Coordinates	46°07′58″N64°46′17″N
name	Rhythm and blues
color	white
bgcolor	#0000E1
stylistic origins	JazzBlues (esp., jump, electric)Gospel
cultural origins	1940s–1950s, USA
instruments	Drum kit – Double bass – Saxophone – Horns – Piano – Organ – Electric guitar – Vocals – Background vocalists
popularity	Significant from 1940s to 1960s; iconic afterwards
derivatives	Funk – Ska – Soul – Rock and roll – Reggae - Disco later: Beat music - Power pop - Psychedelic rock - Garage rock - Pub rock (UK) - Mod revival
subgenres	Contemporary R&B; – Smooth jazz
fusiongenres	Rockabilly
local scenes	New Orleans R&B;
other topics	List of R&B; musicians, British Invasion, Mod (lifestyle) }}

Rhythm and blues, often abbreviated to R&B;, is a genre of popular African American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular.

The term has subsequently had a number of shifts in meaning. In the early 1950s and beyond, the term ''rhythm and blues'' was frequently applied to blues records. Starting in the 1950s, after this style of music contributed to the development of rock and roll, the term "R&B;" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. By the 1970s, ''rhythm and blues'' was used as a blanket term for soul and funk. In the 1980s, a newer style of R&B; developed, becoming known as contemporary R&B;.

Etymology

Jerry Wexler of ''Billboard'' magazine coined the term "rhythm and blues" in 1948 as a musical marketing term in the United States. It replaced the term "race music", which originally came from within the black community, but was deemed offensive in the postwar world. The term "rhythm and blues" was used by ''Billboard'' in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles".

Writer/producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has used the term "R&B;" as a synonym for jump blues. However, Allmusic separates it from jump blues because of its stronger, gospel-esque backbeat. Lawrence Cohn, author of ''Nothing but the Blues'', writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. Well into the 21st Century, the term R&B; continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians.

In the commercial rhythm and blues music typical of the 1950's through the 1970's, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. Bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure.

History

Precursors

The migration of African Americans to the urban industrial centers of Chicago, Detroit, New York, Los Angeles and elsewhere in the 1930s created a new market for jazz, blues, and related genres of music, often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the 1930s through the work of musicians such as The Harlem Hamfats, with their 1936 hit "Oh Red", as well as Leroy Carr, Cab Calloway, Count Basie, and T-Bone Walker. There was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone.

Late 1940s

In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the R&B; charts with three songs, and two of the top five songs were based on the boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz based music with a heavy, insistent beat". Jordan's cool music, along with that of Big Joe Turner, Roy Brown, Billy Wright, and Wynonie Harris, is now also referred to as jump blues. Also in 1948, Wynonie Harris' remake of Roy Brown's 1947 recording "Good Rockin' Tonight" hit the charts in the #2 spot, following band leader Sonny Thompson's "Long Gone" at #1.

In 1949, the term "Rhythm and Blues" replaced the Billboard category ''Harlem Hit Parade''. Also in that year, "The Huckle-Buck", recorded by band leader and saxophonist Paul Williams, was the #1 R&B; tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson, the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit "(The) Rock and Roll Waltz"), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck was a very nasty dance". Also in 1949, a new version of a 1920s blues song, "Ain't Nobody's Business" was a #4 hit for Jimmy Witherspoon, and Louis Jordan and the Tympany Five once again made the top 5 with "Saturday Night Fish Fry". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942), King (founded 1943), Imperial (founded 1945), Specialty (founded 1946), Chess (founded 1947), and Atlantic (founded 1948).

Early to mid 1950s

Johnny Otis, who had signed with the Newark, New Jersey-based Savoy Records, produced many R&B; hits in 1951, including: "Double Crossing Blues", "Mistrustin' Blues" and "Cupid's Boogie", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include: "Gee Baby", "Mambo Boogie" and "All Nite Long". The Clovers, a vocal trio who sang a distinctive sounding combination of blues and gospel, had the #5 hit of the year with "Don't You Know I Love You" on Atlantic Records. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW-AM (850). Freed's show was sponsored by Fred Mintz, whose R&B; record store had a primarily African American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll".

In 1951, Little Richard Penniman began recording for RCA Records in the jump blues style of late 1940s stars Roy Brown and Billy Wright. However, it wasn't until he prepared a demo in 1954, that caught the attention of Specialty Records, that the world would start to hear his new, uptempo, funky rhythm and blues that would catapult him to fame in 1955 and help define the sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with "Tutti Frutti" and "Long Tall Sally", which would influence performers such as James Brown, Elvis Presley, and Otis Redding.

Ruth Brown on the Atlantic label, placed hits in the top 5 every year from 1951 through 1954: "Teardrops from My Eyes", "Five, Ten, Fifteen Hours", "(Mama) He Treats Your Daughter Mean" and "What a Dream". Faye Adams's "Shake a Hand" made it to #2 in 1952. In 1953, the R&B; record-buying public made Willie Mae Thornton's original recording of Leiber and Stoller's "Hound Dog" the #3 hit that year. Ruth Brown was very prominent among female R&B; stars. Ruth Brown’s popularity most likely derived because of “her deeply rooted vocal delivery in African American tradition” That same year The Orioles, a doo-wop group, had the #4 hit of the year with "Crying in the Chapel".

Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with "Ain't That a Shame". Ray Charles came to national prominence in 1955 with "I Got a Woman". Big Bill Broonzy said of Charles' music: "He's mixing the blues with the spirituals... I know that's wrong."

In 1954 The Chords' "Sh-Boom" became the first hit to cross over from the R&B; chart to hit the top 10 early in the year. Late in the year, and into 1955, "Hearts of Stone" by The Charms made the top 20.

At Chess Records in the spring of 1955, Bo Diddley's debut record "Bo Diddley"/"I'm A Man" climbed to #2 on the R&B; charts and popularized Bo Diddley's own original rhythm and blues beat that would become a mainstay in rock and roll.

At the urging of Leonard Chess at Chess Records, Chuck Berry had reworked a country fiddle tune with a long history, entitled "Ida Red". The resulting "Maybellene" was not only a #3 hit on the R&B; charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed, who had moved to the much larger market of New York City, helped the record become popular with white teenagers. Freed had been given part of the writers' credit by Chess in return for his promotional activities; a common practice at the time.

Late 1950s

In 1956, an R&B; "Top Stars of '56" tour took place, with headliners Al Hibbler, Frankie Lymon and the Teenagers, and Carl Perkins, whose "Blue Suede Shoes" was very popular with R&B; music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr, Shirley & Lee, Della Reese, the Cleftones, and the Spaniels with Illinois Jacquet's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, SC, Annapolis, MD, Pittsburgh, PA, Syracuse, Rochester and Buffalo, NY, into Canada, and through the mid Western US ending in Texas. In Columbia the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt. There was a lot of rioting going on, just crazy, man! The music drove 'em insane." In Annapolis 70,000 to 50,000 people tried to attend a sold out performance with 8,000 seats. Roads were clogged for seven hours.

Film makers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, The Treniers, The Platters, The Flamingos, all made it onto the big screen.

Two Elvis Presley records made the R&B; top five in 1957: "Jailhouse Rock"/"Treat Me Nice" at #1, and "All Shook Up" at #5, an unprecedented acceptance of a non-African American artist into a music category known for being created by blacks. Nat King Cole, a former jazz pianist who had had #1 and #2 hits on the pop charts in the early 1950s ("Mona Lisa" at #2 in 1950 and "Too Young" at #1 in 1951), had a record in the top 5 in the R&B; charts in 1958, "Looking Back"/"Do I Like It".

In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke's Sar, and Berry Gordy's Motown Records. Brook Benton was at the top of the R&B; charts in 1959 and 1960 with one #1 and two #2 hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Cole, Sinatra and Tony Bennett. Lloyd Price, who in 1952 had a #1 hit with "Lawdy Miss Clawdy" regained predominance with a version of "Stagger Lee" at #1 and "Personality" at #5 for in 1959.

The white bandleader of the Bill Black Combo, Bill Black, who had helped start Elvis Presley's career, was popular with black listeners. Ninety percent of his record sales were from black people, and his "Smokey, Part 2" (1959) rose to the #1 position on black music charts. He was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records.

1960s and later

Sam Cooke's #5 hit "Chain Gang" is indicative of R&B; in 1960, as is Chubby Checker's #5 hit "The Twist". By the early 1960s, the music industry category previously known as rhythm and blues was being called soul music, and similar music by white artists was labeled blue eyed soul. Motown Records had its first million-selling single in 1960 with The Miracles' "Shop Around", and in 1961, Stax Records had its first hit with Carla Thomas' "Gee Whiz! (Look at His Eyes)". Stax's next major hit, the Mar-Keys' instrumental "Last Night" (also released in 1961) introduced the rawer Memphis soul sound for which Stax became known. In Jamaica, R&B; influenced the development of ska.

By the 1970s, the term ''rhythm and blues'' was being used as a blanket term for soul, funk, and disco. Around the same time, earlier R&B; was an influence on British pub rock and later, the mod revival. Now the term ''R&B;'' is almost always used instead of the full ''rhythm and blues'', and mainstream use of the term usually refers to contemporary R&B;, which is a newer version of soul and funk-influenced pop music that originated as disco faded from popularity.

British rhythm and blues

British rhythm and blues developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain during the Cold War, or merchant seamen visiting ports such as London, Liverpool, Newcastle on Tyne and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in a "rawer" or "grittier" sound than the more popular "beat groups". Initially developing out of the trad jazz, skiffle and folk club scenes, early artists tended to focus on major blues performers and standard forms, particularly Alexis Korner, who acted as a mentor to members of The Rolling Stones, The Yardbirds, Manfred Mann, the Graham Bond Organisation and The Kinks. Blues songs and influences continued to surface in the Rolling Stones' music in later years. Other London-based bands included the Yardbirds, the Kinks, Manfred Mann and the Pretty Things, beside more jazz-influenced acts like the Graham Bond Organisation, Georgie Fame and Zoot Money. As a result a number of bands emerged to fill this gap, including Small Faces, The Creation, and most successfully The Who. The Who's early promotional material tagged them as producing "maximum rhythm and blues", but by about 1966 they moved from attempting to emulate American R&B; to producing songs that reflected the Mod lifestyle. Many of these bands enjoyed national success in the UK, but found it difficult to break into the American market.

The British R&B; bands produced music which was very different in tone from that of African American artists, often with more emphasis on guitars and sometimes with greater energy. They have been criticised for exploiting the massive catalogue of African American music, but it has also been noted that they both popularised that music, bringing it to British, world and in some cases American audiences, and helping to build the reputation of existing and past rhythm and blues artists. Most of these bands rapidly moved on from recording and performing American standards to writing and recording their own music, often leaving their R&B; roots behind. Many helped pioneer psychedelic, and eventually progressive and hard rock, having a major influence of the nature and sound of rock music and meaning that rhythm and blues would be a major component of that sound.

See also

African American music

Music of the United States

Chitlin' Circuit

Rhythm and Blues Foundation

Urban contemporary gospel

List of number-one rhythm and blues hits (United States)

List of artists who reached number one on the Billboard R&B; chart

Museum of African American Music

References

Category:African American music Category:African-American culture Category:African American history ar:ريذم أند بلوز az:R&B; bn:রিদম এ্যান্ড ব্লুজ br:Rhythm and blues bg:Ритъм енд блус ca:Rhythm and blues cs:Rhythm and blues cy:Rhythm a blŵs da:Rhythm and blues de:Rhythm and Blues et:Rhythm and blues el:Rhythm and blues es:Rhythm and blues eo:Ritmenbluso fa:ریتم و بلوز hif:Rhythm and blues fr:Rhythm and blues fy:Rhythm and blues gl:Rhythm and blues ko:리듬 앤 블루스 hi:रिद्म एंड ब्लूज़ hr:Ritam i blues id:R&B; is:Ryþmablús it:Rhythm and blues he:רית'ם אנד בלוז ka:რიტმ ენდ ბლუზი sw:Rhythm na blues lv:R&B; lt:Ritmenbliuzas hu:Rhythm and blues mk:Ритам и Блуз ms:Rhythm and blues my:Rhythm and blues nl:Rhythm-and-blues ja:リズム・アンド・ブルース no:Rhythm and blues nn:Rhythm and blues pl:Rhythm and blues pt:Rhythm and blues ro:Muzică rhythm and blues ru:Ритм-н-блюз sah:R&B; sq:Rhythm and blues scn:Rhythm and blues simple:Rhythm and blues sk:Rhythm and blues sl:Ritem in blues sr:Ritam i bluz sh:Rhytm and blues fi:Rhythm and blues sv:Rhythm and blues tl:Rhythm and blues ta:ரிதம் அண்ட் புளூஸ் th:ริทึมแอนด์บลูส์ tr:Rhythm and Blues uk:Ритм-енд-блюз vi:Rhythm and blues yo:Orin Rhythm and blues bat-smg:Rėtmabliozos zh:节奏布鲁斯

Coordinates	46°07′58″N64°46′17″N
name	Keep It Together
type	Album
artist	Guster
cover	Keepittogether.jpg
released	June 24, 2003
recorded	2001—2003
genre	Alternative rock
length	48:44
label	Palm, Reprise
producer	Roger Moutenot and Ron Aniello
last album	''WBR Sessions''(2003)
this album	''Keep It Together''(2003)
next album	''Live 09/04/03 Knoxville, TN''(2003) }}

''Keep It Together'' is an album by the band Guster released in June 2003. The album was recorded from 2001 to 2003 in Bearsville, New York, New York City, Burbank, California, and Shokan, New York. This is the first album by Guster that features Brian Rosenworcel on kit drums instead of hand percussion. ''Keep It Together'' went through several working titles, including ''Bitch Magic'', ''Olympia Dukakis'' and ''Come Downstairs & Say Hello''.

Joe Pisapia contributed guest vocals on "Jesus on the Radio." Just months after the release of the album, he became the new member of the band.

The song "I Hope Tomorrow Is Like Today" features Ben Kweller on vocals.

Track listing

#"Diane" – 3:46 #"Careful" – 3:42 #"Amsterdam" – 3:37 #"Backyard" – 2:55 #"Homecoming King" – 3:37 #"Ramona" – 3:06 #"Jesus on the Radio" – 2:17 #"Keep It Together" – 3:43 #"Come Downstairs and Say Hello" – 5:16 #"Red Oyster Cult" – 3:27 #"Long Way Down" – 4:34 #"I Hope Tomorrow Is Like Today" – 3:22 #"Silence" – 0:30 #"Two at a Time" (hidden track – 4:57)

Charts

Album - Billboard (North America)

! Year	! Chart	! Position
2003	The Billboard Top 200

Singles - Billboard (North America)

! Year	! Single	! Chart	! Position
		Adult Top 40
	Adult Top 40

Song facts

"Jesus on the Radio" - When the band plays the song live, they often play it "unplugged", without any instruments or microphones plugged in.

"Keep It Together" - The song can be heard at the end of the Season 1 The O.C. episode The Rescue.

"I Hope Tomorrow Is Like Today" - The song can be heard during the film Wedding Crashers, when John and Jeremy "break up".

See also

The Meowstro Sings - Guster's Keep It Together

References

Category:Guster albums Category:2003 albums

pt:Keep it Together

Coordinates	46°07′58″N64°46′17″N
name	Justin Bieber
background	solo_singer
birth name	Justin Drew Bieber
birth date	March 01, 1994
birth place	London, Ontario, Canada
origin	Stratford, Ontario, Canada
instrument	Vocals, guitar, piano, percussion, trumpet
genre	Pop, R&B;, teen pop
occupation	Singer, rapper, musician, actor
years active	2008–present
label	Island, RBMG
associated acts	Usher
website	justinbiebermusic.com }}

Justin Drew Bieber ( , born March 1, 1994) is a Canadian pop/R&B; singer, songwriter and actor. Bieber was discovered in 2008 by Scooter Braun, who came across Bieber's videos on YouTube and later became his manager. Braun arranged for him to meet with Usher in Atlanta, Georgia, and Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher, and then to a recording contract with Island Records offered by L.A. Reid. Bieber's debut single, "One Time", was released in 2009 and peaked in the top twenty in Canada and charted in the top thirty in several international markets. His debut album, the seven-track EP ''My World'', followed in November 2009, and was soon certified platinum in the United States. He became the first artist to have seven songs from a debut album chart on the ''Billboard'' Hot 100.

Bieber's first full-length studio album, ''My World 2.0'', was released in March 2010. It debuted at number one or within the top ten in several countries and was certified platinum in the United States. It was preceded by the worldwide top-ten single, "Baby". The music video of "Baby" is currently ranked as the most viewed and most discussed YouTube video. Bieber followed-up the release of his debut album with his first headlining tour, the My World Tour, the remix albums ''My Worlds Acoustic'' and ''Never Say Never – The Remixes'', and the 3D biopic-concert film ''Justin Bieber: Never Say Never'' – which had an opening weekend gross that nearly matched the record for the biggest opening weekend for a concert-film. Bieber released his second studio album, ''Under the Mistletoe'' in November 2011, which debuted at number one on the ''Billboard'' 200. Bieber has received numerous awards, including Artist of the Year at the 2010 American Music Awards — and has been nominated for numerous awards, including Best New Artist and Best Pop Vocal Album at the 53rd Grammy Awards. To date Bieber has sold more than 8 million albums worldwide.

Life and career

1994–2007: Childhood and youth

Bieber was born on March 1, 1994, in London, Ontario in St Joseph's Hospital, and was raised in Stratford, Ontario. Bieber's mother, Patricia Lynn "Pattie" Mallette, was 18 years old when she became pregnant. Mallette, originally from Stratford, raised her son with the help of her parents, Bruce and Diane. Mallette worked a series of low-paying office jobs, raising Bieber as a single mother in low-income housing. Bieber has maintained contact with his father, Jeremy Jack Bieber, who married another woman and had two children. Bieber's paternal great-grandfather was a German immigrant to Canada. Bieber's mother's ancestry is French Canadian. Bieber attended a French immersion school called the Stratford school Jean Sauve.

During his childhood, Bieber was interested in hockey, soccer, and chess; he often kept his musical aspirations to himself. As he grew up, Bieber taught himself to play the piano, drums, guitar, and trumpet. In early 2007, when he was twelve, Bieber sang Ne-Yo's "So Sick" for a local singing competition in Stratford and was placed second. Mallette posted a video of the performance on YouTube for their family and friends to see. She continued to upload videos of Bieber singing covers of various R&B; songs, and Bieber's popularity on the site grew. Chris Hicks, Bieber's A&R; at Island/Def Jam, explained the young artist's huge online following to HitQuarters by saying:

"He was doing something different. He was an attractive white kid singing very soulful R&B; hits. That set him apart immediately from anyone in his range because no one was covering or singing these kind of records. But equally important was that you believed in these songs – it was real. And you wanted to hear more."

2008–09: Discovery and ''My World''

While searching for videos of a different singer, Scooter Braun, a former marketing executive of So So Def, clicked on one of Bieber's 2007 videos by accident. Impressed, Braun tracked down the theater Bieber was performing in, located Bieber's school, and finally contacted Mallette. Mallette was reluctant because of Braun's Jewish religion; she remembered praying, "God, I gave him to you. You could send me a Christian man, a Christian label! ... you don’t want this Jewish kid to be Justin’s man, do you?" However, after praying with her church elders and receiving their encouragement, she permitted Braun to fly Bieber, then 13, to Atlanta, Georgia, to record demo tapes. A week after arriving, Bieber sang for R&B; singer/songwriter Usher. Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher. Justin Timberlake was also reportedly in the running to sign Bieber, but lost the bidding war to Usher. Usher then sought assistance in finding a label home for the artist from then manager Chris Hicks, who helped engineer an audition with his contact Antonio L.A. Reid of Island Def Jam Music Group. Reid signed Bieber to Island Records in October 2008 (resulting in a joint venture between RBMG and Island Records) and appointed Hicks as executive Vice-President of Def Jam where he would be able manage Bieber's career at the label. At that point, Bieber and his mother moved to Atlanta temporarily, also the home of Usher and Braun, to record and get counseling from Braun. Braun became Bieber's manager.

Bieber's first single, "One Time", was released to radio while Bieber was still recording his debut album. The song reached number 12 on the Canadian Hot 100 during its first week of release in July 2009, and later peaked at number 17 on the Billboard Hot 100. During fall 2009 it had success in international markets. The song was certified Platinum in Canada and the US and Gold in Australia and New Zealand. Bieber's first release, an extended play entitled ''My World'', was released on November 17, 2009. The album's second single, "One Less Lonely Girl", and two promo singles, "Love Me", and "Favorite Girl", were released exclusively on the iTunes store and charted within the top forty of the Billboard Hot 100. "One Less Lonely Girl" was later also released to radio and peaked within the top fifteen in Canada and the US, being certified Gold in the latter. ''My World'' was eventually certified Platinum in the US and Double Platinum in both Canada and the UK. To promote the album, Bieber performed on several live shows such as mtvU's VMA 09 Tour, European program ''The Dome'', YTV's ''The Next Star'', ''The Today Show'', ''The Wendy Williams Show'', ''Lopez Tonight'', ''The Ellen DeGeneres Show'', ''It's On with Alexa Chung'', ''Good Morning America'', ''Chelsea Lately'', and BET's ''106 & Park'' with Rihanna. Bieber also guest starred in an episode of ''True Jackson, VP'' in late 2009.

Bieber performed Stevie Wonder's "Someday at Christmas" for U.S. President Barack Obama and first lady Michelle Obama at the White House for ''Christmas in Washington'', which was broadcast on December 20, 2009, on U.S. television broadcaster TNT. Bieber was also one of the performers at Dick Clark's New Year's Rockin' Eve with Ryan Seacrest on December 31, 2009. Bieber was a presenter at the 52nd Grammy Awards on January 31, 2010. He was invited to be a vocalist for the remake of We Are The World (a song written by Michael Jackson and Lionel Richie) for its 25th anniversary to benefit Haiti after the earthquake. Bieber sings the opening line, which was sung by Lionel Richie in the original version. On March 12, 2010, a version of K'naan's "Wavin' Flag" recorded by a collective of Canadian musicians known as Young Artists for Haiti was released. Bieber is featured in the song, performing the closing lines.

2010−11: ''My World 2.0'' and ''Never Say Never'' film

"Baby", the lead single from his debut album, ''My World 2.0'', which features Ludacris, was released in January 2010 and became his biggest hit thus far, charting at number five in the U.S. and reaching the top ten in seven other countries. Two promo singles "Never Let You Go", and "U Smile" were top thirty hits on the U.S. Hot 100, and top twenty hits in Canada. According to review aggregator Metacritic, the album has received "generally favorable reviews". It debuted at number one on the U.S. ''Billboard'' 200, making Bieber the youngest solo male act to top the chart since Stevie Wonder in 1963. ''My World 2.0'' also debuted at number one on the Canadian Albums Chart, Irish Albums Chart, Australian Albums Chart, and the New Zealand Albums Chart and reached the top ten of fifteen other countries. To promote the album, Bieber appeared on several live programs including ''The View'', the 2010 Kids Choice Awards, ''Nightline'', ''The Late Show with David Letterman'', ''The Dome'' and ''106 and Park''. Bieber collaborated with Sean Kingston on his single "Eenie Meenie" which also appeared on Bieber's debut album. The song reached the top ten in the United Kingdom and Australia, and the top-twenty of most other markets. thumb|left|Bieber performing at the Conseco Fieldhouse, in August 2010 On April 10, 2010, Bieber was the musical guest on ''Saturday Night Live''. On July 4, 2010, Bieber performed at the Macy's Fourth of July Fireworks Spectacular in New York City. The second single from ''My World 2.0'', "Somebody to Love", was released in April 2010, and a remix was released featuring Bieber's mentor Usher. The single reached number ten in Canada, number fifteen in the United States, and the top twenty in multiple international countries.

On June 23, 2010, Bieber went on his first official headlining tour, the My World Tour, starting in Hartford, Connecticut, to promote ''My World'' and ''My World 2.0''. In July 2010, it was reported that Bieber was the most searched for celebrity on the Internet. That same month his music video, "Baby", surpassed Lady Gaga's "Bad Romance" to become the most viewed, and most disliked YouTube video ever. In September 2010, it was reported that Bieber accounted for three percent of all traffic on Twitter, according to an employee of the social-networking site.

Bieber began recording his second album in July 2010 in New York City. At this point, because of puberty, his voice was deeper than it was when he recorded his first album. In April 2010, the singer discussing his vocals remarked, "It cracks. Like every teenage boy, I'm dealing with it and I have the best vocal coach in the world. [...] Some of the notes I hit on "Baby" I can't hit anymore. We have to lower the key when I sing live."

Bieber guest-starred in the season premiere of the CBS crime drama ''CSI: Crime Scene Investigation'', which aired on September 23, 2010. He played a "troubled teen who is faced with a difficult decision regarding his only brother", who is also a serial bomber. Bieber was also in a subsequent episode which aired on February 17, 2011, in which his character is killed. Bieber performed a medley of "U Smile", "Baby", and "Somebody to Love" and briefly played the drums at the 2010 MTV Video Music Awards on September 12, 2010. Bieber announced in October 2010 that he would release an acoustic album, called ''My Worlds Acoustic''. It was released on Black Friday in the United States and featured acoustic versions of songs from his previous albums, and accompanied the release of a completely new song titled "Pray".

A 3-D part-biopic, part-concert film starring Bieber entitled ''Justin Bieber: Never Say Never'', was released on February 11, 2011, directed by ''Step Up 3D'' director Jon Chu. It topped the box office with an estimated grossing of $12.4 million on its opening day from 3,105 theaters. It grossed $30.3 million for the weekend and was narrowly beaten by the romantic comedy ''Just Go With It'', which grossed $31 million. ''Never Say Never'' is said to have exceeded industry expectations, nearly matching the $31.1 million grossed by Miley Cyrus's 2008 3-D concert film, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, which holds the record for the top debut for a music-documentary. The film is accompanied by his second remix album, ''Never Say Never – The Remixes'', released February 14, 2011, and features remixes of songs from his debut album, with guest appearances from Miley Cyrus, Chris Brown, and Kanye West, among others.

2011–present: ''Under The Mistletoe'' and ''Believe''

On February 27, 2011, Bieber attended the 2011 Vanity Fair Oscar Party with American actress and singer Selena Gomez, confirming several months of media speculation about a romantic relationship between the pair.

In June 2011, Bieber was ranked number 2 on the Forbes list of Best-Paid Celebrities under 30. He is the youngest star and 1 of 7 musicians on the list raking in with $53 million earned in a 12 month period. On November 1, 2011, Bieber released ''Under the Mistletoe'', his second studio album. It debuted at number one on the ''Billboard'' 200, selling 210,000 copies in its first week of release.

In late 2011, Bieber began recording his third studio album, entitled ''Believe''. Kanye West and Drake are confirmed to be featured on the album. On February 22, 2012, Bieber announced via Twitter that the first single off ''Believe'' will be released in March 2012. The following week, Bieber appeared on ''The Ellen DeGeneres Show'' to announce that the first single will be called "Boyfriend" and was released on March 26, 2012. The song was co-written by Mike Posner.

On March 31, 2012, Bieber reportedly took an interest of making a duet with singer and actress, Demi Lovato.

Image

Justin Bieber has a higher score on the Klout online "influence" scale than Barack Obama or The Dalai Lama. According to Jan Hoffman of ''The New York Times'', part of Bieber's appeal stems from his YouTube channel. Long before he released his EP, ''My World'', in mid-November, the YouTube videos attracted millions of views. Braun recognized the appeal. Prior to flying him to Atlanta, Braun wanted to "build him up more on YouTube first" and had Bieber record more home videos for the channel. "I said: 'Justin, sing like there’s no one in the room. But let's not use expensive cameras.' We'll give it to kids, let them do the work, so that they feel like it's theirs", recalled Braun. Bieber continues to upload videos to the same channel and has opened a Twitter account, from which he interacts with fans regularly; his account was reported in November 2010 to have over 6 million followers. Since then he has been consistently gaining followers at an average of 24,000 per day. The accounts also serve marketing purposes; for example, Bieber's music video for "One Time" only began selling quickly after it was uploaded to YouTube. Usher comments that while he and Bieber were both signed at the same age, "I had the chance to ramp up my success, where this has happened to Bieber abruptly." As a result, Usher, Braun, Bieber's bodyguard Kenny, and other adults surrounding Bieber constantly coach him on handling fame and his public image. After signing Bieber, Usher appointed one of his former assistants, Ryan Good, to be Bieber's road manager and stylist. Good, once nicknamed Bieber's "swagger coach", created a "streetwise look" for the singer which consisted of baseball caps, hoodies, dog chains and flashy sneakers. Amy Kaufman of ''The Los Angeles Times'' comments, "Though a product of a middle-class suburban upbringing in Stratford, Ontario, Bieber's manner of dress and speech ("Wassup man, how you doin'?" or "It's like, you know, whateva' ") suggest he's mimicking his favorite rappers."

Bieber is often featured in teen magazines such as ''Tiger Beat'', and has been labeled as a "teen hearthrob". Bieber has released a collection of nail varnishes to raise awareness for charity. Wax statues of Bieber are on display at Madame Tussauds wax museums in New York, Amsterdam and London. His change of hairstyle in 2010, and the consequent alterations to Bieber products, led to it being called 'the most expensive musical haircut of all time; one company spent $100,000 to fix its dolls for the 2011 Christmas season.

Bieber has been criticized for looking and sounding younger than his age, his teen-pop music, image, and frequent media attention. He has been a frequent target of Internet bloggers and message board posters, notably by users of Internet message board 4chan and users of YouTube. Nick Collins of ''The Daily Telegraph'' speculated that "Bieber's character also appears to strike a particularly sour note with his Internet critics, with many remarks commenting on his youthful appearance, his teen-pop songs, his image as a heart-throb to young teenage girls and his manner of speech".

Personal views

Bieber is a Christian, and said he has a relationship with Jesus, talks to him and that "he's the reason I'm here".

Bieber's comments in a February 2011 profile in ''Rolling Stone'' sparked controversy. Asked about abstinence, Bieber responded, "I don't think you should have sex with anyone unless you love them." He said he does not "believe in abortion" and that it is "like killing a baby". He described sexual orientation as "everyone's own decision." Bieber has contributed to the It Gets Better Project, which aims to prevent suicide among LGBT youth.

Bieber has said he is not interested in obtaining United States citizenship, praising Canada as being "the best country in the world", citing its health care system as an example.

Discography

''My World 2.0'' (2010)

''Under the Mistletoe'' (2011)

''Believe'' (2012)

Tours

2009: Urban Behavior Tour

2010–2011: My World Tour

Filmography

rowspan="4" ''Extreme Makeover: Home Edition'' Himself

Year !! Title !! Role !! Notes
rowspan="2"	2009	''True Jackson, VP''	>rowspan="3"| Guest star
''My Date With...''
	Silent Library (MTV series)>Silent Library''
''School Gyrls (film)	School Gyrls''	Cameo
''Saturday Night Live''
''CSI: Crime Scene Investigation''	Jason McCann
''Hubworld''	Guest star
''The X Factor (UK)''	Performer
rowspan="9"	2011	|	Guest star
''CSI: Crime Scene Investigation''	Jason McCann
''Khloé & Lamar''	|Episode:The Father In Law (uncredited) Himself playing the NBA Celebrity All Star Game
''Saturday Night Live''
''Justin Bieber: Never Say Never''	Himself
''Dancing With The Stars''	Guest star
''So Random!''	Himself
''Disney Parks Christmas Day Parade''	Guest star
''The X Factor (UK)''	Performer

Awards and nominations

References

Further reading

External links

Category:1994 births Category:Canadian child singers Category:Canadian Christians Category:Canadian dance musicians Category:Canadian expatriate musicians in the United States Category:Canadian Internet personalities Category:Canadian male singers Category:Canadian people of French descent Category:Canadian people of German descent Category:Canadian pop singers Category:Canadian rhythm and blues singers Category:Child pop musicians Category:Hip hop singers Category:Island Records artists Category:Musicians from Ontario Category:People from Stratford, Ontario Category:Living people

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