title | New Musical Express |
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image file | NME Cover.jpg |
company | IPC Media (Time Inc.) |
total circulation | 33,875 |
circulation year | ABC January - June 2010 |
language | English |
category | Music tabloid |
frequency | Weekly |
editor | Krissi Murison |
firstdate | 7 March 1952 |
country | United Kingdom |
website | www.nme.com |
issn | 0028-6362 }} |
Krissi Murison was named the publication's eleventh editor on 29 July 2009. She took over as the first female editor in September 2009.
The latter part of the 1960s saw the paper chart the rise of psychedelia and the continued dominance of British groups of the time. During this period some sections of pop music began to be designated as Rock. The paper became engaged in a sometimes tense rivalry with its fellow weekly music paper ''Melody Maker''; however, ''NME'' sales were healthy with the paper selling as many as 200,000 issues per week, making it one of the UK's biggest sellers.
After sales had plummeted to 60,000 and a review of guitar instrumentalist Duane Eddy had been printed which began with the immortal words 'On this, his 35th album, we find Duane in as good as voice as ever,' the NME had been told to rethink its policies or die on the vine.Adding to the irony of this review, in the 1960 NME Reader's Poll, Duane Eddy was the winner of the award for Number One World Musical Personality, taking first place ahead of consistent winner, Elvis Presley.
Alan Smith was made editor and was given a short period of time by IPC to turn things around quickly or face closure. As a result the paper's coverage changed radically from an uncritical and rather reverential showbiz-oriented paper to something intended to be smarter, hipper, more cynical and funnier than any mainstream British music paper had previously been (an approach influenced mainly by writers such as Tom Wolfe and Lester Bangs). In order to achieve this, Smith and his assistant editor Nick Logan raided the underground press for its best writers, such as Charles Shaar Murray and Nick Kent, recruited other writers such as Tony Tyler, Ian MacDonald and Californian Danny Holloway. By the time Smith handed the editor's chair to Logan in mid-1973, the paper was selling nearly 300,000 copies per week and was outstripping its other weekly rivals, ''Melody Maker'', ''Disc'', ''Record Mirror'' and ''Sounds''.
According to MacDonald:
I think all the other papers knew by 1974 that NME had become the best music paper in Britain. We had most of the best writers and photographers, the best layouts, that sense of style of humour and a feeling of real adventure. We also set out to beat Melody Maker on its strong suit: being the serious, responsible journal of record. We did Looking Back and Consumer Guide features that beat the competition out of sight, and we did this not just to surpass our rivals but because we reckoned that rock had finished its first wind around 1969/70 and deserved to be treated as history, as a canon of work. We wanted to see where we'd got to, sort out this huge amount of stuff that had poured out since the mid '60s. Everyone on the paper was into this.
Led Zeppelin topped "''NME Pop Poll''" for consecutive three years (1974–76) under the category of the best "Vocal Group". The year 1976 saw Punk arrive on what some people perceived to be a stagnant music scene. The ''NME'' gave the Sex Pistols their first music press coverage in a live review of their performance at the Marquee in February that year, but overall they were slow to cover this new phenomenon in comparison to Sounds and Melody Maker, where Jonh Ingham and Caroline Coon respectively were early champions of punk. Although articles by the likes of Mick Farren (whose article "The Titanic Sails At Dawn", a call for a new street led rock movement in response to stadium rock) were published by the NME that summer it was felt that younger blood was needed to credibly cover the emerging punk movement, and the paper advertised for a pair of ''"hip young gunslingers"'' to join their editorial staff. This resulted in the recruitment of Tony Parsons and Julie Burchill. The pair rapidly became champions of the Punk scene and created a new tone for the paper (Parsons' time at NME is reflected in his 2005 novel ''Stories We Could Tell'', about the misadventures of three young music paper journalists on the night of 16 August 1977, the night Elvis Presley died).
In 1978 Logan moved on, and his deputy Neil Spencer was made editor. One of his earliest tasks was to oversee a redesign of the paper by Barney Bubbles, which included the logo still used on the paper's masthead today (albeit in a modified form) - this made its first appearance towards the end of 1978. Spencer's time as editor also coincided with the emergence of Post-Punk acts such as Joy Division and Gang of Four. This development was reflected in the writing of Ian Penman and Paul Morley. Danny Baker, who began as an NME writer around this time, had a more straightforward and populist style.
The paper also became more openly political during the time of Punk. Its cover would sometimes feature youth-oriented issues rather than a musical act. The paper took an editorial stance against political parties like the National Front. The election of Margaret Thatcher in 1979 saw the paper take a broadly socialist stance for much of the following decade.
The ''NME'' responded to the Thatcher era by espousing socialism through movements such as Red Wedge. In the week of the 1987 election the paper featured an interview with the leader of the Labour Party, Neil Kinnock, who appeared on the paper's cover. He had appeared on the cover once before, in April 1985.
Writers at this time included Mat Snow, Barney Hoskyns, Paolo Hewitt, Danny Kelly, Chris Bohn (known in his later years at the paper as Biba Kopf), Steven Wells and David Quantick.
However sales were dropping, and by the mid 1980s ''NME'' had hit a rough patch and was in danger of closing. During this period (now under the editorship of Ian Pye, who replaced Neil Spencer in 1985), they were split between those who wanted to write about hip hop, a genre that was relatively new to the UK, and those who wanted to stick to rock music. Sales were apparently lower when photos of hip hop artists appeared on the front and this led to the paper suffering as the lack of direction became even more apparent to readers. A number of features entirely unrelated to music appeared on the cover in this era, including a piece by William Leith on computer crime and articles by Stuart Cosgrove on such subjects as the politics of sport and the presence of American troops in Britain, with Elvis Presley appearing on the cover not for musical reasons but as a political symbol.
The ''NME'' was generally thought to be rudderless at this time, with staff pulling simultaneously in a number of directions in what came to be known as the "hip-hop wars". It was hemorrhaging readers who were deserting ''NME'' in favour of Nick Logan's two creations ''The Face'' and ''Smash Hits''. This was brought to a head when the paper was about to publish a poster of an insert contained in the Dead Kennedys' album ''Frankenchrist''. The insert was a painting by H.R. Giger called Penis Landscape, then a subject of an obscenity lawsuit in the US. In the summer and autumn of 1987, three senior editorial staff were sacked, including Pye, media editor Stuart Cosgrove and art editor Joe Ewart. Former ''Sounds'' editor Alan Lewis was brought in to rescue the paper, mirroring Alan Smith's revival a decade and a half before.
Some commented at this time that the ''NME'' had become less intellectual in its writing style and less inventive musically. Initially, ''NME'' writers themselves were ill at ease with the new regime, with most signing a letter of no confidence in Alan Lewis shortly after he took over. However, this new direction for the ''NME'' proved to be a commercial success and the paper brought in new writers such as Andrew Collins, Stuart Maconie, Mary Anne Hobbs and Steve Lamacq to give it a stronger identity and sense of direction, although Mark Sinker left in 1988 after the paper refused to publish a negative review he wrote of U2's Rattle and Hum. Initially many of the bands on the C86 tape were championed as well as the rise of Goth rock bands but new bands such as Happy Mondays and The Stone Roses were coming out of Manchester. One scene over these years was Acid House which spawned Madchester which helped give the paper a new lease of life. By the end of the decade, Danny Kelly had replaced Alan Lewis as editor.
By the end of 1990, the Madchester scene was dying off, acid house was suffering from being the subject of a vigorous campaign to outlaw it by the John Major government, and ''NME'' had started to report on new bands coming from the US, mainly from Seattle. These bands would form a new movement called Grunge and by far the most popular bands were Nirvana and Pearl Jam. The ''NME'' took to Grunge very slowly ("Sounds" was the first British music paper to write about grunge with John Robb being the first person to interview Nirvana. ''Melody Maker'' was more enthusiastic early on, largely through the efforts of Everett True, who had previously written for ''NME'' under the name "The Legend!"). For the most part, ''NME'' only became interested in grunge after ''Nevermind'' became popular. Although it still supported new British bands, the paper was dominated by American bands, as was the music scene in general.
Although the period from 1991 to 1993 was dominated by American bands like Nirvana, British bands were not ignored. The ''NME'' still covered the Indie scene and was involved with a war of words with a new band called Manic Street Preachers who were criticising the ''NME'' for what they saw as an elitist view of bands they would champion. This came to a head in 1991 when during an interview with Steve Lamacq, Richey Edwards would confirm the band's position by carving "4real" into his arm with a razor blade.
By 1992, the Madchester scene had died and along with The Manics, some new British bands were beginning to appear. Suede were quickly hailed by the paper as an alternative to the heavy Grunge sound and hailed as the start of a new British music scene. Grunge however was still the dominant force, but the rise of new British bands would become something the paper would focus more and more upon.
In 1992, the ''NME'' also had a very public dispute with its former hero Morrissey due to allegations that he had used racist lyrics and imagery. This erupted after a concert at Finsbury Park where Morrissey was seen to drape himself in a Union Flag. The series of articles which followed in the next edition of ''NME'' soured Morrissey's relationship with the paper and this led to Morrissey's not speaking to the paper again for over a decade. When Morrissey did eventually speak to the NME in 2003, he made it clear it was because the three writers concerned had long since left.
Later in 1992, Steve Sutherland, previously assistant editor of ''Melody Maker'', was brought in as the ''NME'''s editor to replace Danny Kelly. Andrew Collins, Stuart Maconie, Steve Lamacq and Mary Anne Hobbs all left the ''NME'' in protest, and moved to ''Select''; Collins, Maconie and Lamacq would all also write for ''Q'', while Lamacq would join ''Melody Maker'' in 1997. Kelly, Collins, Maconie, Lamacq and Hobbs would all subsequently become prominent broadcasters with BBC Radio 1 as it reinvented itself under Matthew Bannister.
In April 1994 Nirvana frontman Kurt Cobain was found dead, a story which affected not only his fans and readers of the ''NME'', but would see a massive change in British music. Grunge was about to be replaced by Britpop, a new form of music influenced by British music of the 1960s and British culture. The phrase was coined by ''NME'' after the band Blur released their album ''Parklife'' in the same month of Cobain's death. Britpop began to fill the musical and cultural void left after Cobain's death, and Blur's success, along with the rise of a new group from Manchester called Oasis saw Britpop explode for the rest of 1994. By the end of the year Blur and Oasis were the two biggest bands in the UK and sales of the ''NME'' were increasing thanks to the Britpop effect. 1995 saw the ''NME'' cover many of these new bands and saw many of these bands play the ''NME Stage'' at that year's Glastonbury Festival where the paper had been sponsoring the second stage at the festival since 1993. This would be their last year sponsoring the stage, subsequently the stage would be known as the 'Other Stage'.
In August 1995 Blur and Oasis planned to release singles on the same day in a mass of media publicity. Steve Sutherland put the story on the front page of the paper. He was criticised for playing up the duel between the bands. Blur won the 'race' for the top of the charts, and the resulting fallout from the publicity led to the paper enjoying increased sales during the 1990s as Britpop became the dominant musical genre. After this peak the paper saw a slow decline as Britpop burned itself out fairly rapidly over the next few years. This left the paper directionless again, and attempts to embrace the rise of DJ culture in the late 1990s only led to the paper being criticised for not supporting rock or indie music. The paper did attempt to return to its highly politicised 1980s incarnation by running a front-cover story in March 1998 condemning Tony Blair, who had previously associated himself with Britpop bands such as Oasis, and this received a certain level of attention in the wider media, but was generally not seen as coherent or well-argued.
Sutherland did attempt to cover newer bands but one cover feature on Godspeed You! Black Emperor in 1999 saw the paper dip to a sales low, and Sutherland later stated in his weekly editorial that he regretted putting them on the cover. For many this was seen as an affront to the principles of the paper and sales reached a low point at the turn of the millennium.
In 2000 Steve Sutherland left to become Brand Director of the ''NME'', replaced as editor by 26-year-old ''Melody Maker'' writer Ben Knowles. The same year saw the closure of the ''Melody Maker'' (which officially merged with the ''NME'') and many speculated the ''NME'' would be next as the weekly music magazine market was shrinking - the monthly magazine ''Select'', which had thrived especially during Britpop, was closed down within a week of ''Melody Maker''. In the early 2000s the ''NME'' also attempted somewhat to broaden its coverage again, running cover stories on hip-hop acts such as Jay-Z and Missy Elliott, electronic music pioneer Aphex Twin, ''Popstars'' winners Hear'say and R&B; groups like Destiny's Child, but as in the 1980s these proved unpopular with much of the paper's readership, and were soon dropped. In 2001 the ''NME'' reasserted its position as an influence in new music and helped to introduce bands including The Strokes, The Vines, and The White Stripes.
In 2002 Conor McNicholas was appointed editor. With a new wave of photographers including Dean Chalkley, Andrew Kendall, James Looker and Pieter Van Hattem, and a high turnover of young writers. It focused on new British bands such as The Libertines, Franz Ferdinand, Bloc Party and the Kaiser Chiefs who emerged as "indie music" continued to grow in commercial success. Later, Arctic Monkeys became the standard-bearers of the post-Libertines crop of indie bands, being both successfully championed by the ''NME'' and receiving widespread commercial and critical success.
In December 2005 accusations were made that the ''NME'' end-of-year poll had been edited for commercial and political reasons. These criticisms were rebutted by McNicholas, who claimed that webzine Londonist.com had got hold of an early draft of the poll.
In October 2006 NME launched an Irish version of the magazine called NME Ireland. This coincided with the launch of Club NME in Dublin. Dublin-based band Humanzi were the first to appear on the cover of NME Ireland. Poor sales in the Republic of Ireland resulted from competition from market leader Hot Press and free music magazines Analogue Magazine, Mongrel Magazine and State Magazine. This resulted in the magazine's demise in November 2006.
After the 2008 NME Award nominations, Caroline Sullivan of ''The Guardian'' criticised the magazine's lack of diversity, saying:
In May 2008 the magazine received a redesign, aimed at an older readership with a less poppy, more authoritative tone. The first issue of the redesign featured a free seven-inch Coldplay vinyl single. Circulation of the magazine has fallen continuously since 2003. In the first half of 2010, the magazine's circulation was 33,875, 53% down on a 2003 figure of 72,442.
The website was awarded Online Magazine of the Year in 1999 and 2001; Anthony Thornton was awarded Website Editor of the Year on three occasions - 2001 and 2002 (British Society Of Magazine Editors) and 2002 (Periodical Publishers Association).
In 2004, Ben Perreau joined NME.COM as the website's third editor. He relaunched and redeveloped the title in September 2005 and the focus was migrated towards video, audio and the wider music community. It was awarded 'Best Music Website' at the Record Of The Day awards in October 2005. In 2006 NME.COM celebrated with a party at London's KOKO featuring Leicester band Kasabian and was subsequently awarded the BT Digital Music Award for Best Music Magazine and the first 'Chairman's Award' from the Association of Online Publishers awarded by the Chairman, Simon Waldman in recognition of its pioneering role in its ten-year history.
In 2007 NME.COM was launched in the USA with additional staff and plans to launch its Breaking Bands contest and the NME Awards across the Atlantic.
The site now provides news, photos, video, blogs, reviews, gig listings and videos as well as featuring downloads, merchandising and message boards.
The website over the last year has shifted its focus to also include tabloid gossip alongside its traditional music news, with regular news articles entitled "Daily Ligger" and "Tabloid Hell".
In 2007 NME.com had a free download from The Verve, the first songs The Verve released since they got back together.
In October 2007 David Moynihan joined as the website's fourth editor. In 2008 the site won the BT Digital Music Award for Best Music Magazine, plus the Association of Online Publishers' Best Editorial Team Award, the British Society of Magazine Editors Website Editor of the Year and the Record Of The Day Award for Best Music Website. In June 2009 NME.COM won PPA Interactive Consumer Magazine of the Year (Periodical Publishers Association). In 2010 it won both the AOP and PPA website of the year award.
According to the latest traffic figures, NME.COM now has 5.3 million monthly unique users (ABCe, June 2008), making it the largest magazine website in the UK.
In 2010 NME.COM launched NME Breakthrough, a new music community for artists, bands and fans.
Category:British music magazines Category:Publications established in 1952 Category:Weekly magazines
ca:NME cs:NME cy:NME da:NME de:New Musical Express es:NME fa:انامای fr:New Musical Express hr:New Musical Express id:NME is:NME it:New Musical Express he:NME hu:New Musical Express nl:NME (tijdschrift) ja:ニュー・ミュージカル・エクスプレス no:New Musical Express nn:NME pl:New Musical Express pt:NME ru:New Musical Express simple:New Musical Express fi:New Musical Express sv:New Musical Express th:เอ็นเอ็มอี tr:NME zh:新音乐快递This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Dave Grohl |
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Background | solo_singer |
Landscape | Yes |
Birth name | David Eric Grohl |
Alias | Late! (pseudonym for his solo album ''Pocketwatch''), Probot |
Birth date | January 14, 1969 |
Birth place | Warren, Ohio |
Genre | Alternative rock, grunge, hardcore punk, hard rock, heavy metal |
Occupation | Musician, singer-songwriter |
Years active | 1981–present |
Instrument | Vocals, drums, guitar, bass guitar, piano |
Label | RCA Capitol DGC Dischord |
Associated acts | Nirvana, Foo Fighters, Scream, Them Crooked Vultures, Probot, Queens of the Stone Age, Tenacious D |
notable instruments | Gibson SG Custom Gibson DG-335/Trini LopezGibson Firebird }} |
At the age of twelve, Grohl began learning to play guitar. He quickly grew tired of lessons and instead taught himself, and began playing in bands with friends. A year later, Grohl and his sister spent the summer in Evanston, Illinois, at their cousin Tracy's house. Tracy introduced them to punk rock by taking the pair to shows by a variety of punk bands. "From then on we were totally punk," Grohl explained. "We went home and bought ''Maximumrocknroll'' and tried to figure it all out."
In Virginia, Grohl attended Thomas Jefferson High School as a freshman and sophomore. He was elected vice president of his freshman class and played bits of songs by bands like the Circle Jerks and Bad Brains over the school intercom before his morning announcements. During his junior year, Grohl and his mother decided that he should transfer to Bishop Ireton High School in Alexandria because his marijuana usage was affecting his grades.
While in high school, Grohl played in several local bands, including a stint on guitar in a band called Freak Baby. While playing in Freak Baby, he taught himself to play drums. When Freak Baby kicked out its bass player, Grohl decided to switch to drums, and the new band called themselves Mission Impossible. During his developing years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-circle logo tattooed on his wrist. Mission Impossible later rebranded themselves Fast before breaking up, after which Grohl joined the post-punk-influenced hardcore punk band Dain Bramage.
Many of Grohl's early influences were gained at the 9:30 club, a live music venue in Washington D.C.: "I went to the 9:30 club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life."
While playing in Scream, Grohl became a fan of Melvins and eventually befriended the band. During a 1990 tour stop on the west coast, The Melvins' Buzz Osborne took a couple of his friends, Kurt Cobain and Krist Novoselic, to see the band.
At the time that Grohl joined Nirvana, the band had already recorded several demos for what would be the follow-up to their debut album ''Bleach'', having spent time recording with producer Butch Vig in Wisconsin. Initially, the plans were to release the album on Sub Pop, but the band found itself receiving a great deal of major label interest based on the demos. Grohl spent the initial months with Nirvana traveling to various major labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the studio to record the album.
Upon its release, ''Nevermind'' exceeded all expectations and became a massive success, catapulting the band to worldwide stardom. At the same time, Grohl found himself fighting with his status in the band. While his drumming style was a significant element in the band's success, Grohl saw himself as just another in a long line of drummers. In his mind, Nirvana was the band that recorded ''Bleach''; his arrival had altered that sound dramatically, and, as he saw it, not necessarily in a positive way. Though Grohl had been writing songs for several years, he declined to introduce his songs to the band for fear of damaging the band's chemistry. Instead, Grohl compiled his songs and recorded them himself, releasing a cassette called ''Pocketwatch'' in 1992 on indie label Simple Machines. Rather than using his own name, Grohl released the cassette under the pseudonym "Late!".
In the later years of Nirvana, Grohl's songwriting contributions increased. In Grohl's initial months in Seattle, Cobain overheard him working on a song called "Color Pictures of a Marigold", and the two ended up working on it. Grohl would later record the song for the ''Pocketwatch'' cassette. During the sessions for ''In Utero'', he decided to re-record the song, and the band released this version as a b-side on the "Heart-Shaped Box" single, titled simply "Marigold". Earlier, as the band worked on new material for ''In Utero'', Grohl contributed the main guitar riff for what ended up becoming "Scentless Apprentice". Cobain conceded in a late 1993 MTV interview that he initially thought the riff was "kind of boneheaded", but was gratified at how the song developed (a process captured in part in a demo on the Nirvana box set ''With the Lights Out''). Cobain noted that he was excited at the possibility of having Novoselic and Grohl contribute more to the band's songwriting.
Prior to their 1994 European tour, the band decided to schedule session time at Robert Lang Studios in Seattle to work on demos. For most of the three-day session, Cobain was absent, so Novoselic and Grohl worked on demos of their own songs. The duo completed several of Grohl's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day of the session, Cobain finally arrived, and the band recorded a demo of a song later named "You Know You're Right". It was the band's final studio recording.
At the same time, Grohl wondered if his future might be in drumming for other bands. In November, Grohl took a brief turn with Tom Petty and the Heartbreakers, including a memorable performance on ''Saturday Night Live''. Petty asked him to join permanently, but Grohl realized that his future lay elsewhere, and thus he declined the invitation. Grohl's name was also rumored as a possible replacement for Pearl Jam drummer Dave Abbruzzese, and Grohl even performed with the band for a song or two at three shows during Pearl Jam's March 1995 Australian tour. However, by then, Pearl Jam had already settled on ex- Red Hot Chili Peppers drummer, Jack Irons, and Grohl had other solo plans in the works.
After passing the demo around, Grohl found himself with considerable major label interest. Nirvana's A&R; rep Gary Gersh had subsequently taken over as president of Capitol Records and lured Grohl to sign with the label. Grohl did not want the effort to be considered the start of a solo career so he recruited other band members: former Germs and touring Nirvana guitarist Pat Smear, and two members of the band Sunny Day Real Estate, William Goldsmith (drums) and Nate Mendel (bass). Rather than re-record the album, Grohl's demo was given a professional mix by Rob Schnapf and Tom Rothrock and was released in July 1995 as Foo Fighters' debut album.
During a break between tours, the band entered the studio and recorded a cover of Gary Numan's "Down in the Park". In February 1996, Grohl and his then-wife Jennifer Youngblood made a brief cameo appearance on the X-Files third season episode "Pusher". (The two can be spotted walking in the FBI building, just after the Pusher character has put on his phony pass. Grohl pauses to look at his watch.)
After touring for the self-titled album for more than a year, Grohl returned home and began work on the soundtrack to the 1997 movie ''Touch''. Grohl performed all of the instruments and vocals himself, save for vocals from Veruca Salt singer Louise Post on the title track, and vocals and guitar by X's John Doe on "This Loving Thing (Lynn's Song)". Grohl completed the recording in two weeks, and immediately joined Foo Fighters to work on their follow-up.
In the midst of the initial sessions for Foo Fighters' second album, tension emerged between Grohl and Goldsmith. According to Goldsmith, "Dave had me do 96 takes of one song, and I had to do thirteen hours' worth of takes on another one. ... It just seemed that everything I did wasn't good enough for him, or anyone else." Goldsmith also believed that Capitol and producer Gil Norton wanted Grohl to drum on the album. With the album seemingly complete, Grohl headed home to Virginia with a copy of the rough mixes, and found himself unhappy with the results. Grohl penned a few new songs, recording one of them, "Walking After You", by himself at a studio in Washington, DC. Inspired by the session, Grohl opted to move the band, without Goldsmith's knowledge, to Los Angeles to re-record most of the album with Grohl behind the kit. After the sessions were complete, Goldsmith officially announced his departure from the band.
The effort was released in May 1997 as the band's second album, ''The Colour and the Shape'', which eventually cemented Foo Fighters as a staple of rock radio. The album spawned several hits, including "Everlong", "My Hero", and "Monkey Wrench". Just prior to the album's release, former Alanis Morissette drummer Taylor Hawkins joined the band on drums. The following September, Smear (a close friend of Jennifer Youngblood) left the band, citing a need to settle down following a lifetime of touring. Smear was subsequently replaced by Grohl's former Scream bandmate Franz Stahl. (Stahl departed the band prior to recording of Foo Fighters' third album and was replaced by touring guitarist Chris Shiflett, who later became a full-fledged member during the recording of ''One by One''.)
Grohl's life of non-stop touring and travel continued with Foo Fighters' popularity. During his infrequent pauses he lived in Seattle and Los Angeles before returning to Alexandria, Virginia. It was there that he turned his basement into a recording studio where the 1999 album ''There Is Nothing Left to Lose'' was recorded.
In 2000, the band recruited Queen guitarist Brian May to add some guitar flourish to a cover of Pink Floyd's "Have a Cigar", a song which Foo Fighters previously recorded as a b-side. The friendship between the two bands resulted in Grohl and Taylor Hawkins being asked to induct Queen into the Rock and Roll Hall of Fame in 2001. Grohl and Hawkins joined May and Queen drummer Roger Taylor to perform "Tie Your Mother Down", with Grohl standing in on vocals for Freddie Mercury. (May later contributed guitar work for the song "Tired of You" on the ensuing Foo Fighters album, as well as on an unreleased Foo Fighters song called "Knucklehead".)
Near the end of 2001, Foo Fighters returned to the studio to work on their fourth album. After four months in the studio, with the sessions finished, Grohl accepted an invitation to join Queens of the Stone Age and helped them to record their 2002 album ''Songs for the Deaf''. (Grohl can be seen drumming for the band in the video for the song "No One Knows".) After a brief tour through North America, Britain and Japan with the band and feeling rejuvenated by the effort, Grohl recalled the other band members to completely re-record their album at his studio in Virginia. The effort became their fourth album, ''One by One''. While initially pleased with the results, in another 2005 ''Rolling Stone'' interview, Dave Grohl admitted to not liking the record: "Four of the songs were good, and the other seven I never played again in my life. We rushed into it, and we rushed out of it."
On November 23, 2002, Grohl achieved a historical milestone by replacing himself on the top of the ''Billboard'' Modern Rock chart, when "You Know You're Right" by Nirvana was replaced by "All My Life" by Foo Fighters. When "All My Life" ended its run, after a one week respite, "No One Knows" by Queens of the Stone Age took the number one spot. Between October 26, 2002 and March 1, 2003 Grohl was in the number one spot on the Modern Rock charts for 17 of 18 successive weeks, as a member of three different groups.
Grohl and Foo Fighters released their fifth album ''In Your Honor'' on June 14, 2005. Prior to starting work on the album, the band spent almost a year relocating Grohl's home-based Virginia studio to a brand new facility, dubbed Studio 606, located in a warehouse near Los Angeles. Featuring collaborations with John Paul Jones of Led Zeppelin, Josh Homme of Queens of the Stone Age and Norah Jones, the album was a departure from previous efforts, and included one rock and one acoustic disc.
Foo Fighters's sixth studio album ''Echoes, Silence, Patience & Grace'' was released on September 25, 2007. It was recorded during a three-month period between March 2007 and June 2007, and its release was preceded by the first single "The Pretender" on September 17. The second single, "Long Road to Ruin", was released on December 3, 2007, followed by the third single, "Let It Die", June 24, 2008.
On November 3, 2009 Foo Fighters released their first ''Greatest Hits'' collection, consisting of 16 tracks including a previously unreleased acoustic version of "Everlong" and two new tracks "Wheels" and "Word Forward" which were produced by Nevermind's producer Butch Vig. Grohl has been quoted saying the ''Greatest Hits'' is too early and "...can look like an obituary." He does not feel they have written their best hits yet.
The Foo Fighters' seventh studio album, ''Wasting Light'', was released on April 12, 2011. It is the first Foo Fighters album to reach #1 in the United States.
In 1993, Grohl was recruited to help recreate the music of The Beatles' early years for the movie ''Backbeat''. Grohl played drums in an "all-star" lineup that included Greg Dulli of the Afghan Whigs, indie producer Don Fleming, Mike Mills of R.E.M., Thurston Moore of Sonic Youth, and Dave Pirner of Soul Asylum. A music video was filmed for the song "Money (That's What I Want)" while Grohl was with Nirvana on their 1994 European tour, footage of Grohl was filmed later and included.
Later in 1994, Grohl played drums on two tracks for Mike Watt's ''Ball-Hog or Tugboat?''. In early 1995, Grohl and Foo Fighters played their first US tour opening for Watt, and helped make up Watt's supporting band. Nicknamed the "Ringspiel" tour, Watt's band featured Grohl and William Goldsmith on drums, Eddie Vedder and Pat Smear on guitar, and Watt on bass.
During the early 2000s, Grohl spent time in his basement studio writing and recording a number of songs for a "metal" project. Over the span of several years, Grohl recruited his favorite metal vocalists from the 1980s, including Lemmy of Motörhead, Conrad "Cronos" Lant from Venom, King Diamond, Scott Weinrich, and Max Cavalera of Sepultura, to perform the vocals for the songs. The project was released in 2004 under the moniker Probot.
Also in 2003, Grohl stepped behind the kit to perform on Killing Joke's second self-titled album. The move surprised some Nirvana fans, given that Nirvana had been accused of stealing the opening riff of "Come as You Are" from Killing Joke's 1984 song "Eighties". However, the controversy failed to create a lasting rift between the bands. Foo Fighters covered Killing Joke's "Requiem" during the late 1990s, and were even joined by Killing Joke singer Jaz Coleman for a performance of the song at a show in New Zealand in 2003.
Grohl lent his drumming skills to other artists during the early 2000s. In 2000, Dave played drums and sang on a track, "Goodbye Lament", from Tony Iommi's album ''Iommi''. In 2001, Grohl performed on Tenacious D's debut album, and appeared in the video for lead single "Tribute" as Satan. He later appeared in the duo's 2006 movie ''Tenacious D in The Pick of Destiny'' as Beelzeboss and performed on its soundtrack. In 2002, Grohl helped Chan Marshall of Cat Power on the album ''You Are Free'' and played with Queens of the Stone Age on their album ''Songs for the Deaf''. Grohl also toured with the band in support of the album, delaying work on the Foo Fighters' album One by One. In 2004, Grohl drummed on several tracks for Nine Inch Nails' 2005 album ''With Teeth''. He also drummed on the song "Bad Boyfriend" on Garbage's 2005 album ''Bleed Like Me''. Most recently, he recorded all the drums on Juliette and the Licks's 2006 album ''Four on the Floor'' and the song "For Us" from Pete Yorn's 2006 album ''Nightcrawler''. Beyond drumming, Grohl contributed guitar to a cover of Neil Young's "I've Been Waiting For You" on David Bowie's 2002 album ''Heathen''.
In June 2008, Grohl was Paul McCartney's special guest for a concert at the Anfield football stadium in Liverpool, in one of the central events of the English city's year as European Capital of Culture. Grohl joined McCartney's band singing backup vocals and playing guitar on "Band on the Run" and drums on "Back in the U.S.S.R." and "I Saw Her Standing There". Grohl also performed with McCartney at the 51st Grammy Awards, again playing drums on "I Saw Her Standing There". Grohl also helped pay tribute to McCartney at the 2010 Kennedy Center Honors along with No Doubt, Norah Jones, Steven Tyler, James Taylor, and Mavis Staples. He sang a duet version of "Maybe I'm Amazed" with Norah Jones on Dec. 5 2010.
Grohl played drums on the tracks 'Run With The Wolves' and 'Stand Up' on The Prodigy's 2009 album Invaders Must Die. In July 2009, it was revealed that Grohl was recording with Josh Homme and John Paul Jones as Them Crooked Vultures. The trio performed their first show together on August 9, 2009 at Metro in Chicago. The band played their first UK gig on August 26, 2009, with a surprise appearance at Brixton Academy in London, supporting the Arctic Monkeys. The band released their debut album Them Crooked Vultures on November 16, 2009 in the UK and November 17, 2009 in the US. Grohl has recently been involved in producing emerging Brit-rock outift A Band Called Bert, notably on the track ''It's Over Now''.
On February 6, 2010, Grohl performed with his band Them Crooked Vultures the songs "Mind Eraser, No Chaser" and "New Fang" as musical guests on Saturday Night Live. Dave Grohl appeared as an old punk rock drummer reuniting the group "Crisis of Conformity" after 25 years in a skit later on in the episode.
On October 23, 2010, Grohl performed with Tenacious D at Blizzcon. He appeared as the drummer for the entire concert.
Also in 2010, Grohl helped write and performed on drums for "Watch This" with guitarist Slash and Duff McKagan on Slash's self titled album that also included many other famous artists.
Outside of his music projects, Grohl will be making a cameo in the 2011 film ''The Muppets''.
He then went on to marry Jordyn Blum on August 2, 2003, at their home in Los Angeles. Guests included Clive Davis, Jack Black, and former Nirvana bandmate Krist Novoselic. On April 15, 2006, their daughter Violet Maye was born in Los Angeles, being named after Grohl's maternal grandmother. Earlier that year, Foo Fighters bandmate Taylor Hawkins told MTV, "We're going to be touring Europe in January and February, but we've got to be home by March, because Dave and his wife are having a baby," he said, adding, "but I probably wasn't supposed to tell you that." Grohl said that he had been playing music to his unborn child, saying "she 'likes' The Beatles. Doesn't really get down to The Beach Boys. Digs Mozart." On April 17, 2009, Grohl's second child, daughter Harper Willow, was born.
Grohl has been vocal in his views on drug misuse, contributing to a 2009 anti-drug video for the BBC. "I have never done cocaine, ever in my life. I have never done heroin, I have never done speed," he said in a 2008 interview, adding that he had stopped smoking marijuana and taking acid at the age of 20. In the BBC video he said "I've seen people die. It ain't easy being young, but that stuff doesn't make it any easier".
In May 2006, Grohl sent a note of support to the two trapped miners in the Beaconsfield mine collapse in Tasmania, Australia. In the initial days following the collapse, one of the men requested an iPod with Foo Fighters album ''In Your Honor'', to be sent down to them through a small hole. Grohl's note read, in part, "Though I'm halfway around the world right now, my heart is with you both, and I want you to know that when you come home, there's two tickets to any Foos show, anywhere, and two cold beers waiting for yous. Deal?" In October 2006, one of the miners took up his offer, joining Grohl for a drink after Foo Fighters acoustic concert at the Sydney Opera House. Grohl wrote an instrumental piece for the meeting, which Grohl pledged he would include on the band's next album. The song, titled "Ballad of the Beaconsfield Miners," appears on Foo Fighters' 2007 release ''Echoes, Silence, Patience & Grace'', and features Kaki King.
In August 2009 Grohl was given the key to the city of Warren, Ohio and performed the songs "Everlong", "Times Like These", and "My Hero". A roadway in downtown Warren named "David Grohl Alley" has been dedicated to him with murals by local artists.
In 2000 while on tour with Foo Fighters in Australia, Grohl was arrested by Australian police while driving a scooter for driving under the influence following a concert on the Gold Coast in Queensland. He was fined $400 and had his Australian driving permit revoked for three months. Following the incident Grohl stated: "So, people, I guess if there's anything to learn here, it's: don't drive after a few beers, even if you feel entirely capable like I did."
Category:1969 births Category:American male singers Category:American multi-instrumentalists Category:American music video directors Category:American punk rock drummers Category:American rock drummers Category:American rock guitarists Category:American rock singer-songwriters Category:Backing vocalists Category:Foo Fighters members Category:Grammy Award winners Category:Grunge musicians Category:Killing Joke members Category:Musicians from Ohio Category:Musicians from Virginia Category:Nirvana members Category:People from Fairfax County, Virginia Category:People from Warren, Ohio Category:Queens of the Stone Age members Category:Scream members Category:Living people Category:English-language singers Category:American heavy metal drummers
bs:Dave Grohl bg:Дейв Грол ca:Dave Grohl cs:Dave Grohl co:Dave Grohl da:Dave Grohl de:Dave Grohl et:Dave Grohl el:Ντέιβ Γκρολ es:Dave Grohl eu:Dave Grohl fa:دیو گرول fr:Dave Grohl ga:Dave Grohl gl:Dave Grohl ko:데이브 그롤 hr:Dave Grohl id:Dave Grohl is:Dave Grohl it:Dave Grohl he:דייב גרוהל ka:დეივ გროლი lt:Dave Grohl hu:Dave Grohl mn:Дэйв Грол nl:Dave Grohl ja:デイヴ・グロール no:Dave Grohl nn:Dave Grohl uz:Dave Grohl pl:Dave Grohl pt:Dave Grohl ru:Грол, Дэйв sq:Dave Grohl simple:Dave Grohl sk:Dave Grohl sr:Дејв Грол sh:Dave Grohl fi:Dave Grohl sv:Dave Grohl tr:Dave Grohl uk:Дейв Грол zh:戴夫·格羅爾This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Kathy Kirby |
---|---|
background | solo_singer |
birth name | Kathleen O'Rourke |
born | October 20, 1938Ilford, Essex, England |
died | May 19, 2011London, England |
instrument | Vocals |
genre | Pop |
occupation | Singer |
years active | 1963–1983 |
label | Decca Records |
past members | }} |
She adopted the look of a "blonde bombshell", and was compared to Marilyn Monroe. She had five Top 40 hits between 1963 and 1965, the best known of which is her cover version of "Secret Love". In 1963 she won Top British Female Singer in the ''New Musical Express'' poll.
Kirby became one of the biggest stars of the early to mid 1960s, appearing in the Royal Command Variety Performance and three television series for BBC TV. She represented the United Kingdom in the Eurovision Song Contest in 1965, and came second with the song "I Belong". Author and historian John Kennedy O'Connor describes Kirby's "I Belong" as being far more representative of current musical tastes than other songs from the contest, but she was beaten by France Gall from Luxembourg, singing an even more contemporary song written by Serge Gainsbourg. She also sang the theme tune of the BBC television series ''Adam Adamant Lives!''.
After the chart success of "I Belong", Kirby recorded more than a dozen more singles between 1965 and 1967, but they all failed to chart. She continued to make television appearances, and her 1974 appearance on ''The Wheeltappers and Shunters Social Club'' TV variety show is available to watch on YouTube.
During the 1970s Kirby's singing career was eclipsed by a turbulent personal life, but she made occasional television appearances and performed a few live concerts on the "nostalgia circuit". On 31 December 1976, she performed her hit song "Secret Love" on BBC1's ''A Jubilee Of Music'', celebrating British pop music for Queen Elizabeth II's impending Silver Jubilee.
In December 1983 she gave one last concert in Blackpool, then retired from show business altogether.
Interest in Kirby and her work continued long after she stopped performing particularly among gay men, for whom she was something of an icon. In her last decade, she recorded short greetings for her official website, A biography was published in 2005, and there was a 2008 stage show about her life, called ''Secret Love''.
The ''Daily Express'' reported in 2008 that plans for a new filmed interview had been abandoned, but later reports confirmed that the interview had been filmed, and it was subsequently included on a DVD compilation released the following year. She also gave an interview to the ''Express'' in 2009, billed as her first in 26 years, although a previous one had been published in 2006 , which included recent photographs.
Following the 2009 interview, the ''Sunday Express'' reported that some previously unreleased recordings would be made available on CD in 2010, and that Kirby had been approached to appear on ''Desert Island Discs''., although neither the programme nor the CD has appeared.
Kirby was married briefly to writer and former London policeman Frederick Pye in the 1970s. Following her bankruptcy in 1975, and a court case following an arrest over an unpaid hotel bill, she was referred to St Luke's psychiatric hospital in London in 1979. Following her discharge, she had a live-in lesbian relationship with a fan, Laraine McKay, and said that they intended to marry. McKay was imprisoned for fraud and forgery. In the early 1980s, Kirby had relationships with musician David Cross and lawyer Alan Porter.
Kirby was diagnosed with schizophrenia and was in poor physical and mental health for much of her life. Following her retirement, she lived in a series of apartments and hotels in West London, settling in an apartment in Emperor's Gate, South Kensington, surviving on state benefits and some royalties, many of which went missing and maintaining what has been called a "Garbo-esque" seclusion. Very shortly before her death, Kirby moved to Brinsworth House in Twickenham.
One of Kirby's nieces, Sarah, is married to Mark Thatcher and another, Claudia, became Lady Rothermere after marrying Viscount Rothermere.
She is survived by her sister, Pat, and her brother, Douglas.
Year | Title | Chart positions | ||||||||
"Dance On" | ||||||||||
"Let Me Go, Lover!" | ||||||||||
"You're The One" | ||||||||||
1965 |
Note: Kirby had one charted single on the US Billboard Hot 100. "The Way Of Love" peaked at #88 in 1965; Cher also recorded the track.
Category:1938 births Category:2011 deaths Category:British Eurovision Song Contest entrants Category:Decca Records artists Category:English female singers Category:English people of Irish descent Category:English pop singers Category:Eurovision Song Contest entrants of 1965 Category:People from Ilford Category:People with schizophrenia Category:Traditional pop music singers
de:Kathy Kirby fr:Kathy Kirby ga:Kathy Kirby lb:Kathy Kirby nl:Kathy Kirby pt:Kathy Kirby sh:Kathy Kirby sv:Kathy KirbyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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