculine of men. The women were like flies to a honeypot. He could never shake them off, anywhere he went. What a lovely, lucky guy."
Other ventures
In 1923, Valentino published a book of poetry which entitled ''Day Dreams'', He would later serialize events in various magazines. With ''
Liberty'' magazine, he wrote a series entitled, "How You Can Keep Fit" in 1923. "My Life Story" was serialized in ''Photoplay'' during his dance tour. The March issue was one of the best selling ever for the magazine. He followed that with ''My Private Diary'', serialized in ''Movie Weekly'' magazine. Most of the serials were later published as books after his death.
Valentino was fascinated with every part of movie-making. During production on a Mae Murray film he spent time studying the director's plans. He craved authenticity and wished to shoot on location, finally forming his own production company, ''Rudolph Valentino Productions'', in 1925. Valentino, George Ullman, and Beatrice Ullman were the incorporators.
On May 14, 1923, while in New York City, Valentino made his only two vocal recordings for Brunswick Records; "Kashmiri Song" (''The Sheik'') and "El Relicario" (''Blood and Sand''). The recordings were not released until after Valentino's death by the Celebrity Recording Company; Brunswick did not release them because Valentino's English/Spanish pronunciation was subpar.
Valentino was one of the first in Hollywood to offer an award for artist accomplishments in films. The Academy Awards would later follow suit. In 1925, he gave out his one and only medal, to John Barrymore, for his performance in ''Beau Brummel''. The award, named ''The Rudolph Valentino Medal'', required the agreement of Valentino, two judges and the votes of 75 critics. Everyone other than Valentino himself was eligible.
Personal life
In 1919, just before the rise of his career, Valentino impulsively married actress
Jean Acker who was involved with actress
Grace Darmond and
Alla Nazimova. Acker got involved with Valentino in part to remove herself from the lesbian love triangle, quickly regretted the marriage, and locked Valentino out of their room on their wedding night. The couple separated soon after, the marriage never
consummated. The couple remained legally married until 1921, when Acker sued Valentino for divorce, citing desertion. The divorce was granted with Acker receiving alimony. Despite her antics and use of the name "Mrs. Valentino" (a name to which she had no legal right), she and Valentino eventually renewed their friendship. The two remained friends until his death.
Valentino first met Natacha Rambova, a costume designer and art director and protégée of Nazimova, on the set of ''Uncharted Seas'' in 1921. The two worked together on the Nazimova production of ''Camille'', by which time they were romantically involved. They married on May 13, 1922, in Mexicali, Mexico, which resulted in Valentino's arrest for bigamy since he had not been divorced for a full year, as required by California law at the time. Days passed and his studio at the time, Famous Players-Lasky, refused to post bail. Eventually, a few friends were able to post the cash bail.
Having to wait the year or face the possibility of being arrested again, Rambova and Valentino lived in separate apartments in New York City, each with their own roommates. On March 14, 1923, they legally remarried.
Many of Valentino's friends disliked Rambova and found her controlling. During his relationship with her, he lost many friends and business associates, including June Mathis. Toward the end of their marriage, Rambova was banned from his sets by contract. Valentino and Rambova divorced in 1925. The end of the marriage was bitter, with Valentino bequeathing Rambova one dollar in his will.
From the time he died until the 1960s, Valentino's sexuality was not generally questioned. At least four books, particularly ''Hollywood Babylon'', began to perpetuate that he may have been homosexual despite his marriage with Rambova.
In fact, the marriages to Acker and Rambova, as well as the relationship with Pola Negri only serves to add to the suspicion that Valentino was homosexual and that these were "lavender marriages", as all have documented lesbian relationships.
Such books gave rise to claims that Valentino had a relationship with Ramón Novarro, despite even Novarro stating they barely knew each other. ''Hollywood Babylon'' in particular spread the rumor that Valentino had given Novarro an art deco dildo as a gift, which was found stuffed in his throat at the time of his murder. No such gift ever existed.
These books also gave rise to claims that he may have had relationships with both roommates Paul Ivano and Douglas Gerrad, as well as Norman Kerry, openly gay French actor Jacques Herbertot and André Daven. However, Ivano maintained that it was completely untrue and both he and Valentino were heterosexual. Biographers Emily Leider and Allan Ellenberger generally agree that he was most likely straight.
Further evidence that Valentino was gay are documents in the estate of the late author Samuel Steward indicating that Valentino was a sexual partner of his. However, evidence found in Steward's claim was subsequently refuted. In 1924, Valentino recorded an explicit account of a one night stand with another man in his journal.
Shortly before his death, Valentino was dating actress Pola Negri. Upon his death, Negri made a scene at his funeral, claiming they had been engaged. Valentino had never confirmed the engagement claim.
Death and funeral
On August 15, 1926, Valentino collapsed at the Hotel Ambassador in
New York City, New York. He was hospitalized at the Polyclinic in New York and an examination showed him to be suffering from
appendicitis and
gastric ulcers which required an immediate
operation. Despite surgery Valentino developed
peritonitis. On August 18 his doctors gave an optimistic prognosis for Valentino and told the
media that unless Valentino's condition changed for the worse there was no need for updates. However, on August 21 he was stricken with a severe
pleuritis relapse that developed rapidly in his left
lung due to the actor's weakened condition. The doctors realized that he was going to die, but, as was common at the time with terminal patients, decided to withhold the prognosis from the actor who believed that his condition would pass. During the early hours of August 23, Valentino was briefly conscious and chatted with his doctors about his future. He fell back into a coma and died a few hours later, at the age of 31.
An estimated 100,000 people lined the streets of New York City to pay their respects at his funeral, handled by the Frank Campbell Funeral Home. The event was a drama itself: Suicides of despondent fans were reported. Windows were smashed as fans tried to get in and an all day riot erupted on August 24. Over 100 Mounted officers and NYPD's Police Reserve was deployed to restore order. A phalanx of officers would line the streets for the remainder of the viewing. The drama inside would not be outdone. Polish Actress Pola Negri, claiming to be Valentino's fiancee, collapsed in hysterics while standing over the coffin, and Campbell's hired four actors to impersonate a Fascist Blackshirt honor guard, which claimed to have been sent by Benito Mussolini. It was later revealed as a planned publicity stunt. Media reports that the body on display in the main salon was not Valentino but a decoy were continually denied by Campbell.
Valentino's funeral mass in New York was held at Saint Malachy's Roman Catholic Church, often called "The Actor's Chapel", as it is located on West 49th Street in the Broadway theater district, and has a long association with show business figures.
After the body was taken by train across the country, a second funeral was held on the West Coast, at the Catholic Church of the Good Shepherd in Beverly Hills. Valentino had no final burial arrangements and his friend June Mathis offered her crypt for him in what she thought would be a temporary solution. However, she died the following year and Valentino was placed in the adjoining crypt. The two are still interred side by side in adjoining crypts at the Hollywood Memorial Park Cemetery (now the Hollywood Forever Cemetery) in Hollywood, California.
Estate
Valentino left his estate to his brother, sister, and Rambova's aunt Teresa Werner, who was left the share originally bequeathed to Rambova. His
Beverly Hills mansion,
Falcon Lair, was later owned by heiress
Doris Duke. Duke died there in 1993. The home was later sold and underwent major renovations. The estate was bulldozed in 2006 and put back on the market.
Also in 2010, Rudolph Valentino's historic Bayside, Queens, house was restored. John Joseph Fasano, a New York artist, restored all the original mahagony in the famous "Valentino Room". Fasano also painted two traditional murals in oil paint at the estate, and created decorative wall finishes inside the "Valentino Room".
Legacy
After his death many of his films were reissued to help pay his estate expenses. Many were reissued well into the 1930s, long after the demise of silent film. Several books were written including one by Rambova. Several songs, including "There's a New Star in Heaven Tonight" and one by his first wife Jean Acker, entitled "We will meet at the end of the trail", became best sellers. A photomontage print showed Valentino arriving in Heaven and being greeted by
Enrico Caruso.
Over the years, a "woman in black" carrying a red rose has come to mourn at Valentino's grave, usually on the anniversary of his death. Several myths surround the woman, though it seems the first woman in black was actually a publicity stunt cooked up by press agent Russel Birdwell in 1928. Several copycats have followed over the years.
Valentino has been depicted frequently in literature, most notably in Mitzi Szereto's ''Wicked: Sexy Tales of Legendary Lovers'' and Jacob Appel's ''After Valentino''.
Valentino's hometown of Castellaneta, Italy has created several services in his honor. A Museo Rodolfo Valentino was opened in his childhood home. A Fondazione Rodolfo Valentino was created to promote his life and his work. In 2009 a film school was also opened in his hometown, "Centro Studi Cine Club Rodolfo Valentino Castellaneta." At the centennial of his birth several events were held in his honor. From 1972 to 2006 an Italian acting award, "The Rudolph Valentino Award", was handed out every year. Several actors from all over the world received this award including Leonardo DiCaprio and Elizabeth Taylor.
In 2006, the Italians planned a one-off film festival to celebrate the opening of the Museo Rodolfo Valentino. In May 2010, the American Society held The Rudolph Valentino Film Festival in Los Angeles, California.
Films about Valentino
The life of Rudolph Valentino has been filmed a number of times for television and the big screen. One of these biopics is
Ken Russell's 1977 film, ''
Valentino'', in which Valentino is portrayed by
Rudolf Nureyev. The film itself is only loosely based on his life.
An earlier feature film about Valentino's life, also called ''Valentino'', was released in 1951, starring Anthony Dexter as Valentino.
In 2003, Edoardo Ballerini premiered the short film ''Good Night Valentino'' at the Sundance Film Festival to critical acclaim. It is based on the transcripts of the conversation between Rudolph Valentino and H.L. Mencken.
In 2010, Italian film director Giuseppe Sansonna shot the documentary film, ''The Sheik from Castellaneta'', on the cult of Valentino in Castellaneta, where he is still considered a demigod. The film shows the curious, sometimes even grotesque, forms that Valentino's myth has taken in local popular culture.
In 2011 American full length silent film "Death of the Sheik" (Silent Life), directed by Vlad Kozlov, is produced and will be premiered in late 2011 in Hollywood.
The original Royal Hawaiian resort was fashioned in a Spanish-Moorish style which was popular during the time period and influenced by screen star Rudolph Valentino.
Filmography
| ! Year
|
! Title
|
! Role
|
Notes
|
| 1914
|
''My Official Wife''
|
Extra
|
Uncredited
|
| 1914
|
|
Dance Extra
|
Uncredited
|
| 1916
|
''The Quest of Life''
|
|
Uncredited
|
| 1916
|
''The Foolish Virgin''
|
|
Uncredited
|
| 1916
|
''Seventeen''
|
Extra
|
Uncredited
|
| 1917
|
''Alimony''
|
Dancer
|
Uncredited
|
| 1917
|
''Patria''
|
|
|
| 1918
|
''A Society Sensation''
|
Dick Bradley
|
as Rudolpho De Valentina
|
| 1918
|
''All Night''
|
Richard Thayer
|
as Rudolpho di Valentina
|
| 1918
|
''The Married Virgin''
|
Count Roberto di San Fraccini
|
as Rodolfo di Valentini
|
| 1919
|
''The Delicious Little Devil''
|
Jimmy Calhoun
|
as Rudolpho De Valintine
|
| 1919
|
''The Big Little Person''
|
Arthur Endicott
|
as M. Rodolpho De Valentina
|
| 1919
|
''A Rogue's Romance''
|
Apache Dancer
|
as Rudolph Volantino
|
| 1919
|
''The Homebreaker''
|
Dance Extra
|
Uncredited
|
| 1919
|
''Out of Luck''
|
|
|
| 1919
|
''Virtuous Sinners''
|
Bit Part
|
|
| 1919
|
''The Fog''
|
|
|
| 1919
|
''Nobody Home''
|
Maurice Rennard
|
as Rodolph Valentine
|
| 1919
|
''Eyes of Youth''
|
Clarence Morgan
|
as Rudolfo Valentino
|
| 1920
|
|
Jose Dalmarez
|
as Rudolph Valentine
|
| 1920
|
|
Jacques Rudanyi
|
as Rodolph Valentino
|
| 1920
|
''The Cheater''
|
Extra
|
Uncredited
|
| 1920
|
''Passion's Playground''
|
Prince Angelo Della Robbia
|
as Rudolph Valentine
|
| 1920
|
''The Wonderful Chance''
|
Joe Klingsby
|
|
| 1921
|
|
Julio Desnoyers
|
|
| 1921
|
''Uncharted Seas''
|
Frank Underwood
|
|
| 1921
|
''The Conquering Power''
|
Charles Grandet
|
|
| 1921
|
|
Sheik Ahmed Ben Hassan
|
|
| 1921
|
|
Armand Duval / Manon's Lover in Daydream
|
|
| 1922
|
''Moran of the Lady Letty ''
|
Ramon Laredo
|
|
| 1922
|
|
Lord Hector Bracondale
|
|
| 1922
|
|
Juan Gallardo
|
as Rodolph Valentino
|
| 1922
|
''The Young Rajah''
|
Amos Judd, also known as the Maharajah Sirdir Singh
|
as Rodolph Valentino
|
| 1924
|
|
Duke de Chartres/Beaucaire
|
|
| 1924
|
''A Sainted Devil''
|
Don Alonzo Castro
|
|
| 1925
|
|
Count Rodrigo Torriani
|
|
| 1925
|
|
Lt. Vladimir Dubrovsky, aka The Black Eagle and Marcel Le Blanc
|
|
| 1926
|
''The Son of the Sheik''
|
Ahmed, the Sheik's Son / Sheik Ahmed Ben Hassan
|
Final film
|
References
Bibliography
Valentino, Rudolph ''Day Dreams''. 1921 PVG Publishing. 2010. ISBN 9780982770917.
Valentino, Rudolph ''How You Can Keep Fit''. McFadden Publications. 1923.
Valentino, Rudolph ''My Private Diary''. Occult Publishing Company. 1929.
Leider, Emily, "Dark Lover: The Life and Death of Rudolph Valentino" (2003) Farrar, Straus and Giroux (US) ISBN: 0374282390
External links
Literature on Rudolph Valentino
Rudolph Valentino photo gallery
Audio history (MP3, 17:23). Emily Leider, author of ''Dark Lover: The Life and Death of Rudolph Valentino'', discusses what made Valentino such a sensation in life and death
A retouched photographic collage that claimed to show Valentino's surgery
Valentino biography in Spanish, Italian & English
Valentino and Elinor Glynn sign petition to bring Sarah Bernhardt to Hollywood
Valentino awarding the ''Rudolph Valentino Award for Acting Excellence'' to John Barrymore
Falcon Lair – The Rudolph Valentino Home Page
Stolen Moments: Rudolph Valentino, Silent Film, and Everything Movies (podcast)
Category:American actors
Category:Burials at Hollywood Forever Cemetery
Category:Deaths from surgical complications
Category:Deaths from peritonitis
Category:American people of Italian descent
Category:Italian expatriates in the United States
Category:Italian actors
Category:Italian film actors
Category:American film actors
Category:Italian emigrants to the United States
Category:Italian silent film actors
Category:People from the Province of Taranto
Category:20th-century actors
Category:1895 births
Category:1926 deaths
ar:رودلف فالنتينو
az:Rudolf Valentino
bg:Рудолфо Валентино
ca:Rodolfo Valentino
da:Rudolph Valentino
de:Rudolph Valentino
et:Rudolph Valentino
es:Rodolfo Valentino
eo:Rudolph Valentino
eu:Rodolfo Valentino
fr:Rudolph Valentino
gl:Rodolfo Valentino
hr:Rudolph Valentino
io:Rodolfo Valentino
id:Rudolph Valentino
it:Rodolfo Valentino
he:רודולף ולנטינו
la:Rudolphus Valentino
hu:Rudolph Valentino
nl:Rudolph Valentino
ja:ルドルフ・ヴァレンティノ
no:Rudolph Valentino
oc:Rodolfo Valentino
pl:Rudolf Valentino
pt:Rodolfo Valentino
ru:Валентино, Рудольф
scn:Rudolfu Valintinu
simple:Rudolph Valentino
sr:Рудолф Валентино
sh:Rudolph Valentino
fi:Rudolph Valentino
sv:Rudolph Valentino
roa-tara:Rodolfo Valentino
th:รูดอล์ฟ วาเลนติโน
tr:Rudolph Valentino
uk:Рудольф Валентіно
zh:魯道夫·瓦倫蒂諾
