The 1960s was the decade that started on January 1, 1960, and ended on December 31, 1969. It was the seventh decade of the 20th century.
The 1960s term also refers to an era more often called The Sixties, denoting the complex of inter-related cultural and political trends across the globe. This "cultural decade" is more loosely defined than the actual decade, beginning around 1963 and ending around 1974.
In the United States, "the Sixties", as they are known in popular culture, is a term used by historians, journalists, and other objective academics; in some cases nostalgically to describe the counterculture and social revolution near the end of the decade; and pejoratively to describe the era as one of irresponsible excess and flamboyance. The decade was also labeled the Swinging Sixties because of the fall or relaxation of some social taboos especially relating to sexism and racism that occurred during this time.
The 1960s have become synonymous with the new, radical, and subversive events and trends of the period, which continued to develop in the 1970s, 1980s, 1990s and beyond. In Africa the 1960s was a period of radical political change as 32 countries gained independence from their European colonial rulers.
Some commentators have seen in this era a classical Jungian nightmare cycle, where a rigid culture, unable to contain the demands for greater individual freedom, broke free of the social constraints of the previous age through extreme deviation from the norm. Christopher Booker charts the rise, success, fall/nightmare and explosion in the London scene of the 1960s. This does not alone however explain the mass nature of the phenomenon.
Several governments turned to the left in the early 1960s. In the United States, John F. Kennedy, a Keynesian and staunch anti-communist who pushed for centre-left social reforms such as civil rights for African Americans and healthcare for the elderly and the poor, was elected to the Presidency; he also pledged to land a man on the Moon by the end of the decade, a feat that was accomplished in 1969. Italy formed its first left-of-centre government in March 1962 with a coalition of Christian Democrats, Social Democrats, and moderate Republicans. Socialists joined the ruling block in December 1963. In Britain, the Labour Party gained power in 1964. In Brazil, João Goulart became president after Jânio Quadros resigned.
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In 1966 the Soviet Union launched Luna 10, which later becomes the first space probe to enter orbit around the Moon.
The tragic deaths of astronauts Gus Grissom, Edward Higgins White, and Roger B. Chaffee in the Apollo 1 fire on 27 January 1967 put a temporary hold on the US space program, but afterwards progress was steady, with the Apollo 8 crew (Frank Borman, Jim Lovell, William Anders) being the first manned mission to orbit another celestial body (the moon) during Christmas of 1968.
On July 20, 1969, Apollo 11, the first human spaceflight landed on the Moon. Launched on July 16, 1969, it carried Mission Commander Neil Armstrong, Command Module Pilot Michael Collins, and Lunar Module Pilot Buzz Aldrin. Apollo 11 fulfilled President John F. Kennedy's goal of reaching the moon by the end of the 1960s, which he had expressed during a speech given before a joint session of Congress on May 25, 1961: "I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him safely to the Earth."
The Soviet program lost its sense of direction with the death of chief designer Sergey Korolyov in 1966. Political pressure, conflicts between different design bureaus, and engineering problems caused by an inadequate budget would doom the Soviet attempt to land men on the moon.
A succession of unmanned American and Soviet probes travelled to the Moon, Venus, and Mars during the 1960s, and commercial satellites also came into use.
The antiwar movement was initially based on the older 1950s Peace movement, heavily influenced by the American Communist Party, but by the mid-1960s it outgrew this and became a broad-based mass movement centered in universities and churches: one kind of protest was called a "sit-in". Other terms heard in the United States included "the Draft", "draft dodger", "conscientious objector", and "Vietnam vet". Voter age-limits were challenged by the phrase: "If you're old enough to die for your country, you're old enough to vote." Many of the youth involved in the politics of the movements distanced themselves from the "hippies".
The symbolic birth of the gay rights movement would not come until the decade had almost come to a close. Gays were not allowed by law to congregate together. Gay establishments such as the Stonewall Inn in New York City were routinely raided by the police to arrest gay people. On a night in late June 1969, LGBT people resisted, for the first time, a police raid, and rebelled openly in the streets. This uprising called the Stonewall Riots began a new period of the LGBT rights movement that in the next decade would cause dramatic change both inside the LGBT community and in the mainstream American culture.
Socially, the Chicano Movement addressed what it perceived to be negative ethnic stereotypes of Mexicans in mass media and the American consciousness. It did so through the creation of works of literary and visual art that validated Mexican-American ethnicity and culture. Chicanos fought to end social stigmas such as the usage of the Spanish language and advocated official bilingualism in federal and state governments.
The Chicano Movement also addressed discrimination in public and private institutions. Early in the twentieth century, Mexican Americans formed organizations to protect themselves from discrimination. One of those organizations, the League of United Latin American Citizens, was formed in 1929 and remains active today.
The movement gained momentum after World War II when groups such as the American G.I. Forum, which was formed by returning Mexican American veterans, joined in the efforts by other civil rights organizations.
Mexican-American civil rights activists achieved several major legal victories including the 1947 Mendez v. Westminster Supreme Court ruling which declared that segregating children of "Mexican and Latin descent" was unconstitutional and the 1954 Hernandez v. Texas ruling which declared that Mexican Americans and other racial groups in the United States were entitled to equal protection under the 14th Amendment of the U.S. Constitution.
The most prominent civil rights organization in the Mexican-American community is the Mexican American Legal Defense and Educational Fund (MALDEF), founded in 1968. Although modeled after the NAACP Legal Defense and Educational Fund, MALDEF has also taken on many of the functions of other organizations, including political advocacy and training of local leaders.
Meanwhile, Puerto Ricans in the U.S. mainland fought against racism, police brutality and socioeconomic problems affecting the three million Puerto Ricans residing in 50 states, the main concentration was in New York City. They formed political action groups, became further involved in city and national politics, and became proud of their heritage, in spite of stereotypes and being viewed as "foreign" despite Puerto Rico is US territory.
In the 1960s and the following 1970s, Hispanic-American culture was on the rebound like ethnic music, foods, culture and identity both became popular and assimilated into the American mainstream. Spanish-language television networks, radio stations and newspapers increased in presence across the country, especially in US-Mexican border towns and East Coast cities like New York City, and the growth of the Cuban American community in Miami, Florida.
The multitude of discrimination at this time represented an inhuman side to a society that in the 1960s was upheld as a world and industry leader. The issues of civil rights and warfare became major points of reflection of virtue and democracy, what once was viewed as traditional and inconsequential was now becoming the significance in the turning point of a culture. A document known as the Port Huron Statement exemplifies these two conditions perfectly in its first hand depiction, “while these and other problems either directly oppressed us or rankled our consciences and became our own subjective concerns, we began to see complicated and disturbing paradoxes in our surrounding America. The declaration "all men are created equal..." rang hollow before the facts of Negro life in the South and the big cities of the North. The proclaimed peaceful intentions of the United States contradicted its economic and military investments in the Cold War status quo.” These intolerable issues became too visible to ignore therefore its repercussions were feared greatly, the realization that we as individuals take the responsibility for encounter and resolution in our lives issues was an emerging idealism of the 1960s.
Popular music entered an era of "all hits", as numerous artists released recordings, beginning in the 1950s, as 45-rpm "singles" (with another on the flip side), and radio stations tended to play only the most popular of the wide variety of records being made. Also, bands tended to record only the best of their songs as a chance to become a hit record. The taste of the American listeners expanded from the folksinger, doo-wop and saxophone sounds of the 1950s to the Motown sound, folk rock and the British Invasion. The Los Angeles and San Francisco Sound began in this period with many popular bands coming out of LA and the Haight-Ashbury district, well-known for its hippie culture. The rise of the counterculture movement, particularly among the youth, created a market for rock, soul, pop, reggae and blues music produced by drug-culture.
Significant events in music in the 1960s: Elvis Presley returns to civilian life in the USA after two years away in the U.S. Army. He resumes his musical career by recording "It's Now or Never" and "Are You Lonesome Tonight?" in March 1960.
The highest-grossing film of the decade was 20th Century Fox's The Sound of Music.
Some of Hollywood's most notable blockbuster films of the 1960s include: ''Psycho'', ''Breakfast at Tiffany's, Spartacus, Lawrence of Arabia, The Hustler, Carnival of Souls; The Birds, The Pink Panther, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb; Mary Poppins, The Sound of Music; Doctor Zhivago, The Jungle Book, The Dirty Dozen, Butch Cassidy and the Sundance Kid; Bonnie and Clyde; Cool Hand Luke; The Graduate; Rosemary's Baby; Midnight Cowboy; Head; Medium Cool; 2001: A Space Odyssey; Faces; Night of the Living Dead; Easy Rider; Ice Station Zebra; Planet of the Apes; The Lion In Winter; The Wild Bunch''.
The counterculture movement had a significant effect on cinema. Movies began to break social taboos such as sex and violence causing both controversy and fascination. They turned increasingly dramatic, unbalanced, and hectic as the cultural revolution was starting. This was the beginning of the New Hollywood era that dominated the next decade in theatres and revolutionized the film industry. Films of this time also focused on the changes happening in the world. Dennis Hopper's ''Easy Rider'' (1969) focused on the drug culture of the time. Movies also became more sexually explicit, such as Roger Vadim's'' Barbarella'' (1968) as the counterculture progressed.
In Europe, Art Cinema gains wider distribution and sees movements like la Nouvelle Vague (The French New Wave) featuring French filmmakers such as Roger Vadim, François Truffaut, Alain Resnais, and Jean-Luc Godard; Cinéma Vérité documentary movement in Canada, France and the United States; Swedish filmmaker Ingmar Bergman, Chilean filmmaker Alexandro Jodorowsky and Polish filmmakers Roman Polanski and Wojciech Jerzy Has produced original and offbeat masterpieces and the high-point of Italian filmmaking with Michelangelo Antonioni and Federico Fellini making some of their most known films during this period. Notable films from this period include: ''La Dolce Vita'', ''8½''; ''La Notte''; ''L'Eclisse'', ''The Red Desert''; ''Blowup''; ''Satyricon''; ''Accattone''; ''The Gospel According to St. Matthew''; ''Theorem''; ''Winter Light''; ''The Silence''; ''Persona''; ''Shame''; ''A Passion''; ''Au Hasard Balthazar''; ''Mouchette''; ''Last Year at Marienbad''; ''Chronique d'un été''; ''Titicut Follies''; ''High School''; ''Salesman''; ''La jetée''; ''Warrendale;'' ''Knife in the Water''; ''Repulsion''; ''The Saragossa Manuscript''; ''El Topo''; ''A Hard Day's Night''; and the cinema verite ''Dont Look Back''.
In Japan, a color version remake of director Kenji Mizoguchi's ''The 47 Ronin'', entitled ''Chushingura: Hana no Maki, Yuki no Maki'' directed by Hiroshi Inagaki was released in 1962, the legendary story was also remade as a television series in Japan. Academy Award winning Japanese director Akira Kurosawa produced ''Yojimbo'' (1961), and ''Sanjuro'' (1962), which both starred Toshirō Mifune as a mysterious Samurai swordsman for hire. Like his previous films both had a profound influence around the world. The ''Spaghetti Western'' genre was a direct outgrowth of the Kurosawa films. The influence of these films is most apparent in Sergio Leone's ''A Fistful of Dollars'' (1964) starring Clint Eastwood and Walter Hill's ''Last Man Standing'' (1996). ''Yojimbo'' was also the origin of the "Man with No Name" trend which included Sergio Leone's ''For a Few Dollars More,'' and ''The Good, The Bad and The Ugly'' both also starring Clint Eastwood, and arguably continued through his 1968 opus ''Once Upon a Time in the West'', starring Henry Fonda, Charles Bronson, Claudia Cardinale, and Jason Robards. ''The Magnificent Seven'' a 1960 American western film directed by John Sturges was a remake of Akira Kurosawa's 1954 film, ''Seven Samurai''.
The 1960s were also about experimentation. With the explosion of light-weight and affordable cameras, the underground avant-garde film movement thrived. Canada's Michael Snow, Americans Kenneth Anger. Stan Brakhage, Andy Warhol, and Jack Smith. Notable films in this genre are: ''Dog Star Man''; ''Scorpio Rising''; ''Wavelength''; ''Chelsea Girls''; ''Blow Job''; ''Vinyl''; ''Flaming Creatures''.
Significant events in the film industry in the 1960s:
In the UK, Doctor Who appeared on TV for the first time on 23 November 1963. The series has entered the Guinness book of world records as the longest-running television show to date.
Walt Disney, owner of Walt Disney Co. died on December 15, 1966 from a major tumor in his left lung.
In 1969, the American League expanded when the Kansas City Royals and Seattle Pilots, were admitted to the league prompting the expansion of the post-season for the first time since the creation of the World Series. The Pilots stayed just one season in Seattle before moving and becoming the Milwaukee Brewers in 1970. The National League also added two teams in 1969, the Montreal Expos and San Diego Padres. By 1969, at the end of the 1960s the New York Mets won the World Series in only the 8th year of the team's existence.
1960 • 1961 • 1962 • 1963 • 1964 • 1965 • 1966 • 1967 • 1968 • 1969
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Carmen McRae |
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background | solo_singer |
birth name | Carmen Mercedes McRae |
alias | "The Singer's Singer" |
birth date | April 08, 1920 |
died | November 10, 1994Beverly Hills, California, United States |
origin | Harlem, New York City, New York, United States |
instrument | Piano |
genre | Vocal jazz, bebop, traditional pop |
occupation | Singer, pianist |
years active | 1944s–1994 |
label | Decca, Verve, Atlantic, Novus, Columbia, Blue Note, Concord, Buddah |
associated acts | Sammy Davis, Jr.Cal TjaderGeorge ShearingDave Brubeck}} |
Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer, composer, pianist, and actress. Considered one of the most influential jazz vocalists of the 20th century, it was her behind-the-beat phrasing and her ironic interpretations of song lyrics that made her memorable. McRae drew inspiration from Billie Holiday, but established her own distinctive voice. She went on to record over 60 albums, enjoying a rich musical career, performing and recording in the United States, Europe, and Japan.
In her late teens and early twenties, McRae played piano at a New York club called Minton's Playhouse, Harlem's most famous jazz club, sang as a chorus girl, and worked as a secretary. It was at Minton's where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke. Had her first important job as a pianist with the Benny Carter's big band (1944), worked with Count Basie (1944) and made first recording as pianist with Mercer Ellington Band (1946–1947). But it was while working in Brooklyn that she came to the attention of Decca’s Milt Gabler. Her five year association with Decca yielded 12 LPs.
In 1948 she moved to Chicago with comedian George Kirby. She played piano steadily for almost four years before returning to New York. Those years in Chicago, McRae told Jazz Forum, "gave me whatever it is that I have now. That's the most prominent schooling I ever had." Back in New York in the early 1950s, McRae got the record contract that launched her career. In 1954, she was voted best new female vocalist by Down Beat magazine. She married bassist Ike Isaacs in the late 1950s.
Among her most interesting recording projects were ''Mad About The Man'' (1957) with composer Noël Coward, ''Boy Meets Girl'' (1957) with Sammy Davis, Jr., participating in Dave Brubeck's ''The Real Ambassadors'' (1961) with Louis Armstrong, a tribute album ''You're Lookin' at Me (A Collection of Nat King Cole Songs)'' (1983), cutting an album of live duets with Betty Carter, ''The Carmen McRae-Betty Carter Duets'' (1987), being accompanied by Dave Brubeck and George Shearing, and closing her career with brilliant tributes to Thelonious Monk, ''Carmen Sings Monk'' (1990), and Sarah Vaughan, ''Sarah: Dedicated to You'' (1991).
As a result of her early friendship with Billie Holiday, she never performed without singing at least one song associated with "Lady Day", and recorded an album in 1983 in her honor entitled ''For Lady Day'', which was released in 1995. Some songs included are; "Good Morning Heartache", "Them There Eyes", "Lover Man", "God Bless the Child", "Don't Explain", just to name a few. McRae also recorded with the world best jazz musicians, ''Take Five Live'' (1961) with Dave Brubeck, ''Heat Wave'' (1982) with Cal Tjader, and ''Two for the Road'' (1989) with George Shearing.
Carmen McRae sang in jazz clubs throughout the United States—and across the world—for over fifty years. McRae was a popular performer at the legendary Monterey Jazz Festival (1961–1963, 1966, 1971, 1973, 1982). Performing with Duke Ellington's at the North Sea Jazz Festival in 1980, singing "Don't Get Around Much Any More", and at the Montreux Jazz Festival in 1989.Carmen McRae was forced to retire in 1991 due to emphysema. McRae died on November 10, 1994, in Beverly Hills, California from a stroke, following complications from respiratory illness.
{| class=wikitable |- | colspan=5 align=center | Carmen McRae Awards |- ! Year ! Organization ! Category ! Result |- align=center | 1994 | National Endowment for the Arts | NEA Jazz Masters | Winner |- align=center | 1993 | NAACP | NAACP Image Awards | Winner |- align=center |- align=center |}
!Year | !Title | !Label |
1990 | ''Sarah: Dedicated to You'' | Novus |
1988 | ''Carmen Sings Monk'' | Novus |
1988 | ''Fine and Mellow: Live at Birdland West'' (Live) | Concord |
1987 | ''The Carmen McRae-Betty Carter Duets'' (Live, with Betty Carter) | Great American Music Hall |
1987 | Blue Music Group | |
1983 | ''You're Lookin' at Me (A Collection of Nat King Cole Songs)'' | Concord Jazz |
1982 | Concord Jazz | |
1980 | Concord Jazz | |
1975 | ''Live at Century Plaza'' | Atlantic |
1972 | ''The Great American Songbook'' | Atlantic |
1970 | ''Just a Little Lovin''' | Atlantic |
1967 | ''Portrait of Carmen'' | Atlantic |
1967 | ''Sounds of Silence'' | Atlantic |
1967 | ''For Once in My Life'' | Atlantic |
1965 | ''Alive!'' | Columbia |
1962 | ''Something Wonderful'' | Columbia |
1962 | ''The Real Ambassadors'' | Columbia |
1961 | ''Carmen McRae Sings Lover Man and other Billie Holiday Classics'' | Columbia |
1961 | ''Take Five Live'' | Columbia |
1960 | ''Book of Ballads'' | Kapp |
1958 | Decca | |
1958 | ''Ella Fitzgerald and Billie Holiday at Newport'' (Released 2001) | Verve |
1957 | ''After Glow'' | Decca |
1956 | ''Blue Moon'' | Decca |
1955 | ''Torchy'' | Decca |
1954 | ''Easy to Love'' | Bethlehem |
1954 | ''Carmen McRae'' | Bethlehem |
Category:Deaths from stroke Category:Deaths from emphysema Category:Vocal jazz musicians Category:Bebop singers Category:African American musicians Category:African American female singers Category:American jazz pianists Category:American jazz singers Category:American musicians of Jamaican descent Category:LGBT African Americans Category:People from Harlem Category:People from the Greater Los Angeles Area Category:Traditional pop music singers Category:Torch singers Category:Women in jazz Category:1920 births Category:1994 deaths
de:Carmen McRae es:Carmen McRae fr:Carmen McRae ko:카르맨 맥레이 it:Carmen McRae nl:Carmen McRae ja:カーメン・マクレエ pl:Carmen McRae fi:Carmen McRae sv:Carmen McRaeThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Bugs Bunny |
---|---|
first | |
latest | ''The Looney Tunes Show'' (2011) |
creator | }} |
Bugs Bunny is a fictional animated character who starred in the ''Looney Tunes'' and ''Merrie Melodies'' series of animated films produced by Leon Schlesinger Productions, which became Warner Bros. Cartoons in 1944. Bugs starred in 167 shorts during the Golden Age of American animation, and cameoed in many others, including few appearances in non-animated films. He is an anthropomorphic hare or rabbit.
According to ''Bugs Bunny: 50 Years and Only One Grey Hare'', he was born on July 27, 1940 in Brooklyn, New York in a warren under Ebbets Field, home of the Brooklyn Dodgers. In reality, he was created by many animators and staff, including Tex Avery, who directed ''A Wild Hare'', Bugs' debut role, and Robert McKimson, who created the definitive "Bugs Bunny" character design. According to Mel Blanc, the character's original voice actor, Bugs has a Flatbush accent. Bugs has had numerous catchphrases, the most prominent being a casual "Eh... What's up, doc?", usually said while chewing a carrot.
He is the most prominent of the Looney Tunes characters as his calm, flippant insouciance endeared him to American audiences during and after World War II. He is also a mascot of the Looney Tunes, as well as Warner Bros. in general.
thumb|left|550px|A depiction of Bugs Bunny's evolution through the years.A rabbit (named as "Happy Rabbit") with some of the personality of Bugs, though looking very different, first appears in the cartoon short ''Porky's Hare Hunt'', released on April 30, 1938. Co-directed by Ben "Bugs" Hardaway and an uncredited Cal Dalton (who was responsible for the initial design of Happy), this short has an almost identical plot to Tex Avery's 1937 cartoon ''Porky's Duck Hunt'', which had introduced Daffy Duck. Porky Pig is again cast as a hunter tracking a silly prey less interested in escape than in driving his pursuer insane. The latter short replaces the little black duck with a small white rabbit. Happy introduces himself with the odd expression "Jiggers, fellers", and Mel Blanc gave Happy a voice and laugh almost like that he would later use for Woody Woodpecker. This cartoon also first uses the famous Groucho Marx line, "Of course you realize, this means war!" This rabbit was so popular with its audience that the Schlesinger staff decided to use it again.
Happy appears again in 1939's ''Prest-O Change-O'', directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent master's house. Happy harasses them, but is ultimately bested by the bigger of the two dogs.
His third appearance is in another 1939 cartoon, ''Hare-um Scare-um'', directed by Dalton and Hardaway. This short, the first where he is depicted as a gray bunny instead of a white one, is also notable for Happy's first singing role. Charlie Thorson, lead animator on the short, gave the character a name. He had written "Bugs' Bunny" on the model sheet that he drew for Hardaway, implying that he considered the rabbit model sheet to be Hardaway's property. In promotional material for the short, including a surviving 1939 presskit, the name on the model sheet was altered to become the rabbit's own name: "Bugs" Bunny (quotation marks only used at the very beginning). In his later years, Mel Blanc stated that a proposed name was "Happy Rabbit". Oddly, "Happy" was only used in reference to Bugs Hardaway. In the cartoon ''Hare-um Scare-um'', a newspaper headline reads, "Happy Hardaway".
In Chuck Jones' ''Elmer's Candid Camera'' Happy first meets Elmer Fudd. This rabbit looks more like the present-day Bugs, taller and with a similar face. This rabbit, however, speaks with a rural drawl. The early version of Elmer is also different from the present-day one, much fatter and taller, although Arthur Q. Bryan's voice is the same as it would be later. In Robert Clampett's 1940 ''Patient Porky'', a similar rabbit appears to trick the audience into thinking that 750 rabbits have been born.
Bugs's second appearance, in Jones' ''Elmer's Pet Rabbit'', introduces the audience to the name Bugs Bunny, which until then had only been used among the Termite Terrace employees. It was also the first short where he received billing under his now-famous name, but the card, "featuring Bugs Bunny", was just slapped on the end of the completed short's opening titles when ''A Wild Hare'' proved an unexpected success. The rabbit here is in look and voice identical to the one in Jones' earlier ''Elmer's Candid Camera''.
Bugs in his ''Wild Hare'' likeness appeared in five more shorts during 1941. ''Tortoise Beats Hare'', directed by Tex Avery, features the first appearance of Cecil Turtle; ''Hiawatha's Rabbit Hunt'', is the first Bugs Bunny short directed by Friz Freleng; ''All This and Rabbit Stew'', directed by Avery, has Bugs tracked by a little African-American hunter (based heavily on racial stereotypes); ''The Heckling Hare'' was the final Bugs short Avery worked on before being fired (Avery and producer Schlesinger vehemently disagreed over the ending gag of The Heckling Hare, and Avery refused to compromise his creative principles) and leaving for MGM; and ''Wabbit Twouble'', the first Bugs short directed by Robert Clampett. ''Wabbit Twouble'' was also the first of five Bugs shorts to feature a chubbier remodel of Elmer Fudd, a short-lived attempt to have Fudd more closely resemble his voice actor, comedian Arthur Q. Bryan.
Other 1942 Bugs shorts included Chuck Jones' ''Hold the Lion, Please'', Freleng's ''Fresh Hare'' and ''The Hare-Brained Hypnotist'' (which restores Elmer Fudd to his previous size), and Jones' ''Case of the Missing Hare''. Bugs also made cameos in Tex Avery's final Warner Bros. short, ''Crazy Cruise'', and stars in the two-minute United States war bonds commercial film ''Any Bonds Today''.
Bugs became more popular during World War II because of his free and easy attitude, and began receiving special star billing in his cartoons by 1943. By that time Warner Bros. had become the most profitable cartoon studio in the United States. In company with cartoon studios such as Disney and Famous Studios, Warners put its characters against Adolf Hitler, Benito Mussolini, and the Japanese. The 1944 short ''Bugs Bunny Nips the Nips'' features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its racial stereotypes of Japanese people. He also faces off against Herman Goering and Hitler in ''Herr Meets Hare'', which introduced his well-known reference to Albuquerque as he mistakenly winds up in the Black Forest of 'Joimany' instead of Las Vegas, Nevada.
Since Bugs' debut in ''A Wild Hare'', he had appeared only in color ''Merrie Melodie'' cartoons (making him one of the few recurring characters created for that series in the Leon Schlesinger era prior to the full conversion to color), alongside Elmer's prototype Egghead, Inki, Sniffles, and Elmer himself—who was heard but not seen in the 1942 ''Looney Tunes'' cartoon ''Nutty News'', and made his first formal appearance in that series in 1943's ''To Duck or Not to Duck''. While he made a cameo appearance in the 1943 Porky and Daffy cartoon ''Porky Pig's Feat'' this was his only appearance in a black-and-white ''Looney Tune'' cartoon. He did not star in a cartoon in the ''Looney Tunes'' series until that series made its complete conversion to only color cartoons beginning with 1944 releases. ''Buckaroo Bugs'' was Bugs' first cartoon in the ''Looney Tunes'' series, and was also the last Warner Bros. cartoon to credit Leon Schlesinger.
Among his most notable civilian shorts during this period are Bob Clampett's ''Tortoise Wins by a Hare'' (a sequel to 1941's ''Tortoise Beats Hare''); ''A Corny Concerto'' (a spoof of Disney's ''Fantasia''); ''Falling Hare''; ''What's Cookin' Doc?''; Chuck Jones' ''Superman'' parody ''Super-Rabbit''; and Freleng's ''Little Red Riding Rabbit''. The 1944 short ''Bugs Bunny and the Three Bears'' introduces Jones' The Three Bears characters.
At the end of the cartoon ''Super-Rabbit'', Bugs appears wearing a United States Marine Corps dress blue uniform. As a result, the Marine Corps made Bugs an honorary Marine Master Sergeant. From 1943 to 1946, Bugs was the official mascot of Kingman Army Airfield, Kingman, Arizona, where thousands of aerial gunners were trained during World War II. Some notable trainees included Clark Gable and Charles Bronson. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, 5th Air Force, U.S. Air Force, which was attached to the Royal Australian Air Force and operated out of Australia's Northern Territory from 1943 to 1945, flying B-24 Liberator bombers. Bugs riding an air delivered torpedo served as the squadron logo for Marine Torpedo/Bomber Squadron 242 in the Second World War.
In 1944, Bugs Bunny made a cameo appearance in ''Jasper Goes Hunting'', a short produced by rival studio Paramount Pictures. In this cameo (animated by Robert McKimson, with Mel Blanc providing the voice), Bugs pops out of a rabbit hole, saying his usual catchphrase; Bugs then says, "I must be in the wrong picture" and then goes back in the hole. He also appears in the 1947 Arthur Davis cartoon ''The Goofy Gophers''
The Bugs Bunny short ''Knighty Knight Bugs'' (1958), in which a medieval Bugs Bunny trades blows with Yosemite Sam and his fire-breathing dragon (which has a cold), won the Academy Award for Best Short Subject (Cartoons) of 1958. Three of Chuck Jones' Bugs Bunny shorts — ''Rabbit Fire'', ''Rabbit Seasoning'', and ''Duck! Rabbit, Duck!'' — comprise what is often referred to as the "Duck Season/Rabbit Season" trilogy. Jones' 1957 classic, ''What's Opera, Doc?'', cast Bugs and Elmer in a parody of Richard Wagner's ''Der Ring des Nibelungen''. It has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry, the first cartoon short to receive this honor.
In the fall of 1960, ABC debuted the prime-time television program ''The Bugs Bunny Show''. This show packaged many of the post-1948 Warners shorts with newly animated wraparounds. After two seasons, it was moved from its evening slot to reruns on Saturday mornings. ''The Bugs Bunny Show'' changed format and exact title frequently, but remained on network television for 40 years. The packaging was later completely different, with each short simply presented on its own, title and all, though some clips from the new bridging material were sometimes used as filler.
Bugs has made appearances in animated specials for network television, mostly composed of classic cartoons with bridging material added, including ''How Bugs Bunny Won the West'', and ''The Bugs Bunny Mystery Special''. ''Bugs Bunny's Busting Out All Over'' (1980) contained no vintage clips and featured the first new Bugs Bunny cartoons in 16 years. It opened with "Portrait Of The Artist As a Young Bunny", which features a flashback of Bugs as a child thwarting a young Elmer Fudd, while its third and closing short was "Spaced Out Bunny", with Bugs being kidnapped by Marvin the Martian to be a playmate for Hugo, an Abominable Snowman-like character. (A new Wile E. Coyote and Road Runner short filled out the half hour.) Compilation films included the independently produced ''Bugs Bunny: Superstar'', using the vintage shorts then owned by United Artists; as well as Warner Bros. efforts ''The Bugs Bunny/Road Runner Movie'', ''The Looney Looney Looney Bugs Bunny Movie'', ''Daffy Duck's Fantastic Island'', ''Bugs Bunny's 3rd Movie: 1001 Rabbit Tales'' and ''Daffy Duck's Quackbusters''. He also made guest appearances in episodes of the 1990s television program ''Tiny Toon Adventures'' as the principal of Acme Looniversity and the mentor of Babs and Buster Bunny, and would later make occasional guest cameos on spinoffs ''Taz-Mania'' and ''Animaniacs''. He appears in the beginning of ''Gremlins 2: The New Batch'', where he tries to ride the opening Warner Bros logo, but is interrupted by Daffy Duck.
Bugs has had several comic book series over the years. Western Publishing had the license for all the Warner Brothers cartoons, and produced Bugs Bunny comics first for Dell Comics, then later for their own Gold Key Comics. Dell published 58 issues and several specials from 1952 to 1962. Gold Key continued for another 133 issues. DC Comics, the sister/subsidiary company of Warner Bros., has published several comics titles since 1994 that Bugs has appeared in. Notable among these was the 2000 four-issue miniseries ''Superman & Bugs Bunny'', written by Mark Evanier and drawn by Joe Staton. This depicted a crossover between DC's superheroes and the Warner cartoon characters.
Like SpongeBob for Nickelodeon and Mickey Mouse (a Disney character), Bugs has served as the mascot for Warner Bros. Entertainment and its various divisions. He and Mickey are the first cartoon characters to have a star on the Hollywood Walk of Fame.
In the 1988 animated/live action movie ''Who Framed Roger Rabbit'', Bugs was shown as one of the inhabitants of Toontown. However, since the film was being produced by Disney, Warner Bros. would only allow the use of their biggest star if he got an equal amount of screen time as Disney's biggest star, Mickey Mouse. Because of this, both characters are always together in frame when onscreen. For the same reasons, Bugs never calls Mickey by his name, only referring to him as "Doc," while Mickey calls him "Bugs."
Bugs Bunny was featured in ''The Earth Day Special'' showing his displeasure on how man started mistreating the environment. He was voiced by Jeff Bergman who also voiced Porky Pig and Tweety.
Bugs Bunny came back to the silver screen in ''Box Office Bunny'' in 1990. This was the first Bugs Bunny cartoon short since 1964 to be released to theaters, and it was created for the Bugs Bunny 50th anniversary celebration. It was followed in 1991 by ''(Blooper) Bunny,'' a short that has gained a cult following among some animation fans for its edgy humor.
Bugs made an appearance in the 1990 drug prevention video ''Cartoon All-Stars to the Rescue.'' This special is notable for being the first time that somebody other than Mel Blanc voiced Bugs Bunny and Daffy Duck. (In this video, both characters were voiced by Jeff Bergman.)
In 1997, Bugs appeared on a U.S. postage stamp, the first cartoon to be so honored, beating the iconic Mickey Mouse. The stamp is number seven on the list of the ten most popular U.S. stamps, as calculated by the number of stamps purchased but not used. The introduction of Bugs onto a stamp was controversial at the time, as it was seen as a step toward the 'commercialization' of stamp art. The postal service rejected many designs, and went with a postal-themed drawing. Avery Dennison printed the Bugs Bunny stamp sheet, which featured "a special ten-stamp design and was the first self-adhesive souvenir sheet issued by the U.S. Postal Service."
A younger version of Bugs is the main character of ''Baby Looney Tunes,'' which debuted on Cartoon Network in 2002. In the action comedy ''Loonatics Unleashed'', his definite descendant Ace Bunny is the leader of the Loonatics team and seems to have inherited his ancestor's Brooklyn accent and comic wit. Strangely, Bugs was one of the few Looney Tunes characters who never appeared in the 2003 Duck Dodgers series.
Bugs has appeared in numerous video games, including the ''Bugs Bunny's Crazy Castle'' series, ''Bugs Bunny Birthday Blowout'', ''Bugs Bunny: Rabbit Rampage'' and the similar ''Bugs Bunny in Double Trouble'', ''Looney Tunes B-Ball'', ''Space Jam'', ''Looney Tunes Racing'', ''Looney Tunes: Space Race'', ''Bugs Bunny Lost in Time'', and its sequel, ''Bugs Bunny and Taz Time Busters'', and ''Looney Tunes: Back in Action'' and the new video game ''Looney Tunes: Acme Arsenal''.
On August 13, 2010, Warner Bros. Pictures announced that they are planning a live-action/CG-animated combo feature film based on the Looney Tunes character.
Bugs also appeared in the ''MAD'' episode "Hops", where he appeared at the party.
Bugs will usually try to placate the antagonist and avoid conflict, but when an antagonist pushes him too far, Bugs may address the audience and invoke his catchphrase "Of course you realize this means ''war!''" before he retaliates, and the retaliation will be devastating. This line was taken from Groucho Marx and others in the 1933 film ''Duck Soup'' and was also used in the 1935 Marx film ''A Night at the Opera''. Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in ''Hair-Raising Hare'', for example) or sometimes with a direct impersonation (as in ''Slick Hare'').
Other directors, such as Friz Freleng, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in ''Tortoise Beats Hare'', or, in World War II, the Gremlin of ''Falling Hare''), his overconfidence becomes a disadvantage. Most of Bugs' antagonists are extremely dim-witted, and Bugs is easily able to outwit and torment them, though on occasion they will manage to get the best of Bugs. Daffy Duck, who is considerably more intelligent, is unaffected by Bugs' usual schemes, and the two usually end up fighting a battle of wits, though Bugs is still the superior.
During the 1940s, Bugs was immature and wild, but starting in the 1950s his personality matured and his attitude was less frenetic. Though often shown as highly mischievous and violent, Bugs is never actually malicious, and only acts as such in self-defense against his aggressors; the only two cartoons where Bugs ever served as an antagonist were Buckaroo Bugs and Duck Amuck; the latter cartoon depicts him as far more sadistic than usual, as he becomes the cartoonist and abuses his newfound divine powers to torture Daffy.
Bugs Bunny's nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the film ''It Happened One Night'', in which Clark Gable's character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert's character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behavior as satire.
The carrot-chewing scenes are generally followed by Bugs Bunny's most well-known catchphrase, "What's up, Doc?", which was written by director Tex Avery for his first Bugs Bunny short, 1940s ''A Wild Hare''. Avery explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the short was first screened in theaters, the "What's up, Doc?" scene generated a tremendously positive audience reaction. As a result, the scene became a recurring element in subsequent films and cartoons. The phrase was sometimes modified for a situation. For example, Bugs says "What's up, dogs?" to the antagonists in ''A Hare Grows in Manhattan'', "What's up, Duke?" to the knight in ''Knight-mare Hare'' and "What's up, prune-face?" to the aged Elmer in ''The Old Grey Hare''. He might also greet Daffy with "What's up, Duck?" He used one variation, "What's all the hub-bub, bub?" only once, in ''Falling Hare.'' Another variation is used in ''Looney Tunes: Back In Action'' when he greets a lightsaber-wielding Marvin the Martian saying "What's up, Darth?"
Several Chuck Jones shorts in the late 1940s and 1950s depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Mexico (''Bully for Bugs'', 1953), the Himalayas (''The Abominable Snow Rabbit'', 1960) and Antarctica (''Frigid Hare'', 1949) all because he "shoulda taken that left toin at Albukoikee." He first utters that phrase in ''Herr Meets Hare'' (1945), when he emerges in the Black Forest, a cartoon seldom seen today due to its blatantly topical subject matter. When Hermann Göring says to Bugs, "There is no Las Vegas in 'Chermany'" and takes a potshot at Bugs, Bugs dives into his hole and says, "Joimany! Yipe!", as Bugs realizes he's behind enemy lines. The confused response to his "left toin" comment also followed a pattern. For example, when he tunnels into Scotland in 1948's ''My Bunny Lies over the Sea'', while thinking he's heading for the La Brea Tar Pits in Los Angeles, California, it provides another chance for an ethnic stereotype: "Therrre's no La Brrrea Tarrr Pits in Scotland!" (to which Bugs responds, "Uh...what's up, Mac-doc?"). A couple of late-1950s shorts of this ilk also featured Daffy Duck travelling with Bugs ("Since when is Pismo Beach inside a cave?!").
Bugs Bunny has some similarities to figures from mythology and folklore, such as Br'er Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (for example, he repeatedly uses cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery. One exception to this is the short ''Hare Brush'', in which Elmer Fudd ultimately carries the day at the end; however, critics note that in this short, Elmer and Bugs assume each other's personalities—through mental illness and hypnosis, respectively—and it is only by becoming Bugs that Elmer can win. However, Bugs was beaten at his own game. In the short ''Duck Amuck'' he torments Daffy Duck as the unseen animator, ending with his line, "Ain't I a stinker?" Bugs feels the same wrath of an unseen animator in the short ''Rabbit Rampage'' where he is in turn tormented by Elmer Fudd. At the end of the clip Elmer gleefully exclaims, 'Well, I finally got even with that scwewy wabbit!"
Although it was usually Porky Pig who brought the WB cartoons to a close with his stuttering, "That's all, folks!", Bugs would occasionally appear, bursting through a drum just as Porky did, but munching a carrot and saying in his Bronx-Brooklyn accent, "And dat's de end!"
The name "Bugs" or "Bugsy" as an old-fashioned nickname means "crazy" (or "loopy"). Several famous people from the first half of the twentieth century had that nickname. It is now out of fashion as a nickname, but survives in 1950s–1960s expressions like "you're bugging me", as in "you're driving me crazy".
Bugs wears white gloves, which he is rarely seen without, although he may remove one and use it for slapping an opponent to predicate a duel. Another glove-less example is the episode ''Long-Haired Hare'', where Bugs pretends to be the famed conductor Leopold Stokowski and instructs opera star "Giovanni Jones" to sing and to hold a high note. As Giovanni Jones is turning red with the strain, Bugs slips his left hand out of its glove, leaving the glove hovering in the air in order to command Jones to continue to hold the high note. Bugs then nips down to the mail drop to order, and then to receive, a pair of ear defenders. Bugs puts on the ear defenders and then zips back into the amphitheater and reinserts his hand into his glove as singer Jones is writhing on the stage, still holding that same high note.
Bugs Bunny is also a master of disguise: he can wear any disguise that he wants to confuse his enemies: in ''Bowery Bugs'' he uses diverse disguises: fakir, gentleman, woman, baker and finally policeman. This ability of disguise makes Bugs famous because we can recognize him while at the same time realizing that his enemies are stumped. Bugs has a certain preference for the female disguise: Taz, Elmer Fudd, Yosemite Sam were fooled by this sexy bunny (woman) and in ''Hare Trimmed'', Sam discovers the real face of "Granny" (Bugs's disguise) in the church where they attempt to get married. For all the gullible victims of all these disguises, however, for some reason, Daffy Duck and Cecil Turtle are among those who are never fooled.
Bugs Bunny may also have some mystical potential. In ''Knight-mare Hare'' he was able to return to his bunny form (after being transformed into a donkey) by removing his donkey form as if it were a suit. Merlin of Monroe (the wizard) was unable to do the same thing. Later Bugs Bunny defeated the Count Blood Count in a magical spell duel. However, the story was a dream and Bugs Bunny's victory over Count Blood Count was a result of his intellect, not innate magical power.
Within the cartoons, although the term "hare" comes up sometimes, again typically as a pun—for example, Bugs drinking "hare tonic" to "stop falling hare" or being doused with "hare restorer" to bring him back from invisibility—Bugs as well as his antagonists most often refer to the character as a "rabbit." The word "bunny" is of no help in answering this question, as it is a synonym for both young hares and young rabbits.
In Nike commercials with Michael Jordan, Bugs had been referred to as "''Hare'' Jordan."
;Mel Blanc :Mel Blanc voiced the character for 49 years, from Bugs' debut in ''A Wild Hare'' (1940) until Blanc's death in 1989. Blanc described the voice as a combination of Bronx and Brooklyn accents; however, Tex Avery claimed that he asked Blanc to give the character not a New York accent ''per se'', but a voice like that of actor Frank McHugh, who frequently appeared in supporting roles in the 1930s and whose voice might be described as New York Irish. In Bugs' second cartoon ''Elmer's Pet Rabbit'', Blanc created a completely new voice for Bugs, which sounded like a Jimmy Stewart impression, but the directors decided the previous voice was better. Though his best-known character was the carrot-chomping rabbit, munching on the carrots interrupted the dialogue. Various substitutes, such as celery, were tried, but none of them ''sounded'' like a carrot. So for the sake of expedience, he would munch and then spit the carrot bits into a spittoon rather than swallowing them, and continue with the dialogue. One often-repeated story, possibly originating from ''Bugs Bunny: Superstar'', is that Blanc was allergic to carrots and ''had'' to spit them out to minimize any allergic reaction — but his autobiography makes no such claim. In fact, in a 1984 interview with Tim Lawson, co-author of ''The Magic Behind The Voices: A Who's Who of Cartoon Voice Actors'' (University Press of Mississippi, 2004), Blanc emphatically denied being allergic to carrots.
;Jeff Bergman :Jeff Bergman was the first to voice Bugs Bunny (and several other Looney Tunes characters) after Blanc died in 1989. He got the job by impressing Warner Bros. higher-ups with a tape of himself re-creating the voices of several of Blanc's characters, including Bugs. He had rigged the tape player so that he could use a switch to instantly toggle back and forth between the original recording of Blanc and Bergman's recording of the same lines. Upon doing this, it was almost impossible for the producers to tell which voice was Blanc's and which voice was Bergman; thus his vocal ability was established and his career launched.
:Bergman first voiced Bugs during the 1990 Academy Awards and then in ''Box Office Bunny'', a 4-minute ''Looney Tunes'' short released in 1990 to commemorate Bugs' fiftieth anniversary. Bergman would next voice Bugs in the 1991 short ''(Blooper) Bunny'', a Greg Ford-directed cartoon produced to coincide with Bugs' 51st and a half anniversary. However, the short never received its intended theatrical release and was shelved for years, until Cartoon Network rediscovered it and broadcast it on their channel several years later. ''(Blooper) Bunny'' has since garnered a cult following among animation fans for its use of edgy humor. Other works for which Bergman provided Bugs' voice include ''Invasion of the Bunny Snatchers'' (an obvious parody of the 1950s sci-fi classic ''Invasion of the Body Snatchers''), ''Tiny Toon Adventures'' (a popular television program of the early nineties that featured the classic ''Looney Tunes'' characters as mentors to their younger counterparts) in the first season, and ''Cartoon All-Stars to the Rescue'' (a television special exposing children to dangers of illegal drugs). Bergman would continue to do the voice of Bugs Bunny until 1993, apparently due to him having difficulty moving to Los Angeles at the time. In 2011, Bergman has returned to voice Bugs for Cartoon Network's new series, ''The Looney Tunes Show''.
;Greg Burson :Greg Burson first voiced Bugs Bunny in later episodes of ''Tiny Toon Adventures''. He was then given the responsibility of voicing Bugs in 1995's ''Carrotblanca'', a well-received 8-minute ''Looney Tunes'' cartoon originally shown in cinemas alongside ''The Amazing Panda Adventure'' (US) and ''The Pebble and the Penguin'' (non-US); it has since been released on video packaged with older ''Looney Tunes'' cartoons and was even included in the special edition DVD release of ''Casablanca'', of which it is both a parody and an homage. Burson next voiced Bugs in the 1996 short ''From Hare to Eternity''; the film is notable for being dedicated to the memory of the then-just deceased Friz Freleng, and for being the final ''Looney Tunes'' cartoon that Chuck Jones directed. Burson also provided Bugs' voice in ''The Bugs and Daffy Show'', which ran on Cartoon Network from 1996 to 2003. He died in 2008.
;Billy West :Billy West has been in television since the late 1980s. His first role was for the 1988 revived version of Bob Clampett's ''Beany and Cecil''. West's breakthrough role then came almost immediately, as the voice of Stimpy and later Ren in John Kricfalusi's ''Ren & Stimpy''. West has since been the voice talent for close to 120 different characters, including some of the most iconic animated figures in television history. Perhaps West's most notable film work came in the 1996 film ''Space Jam''. Starring alongside Michael Jordan, West provided the voice of both Bugs Bunny and Elmer Fudd. West would go on to reprise the roles of Bugs in subsequent ''Looney Tunes'' productions, including his cameos on ''Histeria!'', also he made a cameo appearance on ''Kid vs. Kat'' in "Class Act", the Kids' WB! promotional spots, and the 2006 Christmas-themed special ''Bah, Humduck! A Looney Tunes Christmas'' and the DVD compilations "Reality Check" and "Stranger Than Fiction", along with several ''Looney Tunes''-centric CDs, cartoons, and video games.
;Joe Alaskey :Joe Alaskey, like Jeff Bergman, is well-known for his ability to successfully impersonate many ''Looney Tunes'' characters. In fact, Alaskey voiced Yosemite Sam in ''Who Framed Roger Rabbit'', as original voice actor Mel Blanc had found it too hard on his vocal cords (which makes Sam one of the few voices created by Blanc to be voiced by someone else during his lifetime). Alaskey's first performance as Bugs Bunny came in the 2003 feature film ''Looney Tunes: Back in Action'', although he had tested performing the role in a few earlier projects, such as ''Tweety's High-Flying Adventure''. While still best known for providing the voice of Daffy Duck, Alaskey has also gone on to do Bugs' voice in several subsequent productions, including ''Daffy Duck for President'' (which was released on ''The Looney Tunes Golden Collection: Volume 2'' and dedicated to then-just deceased Chuck Jones) and several recent video games and Looney Tunes cartoons, including ''Hare and Loathing in Las Vegas''.
;Samuel Vincent :Samuel Vincent served as the voice of Bugs in the Cartoon Network TV series ''Baby Looney Tunes''.
;Noel Blanc :Noel Blanc, Mel Blanc's son, voiced Bugs for the ''Tiny Toons'' special ''It's a Wonderful Tiny Toon Christmas Special''. The elder Blanc claimed in his later years that Noel substituted for Mel in various cartoon studios, including doing Bugs at Warner Bros., while he was recovering from a near-fatal car wreck. Noel can also be seen doing Bugs' voice with his father in the documentary on the making of the film ''Who Framed Roger Rabbit''.
Bugs has also had an effect on "live" movie acting. During an interview for ''Inside the Actors Studio'', comedian Dave Chappelle cited him as one of his earliest influences, praising voice actor Mel Blanc.
According to Time Warner, Bugs Bunny became the current official mascot for Six Flags theme parks beginning with their 45th anniversary.
Category:Corporate mascots Category:DC Comics titles Category:Dell Comics titles Category:Fictional anthropomorphic characters Category:Fictional characters from New York City Category:Fictional hares and rabbits Category:Gold Key Comics titles Category:Honorary United States Marines Category:Looney Tunes characters Category:Fictional characters introduced in 1940
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