Coordinates | 33°55′31″N18°25′26″N |
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Name | Jim Reeves |
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Background | solo_singer |
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Birth name | James Travis Reeves |
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Alias | Gentleman Jim |
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Born | August 20, 1923Galloway, Texas, U.S. |
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Died | July 31, 1964Williamson County, Tennessee, U.S. |
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Genre | Country, Nashville sound |
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Occupation | Singer-songwriter, musician |
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Years active | 1949–1964 |
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Associated acts | Chet Atkins, Floyd Cramer, Dottie West |
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Label | RCA, Fabor, Macy, Abbott |
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Website | }} |
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James Travis "Jim" Reeves (August 20, 1923July 31, 1964) was an American country and popular music singer-songwriter, record charting from the 1950s to the 1980s, who, since the end of the 1950s, is well-known for being a practitioner of the new established, so-called ''Nashville sound'' (a mixture of older country-style music with elements of popular music). Known as Gentleman Jim, his songs continued to score the charts for years after his death. Reeves died at age 40 in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.
Early life and education
Jim Reeves was born in
Galloway, Texas, a small rural community near
Carthage. Winning an athletic scholarship to the
University of Texas, he enrolled to study speech and drama, but quit after only six weeks to work in the shipyards in
Houston. Soon he resumed baseball, playing in the semi-professional leagues before contracting with the
St. Louis Cardinals "farm" team during 1944 as a right-handed pitcher. He played for the minor leagues for three years before severing his
sciatic nerve while pitching, which ended his athletic career.
Early career
Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success. Influenced by such Western swing-music artists as
Jimmie Rodgers and
Moon Mullican, as well as popular singers
Bing Crosby,
Eddy Arnold and
Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.
He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, home of the popular radio program ''Louisiana Hayride''. According to former ''Hayride'' master of ceremonies Frank Page, one day singer Sleepy LaBeef was late for a performance for the ''Hayride'', and Reeves was asked to substitute. (Other accounts—-including Reeves himself, in an interview on the RCA album ''Yours Sincerely''—-name Hank Williams as the absentee.)
Initial success in the 1950s
Reeves' first successful country music songs included "I Love You" (a duet with
Ginny Wright), "
Mexican Joe", "
Bimbo" and other songs with both Fabor Records and Abbott Records companies. He recorded only one album for Abbott, 1955's ''Jim Reeves Sings'' (Abbott 5001). Eventually he tired of the novelty category, and contracted with the RCA Victor company instead. During 1955, Reeves was signed to a 10-year recording contract by Steve Sholes, who produced some of Reeves' first recordings at
RCA and signed
Elvis Presley for the company that same year.
For his earliest RCA recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time. He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA. During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer. "Four Walls" not only scored #1 on the country music charts, but scored No. 11 on the popular music charts. Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the "Nashville sound".
Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this. His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".
He is also responsible for popularizing many Gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.
Early 1960s and international fame
Reeves scored his greatest success with the
Joe Allison composition "
He'll Have to Go", a great success on both the popular and country music charts, which earned him a
platinum record. Released during late 1959, it scored number one on ''
Billboard magazine'''s
Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive. Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein". In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet touch."
During 1975, RCA producer Chet Atkins told an interviewer, "Jim wanted to be a tenor but I wanted him to be a baritone... After he changed his voice to that smooth deeper sound, he was immensely popular."
Reeves' international popularity during the 1960s, however, at times surpassed his popularity in the United States, helping to give country music a worldwide market for the first time.
South Africa
During the early 1960s, Reeves was more popular than
Elvis Presley in
South Africa and recorded several albums in the
Afrikaans language. During 1963, he toured and featured in a South African film, ''
Kimberley Jim''. The film was released with a special prologue and epilogue in South African cinemas after Reeves' death, praising him as a true friend of the country. The film was produced, directed and written by
Emil Nofal.
Reeves was one of an exclusive trio of performers to have released an album there that played at the little-used 16⅔ rpm speed. This unusual format was more suited to the spoken word and was quickly discontinued for music. The only other artists known to have released such albums in South Africa were Elvis Presley and Slim Whitman.
Britain and Ireland
Reeves toured Britain and Ireland during 1963 between his tours of South Africa and Europe. Reeves and the Blue Boys were in Ireland from May 30 to June 19, 1963, with a tour of US military bases from June 10 to June 15, when they returned to Ireland. They performed in most counties in Ireland, though Reeves occasionally abbreviated performances because he was unhappy with the piano. In a June 6, 1963 interview with ''Spotlight'' magazine, Reeves expressed his concerns about the tour schedule and the condition of the pianos, but said he was pleased with the audiences.
There was a press reception for him at the Shannon Shamrock Inn organised by Tom Monaghan of Bunratty Castle. Show band singers Maisie McDaniel and Dermot O' Brien welcomed him on 29 May 1963. A photograph appeared in the ''Limerick Leader'' on 1 June 1963. Press coverage continued from May until Reeve's arrival with a photograph of the press reception in ''The Irish Press''. ''Billboard'' magazine in the US also reported the tour before and after. The single "Welcome to My World" with the B/W side "Juanita" was released by the RCA company during June 1963 and bought by the distributors Irish Records Factors Ltd. This scored the record number one while Reeves was there during June.
There were a number of accounts of his dances in the local newspapers and a good account was given in ''The Kilkenny People'' of his dance in the Mayfair Ballroom where 1,700 persons were present. There was a photograph in ''The Donegal Democrat'' of Reeves singing in the Pavesi Ball Room on 7 June 1963, and an account of his non-appearance on stage in ''The Diamond'', Kiltimagh, Co. Mayo in ''The Western People'' representing how the tour went in different areas.
He planned to record an album of popular Irish songs, and had three number one songs in Ireland during 1963 and 1964: "Welcome to My World", "I Love You Because", and "I Won't Forget You". (The last two are estimated to have sold 860,000 and 750,000 respectively in Britain alone, excluding Ireland.) Reeves had 11 songs in the Irish charts from 1962 to 1967. He recorded two Irish ballads, "Danny Boy" and "Maureen". "He'll Have to Go" was his most popular song there and was at number one and on the charts for months during 1960. He was one of the most popular recording artists in Ireland, in the first ten after the Beatles, Elvis and Cliff Richard.
He was permitted to perform in Ireland by the Irish Federation of Musicians on the condition that he share the bill with Irish show bands, becoming popular by 1963. The British Federation of Musicians would not permit him to perform there because no agreement existed for British show bands to travel to America in exchange for the Blue Boys playing in Britain. Reeves, however, performed for British radio and TV programs.
Norway
Reeves visited Njårdhallen, Oslo on April 16, 1964 with
Bobby Bare,
Chet Atkins, the Blue Boys and
The Anita Kerr Singers. They performed two concerts; the second was televised and recorded by the Norwegian network (NRK - Norsk Rikskringkasting). The complete concert, however, was not recorded, including some of Reeves' last songs. There are reports he performed "You're the Only Good Thing (That's Happened to Me)" in this section. The program was re-run many times over the years.
His first success in Norway, "He'll Have to Go", scored No. 1 in the Top Ten and scored the chart for 29 weeks. "I Love You Because" was his greatest success in Norway, scoring No. 1 during 1964 and scoring on the list for 39 weeks. His albums spent 696 weeks in the Norwegian Top 20 chart, making him among the most popular music artists of the history of Norway.
Last recording session
Reeves' last recording session for RCA had produced "
Make the World Go Away", "Missing You", and "Is It Really Over?" When the session ended with some time remaining on the schedule, Reeves suggested he record one more song. He taped "
I Can't Stop Loving You", in what was to be his last RCA recording. He made one later recording, however, at the little studio in his home. During July 1964 Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment. That recording was never released by RCA but appeared during 2003 as part of a collection of Reeves songs, after RCA had sold its rights to Reeves' recordings.
Death
On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left
Batesville, Arkansas, en route to Nashville in a single-engine
Beechcraft Debonair aircraft, with Reeves at the controls. The two had secured a deal on some real property (Reeves had also unsuccessfully tried to buy property from the LaGrone family in
Deadwood, Texas, north of his birthplace of Galloway).
While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation. It was later believed he was flying the airplane upside down and assumed he was increasing altitude to clear the storm. The plane faded from radar screens at around 5:00 p.m. CDT and radio communication was ended. When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash. The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of US Interstate 65, and southwest of Nashville International Airport where Reeves planned to land. Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.
On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally. Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.
Legacy
Reeves was elected posthumously to the
Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence. His rich voice brought millions of new fans to country music from every corner of the world. Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."
During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located. The inscription on the memorial reads, "If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."
Posthumous releases
Reeves' records continued to sell well, both earlier new albums, after his death. His widow, Mary, combined unreleased tracks with previous releases (placing updated instrumentals alongside Reeves' original vocals) to produce a regular series of "new" albums after her husband's death. She also operated The Jim Reeves Museum in Nashville from the mid-1970s until 1996. On the fifteenth anniversary of Jim's death Mary told a country music magazine interviewer, "Jim Reeves my husband is gone; Jim Reeves the artist lives on."
During 1966, Reeves' record "Distant Drums" scored No. 1 on the British singles chart and scored there for five weeks, besting competition from The Beatles' "Yellow Submarine" and "Eleanor Rigby" (a double-sided "A" release), and the Small Faces' song, "All Or Nothing". The song scored on the UK charts for 45 weeks and scored #1 on the US country music chart. Originally, "Distant Drums" had been recorded merely as a "demo" for its composer, Cindy Walker, believing it was for her personal use and had been deemed "unsuitable" for general release by Chet Atkins and RCA Records. During 1966, however, RCA determined that there was a market for the song because of the war in Vietnam. It was named Song of the Year in the UK during 1966 and Reeves became the first American artist to receive the accolade. That same year, singer Del Reeves (no relation) recorded an album paying tribute to him.
Reeves' compilation albums containing well-known standards continue to sell well. ''The Definitive Collection'' scored No. 21 in the UK album charts during July 2003, and ''Memories are Made of This'' scored No. 35 during July 2004. Bear Family Records produced a 16-CD boxed set of Reeves' studio recordings and several smaller sets, mainly radio broadcasts and demos. During 2007, the label released a set entitled ''Nashville Stars on Tour,'' including audio and video material of the RCA European tour during April 1964 in which Reeves features prominently.
Since 2003, the US-based VoiceMasters has issued more than 80 previously unreleased Reeves recordings, including new songs as well as newly overdubbed material. Among them was "I'm a Hit Again", the last song he recorded in his basement studio just a few days before his death. VoiceMasters overdubbed this track in the same studio in Reeves' former home (now owned by a Nashville record producer). Reeves' fans repeatedly urged BMG or Bear Family to re-release some of the songs overdubbed during the years after his death which have never appeared on CD.
A compilation CD ''The Very Best of Jim Reeves'' scored No. 8 on initial release in the UK album chart during May 2009, to later score its maximum of No. 7 during late June, his first top 10 album in the UK since 1992.
India and Sri Lanka
Reeves had many fans in both India and Sri Lanka since the 1960s, and is likely the all-time most popular English language singer in Sri Lanka. His
Christmas carols are especially popular, and music stores continue to carry his CDs or audio cassettes. Two of his songs, "There's a Heartache Following Me" and "Welcome to My World," were favorites of the Indian spiritual teacher
Meher Baba, leading Baba follower
Pete Townshend of
The Who to record his own version of "Heartache" on his first major solo album ''
Who Came First'' during 1972.
Robert Svoboda, in his trilogy on aghora and the Aghori Vimalananda, mentions that Vimalananda considered Reeves a gandharva, i.e. in Indian tradition, a heavenly musician, who had been born on Earth. He had Svoboda play Reeves' "Take My Hand, Precious Lord" at his cremation.
Tributes
Tributes to Reeves were composed in Britain and Ireland after his death. The song "A Tribute to Jim Reeves" was written by Eddie Masterson and recorded by
Larry Cunningham and The Mighty Avons and during January 1965 it scored on the UK Charts and Top Ten in Ireland. It scored the UK Charts on the 10 December 1964 and was there for 11 weeks and sold 250,000 copies. The Dixielanders Show Band also recorded a Tribute to Jim Reeves written by Steve Lynch and recorded during September 1964 and it scored the North of Ireland Charts during September 1964. The Masterson song was translated later into Dutch and recorded.
In the UK, "We'll Remember You" was written by Geoff Goddard but not released until 2008 on the ''Now & Then: From Joe Meek To New Zealand'' double album by Houston Wells.
Reeves remains a popular artist in Ireland and many Irish singers have recorded tribute albums. A play by author Dermot Devitt, ''Put Your Sweet Lips,'' was based on Reeves' appearance in Ireland at the Pavesi Ballroom in Donegal town on June 7, 1963 and reminiscences of people there.
Blind R&B; and blues music artist Robert Bradley (of the band Robert Bradley's Blackwater Surprise) paid tribute to Reeves in the album description of his release, ''Out of the Wilderness''. Bradley is quoted as saying, "This record brings me back to the time when I started out wanting to be a singer-songwriter, where the music did not need the New York Philharmonic to make it real...I wanted to do a record and just be Robert and sing straight like Jim Reeves on ‘Put Your Sweet Lips a Little Closer to the Phone.'"
English comedian Vic Reeves adopted his stage name from Reeves and Vic Damone, two of his favorite singers.
Discography
Notes
References
Vinopal, David. - [ Jim Reeves]. -
AllMusic
Jim Reeves Discography. - LP Discography - Covers & Lyrics. - (US charted singles and albums)
Bergan, Jon Vidar (2006). "Store Rock- Og Pop- Leksikon". - ''Big Rock and Pop Encyclopedia''. - Kunnskapsforlaget, Oslo. - (UK charted singles)
Gilde, Tore (1994). "Den Store Norske Hitboka". - ''The Big Norwegian Hit Book''. - Exlex Forlag A/S, Oslo. - (Norway charted singles and albums)
Rumble, John (1998). "Jim Reeves". - ''The Encyclopedia of Country Music''. - Paul Kingsbury, Editor. - New York: Oxford University Press. - pp. 435–6. - ISBN 9780195176087
Stanton, Scott (2003). "Jim Reeves". - ''The Tombstone Tourist: Musicians''. - New York: Simon & Schuster. ISBN 0743463307
Houston Wells (Official Myspace)
External links
Jim Reeves photos
Jim Reeves Memorial in Carthage, Texas
Jim Reeves at the Country Music Hall of Fame
"The Jim Reeves Way" - Website with audio clips
Jim Reeves fan club
Jim Reeves Museum in Voxna, Sweden
Large collection of Reeves information (Dutch)
Jim Reeves European fan site
Category:1923 births
Category:1964 deaths
Category:American country singers
Category:American male singers
Category:Aviators killed in aviation accidents or incidents in the United States
Category:Victims of aviation accidents or incidents in the United States
Category:Country Music Hall of Fame inductees
Category:Grand Ole Opry members
Category:RCA Victor artists
Category:Abbott Records artists
Category:People from Carthage, Texas
Category:Accidental deaths in Tennessee
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