The nature of the J.D. can be better understood by a review of the context of the history of legal education in England. The teaching of law at Oxford University was for philosophical or scholarly purposes and not meant to prepare one to practice law. Professional training for practicing common law in England was undertaken at the Inns of Court, but over time the training functions of the Inns lessened considerably and apprenticeships with individual practitioners arose as the prominent medium of preparation. However, because of the lack of standardization of study and of objective standards for appraisal of these apprenticeships, the role of universities became subsequently of importance for the education of lawyers in the English speaking world.
In England in 1292 when Edward I first requested that lawyers be trained, students merely sat in the courts and observed, but over time the students would hire professionals to lecture them in their residences, which led to the institution of the Inns of Court system. The original method of education at the Inns of Court was a mix of moot court-like practice and lecture, as well as court proceedings observation. By the seventeenth century, the Inns obtained a status as a kind of university akin to the University of Oxford and the University of Cambridge, though very specialized in purpose. With the frequent absence of parties to suits during the Crusades, the importance of the lawyer role grew tremendously, and the demand for lawyers grew.
Traditionally Oxford and Cambridge did not see common law as worthy of study, and included coursework in law only in the context of canon and civil law and for the purpose of the study of philosophy or history only. The apprenticeship program for solicitors thus emerged, structured and governed by the same rules as the apprenticeship programs for the trades. The training of solicitors by apprenticeship was formally established by an act of parliament in 1729. William Blackstone became the first lecturer in English common law at the University of Oxford in 1753, but the university did not establish the program for the purpose of professional study, and the lectures were very philosophical and theoretical in nature. Blackstone insisted that the study of law should be university based, where concentration on foundational principles can be had, instead of concentration on detail and procedure had through apprenticeship and the Inns of Court.
The Inns of Court continued but became less effective and admission to the bar still did not require any significant educational activity or examination, therefore in 1846 Parliament examined the education and training of prospective barristers and found the system to be inferior to the legal education provided in Europe and the United States. Therefore, formal schools of law were called for, but not finally established until later in the century, and even then the bar did not consider a university degree in admission decisions.
Initially in the United States the legal professionals were trained and imported from England. A formal apprenticeship or clerkship program was established first in New York in 1730—at that time a seven-year clerkship was required, and in 1756 a four-year college degree was required in addition to five years of clerking and an examination. Later the requirements were reduced to require only two years of college education. But a system like the Inns did not develop, and a college education was not required in England until the 19th century, so this system was unique.
The clerkship program required much individual study and the mentoring lawyer was expected to carefully select materials for study and guide the clerk in his study of the law and ensure that it was being absorbed. The student was supposed to compile his notes of his reading of the law into a "commonplace book", which he would try to memorize. Although those were the ideals, in reality the clerks were often overworked and rarely were able to study the law individually as expected. They were often employed to tedious tasks, such as making handwritten copies of documents. Finding sufficient legal texts was also a seriously debilitating issue, and there was no standardization in the books assigned to the clerk trainees because they were assigned by their mentor, whose opinion of the law may have differed greatly from his peers. It was said by one famous attorney in the U.S., William Livingston, in 1745 in a New York newspaper that the clerkship program was severely flawed, and that most mentors "have no manner of concern for their clerk's future welfare... [T]is a monstrous absurdity to suppose, that the law is to be learnt by a perpetual copying of precedents." There were some few mentors that were dedicated to the service, and because of their rarity, they became so sought after that the first law schools evolved from the offices of some of these attorneys who took on many clerks and began to spend more time training than practicing law.
In time, the apprenticeship program was not considered sufficient to produce lawyers fully capable of serving their clients' needs. The apprenticeship programs often employed the trainee with menial tasks, and while they were well trained in the day to day operations of a law office, they were generally unprepared practitioners or legal reasoners. The establishment of formal faculties of law in U.S. universities did not occur until the latter part of the 18th century. With the beginning of the American Revolution, the supply of lawyers from Britain ended. The first law degree granted by a U.S. university was a Bachelor of Law in 1793 by the College of William and Mary, which was abbreviated L.B.; Harvard was the first university to use the LL.B. abbreviation in the United States.
The first university law programs in the United States, such as that of the University of Maryland established in 1812, included much theoretical and philosophical study, including works such as the Bible, Cicero, Seneca, Aristotle, Adam Smith, Montesquieu and Grotius. It has been said that the early university law schools of the early 19th century seemed to be preparing students for careers as statesmen rather than as lawyers. At the LL.B. programs in the early 1900s at Stanford University and Yale continued to include "cultural study," which included courses in languages, mathematics and economics.
In the 1850s there were many proprietary schools which originated from a practitioner taking on multiple apprentices and establishing a school and which provided a practical legal education, as opposed to the one offered in the universities which offered an education in the theory, history and philosophy of law. The universities assumed that the acquisition of skills would happen in practice, while the proprietary schools concentrated on the practical skills during education.
Therefore, the modern legal education system in the U.S. is a combination of teaching law as a science and a practical skill, implementing elements such as clinical training, which has become an essential part of legal education in the U.S. and in the J.D. program of study. Today as a result of the development of the U.S. legal education system, law graduates receive more practical experience, but are nonetheless unprepared to practice law on their own upon graduation from law school.
Professional doctorates were developed in the United States in the 19th century, the first being the Doctor of Medicine in 1807, but the professional law degree took more time. At the time the legal system in the United States was still in development as the educational institutions were developing. The status of the legal profession was at that time still ambiguous, therefore the development of the legal degree took much time. Even when some universities offered training in law, they did not offer a degree. Because in the United States there were no Inns of Court, and the English academic degrees did not provide the necessary professional training, the models from England were inapplicable, and the degree program took some time to develop. At first the degree took the form of a B.L. (such as at the College of William and Mary), but then Harvard, keen on importing legitimacy through the trappings of Oxford and Cambridge, implemented an LL.B. degree. This was somewhat controversial at the time because it was a professional training without any of the cultural or classical studies required of a bachelors degree in England. Thus, even though the name of the English LL.B. degree was implemented at Harvard, the program in the U.S. was nonetheless intended as practical or professional training, and not, as in England, merely a bachelor of arts denoting a specialization in law.
Because of tradition, and concerns about less famous universities implementing a J.D. program, there was some reluctance by some institutions, such as Yale Law School, to implement the J.D. as the only law degree. By the 1960s every law school except Yale offered a J.D. as its sole professional law degree. Yale continued to confer the LL.B. as its professional degree in law until 1971. Nonetheless, the LL.B. at Yale retained the didactical changes of the "practitioners courses" of 1826 and was very different from the LL.B. in common law countries other than Canada.
The bachelor's degree originated at the University of Paris, which system was implemented at Oxford and Cambridge. The "arts" designation of the degree traditionally signifies that the student has undertaken a certain amount of study of the classics. On continental Europe the bachelor's degree was phased out in the 18th or early 19th century but it continued at Oxford and Cambridge. Today Oxford offers the bachelor's degree in law (B.C.L.) as a second entry program, contrary to the practice of all other English universities. Cambridge followed the same practice until relatively recently, renaming its LL.B. degree as LL.M. in 1982.
Because the English legal education is undergraduate and provides a general education (retaining some of the characteristics of the liberal arts degree advocated by Blackstone) a great number of the graduates have no intention of becoming solicitors or barristers. The approach of the English degree can be seen in the required curriculum, in which there is no study of civil procedure, and relatively few courses in advanced law such as business entities, bankruptcy, evidence, family law, etc. There has been a trend in the past twenty years in England to introduce more professionally relevant courses in the curriculum, particularly in "qualifying law degrees," and the law school has taken a more central role in the preparation of lawyers in England, but the degree is still more scholarly or academic than those in North America. This is also the case for other common law jurisdictions such as in Australia, India and Hong Kong.
Legal education in Canada has unique variations from other commonwealth countries. Even though the legal system of Canada is mostly a transplant of the English system (Quebec excepted), the Canadian system is unique in that there are no Inns of Court, the practical training occurs in the office of a barrister and solicitor with law society membership, and, since 1889, a university degree has been a prerequisite to initiating an articling clerkship (which requirement was not implemented until much later in England). The education in law schools in Canada was similar to that in the United States at the turn of the 20th century, but with a greater concentration on statutory drafting and interpretation, and elements of a liberal education. The bar associations in Canada were influenced by the changes at Harvard, and were sometimes quicker to nationally implement the changes proposed in the United States, such as requiring previous college education before studying law.
Until about 1997 the J.D. was unique to law schools in the U.S. But with the rise in international success of law firms from the United States, and the rise in students from outside the U.S. attending U.S. law schools, attorneys with the J.D. have become increasingly common internationally. Therefore the prestige of the J.D. has also risen, and many universities outside of the U.S. have started to offer the J.D., often for the express purpose of raising the prestige of their law school and graduates. Such institutions usually aim to appropriate the name of the degree only, and sometimes the new J.D. program of study is the same as that of their traditional law degree, which is usually more scholarly in purpose than the professional training intended with the J.D. as created in the U.S. Various characteristics can therefore be seen among J.D. degrees as implemented in universities around the world.
+ Comparisons of J.D. Variants | Jurisdiction !! Scholarly Content Required? !! Duration in Years !! Different curriculum from LL.B. in Jurisdiction? !! Sufficient Education for License? | ||
! United States | No | 3 | Yes |
Australia | Yes | 3 | No |
Canada | No | 3 | No |
Hong Kong | Yes | 2–3 | No |
Japan | No | 3 | N/A |
Philippines | Yes | 4 | Yes |
As stated by James Hall and Christopher Langdell, two people who were involved in the creation of the J.D., the J.D. is a professional degree like the M.D., intended to prepare practitioners through a scientific approach of analysing and teaching the law through logic and adversarial analysis (such as the Casebook and Socratic methods). It has existed as described in the United States for over 100 years, and can therefore be termed the standard or traditional J.D. program. The J.D. program requires a bachelors degree for entry. The program of study for the degree has remained substantially unchanged since its creation, and is an intensive study of the substantive law and its professional applications (and therefore requires no thesis, although a lengthy writing project is sometimes required). As a professional training, it provides sufficient training for entry into practice (no apprenticeship is necessary to sit for the bar exam). It requires at least three academic years of full time study. Strictly defined, the United States is the only jurisdiction with this form of a J.D., but the University of Tokyo (in Japan) and the University of Melbourne (in Australia) are attempting to follow this model closely.
An Australian Juris Doctor lasts two or three years full-time and the courses, though both J.D. and LL.B. cannot be licensed to practice until after completing an articled clerkship program or practical legal training course. University of Technology Sydney offers Practical Legal Training as part of their J.D. program enabling direct admission upon graduation. Bond University offers a J.D. program that has core requirements that are identical to the LL.B. However, Bond University J.D. students are also required to complete five masters level elective subjects, making the Bond University J.D. program resemble an integrated Bachelor's and Master's degree. Even more unusual is the "LL.M. (J.D.)" at Monash University, which is the same as the Bond University program, and that institution also states that their degree is not a professional doctorate.
Use of the "J.D." designation by Canadian law schools is not intended to indicate an emphasis on American law, but rather to distinguish Canadian law degrees from English law degrees, which do not require prior undergraduate study nor offer practical legal training. The Canadian J.D. is a degree in Canadian Law. Accordingly, United States jurisdictions other than New York and Massachusetts, do not recognize Canadian Juris Doctor degrees automatically. This is equivalent to the manner in which United States J.D. graduates are treated in Canadian jurisdictions such as Ontario. To prepare graduates to practise in jurisdictions on both sides of the border, some pairs of law schools, such as the New York University (NYU) Law School and Osgoode Hall Law School, the University of Ottawa Law School and the Michigan State University Law School or American University, and the University of Windsor Law School and the University of Detroit Mercy Law School, have developed joint American-Canadian J.D programs.
The J.D. has 11 courses (32 credits). Nine courses are required (26 credits of Block A), some of which are prerequisites to other courses the student wishes to enroll. In this sense, it is essential to follow the path established by the faculty. The choice of electives (6 credits Blocks B and C) is based on the student's personal goals: (1) if the student wants to enroll in the Bar of another province of Canada (for holders of a Quebec's LL.B. only); (2) if the student wants to enroll in a U.S. State Bar (for holders of a Quebec's LL.B. only); or (3) if the student wishes to acquire basic knowledge in all systems of law from a comparative approach.
The degree was first conferred in the Philippines by the Ateneo de Manila Law School, which first developed the model program later adopted by most schools now offering the J.D.. After the Ateneo, schools such as the University of Batangas College of Law began offering the J.D., with schools such as the Far Eastern University Institute of Law offering a joint degree program leading to a J.D. and an MBA. In 2008, the University of the Philippines College of Law began conferring the J.D. on its graduates, the school choosing rename its LL.B. program into a J.D. because to accurately reflect the nature of education the university provides as "nomenclature does not accurately reflect the fact that the LL.B. is a professional as well as a post baccalaureate degree." In 2009, the Pamantasan ng Lungsod ng Maynila (PLM) and the Silliman University College of Law also shifted their respective LL.B Programs to Juris Doctor -applying the change to incoming freshmen students for School Year 2009–2010. The newly established De La Salle University College of Law will likewise offer the J.D., although it will offer the program using a trimestral calendar, unlike the model curriculum that uses a semestral calendar.
Law degrees Category:Law degrees
ca:Juris Doctor de:Juris Doctor es:Juris Doctor lt:Juris Doctor ja:法務博士 (専門職) no:Doctor juris nn:Doctor juris simple:Juris Doctor sv:Juris doktor zh:法律博士This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′36″N77°13′48″N |
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Name | J. D. Crowe |
Background | solo_singer |
Birth name | James Dee Crowe |
Born | August 27, 1937Lexington, Kentucky |
Instrument | banjo, vocals |
Genre | Bluegrass, Progressive bluegrass |
Occupation | Musician |
Years active | 1956–present |
Label | Rounder, Starday, Rebel, Lemco |
Associated acts | New South |
Website | http://www.jdcrowe.net/ }} |
James Dee Crowe (August 27, 1937 in Lexington, Kentucky) is an American banjo player and bluegrass band leader. He first became known during his four year stint with Jimmy Martin in the 1950s.
Some players say this improves tone by reducing overtones. The wider spacing is usually chosen, however, because it is slightly easier to play. Some players claim it is not easier, however, and slows them down. Some banjos are made with a slightly wider neck to keep the strings solidly over the fretboard with Crowe spacing.
Category:1937 births Category:Living people Category:People from Lexington, Kentucky Category:American folk musicians Category:American banjoists Category:American bluegrass musicians Category:International Bluegrass Music Hall of Honor inductees Category:Musicians from Kentucky Category:Rounder Records artists
de:J. D. Crowe
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′36″N77°13′48″N |
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name | John Denver |
background | solo_singer |
birth name | Henry John Deutschendorf, Jr. |
born | December 31, 1943Roswell, New Mexico, U.S. |
died | October 12, 1997Pacific Grove, California, U.S. |
instrument | Vocals, guitar, keyboards, fiddle |
genre | Country, folk, pop |
occupation | Singer-songwriter, instrumentalist, record producer, actor, writer, poet, activist |
years active | 1962–1997 |
first album | ''Rhymes & Reasons'' |
latest album | ''Essential'' |
notable songs | "Take Me Home, Country Roads", "Sunshine On My Shoulders", "Rocky Mountain High" (Colorado State Song since 2007), "Thank God I'm a Country Boy", "Annie's Song", "Perhaps Love", "Calypso" |
label | Mercury, RCA, BMG, Windstar, Sony Wonder |
associated acts | The John Denver Band, The Back Porch Majority, The New Christy Minstrels, Chad Mitchell Trio, The Muppets, Olivia Newton-John, Plácido Domingo, Emmylou Harris, Johnny Cash Tina TurnerGlen Campbell |
website | http://www.johndenver.com/}} |
Henry John Deutschendorf, Jr. (December 31, 1943 – October 12, 1997), known professionally as John Denver, was an American singer/songwriter, activist, and humanitarian. After growing up in numerous locations with his military family, Denver began his music career in folk music groups in the late 1960s. His greatest commercial success was as a solo singer. Throughout his life Denver recorded and released approximately 300 songs, about 200 of which he composed. He performed primarily with an acoustic guitar and sang about his joy in nature, his enthusiasm for music, and relationship trials. Denver's music appeared on a variety of charts including country & western, the ''Billboard'' Hot 100, and adult contemporary, in all earning him 12 gold and 4 platinum albums with his signature songs "Take Me Home, Country Roads", "Leaving on a Jet Plane", "Rocky Mountain High", "Annie's Song" and "Calypso".
Denver further starred in films and several notable television specials in the 1970s and 1980s. In the following decades he continued to record, but also focused on calling attention to environmental issues, lent his vocal support to space exploration, and testified in front of Congress to protest censorship in music. His renown in the state of Colorado, which he sang about numerous times and where he lived in Aspen, influenced the governor to name him Poet Laureate of the state in 1974, and for the state legislature to adopt "Rocky Mountain High" as one of its state songs in 2007. He was an avid pilot, and died while flying his personal aircraft at the age of 53. Denver was one of the most popular acoustic artists of the 1970s.
Because Denver's father was in the military, the family moved often, making it difficult for young John to make friends and fit in with people of his own age. Constantly being the new kid was agony for the introverted child, and he grew up always feeling as if he should be somewhere else, but never knowing where that "right" place was. While living in Tucson, Arizona, Denver was a member of the Tucson Arizona Boys Chorus for two years. Denver was happy living in Tucson, but his father was transferred to Montgomery, Alabama, then in the midst of the Montgomery boycotts. The family later moved to Fort Worth, Texas, where Denver graduated from Arlington Heights High School. Attending high school in Fort Worth was a distressing experience for the disenfranchised Denver. In his third year of high school, he borrowed his father's car and ran away to California to visit family friends and begin his music career. His father flew to California to bring him back, and Denver unhappily returned to finish high school.
At the age of 11, Denver received an acoustic guitar from his grandmother. He learned to play well enough to perform at local clubs by the time he was in college. He adopted the surname "Denver" after the capital of his favorite state, Colorado, when Randy Sparks, founder of The New Christy Minstrels, suggested that "Deutschendorf" wouldn't fit comfortably on a marquee. Denver attended Texas Tech University in Lubbock and sang in a folk-music group called "The Alpine Trio" while pursuing architecture studies.. He was also a member of Delta Tau Delta Fraternity. Denver dropped out of the Texas Tech School of Engineering in 1963, and moved to Los Angeles, California, where he sang in the smoky underground folk clubs. In 1965, Denver joined the Chad Mitchell Trio, a folk group that had been renamed "The Mitchell Trio" prior to Chad Mitchell's departure and before Denver's arrival, and then "Denver, Boise, and Johnson" (John Denver, David Boise, and Michael Johnson).
Although RCA did not actively promote ''Rhymes & Reasons'' with a tour, Denver himself embarked on an impromptu supporting tour throughout the Midwest, stopping at towns and cities as the fashion took him, offering to play free concerts at local venues. When he was successful in convincing a school, college, American Legion Hall, or local coffee-house to let him play, he would spend a day or so postering the town and could usually be counted upon to show up at the local radio station, guitar in hand, offering himself for an interview. With his foot-in-the-door of having authored "Leaving on a Jet Plane", he was often successful in gaining some valuable promotional airtime, usually featuring one or two songs performed live. Some venues would let him play for the "door"; others restricted him to selling copies of the album at intermission and after the show. After several months of this constant low-key touring schedule, however, he had sold enough albums to convince RCA to take a chance on extending his recording contract. He had also built a sizable and solid fan base, many of whom remained loyal throughout his career.
Denver recorded two more albums in 1970, ''Take Me to Tomorrow'' and ''Whose Garden Was This?'', featuring songs he had composed while driving the roads of the American Midwest. Although these albums were not as successful as those that followed, they would all be certified gold by the RIAA and would generally be considered some of his best work.
In the 1970s, Denver's onstage appearance included long blond hair, embroidered shirts emblazoned with images commonly associated with the American West (created by designer & appliqué artist Anna Zapp), and "granny" glasses. His manager, Jerry Weintraub, insisted on a significant number of television appearances, including a series of half-hour shows in England, despite Denver's protests at the time, "I've had no success in Britain...I mean ''none''." Weintraub explained to Maureen Orth of ''Newsweek'' in December 1976, "I knew the critics would never go for John. I had to get him to the people."
After appearing as a guest on many shows, Denver went on to host his own variety/music specials, including several concerts from Red Rocks Amphitheatre near Denver. His seasonal special, ''Rocky Mountain Christmas,'' was watched by more than 60 million people and was the highest-rated show for the ABC network at that time. His live concert special, ''An Evening with John Denver,'' won the 1974–1975 Emmy for Outstanding Special, Comedy-Variety or Music. When Denver ended his business relationship because of Weintraub's focus on other projects, Weintraub threw Denver out of his office and called him a Nazi. Denver would later tell Arthur Tobier, when the latter transcribed his autobiography, "...I'd bend my principles to support something he wanted of me. And of course every time you bend your principles – whether because you don't want to worry about it, or because you're afraid to stand up for fear of what you might lose – you sell your soul to the devil."
Denver was also a guest star on ''The Muppet Show,'' the beginning of the lifelong friendship between Denver and Jim Henson that spawned two television specials with The Muppets. He also tried his hand at acting, appearing in the ''The Colorado Cattle Caper'' episode of the ''McCloud'' television movie on February 24, 1974, and starring in the 1977 film ''Oh, God!'' opposite George Burns. Denver hosted the Grammy Awards five times in the 1970s and 1980s and guest-hosted ''The Tonight Show'' on multiple occasions. In 1975, Denver was awarded the Country Music Association's Entertainer of the Year award. At the ceremony, the outgoing Entertainer of the Year Charlie Rich presented the award to his successor, but in protest of what he considered the inappropriateness of Denver's selection, Rich set fire to the envelope containing the official notification of the award. However, Denver's music was defended by country singer Kathy Mattea, who told Alanna Nash of ''Entertainment Weekly,'' "A lot of people write him off as lightweight, but he articulated a kind of optimism, and he brought acoustic music to the forefront, bridging folk, pop, and country in a fresh way.... People forget how huge he was worldwide."
In 1977, Denver cofounded The Hunger Project with Werner Erhard and Robert W. Fuller. He served for many years and supported the organization until his death. Denver was also appointed by President Jimmy Carter to serve on the President's Commission on World Hunger, writing the song "I Want to Live" as its theme song. In 1979, Denver performed "Rhymes & Reasons" at the Music for UNICEF Concert. Royalties from the concert performances were donated to UNICEF. His father taught him to fly in the mid-1970s, which led to a reconciliation between father and son. In 1980, Denver and his father, Lt. Col. “Dutch” Deutschendorf, co-hosted an award winning television special, "The Higher We Fly: the History of Flight." It won the Osborn Award from the Aviation/Space Writers’ Association, and was honored by the Houston Film Festival.
During the 1980s, Denver was critical of the Ronald Reagan Presidential Administration, but he remained active in his campaign against hunger, for which Reagan awarded Denver the Presidential World Without Hunger Award in 1985. Denver's criticism of the conservative politics of the 1980s was expressed in his autobiographical folk-rock ballad "Let Us Begin (What Are We Making Weapons For)." Denver was also critical of the Republican-dominated Congress and American Conservatism of the 1990s. He denounced the National Rifle Association (NRA) as a corrupt political machine that could buy off politicians, and in an open letter to the media, he wrote that he opposed oil drilling in the Arctic National Wildlife Refuge. Denver had battled to expand the refuge in the 1980s, and he praised President Bill Clinton for his opposition to the proposed drilling. The letter, which he wrote in the midst of the 1996 presidential election, was one of the last he ever wrote. Denver was also on the Board of Governors of the National Space Society for many years.
With Denver's innate love of flying he was naturally attracted to NASA and became dedicated to America’s work in outer space. He conscientiously worked to help bring into being the “Citizens in Space” program. Denver received the NASA Public Service Medal, in 1985 for “helping to increase awareness of space exploration by the peoples of the world,” an award usually restricted to spaceflight engineers and designers. Also in 1985, Denver passed NASA’s rigorous physical exam and was in line for a space flight, a finalist for the first citizen’s trip on the Space Shuttle in 1986. He was not chosen. After the Challenger disaster with teacher Christa McAuliffe aboard, John dedicated his song “Flying for Me”, to all astronauts, and he continued to support NASA.
Denver testified on the topic of censorship during a Parents Music Resource Center hearing in 1985. Denver also toured Russia in 1985. His 11 Soviet Union concerts were the first by any American artist in more than 10 years, and they marked a very important cultural exchange that culminated in an agreement to allow other western artists to perform there. He returned two years later to perform at a benefit concert for the victims of the Chernobyl disaster. In October 1992, John undertook a multiple-city tour of the People's Republic of China. He also released a greatest-hits CD, "Homegrown," to raise money for homeless charities. In 1994, he published his autobiography, ''Take Me Home''. In 1996, he was inducted into the Songwriters Hall of Fame.
In early 1997, Denver filmed an episode for the ''Nature'' series, centering on the natural wonders that inspired many of his best-loved songs. The episode contains his last song, "Yellowstone, Coming Home," which he composed while rafting along the Colorado River with his son and young daughter.
In the summer of 1997, Denver recorded a children's train album for Sony Wonder, entitled ''All Aboard!'', produced by long-time friend Roger Nichols. The album consisted of old-fashioned swing, big band, folk, bluegrass, and gospel styles of music woven into a theme of railroad songs. This album won a posthumous Best Musical Album For Children Grammy for Denver, which was his only Grammy.
John Denver married Australian actress Cassandra Delaney in 1988. They had a daughter, Jesse Belle. They separated in 1991 and divorced in 1993.
Denver's talent extended beyond music. He was a painter as well but because of his limiting schedule, he pursued photography. He once said that "photography is a way to communicate a feeling." Denver was an avid skier and golfer. His love of flying was secondary only to his love for music. He collected vintage biplanes and in 1974, he bought a Learjet, which he used to fly himself to concerts. He also bought a Christen Eagle aerobatic plane, two Cessna 210s, gliders and in 1997, the ill-fated Rutan Long-EZ.
A pilot with over 2,700 hours of experience, Denver had single-engine land and sea, multi-engine land, glider, and instrument ratings. He also held a type rating in his Learjet. He had recently purchased the Long-EZ aircraft, and had taken a half-hour checkout flight with the aircraft the day before the accident. The NTSB cited Denver's unfamiliarity with the aircraft and his failure to have the aircraft refueled as causal factors in the accident. Denver was the sole occupant of the aircraft. Before the accident, the FAA had learned of his failure to abstain entirely from alcohol subsequent to drunk driving arrests, and since his medical certification was conditional on this, a determination was made that due to his drinking problem, he was not qualified for any class of medical certification at the time. At least a third-class medical certification was required to exercise the privileges of his pilot certificate. However, there was no trace of alcohol or any other drug in Denver's body at autopsy.
Human-interface designer and pilot Bruce Tognazzini analyzed Denver's fatal crash on his webzine, AskTog, in June 1999.
This particular aircraft had an unusual reconfiguration of the fuel selector valve handle, which had been moved from the instrument panel to behind the left shoulder of the pilot. Apparently it also had a sticky O-ring and was hard to move. Both factors may have led to Denver pushing the right rudder pedal when he turned to switch fuel tanks by moving the handle. The aircraft then entered an uncontrolled turning descent: a spiral dive or a spin. Flying at an estimated altitude of , he did not have time to recover. As the wreck badly disfigured Denver's head and body, making identification by dental records impossible, records of his fingerprints taken from his arrests for intoxicated driving were used to confirm that the fallen pilot was indeed the singer.
Upon announcement of Denver's death, Colorado governor Roy Romer ordered all state flags to be lowered to half staff in his honor. Denver was cremated with the 1910 Gibson guitar given to him by his grandmother which had inspired much of his career. Funeral services were held at Faith Presbyterian Church in Aurora, Colorado, on October 17, 1997, being officiated by Pastor Les Felker, a retired Air Force chaplain. Later, Denver's ashes were scattered in the Rocky Mountains. Further tributes were made at the following Grammys and Country Music Association Awards. Nearly ten years after his death on September 23, 2007, his brother Ron witnessed the dedication of a plaque placed near the crash-site in Pacific Grove, California, commemorating the singer.
Denver's music remains extremely popular around the world. Previously unreleased and unnoticed recordings are now sought-after collectibles in pop, folk and country genres. Also in demand are copies of Denver's many television appearances, especially his one-hour specials from the 1970s and his six-part series for Britain's BBC, ''The John Denver Show''. Despite strong interest in these programs, no sign of "official" release is evident for the vast majority of this material. An anthology musical featuring John Denver's music, ''Back Home Again: A John Denver Holiday'', premiered at the Rubicon Theatre Company in November 2006.
On March 12, 2007, Colorado's Senate passed a resolution to make Denver's trademark 1972 hit "Rocky Mountain High" one of the state's two official state songs, sharing duties with its predecessor, "Where the Columbines Grow." The resolution passed 50–11 in the House, defeating an objection by Rep. Debbie Stafford (R-Aurora) that the song reflected drug use, most specifically the line, "Friends around the campfire and everybody's high." Sen. Bob Hagedorn, the Aurora Democrat who sponsored the proposal, defended the song as nothing to do with drugs, but everything to do with sharing with friends the euphoria of experiencing the beauty of Colorado's mountain vistas. Nancy Todd (D-Aurora) said that "John Denver to me is an icon of what Colorado is." Similar proposals have also been made to the West Virginia House of Delegates to make "Take Me Home Country Roads" the official song of that particular state, so far without success. On September 24, 2007, the California Friends of John Denver and The Windstar Foundation unveiled a bronze plaque near the spot where his plane went down near Pacific Grove. The site had been marked by a driftwood log carved (by Jeffrey Pine of Colorado) with the singer's name, but fears that the memorial could be washed out to sea sparked the campaign for a more permanent memorial. Initially the Pacific Grove Council denied permission for the memorial, fearing the place would attract ghoulish curiosity from extreme fans. Permission was finally granted in 1999, but the project was put on hold at the request of the singer's family. Eventually, over 100 friends and family attended the dedication of the plaque, which features a bas-relief of the singer's face and lines from his song "Windsong": "So welcome the wind and the wisdom she offers. Follow her summons when she calls again."
To mark the 10th anniversary of Denver's death, his family released a set of previously unreleased recordings of Denver's 1985 concert performances in the Soviet Union. This two-CD set, ''John Denver – Live in the USSR'', was produced by Denver's friend Roger Nichols, and released by AAO Music. These digital recordings were made during 11 concerts, and then rediscovered in 2002. Included in this set is a previously unpublished rendition of "Annie's Song" in Russian. The collection was released November 6, 2007.
On October 13, 2009, a DVD box set of previously unreleased concerts recorded throughout Denver's career was released by Eagle Rock Entertainment. "Around the World Live" is a 5-disc DVD set featuring three complete live performances with full band from Australia in 1977, Japan in 1981, and England in 1986. These are complemented by a solo acoustic performance from Japan in 1984, and performances at Farm Aid from 1985, 1987 and 1990. The final disc has two hour-long documentaries made by Denver.
On April 21, 2011, John Denver became the first inductee into the Colorado Music Hall of Fame. A benefit concert was held at Broomfield's 1STBANK Center and hosted by Olivia Newton-John. Other performers participating in the event included Nitty Gritty Dirt Band, Lee Ann Womack and John Oates. Both of his ex-wives were in attendance, and the award was presented to his three children.
Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul and Mary of his song "Leaving on a Jet Plane", which became the sole number 1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.
Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 ''Rocky Mountain Christmas'' special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, John Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Through the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album.
September 2008 saw the premiere of the musical ''Whisper the Wind'' in New Zealand, a tribute presentation covering highlights of Denver's life and career, with the younger Denver played by 21-year-old Dunedin musician Bevan Gardiner, whose vocal impersonation of the late singer was considered so accurate Denver's business manager Harold Thau could not tell them apart.
Emmy Awards 1975 Emmy for Outstanding Variety, Music or Comedy Special for "An Evening With John Denver"
Category:American country singers Category:American folk singers Category:American male singers Category:Songwriters from New Mexico Category:Songwriters Hall of Fame inductees Category:American environmentalists Category:The Hunger Project Category:People from Roswell, New Mexico Category:Musicians from New Mexico Category:People from Denver, Colorado Category:Musicians from Colorado Category:Roaring Fork Valley Category:Texas Tech University alumni Category:Military brats Category:Victims of aviation accidents or incidents in the United States Category:Aviators killed in aviation accidents or incidents in the United States Category:Grammy Award winners Category:People associated with the Human Potential Movement Category:Accidental deaths in California Category:1943 births Category:1997 deaths Category:American musicians of German descent Category:American musicians of Irish descent
ar:جون دنفر ca:John Denver cs:John Denver da:John Denver de:John Denver et:John Denver es:John Denver eo:John Denver fa:جان دنور fr:John Denver ko:존 덴버 id:John Denver it:John Denver he:ג'ון דנוור lv:Džons Denvers nl:John Denver ja:ジョン・デンバー no:John Denver nds:John Denver pl:John Denver pt:John Denver ro:John Denver ru:Джон Денвер sq:John Denver simple:John Denver sk:John Denver fi:John Denver sv:John Denver tl:John Denver th:จอห์น เดนเวอร์ tr:John Denver vi:John Denver zh:約翰·丹佛This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′36″N77°13′48″N |
---|---|
name | 10 Years |
background | group_or_band |
origin | Knoxville, Tennessee, USA |
genre | Alternative metal, post-grunge |
years active | 1999–present |
label | Universal Records |
website | www.10yearsmusic.com |
current members | Jesse HasekRyan "Tater" JohnsonLewis "Big Lew" CosbyBrian Vodinh |
past members | Mike UnderdownAndy ParksMatt Wantland }} |
10 Years is an American alternative metal band, formed in Knoxville, Tennessee in 1999.
10 Years was then signed to Universal Records in 2005 and released their major label debut, ''The Autumn Effect'' on August 16, 2005 with the songs "Wasteland" and "Through the Iris" picking up regional radio play. Their first single, "Wasteland" spent over 12 months on the rock charts, finally reaching #1 at active rock radio in December 2005.
That same summer, the band toured with Disturbed and Ill Niño. In the fall of 2005, they toured with Breaking Benjamin and Smile Empty Soul, then followed up with the Masters of Horror tour with Mudvayne and Sevendust. They opened for Korn and Mudvayne on Korn's ''See You on the Other Side'' tour. They also toured with Korn and Deftones on the Family Values Tour, which started in late July 2006.
In mid February 2006, "Wasteland" reached #1 on the ''Billboard'' Alternative Songs chart. "Wasteland" has been certified Gold by the RIAA.
In mid-2006, the band toured Australia in a lineup which included Hatebreed, Disturbed and Korn.
Their first music video, "Wasteland", addresses the social problem of human rights as well as addiction around the world. The video received a nomination for Best Direction and Best Art Direction at the 2006 MTV Video Music Awards, but did not win either.
On March 27, 2006, an EP was released on iTunes containing acoustic versions of "Wasteland" and other tracks from ''The Autumn Effect''.
Lewis told in an interview that the album is "so different from the first one [The Autumn Effect], but it's still 10 Years," and, "It just sounds like [the songs] would be from a totally different album, which was, you know, the goal." It was also revealed that the track titled "Focus" was co-written with Stone Temple Pilots and former Army of Anyone guitarist Dean DeLeo.
On May 21, 2007 a demo song titled "All Your Lies" from Division was released onto their MySpace along with a post stating the band had chosen producer Rick Parasher to produce the new album. On September 7, the band announced on their MySpace that the album was finished and would be released in 2008, following a tour with Dir En Grey, Sevendust, Operator, Thousand Foot Krutch and Chevelle.
On January 29, 2008, "Beautiful," the new single from Division, was released to iTunes and a snippet was also posted on the band's MySpace page. ''Division'' was released on May 13, 2008 after being pushed back due to finalization of the album's artwork.
10 Years was featured on the Revolution Stage of Linkin Park's Summer Projekt Revolution 2008 tour with Atreyu, Hawthorne Heights and Armor For Sleep.
They went on tour with Mudvayne until mid December 2008.
Throughout the first half of 2010, the band went back and forth between putting on live shows and working in the studio. Before the album was released, the band debuted new songs at live performances such as "Dead in the Water", "Now is the Time", and the new album's first single "Shoot It Out".
On June 12, 2010, "Shoot It Out" was featured on Sirius/XM Radio. The track was released to radio later that month, and was made available for download on iTunes July 6. ''Feeding the Wolves'' was released on August 31, 2010.
To promote the album's release, the band opened Shinedown's 2010 Carnival of Madness summer tour alongside Chevelle, Puddle of Mudd, and Sevendust. In the fall they joined Sevendust again on the Hard Drive Live tour with support from Since October and Anew Revolution.
In December, the band went on a mini-headline tour, where they played some older songs that they had not played in some time. February 2011, their new single "Fix Me" releases to radio while they headline a spring tour with Hollywood Undead.
On June 17 and 18 the band shot a music video for "Fix Me" in Columbus, Ohio with production company Thunder Down Country. The video was released via YouTube on August 9, 2011.
Live
Former
Year | Album details | Peak chart positions | ||||
!style="width:3em;font-size:75%" | !style="width:3em;font-size:75%" | |||||
2001 | ''Into the Half Moon'' | * Released: 2001 | Compact Disc>CD | |||
2004 | ''Killing All That Holds You'' | * Released: 2004 | Universal Records>Universal | * Format: CD | ||
2005 | ''The Autumn Effect'' | * Released: August 16, 2005 | * Label: Universal Republic | * Format: CD | ||
2008 | * Released: May 13, 2008 | * Label: Universal Republic | * Format: CD | |||
2010 | * Released: August 31, 2010 | * Label: Universal Republic | * Format: CD | |||
Year | Title | Peak chart positions | Album | ||
!style="width:3em;font-size:75%" | !style="width:3em;font-size:75%" | !style="width:3em;font-size:75%" | |||
2005 | |||||
"Through the Iris" | |||||
"Waking Up" | |||||
2009 | "Actions & Motives" | ||||
2010 | "Shoot It Out" | ||||
2011 | "Fix Me" | ||||
Category:American post-grunge musical groups Category:Musical groups from Knoxville, Tennessee Category:Musical groups established in 1999 Category:Rock music groups from Tennessee Category:Musical quartets
de:10 Years es:10 Years fr:10 Years (groupe) it:10 Years lt:10 Years pl:10 Years pt:10 Years ru:10 YearsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′36″N77°13′48″N |
---|---|
name | Brann Dailor |
background | solo_singer |
birth name | Brann Dailor |
born | March 19, 1975 |
instrument | Drums, vocals, percussion |
genre | Heavy metal, sludge metal, grindcore, death metal, progressive metal |
occupation | Musician |
years active | 1989–present |
associated acts | MastodonLethargyToday is the DayDiscordance AxisFiend Without A FaceGaylord |
website | http://www.mastodonrocks.com/ }} |
Brann Dailor (born March 19, 1975 in Rochester, NY) is a drummer, best known as a member of Mastodon, a progressive metal band based in Atlanta, Georgia. Dailor was also a founding member of mathcore band Lethargy, and played with grindcore bands Discordance Axis and Today is the Day.
"My parents were hippies, but they were Frank Zappa hippies, you know? They were putting Miles Davis' ''Bitches Brew'' on my headphones when I was two years old. I grew up listening to ''The Lamb Lies Down On Broadway'', ''Close to the Edge'' by Yes, King Crimson's ''Red''. All that stuff was jamming at my house at full volume all the time when I was a baby, along with Coltrane's ''Love Supreme'', Stevie Wonder--''Innervisions''-- stuff like that. Constantly."
His sister Skye committed suicide at age 14. After her death, Dailor spent time in a mental hospital and fell heavily into drugs. Her death served as an inspiration for Mastodon's fourth studio album, ''Crack the Skye''. Although the album's story line involves the adventures of a paraplegic boy in Tsarist Russia, Dailor told ''Metal Hammer'' that many of the songs are fantasy narratives involving him saving his sister from death.
“My sister Skye’s suicide is something I’ve been dealing with for 20 years. I wanted to lift her up and put her name out there forever. It was the most deeply emotional moment of my life, and always with suicide there’s a lot of guilt that comes with it. The whole story is my metaphor for if I’d been able to come in and pick her up and save her from that situation...everybody experiences loss. At some point in your life you will lose someone near and dear to you and I’m lucky enough to have some kind of artistic platform to immortalise it, to have some kind of tribute. We owe it as artists to come from the deepest place possible; that’s art."
On limited edition box sets of ''Crack the Skye'', a photo of Dailor's sister can be seen through a tunnel lithogram in the album art.
Category:Living people Category:1975 births American heavy metal drummers Category:Musicians from Georgia (U.S. state) Category:People from Rochester, New York Category:Musicians from New York
da:Brann Dailor es:Brann Dailor it:Brann Dailor pl:Brann Dailor ru:Брэнн ДэйлорThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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