Living It Up

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Living It Up

"Living It Up" is a drama/comedy based around the life of Bianca Hicks; a psychology student with an interest in modeling, and who lives in a society abundant with friendships, relationships, and aspirations. Living in a world revolving around actors and models, Bianca can only depend on those who are on the same set as she is. Bianca will have to work hard in order to make it; challenged with the arrogance, deception, and competition in this dog-eat-dog world. Through all the drama, this series is full of love, laughter, friendships, and non-stop fun. "Living It Up" is the future.

Cast

Season 1
Episode 1: Welcome Home
USA:26 September 2012...
Episode 2: Truth Be Told
USA:3 October 2012...
Episode 3: Brand New
USA:10 October 2012...
Episode 4: Mid-terms
USA:17 October 2012...
Episode 5: Me, Myself, and the Note
USA:24 October 2012...
Episode 6: One Step Forward, Two Steps Back
USA:31 October 2012...
Episode 7: Drama Free
USA:7 November 2012...
Episode 8: Downhill Spiral
USA:14 November 2012...
Episode 9: The Heat of the Moment
USA:21 November 2012...
Episode 10: Awkward Moments
USA:28 November 2012...
Episode 11: The Calm Before the Storm
USA:5 December 2012...
Episode 12: Too Much to Bare Part 1
USA:12 December 2012...
Episode 13: Too Much to Bare Part 2
USA:19 December 2012...
Season 2
Episode 1: Seven Months
Episode 2: Back to the Roots
Episode 3: Battle of the Divas
Episode 4: Find Your Way
Episode 5: Lights, Camera, Away! Part 1
Episode 6: Lights, Camera, Away! Part 2
Episode 7: Lone Wolf Part 1
Episode 8: Lone Wolf Part 2
Episode 9: The Day Before the Mayhem
Episode 10: Model Mayhem
Episode 11: A New Me
Episode 12: Truth Games
Episode 13: Wrap It Up
Episode 14: Overboard
Episode 15: Check Mate
Episode 16: A Slight Moment of Denial
Episode 17: Karma Part 1
Episode 18: Karma Part 2
Episode 19: Karma Part 3
Episode 20: Karma Part 4
Episode 21: Karma Part 5

Living It Up

Cast

Season 1
Episode 1: (#1.1)
UK:12 April 1957...
Episode 2: (#1.2)
UK:26 April 1957...
Episode 3: (#1.3)
UK:10 May 1957...
Season 2
Episode 1: (#2.1)
UK:27 October 1958...
Episode 2: (#2.2)
UK:3 November 1958...
Episode 3: (#2.3)
UK:10 November 1958...
Episode 4: (#2.4)
UK:17 November 1958...
Episode 5: (#2.5)
UK:24 November 1958...

Jack Carey & Lorraine Edwards - Living It Up 1954!

Duration: 2:36
Updated: 16 Mar 2013

Jack Carey & Lorraine Edwards Dossey.

http://wn.com/Jack_Carey_&_Lorraine_Edwards_-_Living_It_Up_1954!

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Living It Up (1954) Dean Martin and Jerry Lewis

Duration: 5:01
Updated: 22 Apr 2013

This is the only online clip which shows the entire "Every Street's A Boulevard In Old New York" sequence. The others either edit out the very beginning or t...

http://wn.com/Living_It_Up_(1954)_Dean_Martin_and_Jerry_Lewis

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Jerry Lewis Dean Martin Living It Up 1954

Duration: 3:39
Updated: 06 Jul 2013

Jerry Lewis Dean Martin Living It Up 1954.

http://wn.com/Jerry_Lewis_Dean_Martin_Living_It_Up_1954

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Dean Martin Jerry Lewis "Living it Up" Atlantic City 1954 newsreel silent outtakes

Duration: 6:23
Updated: 12 Aug 2013

Dean Martin Jerry Lewis Janet Leigh Atlantic City Living it Up 1954 newsreel.

http://wn.com/Dean_Martin_Jerry_Lewis_"Living_it_Up"_Atlantic_City_1954_newsreel_silent_outtakes

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Jack Carey Swing dances in 'Living It Up' (1954) plus many others

Duration: 3:31
Updated: 17 Jan 2013

Typical Jerry and Dean flick but is better than most plus it features a Jitterbug dance Contest. Jack Carey (Brown sweater on right) and Loraine Edwards danc...

http://wn.com/Jack_Carey_Swing_dances_in_'Living_It_Up'_(1954)_plus_many_others

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Dean Martin Jerry Lewis Janet Leigh "Living it Up" Atlantic City 1954 newsreel

Duration: 1:30
Updated: 25 Jun 2013

1954 newsreel of Dean Martin Jerry Lewis & Janet Leigh in Atlantic City for the local premiere of "Living it Up"

http://wn.com/Dean_Martin_Jerry_Lewis_Janet_Leigh_"Living_it_Up"_Atlantic_City_1954_newsreel

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Living It Up 1954

Duration: 1:10
Updated: 04 May 2012

http://wn.com/Living_It_Up_1954

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SWING DANCE 1954

Duration: 3:08
Updated: 21 Dec 2013

From the movie: LIVING IT UP 1954 Sadly this was the last appearance of Dean Collins and Jewel McGowan together on film. They were without question the best swing dance couple ever, case closed. The other dancers include Danny Donahoe, Roy Damron, Freda Angela Wyckoff, Lenny Smith, Jack Carry, Loraine Edwards, Pat Eggar Havenhill, Sheila O' Hare, Lou Southern and of coarse Jerry Lewis and Sheree North.

http://wn.com/SWING_DANCE_1954

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1954 HITS ARCHIVE: That's What I Like - Don Dick & Jimmy

Duration: 2:52
Updated: 09 Oct 2013

That's What I Like (Styne-Hilliard) by Don, Dick & Jimmy One of several Jule Styne-Bob Hilliard tunes performed by Dean Martin in the Martin & Lewis film "Living It Up," the song's most popular recording was this top-20 version from the autumn months of '54. THE 1954 HITS ARCHIVE - here in one place, a high-quality library of best-sellers and songs that made an impact, presented in clean, original-release versions (no remakes, alternate takes, or "re-processed stereo")

http://wn.com/1954_HITS_ARCHIVE_That's_What_I_Like_-_Don_Dick_&_Jimmy

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1954 Don Dick & Jimmy - That's What I Like

Duration: 2:52
Updated: 11 Jun 2013

One of several Jule Styne-Bob Hilliard tunes performed by Dean Martin in the Martin & Lewis film "Living It Up," the song's most popular recording was this t...

http://wn.com/1954_Don_Dick_&_Jimmy_-_That's_What_I_Like

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Nat King Cole - Smile (Capitol Records 1954)

Duration: 3:06
Updated: 10 Aug 2013

"Smile" is a song based on an instrumental theme used in the soundtrack for the 1936 Charlie Chaplin movie Modern Times. Chaplin composed the music, while Jo...

http://wn.com/Nat_King_Cole_-_Smile_(Capitol_Records_1954)

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Economics Cartoon- It's Everybody's Business (1954) from John Sutherland

Duration: 19:54
Updated: 15 Aug 2013

"It's Everybody's business" does kind of demonize taxes, but still assumes the need for them to pay for government schools, roads, military, police. To me, J...

http://wn.com/Economics_Cartoon-_It's_Everybody's_Business_(1954)_from_John_Sutherland

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People's Century Part 17 1954 Living Longer

Duration: 52:30
Updated: 15 Dec 2013

I do not own rights to this video and do not intend to infringe upon them for personal gain. I am posting this series for educational purposes only. This is a PBS documentary series produced in the 90's that I believe should be available to the public but unfortunately it is not as of the posting of this video. This series was originally transmitted for free on the Public Broadcasting System funded by US tax dollars and I believe it is fair it remains available. All credits for music and content are provided in the ending credits.

http://wn.com/People's_Century_Part_17_1954_Living_Longer

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Yma Sumac - Gopher Mambo (Capitol Records 1954)

Duration: 2:21
Updated: 05 Jan 2013

Mambo! is the fifth studio album by Peruvian soprano Yma Sumac. It was released on 1954 by Capitol Records. It was entirely composed by Moisés Vivanco. Yma Sumac (September 13, 1922 -- November 1, 2008) was a noted Peruvian singer. In the 1950s, she was one of the most famous proponents of exotica music. She became an international success based on her extreme vocal range, which was said to be "well over four octaves" and was sometimes claimed to span even five octaves at her peak. Stories published in the 1950s claimed that she was an Incan princess, directly descended from Atahualpa. Her New York Times obituary reported that "the largest and most persistent fabrication about Ms. Sumac was that she was actually a housewife from Brooklyn named Amy Camus, her name spelled backward. The fact is that the government of Peru in 1946 formally supported her claim to be descended from Atahualpa, the last Incan emperor". Chávarri adopted the stage name of Imma Sumack (also spelled Ymma Sumack and Ima Sumack) before she left South America to go to the United States. The stage name was based on her mother's name, which was derived from Ima Shumaq, Quechua for "how beautiful!" although in interviews she claimed it meant "beautiful flower" or "beautiful girl". Yma Sumac first appeared on radio in 1942. Sumac and orchestra and bandleader Moisés Vianco were married that year. She recorded at least 18 tracks of Peruvian folk songs in Argentina in 1943. These early recordings for the Odeon label featured Moisés Vivanco's group, Compañía Peruana de Arte, a group of 46 Indian dancers, singers, and musicians. In 1946 Sumack and Vivanco moved to New York City, where they performed as the Inka Taky Trio, Sumack singing soprano, Vivanco on guitar, and her cousin Cholita Rivero singing contralto and dancing. She was signed by Capitol Records in 1950, at which time her stage name became Yma Sumac. During the 1950s, Yma Sumac produced a series of lounge music recordings featuring Hollywood-style versions of Incan and South American folk songs, working with the likes of Les Baxter and Billy May. The combination of her extraordinary voice, exotic looks, and stage personality made her a hit with American audiences. Sumac appeared in a Broadway musical, Flahooley, in 1951, as a foreign princess who brings Aladdin's lamp to an American toy factory to have it repaired. The show's score was by Sammy Fain and E. Y. "Yip" Harburg, but Sumac's three numbers were the work of Vivanco with one co-written by Vivanco and Fain. Capitol Records, Sumac's label, recorded the show. Flahooley closed quickly, but the recording continues as a cult classic, in part because it also marked the Broadway debut of Barbara Cook. During the height of Sumac's popularity, she appeared in the films Secret of the Incas (1954) and Omar Khayyam (1957). She became a U.S. citizen on July 22, 1955. In 1959 she performed Jorge Bravo de Rueda's classic song "Vírgenes del Sol" on her album Fuego del Ande. In 1992 Guenter Czernetzky directed a documentary for German television entitled Yma Sumac -- Hollywoods Inkaprinzessin (Yma Sumac -- Hollywood's Inca Princess). With the resurgence of lounge music in the late 1990s, Sumac's profile rose again when the song "Ataypura" was featured in the Coen Brothers film, The Big Lebowski. Her song "Bo Mambo" appeared in a commercial for Kahlúa liquor and was sampled for the song "Hands Up" by The Black Eyed Peas. The song "Gopher Mambo" was used in the films Ordinary Decent Criminal, Dead Husbands, Spy Games, and Confessions of a Dangerous Mind. "Gopher Mambo" was also used in an act of the Cirque Du Soleil show Quidam. The songs "Goomba Boomba" and "Malambo No. 1" appeared in Death to Smoochy. Yma Sumac is also mentioned in the lyrics of the 1980s song Joe le taxi by Vanessa Paradis. Yma Sumac died on November 1, 2008, aged 86 at an assisted-living home in Los Angeles, nine months after being diagnosed with colon cancer. She was interred at the Hollywood Forever Cemetery in Hollywood in the "Sanctuary of Memories" section.

http://wn.com/Yma_Sumac_-_Gopher_Mambo_(Capitol_Records_1954)

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Dean Martin and Jerry Lewis Reel #1

Duration: 5:07
Updated: 06 Mar 2013

In celebration of the legendary film icons comes a few Paramount Newsreel clips from our library of the great comedy team - Dean Martin and Jerry Lewis. We s...

http://wn.com/Dean_Martin_and_Jerry_Lewis_Reel_1

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New Faces - Classic Feature Film (1954)

Duration: 97:17
Updated: 02 Aug 2013

Musical/Comedy (1954) 99 mins - Color A filmed performance (in CinemaScope) of the highly popular Broadway hit that was basically a collection of skits, sket...

http://wn.com/New_Faces_-_Classic_Feature_Film_(1954)

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Hand Knitted Dresses (1954)

Duration: 1:35
Updated: 13 Apr 2014

Hand knitted dresses - women knit parts of garments at home then send them to be assembled in Madame Madeleine's workrooms. London. Various shots of a woman knitting in her living room at home. C/U wool basket. The camera pans down part of dress woman is knitting. L/S woman taking the same dress part out of cardboard box at Madame Madeleine's workrooms. Also in the box is the paper pattern. C/U woman putting paper pattern onto table and then putting knitted part over the top. C/U of her face. C/U as she pins part to pattern. L/S woman measuring across knitting, she then rolls it up and walks out of the picture. Various shots of woman pinning permanent pleats into the skirt, she puts towel over skirt and presses pleats with an iron. M/S of another woman with cardigan on tailor's dummy fixing band round neck. Another woman adjusts the shoulders of a darker cardigan. The camera pans from model's face down to cardigan she is wearing. M/S as it pans up her pleated skirt to the cardigan again. L/S of another model standing in a doorway showing a knitted dress. The camera pans from her dress up to her face. 90,000 historic films, all SEARCHABLE on YouTube at: http://www.youtube.com/britishpathe Join us on Facebook at: http://www.facebook.com/britishpathe Tweet us @britishpathe FILM ID:1607.16

http://wn.com/Hand_Knitted_Dresses_(1954)

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Charlie Parker Interviewed by Paul Desmond (1954)

Duration: 4:40
Updated: 17 Apr 2014

Visit http://bobreynoldsmusic.com/bird for full 13-minute audio interview & transcript. Charlie Parker interviewed by Paul Desmond (Boston radio, early 1954) C.P.= Charlie Parker / P.D.= Paul Desmond / J.M.= John McLellan (Fitch) P.D.- that music because there's many good people playing in that record but the style of the alto is so different from anything else that's on the record or that went before. Did you realize at the time the effect you were going to have on Jazz-that you were going to change the entire scene in the next ten years? C.P. - well let's put it like this: no. I had no idea that it was that much different. J.M. - I'd like to stick in a question, if I may. I'd like to know why there was this violent change, after all - up until this time the way to play the alto sax was the way that Johnny Hodges and Benny Carter played alto, and this seems to be an entirely different conception, not only of how to play that particular horn, but of music in general. P.D. - yeah, how to play any horn. C.P. - yeah, that I don't think there's any answer to... P.D. - like the way you were speaking, John. C.P. - that's what I said when I first started talking, that's my first conception, man, that's the way I thought it should go, and I still do. I mean music can stand much improvement. Most likely in another 25, or maybe 50 years some youngster will come along and take the style and really do something with it, you know, but I mean ever since I've ever heard music I've thought it should be very clean, very precise - as clean as possible anyway - you know, and more or less to the people, you know, something they could understand, something that was beautiful, you know. There's definitely stories and stories and stories that can be told in the musical idiom, you know. You wouldn't say idiom but it's so hard to describe music other than the basic way to describe it - music is basically melody, harmony and rhythm - but I mean people can do much more with music than that. It can be very descriptive in all kinds of ways, you know, all walks of life. Don't you agree, Paul? P.D. - yeah, and you always do have a story to tell It's one of the most impressive things about everything I've ever heard of yours. C.P. - that's more or less the object. That's what I thought it should be. P.D. - another thing that's been a major factor in your playing is this fantastic technique, that nobody's quite equaled. I've always wondered about that, too - whether there was - whether that came behind practicing or whether that was just from playing, whether it evolved gradually. C.P. - well,you make it so hard for me to answer you, you know, I can't see where there's anything fantastic about it all. I put quite a bit of study into the horn, that's true. In fact the neighbors threatened to ask my mother to move once when we were living out West. She said I was driving them crazy with the horn. I used to put in at least 11 to 15 hours a day. P.D. - yes, that's what I wondered. C.P. - that's true, yes. I did that for over a period of 3 to 4 years. P.D. - Oh - yeah. I guess that's the answer. C.P. - that's the facts anyway. (chuckle) P.D. - I heard a record of yours a couple of months ago that somehow I've missed up to date, and I heard a little 2 bar quote from the Klose book that was like an echo from home... C.P. - yeah, yeah. Well that was all done with books, you know. Naturally, it wasn't done with mirrors, this time it was done with books. P.D. - well that's very reassuring to hear, because somehow I got the idea that you were just born with that technique, and you never had to worry too much about it, about keeping it working. J.M. - you know, I'm very glad that he's bringing up this point because I think that a lot of young musicians tend to think that... P.D. - yeah, they do. They just go out... J.M.- It isn't necessary to do this. P.D. - and make those sessions and live the life, but they don't put in those 11 hours a day with any of the books. C.P. - oh definitely, study is absolutely necessary, in all forms. It's just like any talent that's born within somebody, it's like a good pair of shoes when you put a shine on it, you know. Like schooling brings out the polish of any talent that happens anywhere in the world. Einstein had schooling, but he has a definite genius, you know, within himself, schooling is one of the most wonderful things there's ever been, you know. J.M. - I'm glad to hear you say this. C.P. - that's absolutely right. P.D. - yeah. C.P. - well? P.D. - what other record? C.P. - which one shall we take this time? J.M. - I want to skip a little while. We, Charlie, picked out "Night and Day", that's one of his records. This is with a band or with strings? C.P. - no, this is with the live band. I think there's about 19 pieces on this. Get the rest at http://bobreynoldsmusic.com/bird

http://wn.com/Charlie_Parker_Interviewed_by_Paul_Desmond_(1954)

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Habit Patterns (1954)

Duration: 14:20
Updated: 09 Aug 2013

Like us on Facebook! http://www.facebook.com/socialguidancefilms As this film opens, we see "Barbara," a teenager, weeping into her hands. "It's a little lat...

http://wn.com/Habit_Patterns_(1954)

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Tommy Spurlin - Been Livin Wrong (1954)

Duration: 2:39
Updated: 10 Apr 2013

Tommys first record, he recorded some of the best Rockabilly ever in 1956 with "The Southern Boys" after he had dropped his fiddle and steel player.TOMMY SPU...

http://wn.com/Tommy_Spurlin_-_Been_Livin_Wrong_(1954)

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Exclusive Report : Algerians in France, 1954-1962

Duration: 0:46
Updated: 19 Oct 2012

EXCLUSIVE - ALGERIANS IN FRANCE - What was it like to be an Algerian living in France during the franco-algerian war ? FRANCE24 sheds new light on a controve...

http://wn.com/Exclusive_Report_Algerians_in_France,_1954-1962

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It Hurts To Say Goodbye (1954) - Vera Lynn

Duration: 3:06
Updated: 24 Jul 2013

Audio Only It Hurts To Say Goodbye - Vera Lynn Take me in your arms and hold me tight, tell me that your love is mine tonight, say that everything will turn ...

http://wn.com/It_Hurts_To_Say_Goodbye_(1954)_-_Vera_Lynn

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1954, Guatemala - CIA & the United Fruit Company, Jacobo Arbenz

Duration: 9:14
Updated: 31 Jul 2013

Jacobo Arbenz, President of Guatemala, committed two sins in the eyes of the Eisenhower administration. First, when he opened the system to all political par...

http://wn.com/1954,_Guatemala_-_CIA_&_the_United_Fruit_Company,_Jacobo_Arbenz

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This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Living_It_Up

This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.

Lyrics: play full screen play karaoke
Living it up - Rickie Lee Jones
Living it up - Digger
Living it up - Cam Meekins
Living it up - Hidell

Top Rickie Lee Jones, Living it up

Rickie Lee Jones
------------------------------------------------------------------------------
Eddie's got one crazy eye
that turns him into a cartoon
wahen a pretty girl comes by
and there's nothin' here to do anymore
he sits on the stoop all day
like there's something he's waiting for
Cunt-finger Louie picks up Eddie in the alley
he's got all those guys with him
from that town where they all look like Frankie Valli
they speak fluently blonde
from her legs to her cigarette
and Louie told Eddie that he'd fix him up
but he ain't come back yet
well, you know
It's more trouble than it's worth
it's more trouble than it's worth
Oh Wild and the Only ones
Tell him where you are ---
Oh Wild and the Only ones
Tell him where you are
Tell him where you are
Zero quit school
and she lost her job again
and then her boyfriend beat her up
and now he won't let her in
so she's walking by his joint
in a black and blue dress
she looks at Louie who elbows Eddie who says
"don't tell me, lemme guess."
It's more trouble than it's worth
he's more trouble than he's worth
Oh Wild and the Only ones
Tell him where you are ---
Oh Wild and the Only ones
Tell him where you are
Well at first when it was this way
when they're the only ones
and you've got all these ideas
you never tell to anyone
there are always magnets
pulling each of you there
living every story you'd dare
to be the only ones
the only ones...
Oh, who are living it up
oh yeah, we're living it up
oh yeah, we'll be living it up
oh yeah, we're living it up
gotta be living it up
oh yeah, we're living it up
oh yeah, we're living it up
oh yeah, we're living it up
oh yeah, we're living it up
oh yeah, we're living it up
Louie and Eddie found a reason then and there
carried her over the bridges like fluttering pages they didn't care
in the terminal where dreams
let so many tickets through
when strangers look in faces
and see somebody there they knew
you might meet me tomorrow
as all the lights are blooming green
and you're feeling a little lonely,
a little sad, a little mean
remember a place
inside of that hotel
where you could do anything you want to do
you couldn't tell
If it's more trouble than it's worth
ah, this is more trouble than it's worth
Oh Wild and the Only ones
tell him where you are ---
Oh Wild and the Only ones
I'm waiting you could
tell him where you are ---
Oh Wild and the Only ones
why don't you tell him where you are?

Top Digger, Living it up

It seems like you want me to be someone. I think I'm just another nobody. You can dress me up and send me on my way, but you'll never get the kid out of me. I know that I'm not half the man that you thought I should be, but one day I hope you'll see. There's no way that one hundred of your books could be equal to one hundred things I've seen. A new stage in a new world every night, and one thousand midnight highway dreams. I know I'm not half the man that you thought I should be, but I've traveled even further than their narrowed minds can see. I know I'm not half the man that you thought I should be (first time) There's more to my life you'll see. (second time) Can't you realize that I'm just me, the real me? That's all I want to be.

Top Cam Meekins, Living it up

Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
I'm more than fly, I'm a pretty calm guy
I hear these people judging and I don't know why
Is it, cause I can spit it on a level you can't get with
Or maybe cause I stay up in your business getting digits
Which is it man? I ain't really trying to get it twisted
I'm just living life, trying to do some things different
I started as a fuck up, was failing in class
Now I'm trying to get my bucks up, preparing to blast
A couple mixtapes deep but Meek cannot sleep
While you trying to count sheep, I'm gone til next week
On a train, cause these rappers, they all lame
I'm just trying to chase my dreams while you trying to chase the fame
Damn, I used to ball for my home team
Now I ball on stage, making tour cream
It sure seems that I'm living out your dreams
But you can make it too, that's a sure thing
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
All these self conscious rappers bragging about themselves
Ayo, I tried to stay away but sometimes I can't help
Cause my mind is spinning, trying to get it so we winning
And also got the thought of graduating in a minute
In the back of my mind, take you back to the time
Where Casper just kicked it with drums snare, clap and I rhyme
See I'm the truth always spit it matter of fact with my lines
Give your change to the homeless, stop talking about dimes
I'm, influenced by the most significant
Flow like the Mississippi, smoke til I'm ignorant
And I don't give a shit about you bastards
I'm a pass on your raps like I took two classes
I flow right past you, wishing all our lashes
God please, let me keep going, don't take me backwards
Smoke to the captain, he gon' make it happen
We gon' make it to the top bitch just ask him
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through
Cause what's life without some issues
Why you judging, we can't hear you
I'm to high, you're in my rear view
Keep on talking, we don't get through

Top Hidell, Living it up

Swinging on some dope
Gonna shoot up a rope
Fresh out of hope
Gonna leave it to the pope
The lovers that elope
'Til the vicars done his smoke
Today he's swimming home
I bet he wishes he had flown
Ahhh( all this shit going on )
That's why I'm saying
I'm living it up
I can't get enough
Of all this love I'm taking
I'm living it up
I can't get enough
Of what i should stay away from
I'm living it up
I can't get enough
I'm living it , I'm livin' ,livin' it up
That's why I'm saying
Another evening all alone
Waiting nacked by the phone
The sneakers won't be sewn