In antiquity, Phrygia (; , ) was a kingdom in the west central part of Anatolia, in what is now modern-day Turkey. The Phrygians (Phruges or Phryges) initially lived in the southern Balkans; according to Herodotus, under the name of Bryges (Briges), changing it to Phruges after their final migration to Anatolia, via the Hellespont.

During the flourishing of the city-state of Troy, a part of the Bryges emigrated to Anatolia as Trojan allies or under the protection of Troy. The Trojan language did not survive; consequently, its exact relationship to the Phrygian language and the affinity of Phrygian society to that of Troy remain open questions. Similarly, the date of migration and the relationship of the Phrygians to the Hittite empire are unknown. While some consider the Phrygians part of a wider "Thraco-Phrygian" group, some linguists dismiss this hypothesis since Thracian (and hence Daco-Thracian) seem to belong to the Satem group of Indo-European languages, while Phrygian shared several similarities with other Indo-European languages of the Centum group (Latin, the Anatolian languages). Of all the Indo-European languages, Phrygian seems to have been most closely linked to Greek, suggesting that the two languages belonged to the same dialectal subgroup of early Indo-European..A conventional date of c. 1180 BC is often used, at the very end of the Hittite empire. It is certain that Phrygia was constituted on Hittite land, and yet not at the very center of Hittite power in the big bend of the Halys River, where Ankara now is.

From tribal and village beginnings, the state of Phrygia arose in the 8th century BC with its capital at Gordium. During this period, the Phrygians extended eastward and encroached upon the kingdom of Urartu, the descendants of the Hurrians, a former rival of the Hittites.

Meanwhile the Phrygian Kingdom was overwhelmed by Cimmerian invaders c. 690 BC, then briefly conquered by its neighbor Lydia, before it passed successively into the Persian Empire of Cyrus and the empire of Alexander and his successors, was taken by the Attalids of Pergamon, and eventually became part of the Roman Empire. The last mentions of the language date to the 5th century AD and it was likely extinct by the 7th century AD.

Geography

Homer

Phrygians are mentioned by Homer as dwelling in two regions of Anatolia: In Ascania, the region around Lake Ascania in Bithynia of northwest Anatolia. The Trojan allies mentioned in the Catalog of Trojans are from there. In the "swift-horsed" country of Phrygia, a land of "many fortresses", on the banks of the Sangarius (now Sakarya River), the third longest river in modern Turkey, which flows north and west to empty into the Black Sea. There Otreus is king. Priam once was there on the occasion of the war of the Phrygians against the Amazons and reports seeing many horses and that the leaders of the Phrygians were Otreus and Mygdon. Priam's wife's brother, Asios, was the son of Dymas, a Phrygian.

Other

Later, Phrygia was conceived as lying west of the Halys River (now Kızıl River) and east of Mysia and Lydia.

Culture

It was the "Great Mother", Cybele, as the Greeks and Romans knew her, who was originally worshiped in the mountains of Phrygia, where she was known as "Mountain Mother". In her typical Phrygian form, she wears a long belted dress, a ''polos'' (a high cylindrical headdress), and a veil covering the whole body. The later version of Cybele was established by a pupil of Phidias, the sculptor Agoracritus, and became the image most widely adopted by Cybele's expanding following, both in the Aegean world and at Rome. It shows her humanized though still enthroned, her hand resting on an attendant lion and the other holding the ''tympanon'', a circular frame drum, similar to a tambourine.

The Phrygians also venerated Sabazios, the sky and father-god depicted on horseback. Although the Greeks associated Sabazios with Zeus, representations of him, even at Roman times, show him as a horseman god. His conflicts with the indigenous Mother Goddess, whose creature was the Lunar Bull, may be surmised in the way that Sabazios' horse places a hoof on the head of a bull, in a Roman relief at the Museum of Fine Arts, Boston.

Phrygia developed an advanced Bronze Age culture. The earliest traditions of Greek music derived from Phrygia, transmitted through the Greek colonies in Anatolia, and included the Phrygian mode, which was considered to be the warlike mode in ancient Greek music. Phrygian Midas, the king of the "golden touch", was tutored in music by Orpheus himself, according to the myth. Another musical invention that came from Phrygia was the aulos, a reed instrument with two pipes. Marsyas, the satyr who first formed the instrument using the hollowed antler of a stag, was a Phrygian follower of Cybele. He unwisely competed in music with the Olympian Apollo and inevitably lost, whereupon Apollo flayed Marsyas alive and provocatively hung his skin on Cybele's own sacred tree, a pine.

Phrygia retained a separate cultural identity. Classical Greek iconography identifies the Trojan Paris as non-Greek by his Phrygian cap, which was worn by Mithras and survived into modern imagery as the "Liberty cap" of the American and French revolutionaries. The Phrygians spoke an Indo-European language. (''See Phrygian language.'') Although the Phrygians adopted the alphabet originated by the Phoenicians, only a few dozen inscriptions in the Phrygian language have been found, primarily funereal, and so much of what is thought to be known of Phrygia is second-hand information from Greek sources.

Mythic past

The name of the earliest known mythical king was Nannacus (aka Annacus). This king resided at Iconium, the most eastern city of the kingdom of Phrygia at that time; and after his death, at the age of 300 years, a great flood overwhelmed the country, as had been foretold by an ancient oracle. The next king mentioned in extant classical sources was called Manis or Masdes. According to Plutarch, because of his splendid exploits, great things were called "manic" in Phrygia. Thereafter the kingdom of Phrygia seems to have become fragmented among various kings. One of the kings was Tantalus who ruled over the north western region of Phrygia around Mount Sipylus. Tantalus was endlessly punished in Tartarus, because he allegedly killed his son Pelops and sacrificially offered him to the Olympians, a reference to the suppression of human sacrifice. Tantalus was also falsely accused of stealing from the lotteries he had invented. In the mythic age before the Trojan war, during a time of an interregnum, Gordius (or Gordias), a Phrygian farmer, became king, fulfilling an oracular prophecy. The kingless Phrygians had turned for guidance to the oracle of Sabazios ("Zeus" to the Greeks) at Telmissus, in the part of Phrygia that later became part of Galatia. They had been instructed by the oracle to acclaim as their king the first man who rode up to the god's temple in a cart. That man was Gordias (Gordios, Gordius), a farmer, who dedicated the ox-cart in question, tied to its shaft with the "Gordian Knot". Gordias refounded a capital at Gordium in west central Anatolia, situated on the old trackway through the heart of Anatolia that became Darius's Persian "Royal Road" from Pessinus to Ancyra, and not far from the River Sangarius.

Later mythic kings of Phrygia were alternately named Gordias and Midas. Myths surround the first king Midas. connecting him with a mythological tale concerning Attis. This shadowy figure resided at Pessinus and attempted to marry his daughter to the young Attis in spite of the opposition of his lover Agdestis and his mother, the goddess Cybele. When Agdestis and/or Cybele appear and cast madness upon the members of the wedding feast. Midas is said to have died in the ensuing chaos.

The famous king Midas was said to be a son of the kind Gordius mentioned above. He is said to have associated himself with Silenus and other satyrs and with Dionysus, who granted him the famous "golden touch". The "golden touch" literally meant that "whatever was backed by Phrygian gold and skills would become prosperous."

The mythic Midas of Thrace, accompanied by a band of his people, traveled to Asia Minor to wash away the taint of his unwelcome "golden touch" in the river Pactolus. Leaving the gold in the river's sands, Midas found himself in Phrygia, where he was adopted by the childless king Gordias and taken under the protection of Cybele. Acting as the visible representative of Cybele, and under her authority, it would seem, a Phrygian king could designate his successor.

According to the ''Iliad'', the Phrygians were Trojan allies during the Trojan War. The Phrygia of Homer's ''Iliad'' appears to be located in the area that embraced the Ascanian lake and the northern flow of the Sangarius river and so was much more limited in extent than classical Phrygia. Homer's ''Iliad'' also includes a reminiscence by the Trojan king Priam, who had in his youth come to aid the Phrygians against the Amazons (''Iliad'' 3.189). During this episode (a generation before the Trojan War), the Phrygians were said to be led by Otreus and Mygdon. Both appear to be little more than eponyms: there was a place named Otrea on the Ascanian Lake, in the vicinity of the later Nicaea; and the Mygdones were a people of Asia Minor, who resided near Lake Dascylitis (there was also a Mygdonia in Macedonia). During the Trojan War, the Phrygians sent forces to aid Troy, led by Ascanius and Phorcys, the sons of Aretaon. Asius, son of Dymas and brother of Hecabe, is another Phrygian noble who fought before Troy. Quintus Smyrnaeus mentions another Phrygian prince, named Coroebus, son of Mygdon, who fought and died at Troy; he had sued for the hand of the Trojan princess Cassandra in marriage. King Priam's wife Hecabe is usually said to be of Phrygian birth, as a daughter of King Dymas.

The Phrygian Sibyl was the priestess presiding over the Apollonian oracle at Phrygia.

According to Herodotus, Herodotus), the Egyptian pharaoh Psammetichus II had two children raised in isolation in order to find the original language. The children were reported to have uttered ''bekos'' which is Phrygian for "bread", so Psammetichus admitted that the Phrygians were a nation older than the Egyptians.

Josephus claimed the Phrygians were founded by the biblical figure Togarmah, grandson of Japheth and son of Gomer: "and Thrugramma the Thrugrammeans, who, as the Greeks resolved, were named Phrygians".

History

Migration

After the collapse of the Hittite Empire at the beginning of the 12th century BC, the political vacuum in central/western Anatolia was filled by a wave of Indo-European migrants and "Sea Peoples", including the Phrygians, who established their kingdom with a capital eventually at Gordium. It is presently unknown whether the Phrygians were actively involved in the collapse of the Hittite capital Hattusa or whether they simply moved into the vacuum left by the collapse of Hittite hegemony. The so called Handmade Knobbed Ware was found by archaeologists at sites from this period in Western Anatolia. According to Greek mythographers, the first Phrygian Midas had been king of the Moschi (Mushki), also known as Bryges (Brigi) in the western part of archaic Thrace.

8th to 7th centuries

Assyrian sources from the 8th century BC speak of a king Mita of the Mushki, identified with king Midas of Phrygia. An Assyrian inscription records Mita as an ally of Sargon of Assyria in 709 BC. A distinctive Phrygian pottery called Polished Ware appears in the 8th century BC. The Phrygians founded a powerful kingdom which lasted until the Lydian ascendancy (7th century BC). Under kings alternately named Gordias and Midas, the independent Phrygian kingdom of the 8th and 7th centuries BC maintained close trade contacts with her neighbours in the east and the Greeks in the west. Phrygia seems to have been able to co-exist with whatever power was dominant in eastern Anatolia at the time.

The invasion of Anatolia in the late 8th century BC to early 7th century BC by the Cimmerians was to prove fatal to independent Phrygia. Cimmerian pressure and attacks culminated in the suicide of its last king, Midas, according to legend. Gordium fell to the Cimmerians in 696 BC and was sacked and burnt, as reported much later by Herodotus.

A series of digs have opened Gordium as one of Turkey's most revealing archeological sites. Excavations confirm a violent destruction of Gordion around 675 BC. A tomb of the Midas period, popularly identified as the "Tomb of Midas" revealed a wooden structure deeply buried under a vast tumulus, containing grave goods, a coffin, furniture, and food offerings (Archaeological Museum, Ankara). The Gordium site contains a considerable later building program, perhaps by Alyattes, the Lydian king, in the 6th century BC.

Minor Phrygian kingdoms continued to exist after the end of the Phrygian empire, and the Phrygian art and culture continued to flourish. Cimmerian people stayed in Anatolia but do not appear to have created a kingdom of their own. The Lydians repulsed the Cimmerians in the 620s, and Phrygia was subsumed into a short-lived Lydian empire. The eastern part of the former Phrygian empire fell into the hands of the Medes in 585 BC.

Croesus' Lydian Empire

Under the proverbially rich King Croesus (reigned 560–546 BC), Phrygia remained part of the Lydian empire that extended east to the Halys River. There may be an echo of strife with Lydia and perhaps a veiled reference to royal hostages, in the legend of the twice-unlucky Adrastus, the son of a King Gordias with the queen, Eurynome. He accidentally killed his brother and exiled himself to Lydia, where King Croesus welcomed him. Once again, Adrastus accidentally killed Croesus' son and then committed suicide.

Persian Empire

Lydian Croesus was conquered by Cyrus in 546 BC, and Phrygia passed under Persian dominion. After Darius became Persian Emperor in 521 BC, he remade the ancient trade route into the Persian "Royal Road" and instituted administrative reforms that included setting up satrapies. The capital of the Phrygian satrapy was established at Dascylion.

Under Persian rule, the Phrygians seem to have lost their intellectual acuity and independence. Phrygians became stereotyped among later Greeks and the Romans as passive and dull.

Alexander and the successors

Alexander the Great passed through Gordium in 333 BC, famously severing the Gordian Knot in the temple of Sabazios ("Zeus"). According to a legend, possibly promulgated by Alexander's publicists, whoever untied the knot would be master of Asia. With Gordium sited on the Persian Royal Road that led through the heart of Anatolia, the prophecy had some geographical plausibility. With Alexander, Phrygia became part of the wider Hellenistic world. After Alexander's death, his successors squabbled over Anatolian dominions.

Gauls overran the eastern part of Phrygia which became part of Galatia. The former capital of Gordium was captured and destroyed by the Gauls soon afterwards and disappeared from history. In imperial times, only a small village existed on the site, and, in 188 BC, the remnant of Phrygia came under control of Pergamon. In 133 BC, western Phrygia passed to Rome.

Rome and Byzantium

For purposes of provincial administration the Romans maintained a divided Phrygia, attaching the northeastern part to the province of Galatia and the western portion to the province of Asia. During the reforms of Diocletian, Phrygia was divided anew into two provinces: Phrygia I or Phrygia Salutaris, and Phrygia II or Pacatiana, both under the Diocese of Asia. Salutaris with Synnada as its capital comprised the eastern portion of the region and Pacatiana with Laodicea on the Lycus as capital the western portion. The provinces survived up to the end of the 7th century, when they were replaced by the Theme system. In the Byzantine period, most of Phrygia belonged to the Anatolic theme. It was overrun by the Turks in the aftermath of the Battle of Manzikert (1071). The Byzantines were finally evicted from there in the 13th century, but the name of ''Phrygia'' remained in use until the collapse of the Byzantine Empire in 1453.

See also

Bryges

Paleo Balkan languages

Phrygian cap

Phrygian language

References and notes

External links

Phrygia at Ancient History Encyclopedia

Phrygian Period in Anatolia

1911 Encyclopedia Britannica

King Midas and Phrygia Cultural Center

Category:Anatolia Category:Ancient peoples Category:Indo-European peoples Category:Pauline churches Category:History of Ankara Province Category:History of Afyonkarahisar Province Category:History of Eskişehir Province

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Coordinates	30°19′10″N81°39′36″N
{{infobox musical artist | name	Loreena McKennitt | image LM-DG-1.jpg | background solo_singer | birth_name Loreena Isabel Irene McKennitt | alias | Born February 17, 1957Morden, Manitoba, Canada | origin | instrument Voice, Piano, Harp, Accordion | genre Celtic, World, New Age | occupation Musician, Songwriter, Producer | years_active 1985–present | label Quinlan RoadWarner Bros. RecordsVerve Forecast/Universal Records }}

Loreena Isabel Irene McKennitt, CM, OM, (born February 17, 1957) is a Canadian singer, composer, harpist, accordionist and pianist who writes, records and performs world music with Celtic and Middle Eastern themes. McKennitt is known for her refined, clear soprano vocals. She has sold more than 14 million records worldwide.

Early life

McKennitt was born in Morden, Manitoba of Irish and Scottish descent to parents Jack (a livestock dealer) and Irene McKennitt (a nurse). She moved to Stratford, Ontario in 1981, where she still resides.

When Loreena was young she wanted to become a veterinarian but she found that music chose her rather than she it. Developing a passion for Celtic music, she learned to play the Celtic harp and began busking at various places, including St. Lawrence Market in Toronto in order to earn money to record her first album.

Career

McKennitt's first album, ''Elemental'', was released in 1985, followed by ''To Drive the Cold Winter Away'' (1987), ''Parallel Dreams'' (1989), ''The Visit'' (1991), ''The Mask and Mirror'' (1994), ''A Winter Garden'' (1995), ''The Book of Secrets'' (1997), ''An Ancient Muse'' (2006), ''A Midwinter Night’s Dream'' (2008), and ''The Wind That Shakes The Barley'' (2010). All of her work is released under her own label, Quinlan Road.

In 1990, McKennitt provided the music for the National Film Board of Canada documentary, "The Burning Times" a feminist revisionist account of the Early Modern European witchcraft trials. The main theme would later be rerecorded by her and her band and called "Tango for Evora," a track which appears on her album, The Visit.

In 1993, she toured Europe supporting Mike Oldfield. In 1995, her version of the traditional Irish song "Bonny Portmore" was featured in the ''Highlander'' series. McKennitt's single "The Mummers' Dance" received airplay in North American markets during the spring of 1997, and was used as the theme song for the short-lived TV series, ''Legacy''.

Her music appeared in the movies ''The Santa Clause'', ''Soldier'', ''Jade'', ''Holy Man'', ''The Mists of Avalon'' and ''Tinkerbell''; and in the television series ''Roar'', ''Due South'', ''Ever After'', and ''Full Circle (Women and Spirituality)''.

Personal life

In 1998, McKennitt's fiancé Ronald Rees, his brother Richard (not the British actor) and their close friend Gregory Cook drowned during a boating accident on Georgian Bay. She was deeply affected by the event and subsequently founded the ''Cook-Rees Memorial Fund'' for Water Search and Safety in the same year.

At the time of the incident, she was working on an live album of two performances called ''Live in Paris and Toronto''. The proceeds from this album were donated to the newly created memorial fund, totaling some three million dollars. After the release of the live album, McKennitt decided to substantially reduce the number of her public performances and did not release any new recordings until the studio album ''An Ancient Muse'' in 2006.

Honors

Juno Award, Best Roots/Traditional Album 1992, for ''The Visit''.

Juno Award, Best Roots/Traditional Album 1994, for ''The Mask and Mirror''.

Billboard Music Award for International Achievement, 1997.

Headline performer for HM Queen Elizabeth II and HRH Prince Philip at The Golden Jubilee Celebrations, Province of Manitoba, 2002.

Honorary Doctor of Letters, Wilfrid Laurier University, 2002.

Member of the Order of Manitoba, July 2003.

Member of the Order of Canada, July 2004.

Honorary Doctor of Laws, University of Manitoba, June 2005

Canadian Ambassador, Hans Christian Andersen Bicentennary, June 2005

Honorary Doctor of Laws, Queen's University, October 2005

Investiture as Honorary Colonel, 435 Transport and Rescue Squadron, Canadian Air Force, December 2006

Nominated for a Grammy award, Best Contemporary World Music Album, in 2007

Western Canadian Music Awards Lifetime Achievement Award, September 2009

Performed at Vancouver 2010 Winter Olympics, Opening Ceremonies, February 12, 2010

Honorary Bachelor of Applied Business, George Brown College, June 2010

Genre and work

McKennitt's music has generally been classified as World / Celtic music even though it contains aspects and characteristics of music from around the globe and is sometimes classified as Folk music in record stores.

Before McKennitt composes any music, she engages in considerable research on a specific subject which then forms the general concept of the album. Before creating ''Elemental'' and ''Parallel Dreams'', she traveled to Ireland for inspiration from the country's history, folklore, geography and culture. The album ''The Mask and Mirror'' was preceded by research in Spain where she engaged in studying Galicia, a Celtic section of Spain, along with its abundant Arabic roots. The result was an album that included elements of Celtic and Arabic music. According to the jacket notes, her album ''An Ancient Muse'' was inspired by travels among and reading about the various cultures along the Silk Road.

McKennitt is compared to Enya, but McKennitt's music is more grounded in traditional and classical invocations, using literary works as sources of lyrics and springboards for interpretation such as "The Lady of Shalott" by Lord Tennyson, "Prospero's Speech" (the final soliloquy in William Shakespeare's ''The Tempest''), "Snow" by Archibald Lampman, "Dark Night of the Soul" by St. John of the Cross, Dante's Prayer, William Blake's "Lullaby", Yeats' "The Stolen Child", "It was an English Ladye Bright" by Sir Walter Scott and "The Highwayman" by Alfred Noyes.

Court case

In 2005, McKennitt was involved in an acrimonious court case in England when her former friend and employee, Niema Ash, published a book which contained intimate details of their friendship. McKennitt argued that much of the book contained confidential personal information which Ash had no right to publish. The English courts found that there had indeed been a breach of confidence and a misuse of McKennitt's private information, and the case is likely to set important precedents in English law on the privacy of celebrities. The House of Lords affirmed the lower court's decisions in 2007.

2006 and later

In September 2006, McKennitt performed live at the Alhambra. The performance premiered on PBS and in August 2007 was released on a three-disc DVD/CD set titled ''Nights from the Alhambra.''

In 2008, McKennitt wrote and composed a song she titled "To The Fairies They Draw Near" as the theme song for Disney's direct-to-video animated film ''Tinker Bell.'' She also provided the narration for the film.

In early 2008, she returned to Peter Gabriel's Real World Studios to record ''A Midwinter Night’s Dream,'' an extended version of her 1995 mini-album ''A Winter Garden: Five Songs for the Season.'' The album was released on October 28, 2008.

Since the release of ''An Ancient Muse,'' Loreena has toured consistently, with a European and North American tour in the spring of 2007, an extensive cross Canada and United States tour in the fall of 2007, a summer tour of Europe in 2008 and a Mediterranean tour in the summer of 2009 with stops in Greece, Turkey, Cyprus, Lebanon, Hungary and Italy.

On September 17, 2009, McKennitt announced that she planned to release a two-disc album titled "A Mediterranean Odyssey" in the fall of 2009. The first CD, "From Istanbul to Athens," consisted of ten new live recordings made during McKennitt’s 2009 Mediterranean Tour, including songs she had never before recorded in concert. The second CD, "The Olive and the Cedar," had a Mediterranean theme which McKennitt herself curated. It contained previously released studio recordings created between the years of 1994 and 2006.

November 16, 2010 saw the US release (November 12 for Europe) of McKennitt's latest studio album, "The Wind That Shakes the Barley." Recorded at the Sharon Temple, Ontario, it consists of nine traditional Celtic songs. "Every once and again there is a pull to return to one's own roots or beginnings, with the perspective of time and experience, to feel the familiar things you once loved and love still," says Loreena.

Documentaries

Late in the 1990s, McKennitt created ''No Journey's End,'' a half-hour documentary, for American television. In it, she discussed the influences behind her music. ''No Journey's End'' contained excerpts from several songs from the albums ''Parallel Dreams,'' ''The Visit,'' and ''The Mask and Mirror.'' It also shows live performances of the songs "The Lady of Shalott," "Santiago," and "The Dark Night of the Soul." It was later released on DVD and VHS, the former also containing music videos for "The Mummers' Dance" and "The Bonny Swans." A bonus copy of the DVD was included with the 2004 remastered versions of McKennitt's CDs.

In 2008, Loreena released ''A Moveable Musical Feast,'' based on her 2007 ''An Ancient Muse'' tour. The DVD included interviews with Loreena, her band, crew, fans and professional colleagues from the Canadian music industry.

Discography

Studio albums

Year	Album details	Peak chart positions			! rowspan="2"
		! style="width:30px;"	! style="width:30px;"	! style="width:30px;"
1985	style="text-align:left;"	* Release date: 1985	* Label: Quinlan Road	—	—	—
1987		* Release date: 1987	* Label: Quinlan Road	—	—	—
1989		* Release date: 1989	* Label: Quinlan Road	—	—	—
1991	style="text-align:left;"	* Release date: 1991	Warner Bros. Records>Warner Bros./Quinlan Road	28	—	—		Associação Brasileira dos Produtores de Discos>BR: Gold	Canadian Recording Industry Association>CAN: 4× Platinum	Recording Industry Association of America>US: Gold
1994		* Release date: 1994	* Label: Quinlan Road	4	18	143		* ARG: Gold	* CAN: 3× Platinum	* US: Gold
1997		* Release date: September 30, 1997	* Label: Warner Bros./Quinlan Road	3	7	17		* ARG: Gold	* CAN: 4× Platinum	* US: 2× Platinum	* GER: Gold
2006		* Release date: November 21, 2006	* Label: MRA/Quinlan Road	9	15	83		* CAN: Platinum
2008		* Release date: October 28, 2008	* Label: Universal/Quinlan Road	12	27	140
2010	style="text-align:left;"	* Release date: November 12, 2010	* Label: Quinlan Road	13	28	141

Live Albums

Year	Album details	Peak chart positions			! rowspan="2"
		! style="width:30px;"	! style="width:30px;"	! style="width:30px;"
1995		* Release date: 1995	* Label: Quinlan Road	—	—	—
1999		* Release date: 1999	* Label: Quinlan Road	—	65	—
2007		* Release date: August 21, 2007	Verve Records>Verve/Quinlan Road	—	11	190		* GER: Platinum
2009		* Release date: October 20, 2009	* Label: Quinlan Road	11	—	—

Compilations

Year	Album details	Peak chart positions			! rowspan="2"
		! style="width:30px;"	! style="width:30px;"	! style="width:30px;"
1997		* Release date: 1997	* Label: Quinlan Road

EPs

Year	Album details	Peak chart positions	! rowspan="2"
		! style="width:30px;"
1995		* Release date: November 1995	* Label: Quinlan Road	44		* CAN: Gold

Boxed sets

''The Journey Begins'' (2008)

Singles

rowspan="2"	Year	Single	Peak chart positions				Album
! style="width:30px;"	! style="width:30px;"		! style="width:30px;"	! style="width:30px;"
rowspan="3"	1991		—	—	—	—
	—	—	—	—
	—	—	—	—
	1993		—	—	—	—
		75	—	—	—
	—	—	—	—
	—	—	—	—
		—	—	—	—
	—	—	—	—
	1997	style="text-align:left;"	"The Mummers' Dance"	10	18	23	14
1998		—	—	—	—
2006		—	—	—	—
2007		—	—	—	—
		—	—	—	—
	—	—	—	—
	2009		—	—	—	—

Videos

''H.M.S. Pinafore'' Live performance recorded during the 1981 Stratford Festival in Stratford Ontario, Canada, starring Michael Burgess, Katherine Terrell, Eric Donkin, Kenneth Pearl, Jim White, et al.; Loreena McKennitt performed in the chorus. (CBC VHS 1986)

''The Mummers' Dance'' (1997)

''The Bonny Swans''

''Nights from the Alhambra'' (2007, Live concert in Spain premiered on ''PBS'') ''A Moveable Musical Feast'' (2008, A tour documentary from Loreena's 2007 North American Tour)

Other

''No Journey’s End'' (half-hour profile, aired on PBS; DVD)

''Heaven on Earth'' (TV Movie 1987 - played "Lady Traveler")

''Highlander III'' (Soundtrack contribution)

''The Santa Clause'' (Soundtrack contribution)

''Léolo'' (Soundtrack contribution)

''Una casa con vista al mar'' (Soundtrack contribution)

''The Mists Of Avalon'' (Soundtrack use)

''The Burning Times'' (Soundtrack contribution)

''Due South'' (Soundtrack use)

''Northern Exposure'' (Soundtrack use)

''Tinker Bell'' (Direct to DVD movie, 2008 - Narrator)

''Soldier'' (Soundtrack use)

References

External links

Quinlan Road (official website of Loreena McKennitt)

Loreena McKennitt interview from the echoes public radio show

Category:Canadian female singers Category:Canadian folk musicians Category:Celtic fusion musicians Category:Musicians from Manitoba Category:Canadian harpists Category:Canadian keyboardists Category:Canadian pianists Category:Canadian singer-songwriters Category:Canadian sopranos Category:Fast Folk artists Category:Warner Bros. Records artists Category:Canadian people of Irish descent Category:Canadian people of Scottish descent Category:People from Morden, Manitoba Category:People from Stratford, Ontario Category:Members of the Order of Canada Category:Members of the Order of Manitoba Category:1957 births Category:Living people

an:Loreena McKennitt br:Loreena McKennitt bg:Лорина Маккенит ca:Loreena McKennitt da:Loreena McKennitt de:Loreena McKennitt es:Loreena McKennitt eu:Loreena McKennitt fa:لورنا مک‌کنیت fr:Loreena McKennitt ga:Loreena McKennitt gd:Loreena McKennitt gl:Loreena McKennitt it:Loreena McKennitt he:לורינה מק'קניט ku:Loreena McKennitt hu:Loreena McKennitt nl:Loreena McKennitt ja:ロリーナ・マッケニット pl:Loreena McKennitt pt:Loreena McKennitt ro:Loreena McKennitt ru:Маккеннитт, Лорина fi:Loreena McKennitt sv:Loreena McKennitt tr:Loreena McKennitt uk:Лоріна МакКенніт zh:罗琳娜·麦肯尼特

Adam Rogers is an American guitarist specializing in post bop, contemporary jazz, and classical music. Rogers has had a prolific and extensive session history as a recording guitarist having played on over 150 commercially released recordings. He is currently a member of the Chris Potter Underground in addition to leading his own groups. He was a founding member and co leader of the eclectic group Lost Tribe. He has also performed and or recorded with Michael Brecker, Cassandra Wilson, Walter Becker, Norah Jones, John Patitucci, Paul Simon, John Zorn and Regina Carter among many others. He is a highly versatile player covering many areas of music but is best known for his work in the modern jazz idiom.

Discography

As leader

2002: ''Art Of The Invisible''

2003: ''Allegory''

2005: ''Apparitions''

2007: ''Time And The Infinite''

2009: ''Sight''

As Co Leader

1993: ''Lost Tribe'' Epon

1994: ''Lost Tribe'' Soulfish

1998: ''Lost Tribe'' Many Lifetimes

As sideman (selected)

1994: ''Walter Becker'' 11 Tracks Of Whack

2002: ''Norah Jones'' Come Away With Me

2004: ''Michael Brecker'' Wide Angles

2006: ''John Patitucci'' Line By Line

2008: ''Chris Potter Underground'' Follow The Red Line

2009: ''Chris Potter Underground'' Ultrahang

External links

Adam Rogers Official site

All About Jazz interview

"A Guitarist-Led Quintet, Packing a Forceful Arsenal"

''Jazz Times'' article "Adam Rogers", by Bill Milkowski

Category:Living people Category:American classical guitarists Category:American jazz guitarists Category:Criss Cross Jazz artists

de:Adam Rogers sv:Adam Rogers

Coordinates	30°19′10″N81°39′36″N
Name	Yngwie Malmsteen
Background	solo_singer
Alias	Yngwie J. MalmsteenLars Y. Loudamp
Birth name	Lars Johan Yngve Lannerbäck
Born	June 30, 1963Stockholm, Sweden
Instrument	Guitar, bass, keyboards, vocals, sitar, cello
Genre	Heavy metal, neo-classical metal, speed metal, hard rock, power metal
Occupation	Musician, songwriter, producer
Years active	1978–present
Label	Polydor, Polygram, Elektra, Rising Force Records, Universal Music
Associated acts	Steeler, Alcatrazz, Rising Force, Hear 'n Aid, G3
Website	Official website
Notable instruments	Yngwie Malmsteen Signature Stratocaster }}

Yngwie Johann Malmsteen ( ; born June 30, 1963) is a Swedish virtuoso guitarist, composer, multi-instrumentalist and bandleader. Malmsteen became known for his neo-classical playing approach in heavy metal music which became a new musical style in the early 1980s. He is considered by many to be one of the most technically gifted rock guitarists of all time and a pioneer of shred guitar.

Early life

Malmsteen was born Lars Johan Yngve Lannerbäck in Stockholm, Sweden, as the third child of a musically-inclined family. At age seven, he saw a television news report on the death of Jimi Hendrix, an event which had a profound impact on his musical path. Malmsteen has later stated that Hendrix had no musical impact on him, but on September 18, 1970 he saw a TV special of Hendrix, where he smashed and burned his guitar, and Malmsteen thought: "this is really cool". To quote his official website, "The day Jimi Hendrix died, the guitar-playing Yngwie was born". At the age of 10 he took his mother's maiden name Malmsten as his surname, slightly changed it to Malmsteen, and Anglicised his given name Yngve to "Yngwie". Yngwie also created his first band "Track On Earth" at the age of 10, consisting of himself and a friend from school on drums (Armin). Malmsteen was a teenager when he first encountered the music of the 19th century violin virtuoso Niccolò Paganini, whom he cites as his biggest classical music influence. Ritchie Blackmore and Uli Jon Roth are also cited as being significant influences, as is Brian May of Queen. He played featuring Denim And Leather song with Saxon during The Eagle Has Landed part II tour.

Recording career

1980s

In late 1982, Mike Varney of Shrapnel Records, who had heard a demo tape of Malmsteen's playing, brought Malmsteen to the U.S. He had brief engagements with Steeler, for their self-titled album of 1983, then Graham Bonnet's Alcatrazz, for their 1983 debut ''No Parole from Rock 'n' Roll'', and the 1984 live album ''Live Sentence''. Malmsteen released his first solo album ''Rising Force'' in 1984, which featured Barrie Barlow of Jethro Tull on drums. His album was really meant to be an instrumental side-project of Alcatrazz, but it contained vocals, and Malmsteen left Alcatrazz soon after the release of ''Rising Force''.

''Rising Force'' won the Guitar Player Magazine's award for Best Rock Album and was also nominated for a Grammy for 'Best Rock Instrumental', achieving #60 on the Billboard album chart. Yngwie J. Malmsteen's Rising Force (as his band was thereafter known) next released ''Marching Out'' (1985). Jeff Scott Soto filled vocal duties on these initial albums. His third album, ''Trilogy'', featuring the vocals of Mark Boals, was released in 1986. In 1987, another singer, former Rainbow vocalist Joe Lynn Turner joined his band. That year, Malmsteen was in a serious car accident, smashing his Jaguar E-Type into a tree and putting him in a coma for a week. Nerve damage to his right hand was reported. During his time in the hospital, Malmsteen's mother died from cancer. In the summer of 1988 he released his fourth album, ''Odyssey''. Odyssey would be his biggest hit album, mainly because of its first single "Heaven Tonight". Shows in Russia during the Odyssey tour were recorded, and released in 1989 as his fifth album ''Trial By Fire: Live in Leningrad''.

Malmsteen's "Neo-classical" style of metal became popular among some guitarists during the mid 1980s, with contemporaries such as Jason Becker, Paul Gilbert, Marty Friedman, Tony MacAlpine and Vinnie Moore becoming prominent. In late 1988, Malmsteen's signature Fender Stratocaster guitar was released, making him and Eric Clapton the first artists to be honored by Fender.

1990s

In the early 1990s, Malmsteen released the albums ''Eclipse'' (1990), ''The Yngwie Malmsteen Collection'' (1991), ''Fire and Ice'' (1992) and ''The Seventh Sign'' (1994). Despite his early success, and continuous success in Europe and Asia, by the early 1990s 1980s heavy metal styles such as neoclassical metal and lengthy, virtuoso shred guitar solos had become unfashionable in the US.

In 1993, Malmsteen's future mother-in-law, opposed to his engagement to her daughter, had him falsely arrested for holding the woman hostage with a gun. The charges were quickly dropped. Malmsteen continued to record and release albums under the Japanese record label Pony Canyon, and maintained a devoted following from some fans in Europe and Japan, and to a lesser extent in the USA. In 2000, he once again acquired a contract with a US record label, Spitfire, and released his 1990s catalog into the US market for the first time, including what he regards as his masterpiece, ''Concerto Suite for Electric Guitar and Orchestra'', recorded with the Czech Philharmonic Orchestra in Prague.

In the mid 1990's Malmsteen went on to release the albums Magnum Opus (1995), Inspiration (1996) Facing the Animal (1997), Double LIVE! (1998) and Alchemy (1999). In 1996, Malmsteen joined forces with former band members Jeff Scott Soto and Marcel Jacob on the Human Clay album where he played lead guitar on the track Jealousy

2000s

After the release of ''War to End All Wars'' in 2000, singer Mark Boals left the band. He was replaced by former Rainbow vocalist Doogie White. White's vocals were well received by fans. In 2003, Malmsteen joined Joe Satriani and Steve Vai as part of the G3 supergroup. Malmsteen made two guest appearances on keyboardist Derek Sherinian's albums ''Black Utopia'' (2003), and ''Blood of the Snake'' (2006) where Malmsteen is heard on the same tracks as Al Di Meola and Zakk Wylde. In 2004, Malmsteen made two cameo appearances on Harvey Birdman, Attorney at Law.

Malmsteen released ''Unleash the Fury'' in 2005. (This title may be a reference to an audio recording that supposedly captured Malmsteen's immoderate response to a flight attendant who spilled a beverage on him. The recording found popularity in filesharing networks as an example of the absurd behavior of celebrities.) He is married to April (Ebru Solmaz, born in Istanbul, Turkey) and has a son named Antonio after Antonio Vivaldi, and they live in Miami, Florida. A noted Ferrari enthusiast, Malmsteen owned a black 1985 308 GTS for 18 years before selling it on eBay, and a red 1962 250 GTO. In 2007, Malmsteen was honored in the Xbox 360 version of ''Guitar Hero II''. Players can receive the "Yngwie Malmsteen" award by hitting 1000 or more notes in succession. February 2008 saw the replacement of singer Doogie White with former Iced Earth and Judas Priest and current Beyond Fear singer Tim "Ripper" Owens, with whom Malmsteen had once recorded a cover of Ozzy Osbourne's song "Mr. Crowley", for the 2000 Osbourne tribute album ''Bat Head Soup: A Tribute to Ozzy''. The first Malmsteen album to feature Owens is titled Perpetual Flame and was released on October 14. On November 25, 2008, Malmsteen had three of his songs ("Caprici Di Diablo", "Damnation Game", and "Red Devil") released as downloadable content for the video games ''Rock Band'' and ''Rock Band 2''. In 2008 Malmsteen was a special guest on the VH1 Classic show "That Metal Show". In the 10th of March 2009, Malmsteen's label Rising Force has launched his new release Angels of Love, an instrumental album which features acoustic arrangements of some of his best-known ballads.

In August 2009, ''Time'' magazine named Malmsteen #9 on its list of the 10 best electric guitar players of all-time. Malmsteen recently released another album compilation entitled High Impact on December 8, 2009.

2010s

On November 23, 2010 ''Relentless'' was released, the second album to feature Tim "Ripper" Owens on vocals. The US version features a remake of "Arpeggios From Hell" as a bonus track. Yngwie appeared on Late Night With Jimmy Fallon along with Dana Carvey on February 3, 2011 to promote his album.

Technique and style

Malmsteen is known for his technical fluency and neo-classical metal compositions, often incorporating high speed picking and sweep picked arpeggios with harmonic minor and phrygian scales, and diminished arpeggios. He is often considered one of the most talented rock guitarists of all time and is considered to be a pioneer of shred guitar.

Musical equipment

Malmsteen has been a longtime user of Fender Stratocasters. His most famous Stratocaster is his 1972 blonde Strat, nicknamed "The Duck" because of its yellow finish and the Donald Duck stickers on the body. An alternative nickname for this guitar is "Play Loud" due to a sticker on the upper horn of the guitar. Fender made 100 replica copies of this guitar and marketed it as the "Play Loud Guitar". He also has a signature Stratocaster. It comes in a Vintage White finish with a maple neck, either a maple or rosewood fretboard with scalloped frets and, from 2010, Seymour Duncan STK-S10 YJM "Fury" Model pickups. There is also a signature YJM100 Marshall amplifier, based on the '1959' amplifier range.

Yngwie has stated that he prefers Stratocasters from the period of 1968-1972; he claims that the bigger headstock on these generates more sustain. Yngwie customizes his guitars by fitting a brass nut, removing the middle string tree and scalloping the fretboard. Yngwie previously disconnected the tone controls on his guitars but has said that he no longer does this.

Yngwie has previously used DiMarzio pickups - most notably the HS3 and the HS4 (Formerly known as the YJM). Yngwie would use an HS3 in the bridge and the HS4 in the middle and neck positions.

In his earlier recordings, Yngwie used an HS3 in the neck and bridge positions and a disconnected stock fender in the middle. In his earlier years he also used a Ibanez Gio Rg Series

Band members

; Current members

Tim "Ripper" Owens—vocals (2008–present)

Bjorn Englen—bass (2008–present)

Patrick Johansson—drums, percussion (2001–present)

Nick Marino—keyboards (2005–2006, 2010–present)

Discography

;Steeler

!Date of Release	!Title	!Label	!Chart positions	!US sales
1983		Shrapnel

;Alcatrazz

!Date of Release	!Title	!Label	!Chart positions	!US sales
	''No Parole from Rock N' Roll''
''Live Sentence''
	''Live '83''
''No Parole from Rock 'n' Roll Tour Live in Japan 1984.1.28 Audio Tracks''

;Solo

Year	Album details	Peak chart positions
!style="width:2em;font-size:75%"	!style="width:2em;font-size:75%"
1984	''Rising Force''	* Released: 1984	Polydor Records>Polydor	* Format:
1985	''Marching Out''	* Released: October 1985	* Label: Polydor	* Format:
1986		* Released: 1986	* Label: Polydor	* Format:
1988		* Released: March 1988	* Label: Polydor	* Format:
1989		* Released: October, 1989	* Label: Polydor	* Format:
1990		* Released: 1990	* Label: Polydor	* Format:
1991	''The Yngwie Malmsteen Collection''	* Released: November, 1991	* Label: Polydor	* Format:
1992		* Released: 1992	Elektra Records>Elektra	* Format:
		* Released: February 18, 1994	* Label: Pony Canyon	* Format:
	* Released: September 21, 1994	* Label: Pony Canyon	* Format:
	* Released: October 21, 1994	* Label: Pony Canyon	* Format:
1995		* Released: June 6, 1995	* Label: Pony Canyon	* Format:
1996		* Released: November 5, 1996	* Label: Pony Canyon	* Format:
1997	''Facing the Animal''	* Released: September 3, 1997	* Label: Pony Canyon	* Format:
	''Concerto Suite for Electric Guitar and Orchestra'' in E flat minor, Opus 1	* Released: February 4, 1998	* Label: Pony Canyon	* Format:
''Double LIVE!''	* Released: September 18, 1998	* Label: Pony Canyon	* Format:
1999		* Released: September 17, 1999	* Label: Pony Canyon	* Format:
		* Released: March 15, 2000	* Label:	* Format:
''The young person's guide to the classics.1'' *	* Released: April 25, 2000	* Label: Pony Canyon	* Format:
''The young person's guide to the classics.2'' *	* Released: April 25, 2000	* Label: Pony Canyon	* Format:
	* Released: May 9, 2000	* Label: Dream Catcher	* Format:
	* Released: November 22, 2000	* Label: Pony Canyon	* Format:
		* Released: January 9, 2002	* Label: Pony Canyon	* Format:
	* Released: September 4, 2002	* Label: Pony Canyon	* Format:
''The Genesis''	* Released: December 30, 2002	* Label: Pony Canyon	* Format:
		* Released: January 1, 2004	* Label: Pony Canyon	* Format:
''G3: Rockin' in the Free World''	* Released: March 10, 2004	Epic Records>Epic	* Format:
	''Unleash the Fury	* Released: February 23, 2005	* Label: Universal Music	* Format:
''20th Century Masters - The Millennium Collection: The Best of Yngwie Malmsteen	* Released: May 24, 2005	* Label: Polydor	* Format:
2008	''Perpetual Flame	* Released: October 14, 2008	* Label: Rising Force Records/Universal Music Japan	* Format:
	''Angels of Love	* Released: March 10, 2009	* Label: Rising Force Records	* Format:
	* Released: December 8, 2009	* Label: Rising Force Records	* Format:
2010		* Released: November 23, 2010	* Label: Rising Force Records/Universal Music Japan	* Format:

See also

Guitar Moves

Shredding

Sweeping

G3 Tour

References

External links

Gaspar Muntwyler - Capricho Arabe/Preludio Obsesivo http://www.youtube.com/watch?v=9ijX0Zvg_Mc

Malmsteen Brazil Fanclub

Audio interview with Yngwie // Metalpaths.com 2010

Audio Interview with Yngwie on GuitarJamDaily.com

HardRadio.com interview with Yngwie

How to pronounce Yngwie Malmsteen in Swedish (Svenska)

http://baroqueandloud.fr-bb.com/index.forum : French forum of Yngwie Malmsteen

A very complete biography of Malmsteen in French, made by Michaël Mhamdi from Baroque and Loud Forum: http://malmsteenforum.free.fr/

Category:Swedish expatriates in the United States Category:American people of Swedish descent Category:Swedish heavy metal guitarists Category:Swedish rock guitarists Category:G3 Category:Lead guitarists Category:People from Stockholm Category:1963 births Category:Living people

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Coordinates	30°19′10″N81°39′36″N
name	James Galway
background	non_vocal_instrumentalist
birth name	James Galway
born	December 08, 1939Belfast, Northern Ireland
instrument	Flute, Tin whistle
genre	Classical, Pop
occupation	Orchestral, soloist, conductor
years active	1950s–''present''
associated acts	Philharmonia OrchestraSadler's Wells OperaCovent Garden OperaLondon Symphony OrchestraRoyal Philharmonic OrchestraBerlin Philharmonic OrchestraLondon Mozart PlayersThe Chieftains
notable instruments	}}

Sir James Galway OBE (born December 8, 1939) is a virtuoso flute player from Belfast, Northern Ireland, nicknamed "The Man With the Golden Flute". Following in the footsteps of Jean-Pierre Rampal, he became one of the first flute players to establish an international career as a soloist.

Education

Galway went to London as a teenager to study the flute. He studied at the Royal College of Music under John Francis and then at the Guildhall School of Music under Geoffrey Gilbert. He then studied at the Paris Conservatoire under Gaston Crunelle and Jean-Pierre Rampal and also privately with Marcel Moyse.

Career

After his education time he spent fifteen years as an orchestral player. Galway played with the Philharmonia Orchestra as it rose to prominence in the 1950s.

He then played with Sadler's Wells Opera, Covent Garden Opera, the London Symphony Orchestra and the Royal Philharmonic Orchestra. He auditioned for the Berlin Philharmonic Orchestra under Herbert von Karajan, and was principal flute of that orchestra from 1969 to 1975. To Karajan's surprise and dismay, after a period of some disagreement, Galway decided that he would leave to pursue a solo career.

In addition to his performances of the standard classical repertoire, he features contemporary music in his programmes, including new flute works commissioned by and for him by composers including David Amram, Malcolm Arnold, William Bolcom, John Corigliano, John Wolf Brennan, Dave Heath, Lowell Liebermann and Joaquín Rodrigo. The album ''James Galway and The Chieftains in Ireland'' by Galway and The Chieftains" reached number 32 in the UK Albums Chart in 1987.

In 1990, he was invited by Roger Waters to play at ''The Wall – Live in Berlin'' concert, held in Postdamer Platz; he played Pink Floyd's songs "Goodbye Blue Sky" and "Is There Anybody Out There?".

Galway still performs regularly and is one of the world's most well-known flute players. His recordings have sold over 30 million copies.

He is Principal Guest Conductor of the London Mozart Players, based at the Fairfield Halls, Croydon, South London.

Most recently, Galway has performed for the Academy Award-winning ensemble recording the soundtracks of Peter Jackson's ''Lord of the Rings'' film trilogy, composed by Howard Shore.

In June 2008, Galway was inducted into the Hollywood Bowl Hall of Fame along with Liza Minnelli and B. B. King.

He currently performs on Nagahara flutes, as well as some Muramatsu Flutes. He also has his own line of flutes, Galway Spirit Flutes.

Personal

In the 1970s Galway moved from Berlin to Lucerne, Switzerland, the home town of his second wife, Anna (Annie) Renggli, one of the daughters of a well-known local architect. They had twins and a son. In 1978 he recorded for her an instrumental version of John Denver's "Annie's Song". it peaked at #3 in the UK Singles Chart. a charitable organisation which supports young flute players, run by Liz Goodwin.

In 2003 he formed the Music Education Consortium together with Julian Lloyd Webber, Evelyn Glennie and Michael Kamen to pressure the British Government into providing better music education in schools.

Galway is a dedicated Christian who visits various types of Protestant churches while travelling (as long as they are not modern and "happy-clappy") and prays before his concert performances. He also wears a large cross necklace, about which he says, "It’s not jewelry. It’s something that reminds me of what I should be doing and how I should be behaving." At the same time, he has a strong sense of humor and a readiness to have fun with his music and in conversation with others.

He was made an OBE in 1977, and was knighted in 2001.

He is a National Patron of Delta Omicron, an international professional music fraternity.

Galway's nephew, Martin Galway, is a musician famous for his work on Commodore 64 computer game music in the 1980s.

James Galway has the eye condition nystagmus, and is a patron of the Nystagmus Network, a UK-based support group for people with the condition.

Publications

Galway, James. (1982). ''Flute''. Yehudi Menuhin Music Guides. London: Macdonald. ISBN 0356047113 (cloth); ISBN 0356047121 (pbk.) New York: Schirmer Books. ISBN 002871380X Reprinted 1990, London: Kahn & Averill London: Khan & Averill ISBN 1871082137

Media

Notes

External links

IMGArtists.com September 15, 2008. AllAboutJazz.com August 5, 2008.

Full Biography

Category:Alumni of the Royal College of Music Category:Alumni of the Guildhall School of Music and Drama Category:Easy listening music Category:Classical flautists from Northern Ireland Category:People from Belfast Category:Officers of the Order of the British Empire Category:Knights Bachelor Category:1939 births Category:Living people Category:Honorary Members of the Royal Academy of Music Category:Alumni of the Conservatoire de Paris Category:Flautists from Northern Ireland

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