holiday name	HoliFestival of Colours
nickname
observedby	Hindus, mainly in India, Nepal, Sri Lanka and Slough
begins	Phalgun Purnima or Pooranmashi (Full Moon)
date	Feb – March
date2011	March 20
date2012	March 8
calendar	Hindu calendar
celebrations	3 – 16 days
observances	}}

Holi (होली), is a religious spring festival celebrated by Hindus. It is primarily observed in India, Nepal, Pakistan, and countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad, United Kingdom, United States, Mauritius, and Fiji.This festival is now generally celebrated in the whole world. In West Bengal and Orissa of India it is known as Dolyatra (Doul Jatra) (), or Basanta-Utsav ("spring festival")(), . The most celebrated Holi is that of the Braj region, in locations connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana. These places have become tourist destinations during the festive season of Holi, which lasts here up to sixteen days.

The main day, Holi, also known as ''Dhuli Vandana'' in Sanskrit, also ''Dhulheti'', ''Dhulandi'' or ''Dhulendi'', is celebrated by people throwing coloured powder and coloured water at each other. Bonfires are lit on the eve of the festival, also known as Holika Dahan (burning of Holika) or ''Chhoti Holi'' (little Holi). After doing holika dalhan we pray to it and offer prasad to it and others also. The bonfires are lit in memory of the miraculous escape that young Prahlad accomplished when Demoness Holika, sister of Hiranyakashipu, carried him into the fire. Holika was burnt but Prahlad, a staunch devotee of god Vishnu, escaped without any injuries due to his unshakable devotion. Holika Dahan is referred to as ''Kama Dahanam'' in South India.

Holi is celebrated at the end of the winter season on the last full moon day of the lunar month Phalguna (February/March), (Phalgun Purnima), which usually falls in the later part of February or March. In 2009, Holi (''Dhulandi'') was on March 11 and Holika Dahan was on March 10. In 2010, Holi was on March 1 and Holika Dahan was on February 28.

In 2011, Holi was on March 20 and Holika Dahan was on March 19.

Rangapanchami occurs a few days later on a Panchami (fifth day of the full moon), marking the end of festivities involving colours.

Significance

In Vaishnavism, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping Gods and start praising him.

According to this belief, Hiranyakashipu's own son, Prahlada, was a devotee of Lord Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Lord Vishnu. He was poisoned by Hiranyakashipu, but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre on the lap of his demoness sister, Holika, who could not die because she also had a boon which would prevent fire from burning her. Prahlada readily accepted his father's orders, and prayed to Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed, the burning of Holika is celebrated as Holi.

Later Lord Vishnu came in the form of a Narasimha (who is half-man and half-lion) and killed Hiranyakashipu at dusk (which was neither day nor night), on the steps of the porch of his house (which was neither inside the house nor outside) by restraining him on his lap (which is neither in the sky nor on the earth) and mauling him with his claws (which are neither ''astra'' nor ''shastra'').

In Vrindavan and Mathura, where Lord Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. Lord Krishna is believed to have popularized the festival by playing pranks on the gopis here. Krishna is believed to have complained to his mother about the contrast between his dark skin complexion and Radha's (Shakti or energy that drives the world) fair skin complexion. Krishna's mother decided to apply colour to Radha's face. The celebrations officially usher in spring, the celebrated season of love.

There is alternative story detailing the origin of Holi. This story is about Kamadeva, a god of love. Kama's body was destroyed when he shot his weapon at Shiva in order to disrupt his meditation and help Parvati to marry Shiva. Shiva then opened his third eye, the gaze of which was so powerful that Kama's body was reduced to ashes. For the sake of Kama's wife Rati (passion), Shiva restored him, but only as a mental image, representing the true emotional and spiritual state of love rather than physical lust. The Holi bonfire is believed to be celebrated in commemoration of this event.

Origin

Though there have been references to a festival like this in Sanskrit texts like ratnavali where people sprayed coloured waters using bamboo syringes,the origin of the modern Holi festival has been traced to ancient Bengal. It was a Gaudiya Vaishnav festival, in accordance to Vaishnaviya Tantra. People went to Krishna temples, applied red colour to the icon and then distributed the red coloured powder or Abir along with malpua prasad to family and friends. Red signified the colour of passion and Lord Krishna is the king of desires. The ritual signified that all our desires should be diverted for the attainment of Krishna and for the well being of society.

In some cultures though,the ritual of burning wood and leaves on the full moon night already existed. This ritual was to signify the end of winter and full advent of spring. Old wood and leaves that had fallen were burnt to signify that it is time for new leaves and flowers.People later smeared their bodies with ash. Later, however, the story of Holika Dahan has been associated with this ritual.

Rituals

The earliest textual reference to the celebration of Holi is found in the 7th century Sanskrit drama, ''Ratnavali''. Certainly there are perennial rituals attached to Holi: the first is smearing of coloured powder on each other, and throwing coloured and scented water at each time.

Regional rituals and celebrations

India

;Uttar Pradesh Barsana is the place to be at the time of Holi. Here the famous Lath mar Holi is played in the sprawling compound of the Radha Rani temple. Thousands gather to witness the Lath Mar holi when women beat up men with sticks as those on the sidelines become hysterical, sing Holi Songs and shout Sri Radhey or Sri Krishna. The Holi songs of Braj mandal are sung in pure Braj Bhasha.

Holi played at Barsana is unique in the sense that here women chase men away with sticks. Males also sing provocative songs in a bid to invite the attention of women. Women then go on the offensive and use long staves called lathis to beat men folk who protect themselves with shields.

In Mathura, the birth place of Lord Krishna, and in Vrindavan this day is celebrated with special puja and the traditional custom of worshipping Lord Krishna, here the festival lasts for sixteen days. All over the Braj region and its nearby places like Hathras, Aligarh, Agra the Holi is celebrated in more or less same way as in Mathura, Vrindavan and Barsana.

In Gorakhpur, the northeast district of Uttar Pradesh, this day is celebrated with special puja in the morning of Holi day. This day is considered to be the happiest and most colorful day of the year promoting the brotherhood among the people. This is known as "Holi Milan" in which people visit every house and sing holi song and express their gratitude by applying colored powder (Abeer). Holi is also considered as the end of the year as it occurs on the last day of last Hindu calendar month Phalgun. People also kickoff for the next year planning with new year Hindu calendar (Panchang) at the evening of Holi.

;Kumaon, (Uttarakhand) The uniqueness of the Kumaoni Holi of the Kumaon region in Uttarakhand lies in its being a musical affair, whichever may be its form, be it the Baithki Holi, the Khari Holi and the Mahila Holi which starts from Basant Panchmi. The Baithki Holi and Khari Holi are unique in that the songs on which they are based have touch of melody, fun and spiritualism. These songs are essentially based on classical ragas. No wonder then the Baithki Holi is also known as Nirvan Ki Holi.

The Baithki Holi (बैठकी होली) begins from the premises of temples, where ''Holiyars'' (होल्यार), (the singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music.

Kumaonis are very particular about the time when the songs based on ragas should be sung. For instance, at noon the songs based on Peelu, Bhimpalasi and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan and Yaman etc.

The Khari Holi (खड़ी होली), is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, who sporting traditional white ''churidar payajama'' and ''kurta'', dance in groups to the tune of ethnic musical instruments like the ''Dhol'' and ''Hurka''.

The Holika made is known as ''Cheer'' (चीर) which is ceremonically made in a ceremony known as ''Cheer Bandhan'' (चीर बंधन) fifteen days before Dulhendi. The ''Cheer'' is a bonfire with a green ''Paiya'' tree branch in the middle. The ''Cheer'' of every village and mohalla is rigorously guarded as rival mohallas try to steal the others ''cheer''.

Dulhendi known as Charadi (छरड़ी), in Kumaoni (from ''Chharad'' (छरड़), or natural colours made from flower extracts, ash and water) is celebrated with great gusto much in the same way as all across North India.

;Bihar

Holi is celebrated with the same fervour and charm in Bihar as in rest of north India. It is known as Phagwa in the local Bhojpuri dialect. Here too, the legend of Holika is prevalent. On the eve of Phalgun Poornima, people light bonfires. They put dung cakes, wood of Araad or Redi tree and Holika tree, grains from the fresh harvest and unwanted wood leaves in the bonfire. Following the tradition people also clean their houses for the day.

At the time of Holika people assemble near the fire. The eldest member or a purohit initiates the lighting. He then smears others with colour as a mark of greeting. Next day the festival is celebrated with colours and lot of frolic.

Children and youths take extreme delight in the festival. Though the festival is usually played with colours at some places people also enjoy playing holi with mud. Folk songs are sung at high pitch and people dance to the tune of dholak and the spirit of Holi.

Intoxicating bhang is consumed with a variety of mouth watering delicacies such as pakoras and thandai to enhance the mood of the festival. Vast quantities of liquor are consumed alongside ganja and bhang, which is sometimes added to foodstuffs.

;Bengal On the Dol Purnima day in the early morning, the students dress up in saffron-coloured or pure white clothes and wear garlands of fragrant flowers. They sing and dance to the accompaniment of musical instruments like ektara, dubri, veena, etc. Holi is known by the name of 'Dol Jatra', 'Dol Purnima' or the 'Swing Festival'. The festival is celebrated in a dignified manner by placing the icons of Krishna and Radha on a picturesquely decorated palanquin which is then taken round the main streets of the city or the village. The devotees take turns to swing them while women dance around the swing and sing devotional songs. During these activities, the men keep spraying coloured water and coloured powder, abir, at them.

The head of the family, observes fast and prays to Lord Krishna and Agnidev. After all the traditional rituals are over, he smears Krishna's icon with gulal and offers "bhog" to both Krishna and Agnidev.

In Shantiniketan, Holi has a special musical flavor.

Traditional dishes include malpoa, kheer sandesh, basanti sandesh (saffron), saffron milk, payash, and related foods.

;Orissa The people of Orissa celebrate Holi in a similar manner but here the icons of Jagannath, the deity of the Jagannath Temple of Puri, replace the icons of Krishna and Radha.

;Goa Holi is a part of Goan or Konkani spring festival known as Śigmo or शिगमो in Koṅkaṇī. One of the most prominent festivals of the Konkani community in Goa, and the Konkani diaspora in the state of Karnataka, Maharashtra and Kerala. Śigmo is also known as ''Śiśirotsava'' and lasts for about a month. The color festival or Holi is a part of entire spring festival celebrations.

Holi festivities(but not Śigmo festivities), include:''Holika Puja'' and ''Dahan'',''Dhulvad'' or ''Dhuli vandan'',''Haldune'' or offering yellow and saffron colour or ''Gulal'' to the deity.

;Gujarat

Holi is celebrated with great fanfare in the Indian state of Gujarat. Falling on the full moon day in the month of Phalguna, Holi is a major Hindu festival and marks the agricultural season of the Rabi crop.

A bonfire is lit in the main squares of the villages and colonies. People gather around the bonfire and celebrate the event with singing and dancing, which is symbolic of the victory of good over evil. Tribals of Gujarat celebrate Holi with great enthusiasm and also dance around the fire.

In Western India, Ahmedabad in Gujarat, a pot of buttermilk is hung high on the streets and young boys try to reach it and break it by making human pyramids. The girls try to stop them by throwing colored water on them to commemorate the pranks of Krishna and cowherd boys to steal butter and 'gopis' while trying to stop the girls. The boy who finally manages to break the pot is crowned the Holi King. Afterwards, the men, who are now very colorful men, go out in a large procession to "alert" people of the Krishna's possible appearance to steal butter from their homes.

In some places, there is a custom in the undivided Hindu families that the women of the families beat their brother-in-law with her sari rolled up into a rope in a mock rage as they try to drench them with colours, and in turn, the brothers-in-law bring sweetmeats to her in the evening.

;Maharashtra In Maharashtra, Holi is mainly associated with the burning of Holika. Holi Paurnima is also celebrated as Shimga. A week before the festival, youngsters go around the community, collecting firewood and money. On the day of Holi, the firewood is arranged in a huge pile at a clearing in the locality. In the evening, the fire is lit. Every household makes an offering of a meal and dessert to the fire god. Puran Poli is the main delicacy and children shout "Holi re Holi puranachi poli". Shimga is associated with the elimination of all evil. The color celebrations here traditionally take place on the day of Rangapanchami, 5 days after Holi, unlike in ''North India'' where it is done on the second day itself. During this festival, people are supposed to forget about any rivalries and start new healthy relations with all.

;Manipur Manipuris celebrate Holi for six days. Here, this holiday merges with the centuries-old festival of Yaosang. Traditionally, the festival commences with the burning of a thatched hut of hay and twigs. Young children go from house to house to collect money, locally known as nakadeng (or nakatheng), as gifts on the first two days. The youths at night perform a group folk dance called 'thaabal chongba' on the full moon night of Lamta (Phalgun) along with folk songs and rhythmic beats of the indigenous drum. However, this moonlight party now has modern bands and fluorescent lamps. In Krishna temples, devotees sing devotional songs, perform dances and play with aber (gulal) wearing traditional white and yellow turbans. On the last day of the festival, large processions are taken out to the main Krishna temple near Imphal where several cultural activities are held. Since the past few decades Yaoshang, a type of Indian sport, has become common in many places of the valley, where people of all ages come out to participate in a number of sports that are somewhat altered for the holiday.

;Kerala In the Mattancherry area of Kochi, there are 22 different communities living together in harmony. The Gaud Sarawat Brahmins (GSB) who speak Konkani also celebrate Holi in Cherlai area of West Kochi instead of in theior own community. It is locally called Ukkuli in Konkani or Manjal Kuli in Malayalam. It is celebrated around the Konkani temple called Gosripuram Thirumala temple. Holi is also celebrated at some colleges in south.

;Karnataka, Andhra Pradesh Holi is celebrated with much fervor here. Unlike in the other Indian communities, it is also here a school holiday. There is also a tradition followed in rural Karnataka where children collect money and wood for weeks prior to Holi, and on Kamadhana night all the wood is put together and lit. The festival is celebrated for two days. People in north Karnataka prepare special food on this day. In Andhra Pradesh Holi is celebrated along with Basnata Panchami. In the Telangana region,especially the capital city of Hyderabad, Holi is a major festival, and the festivities and color starts appearing at least a day before the actual holiday.

;Jammu & Kashmir In Kashmir, the Kashmiris and Hindus alike celebrate Holi. Holi celebrations here pretty much fit the general definition of Holi celebrations: a high-spirited festival to mark the beginning of the harvesting of the summer crop, is marked by the throwing of colored water and powder and singing and dancing. Holi is also celebrated in great fervor in Jammu.

;Haryana, Rural Delhi & West UP This region has its own variety of Holi. The festival is celebrated with great zest and enthusiasm. Dhampur is a city and a municipal board in the Bijnor district in the state of Uttar Pradesh of India. The Holi celebration in Dhampur is famous throughout the whole of Western UP.

;Punjab There is a Sikh festival of Hola Mohalla, simply Hola takes place on the first of the lunar month of Chet which usually falls in March. This, by a tradition established by Guru Gobind Singh, follows the Hindu festival of Holi by one day; Hola is the masculine form of the feminine sounding Holi. The word "Mohalla" is derived from the Arabic root hal (alighting, descending) and is a Punjabi word that implies an organized procession in the form of an army column. But unlike Holi, when people playfully sprinkle colored powder, dry or mixed in water, on each other, the Guru made Hola Mohalla an occasion for the Sikhs to demonstrate their martial skills in simulated battles.

;Dhampur In Dhampur holi—holi hawan jaloos have been organized for the last 60 years. The festival involves almost 10,000 people, including lots of bands and Jhakhi, which represent the cultural values of Holi and India.

Indian diaspora

Over the years, Holi has become an important festival in many regions wherever Indian diaspora had found its roots, be it in Africa, North America, Europe or closer to home in South Asia.

Nepal

In Nepal, Holi is regarded as one of the greatest festivals, as important as Dashain (also known as Dussehra in India) and Tihar or Dipawali (also known as Diwali in India). Since more than 80% of people in Nepal are Hindus, Holi, along with many other Hindu festivals, is celebrated in Nepal as a national festival and almost everyone celebrates it regardless of their religion, e.g., even Muslims celebrate it. Christians may also join in, although since Holi falls during Lent, many would not join in the festivities. The day of Holi is also a national holiday in Nepal.

People walk down their neighbourhoods to celebrate Holi by exchanging colours and spraying coloured water on one another. A popular activity is the throwing of water balloons at one another, sometimes called ''lola'' (meaning water balloon). Also a lot of people mix ''bhang'' in their drinks and food, as also done during Shivaratri. It is believed that the combination of different colours played at this festival take all the sorrow away and make life itself more colourful.

Traditional Holi

The spring season, during which the weather changes, is believed to cause viral fever and cold. The playful throwing of natural coloured powders has a medicinal significance: the colours are traditionally made of Neem, Kumkum, Haldi, Bilva, and other medicinal herbs prescribed by Āyurvedic doctors.

A special drink called ''thandai'' is prepared (commonly made of almonds, pistachios, rose petals, etc.), sometimes containing ''bhang'' (''Cannabis indica''). For wet colours, traditional flowers of Palash are boiled and soaked in water over night to produced yellow coloured water, which also had medicinal properties. Unfortunately the commercial aspect of celebration has led to an increase in the use of synthetic colours which, in some cases, may be toxic.

Modern issues

Synthetic colors

As the spring-blossoming trees that once supplied the colors used to celebrate Holi have become more rare, chemically produced industrial dyes have been used to take their place in almost all of urban India. In 2001, a fact sheet was published by the groups Toxics link and Vatavaran based in Delhi on the chemical dyes used in the festival. They found safety issues with all three forms in which the Holi colors are produced: pastes, dry colors and water colors.

Their investigation found some toxic chemicals with some potentially severe health impacts. The black powders were found to contain lead oxide which can result in renal failure. Two colors were found to be carcinogenic: silver, with aluminium bromide, and red, with mercury sulphide. The prussian blue used in the blue powder has been associated with contact dermatitis, while the copper sulphate in the green has been documented to cause eye allergies, puffiness of the eyes, or temporary blindness.

The colorant used in the dry colors, also called gulals, was found to be toxic, with heavy metals causing asthma, skin diseases and temporary blindness. Both of the commonly used bases—asbestos or silica—are associated with health issues.

They reported that the wet colors might lead to skin discolouration and dermatitis due to their use of color concentrate gentian violet.

Lack of control over the quality and content of these colours is a problem, as they are frequently sold by vendors who do not know their origin.

The report galvanized a number of groups into promoting more natural celebrations of Holi. Development Alternatives, Delhi and Kalpavriksh, Pune, The CLEAN India campaign and Society for Child Development, through its Avacayam Cooperative Campaign have both launched campaigns to help children learn to make their own colours for Holi from safer, natural ingredients. Meanwhile, some commercial companies such as the National Botanical Research Institute have begun to market "herbal" dyes, though these are substantially more expensive than the dangerous alternatives. However, it may be noted that many parts of rural India have always resorted to natural colours (and other parts of festivities more than colours) due to availability reasons.

Environmental impact

An alleged environmental issue related to the celebration of Holi is the traditional ''Holika Dahan'' bonfire, which is believed to contribute to deforestation. A local tabloid had a view published that 30,000 bonfires each burning approximately 100 kg of wood are lit in one season. Several methods of preventing this consumption of wood have been proposed, including the replacement of wood with waste material or lighting of a single fire per community, rather than multiple smaller fires. However, the idea of lighting waste material antagonizes large sections of a certain community who take it as a Western attack to their cultures and traditions citing several examples of similar festivities elsewhere. There is also concern about the large scale wastage of water and water-pollution due to synthetic colors during Holi celebration.

Influence on popular culture

In the music video for their song "The Catalyst.", American rock band Linkin Park incorporated scenes of band members throwing powdered color at one another. The videos director, band turntablist Joe Hahn, identifies Holi as a direct influence on the visual style of the video. Hahn states that "The irony of making the video was that the inspiration for the colors came from the Color Festival in India called Holi." Mr Hahn further elaborates on the religious significance of the colors, "People collect these pigments throughout the year to release them in this festival as a celebration of life and tribute to Vishnu."

The holi festival was featured as a RoadBlock challenge in the popular CBS reality television show The Amazing Race 13, episode 7.

The Ke$ha music video for the song "Take It Off" features powdered colored dyes similar to those used to celebrate Holi.

On May 31, 2007, the independent film, ''Outsourced,'' premiered at the Seattle International Film Festival. The plot of the film details the story of Todd Anderson, an American call center novelty products salesman (Josh Hamilton) as he heads to India to train his replacement after his entire department is outsourced to a new, much cheaper call center in Gharapuri, India. Todd soon discovers that in order to successfully train his new charges, he must first learn about the culture of the workers. Among the many customs and traditions Todd encounters in his education of India is the celebration of Holi.

The March 17th, 2011 episode of the NBC series based on the film of the same name, Outsourced, entitled "Todd's Holi War", takes a more sitcom-oriented approach to the holiday, marking Holi's first appearance on American network television.

The music video "Behind the Cow", which appears to be set in India, by the band Scooter features a final scene with everyone throwing colored powder at one another.

In the British TV show, An Idiot Abroad, Episode #2 has host Karl Pilkington take a trip through Dehli, India where he experiences Holi as locals cover him with colored powder and paint.

Episode 4.6 of the TV show Psych, "Bollywood Homicide", climaxes at a color festival, where Shawn is distracted by someone throwing red powder at him.

See also

Kumauni Holi

Songkran (Thai festival)

References

External links

Holi Hai!

Holi in pictures from B.B.C.

Legenda and Rituals of Holi

Holi at Shri Banke Bihari Temple, Vrindavan

Holi at Shri Radhavallabh Temple

27 Big and Colorful Photos of Holi

Holi and Elephant Festival in Jaipur,India

How to Protect Your Car from Colours of Holi

Holi

Category:Festivals in India Category:Hindu festivals Category:Hindu holy days

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Name	Mangal Pandey
Birth date	19 July 1827
Death date	8 April 1857|birth_placeNagwa, Ballia, U. P., India
Death place	Barrackpore, Calcutta, India
Religion	Hindu
Occupation	sepoy (soldier) in the 34th Regiment of the Bengal Native Infantry (BNI) of the English East India Company
Known	Indian freedom fighter }}

Mangal Pandey (19 July 1827 – 8 April 1857) (Hindi: मंगल पांडे, Bangla:মঙ্গল পান্ডে, Kannad: ಮಂಗಲ್ ಪಾಂಡೆ, Malayalam: മംഗൽ പാണ്ഡേ, Marathi: मंगल पांडे, Tamil: மங்கள் பாண்டே, Telugu: మంగళ్ పాండే) was a sepoy (en.soldier) in the 34th Regiment of the Bengal Native Infantry (BNI) of the English East India Company. He is widely known in India as one of its first freedom fighters. The Indian government has issued an Indian Postage Stamp to commemorate him as a distinguished freedom fighter. Beyond that his life and actions have also been adapted to the silver screen.

Early years

Mangal Pandey was born on 19 July 1827 in the village Nagwa, of Ballia district in Uttar Pradesh of India to a saryuparin Brahmin family.

He joined the East India Company's forces in 1849 at the age of 22. Pandey was part of the 6th Company of the 34th Bengal Native Infantry and is primarily known for his involvement in an attack on several of the regiment's officers. This incident marked an opening stage in what came to be known as the Sepoy Mutiny of 1857 or the First War of Indian Independence. It is said that Pandey was a devout Hindu who practiced his religion diligently.

The 1857 incident

At Barrackpore on the afternoon of March 29, 1857, Lieutenant Baugh, Adjutant of the 34th Bengal Native Infantry (BNI), was informed that several men of his regiment were in an excited state. Further, it was reported to him that one of them, Mangal Pandey, was p, who heard the hoof-beat of the approaching horse, took position behind the station gun, which was in front of the quarter-guard of the 34th, took aim at Baugh and fired. He missed Baugh, but the bullet struck his horse in the flank, and horse and rider were brought down. Baugh quickly disentangled himself and, seizing one of his pistols, advanced towards Pandey and fired. He missed. Before Baugh could draw his sword, Pandey attacked him with a ''talwar'' (a heavy Indian sword) and closing with the adjutant, slashed him on the shoulder and neck and brought him to the ground. It was then that another sepoy, Shaikh Paltu, intervened and tried to restrain Pandey even as he tried to reload his musket.

English Sergeant-Major Hewson, had arrived on the ground, summoned by a native officer, before Baugh. He had ordered the ''jemadar'' in command of the quarter-guard to arrest Mangal Pandey. To this, the ''jemadar'' expostulated that he could not take Pandey on alone. At this, Hewson ordered him to fall in his guard with loaded weapons. In the meantime, Baugh had arrived on the field shouting 'Where is he? Where is he?' Hewson called out to Baugh, 'Ride to the right, Sir, for your life. The sepoy will fire at you!' At that point Pandey fired, with the consequences outlined in the last paragraph.

Hewson had charged towards Pandey as he was fighting with Lieutenant Baugh. He then locked in combat with Pandey and was knocked to the ground from behind by a blow from Pandey's musket. The sound of the firing had brought other sepoys from the barracks; they remained mute spectators. At this juncture, Shaikh Paltu, while trying to defend the two Englishmen called upon the other sepoys to assist him. Assailed by other sepoys, who threw stones and shoes at his back, he called on the guard to help him hold Pandey, but they threatened to shoot him if he did not let go of Pandey.

On the order of the jemadar in command of the quarter-guard, a man called Ishwari Prasad, the sepoys advanced and struck at the two prostrate officers. They then threatened Shaikh Paltu and ordered him to release Pandey, whom he had been vainly trying to hold back. However, Paltu continued to hold Pandey until Baugh and the sergeant-major had had time to rise. Himself wounded by now, Paltu was obliged to loosen his grip. He backed away in one direction and Baugh and Hewson in another, while being struck with the butt ends of the guards' muskets.

In the meantime, report of the incident had been carried to the commanding officer General Hearsey, who then galloped to the ground with his two sons. Taking in the scene, he rode up to the guard, drew his pistol and ordered them to do their duty by seizing Mangal Pandey. The General threatened to shoot the first man who disobeyed. The men of the guard fell in and followed Hearsey towards Pandey. Pandey then put the muzzle of the musket to his breast and discharged it by pressing the trigger with his foot. He collapsed bleeding and with his regimental jacket on fire but not mortally wounded.

Pandey recovered and was brought to trial less than a week later. When asked whether he had been under the influence of any substances, he admitted to having used ''bhang'' (cannabis) and opium of late. He pleaded to not knowing what he was doing when intoxicated. He stated steadfastly that he had mutinied on his own accord and that none had played any role in egging him on. When asked to defend himself, he said, "I did not know what I was doing. I did not know who I wounded and who I did not. What more shall I say? I have nothing more to say. I have no evidence". He was sentenced to death by hanging along with the jemadar. His execution was scheduled for April 18, but was carried out ten days before that date. The jemadar Ishwari Prasad was executed by hanging, on April 21.

Aftermath

The 34th B.N.I. Regiment was disbanded "with disgrace" on May 6 as a collective punishment, after an investigation by the government, for failing to perform their duty in restraining a mutinous soldier and protecting their officer. This came after a period of six weeks while petitions for leniency were examined in Calcutta. Shaikh Paltu was promoted on the spot to the post of Havaldar (native sergeant) by General Hearsey, for his conduct during the incident.

The Indian historian Surendra Nath Sen notes that the 34th B.N.I. had had a good recent record and that the Court of Enquiry had not found any evidence of a connection with unrest at Berhampur involving the 19th B.N.I. four weeks before (see below). However, Mangal Pandey's actions and the failure of the armed and on-duty sepoys of the quarter-guard to take action convinced the British military authorities that the whole regiment was unreliable. It appeared that Pandey had acted without first taking other sepoys into his confidence but that antipathy towards their British officers within the regiment had led most of those present to act as spectators rather than obey orders.

Motivation

The primary motivation behind Mangal Pandey's behaviour is attributed to a new type of bullet cartridge used in the Enfield P-53 rifle which was to be introduced in the Bengal Army that year.

The cartridge was rumoured to have been greased with animal fat, primarily from pigs and cows, which could not be consumed by Muslims and Hindus respectively (the former being abhorrent to Muslims and the latter a holy animal of the Hindus). The cartridges had to be bitten at one end before use. The Indian troops were of the opinion that this was an intentional act of the British, with the aim of defiling their religions.

Commandant Wheeler of the 34th BNI was known as a zealous Christian preacher, and this may also have impacted the Company's behaviour. The wife of Captain William Halliday of 56th BNI had the Bible printed in Urdu and Nagri and distributed among the sepoys, thus raising suspicions amongst them that the British were intent on converting them to Christianity.

Also, the 19th and 34th Bengal Native Infantry were stationed at Lucknow during the time of annexation of Oudh because of alleged misgovernment by the Nawab, on February 7, 1856. The annexation had another implication for sepoys in the Bengal Army (a significant portion of whom came from that princely state). Before the annexation, these sepoys had the right to petition the British Resident at Lucknow for justice — a significant privilege in the context of native courts. As a result of the annexation, they lost that right, since that state no longer existed. Moreover, this action was seen by the residents of the state as an affront to their honour, the annexation being done in violation of an existing treaty.

The sepoys were accordingly affected by the general discontent which had been stirred up by the annexation. In February 1857, both these regiments were situated in Barrackpore.

The 19th Bengal Native Infantry Regiment is important because it was the regiment charged with testing the new cartridges on February 26, 1857. However, right up to the mutiny the new rifles had not been issued to them, and the cartridges in the magazine of the regiment were as free of grease as they had been through the preceding half century. The paper used in wrapping the cartridges was of a different colour, arousing suspicions. The non-commissioned officers of the regiment refused to accept the cartridges on the 26 February. This information was conveyed to the commanding officer, Colonel Mitchell; he took it upon himself to try to convince the sepoys that the cartridges were no different from those they had been accustomed to and that they need not bite it. He concluded his exhortation with an appeal to the native officers to uphold the honour of the regiment and a threat to court-martial such sepoys as refused to accept the cartridge. However, the next morning the sepoys of the regiment seized their bell of arms (weapons store). The subsequent conciliatory behaviour of Mitchell convinced the sepoys to return to their barracks. A Court of Enquiry was ordered which, after an investigation lasting nearly a month, recommended the disbanding of the regiment. The same was carried out on the 31 March. The 19th BNI were allowed to retain their uniforms and provided by the Government with an allowance to return home.

The Enfield rifle and cartridge

The P-53 was officially known as the Pattern 1853 Enfield Rifle Musket. Introduced in the British Army by the War Department during 1854 in the Crimean War, they proved very effective at a range of 50 to . It was introduced in the Bengal Army by the East India Company in early 1857. At the time of Mangal Pandey's outbreak rearming of the sepoy regiments with the new weapon was only in its early stages.

The rifle used a Metford-Pritchitt cartridge that required the use of a heavy paper tube containing 2½ drams (68 grains) of musket powder and a , pure lead bullet. As the bullet incorporated no annular grease rings like the French and American minié ball bullets introduced in 1847, it was wrapped with a strip of greased paper to facilitate loading. The cartridge itself was covered with a thin mixture of beeswax and linseed oil for waterproofing (although rumours abounded that it was beef or pork fat).

To load his rifle, the sepoy had to first bite off the rear of the cartridge to pour the powder down the barrel. He then inverted the tube (the projectile was placed in the cartridge base up), pushed the end-portion into the muzzle to the approximate depth of the bullet and tore off the remaining paper. The bullet could then be easily rammed on top of the charge.

Cultural considerations and rumours

Since cows are sacred to Hindus and pigs are strictly forbidden to Muslims, the Indian sepoys could be expected to have reservations about the cartridges. Thus when the rumour that animal fat was being used began to circulate, it had a very damaging effect. Other unsettling accounts started spreading. For instance, it was thought that the British planned to make their sepoys outcaste in the society to force them to convert to Christianity. Another rumour said the British had adulterated the wheat flour distributed to the sepoys with ground bone-dust of bullocks.

The matter could have been worsened by the fact that an overwhelming number of sepoys in the Bengal Native Infantry were Brahmins from Awadh, Purvanchal and Western Bihar. As Brahmins are generally devout Hindus and therefore vegetarians, they are not supposed to eat or touch meat, the resistance was even stronger.

The Commander-in-Chief, General George Anson reacted by saying, "I'll never give in to their beastly prejudices" and, despite the pleas of his junior officers, he did not compromise.

Later, the British contemplated reducing the discontent by allowing the sepoys to use their own grease made of ''ghee'' (clarified butter). Lord Canning sanctioned a proposal of Major-General Hearsey to this effect. However, the proposal was shot down by the Meerut-based Adjutant-General of the Army Colonel C. Chester, who felt it would be tantamount to an admission of guilt and could therefore worsen the matter. He falsely claimed that the sepoys had been using cartridges greased with mutton fat for years and that there was therefore no reason to give in now. This claim was not correct as native sepoys had till then only used Brown Bess muskets for which unsmeared paper cartridges were employed. The government let itself be convinced and rescinded the order allowing the usage of ghee.

Consequences

The attack by, and punishment of, Pandey is widely seen as the opening scene of what came to be known as the Indian Rebellion of 1857. He is referred as ''Shaheed'' (Martyr) Mangal Pandey in India .

Film and stage adaptations

''The Rising'' (2005)

A film based on the sequence of events that led up to the mutiny, entitled ''Mangal Pandey: The Rising'' starring Indian actor, Aamir Khan along with Rani Mukerji, Toby Stephens and Amisha Patel, directed by Ketan Mehta was released in August 2005.

''The Roti Rebellion'' (2005)

The life of Mangal Pandey was the subject of a stage play titled ''The Roti Rebellion'', which was written and directed by Supriya Karunakaran. The play was organized by Sparsh, a theatre group, and presented in June 2005 at The Moving Theatre at Andhra Saraswat Parishad, Hyderabad, Andhra Pradesh.

''White Teeth'' (2000)

Samad Iqbal, a fictional descendant of Mangal Pandey, is a central character in Zadie Smith's debut novel ''White Teeth''. Pandey is an important influence on Samad's life and is repeatedly referenced and investigated by the novel's characters.

English language

In the English language, Pandey is best remembered for the word his surname and his actions helped coin: ''pandy'' — a traitor, particularly a rebellious sepoy of the Mutiny of 1857. Once a colloquial term on the lips of every English-speaking Indian and Englishman resident in India, the word is no longer in regular use.

Commemoration

Postage stamp

The Government of India commemorated Mangal Pandey by issuing a postage stamp bearing his image on October 5, 1984. The stamp and the accompanying first-day cover were designed by Delhi-based artist C. R. Pakrashi.

See also

Pandey

Bahadur Shah II

Barrackpur

British East India Company

Indian Rebellion of 1857

Mangal Pandey: The Rising (2005)

Mughal Empire

Shaikh Paltu

References

Further reading

Amin, Agha H., ''The Sepoy Rebellion of 1857-59: Reinterpreted'', 1998, Strategicus and Tacticus

Malleson, G.B., ''The Indian Mutiny of 1857'', Delhi, Rupa & Co. publishers, 2005 (first published: 1890)

Misra, Amaresh, ''Mangal Pandey: True Story of an Indian Revolutionary'', 2005, Rupa & Co. publisher, Delhi

Mukherjee, Rudrangshu, ''Mangal Pandey: Brave Martyr or Accidental Hero?'', 2005, Penguin Books (India), ISBN 0-14-303256-9

External links

Mangal Pandy A Real Hero - View his profile

Indian Postal Service's commemorative stamp on Mangal Pandey

Man who led the mutiny

In the Footsteps of Mangal Pandey

The Great Mutiny: India's War for Freedom

Review of ''The Roti Rebellion'' in ''The Hindu'' (June 8, 2005)

Category:Revolutionaries of Indian Rebellion of 1857 Category:Indian people of the Indian Rebellion of 1857 Category:People from Kolkata Category:1857 deaths Category:People executed by hanging Category:People from Ballia Category:People from Uttar Pradesh Category:British East India Company Army soldiers Category:Executed Indian people Category:People executed by British India Category:Year of birth uncertain

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Birth date	November 01, 1973
Birth place	Mangalore, Karnataka, India
Birthname	Aishwarya Rai
Othername	Aishwarya Rai Bachchan
Residence	Mumbai, Maharashtra, India
Spouse	Abhishek Bachchan (2007–present)
Occupation	actor, model
Yearsactive	1991–present
Signature	}}

Aishwarya Rai Bachchan (''née'' Aishwarya Rai, , pronounced əjɕʋərjaː rəj; born 1973) is an Indian film actress. She worked as a model before starting her acting career, and ultimately won the Miss World pageant in 1994. Rai has acted in over 40 films in Hindi, English, Tamil, Telugu, and Bengali.

Often cited by the media as the "most beautiful woman in the world", Rai made her acting debut in Mani Ratnam's Tamil film ''Iruvar'' (1997), and had her first commercial success in the Tamil movie ''Jeans'' (1998). She gained the attention of Bollywood through the film ''Hum Dil De Chuke Sanam'' (1999), directed by Sanjay Leela Bhansali. Her performance won her the Filmfare Best Actress Award. In 2002 she appeared in Bhansali's ''Devdas'', for which she won her second Filmfare Best Actress Award.

After a setback in her career during 2003–2005, she appeared in ''Dhoom 2'' (2006), which was her biggest commercial success in India. She later appeared in films like ''Guru'' (2007), ''Jodhaa Akbar'' (2008), and ''Enthiran'' (2010), which were commercially and critically successful. Rai has established herself as one of the leading contemporary actresses in Bollywood.

Rai's off-screen roles include duties as brand ambassador for various charity organisations and campaigns. She is married to fellow actor Abhishek Bachchan. In 2009 she was honoured with Padma Shri, the fourth-highest civilian award given by the Government of India.

Early life

Rai was born into a Tulu-speaking Bunt family in Mangalore, Karnataka. Her father, Krishnaraj, was a marine biologist, while her mother, Brindya, is a housewife. She has one elder brother, Aditya Rai, who is an engineer in the merchant navy. He co-produced one of her movies, ''Dil Ka Rishta'' (2003).

The family moved to Mumbai, where Rai attended the Arya Vidya Mandir High School. Rai did her intermediate schooling at Jai Hind College for a year, and then joined DG Ruparel College in Matunga, securing 90 percent in the HSC exams. She trained in classical dance and music for five years during her teens. Her favourite subject was zoology, so she initially considered a career in medicine. With plans to become an architect, she enrolled at Raheja College, but later gave up her education to pursue a career in modelling.

Modelling career

One of her earliest modelling assignment was, when she was in the ninth grade, for Camlin Pencils. One of her professors at Jai Hind College took pictures of her which were published in a fashion magazine. In 1991 Rai took part in the Ford Supermodel Contest and also appeared in ''Vogue Magazine''. She has been on the cover of ''Vogue'' three times.

Rai became popular after appearing in a Pepsi commercial with actor Aamir Khan. She modelled for Longines watches, Coca-Cola, Lakmé Cosmetics, Casio pager, Philips, Palmolive, Lux, and Fuji films. She continued to model while pursuing her studies in architecture. She was named the official brand ambassador for De Beers diamonds in India.

In the 1994 ''Miss India'' contest, she won second place, behind Sushmita Sen, and was crowned ''Miss India World''. She went on to win the ''Miss World'' title the same year, where she also won the ''Miss Photogenic'' award. After winning the pageant, she gave up her studies and spent one year reigning as Miss World in London. Rai continued to pursue a career as a model until she became an actress.

Film career

Early career (1997–98)

Rai made her acting debut in Mani Ratnam's Tamil biopic film ''Iruvar'' (1997), where she worked alongside Mohanlal. The film was a critical success and won many awards, including Best Film award at the Belgrade International Film Festival, and two National Film Awards. Rai appeared in dual roles, one of which was a depiction of political leader and former actress J. Jayalalithaa. Rai made her Bollywood debut in the film in ''Aur Pyaar Ho Gaya'', opposite Bobby Deol, which released the same year; the film was unsuccessful at the box office. Her third project, ''Jeans'' (1998), a high-budget Tamil film directed by S. Shankar, was a commercial success. The film included the song "Poovukkul", written by Vairamuthu, in which Rai's character is compared to the seven wonders of the world and described as the eighth. The film was India's official entry to the Academy Awards in that year.

Career (1999–2002)

In 1999 Rai starred in Sanjay Leela Bhansali's ''Hum Dil De Chuke Sanam'', opposite Salman Khan and Ajay Devgan. The film had Rai playing Nandini, who is forced to marry Devgan despite being in love with another man (Khan). Her husband tries to help her locate her previous love, and his caring attention eventually wins her over. Rai's portrayal won her critical acclaim, with a review on Rediff.com stating, "Aishwarya looks beautiful as usual ... This film will most likely draw her accolades from all over, may be even get her recognised as an actress the way Manisha Koirala did in ''Khamoshi''. In many scenes, there is no trace of makeup and she looks very fresh". The film was her first box office success in Bollywood, and earned her a Filmfare Best Actress Award.

In the same year she appeared in Subhash Ghai's ''Taal'', in which she played Mansi, a young village woman who becomes a big pop star after being hurt by her lover, played by Akshay Khanna. The film was an average grosser in India but was a big success outside India, especially in the United States, where it became the first Indian film in the top 20 on ''Variety's'' box office list. Her performance was praised, with a reviewer from Rediff.com writing, "After being praised for her looks and acting talent in ''Hum Dil De Chuke Sanam'', Aishwarya has excelled in ''Taal''. She looks ethereal and unlike the former film, has a very sober and soft role. Though she looks pained and tragic in most of the film, she does a good job of a woman who is very protective of her father and one who doesn't think twice before rejecting a lover who has insulted her father." She received another Best Actress nomination from the Filmfare Awards for her work in the film.

In 2000 she appeared in Mansoor Khan's ''Josh'' alongside Shahrukh Khan and Chandrachur Singh, in which she plays a Catholic named Shirley who falls in love with the sibling of her brother's enemy. The film was a commercial success. Later that year she appeared in Satish Kaushik's ''Hamara Dil Aapke Paas Hai'', opposite Anil Kapoor. It was a moderate success, and her performance earned her a Filmfare Best Actress Award nomination. Later that year she played a supporting role in Aditya Chopra's ''Mohabbatein'', alongside Amitabh Bachchan and Shahrukh Khan. The second-highest grosser of the year, the film was a major commercial success, and earned her a Filmfare Best Supporting Actress Award nomination. Later that year, she starred in the Tamil film ''Kandukondain Kandukondain'', alongside Mammooty, Ajith Kumar, and Tabu. Rai plays Tabu's younger sibling, a dreamer at heart, whose hopes come crashing down when she discovers she's been cheated by her lover. Directed by Rajiv Menon, the movie was a successful venture commercially.

In 2002 Rai appeared alongside Shahrukh Khan and Madhuri Dixit in Sanjay Leela Bhansali's ''Devdas'', an adaptation of Sharat Chandra Chattopadhyay's novel of the same name. She played the role of Paro (Parvati), the love interest of the protagonist, played by Khan. The film received a special screening at the 2002 Cannes Film Festival. It became the highest-grossing film of the year in India and overseas, earning a revenue of Rs domestically. ''Devdas'' won numerous awards, including 10 Filmfare Awards, and Rai received her second Filmfare Best Actress Award for her performance.

Professional setback (2003–05)

In 2003 she acted in Rituparno Ghosh's Bengali film ''Chokher Bali'', an adaptation of Rabindranath Tagore's novel of the same name. She portrays the character of a young woman called Binodini, who is left on her own when her sickly husband dies soon after they are married. The film was critically acclaimed and did well at the box office. That year she appeared in the Bollywood film ''Dil Ka Rishta'', with Arjun Rampal, and Rohan Sippy's ''Kuch Na Kaho'', alongside Abhishek Bachchan, neither of which fared well at the box office.

In 2004 she appeared alongside Martin Henderson in ''Bride and Prejudice'', Gurinder Chadha's Bollywood-style English adaptation of Jane Austen's ''Pride and Prejudice''. She played Lalita Bakshi, the film's version of Austen's character Elizabeth Bennet. Based on 131 reviews, the film has a rating of 64 percent at the review website Rotten Tomatoes. She played a negative role for the first time in Rajkumar Santoshi's ''Khakee'', which also featured Amitabh Bachchan, Akshay Kumar, Ajay Devgan, and Jayapradha. The film was a box office success. In the same year she worked with director Rituparno Ghosh for the second time, in ''Raincoat'', where she starred alongside Ajay Devgan. The film was highly acclaimed by critics, with Rai receiving rave reviews for her performance.

In 2005 she appeared in ''Shabd'', a film based on a love triangle, alongside Sanjay Dutt and Zayed Khan. The film was unsuccessful at the box office; it received average reviews from critics. Her next release was Paul Mayeda Berges's ''The Mistress of Spices'', based on the novel of the same name by Chitra Banerjee Divakaruni, in which she starred alongside Dylan McDermott. The film received negative reviews from critics, and was a commercial failure. The same year she made a special appearance in a hugely popular seven-minute dance sequence for the song "Kajra Re", with Amitabh Bachchan and Abhishek Bachchan, in Shaad Ali's ''Bunty Aur Babli''.

Recent work (2006–present)

In 2006 Rai portrayed the title role in J P Dutta's ''Umrao Jaan'', the story of a courtesan and poetess from 19th-century Lucknow. The movie is the second adaptation of the Urdu novel ''Umrao Jaan Ada'' (1905), by Mirza Hadi Ruswa. Rai's work received mixed reviews, and the film was a critical and commercial failure. Critics particularly felt the new version is poor when compared to the acclaimed 1981 version by Muzaffar Ali, which starred Rekha in the title role. BBC critic Poonam Joshi wrote, "While only Aishwarya could emulate the grace and poise of Rekha, she doesn't quite capture the intensity of Umrao's abiding melancholy", commenting that "her incandescent beauty and artistry... does indeed keep the audience watching, though not necessarily emotionally engaged." Later that year she appeared as a master thief, Sunheri, in the Yash Raj Films production of ''Dhoom 2'', directed by Sanjay Gadhvi. The ensemble cast included Hrithik Roshan, Abhishek Bachchan, Bipasha Basu, and Uday Chopra. The movie was a blockbuster, and became the highest grossing film of the year in India, earning revenues of over Rs domestically. A controversy arose regarding a scene containing a kiss between her and Hrithik Roshan. Rai's performance received mostly negative reviews, with a reviewer on Rediff.com writing, "Ash's character too is all gloss and no depth. You seldom feel any tension in her behaviour and expressions as she accompanies the master thief on potentially dangerous missions. Sunehri enters the film nearly 50 minutes after its opening in a disguise. In no time, she is wearing the flimsiest of clothes. Once she opens her mouth—and she does it two minutes after appearing in the film—she spoils the image. There is no sensuality any more, and half an hour later, one wonders what made the master thief fall for her." Nonetheless, her performance earned her a sixth nomination for Filmfare Best Actress Award.

In 2007 she appeared in Mani Ratnam's ''Guru'' as Sujata. Speculated to be based on the life of Indian businessman Dhirubhai Ambani, it is a rag to riches story about an ambitious small-town man who ends up as the owner of the biggest corporation in India. The film premièred at the Elgin Theatre in Toronto, Canada, the first Indian film to have a mainstream international premiere in that country. The film was critically acclaimed, and performed well at the box office. Critical reception for Rai was mixed. While Nikhat Kazmi from ''The Times of India'' wrote that she is "just okay, and fails to register the growth in her character", Rediff.com's Raja Sen described it as "arguably her finest performance, visible especially when she takes over the film's climax." Rai received her seventh Filmfare nomination for Best Actress for her performance. In the same year she starred alongside Naveen Andrews and Miranda Richardson in Jag Mundhra's British film ''Provoked'', as Kiranjit Ahluwalia, an Non-resident Indian woman who kills her abusive husband after facing severe domestic violence. Rai received mostly positive reviews for her portrayal. It was screened in the Marché du Film Cannes Film Market during the 2006 Cannes Film Festival. Ahluwalia sat next to Rai during the screening, reportedly holding her hand and sobbing during the most violent scenes. In the same year Rai appeared as a warrior from Kerala named Mira in Doug Lefler's epic film ''The Last Legion'', alongside Sir Ben Kingsley, Colin Firth, and Thomas Sangster. The film was a critical failure.

In 2008 Rai starred alongside Hrithik Roshan in Ashutosh Gowariker's historical drama ''Jodhaa Akbar''. The story is a partly fictionalised account of the life of Muslim Mughal emperor Jalaluddin Muhammad Akbar, played by Roshan, and his Hindu wife Jodha Bai, played by Rai. The film was a critical and commercial success, earning revenues of over Rs domestically. Rai's performance in the film was praised by critics, with Rajeev Masand writing, "Aishwarya Rai is wonderfully restrained and uses her eyes expertly to communicate so much, making this one of her finest outings on screen". She earned her eighth nomination for Best Actress at the Filmfare Awards for her performance. Later that year she co-starred with husband Abhishek Bachchan and father-in-law Amitabh Bachchan in Ram Gopal Verma's ''Sarkar Raj'', a sequel to his previous film, ''Sarkar''. She plays the CEO of a major power company that is proposing a new power plant in rural Maharashtra. The film was a critical and commercial success.

In 2009 she appeared in Harald Zwart's spy comedy film ''The Pink Panther 2'', playing the role of criminology expert Sonia Solandres. Like its predecessor, the sequel received negative reviews from critics, and did a moderate business of $34,590,360 at the U.S box office. In 2010 she collaborated with Mani Ratnam for a bilingual project, two films featuring Rai portraying a character based on the goddess Sita. The films were shot simultaneously, with Rai's role being one of the only roles which were played by the same performer in both versions. Upon release, the project received mixed reviews. Though both her portrayals of Ragini were praised, the Hindi version—''Raavan'', alongside Abhishek Bachchan—failed commercially, whilst the Tamil version—''Raavanan''—was successful. The Hindi version of the film got decent reviews in various US media, including the ''New York Times'' and ''Los Angeles Times'', with the former saying, "Raavan has Bollywood glamour aplenty, with the lovely if occasionally dramatically challenged Aishwarya Rai Bachchan", and the latter describing Rai as a scene-stealer.

Rai paired with Rajinikanth in the science fiction Tamil film ''Enthiran'' (2010), directed by S. Shankar. The film—the most expensive ever made in India—was released worldwide in 2010, and is the highest-grossing Indian film when all its versions are totalled. She appeared in Vipul Shah's ''Action Replayy'' opposite Akshay Kumar, which received mixed reviews from critics. Rai's final release in 2010 was ''Guzaarish'', her third collaboration with director Sanjay Leela Bhansali and actor Hrithik Roshan. The film tells the story of Ethan Mascarenhas (Roshan), a former magician who has been quadriplegic for twelve years; after years of struggle he files an appeal to the court for euthanasia. Rai played Ethan's strict, devoted, and supportive nurse Sophie D'Souza. The film opened to positive reviews, and Rai's portrayal was praised. According to Nikhat Kazmi, "Aishwarya is a stunning picture of fire and grace, walking away with certain scenes by her sheer vitality." In 2011 she received her ninth nomination for the Filmfare Award for Best Actress. As of May 2011, she is set to appear in Rajkumar Santoshi's next film, ''Ladies and Gentlemen'', along with Abhishek Bachchan, and in Madhur Bhandarkar's next directorial venture, ''Heroine''. The shooting of both films was postponed, due to Rai's pregnancy. She will not appear in ''Heroine'', which is going forward with Kareena Kapoor.

Social work

In 1999 Rai participated in a world tour called the ''Magnificent Five'', along with Aamir Khan, Rani Mukerji, Akshaye Khanna, and Twinkle Khanna. In the same year, she was appointed as Longines Ambassador of Elegance. In 2003 she became the first Indian actress to be a jury member at the Cannes Film Festival. In 2003 she became a global brand ambassador of L'Oreal, alongside Andie Macdowell, Eva Longoria, and Penelope Cruz. Rai is the brand ambassador for The Eye Bank Association of India's nationwide campaign to promote eye donation in India. In 2005 she became a brand ambassador for Pulse Polio, a campaign established by the Government of India in 1994 to eradicate polio in India. In the same year, Rai was appointed spokesperson for the International Year of Microcredit, raising awareness of the main goals and priorities of the United Nations' poverty alleviation efforts.

In February 2005 Rai performed alongside other Bollywood stars at the ''HELP! Telethon Concert'', an event to raise money for the victims of the 2004 tsunami earthquake. Along with other members of the Bachchan family, she laid the foundation of a special school for underprivileged girls in Daulatpur village in Uttar Pradesh in 2008. Construction is being funded by the Bachchan family, and the school will be named after Rai. She appeared along with various other Bollywood actors at the closing ceremony of the 2006 Commonwealth Games in Melbourne. The performance showcased Indian culture as a lead-up to India hosting the 2010 Commonwealth Games.

In 2009 Rai was appointed as the first Goodwill Ambassador of Smile Train, an international charity that provides free Cleft lip and palate surgery to children in need. Her work with Smile Train will focus not only on India, but on 76 different developing countries around the world.

Personal life

In 1999 Aishwarya began dating Bollywood actor Salman Khan; their relationship was often reported in the media until the couple separated in 2001. Rai cited "abuse (verbal, physical and emotional), infidelity and indignity" on the part of Khan as reasons for ending the relationship. In a 2009 ''Times of India'' article, Khan denied ever beating her: "It's not true that I hit a woman."

Rai is married to actor Abhishek Bachchan, they met in 1997. Their engagement was announced on 2007 and later confirmed by his father, Amitabh Bachchan. The couple married on 2007 according to traditional Hindu rites of the Bunt community, to which she belongs. Token North Indian and Bengali ceremonies were also performed. The wedding took place in a private ceremony at the Bachchan residence, "Prateeksha", in Juhu, Mumbai. They have been described as a supercouple in the Indian media. Rai is very close to her family and lived with them in Bandra, Mumbai, until her marriage. Rai is Hindu and deeply religious.

Rai gave birth to a baby girl on 16 November 2011.

Awards and honours

Aishwarya Rai is a two-time winner of the Filmfare Best Actress Award, and has been nominated for Filmfare Awards eleven times. She has won numerous times at the International Indian Film Academy Awards, Star Screen Awards, Zee Cine Awards, and others. In 2009 Rai was awarded the Padma Shri, the fourth-highest Indian civilian award, for her contributions to Indian cinema. In 2001 Forbes named Rai among the top five Indian movie stars. In a reader poll conducted by UK's ''Hello!'' magazine, she was voted "the most attractive woman of 2003". In the same year, Rai appeared in ''Rolling Stone'' magazine's annual "Hot List". In 2004 she was chosen by ''TIME'' magazine as one of the world's most influential people, and appeared on the cover of its 2003 Asia edition. In October 2004 a wax figure of Rai was put on display in London's Madame Tussaud's wax museum. She was the sixth Indian and the second Bollywood personality—after her father-in-law, Amitabh Bachchan—to get this honour. In 2007 the same figure was displayed at Madame Tussaud's Museum in Times Square in New York.

In 2005 she was the subject of a ''60 Minutes'' profile on , which said that "at least according to thousands of Web sites, Internet polls and even Julia Roberts", she was "the world's most beautiful woman". The same year, a tulip in the Netherlands was named "''Aishwarya Rai''" after her. Also in 2005, Mattel released a limited edition of Barbie dolls of Aishwarya Rai in the United Kingdom. The British magazine ''Maxim'' ranked Rai first on their list of "Hottest Women of India".

Rai appeared on such shows as ''Late Show with David Letterman'', and was the first Bollywood personality to appear on ''Oprah's'' "Women Across the Globe" segment. In 2005 Harpers and Queen's list of "Most Beautiful Women in The World" ranked her ninth. In May 2006 Aishwarya was featured in ''People Magazine'' as one of the "World's Most Beautiful People". The UK magazine ''Eastern Eye'' ranked her third in the list of "Asia's Sexiest Women" in 2006, and she was ranked eighth in 2009. In 2008 American television channel E!: Entertainment listed Aishwarya's eyes as the sexiest on their Sexiest Body Parts list. In 2009 she made appearances on Martha Stewart's show ''Martha'' and on the ''The Tyra Banks Show''. In the same year Forbes listed Rai at 387th out of 1,411 actors on their list of the most bankable stars in Hollywood. She is the highest-ranked Indian actor on the list.

In 2009, Rai refused to accept the second-highest Order Of France, ''Ordre des Arts et des Lettres'', as her father was suffering from a serious illness, and she wanted her whole family to attend the award ceremony. She is the fourth Indian actor—after Sivaji Ganesan, Nandita Das, and Shahrukh Khan—to be chosen for the award. Amitabh Bachchan was chosen for another Order Of France, the Legion of Honour. In June 2009 she was declared the ''Female Star of The Decade'' at the tenth International Indian Film Academy Awards, held in Macau. In December 2010 she was declared the "Actress of the Decade" at the BIG Star Entertainment Awards. In March 2011 Rai was honoured by Karnataka Chief Minister B. S. Yeddyurappa at World Kannada Meet (Vishwa Kannada Sammelana) for her contributions to the arts. Later that month she was presented with the "Decade of Global Achievement Honour" by FICCI. She attended the 83rd Academy Awards, along with her husband, Abhishek.

Filmography

scope="col"	Year	Title	Language	Role	Notes
1997	''Iruvar''		Pushpa / Kalpana
1997	''Aur Pyaar Ho Gaya''		Ashi Kapoor
1998		Tamil	Madhumita	Dubbed into Telugu and Hindi with the same title
1999	''Aa Ab Laut Chalen''	Hindi	Pooja
1999	''Hum Dil De Chuke Sanam''	Hindi	Nandini	Filmfare Best Actress Award
1999	''Ravoyi Chandamama''			Special appearance
1999		Hindi	Mansi
2000		Hindi	Champakali	Guest appearance
2000	''Kandukondain Kandukondain''	Tamil	Meenakshi Bala	Dubbed into Telugu as ''Priyuralu Pilichindi''
2000		Hindi	Shirley
2000	''Hamara Dil Aapke Paas Hai''	Hindi	Preeti Virat	Nominated—Filmfare Best Actress Award
2000	''Dhaai Akshar Prem Ke''	Hindi	Sahiba Grewal
scope="row">2000	''Mohabbatein''	Hindi	Megha	Nominated—Filmfare Best Supporting Actress Award
2001		Hindi	Sonia
2002	''Hum Tumhare Hain Sanam''	Hindi	Suman	Guest appearance
2002		Hindi	Komal Rastogi
scope="row">2002	''23 March 1931: Shaheed''	Hindi		Special appearance
2002		Hindi	Parvati (Paro)	Filmfare Best Actress Award
2002		Hindi	Herself	Special appearance in song "Ishq Kamina"
2003			Binodhini
2003	''Dil Ka Rishta''	Hindi	Tia Sharma
2003	''Kuch Naa Kaho''	Hindi	Namrata Shrivastav
2004	''Bride & Prejudice''	English	Lalita Bakshi	Dubbed into Hindi as ''Balle Balle Amritsar to LA''
2004	''Khakee''	Hindi	Mahalakshmi
2004	''Kyun...! Ho Gaya Na''	Hindi	Diya Malhotra
2004		Hindi	Neerja	Nominated—Filmfare Best Actress Award
2005		Hindi	Antara Vashist/Tammana
2005	''Bunty Aur Babli''	Hindi		Special appearance in the song "Kajra Re"
2005		English	Tilo
2006		Hindi	Umrao Jaan
2006	''Dhoom 2''	Hindi	Sunehri	Nominated—Filmfare Best Actress Award
2007		Hindi	Sujata	Nominated—Filmfare Best Actress AwardDubbed into 2007		English	[[Kiranjit Ahluwalia">Tamil language
2007		English	[[Kiranjit Ahluwalia	Dubbed into Hindi with the same title
2007	''The Last Legion''	English	Mira
2008	''Jodhaa Akbar''	Hindi	Mariam-uz-Zamani>Jodhaa Bai	Nominated—Filmfare Best Actress AwardDubbed into 2008	''[[Sarkar Raj">Tamil language
2008	''[[Sarkar Raj''	Hindi	Anita Rajan
2009	''The Pink Panther 2''	English	Sonia Solandres	Dubbed into French as ''La Pantera Rosa 2''
2010	''Raavan''	Hindi	Ragini Sharma
2010	''Raavanan''	Tamil	Ragini Subramaniam
2010	''Enthiran''	Tamil	Sana
2010	''Action Replayy''	Hindi	Mala
2010	''Guzaarish''	Hindi	Sofia D'Souza	Nominated—Filmfare Best Actress Award

See also

List of Indian film actresses

References

Further reading

External links

}}

Category:1973 births Category:Living people Category:Femina Miss India winners Category:Filmfare Awards winners Category:Indian female models Category:Indian film actors Category:Indian Hindus Category:Mangaloreans Category:Miss World 1994 delegates Category:Miss World winners Category:Officiers of the Ordre des Arts et des Lettres Category:People from Mangalore Category:People from Mumbai Category:Recipients of the Padma Shri Category:Tulu people Category:University of Mumbai alumni Category:Tamil film actors

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name	Steve McCurry
birthname	Steve McCurry
birth date	April 23, 1950
birth place	Philadelphia, Pennsylvania
occupation	Photojournalism
gender	male
credits	Robert Capa Gold Medal for Best Photographic Reporting from Abroad
url	http://www.stevemccurry.com/main.php
agent	}}

Steve McCurry (born April 23, 1950) is an American photojournalist best known for his photograph, "Afghan Girl" that originally appeared in ''National Geographic'' magazine.

Early life

McCurry began studying film history cinematography and filmmaking at Penn State in 1968, but ended up getting a degree in theater arts and graduating cum laude in 1974. He became very interested in photography when he started taking pictures for the Penn State newspaper called The Daily Collegian.

Career

His photojournalism career began with his coverage of the Soviet war in Afghanistan. McCurry disguised himself in native dress and hid his film by sewing it into his clothes. His images were among the first of the conflict and were widely published. His coverage won the Robert Capa Gold Medal for Best Photographic Reporting from Abroad.

McCurry continued to cover international conflicts, including the Iran-Iraq war, Beirut, Cambodia, the Philippines, the Gulf War, and Afghanistan. McCurry's work has been featured worldwide in magazines and he is a frequent contributor to ''National Geographic.'' He has been a member of Magnum Photos since 1986.

He currently uses the Nikon D700 and a Hasselblad medium format camera. In an interview, he says, "In the old days, I mainly used prime lenses like a 28mm, a 35mm and a 50mm, but these days, I am happy with the results of my Nikkor 28-70 zoom lens that I find gives me sharp results."

Recognition

McCurry's most recognized photo is that of "Afghan Girl", a previously unidentified Afghan refugee. The image itself was named as "the most recognized photograph" in the history of the ''National Geographic'' magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the "Afghan Girl" remained unknown for over 15 years until McCurry and a ''National Geographic'' team located the woman, Sharbat Gula, in 2002.

Steve McCurry is portrayed in a TV documentary titled "The Face of the Human Condition" (2003) by French award-winning filmmaker Denis Delestrac.

In 2009, his exhibition the Unguarded Moment, held at the Asian Civilisations Museum, was the main show of Month of Photography Asia.

Although McCurry shoots both in digital and film, his admitted preference is for transparency film. Eastman Kodak let McCurry shoot the last ever produced roll of Kodachrome transparency film, which was processed in July 2010 by Dwayne's Photo in Parsons, Kansas and will be housed at the George Eastman House. Most of the photos, excluding a few near-duplicates, have been published on the Internet by Vanity Fair magazine.

Based in New York, McCurry offers weekend photography workshops, as well as extended 2-week digital photography workshops in Asia (currently scheduled in Nepal, India, and Burma).

References

External links

Steve McCurry's Official web site (with image galleries)

Steve McCurry's gallery at photographic agency "Sudest57" web site

''Capturing the Face of Asia'' - Interview with Steve McCurry in June 2007 by European Culture and Arts online Magazine "Culturekiosque"

''I Visualize Photo Possibilities Wherever I Am'' - Interview with Steve McCurry in August 2009 by Indian photography web site "Fotoflock.com"

One on One with Riz Khan - Al Jezeera interview by Riz Khan on his work

Category:American photojournalists Category:American photographers Category:Magnum photographers Category:Photography in Afghanistan Category:Living people Category:Pennsylvania State University alumni Category:1950 births

cs:Steve McCurry de:Steve McCurry es:Steve McCurry fr:Steve McCurry it:Steve McCurry he:סטיב מק'קורי ka:სტივ მაქქარი nl:Steve McCurry pl:Steve McCurry pt:Steve McCurry ro:Steve McCurry fi:Steve McCurry