Janis Lyn Joplin was born at St. Mary's Hospital in the oil-refining town of Port Arthur, Texas, near the border with Louisiana. Her father was a cannery worker and her mother was a registrar for a business college. As an overweight teenager, she was a folk-music devotee (especially 'Odetta (I)' (qv), 'Leadbelly' (qv) and 'Bessie Smith' (qv)). After graduating from Thomas Jefferson High School, she attended Lamar State College and the University of Texas, where she played auto-harp in Austin bars. A fraternity voted her the Ugliest Man on Campus in 1963, and she spent two years traveling, performing and becoming drug-addicted. Back home in 1966, her friend 'Chet Helms' (qv) suggested she become lead singer for 'Big Brother and the Holding Company' (qv), an established Haight-Ashbury band consisting of guitarists 'James Gurley (I)' (qv) and 'Sam Andrew' (qv), bassist 'Peter Albin' (qv) and drummer 'Dave Getz' (qv)). She got wide recognition through the Monterey Pop Festival in 1967, highlights of which were released in _Monterey Pop (1968)_ (qv), and with the band's landmark second album, "Cheap Thrills". She formed her "Kosmic Blues Band" the following year and achieved still further recognition as a solo performer at Woodstock in 1969, highlights released in _Woodstock (1970)_ (qv). In the spring of 1970, she sang with the "Full Tilt Boogie Band" and, on October 4 of that year, she was found dead in Hollywood's Landmark Motor Hotel (now known as Highland Gardens Hotel) from a heroin-alcohol overdose the previous day. Her ashes were scattered off the coast of California. Her biggest selling album was the posthumously released "Pearl", which contained her quintessential song: "Me & Bobby McGee".
Coordinates | 41°52′55″N87°37′40″N |
---|---|
Name | Janis Joplin |
Background | solo_singer |
Birth name | Janis Lyn Joplin |
Born | January 19, 1943 Port Arthur, Texas, United States |
Died | October 04, 1970 Los Angeles, California, United States |
Instrument | Vocals, guitar, autoharp, harmonica, percussion |
Genre | Blues-rock, psychedelic rock, blues, hard rock, soul, country, folk |
Occupation | Singer, songwriter, musician, arranger, painter, dancer |
Years active | 1962–1970 |
Label | Columbia |
Associated acts | Big Brother & the Holding CompanyKozmic Blues BandFull Tilt Boogie Band The Grateful Dead |
Website | officialjanis.com }} |
Janis Lyn Joplin (January 19, 1943 – October 4, 1970) was an American singer, songwriter, painter, dancer and music arranger. She rose to prominence in the late 1960s as the lead singer of Big Brother and the Holding Company and later as a solo artist with her backing groups, The Kozmic Blues Band and The Full Tilt Boogie Band. At the height of her career she was known as ''The Queen of Rock and Roll'' as well as ''The Queen of Psychedelic Soul''. ''Rolling Stone'' magazine ranked Joplin number 46 on its list of the 100 Greatest Artists of All Time in 2004, and number 28 on its 2008 list of 100 Greatest Singers of All Time.
As a teenager, she befriended a group of outcasts, one of whom had albums by African-American blues artists Bessie Smith and Leadbelly, whom Joplin later credited with influencing her decision to become a singer. She began singing in the local choir and expanded her listening to blues singers such as Odetta and Big Mama Thornton.
Primarily a painter while still in school, she first began singing blues and folk music with friends. While at Thomas Jefferson High School, she stated that she was mostly shunned. Joplin was quoted as saying, "I was a misfit. I read, I painted, I didn't hate niggers." As a teen, she became overweight and her skin broke out so badly she was left with deep scars which required dermabrasion. Other kids at high school would routinely taunt her and call her names like "pig," "freak" or "creep." Among her classmates were G. W. Bailey and Jimmy Johnson.
Joplin graduated from high school in 1960 and attended Lamar State College of Technology in Beaumont, Texas, during the summer and later the University of Texas at Austin, though she did not complete her studies. The campus newspaper ''The Daily Texan'' ran a profile of her in the issue dated July 27, 1962 headlined "She Dares To Be Different." The article began, "She goes barefooted when she feels like it, wears Levi's to class because they're more comfortable, and carries her Autoharp with her everywhere she goes so that in case she gets the urge to break into song it will be handy. Her name is Janis Joplin."
Cultivating a rebellious manner, Joplin styled herself in part after her female blues heroines and, in part, after the Beat poets. Her first song recorded on tape, at the home of a fellow student in December 1962, was "What Good Can Drinkin' Do". She left Texas for San Francisco ("just to get away from Texas," she said, "because my head was in a much different place") in January 1963, living in North Beach and later Haight-Ashbury. In 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, further accompanied by Margareta Kaukonen on typewriter (as percussion instrument). This session included seven tracks: "Typewriter Talk," "Trouble In Mind," "Kansas City Blues," "Hesitation Blues", "Nobody Knows You When You're Down and Out", "Daddy, Daddy, Daddy" and "Long Black Train Blues," and was later released as the bootleg album ''The Typewriter Tape.''
Around this time her drug use increased, and she acquired a reputation as a "speed freak" and occasional heroin user. She also used other psychoactive drugs and was a heavy drinker throughout her career; her favorite beverage was Southern Comfort.
In the spring of 1965, Joplin's friends, noticing the physical effects of her amphetamine habit (she was described as "skeletal" and "emaciated"), persuaded her to return to Port Arthur, Texas. In May 1965, Joplin's friends threw her a bus-fare party so she could return home. Back in Port Arthur, she changed her lifestyle. She avoided drugs and alcohol, began wearing relatively modest dresses, adopted a beehive hairdo, and enrolled as a sociology major at Lamar University in nearby Beaumont, Texas. During her year at Lamar University, she commuted to Austin to perform solo, accompanying herself on guitar. One of her performances was reviewed in the ''Austin American-Statesman''. Joplin became engaged to a man who visited her, wearing a blue serge suit, to ask her father for her hand in marriage, but the man terminated plans for the marriage soon afterwards.
On August 23, 1966, during a four week engagement in Chicago, the group signed a deal with independent label Mainstream Records. Joplin relapsed into drinking when she and her bandmates (except for Peter Albin) joined some "alcoholic hipsters," as Joplin biographer Ellis Amburn described them, in Chicago. The band recorded tracks in a Chicago recording studio, but the label owner Bob Shad refused to pay their airfare back to San Francisco. Shortly after four of the five musicians drove from Chicago to Northern California with very little money (Albin traveled by plane), they returned to Lagunitas. It was there that Joplin relapsed into intravenous drug use with the encouragement of James' wife Nancy Gurley. Three years later Joplin, by then using a different band, was informed of Nancy's death from an overdose.
One of Joplin's earliest major performances in 1967 was the Mantra-Rock Dance, a musical event held on January 29 at the Avalon Ballroom by the San Francisco Hare Krishna temple. Janis Joplin and Big Brother performed there along with the Hare Krishna founder Bhaktivedanta Swami, Allen Ginsberg, Moby Grape, and Grateful Dead, donating proceeds to the Krishna temple.
In early 1967, Joplin met Country Joe McDonald of the group Country Joe and the Fish. The pair lived together as a couple for a few months. Joplin and Big Brother began playing clubs in San Francisco, at the Fillmore West, Winterland and the Avalon Ballroom. They also played at the Hollywood Bowl in Los Angeles, as well as in Seattle, Washington and Vancouver, British Columbia, the Psychedelic Supermarket in Boston, Massachusetts, and the Golden Bear Club in Huntington Beach, California.
The band's debut album was released by Columbia Records in August 1967, shortly after the group's breakthrough appearance in June at the Monterey Pop Festival. Two songs from Big Brother's set at Monterey were filmed. ''Combination of the Two'' and a version of Big Mama Thornton's ''Ball and Chain'' appear in the DVD box set of D.A. Pennebaker's documentary ''Monterey Pop'' released by The Criterion Collection. The film captured Cass Elliot, singer in The Mamas and the Papas, seated in the audience silently mouthing "Wow! That's really heavy!" during Joplin's performance of ''Ball and Chain''. Only ''Ball and Chain'' was included in the film that was released to theaters nationwide in 1969 and shown on television in the 1970s. Those who did not attend Monterey Pop saw the band's performance of ''Combination of the Two'' for the first time in 2002 when The Criterion Collection released the box set.
After switching managers from Chet Helms to Julius Karpen in 1966, the group signed with top artist manager Albert Grossman, whom they met for the first time at Monterey Pop. For the remainder of 1967, Big Brother performed mainly in California. On February 16, 1968, the group began its first East Coast tour in Philadelphia, and the following day gave their first performance in New York City at the Anderson Theater. On April 7, 1968, the last day of their East Coast tour, Joplin and Big Brother performed with Jimi Hendrix, Buddy Guy, Joni Mitchell, Richie Havens, Paul Butterfield, and Elvin Bishop at the "Wake for Martin Luther King, Jr." concert in New York.
''Live at Winterland '68'', recorded at the Winterland Ballroom on April 12 and 13, 1968, features Joplin and Big Brother and the Holding Company at the height of their mutual career working through a selection of tracks from their albums. A recording became available to the public for the first time in 1998 when Sony Music Entertainment released the compact disc.
During the spring of 1968, Joplin and Big Brother made their nationwide television debut on ''The Dick Cavett Show'', an ABC daytime variety show hosted by Dick Cavett. Shortly thereafter, network employees wiped the videotape. In later years she made three appearances on the primetime Cavett program, and all were preserved. Throughout 1968, the band was billed as "Janis Joplin and Big Brother and the Holding Company," although the media coverage given to Joplin incurred resentment among the other members of the band. The other members of Big Brother thought that Joplin was on a "star trip," while others were telling Joplin that Big Brother was a terrible band and that she ought to dump them.
''TIME'' magazine called Joplin "probably the most powerful singer to emerge from the white rock movement," and Richard Goldstein, wrote for the May 1968 issue of ''Vogue'' magazine that Joplin was "the most staggering leading woman in rock... she slinks like tar, scowls like war... clutching the knees of a final stanza, begging it not to leave... Janis Joplin can sing the chic off any listener."
''Cheap Thrills'' reached #1 on the Billboard 200 album chart eight weeks after its release, remaining for eight (nonconsecutive) weeks. The album was certified gold at release and sold over a million copies in the first month of its release. The lead single from the album, "Piece of My Heart" reached #12 on the Billboard Hot 100 in the fall of 1968.
The band made another East Coast tour during July–August 1968, performing at the Columbia Records convention in Puerto Rico and the Newport Folk Festival. After returning to San Francisco for two hometown shows at the Palace of Fine Arts Festival on August 31 and September 1, Joplin announced that she would be leaving Big Brother. The group continued touring through the fall and Joplin gave her last official performance with Big Brother at a Family Dog benefit on December 1, 1968.
By early 1969, Joplin was allegedly shooting at least $200 worth of heroin per day, although efforts were made to keep her clean during the recording of ''I Got Dem Ol' Kozmic Blues Again Mama!''. Gabriel Mekler, who produced the ''Kozmic Blues'', told publicist-turned-biographer Myra Friedman after Joplin's death that the singer had lived in his house during the June 1969 recording sessions at his insistence so he could keep her away from drugs and her drug-using friends.
The Kozmic Blues Band performed on many television shows with Joplin. On one episode of ''The Dick Cavett Show'' they performed ''Try (Just A Little Bit Harder)'' as well as ''To Love Somebody''. As Cavett interviewed Joplin, she admitted that she had a terrible time touring in Europe, claiming that audiences there are very uptight and don't get down. She also revealed that she was a big fan of the then unknown Tina Turner, saying that she was an incredible singer, dancer and show woman.
Joplin and the Kozmic Blues Band toured North America and Europe throughout 1969, appearing at Woodstock in the early morning hours of Sunday, August 17. Her friend Peggy Caserta claimed in a 1973 book that she encouraged Joplin to perform at the festival. Joplin informed her band that they would be performing at the concert as if it were just another gig. When she and the band flew by helicopter from a nearby motel to the festival site and Joplin saw the enormous crowd she instantly became incredibly nervous and giddy. The documentary film of the festival that was released to theaters the following year includes, on the left side of a split screen (filmmaking), 37 seconds of footage of Joplin and Caserta walking toward her dressing room tent. By most accounts, Woodstock was not a happy affair for Joplin. Faced with a ten hour wait after arriving at the backstage area, she shot heroin with Caserta and was drinking alcohol, so by the time she hit the stage, she was "three sheets to the wind." On stage her voice became slightly hoarse and wheezy and she found it hard to dance. She pulled through, however, and the audience was so pleased they cheered her on for an encore, causing her to perform ''Ball and Chain'' twice. Joplin was unhappy with her performance and blamed Caserta. Her singing was not included in the documentary film or the hit soundtrack, although the 25th anniversary director's cut of ''Woodstock'' includes her performance of ''Work Me, Lord''.
In addition to Woodstock, Joplin also had problems four months later at Madison Square Garden where, as she told rock journalist David Dalton, the audience watched and listened to "every note [she sang] with 'Is she gonna make it?' in their eyes." In her interview with Dalton she added that she felt most comfortable performing at small, cheap venues in San Francisco that were associated with the counterculture. At the time of this June 1970 interview she already had performed in the Bay Area for what turned out to be the last time.
Sam Andrew, the lead guitarist who had left Big Brother with Joplin in December 1968 to form her back-up band, quit in late summer 1969 and returned to Big Brother without her. At the end of the year, the Kozmic Blues Band broke up. Their final gig with Joplin was at Madison Square Garden in New York City on the night of December 19–20, 1969.
Joplin began using heroin again when she returned to the United States. Her relationship with Niehaus soon ended because of his witnessing her shooting drugs at her new home in Larkspur, California, her relationship with Peggy Caserta, who also was an intravenous addict, and her refusal to take some time off work and travel the world with him. Around this time she formed her new band, the Full Tilt Boogie Band. The band was composed mostly of young Canadian musicians and featured an organ, but no horn section. Joplin took a more active role in putting together the Full Tilt Boogie Band than she did with her prior group. She was quoted as saying, "It's ''my'' band. Finally it's ''my'' band!"
The Full Tilt Boogie Band began touring in May 1970. Joplin remained quite happy with her new group, which received mostly positive feedback from both her fans and the critics. Prior to beginning a summer tour with Full Tilt Boogie, she performed in a reunion with Big Brother at the Fillmore West in San Francisco on April 4, 1970. Recordings from this concert were included in an in-concert album released posthumously in 1972. She again appeared with Big Brother on April 12 at Winterland where she and Big Brother were reported to be in excellent form. By the time she began touring with Full Tilt Boogie, Joplin told people she was drug-free, but her drinking increased.
From June 28 to July 4, 1970, Joplin and Full Tilt joined the all-star ''Festival Express'' tour through Canada, performing alongside the Grateful Dead, Delaney and Bonnie, Rick Danko and The Band, Eric Andersen and Ian and Sylvia. They played concerts in Toronto, Winnipeg and Calgary. Footage of her performance of the song ''Tell Mama'' in Calgary became an MTV video in the early 1980s and was included on the 1982 ''Farewell Song'' album. The audio of other Festival Express performances was included on that 1972 Joplin ''In Concert'' album. Video of the performances was included on the ''Festival Express'' DVD.
In the ''Tell Mama'' video shown on MTV in the 1980s, Joplin wore a psychedelically colored loose-fitting costume and feathers in her hair. This was her standard stage costume in the spring and summer of 1970. She chose the new costumes after her friend and designer, Linda Gravenites (whom Joplin had praised in the May 1968 issue of ''Vogue''), cut ties with Joplin shortly after their return from Brazil, due largely to Joplin's continued use of heroin.
During the ''Festival Express'' tour, Joplin was accompanied by ''Rolling Stone'' writer David Dalton, who would later write several articles and a book on Joplin. She told Dalton:
Joplin attended the reunion on August 14, accompanied by fellow musician and friend Bob Neuwirth, road manager John Cooke, and her sister Laura, but it reportedly proved to be an unhappy experience for her. Joplin held a press conference in Port Arthur during her reunion visit. Interviewed by ''Rolling Stone'' journalist Chet Flippo, she was reported to wear enough jewelry for a "Babylonian whore." When asked by a reporter during the reunion if Joplin entertained at Thomas Jefferson High School when she was a student there, Joplin replied, "Only when I walked down the aisles." Joplin denigrated Port Arthur and the people who'd humiliated her a decade earlier in high school.
Joplin's last public performance, with the Full Tilt Boogie Band, took place on August 12, 1970, at the Harvard Stadium in Boston, Massachusetts. A positive review appeared on the front page of ''The Harvard Crimson'' newspaper despite the facts that Full Tilt Boogie performed with makeshift sound amplifiers after their regular equipment was stolen in Boston and Joplin was reportedly so intoxicated when she took the stage, she was only able to perform two songs.
During late August, September and early October 1970, Joplin and her band rehearsed and recorded a new album in Los Angeles with producer Paul A. Rothchild, who had produced recordings for The Doors. Although Joplin died before all the tracks were fully completed, there was still enough usable material to compile a long-playing record.
The result of the sessions was the posthumously released ''Pearl'' (1971). It became the biggest selling album of her career and featured her biggest hit single, a cover of Kris Kristofferson's ''Me and Bobby McGee''. Kristofferson had been Joplin's lover in the spring of 1970. The opening track ''Move Over'' was written by Joplin, reflecting the way that she felt men treated women. Also included was the social commentary of the a cappella ''Mercedes Benz'', written by Joplin, Bob Neuwirth and beat poet Michael McClure. The track on the album features the first and only take that Joplin recorded. The track ''Buried Alive In The Blues'', to which Joplin had been scheduled to add her vocals on the day she was found dead, was included as an instrumental. In 2003, ''Pearl'' was ranked #122 on ''Rolling Stone'' magazine's list of the 500 Greatest Albums of All Time.
Joplin checked into the Landmark Motor Hotel on August 24, 1970, which was located in Hollywood Heights near Sunset Sound Recorders where she began rehearsing and recording her album. During the sessions, Joplin continued a relationship with Seth Morgan, a 21-year-old UC Berkeley student, cocaine dealer and future novelist who had visited her new home in Larkspur, California several times in July and August. She and Morgan became engaged to be married in early September even though he visited Sunset Sound Recorders for just eight of the many sessions when Joplin worked, much to her dismay. Much later Morgan told biographer Myra Friedman that as a non-musician he felt excluded while in the studio. He stayed at Joplin's Larkspur home for days at a time while Joplin stayed alone at the Landmark, although several times she visited Larkspur to be with him and to check the progress of renovations she was having done on the house.
Peggy Caserta claimed in her 1973 book ''Going Down With Janis'' that she and Joplin had decided mutually in April 1970 to stay away from each other to avoid enabling each other's drug use. Caserta, a former Delta Airlines stewardess and owner of a clothing boutique in the Haight Ashbury, said that by September 1970 she had resorted to smuggling marijuana throughout California and she checked into the Landmark that month because it attracted drug users. Joplin learned of Caserta's presence in Los Angeles and staying at the same hotel from a heroin dealer who made deliveries to the Landmark. Joplin begged Caserta for heroin and within a few days became a regular customer of that heroin dealer.
Joplin's manager Albert Grossman and his assistant Myra Friedman had taken part in an intervention with Joplin the previous winter. While they worked at Grossman's New York office during the Pearl sessions, they knew Joplin was staying at a Los Angeles hotel but did not know it attracted drug users and dealers.
When Joplin failed to show up at Sunset Sound Recorders for the next recording session by Sunday afternoon, producer Paul A. Rothchild became concerned. Full Tilt Boogie's road manager, John Cooke, drove to the Landmark. He saw Joplin's psychedelically painted Porsche 356C Cabriolet in the parking lot. Upon entering her room, he found her dead on the floor beside her bed. The official cause of death was an overdose of heroin, possibly combined with the effects of alcohol. Cooke believes that Joplin had accidentally been given heroin which was much more potent than normal, as several of her dealer's other customers also overdosed that week. Peggy Caserta admitted that, like Seth Morgan, she, too, had promised to visit Joplin at the Landmark on Friday night, October 2 and had stood her up in order to party with drug users who were staying at another Los Angeles hotel. According to ''Going Down With Janis'', Caserta learned from the dealer who sold heroin to her and Joplin that on Saturday Joplin expressed sadness about two friends having abandoned her the previous night.
Joplin was cremated in the Pierce Brothers Westwood Village Mortuary in Los Angeles; her ashes were scattered from a plane into the Pacific Ocean and along Stinson Beach. The only funeral service was a private affair held at Pierce Brothers and attended by Joplin's parents and maternal aunt.
Joplin's will funded $2,500 to throw a wake party in the event of her demise. Around 200 guests received invitations to the party that read, “Drinks are on Pearl,” a reference to Joplin’s nickname. The party, which took place October 26, 1970, at the Lion's Share, located in San Anselmo, California, was attended by Joplin's sister Laura, fiancé, Seth Morgan and close friends, including tattoo artist Lyle Tuttle, Bob Gordon, and road manager John Cooke. Brownies laced with hashish were passed around.
Joplin's death in October 1970 at the age of 27 stunned her fans and shocked the music world. Her death was coupled with the fact that another rock icon, Jimi Hendrix, had died sixteen days earlier in September. Music historian Tom Moon wrote that Joplin had "a devastatingly original voice." Music columnist Jon Pareles of the ''New York Times'' wrote that Joplin as an artist was "overpowering and deeply vulnerable." Author Megan Terry claimed that Joplin was the female version of Elvis Presley in the ability to captivate an audience.
In 1973, a book about Joplin by her publicist Myra Friedman was excerpted in many newspapers. At the same time, ''Going Down With Janis'' by Peggy Caserta attracted a lot of attention with its opening line, which graphically referred to her performing a sex act with Joplin while they were stoned on heroin in September 1970. Joplin's bandmate Sam Andrew much later described Caserta as "halfway between a groupie and a friend." According to an early 1990s statement by a close friend of Caserta who also knew Joplin, Caserta's book ''Going Down With Janis'' angered the Los Angeles heroin dealer she described in detail to her readers, including the make and model of his car. A "carful of dope dealers," wrote Ellis Amburn, visited, in 1973, a Los Angeles lesbian bar that Caserta had been frequenting since Joplin was alive. Amburn quoted Caserta's friend Kim Chappell, who happened to be in the alley behind the bar: "I was stabbed because, when Peggy's book came out, her dealer, the same one who'd given Janis her last fix, didn't like it that he was referred to and was out to get Peggy. He couldn't find her, so he went for her lover. When they realized who I was, they felt that my death would also hit Peggy, and so they stabbed me." Despite being "stabbed three times in the chest, puncturing both lungs," Chappell eventually recovered.
According to biographers Alice Echols and Myra Friedman, Peggy Caserta was one of many friends of Joplin who did not become clean and sober until a very long time after the singer's death, and others died from overdoses. One of her Big Brother bandmates got clean and sober as late as 1984. Caserta survived "a near-fatal OD in December 1995," wrote Echols. In 2000, Caserta appeared on-camera as a major source for a segment about Joplin on 20/20 (US television series).
Joplin's extraordinary success as a pioneer in a male-dominated rock industry of the late 1960s was unprecedented. Joplin, along with Grace Slick of the Jefferson Airplane, opened opportunities into the rock music business for future female singers. Stevie Nicks commented that after seeing Joplin perform, "I knew that a little bit of my destiny had changed. I would search to find that connection that I had seen between Janis and her audience. In a blink of an eye she changed my life."
Joplin's body art, with a wristlet and a small heart on her left breast, by the San Francisco tattoo artist Lyle Tuttle, is taken as a seminal moment in the tattoo revolution and was an early moment in the popular culture's acceptance of tattoos as art. Another trademark was her flamboyant hair styles, often including colored streaks and accessories such as scarves, beads and feathers. When in New York City, Joplin, often in the company of actor Michael Pollard, frequented Limbo on St. Marks Place. The performer, well known to the store's employees, made a practice of putting aside vintage and other one-of-a-kind garments she favored on stage and off.
Leonard Cohen's 1974 song "Chelsea Hotel #2" is about Joplin. Likewise, lyricist Robert Hunter has commented that Jerry Garcia's "Birdsong" from his first solo album, ''Garcia'', is about Joplin and the end of her suffering through death. Mimi Farina's composition "In the Quiet Morning", most famously covered by Joan Baez on her 1972 ''Come from the Shadows'' album, was a tribute to Joplin.
The 1979 film ''The Rose'' was loosely based on Joplin's life. Originally titled ''Pearl'', after Joplin's nickname, and the title of her last album, it was fictionalized after her family declined to allow the producers the rights to her story. Bette Midler earned a nomination for the Academy Award for Best Actress for her performance.
In 1988, the Janis Joplin Memorial, with an original bronze, multi-image sculpture of Joplin by Douglas Clark, was dedicated in Port Arthur, Texas.
Joplin was inducted into the Rock and Roll Hall of Fame in 1995, and was given a Grammy Lifetime Achievement Award in 2005. In November 2009, the Hall of Fame and museum honored her as part of its annual American Music Masters Series. Among the artifacts at the Rock and Roll Hall of Fame Museum Exhibition are Joplin's scarf and necklaces, her 1965 Porsche 356 Cabriolet with psychedelically designed painting, and a sheet of LSD blotting paper designed by Robert Crumb, designer of the ''Cheap Thrills'' cover. She was the honoree at the Rock Hall's American Music Master concert and lecture series for 2009.
In the late 1990s, the musical play ''Love, Janis'' was created with input from Janis's younger sister Laura plus Big Brother guitarist Sam Andrew, with an aim to take it to Off Broadway. Opening in the summer of 2001 and scheduled for only a few weeks of performances, the show won acclaim and packed houses and was held over several times, the demanding role of the singing Janis attracting rock vocalists from relative unknowns to pop stars Laura Branigan and Beth Hart. A national tour followed.
There have been many attempts at making a film about Joplin. On June 13, 2010, producer Wyck Godfrey said Amy Adams starred in director Fernando Meirelles' biographical drama, titled ''Janis Joplin: Get It While You Can''. Previous attempts have included ''Piece Of My Heart'', which was to star Renée Zellweger or Brittany Murphy; ''The Gospel According To Janis'', with director Penelope Spheeris and starring either Zooey Deschanel or P!nk; and an untitled film thought to be an adaptation of Laura Joplin's Off-Broadway play about her sister, with the show's star, Laura Theodore, attached.
Joplin had a profound influence on many singers. Florence Welch of Florence and The Machine spoke of Joplins impact on her own musical prowess in an interview for ''Why Music Matters'' in a commercial against piracy:
! Title !! Release date !! Label !! Notes | |||
1967 | Mainstream Records | ||
''Big Brother and the Holding Company'' | 1967? | Columbia | Contains 2 extra single tracks |
''Big Brother and the Holding Company'' | 1967, CD 1999 | Contains 2 extra single tracks | |
1968 | |||
''Cheap Thrills'' | 1968, CD 1999 | Contains 4 extra tracks | |
''Live at Winterland '68'' | 1998 | ASIN: B000007TSP |
; Kozmic Blues Band
! Title !! Release date !! Label !! Notes | |||
''I Got Dem Ol' Kozmic Blues Again Mama!'' | 1969 | ||
''I Got Dem Ol' Kozmic Blues Again Mama!'' | 1969, CD 1999 | Contains 3 extra tracks |
! Title !! Release date !! Label !! Notes | |||
1971 | posthumous, 4x Multi-Platinum RIAA | ||
''Pearl'' | 1971, CD unknown date | ||
''Pearl'' | 1971, CD 1999 | Contains 4 extra tracks | |
''Pearl'' | 1971, 2CD 2005 | CD1 – 6 other extra tracksCD2 – full selection from The Festival Express Tour, 3 venues |
; Big Brother & the Holding Company / Full Tilt Boogie
! Title !! Release date !! Label !! Notes | |||
1972 | ASIN: B0000024Y7 |
; Later collections
! Title !! Release date !! Label !! Notes | |||
''Janis Joplin's Greatest Hits'' | 1973 | ASIN B00000K2W1, 7x Multi-Platinum RIAA | |
1975 | |||
''Anthology'' | 1980 | 2 discs | |
''Farewell Song'' | 1983 | Columbia Records | ASIN: B000W44S8E |
''Cheaper Thrills'' | 1984 | Fan Club | ASIN: B000LYA9X8 |
1993 | Columbia Legacy | 3 discs – ASIN: B00000286P | |
18 Essential Songs | 1995 | Columbia Legacy | ASIN: B000002B1A, Gold RIAA |
''The Collection'' | 1995 | 3 Discs | ASIN: B000BM6ATW |
''Live at Woodstock: August 19, 1969'' | 1999 | ||
''Box of Pearls'' | 1999 | 5 Discs – ASIN: B0009YNSK6 | |
''Super Hits'' | 2000 | Sony | ASIN: B00004T1E6 |
''Love, Janis'' | 2001 | Sony | ASIN: B00005EBIN |
''Essential Janis Joplin'' | 2003 | Sony | ASIN: B00007MB6Y |
''Very Best of Janis Joplin'' | 2007 | Import | ASIN: B000026A35 |
''The Woodstock Experience'' | 2009 | Legacy Recordings |
Category:1943 births Category:1970 deaths Category:Alcohol-related deaths Category:American blues singers Category:American child singers Category:American female singers Category:American rhythm and blues singers Category:American rock singers Category:American soul musicians Category:Drug-related deaths Category:Big Brother and the Holding Company members Category:Bisexual musicians Category:Burials at Westwood Village Memorial Park Cemetery Category:Deaths by heroin overdose in California Category:Female rock singers Category:Grammy Lifetime Achievement Award winners Category:Musicians from Texas Category:People from Austin, Texas Category:People from Beaumont, Texas Category:People from Port Arthur, Texas Category:Rock and Roll Hall of Fame inductees Category:University of Texas at Austin alumni Category:Lamar University alumni
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