name | Bloodflowers |
---|---|
type | Album |
artist | The Cure |
cover | The Cure - Bloodflowers.jpg |
released | |
recorded | 1998–1999, St Catherines Court, Avon, RAK, London |
genre | Gothic rock |
length | |
label | Fiction (UK)Elektra (U.S.) |
producer | Robert Smith, Paul Corkett |
last album | ''Wild Mood Swings''(1996) |
this album | ''Bloodflowers''(2000) |
next album | ''The Cure''(2004) }} |
''Bloodflowers'' is the eleventh album by English band The Cure, released in 2000. The album is seen as a sombre return to form by critics and fans alike. Robert Smith has expressed on several occasions that the album is the final part in his "trilogy" (the 3 albums he feels best define the Cure), the first being the 1982 album ''Pornography'', and the second being the 1989 album ''Disintegration''.
''Bloodflowers'' was a moderate success, debuting at #16 on the US ''Billboard'' 200 albums chart, eventually selling 300,000 copies in America. It was nominated for a Grammy Award for Best Alternative Music Album in 2001.
The album is the last so far to feature extensive use of keyboards. The 2004 album ''The Cure'' uses keyboards much more sparingly and after the departure of Roger O'Donnell following the release of the album and the following tour, the band have yet to find a replacement.
On the 2007-2008 4Tour, the band played "Out of this World", "Watching Me Fall" (once in Mexico City on October 22, 2007), "Maybe Someday", and "Bloodflowers" at various shows.
"39" was last performed on the 2004 Curiosa Tour.
Except for the 2002 Trilogy shows in Berlin, the other songs have not been played since the 2000 Dream Tour, although "Last Day of Summer" was soundchecked for 2008, but never played.
!Year | !Chart | !Position |
The ''Billboard'' 200 | ||
Top Internet Albums |
Singles - ''Billboard'' (North America)
!Year | !Single | !Chart | !Position |
2000 | "Maybe Someday" | Modern Rock Tracks |
Category:The Cure albums Category:2000 albums Category:Fiction Records albums Category:Elektra Records albums
es:Bloodflowers fr:Bloodflowers gl:Bloodflowers it:Bloodflowers nl:Bloodflowers pl:Bloodflowers pt:Bloodflowers ru:Bloodflowers sv:Bloodflowers uk:BloodflowersThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | The Cure |
---|---|
background | group_or_band |
origin | Crawley, England |
genre | Alternative rock, gothic rock, New Wave, post-punk |
years active | 1976–present |
label | Fiction, Suretone, Geffen, Polydor, Elektra, Asylum, Sire|, Warner |
associated acts | Malice, Easy Cure, The Glove, Siouxsie and the Banshees |
website | |
current members | Robert SmithSimon Gallup Porl Thompson Jason Cooper |
past members | Michael DempseyMatthieu HartleyPhil ThornalleyAndy AndersonBoris WilliamsPerry Bamonte Lol Tolhurst Roger O'Donnell }} |
The Cure are an English rock band formed in Crawley, West Sussex in 1976. The band has experienced several line-up changes, with frontman, vocalist, guitarist and principal songwriter Robert Smith being the only constant member. The Cure first began releasing music in the late 1970s with its debut album ''Three Imaginary Boys'' (1979); this, along with several early singles, placed the band as part of the post-punk and New Wave movements that had sprung up in the wake of the punk rock revolution in the United Kingdom. During the early 1980s, the band's increasingly dark and tormented music helped form the gothic rock genre.
After the release of ''Pornography'' (1982), the band's future was uncertain and Smith was keen to move past the gloomy reputation his band had acquired. With the 1982 single "Let's Go to Bed" Smith began to place a pop sensibility into the band's music (as well as a unique stage look). The Cure's popularity increased as the decade wore on, especially in the United States where the songs "Just Like Heaven", "Lovesong" and "Friday I'm in Love" entered the ''Billboard'' Hot 100 chart. By the start of the 1990s, The Cure were one of the most popular alternative rock bands in the world. The band is estimated to have sold 27 million albums as of 2004. The Cure have released thirteen studio albums and over thirty singles during the course of their career.
That year, Easy Cure won a talent competition with German label Hansa Records, and received a recording contract. Although the band recorded tracks for the company, none were ever released. Following disagreements in March 1978 over the direction the band should take, the contract with Hansa was dissolved. Smith later recalled, "We were very young. They just thought they could turn us into a teen group. They actually wanted us to do cover versions and we always refused." Thompson was dropped from the band in May, and the remaining trio (Smith/Tolhurst/Dempsey) were soon renamed The Cure by Smith. Later that month the band recorded their first sessions as a trio at Chestnut Studios in Sussex, which were distributed as a demo tape to a dozen major record labels. The demo found its way to Polydor Records scout Chris Parry, who signed The Cure to his newly formed Fiction label—distributed by Polydor—in September 1978. However, as a stopgap while Fiction finalised distribution arrangements with Polydor, in December 1978 The Cure released their debut single "Killing an Arab" on the Small Wonder label. "Killing an Arab" garnered both acclaim and controversy: while the single's provocative title led to accusations of racism, the song is actually based on French existentialist Albert Camus' novel ''The Stranger''. The band placed a sticker label that denied the racist connotations on the single's 1979 reissue on Fiction. An early ''NME'' article on the band wrote that The Cure "are like a breath of fresh suburban air on the capital's smog-ridden pub and club circuit" and noted "With a John Peel session and more extensive London gigging on their immediate agenda, it remains to be seen whether or not The Cure can retain their refreshing ''joie de vivre''."
The Cure released their debut album ''Three Imaginary Boys'' in May 1979. Due to the band's inexperience in the studio, Parry and engineer Mike Hedges took control of the recording. The band, particularly Smith, were unhappy with their debut; in a 1987 interview, he admitted, "a lot of it was very superficial – I didn't even like it at the time. There were criticisms made that it was very lightweight, and I thought they were justified. Even when we'd made it, I wanted to do something that I thought had more substance to it". The band's second single "Boys Don't Cry" was released in June. The Cure then embarked as the support band for Siouxsie & The Banshees' ''Join Hands'' promotional tour of England, Northern Ireland, and Wales between August and October. The tour saw Smith and Tolhurst pull double duty each night by performing with The Cure and as the guitarist / drummer with The Banshees when their guitarist John McKay and drummer Kenny Morris both walked out on the group just two days into the tour. That musical experience had a strong impact on him: "On stage that first night with the Banshees, I was blown away by how powerful I felt playing that kind of music. It was so different to what we were doing with The Cure. Before that, I'd wanted us to be like The Buzzcocks or Elvis Costello, the punk Beatles. Being a Banshee really changed my attitude to what I was doing."
The Cure's third single "Jumping Someone Else's Train" was released in early October 1979. Soon afterwards, Dempsey was dropped from the band due to his cold reception to material Smith had written for the upcoming album. Dempsey joined the Associates, while Simon Gallup (bass) and Matthieu Hartley (keyboards) from The Magspies joined The Cure. The Associates toured as support band for The Cure and The Passions on the ''Future Pastimes Tour'' of England between November and December—all three bands were on the Fiction Records roster—with the new Cure line-up already performing a number of new songs for the projected second album. Meanwhile, a spin-off band comprising Smith, Tolhurst, Dempsey, Gallup, Hartley and Thompson, with backing vocals from assorted family and friends, and lead vocals provided by their local postman Frankie Bell released a 7-inch single in December under the assumed name of Cult Hero.
The band reconvened with Hedges to produce their third album ''Faith'' (1981), which furthered the mood of misery present on ''Seventeen Seconds''. The album peaked at number 14 on the UK charts. Included with cassette copies of ''Faith'' was an instrumental soundtrack for ''Carnage Visors'', an animated film shown in place of an opening act for the band's 1981 Picture Tour. In late 1981, The Cure released the non-album single "Charlotte Sometimes". By this point, the sombre mood of the music had a profound effect on the attitude of the band. The band would refuse requests for older songs in concert, and sometimes Smith would be so absorbed by the persona he projected onstage he would leave at the end in tears.
In 1982, The Cure recorded and released ''Pornography'', the third and final album of an "oppressively dispirited" trio that cemented the Cure's stature as purveyors of the emerging gothic rock genre. Smith has said that during the recording of ''Pornography'' he was "undergoing a lot of mental stress. But it had nothing to do with the group, it just had to do with what I was like, my age and things. I think I got to my worst round about ''Pornography''. Looking back and getting other people's opinions of what went on, I was a pretty monstrous sort of person at that time". Gallup described the album by saying, "Nihilism took over [. . .] We sang 'It doesn't matter if we all die' and that is exactly what we thought at the time." Parry was concerned that the album did not have a hit song for radio play and instructed Smith and producer Phil Thornalley to polish the track "The Hanging Garden" for release as a single. Despite the concerns about the album's uncommercial sound, ''Pornography'' became the band's first UK Top 10 album, charting at number eight. The release of ''Pornography'' was followed by the Fourteen Explicit Moments tour, where the band finally dropped the anti-image angle and first adopted their signature look of big, towering hair and smeared lipstick on their faces. The tour also saw a series of incidents that prompted Simon Gallup to leave The Cure at the tour's conclusion. Gallup and Smith did not talk to each other for eighteen months following his departure.
Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style. Parry managed to convince Smith and Tolhurst of the idea; Parry said, "It appealed to Robert because he wanted to destroy The Cure anyway." With Tolhurst now playing keyboards instead of drums, the duo released the single "Let's Go to Bed" in late 1982. While Smith wrote the single off as a throwaway, "stupid" pop song to the press, it became a minor hit in the UK, reaching number 44 on the singles chart. It was followed in 1983 by two more successful songs: the synthesiser-based "The Walk" (number 12), and the jazz-influenced "The Lovecats", which became the band's first British Top 10 hit, reaching number seven. The group released these studio singles and their B-sides as the compilation album ''Japanese Whispers'', designed by Smith for the Japanese market only, but released worldwide on the decision of the record company. The same year, Smith also recorded and toured with Siouxsie & the Banshees, contributing as guitarist on their ''Nocturne'' live video and their ''Hyaena'' studio album. Meanwhile, he recorded the ''Blue Sunshine'' album with Banshees bassist Steven Severin as The Glove, while Lol Tolhurst produced the first two singles and debut album of the English band And Also The Trees.
In 1984, The Cure released ''The Top'', a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the ''Billboard'' 200 in the U.S., reaching number 180. ''Melody Maker'' praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why The Cure are having hits now of all times." The Cure then embarked on their worldwide "Top Tour" with Thompson, Anderson, and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, ''Concert'' consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left due to the rigors of the road. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Smith was ecstatic about Gallup's return and declared to ''Melody Maker'', "It's a group again."
In 1985, the new line-up of Smith, Tolhurst, Gallup, Thompson, and Williams released ''The Head on the Door'', an album which managed to bind together the optimistic and pessimistic aspects of the band's music that they had previously shifted between. ''The Head on the Door'' reached number seven in the UK and was the band's first entry into American Top 75 at number 59, a success partly due to the international impact of the LP's two singles, "In Between Days" and "Close to Me". Following the album and world tour, the band released the singles compilation ''Standing on a Beach'' in three formats (each with a different track listing and a specific name) in 1986. This compilation made the US Top 50, and saw the re-issue of three previous singles: "Boys Don't Cry" (in a new form), "Let's Go To Bed" and later "Charlotte Sometimes". This release was accompanied by a VHS or LaserDisc called ''Staring at the Sea'', which featured videos for each track on the compilation. The Cure toured to support the compilation and released a live concert VHS of the show, filmed in the south of France called ''The Cure in Orange''. During this time, The Cure became a very popular band in Europe (particularly in France, Germany and the Benelux countries) and increasingly popular in the U.S.
During the ''Disintegration'' sessions, the band gave Smith an ultimatum that either Tolhurst would have to leave the band or they would. In February 1989, Tolhurst's exit was made official and announced to the press; this resulted in Roger O'Donnell becoming a full-fledged member of the band and left Smith as The Cure's only remaining founder member. Smith attributed Tolhurst's dismissal to an inability to exert himself and issues with alcohol, concluding, "He was out of step with everything. It had just become detrimental to everything we'd do." Because Tolhurst was still on the payroll during the recording of ''Disintegration'', he was credited in the album's liner notes as playing "other instruments", however it has since been revealed that he contributed nothing to the album in either performance or song writing. The Cure then embarked on the Prayer Tour, which saw the band playing stadiums in America.
In May 1990, Roger O'Donnell quit and was replaced with the band's guitar technician Perry Bamonte. That November, The Cure released a collection of remixes called ''Mixed Up''. The album was not well received and quickly slid down the charts. The one new song on the collection, "Never Enough", was released as a single. In 1991 The Cure were awarded the BRIT Award for Best British Band. That same year Tolhurst filed a lawsuit against Smith and Fiction Records in 1991 over royalties payments, and claimed joint ownership of the name "The Cure" with Smith; the verdict was handed out in September 1994 in favour of Smith. In respite from the lawsuit, the band returned to the studio to record their next album. ''Wish'' reached number one in the UK and number two in the US and yielded the international hits "High" and "Friday I'm in Love". The Cure also embarked on the "Wish Tour" with Cranes, and released the live albums ''Show'' (September 1993) and ''Paris'' (October 1993). As a promotional exercise with the Our Price music chain in the UK, a limited edition EP was released consisting of instrumental outtakes from the ''Wish'' sessions. Entitled ''Lost Wishes'', the proceeds from the four-track cassette tape went to charity.
In the years between the release of ''Wish'' and the start of sessions for The Cure's next album, the band's line-up shifted again. Thompson left the band once more during 1993 to play with Robert Plant and Jimmy Page of Led Zeppelin, and Bamonte took over as lead guitarist. Boris Williams also left the band, and was replaced by Jason Cooper (formerly of My Life Story).
In 2003, The Cure signed with Geffen Records. In 2004, they released a new four-disc boxed set on Fiction Records titled ''Join the Dots: B-Sides and Rarities, 1978-2001 (The Fiction Years)''. The compilation includes seventy Cure songs, some previously unreleased, and a 76-page full-colour book of photographs, history and quotes, packaged in a hard cover. The album peaked at number 106 on the ''Billboard'' 200 album charts. The band released their twelfth album ''The Cure'' on Geffen in 2004, which was produced by Ross Robinson. It made a top ten debut on both sides of the Atlantic in July 2004. To promote the album, the band headlined the Coachella Valley Music and Arts Festival that May. From 24 July to 29 August, The Cure headlined the Curiosa concert tour of North America. While attendances were lower than expected, Curiosa was still one of the more successful American summer festivals of 2004. The same year the band was honoured with an MTV Icon television special.
In May 2005, Roger O'Donnell and Perry Bamonte were fired from the band. O'Donnell claims Smith informed him he was reducing the band to a three-piece. Previously O'Donnell said he had only found out about the band's upcoming tour dates via a fan site and added, "It was sad to find out after nearly 20 years the way I did but then I should have expected no less or more." The remaining members of the band—Smith, Gallup and Cooper—made several appearances as a trio before it was announced in June that Porl Thompson would be returning for the band's 2005 Festival summer shows, as well as their set at Live 8 in Paris on 2 July. Later that year, the band recorded a cover of John Lennon's "Love" for Amnesty International's charity album ''Make Some Noise''. It is available for download on the Amnesty website, while the album was released on CD in 2006. On 1 April 2006, The Cure appeared at the Royal Albert Hall on behalf of the Teenage Cancer Trust. It was their only show through to the end the year. In December a live DVD, entitled ''The Cure: Festival 2005'' including 30 songs of their 2005 Festival tour was released.
The Cure began writing and recording material for their thirteenth album in 2006. Smith initially stated it would be a double album. The Cure announced a last-minute postponement of their autumn 2007 North American 4Tour in August in order to continue working on the album, rescheduling the dates for spring 2008. Titled ''4:13 Dream'', the album was released in October 2008. The group released four singles and an EP—"The Only One", "Freakshow", "Sleep When I'm Dead", "The Perfect Boy" and ''Hypnagogic States'' respectively—on or near to the 13th of each month, in the months leading up to the album's release. In February 2009, The Cure received the 2009 Shockwaves NME Award for Godlike Genius.
In 2011, the band played their first 3 studio albums in their entirety during two shows in Sydney, Australia. These "Reflections" shows notably featured Roger O'Donnell and Laurence Tolhurst, both in a keyboard and percussion role. The shows are due to be released on DVD in 2011.
The Cure's primary musical traits have been listed as "dominant, melodic bass lines; whiny, strangulated vocals; and a lyric obsession with existential, almost literary despair." Most Cure songs start with Smith and Gallup writing the drum parts and bass lines. Both record demos at home and then bring them into the studio for fine-tuning. Smith said in 1992, "I think when people talk about the 'Cure sound,' they mean songs based on 6-string bass, acoustic guitar, and my voice, plus the string sound from the Solina." On top of this foundation is laid "towering layers of guitars and synthesisers". Keyboards have been a component of the band's sound since ''Seventeen Seconds'', and their importance increased with the instrument's extensive use on ''Disintegration''. With the Departure of Roger O'Donnell in 2005, keyboards have not been as prominent in the band's album 4:13 Dream and their live shows.
Several references to The Cure and their music have been made in popular culture. A number of films have used the title of a Cure song as the film's title, including ''Boys Don't Cry'' (1999) and ''Just Like Heaven'' (2005). The Cure's gloomy image has been the subject of parody at times. In series two of ''The Mighty Boosh'', The Moon sings 'The Lovecats' over the credits. In the same episode, a powerful gothic hairspray, Goth Juice, is said to be "The most powerful hairspray known to man. Made from the tears of Robert Smith." ''The Mary Whitehouse Experience'' often featured brief clips of the stars of the show performing comical songs and nursery rhymes as The Cure in a morose style. Robert Smith appeared in the final episode of the first series of ''The Mary Whitehouse Experience'' singing "The Sun has got his hat on" before punching the character Ray (played by Robert Newman) whilst uttering Ray's catch phrase "Oh no what a personal disaster". Robert Smith was also portrayed on an episode of ''South Park'' (Season 1, Episode 12) where he transforms into the form of Mothra and battles Mecha-Streisand to save the day and Kyle shouts "''Disintegration'' is the best album ever!" In Craig Thompson's graphic novel ''Blankets'' the chapter seven is called "Just Like Heaven". The same chapter shows Raina singing some lyrics from this song to Craig.
Category:BRIT Award winners Category:English alternative rock groups Category:British New Wave musical groups Category:Gothic rock groups Category:Musical groups established in 1976 Category:British post-punk music groups Category:People from Crawley
af:The Cure ca:The Cure cs:The Cure da:The Cure de:The Cure et:The Cure el:The Cure eml:The Cure es:The Cure eu:The Cure fa:د کیور fr:The Cure ga:The Cure gl:The Cure hr:The Cure ia:The Cure is:The Cure it:The Cure he:הקיור ka:The Cure lv:The Cure lb:The Cure lt:The Cure hu:The Cure mk:The Cure nah:The Cure nl:The Cure ja:ザ・キュアー no:The Cure uz:The Cure pl:The Cure pt:The Cure ro:The Cure ru:The Cure simple:The Cure sk:The Cure sr:The Cure fi:The Cure sv:The Cure th:เดอะเคียว tr:The Cure uk:The Cure vls:The Cure zh:治疗乐队
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.